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Talented Mr en
00:00:01	# Soul
00:00:05	# The heart in you not whole #
00:00:09	# For love #
00:00:12	# For love #
00:00:20	# Walked out #
00:00:26	# Cast into the dark #
00:00:33	# Branded with a mark #
00:00:40	# Of shame #
00:00:44	# Of Cain #
00:00:53	If I could just go back.
00:00:57	If I could rub everything out,
00:00:59	starting with myself.
00:01:03	Starting with borrowing
00:01:06	# Oh, such fleeting paradise #
00:01:10	# Such innocent delight #
00:01:13	# To love #
00:01:18	# Be loved #
00:01:21	# A lullaby #
00:01:27	# Then silence ##
00:01:39	- Frances, that was lovely.
00:01:42	Congratulations.
00:01:45	Marvellous.
00:01:47	Herbert Greenleaf.
00:01:50	Thank you.
00:01:51	- How do you do?
00:01:54	Most likely you'll know
00:01:57	I couldn't help noticing your jacket.
00:02:01	Class of '56.
00:02:04	How is Dickie?
00:02:07	We've enjoyed meeting you.
00:02:09	I do hope that you'll
00:02:12	- Thank you. That's very kind.
00:02:15	- Herbert?
00:02:18	Of course, Dickie's idea
00:02:21	- Oh, dear.
00:02:24	To my ear,
00:02:27	Just an insolent noise.
00:02:29	- Very nice to meet you.
00:02:32	- Sir.
00:02:34	- I hope to.
00:02:38	I have to run!
00:02:42	- Ah, you were great!
00:02:45	Darling couple, aren't they?
00:02:47	Yes, they are.
00:02:53	- Thanks a lot for the jacket.
00:02:55	Take care of that wrist.
00:03:05	Believe me. Buy I. B. M. Now,
00:03:08	You'll make yourself
00:03:10	You think so?
00:03:48	Sorry. Sorry.
00:03:51	Sorry.
00:03:53	You've probably heard
00:03:56	Mongibello.
00:03:59	No kind of place at all.
00:04:01	- Good morning, sir.
00:04:03	Marge, his young lady,
00:04:07	is supposedly writing
00:04:09	God only knows what he does.
00:04:11	By all accounts, they spend the whole
00:04:15	That's my son's talent...
00:04:19	Could you ever conceive
00:04:22	Persuade my son
00:04:27	I'd pay you...
00:04:29	a thousand dollars.
00:04:34	Well, I have always wanted
00:04:38	Good. Now you can go
00:04:57	Count Basie.
00:05:00	Duke Ellington?
00:05:05	I don't know.
00:05:09	I don't know.
00:05:18	Dizzy Gillespie.
00:05:20	## My funny Valentine #
00:05:24	My funny Valentine.
00:05:25	# Sweet, funny Valentine ##
00:05:30	I don't even know
00:05:51	Charlie Parker?
00:05:53	Charlie Parker.
00:05:58	Yes!
00:06:00	Ugh.
00:06:24	- Here. I'll take it.
00:06:27	That thousand bucks
00:06:29	- Yes, sir.
00:06:36	- Thank you.
00:06:39	You're gonna have a great trip. Mr Greenleaf
00:06:49	I can tell you, the Greenleaf name
00:07:30	- Do you speak English?
00:07:34	- Ripley.
00:07:36	- Here, Signor Ripley.
00:07:40	Uh, there.
00:07:42	- This one.
00:07:44	Attenzione.
00:07:48	- Si.
00:07:51	Oh. Customs.
00:08:06	- What's your secret?
00:08:09	No, it's just that...
00:08:12	No, it's just that...
00:08:14	I have so much luggage,
00:08:19	It's, you know, humiliating.
00:08:23	I'm Meredith,
00:08:25	- Hello, I'm Dickie.
00:08:30	- Um, Dickie Greenleaf.
00:08:35	You're not
00:08:38	Oh, trying not to be.
00:08:41	Trying to jump ship.
00:08:42	So, uh, did they put
00:08:46	It's just that, uh,
00:08:50	I thought I saw you there.
00:08:54	My father wants me
00:08:57	He builds boats.
00:09:00	So I travel
00:09:03	- Which is...
00:09:06	I'm just kidding.
00:09:10	You know,
00:09:12	I'm not Randall either.
00:09:16	I'm Logue.
00:09:18	- As in...
00:09:21	Trying to shrug off the dress.
00:09:24	- I travel under my mother's name too.
00:09:26	Right.
00:09:28	- So, Rome, Rome, Rome.
00:09:33	- We're partners in disguise. Bye.
00:10:54	"The fiancée has a face."
00:11:20	Bird.
00:11:26	"This is my face."
00:12:02	So I guess you didn't look
00:12:05	I will, Marge.
00:12:07	It's just been too hot.
00:12:19	If I make dinner at my place tonight,
00:12:21	Dickie Greenleaf?
00:12:24	- Who's that?
00:12:27	Tom Ripley?
00:12:29	- We were at Princeton together.
00:12:33	Did we know each other?
00:12:36	Hello.
00:12:38	I suppose
00:12:42	Princeton's like a fog.
00:12:44	America's like a fog.
00:12:47	This is Marge Sherwood.
00:12:51	- Ripley.
00:12:52	How do you do, Marge?
00:12:56	- What are you doing in Mongi?
00:12:58	Nothing much.
00:13:00	Just passing through.
00:13:02	- Passing through?
00:13:06	You're so white.
00:13:10	Did you ever see a guy
00:13:13	Grey, actually.
00:13:15	It's just an undercoat.
00:13:17	- Say again?
00:13:23	That's funny.
00:13:25	Margie likes that
00:13:28	Yes, I do,
00:13:30	You should come and have lunch
00:13:32	- Yes, Dickie?
00:13:35	Well,
00:13:38	coincidence.
00:13:44	I don't remember him.
00:13:46	That's so funny.
00:13:55	Silvana! Hey!
00:13:58	I've been looking all over for you.
00:14:03	Yeah, today you're
00:14:05	- And where have you been the rest of the week?
00:14:08	- Come on. Get on.
00:14:12	- Hold on to me.
00:14:14	- Huh?
00:14:19	Did you suddenly forget where I lived?
00:14:21	I know. I'm late.
00:14:24	- It's 4:00.
00:14:26	- Ohh.
00:14:28	- You just woke up.
00:14:31	We were fishing,
00:14:33	- and we caught absolutely nothing.
00:14:36	we ate everything without you.
00:14:39	- We?
00:14:41	- Tom Ripley's here.
00:14:46	- Tom. Hello.
00:14:49	- Hello.
00:14:52	- We were gonna send out a search party.
00:14:55	- No, still here.
00:14:59	Made me laugh so hard
00:15:03	- Is that good?
00:15:07	I'm sorry.
00:15:10	I'm despicable.
00:15:13	- Do you love me? Do you love me?
00:15:16	Can you mix a martini?
00:15:20	- Sure.
00:15:24	- Ohh.
00:15:31	Everybody should have one talent.
00:15:35	Forging signatures,
00:15:37	telling lies, impersonating
00:15:40	That's three. Nobody should
00:15:45	Okay, do an impression.
00:15:48	- Now?
00:15:50	The only talent my son has...
00:15:53	is for cashing
00:15:58	- What?
00:16:00	Believe me,
00:16:02	- Instead, I make boats.
00:16:04	- Other people sail them.
00:16:07	You're making all the hairs
00:16:09	Oh, yes. Jazz.
00:16:12	It's just, uh...
00:16:16	I feel like he's here.
00:16:18	- Horrible, like the old bastard's here right now.
00:16:22	That's brilliant.
00:16:24	Brilliant!
00:16:26	Oh, I met him in New York.
