Tantei Monogatari Detective Story
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00:02:07 |
Yuki Aoyama. |
00:02:46 |
Hello? |
00:02:49 |
Hello? |
00:03:11 |
Maho, go take a bath. |
00:03:14 |
Yes. |
00:04:15 |
Why would a rich person |
00:04:20 |
You can leave it there. |
00:04:22 |
You remember the biggest one? |
00:04:25 |
Can you bring that? |
00:04:26 |
I'll put these boxes inside. |
00:04:28 |
Give me a break. |
00:04:32 |
Raita! |
00:04:33 |
Raita! |
00:04:34 |
You better treat me to a barbeque. |
00:04:37 |
Why do I have to |
00:04:40 |
What? |
00:04:42 |
What? What's wrong? |
00:04:44 |
Well, Raita, your neighbor... |
00:04:50 |
Are you Raita? |
00:04:52 |
Yes. |
00:04:55 |
My name is Raita too. |
00:04:57 |
Your neighbor is also Raita. |
00:04:59 |
I see. |
00:05:00 |
Well, my name is spelled |
00:05:05 |
Me too. |
00:05:06 |
Same? |
00:05:07 |
Same? |
00:05:07 |
Same? |
00:05:08 |
Same? |
00:05:08 |
Yes. |
00:05:08 |
Me too. That's a surprise. |
00:05:13 |
You're moving in? |
00:05:14 |
Yes. |
00:05:14 |
Yes. |
00:05:15 |
Yes. |
00:05:17 |
That's good. |
00:05:18 |
I'm Raita, your next door neighbor. |
00:05:20 |
Nice to meet you. |
00:05:22 |
I'm Raita, the next door neighbor. |
00:05:24 |
Nice to meet you. |
00:05:27 |
DETECTIVE STORY |
00:07:20 |
Hey. |
00:07:22 |
Was there ever someone who you really |
00:07:28 |
Yeah. |
00:07:29 |
Really? |
00:07:30 |
What did you do about it? |
00:07:32 |
What do you mean? |
00:07:35 |
Of course not. |
00:07:37 |
What's wrong? |
00:07:38 |
Well, you see... |
00:07:40 |
Takashima. |
00:07:41 |
Were you able to hack |
00:07:44 |
No, but I can do it easily. |
00:07:48 |
There are so many flaws. |
00:07:50 |
You're good. |
00:07:52 |
No wonder they call |
00:08:36 |
Hey! Hey, hey, hey! |
00:08:38 |
Yes? |
00:08:40 |
We have the same first name, right? |
00:08:42 |
Yes. |
00:08:43 |
Raita. |
00:08:47 |
This must be some work of fate. |
00:08:49 |
Let's celebrate your move-in. |
00:08:50 |
Let's celebrate your move-in. |
00:08:52 |
You don't want to? |
00:08:52 |
No, it's not like that... |
00:08:53 |
Right? |
00:09:25 |
Aren't you opening up your boxes? |
00:09:27 |
Ah... |
00:09:29 |
Well, I don't think I'll |
00:09:31 |
What? |
00:09:33 |
Well, moving is like my hobby. |
00:09:36 |
Oh... |
00:10:04 |
Um, what is your occupation? |
00:10:08 |
Detective. |
00:10:10 |
Detective? |
00:10:11 |
That sounds like fun. |
00:10:14 |
Not really. |
00:10:15 |
Oh, please. |
00:10:16 |
I've seen it on TV. |
00:10:18 |
They fight bad guys and get into car |
00:10:25 |
I guess not. |
00:10:35 |
I'm good. |
00:10:39 |
You can't drink my booze? |
00:10:41 |
No... |
00:10:43 |
It's not like that... |
00:10:44 |
You don't like it? |
00:10:46 |
No, I'll drink it. |
00:10:57 |
Excuse me. |
00:10:59 |
I'm sorry to disturb |
00:11:03 |
Mr. Kazama? |
00:11:05 |
Mr. Kazama. |
00:11:07 |
Someone is here to see you. |
00:11:09 |
You should go back. |
00:11:11 |
Who? |
00:11:12 |
I don't know. |
00:11:14 |
Mr. Kazama? |
00:11:18 |
Mr. Kazama? |
00:11:20 |
Are you home? |
00:11:26 |
I'm Kazama. |
00:11:34 |
What do you want? |
00:11:36 |
I needed to talk to you, |
00:11:39 |
They gave me this address. |
00:11:42 |
I see... |
00:11:44 |
Who gave you this address? |
00:11:48 |
A person named Nagamine told me. |
00:11:52 |
Nagamine? |
00:11:58 |
What is your name? |
00:12:06 |
Manami Inoue. |
00:12:09 |
Ms. Manami Inoue, huh? |
00:12:13 |
Is this an emergency? |
00:12:16 |
No, not really... |
00:12:21 |
Then, I hate to tell you this... |
00:12:24 |
...but can you come back to the |
00:12:31 |
You're right. |
00:12:33 |
It's inappropriate for me |
00:12:40 |
I understand. |
00:12:42 |
I'll come back again tomorrow. |
00:12:53 |
Miss Inoue! |
00:12:57 |
Are you okay? |
00:13:17 |
Hey, Nagamine. |
00:13:19 |
Did you give my home address |
00:13:26 |
I'm sorry. She seemed to |
00:13:31 |
Fine. |
00:13:32 |
She's coming to the |
00:13:36 |
I need you to deal with her. |
00:13:37 |
What? What about you, boss? |
00:13:39 |
Ah, so you drank too much again. |
00:13:43 |
Yeah, something like that. |
00:13:45 |
I'm counting on you. |
00:14:45 |
Kazama Detective Agency... |
00:15:15 |
Boss! |
00:15:18 |
I have bad news! I have bad news! |
00:15:21 |
Ouch! That hurts! |
00:15:22 |
Manami Inoue, that woman |
00:15:26 |
She was found dead this morning! |
00:15:28 |
What! |
00:15:30 |
Well, Manami Inoue, the woman |
00:15:34 |
...was found dead this morning. |
00:15:37 |
What did you say? |
00:15:52 |
On top of that, her liver was missing. |
00:15:56 |
A bizarre murder, huh? |
00:15:59 |
Police are going to trace where she's |
00:16:03 |
You're right. |
00:16:05 |
