Tarzan the Ape Man

en
00:01:25 Now, look here. That's a river.
00:01:31 Is that the Mutier escarpment?
00:01:35 What river is that?
00:01:37 No one ever crosses that river...
00:01:39 because beyond that
00:01:42 I'm afraid you're wasting your time
00:01:44 He's working himself into a juju.
00:01:46 All right, Riano. Take him away.
00:01:51 Very helpful, I don't think.
00:01:53 Always the same old tales.
00:01:56 Mutier escarpment too strong, too high.
00:01:59 What they mean is
00:02:02 that's the elephants' business,
00:02:05 - Perhaps we haven't.
00:02:07 And let a million pounds of ivory
00:02:11 Just how keen are you on this idea?
00:02:13 It means escape from this cursed hole.
00:02:15 - I'm keen, all right.
00:02:28 Excuse me, miss. Can I help you?
00:02:32 How do you do? Thank you so much.
00:02:35 I'm looking for my father.
00:02:37 I can't think why he isn't here.
00:02:41 My name's Parker. Jane Parker.
00:02:43 - Excuse me. Did you say Miss Parker?
00:02:46 How exciting.
00:02:48 Why, this is Mr. Holt,
00:02:51 - How do you do?
00:02:53 How do you do? He's still here, my father?
00:02:56 - He hasn't gone away or anything?
00:03:00 You caught him just in time.
00:03:01 Shall we walk along together
00:03:04 - What about your baggage?
00:03:05 - I'll take care of it.
00:03:08 - Will you bring it along?
00:03:10 Shall we start now?
00:03:12 You see that big building on the right?
00:03:14 - How is my father?
00:03:18 - You're not letting your hair grow again?
00:03:22 I wonder if I could get that haircut,
00:03:25 Here we are. I don't want to butt in.
00:03:27 - Lf you'd rather see your father alone...
00:03:30 I see. If there's anything that you want,
00:03:33 - In a community like this...
00:03:35 Perhaps I shall see you this afternoon.
00:03:54 Hello.
00:04:01 Jane. Whatever...
00:04:03 What on earth.
00:04:06 Darling, don't ask questions.
00:04:09 Don't do anything. Just be glad to see me.
00:04:12 What's this mean, dear? You're crying.
00:04:19 You mustn't do that.
00:04:21 No, but you're going to have to wait
00:04:27 There.
00:04:32 There.
00:04:33 All through.
00:04:40 Let me look at you.
00:04:43 You're just the same.
00:04:46 Yes, but a bit more grizzled
00:04:50 That's only
00:04:52 - You have been missing me, haven't you?
00:04:56 That's better.
00:04:57 Now say you're glad to see me,
00:05:00 I'm afraid you'll have to do that
00:05:02 Shall I?
00:05:03 Listen, Dad, from now on,
00:05:07 I'm going to be a savage just like you.
00:05:09 We'll talk about that later.
00:05:13 Attractive.
00:05:16 Mighty attractive.
00:05:18 I don't know how I managed it.
00:05:19 Cable for you, sir.
00:05:21 Hello, Beamish. See who's arrived.
00:05:23 It isn't. It is.
00:05:25 Knock me for a row at ninepins
00:05:29 Hello, Beamish, old boy.
00:05:31 But I say,
00:05:34 That's a perfect criticism of Africa.
00:05:37 - What's the cable, darling?
00:05:41 I call that perfect service.
00:05:44 Hello, Holt.
00:05:46 - My daughter, Mr. Holt.
00:05:49 He was kind and got my baggage.
00:05:51 - I did.
00:05:54 - Here?
00:05:59 Boy, put this down here.
00:06:02 And put those trunks
00:06:05 That's grand.
00:06:06 Just pile them up
00:06:09 Look, you can just leave those
00:06:14 - Yeah, that's fine.
00:06:16 I told you I'd come to stay.
00:06:18 But what have you got in there in all that?
00:06:21 Just the necessaries of life.
00:06:24 Can I get you a nice cup of tea, miss?
00:06:26 Isn't that English?
00:06:27 I come 6,000 miles
00:06:31 What's wrong with a drink?
00:06:33 All right, I'll get you one.
00:06:35 - Shall I send the rest of the baggage?
00:06:40 I like your Mr. Holt. He's nice. Don't you?
00:06:44 - Six big...
00:06:46 I was talking about Mr. Holt.