00:16:28	Marge!
00:16:30	You've got to hear this.
00:16:33	Herbert Richard Greenleaf I.
00:16:35	Pleasure to meet you.
00:16:39	- Uncanny!
00:16:42	- I don't get it.
00:16:44	Could you ever conceive
00:16:47	and, uh, bringing him back?
00:16:50	- What?
00:16:53	If you would go to Italy,
00:16:55	persuade my son to come home,
00:17:01	I'm never going back.
00:17:03	To actually hire somebody
00:17:06	to drag me back home...
00:17:08	Got to be a little insane,
00:17:10	"Ciao", Fausto.
00:17:17	- This is Tom.
00:17:22	- I'm never going back.
00:17:24	Your mother, her illness,
00:17:26	It's got nothing to do
00:17:29	She's had leukem...
00:17:33	He wants me back.
00:17:37	- It's got nothing to do with my mother.
00:17:39	Go back.
00:17:41	Or call him, if you can find
00:17:43	and tell him wild horses wouldn't
00:17:50	- Hi, Tom. -
00:17:53	Tom's saying goodbye.
00:17:56	Oh, I'll come down.
00:17:59	So, uh, did you
00:18:02	Oh, you were right...
00:18:04	- I told you.
00:18:06	- There's some problem.
00:18:11	Tom. You're off?
00:18:15	Oh, back, I suppose,
00:18:18	This bag!
00:18:22	Hey. You like jazz.
00:18:26	I love jazz.
00:18:30	This is the best.
00:18:32	Baker, Rollins.
00:18:35	Marge says she likes jazz,
00:18:38	- I never said that!
00:18:40	That's jazz.
00:18:43	Bird? Ask me
00:18:45	I don't know.
00:18:47	Look! Look!
00:18:49	Which is ridiculous. Boats are female.
00:18:52	Everyone knows you can't
00:18:56	- He's not a man. He's a god.
00:18:59	There's a club...
00:19:01	- It's vile.
00:19:04	It's great. It's... It's great.
00:19:38	How are you?
00:19:44	Oh!
00:20:24	That'd be cool.
00:20:29	Tom Ripley!
00:20:34	Come on!
00:20:38	Yeah!
00:20:42	I'll tell you when
00:20:44	Come on.
00:20:55	Okay.
00:21:37	I bumped into
00:21:39	a fellow called Tom Ripley.
00:21:42	He says he's going to haunt me
00:21:45	to go back to New York...
00:21:50	with him.
00:21:57	Afternoon.
00:21:59	What time is it?
00:22:01	- Oh, God.
00:22:05	- Here...
00:22:09	- That should be two T's.
00:22:13	It's the privilege
00:22:16	Your room's
00:22:18	I think Ermalinda
00:22:23	- This is so good of you.
00:22:30	Now that you're a double agent
00:22:33	what if we were to buy
00:22:36	- Okay.
00:22:39	- Hello, Tom.
00:22:41	Marge, Marge,
00:22:43	Little Cinquecento
00:22:45	Oh, please, Dickie.
00:22:48	- You can't even drive.
00:22:52	What do you think? Agree with me,
00:22:56	- I absolutely agree with Marge.
00:22:59	Icebox. Icebox.
00:23:14	So, what, is he gonna move in with you?
00:23:16	It'll just be for a little while.
00:23:21	- Okay, darling.
00:23:24	- No, I like him.
00:23:28	Don't like you.
00:23:31	Then I'll go to your place
00:23:43	I like him.
00:23:45	Marge, you like everybody.
00:23:53	No, I like him.
00:23:56	Marge, you like everybody.
00:24:01	Now you'll find out why Miss Sherwood
00:24:05	It's not love.
00:24:07	Ever since Ermalinda
00:24:10	he feels like quite
00:24:12	- I bought the coffee machine.
00:24:15	This is for Tom,
00:24:18	That ring is superb.
00:24:21	Oh, Tom, I love you.
00:24:23	Ooh! I had to promise, capital "P",
00:24:28	- Otherwise, I'd give it to you.
00:24:32	I had to bargain for it
00:24:34	I hope it wasn't cheap, Marge.
00:24:37	Oh, it was.
00:24:40	I have to get a birthday present for
00:24:43	- Who's Frances?
00:24:46	Engaged?
00:24:49	- Who is she?
00:24:51	Oh, God.
00:24:55	"If only Dickie
00:24:57	"Doesn't every parent
00:25:00	Oh, God. Never. Never.
00:25:02	I swear on your ring, Marge,
00:25:07	- Say when to pull.
00:25:10	It's not pulling.
00:25:15	- Better now, huh?
00:25:18	We'll make a sailor
00:25:20	You're doing really well.
00:25:22	- All right. Bar's open.
00:25:25	- Hey, can we sail to Venice?
00:25:31	"See Venice and die."
00:25:33	- Is it Rome?
00:25:37	You do something and die, don't you.
00:25:41	And Rome.
00:25:43	Do you ski?
00:25:47	Ah, no, no.
00:25:50	You're a lost cause.
00:25:54	Christmas, we're planning
00:25:56	- Excellent skiing. Excellent. Marge. Margie.
00:26:00	Unbelievable.
00:26:03	- We'll have to teach him that too.
00:26:08	Such little class, Marge.
00:26:11	Good thing we're not
00:26:13	We'd have to invite Tom
00:26:19	Oh, I hated New York.
00:26:22	So I fled to Paris
00:26:25	And I was always going
00:26:28	with Jean-Jacques.
00:26:30	And Dickie would play
00:26:33	It was only later that I found out
00:26:39	Anyway, I looked forward
00:27:07	Hey, hey, Signor Greenleaf!
00:27:11	You're not at my place by 7:00,
00:27:15	- Okay, fine.
00:27:28	Oh, hold on.
00:27:31	## Silvana, Silvana #
00:27:35	# You make me smile #
00:27:37	I need to talk to you.
00:27:46	- You're breaking my ribs!
00:27:51	You're breaking my ribs!
00:27:56	# But don't #
00:27:59	# Change a hair for me #
00:28:05	# Not if you care #
00:28:07	# For me #
00:28:12	# Stay, little Valentine #
00:28:18	# Stay #
00:28:26	# Each day #
00:28:28	# Is Valentine's Day ##
00:28:39	Ohh!
00:28:41	I could fuck this icebox,
00:28:47	So, what did you actually
00:28:51	Played piano in a few places.
00:28:54	Well, that's one job.
00:28:57	Few places.
00:28:59	The mysterious Mr Ripley.
00:29:02	Marge and I spent
00:29:04	Anyway, I don't even want
00:29:08	Are you ready?
00:29:10	- Cold beer. Thank you, Dad.
00:29:15	Copy out from here.
00:29:18	- You bring this with you to Europe?
00:29:22	I love the fact that you brought
00:29:25	Ermalinda says you wash out the
00:29:29	No. I have more
00:29:31	She can do that for you.
00:29:33	Anyway, just wear
00:29:36	Wear anything you want.
00:29:40	Now your signature.
00:29:45	Not Dickie.
00:29:59	Without the glasses,
00:30:03	I don't need them
00:30:08	- How do I look?
00:30:13	- Now Superman.
00:30:21	- Okay.
00:30:23	It's like a kid's. See this,
00:30:28	That's pain.
00:30:31	Well, that must be a very deep secret,
00:30:34	H'm. There's nothing more
00:30:38	See how nothing's
00:30:40	- That's vanity.
00:30:50	Do you have any brothers?
00:30:53	No.
00:30:56	No brothers,
00:31:00	Me neither.
00:31:03	Nor does Marge.
00:31:06	All only children.
00:31:15	What does that mean?
00:31:20	Means we've never
00:31:26	And I'm cold.