We're going to look |
00:16:08 |
Nope. |
00:16:10 |
Our client is dead. |
00:16:12 |
What? |
00:16:14 |
I was really looking forward |
00:16:18 |
You're such a |
00:16:19 |
In any case, this is not |
00:16:24 |
What is that supposed to be? |
00:16:27 |
I just remembered that the |
00:16:30 |
...gave me a piece of liver. |
00:16:33 |
Excuse me. |
00:16:38 |
Welcome. |
00:16:43 |
Mr. Shiobara. |
00:16:44 |
Long time no see. |
00:16:45 |
You look well. |
00:16:46 |
You look well. |
00:16:47 |
Yes. |
00:16:47 |
Raita. |
00:16:47 |
Raita. |
00:16:47 |
Raita. |
00:16:48 |
You know why I |
00:16:50 |
I don't know. |
00:16:53 |
What the hell is this? |
00:16:54 |
It's a fresh liver. |
00:16:57 |
I know that you don't have the |
00:17:03 |
You're a terrible cop. |
00:17:05 |
And you're a terrible |
00:17:07 |
Mr. Shiobara. |
00:17:08 |
That's a nasty thing to say. |
00:17:10 |
You know it's true! |
00:17:12 |
You said you were going to |
00:17:16 |
...but you quit and make money by looking |
00:17:19 |
I may be a detective now, but |
00:17:22 |
Then, why didn't you |
00:17:25 |
Isn't that what good guys do? |
00:17:27 |
That victim stopped by your |
00:17:32 |
You didn't do anything |
00:17:35 |
It's impossible! |
00:17:37 |
A detective can't prevent murder! |
00:17:45 |
You changed a lot. |
00:17:49 |
Hey, Kazama. |
00:17:51 |
Don't think about |
00:17:55 |
I'm not Kosuke Kindaichi. |
00:17:57 |
I wouldn't do anything stupid. |
00:18:01 |
If you remember |
00:18:04 |
Are we done? |
00:18:14 |
Huh? |
00:18:18 |
What's wrong? |
00:18:20 |
My cell phone... |
00:19:05 |
Um, excuse me... |
00:19:14 |
I came here to give |
00:19:22 |
You're the one who called earlier? |
00:19:28 |
Please. |
00:19:29 |
Please. |
00:19:30 |
I just want you to |
00:19:32 |
I'm sure he'll be back soon. |
00:19:34 |
Please. |
00:19:37 |
Please. |
00:19:43 |
Please. |
00:19:43 |
Thank you. |
00:19:47 |
Please. |
00:19:47 |
Please. |
00:19:57 |
You like the art by Aoyama? |
00:20:00 |
Yes. |
00:20:02 |
You too, Mr. Takashima? |
00:20:04 |
Yes, I really like it. |
00:20:07 |
Isn't he wonderful? |
00:20:10 |
"Master of Tragedy. " |
00:20:13 |
There's something strangely |
00:20:20 |
His art has soul. |
00:20:24 |
It's unusual for a Japanese |
00:20:28 |
...but do you know why? |
00:20:29 |
No. |
00:20:30 |
The wife of Mr. Aoyama |
00:20:34 |
Really? |
00:20:36 |
Since then, he became an admirer of |
00:20:40 |
As a result, his work |
00:20:43 |
So, the death of his beloved wife |
00:20:48 |
...and he decided to draw religious art. |
00:20:50 |
That's impeccable. |
00:20:52 |
My name is Masakuni Nagamine. |
00:20:54 |
By the way, Masakuni is spelled... |
00:21:00 |
...with the kanji "Miyabi" for Masa... |
00:21:04 |
...and "Kuni. " |
00:21:06 |
Masakuni. |
00:21:09 |
I work as a detective for Kazama. |
00:21:14 |
But, Mr. Aoyama's art these |
00:21:20 |
You think so? |
00:21:22 |
I don't know how to put it... |
00:21:24 |
...but something is different from his |
00:21:34 |
Manami Inoue... |
00:22:00 |
Yes? |
00:22:01 |
Hello. |
00:22:02 |
I came to ask about Ms. |
00:22:06 |
I told the cop about it earlier. |
00:22:08 |
What? Yoshio was already here? |
00:22:10 |
Hey! Wait a minute, you! |
00:22:12 |
Please take off your shoes! |
00:22:22 |
Yo! Raita Kazama! |
00:22:28 |
You recognized me? |
00:22:29 |
This really stands out! |
00:22:31 |
Are you serious? |
00:22:32 |
You got me. |
00:22:35 |
What are you doing here? |
00:22:36 |
What am I doing? |
00:22:39 |
Well? What do you |
00:22:41 |
Looks good, right? |
00:22:43 |
Not bad. |
00:22:45 |
What are you doing here anyway? |
00:22:47 |
Gathering information. |
00:22:49 |
You're doing work that |
00:22:51 |
Shut up. Leave me alone. |
00:22:53 |
You should follow my example. |
00:22:55 |
Our business in the evening is making |
00:22:59 |
I'm sure you'll make more money |
00:23:02 |
Being a detective is only business. |
00:23:03 |
What's wrong with |
00:23:06 |
You know something, Ryoko? |
00:23:07 |
There's more to life than money. |
00:23:10 |
There are more |
00:23:13 |
Did something happen? |
00:23:13 |
Did something happen? |
00:23:15 |
Hey, you want me to help you? |
00:23:17 |
Since we're in the same |
00:23:19 |
No thanks. |
00:23:21 |
I see. Bye. |
00:23:22 |
Hey. |
00:23:26 |
She's a fine woman |
00:23:31 |
Someone was stalking her? |
00:23:33 |
Yes. |
00:23:34 |
Hold on a second. |
00:23:36 |
Someone was stalking her? |
00:23:38 |
Yes. |
00:23:39 |
We were in a different department, |
00:23:42 |
But, we had lunch one time... |
00:23:44 |
...and she started talking |
00:23:46 |
Talking about things like what? |
00:23:48 |
She said she got anonymous calls. |