00:06:48 Yes, he's a nice fellow.
00:06:50 We get along splendidly.
00:06:53 He hates Africa, too.
00:06:55 - Hates Africa?
00:06:57 - I don't believe it.
00:07:00 He's too strong and sturdy-looking,
00:07:04 - I don't like Africa, either.
00:07:25 Yes, I think I'd better be...
00:07:27 Darling, don't be silly.
00:07:30 Why, you've bathed me sometimes...
00:07:32 and very nearly spanked me, too,
00:07:35 Very nearly.
00:07:36 Perhaps if you actually had,
00:07:39 And I am very obstinate.
00:07:46 - What are you trying to do?
00:07:49 - But what's wrong with soap and water?
00:07:53 Must preserve that schoolgirl complexion.
00:08:02 What's that?
00:08:19 Who are they?
00:08:20 The Wakumbas.
00:08:23 - The ones with the big hats, who are they?
00:08:27 There are a couple
00:08:30 in each of those headdresses.
00:08:31 What you might call putting a feather
00:08:35 - What are they doing here?
00:08:38 All right, let's trade them.
00:08:41 You're butting into my business.
00:08:44 Butting in? You're mistaken.
00:08:47 Beamish, bring me my hat.
00:08:57 Do they always sing like that
00:09:03 That's not a song.
00:09:05 They're invoking their gods
00:09:08 I don't blame them.
00:09:10 Darling, you've done far too well
00:09:13 I don't think it's quite nice.
00:09:14 Look, here, young lady.
00:09:19 I resent that.
00:09:22 I must see your lady customers.
00:09:27 It looks as if their shopping's
00:09:31 How women suffer to be beautiful.
00:09:35 I see you're breaking into society.
00:09:39 I know. I feel quite out of fashion.
00:09:41 Now let me show you what
00:09:49 Those markings on the shield mean
00:09:53 Not really?
00:09:54 Why, that little fellow there,
00:09:57 On the contrary.
00:09:58 If you read his shield,
00:10:01 - Really?
00:10:05 Yes, over here we have the Wakumbas.
00:10:08 You'll notice that their dress
00:10:13 And these natives here,
00:10:16 Yes, they are.
00:10:38 Here's your hat.
00:10:41 Thank you.
00:10:51 Bit early for him to start dancing, isn't it?
00:10:53 - Who?
00:11:01 Jane, suppose we get a move on.
00:11:03 - You do think I'm a child, don't you?
00:11:08 Look, every man his own feather duster.
00:11:12 The council of the Aloas.
00:11:20 Say, Parker, there's old Chief Oomtelli.
00:11:24 Possibly he can tell us
00:11:26 Not a chance, Holt.
00:11:30 Darling, what is this Mutier escarpment?
00:11:34 When they get past this falderal...
00:11:36 let's hope they'll be in a mood
00:11:39 - Come on.
00:11:41 Father, you still haven't told me
00:11:44 Remember my telling you
00:11:47 Hundreds. Which one?
00:11:48 The one about why one never finds
00:11:52 Let me think.
00:11:53 Why, of course.
00:11:55 I remember.
00:11:56 An elephant can always tell
00:12:00 and when he hears the call...
00:12:02 there's a secret place
00:12:04 A place where he can lay his bones
00:12:08 - A place of rest.
00:12:11 The secret graveyard of the elephants.
00:12:13 Somewhere to the east, there's
00:12:17 called the Mutier escarpment.
00:12:19 And the natives won't say
00:12:22 It's sacred. Taboo.
00:12:24 If one of them is found
00:12:27 he's put to death by the witch man
00:12:30 Now, Holt and I believe...
00:12:31 that beyond
00:12:34 lies the burial place of the elephants.
00:12:36 You do? But why?
00:12:40 Of course. Ivory.
00:12:42 Enough ivory to supply the world.
00:12:44 There's £1,000,000
00:12:47 - And how much do I get for helping you?
00:12:54 Mr. Holt, I know you'll understand.
00:12:58 I do want to go so terribly.
00:13:03 I think if she wants to go
00:13:05 she won't be a hindrance.
00:13:08 I think you're probably
00:13:13 Anyone's nice who gives in to you.
00:13:17 You disagreeable old darling.
00:13:19 I'm mad about you.
00:13:21 Leave me alone. I'm not used to this.
00:13:24 Can you shoot?
00:13:27 Like an angel.
00:13:29 Riano, let me have that rifle.