00:31:34	No.
00:31:40	I didn't mean
00:31:47	Okay.
00:31:50	Get in.
00:32:16	It is me.
00:32:18	Every time!
00:32:22	God!
00:32:24	Letters... Greenleaf
00:32:27	Ooh. Fran. "I miss you.
00:32:30	"Stop telling me what
00:32:32	- How much you love Dickie.
00:32:34	"And Marge and Mongibello."
00:32:38	And this one, I think,
00:32:43	- Let me see it. What does he say?
00:32:49	He wants me to reassure him that you're
00:32:53	You've got to get
00:32:56	You must be sick
00:32:58	I can't. I can't keep spending
00:33:01	I love how
00:33:04	My dad should make you
00:33:07	Or when I take over,
00:33:11	Okay. When you take over,
00:33:14	Let me buy you a jacket. When we get
00:33:17	- Battistoni.
00:33:24	## Roma, we're taking Tom
00:33:27	# We're going to a-Roma ##
00:33:38	Buon giorno.
00:33:41	Where do we get
00:33:43	- Can we just hire any of them?
00:33:46	Relax!
00:33:48	It's just there's so much
00:33:51	The most important question is where to
00:33:55	Freddie?
00:33:57	Freddie.
00:34:01	Freddie's organizing
00:34:03	Oh.
00:34:05	Oh, here he is.
00:34:11	- Frederico!
00:34:19	Oh, God, don't you want to fuck
00:34:22	- Only once?
00:34:25	- Tom Ripley, Freddie Miles.
00:34:27	I mean, hey, if I'm late,
00:34:33	- You look gorgeous.
00:34:36	So, "mangiare".
00:34:38	"Si". I got us a table
00:34:41	Outstanding. I tell you,
00:34:43	- I'm so cabin-crazy with Mongi.
00:35:01	Look, Tom, we got to go to a club
00:35:04	The best thing is, if you want
00:35:08	and I'll meet you
00:35:11	What club?
00:35:14	Freddie's arranged it
00:35:19	Come if you want, but I thought
00:35:22	I do, and then maybe get
00:35:25	Dick!
00:35:28	Listen, just take
00:35:31	Don't worry about it.
00:35:36	Come on!
00:35:48	Ciao.
00:36:03	You said to make sure you didn't
00:36:08	Have a good time.
00:36:10	See ya, Tommy.
00:36:57	## If I meant
00:37:02	# I'd be brave, and here's
00:37:07	# I'd sing to her #
00:37:11	# May I be the only one #
00:37:14	# To say I #
00:37:16	# Really fell in love
00:37:21	# First set eyes on you #
00:37:27	- # May I ##
00:37:30	Oh. I was just
00:37:34	- Sorry.
00:37:38	- Do you have my shoes on too?
00:37:46	Could you get undressed
00:37:51	Thought you missed
00:37:53	Freddie drove me back
00:37:56	- Is Freddie here?
00:37:59	I was just fooling around.
00:38:02	Don't say anything.
00:38:08	Sorry.
00:38:12	God. A corduroy jacket in Italy.
00:38:14	- Good morning, Tom.
00:38:16	Come join us.
00:38:21	Hey. I want this job
00:38:25	I was just saying,
00:38:28	you stay at Dickie's house,
00:38:32	you wear his clothes,
00:38:37	If you get bored,
00:38:40	you let me know,
00:38:44	- I'll do it.
00:38:51	You really should go in.
00:38:54	I'm fine.
00:39:07	Are you okay?
00:39:10	Sure.
00:39:16	The thing with Dickie...
00:39:19	It's like the sun shines
00:39:25	And then he forgets you
00:39:29	So I'm learning.
00:39:31	When you have his attention, you feel
00:39:34	That's why everybody loves him.
00:39:37	It's always the same. Whenever someone
00:39:41	Freddie, Fausto,
00:39:44	He's wonderful.
00:39:49	Especially you.
00:39:55	And that's just the boys.
00:40:05	Come get him!
00:40:09	Tell me, why is it
00:40:11	they always play
00:40:13	He's drowning me! He's drowning me!
00:40:19	- I'm sorry about Cortina, by the way.
00:40:25	Didn't...
00:40:29	He spoke to Freddie, and...
00:40:32	and apparently
00:40:36	It's because
00:40:39	and it affects
00:40:48	Come on, Freddie.
00:40:51	At least stick around
00:40:54	- The whole town comes out...
00:40:56	I have my own, uh, Madonna back in Rome.
00:41:01	A lot of ladies.
00:41:09	- Oh, God.
00:41:11	Yeah, sure.
00:41:13	Just point her at Capri.
00:41:16	Where are you going?
00:41:19	Marge maintenance.
00:41:21	Aye-aye.
00:41:44	Don't.
00:42:00	Dickie...
00:42:04	Tommy.
00:42:09	Tommy, how's the peeping?
00:42:15	Tommy, Tommy,
00:44:09	Is someone getting an ambulance?
00:44:16	Is someone getting an ambulance?
00:44:48	What's the fight about?
00:44:51	I don't know.
00:44:55	- Are they blaming him?
00:44:59	She was already dead,
00:45:02	I don't know why people say
00:45:06	- Dickie!
00:45:11	I'll go see
00:45:14	I'll go.
00:45:32	I know why you're upset.
00:45:37	I know about Silvana, Dickie.
00:45:42	I know about you and Silvana.
00:45:45	What about us?
00:45:50	You don't have to clean up!
00:46:01	- Like what?
00:46:06	She was pregnant.
00:46:13	Silvana was pregnant.
00:46:18	Do you know what that means
00:46:20	I'm prepared
00:46:23	- What are you talking about?
00:46:27	You're the brother I never had.
00:46:32	I would do anything
00:46:37	She came to me for help.
00:46:39	She needed money.
00:46:45	I didn't help her.
00:46:49	Now she's drowned herself,
00:47:01	I'm not going
00:47:03	to Marge, to the police
00:47:06	It's a secret between us, Dickie.
00:47:11	And I'll keep it.
00:47:15	"Dear Tom.
00:47:17	no more signs of coming home than
00:47:22	Um...
00:47:25	"I hope that the trip has
00:47:28	despite the failure
00:47:31	"You no longer should consider yourself
00:47:36	Can't blame him.
00:47:38	You could hardly expect this
00:47:40	Well, you can write again.
00:47:42	- Especially now we're brothers.
00:47:45	How can I,
00:47:47	You said it yourself.
00:47:50	We've had a great run though,
00:47:55	Well, we'll still go to Venice.
00:47:59	I don't think so, Tom.
00:48:01	You can't pay
00:48:03	It's time we all moved on.
00:48:08	I'm sick of Mongi.
00:48:12	I really want to move
00:48:14	I need to check out
00:48:17	Find somewhere new
00:48:19	It would be great, though,
00:48:22	There's a great jazz festival.
00:48:26	What do you think?
00:48:28	Our last trip!
00:48:37	Sure.
00:49:33	Why do you do
00:49:35	What thing?
00:49:40	On trains, you always
00:49:47	Spooky.
00:49:50	Spook... k-k...
00:49:58	Spooky.
00:50:21	Oh!
00:50:23	Didn't I tell you
00:50:27	This is more like it!
00:50:39	Grazie.
00:50:42	To Mongibello
00:50:45	To Mongi.
00:50:48	I'm suddenly quite happy
00:50:50	Did I know you
00:50:53	I don't think I did,
00:50:56	- Why are you asking all of a sudden?
00:50:59	Because you're leaving, I guess.
00:51:04	- Why?
00:51:07	You've got such great taste.
00:51:09	Most of the thugs at Princeton
00:51:13	I used to say,
00:51:18	Freddie's the perfect example.
00:51:21	Then I'll take it
00:51:23	I knew it!