00:23:51 |
She was thinking of |
00:23:57 |
Is that right? |
00:23:59 |
So it's like that... |
00:24:05 |
She said she got anonymous calls. |
00:24:07 |
She was thinking of |
00:24:13 |
Is that right? |
00:24:15 |
So it's like that... |
00:24:20 |
Looks like this isn't a case that |
00:24:29 |
What a waste. |
00:24:31 |
I should've helped. |
00:24:52 |
Hello. |
00:25:14 |
I found this by her feet. |
00:25:27 |
What's this? |
00:25:43 |
What's the matter? |
00:25:46 |
There. |
00:25:49 |
No use crying over spilt milk. |
00:26:09 |
Body of a missing housewife |
00:26:12 |
San-chan. |
00:26:13 |
Can you raise the volume? |
00:26:15 |
Sure. |
00:26:18 |
We're at the scene of the crime. |
00:26:19 |
This afternoon in the |
00:26:23 |
That's not far from here, right? |
00:26:25 |
Among the things left at the scene... |
00:26:26 |
Among the things left at the scene... |
00:26:27 |
The victim has been identified... |
00:26:29 |
...as Ritsuko Asanuma, a housewife |
00:26:33 |
Ritsuko Asanuma has been |
00:26:37 |
...and her family had requested |
00:26:39 |
The police had been doing |
00:26:43 |
Bartender. |
00:26:46 |
Bartender! |
00:26:50 |
Something wrong? |
00:26:51 |
Something wrong? |
00:26:53 |
The victim was found hanging from |
00:26:58 |
It's been determined that... |
00:27:00 |
...she has been dead for a week and |
00:27:03 |
Kidneys this time? |
00:27:05 |
The police are tracing her actions that |
00:27:38 |
Boss? What is it? |
00:27:41 |
Cops are all over my apartment! |
00:27:44 |
They're there too? |
00:27:47 |
Why are they after me? |
00:27:49 |
Anyway, I got a room |
00:27:51 |
Please stay there until things calm down. |
00:27:54 |
I love you, Nagamine! |
00:28:04 |
Nagamine. |
00:28:05 |
Yes? |
00:28:06 |
Besides, I have no motive. |
00:28:11 |
Plus, I've never met |
00:28:14 |
Even Manami Inoue. I only saw her |
00:28:18 |
Well, there are many murders |
00:28:22 |
The police must've found |
00:28:25 |
What do you mean |
00:28:26 |
Something that links |
00:28:28 |
Yes. |
00:28:29 |
But they don't have |
00:28:32 |
That's why they're trying to corner you |
00:28:34 |
If they're going to bust someone, |
00:28:37 |
Stalker? |
00:28:40 |
It seems that Manami Inoue |
00:28:43 |
I'm sure that's why she came to us. |
00:28:46 |
The police don't know about that yet. |
00:28:49 |
I'm sure the police are |
00:28:52 |
...so I'll leak that information for you. |
00:28:54 |
Yeah, thanks. |
00:28:56 |
Also, let's try to make a list of |
00:29:00 |
...near the victim's apartment. |
00:29:01 |
Thank you. |
00:29:04 |
Are you doing well |
00:29:07 |
I think I'll manage. |
00:29:08 |
But more importantly, I need to see that |
00:29:13 |
Thanks, Nagamine. |
00:29:16 |
I'm counting on you. |
00:29:19 |
Oh, don't be like that. |
00:29:20 |
It's not like we're total strangers. |
00:29:41 |
So, tomorrow Ms. Miura of |
00:29:46 |
Then, Ms. Kimura can help him out. |
00:29:49 |
What? Me? |
00:29:51 |
I have a hard time |
00:29:54 |
You don't like him |
00:29:57 |
It's only business, right? |
00:29:59 |
I don't like bald guys. |
00:30:02 |
What's wrong? |
00:30:04 |
It's nothing. |
00:30:06 |
Even so, his new work is amazing. |
00:30:10 |
Of course it is. |
00:30:11 |
This is the main |
00:30:18 |
That new piece just isn't right. |
00:30:23 |
Yuki Aoyama... |
00:30:34 |
Would you like to go |
00:30:38 |
You want to go with me? |
00:30:40 |
Yes. I guess you don't want to, huh? |
00:30:42 |
No, I really wanted |
00:30:47 |
Then... |
00:30:50 |
But... |
00:30:53 |
Don't worry about me. |
00:30:55 |
Thank you. |
00:30:57 |
Well, I'd love to go! |
00:31:22 |
Baigetsusou... |
00:31:30 |
I haven't seen him around lately. |
00:31:33 |
Plus, there's no sign |
00:31:36 |
Maybe he's on vacation? |
00:31:38 |
Since when? |
00:31:40 |
Maybe six months ago. |
00:31:43 |
I'm not sure. |
00:31:43 |
I'm not sure. |
00:31:48 |
Naohide Matsuyama... |
00:31:50 |
Away/Vacation... |
00:31:58 |
Naohide Matsuyama... |
00:32:32 |
I'm Manami Inoue. |
00:33:01 |
I often saw Miss Asanuma |
00:33:04 |
...or the neighborhood |
00:33:07 |
But we just exchanged greetings. |
00:33:10 |
What kind of a woman was she? |
00:33:11 |
What kind? |
00:33:13 |
She was just like me. |
00:33:15 |
She was pretty and wonderful. |
00:33:20 |
Did she seem troubled by anything? |
00:33:23 |
Like, was she being stalked? |
00:33:26 |
I don't know. |
00:33:27 |
I guess she was |
00:33:30 |
There were rumors going around |
00:33:33 |
An affair? |
00:33:35 |
Yes. |
00:33:36 |
I heard it was some |
00:33:39 |
I'm so envious. |
00:33:52 |
Ah, Mr. Kazama, |
00:33:55 |
I'm a corporate worker. |
00:33:57 |
What? |
00:33:58 |