00:13:44 - Beamish.
00:13:46 Hat.
00:13:54 Satisfied?
00:13:57 Quite.
00:14:31 I'm tired. I'm going to turn in.
00:14:34 Good night, Holt. Good night, my girl.
00:14:36 - Good night, Dad.
00:14:43 Tell me, am I a nuisance?
00:14:46 Do I get in the way at all?
00:14:48 Not in the least.
00:14:51 - Better put this around your shoulders.
00:14:54 The altitude plays funny tricks
00:14:57 I'm not cold.
00:14:59 You may think you're not.
00:15:11 - You're very silent.
00:15:15 You know, Jane...
00:15:16 I'm not a romantic sort of a person
00:15:21 but if we get through this all right...
00:15:23 is there any kind of a chance for me?
00:15:26 With me?
00:15:27 I don't know.
00:15:30 Will you?
00:15:32 I thought I hated this country.
00:15:34 Since you're here I almost love it.
00:15:36 Do you, Harry?
00:15:38 - I'm very glad.
00:15:40 Glad you like Africa.
00:15:41 Oh, poof.
00:15:43 Now you're laughing at me.
00:15:45 A little bit, perhaps.
00:15:49 But very tenderly.
00:15:55 - Old man hyena sounds pretty lively.
00:16:00 Yet, I don't know. It's part of it all.
00:16:03 - Love it, don't you?
00:16:07 Look.
00:16:11 Isn't it marvelous?
00:16:13 And the funny part is
00:16:17 Really?
00:16:19 Good night, Harry.
00:16:21 Funny little hand...
00:16:24 so capable and so strong...
00:16:29 and yet, so soft and so white.
00:16:32 Don't crush it, Harry.
00:16:34 I'm sorry.
00:16:37 Good night, dear. Sleep soundly.
00:16:39 Soundly? With all this noise?
00:16:43 Isn't he grand?
00:16:45 So proud, so fierce,
00:16:51 Why, there's another one quite close.
00:16:54 Yes, much too close.
00:16:58 Keep a man on the fire all night.
00:17:00 Yes, bwana.
00:17:02 Hello.
00:17:04 Must be a village near here somewhere.
00:17:06 That drum doesn't seem stationary.
00:17:10 - It is.
00:17:12 What was that?
00:17:20 Hold it there.
00:17:29 Get him some water.
00:17:33 - He say he look at Mutier escarpment.
00:17:38 Make him tell you which direction. Where?
00:17:44 Did you get that?
00:17:45 We have to get him under cover.
00:17:48 - What's the matter?
00:17:50 Who are they, Harry?
00:18:36 What did he say?
00:18:38 He's looking for some fellow
00:18:41 No man's passed here.
00:18:44 I told him that.
00:19:17 - They're like evil ghosts.
00:19:20 one of the most feared
00:19:22 Yet they're afraid
00:19:24 It may not be fear. It may be superstition.
00:19:26 To some of them,
00:19:28 How much more so in death?
00:19:30 - Have they gone?
00:19:31 One good turn deserves another.
00:19:36 Come on, get up.
00:19:42 He's dead.
00:19:43 Anyone would die
00:19:46 Poor fellow.
00:19:47 - He died too soon.
00:19:51 He was crazy with fear,
00:19:56 And that's the direction
00:20:17 And that's the Mutier escarpment, eh?
00:20:20 Yeah, and all we've got to do now
00:20:26 Mother Earth must have
00:20:29 putting up a wall like that.
00:20:32 Here.
00:20:34 - Why? Is this going to be dangerous?
00:20:37 All has to be done
00:20:55 Look out back there.
00:20:58 It's a bit tricky here.
00:21:06 You all right, Jane?
00:21:08 At the moment.
00:21:10 Be careful.
00:21:16 Steady, Jane. Don't lose your nerve.
00:21:20 We're all right.
00:21:22 What was in that pack, Parker?
00:21:23 Medicines, trade goods.
00:21:26 Poor devil.
00:21:28 That's too bad.
00:21:30 You all right, now?
00:21:33 Yeah, I'm all right.
00:21:34 How are the rest of the boys?
00:21:36 - All right, bwana.
00:21:40 Now, Jane, take it easy.
00:21:46 Easy now.
00:21:51 Give me your hand.
00:22:02 Hold her, Holt!
00:22:03 - Parker. Riano.
00:22:24 Quiet, now.