00:51:25	Marge and I had a bet.
00:51:37	Do you even like jazz,
00:51:38	or was that
00:51:41	- I've gotten to like it.
00:51:45	I've gotten to like everything
00:51:48	It's one big love affair.
00:51:53	If you knew my life
00:51:55	I'm thinkin'
00:51:57	What do you think
00:51:59	- What?
00:52:02	I'm gonna rent a boat tomorrow,
00:52:07	This is how I found
00:52:09	Took a boat out...
00:52:12	around the bay,
00:52:14	first thing I liked,
00:52:17	I got it.
00:52:20	- Whoa!
00:52:24	- Dickie. Slow down!
00:52:27	Wait a minute!
00:52:29	Stop it! Somebody!
00:52:36	Oh, I love it here!
00:52:38	I love it here!
00:52:41	Beautiful.
00:52:48	I want to tell you my plan.
00:52:51	- So tell me.
00:52:54	I'd come back in the new year
00:52:57	- Really? To Italy?
00:53:00	And I figured,
00:53:04	say I got a place.
00:53:06	Or say we split
00:53:09	I could get a job,
00:53:11	if I got a place in Rome,
00:53:13	we could be there, and when we're here,
00:53:16	- I don't think so.
00:53:20	You just blame me.
00:53:24	- Marge and I are getting married.
00:53:28	- How?
00:53:32	Today you're getting married?
00:53:36	- I love Marge.
00:53:40	- Tom, I don't love you.
00:53:43	To be honest,
00:53:46	I think we've seen
00:53:54	- What?
00:53:57	You know that!
00:54:01	And... it's boring.
00:54:07	You can be quite boring.
00:54:22	The funny thing is,
00:54:24	to be somebody else,
00:54:26	- Boring.
00:54:30	- about my feelings.
00:54:33	But you... First of all,
00:54:36	That evening, when we played chess,
00:54:39	- What evening?
00:54:43	Oh, no, no.
00:54:45	Hey. And then you do this sordid
00:54:50	on the boat, while we
00:54:52	which was excruciating.
00:54:54	And you follow your cock around
00:54:57	No, I'm bewildered.
00:54:59	You're lying to Marge and
00:55:02	You're knocking up Silvana. You're ruining
00:55:06	You want to play the drums. Which is it,
00:55:11	Who are you? Huh?
00:55:14	Who are you to say
00:55:16	Who are you
00:55:19	Actually, I really, really do not
00:55:22	- I can't move without you moving.
00:55:25	- Shut up.
00:55:28	- You shut up.
00:55:30	like a little girl
00:55:32	Shut up!
00:55:36	Oh, God, Dickie.
00:55:39	- God's sake.
00:55:44	Okay. Okay.
00:55:46	We have to get you... Okay...
00:55:50	I'm gonna kill you!
00:55:56	You're dead!
00:56:05	Stop! Stop!
00:56:08	Stop it! Stop!
00:56:14	- Dickie, let go!
00:56:22	Stop! Stop! Stop!
00:56:26	Stop! Stop! Stop!
00:58:32	Hi. Can I have
00:58:34	Of course.
00:58:36	You must be very cold.
00:58:40	No. I'm...
00:59:52	Hello, Marge.
00:59:55	Tom!
00:59:58	You startled me!
01:00:00	- Sorry. How are you?
01:00:03	- Your book going well?
01:00:06	I'm on a good streak,
01:00:09	I was just... looking at you.
01:00:13	Where's Dickie?
01:00:19	I think he's planning on staying
01:00:22	Rome? Ahh.
01:00:26	I don't understand Dickie.
01:00:29	What does that mean?
01:00:31	Oh, one day I'm invited skiing,
01:00:38	One day, we're one family,
01:00:42	- You tell me.
01:00:47	He was thinking of you.
01:00:51	Thank you.
01:00:54	He knows
01:00:58	- But why it couldn't have waited. I...
00:00:02	Errand number two:
00:00:05	Pack some clothes
00:00:10	How long is he staying for?
00:00:12	Search me.
00:00:42	Goddam it!
00:00:45	Are you okay?
00:00:58	There was a letter from
00:01:03	You realize it's more
00:01:07	He's thinking of moving to Rome.
00:01:11	The thing is,
00:01:14	the night before
00:01:16	we talked about
00:01:20	somewhere north,
00:01:25	put some pressure on him
00:01:30	I just...
00:01:34	I just might have
00:01:42	There's a side to him...
00:01:45	when our heads
00:01:48	I know no one else sees
00:01:54	I think I should come
00:02:03	He hates being confronted.
00:02:08	I think you're right.
00:02:19	Grazie.
00:02:30	Checking in.
00:02:32	- Signor Ripley?
00:02:38	Signor Greenleaf.
00:02:41	Of course.
00:02:44	Thank you.
00:03:04	- Pronto?
00:03:09	- Si, signor.
00:03:14	- Ripley? "Subito".
00:03:29	- Pronto.
00:03:32	- He's not there?
00:03:34	Well, I would like
00:03:37	- He's not there? Uh, I'll leave a message.
00:03:39	- Got your call.
00:03:41	- Dinner tonight...
00:03:43	- sounds fine.
00:03:45	- Ripley. Ripley.
00:03:49	- Dickie Greenleaf.
00:03:53	- Yes. Greenleaf.
00:03:56	At the Grand.
00:03:58	And I'd like to have
00:04:01	I don't know
00:04:03	Embossed. Of course,
00:04:05	Thank you.
00:04:11	Dickie! It's...
00:04:18	- Oh, my gosh.
00:04:20	- Ciao!
00:04:22	But you're going skiing
00:04:25	- What?
00:04:29	- With Freddie Miles.
00:04:31	Oh! Everybody
00:04:38	Is Freddie in Rome?
00:04:40	- Now?
00:04:42	Oh, I don't think so.
00:04:45	But I... But I've met him,
00:04:49	And I know about you...
00:04:53	and Marge in Mongi.
00:04:56	What an unreliable rat you are.
00:04:59	Well, Freddie said
00:05:01	And I thought to myself,
00:05:04	"Ah, now I know why
00:05:07	I've left Marge, Meredith.
00:05:09	And Mongi.
00:05:11	- So the rat's here in Rome.
00:05:15	- Oh, don't be sorry, no. I've never been happier.
00:05:18	I... I feel like
00:05:21	The truth is that
00:05:25	either you despise it,
00:05:29	You're only truly comfortable
00:05:32	who have it
00:05:35	I know.
00:05:38	I've never admitted that
00:05:46	Because my friend
00:05:50	- are on a little spending spree.
00:05:53	We're behaving very badly.
00:05:56	Oh, I love Italian money. So dark.
00:06:00	- Gr-r-razie.
00:06:13	I don't want too many large bills.
00:06:17	Tutto bene,
00:06:34	- I really like this too.
00:06:44	Tomorrow.
00:06:52	- Arrivederci.
00:06:55	- Ciao.
00:07:03	I know you're a jazz fiend,
00:07:11	I've... I've...
00:07:13	been trying to give
00:07:17	It's tomorrow. But if you
00:07:23	You could drag me.
00:09:14	Feodor Chaliapin.
00:09:18	Thank you so much
00:09:21	Can you bear it?
00:09:25	He has "I hate opera"
00:09:28	There's room for a whole libretto
00:09:33	I'm sure we've met before.
00:09:35	I was sure we'd met before.
00:09:38	Dick is Herbert
00:09:40	- I know.
00:09:43	One minute you people are children,
00:09:49	- Cheers.
00:09:54	Cheers.
00:10:00	- Excuse me.
00:10:02	Oh! Excuse me.
00:10:05	- Hello.
00:10:09	- Tom!
00:10:11	How are you?