I'm just kidding. I can't attract |
00:34:01 |
I think it's the other way around. |
00:34:03 |
That really stands out. |
00:34:06 |
Really? |
00:34:07 |
Do you want something to drink? |
00:34:09 |
Well, give me a drink |
00:34:13 |
Oh, you mean that |
00:34:16 |
I wouldn't know |
00:34:18 |
Don't give me that. |
00:34:20 |
You would know |
00:34:25 |
Stop joking around |
00:34:28 |
You know something? |
00:34:30 |
You can't hide anything |
00:34:39 |
How did you find out? |
00:34:43 |
I was bluffing. |
00:34:44 |
I was bluffing. |
00:34:48 |
But, you just admitted it. |
00:34:58 |
Ritsuko was a regular customer. |
00:35:03 |
She came here all alone... |
00:35:07 |
I listened to her complain about |
00:35:14 |
She had a huge fight with |
00:35:18 |
...and she came to |
00:35:21 |
I felt sorry for her, |
00:35:24 |
But, she suddenly |
00:35:29 |
Why didn't you |
00:35:32 |
It wouldn't be easy for me |
00:35:37 |
And I didn't know they were |
00:35:44 |
So, I just waited |
00:35:51 |
Who could've... |
00:35:54 |
Who could've killed Ritsuko? |
00:37:01 |
This is amazing. |
00:37:05 |
How does he draw things like this? |
00:37:10 |
Mr. Takashima, which era of his |
00:37:15 |
Mr. Takashima! |
00:37:16 |
What? Oh, sorry. |
00:37:18 |
Which era do you like the best? |
00:37:20 |
I used to draw a lot |
00:37:23 |
I haven't drawn anything lately... |
00:37:24 |
I haven't drawn anything lately... |
00:37:25 |
I'm asking you about |
00:37:28 |
Oh! |
00:37:29 |
Well... |
00:37:30 |
I like his work from |
00:37:33 |
He first started drawing |
00:37:38 |
Oh, is that right? |
00:37:41 |
Excuse me for a second. |
00:37:43 |
Wait, where are you going? |
00:37:46 |
I need to pee. |
00:38:03 |
I couldn't hold it. |
00:38:28 |
Sorry. |
00:38:40 |
It's broken, so please do not use... |
00:38:54 |
Is anyone in there? |
00:39:29 |
What happened! |
00:39:53 |
St. Paul Children's Academy... |
00:39:59 |
Murder at Yuki Aoyama's Gallery... |
00:40:01 |
Body found in the toilet |
00:40:24 |
Father... |
00:40:31 |
These three victims had their organs |
00:40:39 |
Liver for Manami Inoue... |
00:40:40 |
Kidneys for Ritsuko Asanuma... |
00:40:42 |
And our latest victim, Rio Nojima |
00:40:48 |
We found a plastic bag full of water |
00:40:52 |
Also, we found some soil |
00:40:59 |
Water and soil? |
00:41:03 |
What do the three |
00:41:06 |
Why does the culprit |
00:41:09 |
Also, why did he stuff |
00:41:13 |
I believe these clues will be very |
00:41:20 |
Tell me about the suspects. |
00:41:23 |
Yes. |
00:41:28 |
Currently, these three |
00:41:32 |
Of the three, Raita Kazama |
00:41:35 |
...that was found near |
00:41:39 |
Also, before |
00:41:43 |
...she paid a visit to |
00:41:49 |
I'm pretty sure he's the one. |
00:42:17 |
Is Gamou doing well? |
00:42:19 |
He has a cold. |
00:42:21 |
Because of his body condition, he |
00:42:25 |
He wouldn't die |
00:43:02 |
Long time no see. |
00:43:08 |
Yo. Good to see you're doing well. |
00:43:11 |
It's ironic. |
00:43:17 |
Even when I'm about to die... |
00:43:21 |
...the spirits of those |
00:44:37 |
There were five of them. |
00:44:39 |
One of them was a pupa. |
00:44:43 |
I feel sorry for your father. |
00:44:45 |
Money for court and medical bills. |
00:44:48 |
Maintenance fees for this place. |
00:44:50 |
You require more money |
00:44:55 |
I'm not a kid. |
00:45:00 |
It's already been 15 years. |
00:45:09 |
I still think about it a lot. |
00:45:19 |
If you hadn't caught me back then... |
00:45:28 |
I wonder how many |
00:45:39 |
I don't think it would've |
00:45:42 |
Bad guys can't get |
00:45:46 |
Is that right? |
00:45:50 |
The person who poured |
00:45:56 |
...wasn't charged with a serious crime |
00:46:02 |
...and the court sympathized with him. |
00:46:08 |
Even though that person |
00:46:20 |
I got a new face, you know. |
00:46:28 |
I'll show it to you. |
00:47:13 |
I kind of know the reason |
00:47:19 |
It's about those |
00:47:22 |
Get clues about a maniac |
00:47:29 |
Something like that. |
00:47:35 |
Try to understand his state of mind. |
00:47:38 |
Just like when you captured me. |
00:47:46 |
I want to hear your opinion. |
00:47:49 |
Is he just killing for fun? |
00:48:04 |
Whenever something |
00:48:06 |
...it's always a killer doing it |
00:48:10 |
If you think all |
00:48:15 |
...then you won't understand anything. |
00:48:21 |
To him, insanity is not insanity. |
00:48:30 |
Insanity is not insanity? |
00:48:36 |
Right. |
00:48:40 |
Plus, the real nightmare |
00:48:50 |
If you can understand |
00:48:55 |
...the answers will |
00:49:27 |
Hello? |
00:49:28 |
I'm sorry. Were you working? |
00:49:30 |
I'm sorry. Were you working? |
00:49:31 |