00:22:27 All right.
00:22:29 - Give me your hand.
00:22:35 Give me your hand, dear.
00:22:40 Good girl!
00:22:45 Aren't I a fool, Harry? I'm sorry.
00:22:48 I'll promise to forgive you
00:22:51 Would you like to sit down and rest
00:22:53 No, really. I'd rather go on.
00:22:55 - You're quite sure?
00:22:56 Good girl. Come on.
00:22:58 - How are the rest of the boys, Riano?
00:23:30 I don't think we need this anymore.
00:23:33 Darling, you mind if I flop for a little while?
00:23:36 It'd do us all good to flop for a little while.
00:23:39 Anything you want?
00:23:41 Yes, a nice hot bath.
00:23:52 What was that?
00:23:54 Can't say.
00:23:55 - What do you make of it, Riano?
00:24:00 Maybe.
00:24:01 Come on.
00:24:08 - That was a human cry.
00:24:16 Say, Parker, how do you feel about...
00:24:20 - going on?
00:24:23 I know why you're saying that.
00:24:25 And I'm not going to be made
00:24:28 I'm not frightened of a few weird cries.
00:24:31 Now let's get that ivory.
00:24:34 - Riano, come on.
00:24:38 - All right, Riano, come on.
00:24:44 - What's the matter?
00:24:47 You've got your whip.
00:24:54 - Let's be on our way, come on.
00:25:06 Another barrier.
00:25:08 Does that mean
00:25:11 Yes, but with good luck
00:25:19 Hold on.
00:25:21 My gun.
00:25:23 They may be tough customers.
00:25:30 Father, without prejudice...
00:25:33 would you say that was a friendly noise?
00:25:40 I'm afraid we're intruding.
00:25:42 - Riano, you better get the boys back.
00:25:45 Gently, dear. Slowly.
00:25:50 Look out. We're in for it.
00:25:55 Gently, Jane. The river's alive with them.
00:26:01 The dying elephant has to swim this.
00:26:04 Look there.
00:26:07 I'll feel much better
00:26:13 Rafts?
00:26:15 - Riano.
00:26:17 Cut wood for rafts. Two.
00:26:35 Father, look.
00:26:40 How's that for a touching domestic scene?
00:26:43 You can't tell me she's dangerous.
00:26:45 Dangerous? I'd hate to interfere
00:26:51 - How are they getting on?
00:26:54 Come on, Riano. We can't be here all day.
00:27:02 And the long one. There we are.
00:27:04 - Come here.
00:27:05 - All right, Riano. Push off.
00:27:08 Harry, aren't you coming with us?
00:27:10 The boys will need
00:27:13 in order to keep going.
00:27:14 We'll be close all the way across.
00:27:16 All right, Riano. Come on. Shove off.
00:27:22 Watch the end here.
00:27:30 I don't think
00:27:33 I'm willing to detour.
00:27:40 Get in the middle of the raft, Jane,
00:27:42 All right.
00:27:50 I think they're just curious, don't you?
00:27:52 I hope so.
00:27:57 - Riano, gun.
00:28:02 - Getting nervous, Jane?
00:28:07 Don't shoot wildly, Jane.
00:28:09 Get them around the ears,
00:28:12 - then they're dangerous.
00:28:22 - Get him?
00:28:24 I hope so.
00:28:25 - We'll take the lead, Riano.
00:28:28 Come on, boys. Pole faster.
00:28:32 - Still like it, Jane?
00:28:35 No, I'm crazy to have brought you here.
00:28:38 Why, Father,
00:28:48 Good girl!
00:28:55 Kill him, Holt. I missed him.
00:29:00 Stop poling.
00:29:04 Stay, boys, stop poling now.
00:29:06 What's the matter?
00:29:07 - Fire, Harry, fire.
00:29:11 Get him, Holt.
00:29:16 Get going before he comes back.
00:29:18 All right, now. Hurry.
00:29:20 Come on, boys. Push this.
00:29:22 Harry, look out!
00:29:26 Watch out, Holt.
00:29:38 Hurry, boys. Pole quicker.
00:29:42 Never mind me. Help this boy here.
00:29:55 Is he on?
00:30:28 It's too late to do anything about him.
00:30:31 Look out, boys. Here comes the herd.
00:30:33 Pole for shore. Come on.
00:30:35 Let me have your hand, Jane.
00:30:47 - Again, Holt.