00:10:14	- Is he here? Are you with Dickie?
00:10:18	Um, hello.
00:10:21	Peter Smith-Kingsley. I've heard
00:10:23	- Ditto.
00:10:26	So, where are you hiding him?
00:10:29	Is he really not here?
00:10:31	Marge, you know Dickie has
00:10:35	- I thought you were going to Venice.
00:10:38	I heard you were
00:10:40	I was rather looking forward
00:10:42	I am. I really am.
00:10:46	I've been travelling, and I just
00:10:49	Well, you should hurry,
00:10:51	Look, let me give you
00:10:54	There. Oh, look.
00:10:57	Meredith. What's her name, Marge?
00:11:01	Um, come on. Some of us spent
00:11:04	I don't know her.
00:11:08	He hasn't called.
00:11:12	Just these cryptic notes,
00:11:14	You don't just dump people.
00:11:16	Look, will we see you later,
00:11:20	- Uh, I can't later.
00:11:23	Yes, uh,
00:11:25	Do you know Cafe Dinelli
00:11:29	- I know the Piazza di Spagna. What time?
00:11:32	- We'll be there.
00:11:35	So I'll see you
00:11:37	10:30?
00:11:40	And you.
00:11:45	Come on.
00:11:47	Come on.
00:11:57	I don't understand why
00:12:00	- Let's go.
00:12:04	Let's take a "carrozza"
00:12:06	Are you crazy?
00:12:08	Come on. I need to talk to you.
00:12:11	Okay.
00:12:17	Don't worry, please.
00:12:20	Don't worry.
00:12:23	You're such a pal
00:12:27	It's like Marge is here
00:12:29	and I see her face.
00:12:31	And I can't... No matter what
00:12:34	No. I absolutely...
00:12:39	Otherwise, you'd be
00:12:43	Beating you away.
00:13:24	Look, will you meet me
00:13:27	Just to say goodbye properly,
00:13:30	so it's not just this.
00:13:33	Of course. Meredith, I'm sorry.
00:13:35	You should always
00:13:41	Why don't we have coffee
00:13:44	Uh, by the Spanish Steps.
00:13:46	Exactly. 10:30?
00:13:51	- 10:15.
00:13:53	Okay.
00:14:47	- Grazie.
00:14:49	Hello.
00:14:53	Of course it is. Meredith, hello. Sorry.
00:14:56	- I was half asleep. How are you?
00:14:59	This is Marge Sherwood.
00:15:01	How do you do?
00:15:04	Do join us, won't you?
00:15:08	I... I won't, actually.
00:15:11	- It was you at the opera last night?
00:15:13	Are you waiting for Dickie?
00:15:16	Dickie? Do you... Do you...
00:15:20	You were at the opera.
00:15:23	I was there with Dickie.
00:15:28	I knew it.
00:15:31	I told you.
00:15:35	Marge, I don't know you,
00:15:40	Dickie loves you.
00:15:43	I think you'll find
00:15:46	Well, how-how-how
00:15:52	He... told me everything.
00:15:54	No, I was supposed to meet him
00:15:59	I'm gonna go now,
00:16:04	God, unless he meant us to meet.
00:16:06	That'd be a little cruel,
00:16:08	No, no, we're
00:16:11	- Tom Ripley.
00:16:14	No, no. I've heard about him, of course,
00:16:19	Not for me. No, "grazie".
00:16:26	Hope I didn't
00:16:29	God, nothing, nothing...
00:16:35	No, there is nothing to prevent you
00:16:39	from marrying him.
00:16:46	Goodbye. I'm happy to put
00:16:48	Goodbye, Peter.
00:17:12	Now I don't know what to
00:17:16	Sorry. Sorry.
00:17:20	Never one stamp when they
00:17:22	- Have you been waiting long?
00:17:24	- Morning, Tom.
00:17:27	You okay? You look like
00:17:29	Dickie was at the opera
00:17:32	I don't believe that.
00:17:35	Well, he was there
00:17:38	so I suppose she must
00:17:40	It's not fair.
00:17:43	I think I'm going back to Mongi.
00:17:47	Really? I... Well,
00:17:50	No, you know, you're
00:17:53	That was rather moving
00:17:55	Meredith is the American girl
00:17:57	- She's been seeing something of Dickie.
00:18:01	But the point is,
00:18:05	Dickie loves Marge.
00:18:09	I feel guilty.
00:18:12	but whenever Dickie does
00:18:15	As if that makes sense.
00:19:40	Dickie.
00:19:44	Dickie, come on. It's me.
00:19:48	It's Freddie.
00:19:54	Dickie.
00:20:01	Hello, Freddie.
00:20:05	Um, where's Dickie?
00:20:08	How are you?
00:20:10	I'm good. Uh, yes, thank you.
00:20:13	- He's at Otello's. Do you know Otello's?
00:20:17	I- I don't think he's
00:20:20	If you said he was still at lunch,
00:20:23	You know?
00:20:27	I mean, the guy just, you know,
00:20:33	I guess.
00:20:36	The landlady,
00:20:39	The landlady said
00:20:43	Search the place.
00:20:46	I- I just don't... I don't know why you'd
00:20:49	Because he's been
00:20:53	- What happened at Christmas?
00:20:57	He was supposed to come skiing.
00:21:00	or a call or a little note
00:21:02	Frankly, a fart.
00:21:07	Well, he's been very involved
00:21:09	Um, I think his theory... is...
00:21:14	that you have to go into a cocoon, uh,
00:21:18	Which is horse shit.
00:21:21	You hear him play this thing?
00:21:27	How did you find him?
00:21:30	It's such an out-of-the-way apartment.
00:21:33	No, thanks.
00:21:39	Some kid.
00:21:47	Are you living here?
00:21:50	No, no. I'm staying here
00:21:56	But...
00:21:58	It's a new piano.
00:22:07	Probably shouldn't...
00:22:12	Did this place come furnished?
00:22:16	It doesn't
00:22:19	It's really horrible,
00:22:24	It's so, uh, bourgeois.
00:22:37	Oh, that's a, uh...
00:22:39	Excuse...
00:22:43	Excuse me.
00:22:48	In fact, the only thing
00:22:52	- Hardly.
00:22:56	Have you done something
00:22:59	Is there something
00:23:01	- What?
00:23:04	I think I'm saying it.
00:23:07	Something's going on.
00:23:11	Either he's converted
00:23:15	or there's something else.
00:23:18	Well, I would suggest you
00:23:20	Otello's is on della Croce
00:23:23	Is it on della Croce
00:23:29	Sure. You're a quick study,
00:23:33	Last time you didn't know you ass from your
00:23:38	That's not fair. You probably
00:23:44	I'll see you.
00:23:58	No Dickie Greenleaf. Thomas Ripley.
00:24:01	Si.
00:24:10	"Ciao", Dickie.
00:24:16	Dickie doesn't
00:24:20	Tommy.
00:24:22	Tommy!
00:24:24	Tommy!
00:25:05	Oh! You're making me laugh.
00:25:07	No. You're just so drunk.
00:25:11	What can you do, eh?
00:25:15	What can you do?
00:25:17	Yes. Such a pig.
00:25:24	Hey, if I'm
00:26:17	- La polizia.
00:26:19	- Yes.
00:26:22	- Can we come in?
00:26:32	It's a terrible shock, huh?
00:26:34	W- What time did Signor Miles
00:26:38	Oh, um, I can't be certain
00:26:42	8:00, 9:00.
00:26:47	We'd both taken on, uh,
00:26:51	But it was dark. It was certainly dark
00:26:56	So he drove away,
00:26:59	I went to bed.
00:27:02	Freddie's a big man, but I'm
00:27:07	I've been suffering all...
00:27:10	Who found him?