I'm not working right now. |
00:49:32 |
I was wondering if you |
00:49:37 |
Huh? |
00:49:39 |
No? |
00:49:40 |
No, that's fine. |
00:49:43 |
Really? |
00:49:45 |
Then, can you bring your laptop |
00:49:50 |
Laptop? |
00:50:12 |
Mr. Kazama, what |
00:50:15 |
You have a problem |
00:50:16 |
Well... |
00:50:18 |
Police! |
00:50:19 |
Hey! |
00:50:21 |
I didn't do it. I'm going to prove it. |
00:50:24 |
You have to help me. |
00:50:24 |
You have to help me. |
00:50:26 |
You're good with computers, right? |
00:50:28 |
I can't help you. I have a date tonight. |
00:50:32 |
Yeah, with me. |
00:50:34 |
Actually, I have a date with Mika. |
00:50:37 |
Are you stupid? |
00:50:40 |
Hey! |
00:50:42 |
I'm going home. |
00:50:45 |
If you're thinking |
00:50:47 |
...it's wise to be |
00:50:48 |
...it's wise to be friends with |
00:50:50 |
Why are you tormenting me like this? |
00:50:51 |
It was just a coincidence! |
00:50:55 |
Hey! |
00:50:58 |
Important witness in the series of |
00:51:09 |
Hello? Is this the police? |
00:51:12 |
I just saw something amazing. |
00:51:16 |
I saw the important witness |
00:51:21 |
What? Me? |
00:51:24 |
Well, it's an extramarital affair, |
00:51:53 |
What are you doing? |
00:51:55 |
I'm using the LAN at Matsushita Electronics |
00:51:59 |
I use it quite often for private use. |
00:52:01 |
You're right. |
00:52:05 |
That's amazing. You can do that? |
00:52:06 |
Yes. |
00:52:08 |
Wow. |
00:52:09 |
Please don't! |
00:52:11 |
Please don't touch. |
00:52:13 |
Am I bothering you? |
00:52:14 |
Please go over there. |
00:52:17 |
So mean. You're such a mean guy. |
00:52:20 |
You won't play with me, huh? |
00:52:28 |
Hey! They're here! |
00:52:31 |
They're here! They're here! |
00:52:32 |
What's wrong? |
00:52:33 |
What's wrong? |
00:52:34 |
What? |
00:52:38 |
Wait a minute! |
00:52:41 |
You guys go up the |
00:52:42 |
You stay here and |
00:52:45 |
I'm heading up from here! |
00:52:51 |
Hey, Raita! Hurry! |
00:52:52 |
Don't press everything! |
00:52:53 |
Who cares! I'll just take |
00:52:56 |
Hey! Come on! |
00:52:57 |
Hey! Come on! |
00:52:58 |
It's not coming! Damn it! |
00:53:28 |
They couldn't have gone far! |
00:53:36 |
Here he comes! |
00:54:03 |
Sorry. |
00:54:10 |
Mr. Kazama. |
00:54:12 |
Huh? |
00:54:14 |
Why am I here? |
00:54:18 |
I don't know. |
00:54:19 |
You don't know? |
00:54:22 |
How long do we have to stay here? |
00:54:23 |
If we stay here till morning, |
00:54:27 |
We have to stay here till morning? |
00:54:29 |
Shut up, you idiot! They'll find us! |
00:54:30 |
Shut up, you idiot! They'll find us! |
00:54:31 |
Sorry. |
00:54:31 |
I'm kidding. |
00:54:37 |
My vintage clothes are ruined. |
00:54:41 |
I don't care about that. |
00:54:43 |
I'm the victim, you know. |
00:54:45 |
Speaking of victims, |
00:54:49 |
Yes. |
00:54:50 |
Manami Inoue didn't |
00:54:54 |
She was a simple girl. |
00:54:57 |
She just complained about work |
00:55:04 |
Going back and forth between |
00:55:09 |
She led such a simple life but was |
00:55:15 |
You're right. |
00:55:17 |
But, is the culprit really a stalker? |
00:55:21 |
What? |
00:55:23 |
If the culprit is indeed a stalker... |
00:55:26 |
...why would he steal |
00:55:31 |
Maybe it means something. |
00:55:33 |
I'm sure there's a meaning to it. |
00:55:47 |
What? |
00:56:14 |
Raita Kazama? |
00:56:31 |
Mr. Matsuyama? |
00:56:34 |
Please open up. |
00:56:36 |
If you won't open, I'll just |
00:56:41 |
Sir, you can open it. |
00:56:43 |
Yes. |
00:56:57 |
You're Mr. Matsuyama, right? |
00:57:03 |
I'd like to ask you a few questions. |
00:57:04 |
You'll come with us, right? |
00:57:11 |
What happened to you? |
00:57:19 |
I took a bath. |
00:57:25 |
It's not a big place, but... |
00:57:27 |
Thanks for helping me out every time. |
00:57:29 |
Thanks for helping me out every time. |
00:57:30 |
Sorry for the trouble. |
00:57:31 |
Thank you so much. |
00:57:32 |
Thanks. |
00:57:33 |
There we go. |
00:57:36 |
This is the room. |
00:57:38 |
Feel free to stay as long as you like. |
00:57:40 |
Man, this is great. |
00:57:41 |
Sorry about all this. |
00:57:42 |
Sorry about all this. |
00:57:43 |
Not at all. |
00:57:43 |
Thanks for everything. |
00:57:44 |
The TVworks too. |
00:57:46 |
Oh, that's great. |
00:57:47 |
Thank you so much. |
00:57:49 |
On top of that... |
00:57:53 |
Free? |
00:57:54 |
Of course it's free. |
00:57:56 |
Hey, let's drink. |
00:57:59 |
I shouldn't. |
00:58:04 |
We now have new information |
00:58:08 |
...where the victims' |
00:58:10 |
We're reporting to you |
00:58:11 |
Currently, the police are doing |
00:58:16 |
...but one of the victims, Manami Inoue... |
00:58:17 |
I thought they caught the culprit. |
00:58:21 |