00:30:50 Here we are now.
00:30:55 Father, come on.
00:30:56 Give me a hand.
00:30:59 Get back in there.
00:31:01 Come on, Riano, let me have a gun.
00:31:03 They're still coming, Parker.
00:31:41 That was friendly of someone.
00:31:45 - Riano, who else is gone?
00:31:48 - That cry we heard from the river.
00:31:51 You get the boys to make camp here.
00:31:55 - Harry, don't get lost.
00:31:59 Thanks. Tooch, you come along with me.
00:32:01 Come on, Jane.
00:32:05 Make way, boys.
00:32:20 - Good. We'll camp here, Riano.
00:32:26 Put one tent there...
00:32:28 a couple here.
00:32:29 - You boys can camp up there.
00:32:33 What was that?
00:32:37 Ape.
00:32:41 Look.
00:32:47 White, too.
00:32:56 Father, that cry.
00:33:05 Father, look.
00:33:07 Hello there.
00:33:10 Come down.
00:33:14 Riano, you speak to him.
00:33:18 He can't understand.
00:33:20 Call one of the boys. Try another dialect.
00:33:27 Come down, I tell you, or I'll shoot.
00:33:34 I don't think he even knows what a gun is.
00:33:43 After him, Riano,
00:33:48 Where'd they go, Riano?
00:33:50 Jane, you'd better stick close to us.
00:33:58 Jane, where are you?
00:34:13 Answer me, Jane.
00:34:15 - Parker.
00:34:17 - Jane, where are you?
00:34:21 What's the matter, Parker?
00:34:23 - Jane. He's taken her.
00:34:52 Don't let me go.
00:34:58 Hold onto me.
00:35:28 He's come to get me!
00:35:30 Don't let him take me!
00:35:43 Let me...
00:38:47 Don't. Let me go.
00:38:55 Let me go, you wild beast!
00:39:03 Get off me! Let go!
00:39:14 Stop!
00:41:20 Let me go, you brute.
00:41:27 Take your hands off me.
00:41:35 Take him away.
00:41:55 Thank you.
00:41:58 - Thank you for protecting me.
00:42:03 I said, thank you for protecting me.
00:42:06 - Me.
00:42:09 - I'm only me for me.
00:42:14 No. To you, I'm you.
00:42:18 You.
00:42:20 No.
00:42:25 I'm Jane Parker. Understand?
00:42:28 Jane.
00:42:33 Yes. Jane. You?
00:42:39 And you?
00:42:41 - You.
00:42:52 That's right.
00:43:02 Please stop. Let me go. I can't bear this.
00:43:08 What's the use?
00:43:24 Yes. I am hungry.
00:43:27 Hungry.
00:43:30 Tarzan, where are you going?
00:43:32 Tarzan, don't go without me.
00:43:37 Tarzan, take me with you.
00:43:40 Wait. I'm coming.
00:48:23 Jane! Hello!
00:48:33 Father, here I am! Here in the tree!
00:48:36 I'm here. Father.
00:48:38 Hold it.
00:48:40 Father, here I am. Here in the tree.
00:48:43 Bwana, look there.
00:48:45 All right, Jane. We're coming.
00:48:47 We're coming. Keep still now.
00:48:50 Don't come down, dear.
00:48:54 Stay where you are. We'll help you down.
00:48:57 - Quick, Riano. Get up the tree.
00:49:04 Go, Riano. Look out for that big ape.
00:49:20 Harry, don't shoot!
00:49:31 There now.
00:49:33 It's all right, dear. Don't cry.
00:49:35 Get the boys together,
00:49:38 Wait a minute, Parker. He may come back.
00:49:42 No, let's go quickly, please.
00:49:46 Hurry.
00:49:50 All right. Come on, boys.
00:51:25 You're in a queer mood, Jane.
00:51:28 Yes, I know.
00:51:31 I've been reproaching myself all the time.
00:51:33 Reproaching yourself? Why?
00:51:37 What is it?
00:51:39 - Were you very frightened?
00:51:43 I thought he was a savage.
00:51:45 Now I find out he wasn't. That's all.
00:51:47 I can't make it out. How did he get here?
00:51:50 What does it matter? He's happy and...
00:51:53 At least he was until...
00:51:55 Father, did you hear his cry
00:51:59 - He'd probably never been unhappy before.
00:52:03 He's white.