00:27:13	You understand, I must ask you...
00:27:15	to stay in Rome,
00:27:18	Yes, if it's gonna help,
00:27:21	So, the doctor, he has to make
00:27:29	- Postmortem.
00:27:32	But, you know,
00:27:35	was that Signor Miles was killed
00:27:40	Well, he certainly wasn't dead
00:27:45	No.
00:28:13	It's okay.
00:28:15	- Okay?
00:28:28	- Did he kill Freddie?
00:28:31	- When did you get here?
00:28:33	- I'd swear he didn't.
00:28:38	I tried again.
00:28:42	Instead, it's you.
00:28:48	What happened to your face?
00:28:51	Dickie...
00:28:53	- Dickie?
00:28:55	I... I said some things
00:28:58	About you. About the appalling way
00:29:02	And the next thing I know,
00:29:04	- Are you getting on?
00:29:06	Get on.
00:29:53	- Where does he live?
00:29:55	It's where the police were.
00:30:00	Look, they don't even know I'm in Rome,
00:30:03	Well, perhaps
00:30:05	No. Go if you want to, but just
00:30:08	If they know he hit me and his temper,
00:30:12	I'll catch up
00:30:32	Signor Greenleaf!
00:30:35	It's Signor Greenleaf!
00:30:43	Open the door!
00:30:45	Open up!
00:30:48	I live here!
00:30:51	Mr Greenleaf!
00:30:55	Can we go up?
00:30:57	Of course.
00:31:00	My scooter. I fell off
00:31:03	The telephone, the press,
00:31:07	Do you think you could
00:31:10	Never. We've had many requests and, of
00:31:14	I really don't want
00:31:16	- Even your fiancée?
00:31:22	What about Thomas Ripley?
00:31:27	You and Signor Ripley
00:31:29	Yes, we... We went to San Remo.
00:31:33	November, I thought.
00:31:35	- Did you speak to Tom?
00:31:39	I don't remember
00:31:41	- When did you last see Signor Ripley?
00:31:46	- Does he stay with you here?
00:31:50	No.
00:31:53	Here is a pattern.
00:31:56	Freddie Miles is dead, h'm?
00:32:01	He leaves your apartment,
00:32:04	and he's murdered.
00:32:07	Yesterday, a little boat
00:32:12	And the owner tells the police
00:32:17	We look at hotel records...
00:32:20	and we see...
00:32:23	Dickie Greenleaf
00:32:26	And then our boatman remembers
00:32:30	That is not a pattern.
00:32:32	There must be 50 hotels
00:32:35	There were probably a hundred people
00:32:37	Thirty-one people.
00:32:40	Thirty-one people.
00:32:43	Thirty-one, yeah.
00:32:47	- Marge Sherwood.
00:32:59	Let her in.
00:33:01	Let her in. What's the difference?
00:33:06	No! Actually...
00:33:09	I would... I would
00:33:12	if you would ask Miss Sherwood
00:33:20	Thank you.
00:33:23	May I ask you...
00:33:26	Why would you speak to your friend
00:33:30	Well, I...
00:33:33	Um, Mr Ripley was
00:33:37	Nor does Mr Ripley
00:33:39	and ask me every single day
00:33:42	and when.
00:33:45	Do you keep a photograph
00:33:47	I'm not in the habit of carrying
00:33:52	Now I think I've upset you.
00:33:54	Sorry. My English, perhaps,
00:33:57	It is a little coarse, yes.
00:34:03	I'm sorry.
00:34:05	But you... No one has seen Signor Ripley
00:34:10	- I have.
00:34:13	And so has Miss Sherwood.
00:34:15	if I can remember the name
00:34:21	Um, the Goldoni.
00:34:24	Goldoni. The Goldoni.
00:34:27	Yes, you are right.
00:34:30	You are right.
00:34:34	I look forward to our next meeting.
00:34:38	H'm? When I will be
00:34:40	Ah. I have a witness
00:34:44	getting into Mr Miles'car.
00:34:46	And she wants to identify you
00:34:50	Line-up. Tomorrow, then?
00:34:54	Uh, tomorrow.
00:35:04	- Buon giorno, Miss Sherwood.
00:35:06	He's in, but I really don't think
00:35:27	Dick?
00:35:33	Dickie?
00:35:36	I know you can hear me.
00:35:47	I was gonna say that I would count to
00:35:50	But I won't count any more.
00:35:55	On you.
00:35:59	I won't count on you any more.
00:36:06	Whatever it is you've done
00:36:11	you've broken my heart.
00:36:15	That's one thing
00:36:25	And I don't know why.
00:36:30	I don't know why.
00:36:44	My dear Tom.
00:36:46	I'm getting out of this.
00:36:50	Freddie's death. Silvana.
00:36:53	I've thought about going to the police,
00:36:58	I can't face it.
00:37:00	I can't face anything any more.
00:37:03	I wish I could give you
00:37:09	You've always understood
00:37:11	Marge never could.
00:37:15	I suppose that's why
00:37:18	the brother I never had.
00:37:21	The only true friend
00:37:29	In all kinds of ways,
00:37:31	you're much more like the son
00:37:36	I realize you can
00:37:39	change the scenery,
00:37:41	but you can't change
00:37:46	Now I can't think what to do
00:37:51	I'm haunted by everything
00:37:58	I'm sorry.
00:38:02	I've made a mess of being
00:39:09	Tom!
00:39:14	I'll see you over there!
00:39:26	I'm so sorry to put you
00:39:29	I just can't face going to the police
00:39:32	Don't be so daft.
00:39:34	I'm delighted you finally
00:39:37	I'm delighted, contrary to rumour,
00:39:40	- What rumour?
00:39:42	That Dickie murdered you
00:39:45	I know. It's ridiculous.
00:40:02	Welcome to Venice.
00:40:04	God, this place reeks, doesn't it?
00:40:07	Anyway, I've got to
00:40:11	We're waiting
00:40:14	What do you mean?
00:40:18	- Well, yes. That's good, isn't it?
00:40:20	that didn't happen in Italy,
00:40:23	I was sure that...
00:40:26	You've read the papers.
00:40:29	- "American tourist murdered."
00:40:32	The stench really is...
00:40:53	He's taken over the case, um, because
00:40:58	let Dickie disappear
00:41:01	the only suspect
00:41:06	In Rome,
00:41:09	I knew that one.
00:41:11	Um...
00:41:18	Are you a homosexual?
00:41:23	No.
00:41:25	- No.
00:41:29	By the way, um, officially there are
00:41:34	Makes Michelangelo and
00:41:36	Eh?
00:41:38	Tell him...
00:41:41	And Dickie has a fiancée.
00:41:44	And that Freddie Miles
00:41:59	Mamma mia.
00:42:07	- What did he say?
00:42:14	He's asking... if you
00:42:17	- and then killed Dickie Greenleaf.
00:42:20	No, I did not kill Freddie Miles
00:42:23	Is he accusing me?
00:42:26	- The way it works here, it's better to be less volatile.
00:42:47	They found this
00:42:51	- You opened this?
00:43:10	It's a suicide note.
00:43:17	You asked me all these questions
00:43:39	I don't believe that letter.
00:43:41	Dickie's letter.
00:43:45	I don't know
00:43:47	Can you imagine, though, if he did
00:43:52	Just to wake up every morning.
00:43:56	Just wake up and be a person?
00:44:00	Well, whatever you do,
00:44:04	it all makes sense,
00:44:08	You never meet anybody
00:44:10	No, I know, but you're still tormented.
00:44:14	Don't you just take the past
00:44:18	and lock the door
00:44:20	- That's what I do.
00:44:23	But, of course, in my case,
00:44:28	And then you meet someone special,
00:44:31	and all you want to do
00:44:36	Say "Open up. Step inside."