I know that house. |
00:58:23 |
It was on Nagamine's list. |
00:58:27 |
This man is being questioned |
00:58:32 |
The man denies all |
00:58:36 |
...but they found many |
00:58:40 |
...and many obscene videos |
00:58:45 |
Now, they can focus on the whereabouts |
00:58:52 |
That sums it up. |
00:58:54 |
He's the culprit. |
00:58:57 |
To him, insanity is not insanity. |
00:59:08 |
It's not him. |
00:59:10 |
How do you know? |
00:59:13 |
He can be a Peeping Tom or a stalker... |
00:59:17 |
...but there's no need for |
00:59:20 |
The culprit is |
00:59:25 |
Spells... |
00:59:28 |
Occult... |
00:59:37 |
I see... |
00:59:40 |
Liver and pond. Which means water. |
00:59:45 |
Kidneys and hanging... |
00:59:49 |
Hanging... |
00:59:56 |
Air. |
01:00:00 |
You were there at the scene when the |
01:00:04 |
Yes. |
01:00:06 |
Did you see any soil near the victim? |
01:00:11 |
How did you know? |
01:00:13 |
Someone said there was soil |
01:00:17 |
Lungs and soil... |
01:00:19 |
Lungs and soil! |
01:00:21 |
Do you get it? |
01:00:27 |
It's me. |
01:00:29 |
Is Yuki Aoyama still alive? |
01:00:32 |
Yes. |
01:00:33 |
Of course he is. |
01:00:36 |
I see. |
01:00:38 |
Is something wrong? |
01:00:40 |
No, it's nothing. |
01:00:53 |
Yuki Aoyama. |
01:00:55 |
He stands out among the |
01:00:59 |
He is known as the "Master of Tragedy," |
01:01:24 |
After his wife's suicide, |
01:01:27 |
He was especially drawn |
01:01:30 |
...and his artistic style... |
01:01:32 |
...eventually becomes ghastly |
01:01:42 |
Steiner was a German thinker... |
01:01:45 |
...who had influence on medicine, |
01:01:51 |
He thought that the human |
01:01:54 |
...and by placing life, soul, |
01:01:59 |
...it could then function |
01:02:02 |
His ideas are very occult-like. |
01:02:08 |
The real nightmare |
01:02:15 |
If you can understand |
01:02:21 |
...the answers will |
01:02:44 |
Yo, Ryoko. |
01:02:45 |
Yo. |
01:02:45 |
Yo. |
01:02:47 |
It's all right. |
01:02:48 |
I don't have work today. |
01:02:50 |
You'll just reimburse me |
01:02:53 |
What is it that you need? |
01:02:54 |
You want to hire me? |
01:02:55 |
You want to hire me? |
01:02:56 |
I want you to get some |
01:02:59 |
Yuki Aoyama? |
01:03:01 |
Yeah. |
01:03:01 |
Why do you need his information? |
01:03:06 |
Don't ask. |
01:03:08 |
I want you to find out what kind |
01:03:12 |
I can't be seen in public, |
01:03:17 |
Fine. |
01:03:18 |
I'll contact my employees |
01:03:21 |
Good. |
01:03:24 |
Hey, is this about |
01:03:29 |
Correct. |
01:03:30 |
I want to know the connection |
01:03:35 |
Got it. |
01:03:37 |
Don't worry. I won't |
01:03:44 |
So tiny. |
01:03:48 |
Don't scare me like that! |
01:03:50 |
Idiot! |
01:04:08 |
So hot! |
01:05:44 |
Hold it! |
01:05:50 |
Takagi! Suzumori! |
01:05:50 |
Takagi! Suzumori! |
01:05:55 |
Boss! |
01:05:57 |
We got Kazama's fingerprints |
01:06:01 |
We couldn't get any... |
01:06:02 |
...fingerprints from the fountain pen |
01:06:04 |
But we definitely got it this time. |
01:06:14 |
Put Raita Kazama on the wanted list! |
01:06:19 |
Yes. |
01:06:43 |
Are you Maho Akimura? |
01:06:49 |
You're father is Yuki Aoyama, right? |
01:06:54 |
You won't believe |
01:06:57 |
It was that guy with |
01:07:00 |
Oh yeah. |
01:07:01 |
I had to stick with him till |
01:07:05 |
You should've just said no. |
01:07:06 |
I wish it were that easy. |
01:07:09 |
He's very pushy. |
01:07:11 |
I was up to here in water... |
01:07:14 |
I think I was... |
01:07:14 |
I think I was... |
01:07:17 |
Is it that person? |
01:07:26 |
Mr. Kazama? |
01:07:28 |
Mr. Kazama, what are you doing here? |
01:07:34 |
Piece of cake. |
01:07:37 |
This is bad. |
01:07:38 |
Raita, take care of this. |
01:07:40 |
Hey! Is that how you talk to |
01:07:42 |
It was me, Raita! |
01:07:44 |
I knew that. I knew that... |
01:07:47 |
But I just had to say it. |
01:07:51 |
Why are you here? |
01:07:53 |
Well, I want you |
01:07:56 |
No, I can't. I'm working. |
01:07:57 |
There's no need for you to work. |
01:07:58 |
There's no need for you to work. |
01:08:02 |
There's a bunch of |
01:08:06 |
What's wrong? |
01:08:10 |
Excuse me! Does |
01:08:15 |
I just want to borrow it for a second. |
01:08:16 |
Thank you. |
01:08:17 |
Thank you. |
01:08:18 |
I have one. |
01:08:18 |
What? Why didn't you say |
01:08:20 |
Why are you in such a hurry? |
01:08:23 |
This is dangerous, you know. |
01:08:29 |
That's dangerous! |
01:08:32 |
If you don't shut up, |
01:08:35 |
Mr. Kazama, why? |
01:08:36 |
Kazama! |
01:08:38 |
I have no choice. Out of the way! |
01:08:39 |
Out of the way! |
01:08:40 |
Out of the way! |
01:08:41 |
Yes? |
01:08:42 |
Not you! |
01:08:43 |
Don't be foolish! |
01:08:45 |