00:52:04 Whether white or not,
00:52:08 they've no emotions.
00:52:09 - They're hardly human.
00:52:12 He's human, all right.
00:52:16 Riano, send some of the boys
00:52:19 Am I interrupting anything serious?
00:52:22 Jane's got a theory
00:52:26 - Wrong?
00:52:27 To whom?
00:52:29 To him.
00:52:34 Why do you laugh, Harry?
00:52:38 Isn't that the best thing to do?
00:52:40 - Is it funny?
00:52:43 That you should be considering
00:52:46 It's a pity I didn't put two bullets into him
00:52:50 I wouldn't talk like that.
00:52:51 Don't you think it's being
00:52:54 - Absurd?
00:53:01 Bwana, Mohammed dead in water.
00:53:03 - How did it happen?
00:53:07 You better call
00:53:12 You don't think he did it?
00:53:14 I don't know.
00:53:29 Harry, you can't do that.
00:53:31 - He isn't a wild animal.
00:53:32 So were you to him
00:53:35 We can't stay here and do nothing
00:53:38 We've to make him understand
00:53:40 - I could make him listen to me.
00:53:43 I know I could make him understand me.
00:53:46 - It's ridiculous.
00:53:49 Shall we risk it?
00:53:51 - Perhaps if you think it's all right. Yes.
00:54:31 You mustn't do that. You promised.
00:54:39 Harry, you mustn't.
00:54:53 Bwana.
00:54:55 Blood. I got him.
01:01:11 Tarzan.
01:02:35 Jane?
01:03:17 I wish you'd knock
01:03:26 I suppose you know
01:03:30 - Head?
01:03:33 Head. That thick bit under your hair.
01:03:39 No, Tarzan.
01:03:44 Oh, dear.
01:03:47 I really can't make you
01:03:51 You'll get dizzy. You'll fall.
01:03:56 You'll hurt yourself.
01:04:04 Tarzan. You see, you'll fall.
01:04:15 Tarzan, where are you?
01:04:20 Come up. Where are you?
01:04:29 That wasn't a bit charming.
01:04:32 - Boy?
01:04:43 Please let me go.
01:04:44 - Go?
01:04:48 - Go?
01:04:51 Don't let me go. Tarzan, don't.
01:04:59 I didn't say dunk. I said don't.
01:05:04 Tarzan, don't.
01:05:10 Nice Tarzan.
01:05:14 Take Jane bank.
01:05:17 Yeah. Bank.
01:05:43 Fooled you that time.
01:05:52 Tarzan! Watch out!
01:05:55 Help! Tarzan, save me!
01:05:59 What was that?
01:06:02 Where are you going?
01:06:06 Help, Tarzan. Don't.
01:06:21 I think you're the most horrible man
01:06:38 What color are your eyes?
01:06:40 Yes, I know.
01:06:44 The color of the forest. Gray-green.
01:06:48 I wonder what you'd look like dressed.
01:06:51 Pretty good.
01:06:53 You'd be a great success in London...
01:06:55 and I believe you'd love it.
01:06:59 Or would you?
01:07:00 Women are such fools.
01:07:02 They'd spoil you.
01:07:07 I don't think you'd better look
01:07:11 You're far too attractive.
01:07:16 I love saying things
01:07:21 who doesn't even know what kisses are.
01:07:24 Love it.
01:07:26 I daresay you would.
01:07:28 I think we'd better land.
01:07:32 Bank. Land.
01:07:42 Let go, Tarzan.
01:07:46 Go under.
01:07:50 Got you.
01:08:24 Where are my boots?
01:08:27 I do wish you wouldn't be so playful.
01:08:32 Give me those boots.
01:08:36 Tarzan, please give me those boots.
01:08:41 Tarzan, let go of my foot.
01:08:45 That hurt me.
01:08:48 Don't be so funny. Now let go.
01:08:53 All right. When you've quite finished,
01:08:57 Tarzan, you're tickling. Stop.
01:08:59 - Love it?
01:09:17 You can't get round me like that.
01:09:28 There's quite a difference, isn't there?
01:09:31 Do you like that difference?
01:09:34 You've never seen
01:09:46 Tarzan, where are you going? Don't go.
01:09:51 Tarzan, please.
01:10:41 - What's going on here?
01:10:44 Tired? Give me that thing.
01:10:47 You tired?
01:10:50 Is anybody else tired?
01:10:58 Come on.