00:44:42	But you can't...
00:44:44	Because it's dark...
00:44:47	and there are demons.
00:44:51	And if anybody saw
00:44:58	Now that's the music talking.
00:45:02	It's harder to be bleak if you're
00:45:11	I keep wanting to do that.
00:45:14	Fling... the door open.
00:45:21	Just let the light in,
00:45:27	If I could take a giant eraser
00:45:31	starting with myself...
00:45:36	The thing is, Peter, if...
00:45:42	- H'm?
00:45:47	If...
00:45:56	No key, huh?
00:46:43	- Marge.
00:46:48	- So good to see you.
00:46:50	Tom.
00:46:52	- I see you found Peter.
00:46:56	- Where's Dickie's father?
00:47:00	Evidently his stomach. I don't think
00:47:03	Oh, I was looking forward
00:47:05	Dickie hasn't killed himself.
00:47:08	There's a private detective
00:47:11	A Mr MacCarron
00:47:13	- That's a terrific idea.
00:47:17	He's already discovered
00:47:20	the day before he disappeared.
00:47:23	Signora.
00:47:25	Is that what you do
00:47:28	I don't think so.
00:47:34	- Is this you?
00:47:37	Splendid, eh?
00:47:39	Golly.
00:47:42	Peter found it for me.
00:47:44	I can afford it because it's
00:47:49	- Tom's transformed it.
00:47:52	That's why
00:47:55	It's better than trying
00:47:57	And I know
00:48:00	A hotel would have been fine.
00:48:05	We'll have to tell Mr Greenleaf
00:48:15	- What's funny?
00:48:22	- And look at you now?
00:48:26	To the manor born.
00:48:43	Mr Greenleaf?
00:48:49	Mr Greenleaf?
00:48:51	Tom. How are you?
00:48:54	- Thank you, sir. I am well.
00:48:57	- Yes, it is.
00:49:00	Good morning.
00:49:03	- Very.
00:49:06	Pretty good.
00:49:09	- Where's Mr MacCarron?
00:49:12	The police are amateurs.
00:49:14	Well, my boy, it's come
00:49:19	- What is the detective hoping to find in San Remo?
00:49:25	I'm learning about my son, Tom.
00:49:27	Now he's missing,
00:49:31	and I hope that you can fill in
00:49:34	Marge has been good enough
00:49:37	I'll try my best, sir. Obviously,
00:49:41	Good. This theory,
00:49:43	the letter he left for you.
00:49:46	The police think that's a clear indication
00:49:50	uh, to himself.
00:49:53	I just don't believe that.
00:49:56	You don't want to, dear.
00:50:01	I'd like to talk to Tom alone.
00:50:03	Perhaps this afternoon.
00:50:09	Marge, what a man may say
00:50:13	and what he'll admit
00:50:18	Such as?
00:50:25	What a waste
00:50:28	I'd pay that fellow a hundred dollars
00:50:39	No, Marge doesn't
00:50:43	And his passport photo.
00:50:46	Did you hear? To scratch out
00:50:49	Can you imagine?
00:50:51	Frame of mind
00:50:55	"I've thought about going to the police,
00:50:58	"I can't face anything any more."
00:51:02	I feel guilty.
00:51:05	I feel like I spoke
00:51:07	Well,
00:51:10	If we all pushed him away,
00:51:13	You've been a great friend
00:51:15	Everything is
00:51:19	We all want to sow
00:51:21	but somebody's got to...
00:51:25	What is the word?
00:51:27	You know, the moment
00:51:32	he lashes out.
00:51:35	He always has.
00:51:37	You know, people always say that you
00:51:46	but you can't choose
00:51:50	Dickie.
00:51:53	You can be
00:51:57	- Stop it!
00:52:03	Stop, stop, stop!
00:52:06	- Stop, stop, stop!
00:52:09	Like a little girl.
00:52:11	Like a little girl.
00:52:18	Coming.
00:52:20	- Sorry. I was asleep.
00:52:22	- I must have fallen asleep.
00:52:24	You look ghastly, Tom.
00:52:26	- He's having an early night.
00:52:30	You know, we were banging
00:52:36	Uh-oh.
00:52:38	- I think I've broken a strap.
00:52:41	I'll fix some drinks.
00:52:44	Ah!
00:52:48	Are you okay?
00:52:52	I'm fine.
00:52:54	- Did you want me to stick around?
00:53:00	I could come back.
00:53:18	Your key.
00:53:23	Tom?
00:53:26	Marge, I'm in the bath.
00:53:30	Tom, I have to speak to you.
00:53:36	Coming.
00:53:49	- I found Dickie's rings.
00:53:53	You have Dickie's rings.
00:53:59	I can explain.
00:54:01	Dickie promised me he would
00:54:04	- Let me put some clothes on and we'll talk about this.
00:54:07	- I have to tell Mr Greenleaf.
00:54:10	He promised me, "I swear, I will never
00:54:13	Shut up!
00:54:17	I'm wet, Marge.
00:54:21	And I'd really like
00:54:24	Go and pour us both a drink.
00:54:29	Pour us a drink.
00:55:05	Marge?
00:55:07	Where are you going?
00:55:09	I wasn't snooping.
00:55:13	I was looking for a needle
00:55:18	That scent you're wearing.
00:55:22	I bought that for you.
00:55:25	The thing about Dickie...
00:55:28	So many things.
00:55:31	That day when he was late
00:55:35	I tried to tell you this.
00:55:37	He was with another girl.
00:55:41	Another girl
00:55:44	He couldn't be faithful
00:55:47	So when he makes a promise,
00:55:49	it doesn't mean what it means
00:55:51	or I make a promise.
00:55:54	He has so many realities, Dickie,
00:55:58	He lies. He lies.
00:56:01	And that's his... Half the time
00:56:06	And today,
00:56:09	I really started wondering
00:56:13	He would get so crazy
00:56:17	Well, you know that.
00:56:19	You know that.
00:56:22	And that's the irony, Marge.
00:56:24	I loved you.
00:56:26	You may as well know, Marge.
00:56:28	I don't know, maybe it's grotesque
00:56:31	so just... write it on a piece
00:56:34	and put it in your purse
00:56:37	"Tom loves me. Tom loves me."
00:56:41	- Why do you have Dickie's rings?
00:56:43	- He gave them to me.
00:56:46	I feel as if you haven't been listening
00:56:50	I don't believe you.
00:56:53	- It's all true.
00:56:55	a single word you've said.
00:57:00	You're shivering, Marge.
00:57:03	Marge, can I hold you?
00:57:07	Will you let me hold you?
00:57:09	Marge?
00:57:11	- Peter! Oh, Peter. Thank God you're here.
00:57:14	Get me out of here.
00:57:17	Tom, are you okay?
00:57:22	You try.
00:57:27	- Tom?
00:57:29	Tell me what's going on. Tom!
00:57:31	- I never did... What did I ever do to her?
00:57:34	Have her tell you one thing
00:57:37	You can't be angry with her.
00:57:40	She's confused,
00:57:43	So she blames you.
00:57:45	I'll go back home
00:57:48	As for you,
00:57:50	either get a safety razor
00:58:06	- Is Mr Greenleaf here?
00:58:09	- Yes.
00:58:14	I don't know,
00:58:17	Marge, there's female
00:58:23	- Tom.
00:58:25	Marge, you should have waited.
00:58:27	Didn't Peter say I'd
00:58:31	Marge has been telling us
00:58:34	Yes, I feel ridiculous
00:58:36	I clean forgot.
00:58:41	Perhaps you didn't mention them because
00:58:46	I'm going to take Marge for a little walk,
00:58:51	There's no need. We could go
00:58:54	No, no.