Mr. Shiobara. |
01:08:47 |
I'm telling you I didn't do it. |
01:08:49 |
That's what I'm trying to prove. |
01:08:51 |
That's up to the police to decide! |
01:08:53 |
You just have to come |
01:08:56 |
No, I don't think so. |
01:08:57 |
I couldn't save that girl. |
01:09:00 |
That's why I want to catch the |
01:09:03 |
Raita, you bastard! |
01:09:05 |
Yes? |
01:09:05 |
Not you! |
01:09:06 |
I'm sorry. |
01:09:07 |
Sorry about this, Mr. Shiobara. |
01:09:13 |
Damn it! |
01:09:17 |
Kazama! |
01:09:18 |
Move! |
01:09:19 |
Don't be such a fool. |
01:09:20 |
Get out of the way! |
01:09:26 |
The car! We're getting in that car! |
01:09:29 |
Good job! That was |
01:09:31 |
That was no performance! |
01:09:33 |
I was really scared! |
01:09:34 |
What? Really? |
01:09:36 |
No way! |
01:09:39 |
Sorry it took so long. |
01:09:41 |
Hey, thanks a lot. |
01:09:42 |
Those three victims were |
01:09:47 |
...but they weren't |
01:09:49 |
I see. |
01:09:50 |
Anything else? |
01:09:52 |
It's about Aoyama's relationships. |
01:09:54 |
After his wife Chie committed suicide... |
01:09:56 |
Aoyama started living with his lover. |
01:10:00 |
Mr. Kazama! Take it easy! |
01:10:02 |
His lover's name is Masami Seto, |
01:10:05 |
The reason why Chie |
01:10:08 |
...is probably because of Aoyama's |
01:10:10 |
I see... |
01:10:14 |
And, what happened |
01:10:16 |
I don't know that much about it. |
01:10:18 |
But, shortly after that Aoyama had a kid |
01:10:24 |
A kid? |
01:10:25 |
Yeah. |
01:10:26 |
It's a girl named Maho. |
01:10:29 |
She's in a foster home. |
01:10:31 |
Where's Aoyama now? |
01:10:33 |
He has a studio in Izu, |
01:10:36 |
Thank you. |
01:10:38 |
If you find out anything |
01:10:51 |
Kazama switched his car |
01:10:54 |
That bastard! |
01:11:11 |
What the hell is going on? |
01:11:17 |
It's me! |
01:11:18 |
It's me again. |
01:11:20 |
I forgot to tell you earlier... |
01:11:22 |
...but Aoyama also had |
01:11:25 |
A kid? What's the name? |
01:11:28 |
Masakuni. |
01:11:29 |
Spelled with "Ga" of |
01:11:32 |
Masakuni? |
01:11:34 |
I work as a detective for Kazama. |
01:11:43 |
Mr. Kazama, the car |
01:11:46 |
It's swerving to the left! |
01:11:49 |
No way! |
01:11:50 |
That can't be! |
01:11:51 |
Did you tell a girl named |
01:11:55 |
She seemed to be |
01:11:59 |
Fine. |
01:12:01 |
The only train running at that time |
01:12:05 |
But, he lives in Ichikawa. |
01:12:08 |
Please grab the steering wheel! |
01:12:21 |
This is dangerous! |
01:12:25 |
If we don't hurry, there will |
01:12:27 |
You know who the culprit is? |
01:12:32 |
Where the hell is Mika? |
01:12:34 |
Please grab on! |
01:12:48 |
This is amazing. |
01:12:50 |
I didn't know you were |
01:12:55 |
Yeah... |
01:12:58 |
Make yourself at home. |
01:12:59 |
I'll fix you some tea. |
01:13:01 |
Thank you so much. |
01:13:17 |
It's me. |
01:13:20 |
Were you able to find the |
01:13:26 |
Yeah. |
01:13:28 |
I knew it. |
01:13:33 |
I knew it ever since you caught me. |
01:13:41 |
You're just like one of us. |
01:13:51 |
Mr. Kazama, where |
01:13:55 |
We're going to Izu. |
01:13:57 |
Yuki Aoyama's studio. |
01:14:00 |
Huh? |
01:14:05 |
What do you mean? |
01:14:07 |
Steiner is the missing |
01:14:10 |
Steiner? |
01:14:11 |
He was a German thinker who |
01:14:15 |
...by using the four main organs, |
01:14:20 |
Those organs are the same |
01:14:23 |
Yeah. |
01:14:25 |
These four organs are very |
01:14:28 |
...and they also correspond |
01:14:30 |
Water, wind, earth, fire. |
01:14:34 |
When all four come together, |
01:14:37 |
All four to complete? |
01:14:40 |
The culprit is using this |
01:14:43 |
...and using the victims |
01:14:59 |
Mr. Nagamine? |
01:15:14 |
Mr. Nagamine? |
01:15:25 |
Mr. Nagamine? |
01:15:47 |
Mr. Nagamine? |
01:15:55 |
Mr. Nagamine? |
01:17:44 |
Mr. Nagamine! |
01:17:46 |
Mr. Nagamine! |
01:17:48 |
Mr. Nagamine... |
01:18:12 |
Mother... |
01:18:16 |
I... |
01:18:22 |
I don't want to die... |
01:18:29 |
I'm scared... |
01:18:34 |
Masami... |
01:18:41 |
I... |
01:18:47 |
Want... |
01:18:50 |
Eternal life... |
01:19:05 |
I... |
01:19:09 |
Want... |
01:19:12 |
Eternal life... |
01:20:51 |
Dad... |
01:20:54 |
Where's... |
01:20:57 |
Where's mom? |
01:21:34 |
Looks like you're awake. |
01:21:36 |
How are you feeling? |
01:21:39 |
Mr. Nagamine... |
01:21:49 |
What do you think? |
01:21:51 |
It's wonderful, isn't it? |
01:21:54 |
My mother's drawing. |
01:22:00 |
My mother's soul is |
01:22:25 |
This is the true ability |
01:22:32 |
You're the one who was drawing |
01:22:36 |
Pretending? |
01:22:39 |
I wasn't pretending at all. |
01:22:43 |
I'm going to be even |
01:22:53 |
No! Don't come near me! |
01:22:58 |