01:11:46 What am I doing here...
01:11:48 alone, with you?
01:11:52 Perhaps I better not think too much
01:11:55 Just be here...
01:11:57 be happy.
01:11:59 And I am happy.
01:12:02 Not a bit afraid.
01:12:04 Not a bit sorry.
01:12:10 I wish I could make you understand.
01:12:13 Perhaps I can. Gradually.
01:12:17 Come here.
01:12:20 What are we going to do about us?
01:12:22 - Us?
01:12:28 Darling, you got that right.
01:12:31 Tarzan. Jane.
01:12:33 Hurt me. Boy.
01:12:36 Love it. Jane.
01:12:40 Darling, that's quite a sentence.
01:12:46 Tarzan, what is it?
01:13:06 Riano, we'll camp here.
01:13:07 - Yes, bwana.
01:13:09 You're not fit to go on.
01:13:11 - I'm the best judge of that.
01:13:14 - What's the good of tomorrow to me?
01:13:18 You can do what you like. I'm going on.
01:13:20 Come on now, Parker.
01:13:23 Come on. Please.
01:13:24 Just 10 minutes, but no more.
01:13:26 - All right. Riano, some water.
01:13:30 Those are tears, Tarzan.
01:13:33 You've never seen tears before, have you?
01:13:35 You know why they're there?
01:13:38 We must say goodbye.
01:13:40 I must go to him.
01:13:42 Yes, I must.
01:13:44 I can't do it. He loves me.
01:13:47 Love?
01:13:48 He loves me, too. I'm all he's got.
01:13:53 - Goodbye.
01:13:55 Yes.
01:13:56 Tarzan, don't look at me, not like that.
01:14:01 If you do, I shan't be able to go,
01:14:07 Don't you see?
01:14:09 Goodbye, my dear.
01:14:29 Why, he's brought me back.
01:14:34 Daddy.
01:14:39 There. You're all right, dear.
01:14:56 Don't go!
01:14:58 Come with us. We'll all go back together.
01:15:11 Jane, dear, you belong to us,
01:15:16 Now you must let him go.
01:15:19 - He belongs to the jungle.
01:15:23 He belongs to me.
01:15:26 No, my child.
01:15:53 Stay where you are.
01:15:55 Not a move out of anyone.
01:15:58 Can't stay here and be taken.
01:16:00 If we resist, we'll be butchered.
01:16:06 - Hand over your gun, Riano.
01:16:11 If we do nothing,
01:16:14 Perhaps you're right.
01:16:16 Are these pygmies?
01:16:19 No, they're dwarves.
01:16:25 Ready, Jane?
01:16:27 Yes, I'm ready.
01:16:50 - The drums are getting louder.
01:16:52 - Nearer what?
01:17:00 Go to Tarzan, Cheeta!
01:25:11 Give me your hand, dear. It's dark in here.
01:25:13 - It is dark, isn't it?
01:25:16 I'll try not to.
01:25:17 Father, stay close.
01:25:55 Harry, look!
01:27:02 Bwana!
01:34:41 Why have we stopped?
01:34:45 Tarzan, what is it? Look, he's wounded.
01:35:10 He wants them to change mounts.
01:35:11 No, we must go on.
01:35:14 But, Daddy, he's dying.
01:35:16 I know. Our one chance...
01:35:18 The elephants' graveyard.
01:35:20 If he's dying, he'll take us there.
01:35:23 But, Daddy, you can't. You're hurt.
01:35:26 No, I'm all right.
01:35:28 He's our one chance.
01:35:43 Tarzan, we must go, too. Understand?
01:35:47 Tarzan, with him.
01:36:53 It's beautiful.
01:36:55 Solemn and beautiful.
01:36:57 We shouldn't be here.
01:36:59 It's riches. Millions.
01:37:02 Parker, it's true.
01:37:04 We knew, didn't we?
01:37:11 Father, what is it?
01:38:09 We came this way once before.
01:38:11 There's something sad about retracing.
01:38:14 You've been very brave, Jane.
01:38:18 He found what he was looking for.
01:38:21 I know that somewhere,
01:38:36 I can't bear to
01:38:38 Goodbye?
01:38:40 You'll be coming back, Harry.
01:38:42 I can see a huge safari
01:38:45 bearing ivory down to the coast.
01:38:49 Only this time, there'll be no danger...
01:38:51 because we'll be there to protect you
01:40:07 5@y3