00:58:56	I think you should stay here.
00:59:20	I could probably
00:59:22	I can see my house.
00:59:27	When you see where you live from a
00:59:31	I don't care for B. S.
00:59:33	I don't care to hear it.
00:59:38	- Okay.
00:59:40	Dickie Greenleaf
00:59:44	At a party over some girl.
00:59:46	Kicked the kid several times
00:59:50	Boy had a wire fixed in his jaw,
00:59:53	Why do you think Dickie's father sent
00:59:59	The Rome police didn't think
01:00:04	Nor did they think to check
01:00:07	had ever been a student
01:00:10	Oh, I turned up
01:00:15	who had been a piano tuner
01:00:20	You see, in America,
01:00:22	we are taught to check a fact
01:00:27	We're taught to nose around.
01:00:29	When a girl drowns herself,
01:00:32	find out if
01:00:35	Find out if Dickie
01:00:39	Mr Greenleaf appreciates your loyalty.
01:00:42	Marge...
01:00:45	There are a few things
01:00:48	We hope she never knows.
01:00:51	I hope she never knows.
01:00:53	Three different people...
01:00:55	saw Dickie get into Freddie's car.
01:00:59	One man,
01:01:02	because he was jumping somebody
01:01:05	saw Dickie removing licence plates
01:01:09	The police know about this man
01:01:16	I found these in the basement
01:01:19	They belong to Freddie's car.
01:01:21	Mr Greenleaf has asked me...
01:01:26	to lose these in the canal
01:01:34	Mr Greenleaf feels that
01:01:37	in Dickie's letter to you
01:01:40	He also intends to transfer a good portion
01:01:45	into your name.
01:01:47	He does not intend...
01:01:50	to give the Italians
01:01:55	He's rather hoping that...
01:02:17	- Thank you so much, Tom.
01:02:19	Goodbye.
01:02:25	Marge, I feel I never should have said
01:02:30	I was pretty flustered, and the rings...
01:02:34	I don't know.
01:02:36	But I hope that note goes
01:02:40	for a rainy day.
01:02:44	- What are you gonna do now, Tom?
01:02:48	Peter has a concert in Athens next month,
01:02:55	He says goodbye.
01:02:57	By the way, he was in rehearsal
01:03:00	Why do I think there's
01:03:04	What?
01:03:06	I know it was you.
01:03:10	- I know it was you! I know it was you!
01:03:13	- Marge, Marge. Please!
01:03:17	- Marge!
01:03:19	I know it was you!
01:03:22	Marge.
01:03:25	It's not Tom. Really.
01:03:36	## We are called gondoleri #
01:03:39	# But that's a vagary
01:03:43	# The trade that we ply ##
01:03:49	- Ask me what I want to change
01:03:52	I don't know. What do you
01:03:54	Nothing.
01:03:59	I'm freezing. Coming down?
01:04:02	Later. I want
01:04:05	- You're mad.
01:04:19	Dickie?
01:04:25	Dickie?
01:04:30	Dickie!
01:04:43	Oh, my God.
01:04:47	Hello, Meredith.
01:04:52	I was looking at you.
01:04:54	Your clothes.
01:04:58	Well, you spotted me,
01:05:02	- What?
01:05:05	- Are you alone?
01:05:09	Hardly.
01:05:12	- Aunt Joan.
01:05:18	A lot of "co".
01:05:21	Oh, God.
01:05:24	You know, seeing you again, I...
01:05:29	I've thought about you...
01:05:33	so much.
01:05:35	And I've thought about you.
01:05:39	Yeah, well, when I've thought
01:05:49	Where have you been hiding?
01:05:51	I haven't been hiding.
01:05:54	I've been in police custody.
01:05:58	They've been trying to
01:06:01	- You're kidding.
01:06:04	which is why the get-up.
01:06:07	Which is why
01:06:09	You know, the whole world
01:06:11	- Oh! It's terrible.
01:06:15	Listen, I can't talk now.
01:06:21	Later? Later?
01:06:35	So...
01:06:42	Are you travelling under "R"?
01:06:45	You know what? I am.
01:06:51	Dickie, are you with
01:06:55	My aunt thought she saw him.
01:06:58	Peter Smith-Kingsley?
01:07:00	I haven't seen him in months.
01:07:04	No, I'm alone.
01:07:26	Hi.
01:07:30	- How was it?
01:07:34	But I'll tell you something. I want us
01:07:43	Was that Meredith?
01:07:47	Was who Meredith?
01:07:49	Meredith Logue. You were kissing
01:08:00	I came out to find you.
01:08:03	Oh, hardly kissing.
01:08:07	- Kissing off.
01:08:12	You know?
01:08:19	I lied... to her.
01:08:23	She thought she'd seen you.
01:08:26	Why lie?
01:08:28	Dickie and Peter
01:08:33	Or Tom and Peter, even.
01:08:35	That would be
01:08:37	Really? Why?
01:08:44	I- I, um...
01:08:51	I know.
01:08:55	I'm sorry, Peter.
01:08:58	I'm lost.
01:09:03	I'm gonna be stuck
01:09:06	Aren't I?
01:09:10	That's my...
01:09:15	Terrible...
01:09:18	and alone...
01:09:20	and dark.
01:09:24	And I've lied...
01:09:26	about who I am...
01:09:30	and where I am.
01:09:32	Now no one'll ever find me.
01:09:36	What do you mean,
01:09:38	I always thought
01:09:41	to be a fake somebody...
01:09:44	than a real nobody.
01:09:47	What are you talking about?
01:09:50	That's the last thing you are.
01:10:00	Peter.
01:10:04	Tell me some good things
01:10:08	No, don't get up.
01:10:14	Just...
01:10:18	Just tell me some nice things...
01:10:25	"Good things about Tom Ripley."
01:10:30	That could take me some time.
01:10:35	Tom is talented.
01:10:40	Tom is beautiful.
01:10:42	You're such a liar.
01:10:48	Tom is...
01:10:57	Tom is not a nobody.
01:11:03	Tom has secrets
01:11:07	and I wish he would.
01:11:14	Tom has nightmares.
01:11:20	That's not a good thing.
01:11:27	Tom has someone to love him.
01:11:31	That is a good thing.
01:11:37	Mmm.
01:11:41	Tom is crushing me.
01:11:45	Tom. Tom, you're crush...
01:11:49	Oh, God!
01:11:52	Oh, God!
01:11:53	Oh, God!
01:12:03	Oh, God! Peter.
01:14:34	## You don't know #
01:14:37	# What love is #
01:14:42	# Until you know the meaning
01:14:50	# Till you love the love #
01:14:53	# You had to lose #
01:14:58	# You don't know #
01:15:00	# What love is #
01:15:05	# You don't know how lips hurt #
01:15:13	# Until you've kissed #
01:15:15	# And had to pay the cost #
01:15:21	# Until you've flipped your heart #
01:15:24	# And found you've lost #
01:15:29	# You don't know what love is #
01:15:38	# You know #
01:15:40	# How a lost heart feels #
01:15:45	# The very thought of reminiscing #
01:15:53	# And how those lips #
01:15:56	# With a taste for tears #
01:16:00	# Soon lose their taste #
01:16:04	# For kissing #
01:16:09	# You don't know #
01:16:12	# How hearts burn #
01:16:17	# A love that cannot live #
01:16:20	# But never dies #
01:16:25	# Until you've reached dawn #
01:16:29	# With sleepless eyes #
01:16:32	# You don't know #
01:16:35	# What love is #
01:16:39	# You don't know #
01:16:43	# What love is #
01:16:47	# And don't know #
01:16:51	# What love is #
01:16:54	# You don't know #
01:16:58	# You don't know #
01:17:01	# What love is ##

Talented Mr