I'm going to surpass my father. |
01:23:02 |
You'll never be able to surpass me. |
01:23:07 |
You'll never be able to surpass me. |
01:23:12 |
Shut up! Be quiet! |
01:23:14 |
After all, you're just an ordinary person. |
01:23:16 |
After all, you're just an ordinary person. |
01:23:20 |
You could never make art. |
01:23:23 |
Disappear! You ghost! |
01:23:26 |
Disappear! Disappear! Disappear! |
01:23:39 |
There's no need to worry. |
01:23:42 |
I'm just going to finish this drawing. |
01:23:47 |
After I take your heart, this |
01:23:52 |
Stop... |
01:23:56 |
No! |
01:23:58 |
No! |
01:24:01 |
No... |
01:24:04 |
No! |
01:24:07 |
No! |
01:24:12 |
Nagamine... |
01:24:14 |
You... |
01:24:17 |
Boss! |
01:24:20 |
You're Raita Kazama? |
01:24:24 |
You interfered. |
01:24:30 |
You idiot! |
01:24:32 |
Why did you do those things? |
01:24:35 |
Those things? |
01:24:39 |
It's obvious. |
01:24:41 |
Those women denied my existence. |
01:24:46 |
They said someone else drew it. |
01:24:53 |
But... |
01:24:56 |
I don't really like it |
01:25:00 |
How come? |
01:25:02 |
Don't you feel that |
01:25:08 |
It seems like |
01:25:19 |
This is Kazama's address. |
01:25:24 |
You don't want to go to the show? |
01:25:26 |
Why? |
01:25:28 |
I know he didn't draw them. |
01:25:33 |
No wonder you're an art student. |
01:25:35 |
You can tell that? |
01:25:37 |
Sort of. |
01:25:42 |
That new piece just isn't right. |
01:25:49 |
You didn't have to kill them |
01:25:52 |
It is considered a taboo... |
01:25:55 |
...to say that Yuki Aoyama |
01:25:58 |
They deserved to die! |
01:26:03 |
Besides, those women were my fans. |
01:26:08 |
So they should be very |
01:26:12 |
They were able to instill their souls into |
01:26:18 |
He's crazy... |
01:26:20 |
I'm not crazy. |
01:26:22 |
It's just like Masami. |
01:26:25 |
That day, Masami gained |
01:26:31 |
And, I touched its true beauty... |
01:26:43 |
Mama... |
01:26:51 |
Stop doing these |
01:26:55 |
You have done some |
01:26:58 |
But I'm still on your side. |
01:27:01 |
It's not like we're total strangers. |
01:27:04 |
Stay where you are! |
01:27:07 |
Turn yourself in and |
01:27:12 |
I'll always be waiting. |
01:27:14 |
Stay where you are! |
01:27:18 |
I'm not Nagamine. |
01:27:23 |
I'm Yuki Aoyama. |
01:27:24 |
Stop! |
01:27:28 |
Who the hell are you? |
01:27:30 |
Yuki Aoyama's daughter, Maho Akimura. |
01:27:34 |
Which means, she's your half sister. |
01:27:40 |
Half sister? |
01:27:43 |
You're not my father! |
01:27:47 |
You're not Yuki Aoyama! |
01:27:51 |
What are you talking about? |
01:27:53 |
I'm Yuki Aoyama! |
01:27:56 |
Even though... |
01:27:59 |
Even though my father was away, |
01:28:04 |
He was a kind man. |
01:28:07 |
He's not a murderer! |
01:28:25 |
You're wrong! |
01:28:27 |
I'm Yuki Aoyama! |
01:28:31 |
I'm Yuki Aoyama! |
01:28:32 |
Hurry up and go! |
01:30:08 |
Oh my God! |
01:30:14 |
It's broken! It's really broken! |
01:30:25 |
Wait! |
01:30:32 |
Nagamine! |
01:31:03 |
That hurt! |
01:31:31 |
Nagamine! |
01:31:43 |
You bastard! |
01:32:09 |
Mr. Nagamine... |
01:32:30 |
Y- You're name is Maho? |
01:32:38 |
I... |
01:32:43 |
Your brother... |
01:32:47 |
Please forgive your brother... |
01:33:32 |
Now... |
01:33:36 |
It's complete... |
01:33:53 |
Maho... |
01:34:13 |
Nagamine... |
01:34:17 |
Nagamine! |
01:34:24 |
Nagamine! |
01:34:33 |
Yuki Aoyama's body found. Studio |
01:34:35 |
It's unbelievable, Mr. Kazama. |
01:34:38 |
Unbelievable. |
01:34:40 |
I don't exactly know what to say... |
01:34:44 |
...but thank you very |
01:34:52 |
Now that the truth is out, |
01:35:00 |
Thank you. |
01:35:01 |
Well, I have to go now. |
01:35:03 |
Please stop by the bar again. |
01:35:05 |
Yeah. |
01:35:07 |
Hey, Mr. Kazama. |
01:35:17 |
Hey, good morning. |
01:35:18 |
Good morning. |
01:35:19 |
It hurts! I said it hurts! |
01:35:26 |
I quit my job. |
01:35:29 |
You got fired? |
01:35:31 |
Fired? |
01:35:33 |
Congratulations. |
01:35:34 |
Huh? |
01:35:37 |
Congratulations. |
01:35:38 |
Huh? |
01:35:41 |
How would you |
01:35:45 |
What are you talking about? |
01:35:47 |
Please. |
01:35:50 |
Please! |
01:35:51 |
What? |
01:35:53 |
I can't take any memos. |
01:35:54 |
I can imagine. |
01:35:56 |
I can't make phone calls either. |
01:35:58 |
I'm begging you. |
01:36:00 |
Are you serious? |
01:36:01 |
I'm very serious. |
01:36:04 |
Okay? |
01:36:05 |
Huh? |
01:36:07 |
Okay? |
01:36:08 |
Huh? |
01:36:11 |
Hey. |
01:36:13 |
Something's wrong! |
01:36:14 |
What? |
01:36:15 |
I'm saying something feels wrong. |
01:36:16 |
What is it? |
01:36:17 |
I said something feels wrong! |
01:36:19 |
I don't know what it is. |
01:36:23 |
I don't know... |
01:36:33 |
My fingers grew back... |