|
Tenebre
|
| 00:00:04 |
The impulse had become |
| 00:00:07 |
There was only one answer to |
| 00:00:11 |
and so he committed his |
| 00:00:20 |
He had broken the most |
| 00:00:23 |
and found not guilt, not |
| 00:00:35 |
Every humiliation which |
| 00:00:38 |
could be swept aside by this |
| 00:00:43 |
annihilation: Murder |
| 00:03:01 |
Thanks, John. Take care of |
| 00:03:07 |
Thanx. Have a nice trip, |
| 00:03:10 |
See you inside the check in. |
| 00:03:26 |
Flight 410 passengers please |
| 00:03:38 |
Mr. Peter Neal to the |
| 00:03:49 |
Excuse me, Peter Neal do you |
| 00:03:51 |
Yes, there was a call, you |
| 00:04:01 |
Thank you - Hello?! Ya - ya |
| 00:04:07 |
well listen, Jane, |
| 00:04:09 |
listen to me - ya - the |
| 00:04:12 |
seen me for six week because |
| 00:04:17 |
take it easy, just take it |
| 00:04:19 |
to hang up on you! |
| 00:04:27 |
I'll try to call tomorrow - |
| 00:04:39 |
Oh, Excuse me. |
| 00:06:33 |
Open your bag! I said open |
| 00:06:36 |
Come with me! - I said come |
| 00:06:41 |
leave me alone! - I want to |
| 00:06:45 |
Do you have a receipt |
| 00:06:47 |
I was going to the cassier |
| 00:06:49 |
You told me you didn't |
| 00:06:52 |
Hey, what do you think? I |
| 00:06:55 |
Please come to my office! |
| 00:07:08 |
Elsa Manny, 12 convictions |
| 00:07:11 |
You should have learned by |
| 00:07:15 |
We can make a deal: You |
| 00:07:21 |
I give you my address. Come |
| 00:07:31 |
Where do you live? |
| 00:07:33 |
Here in Rome, Number 14 |
| 00:07:36 |
Via - delle - Camene OK! |
| 00:07:40 |
Thanks! |
| 00:08:02 |
We are approaching the coast |
| 00:08:35 |
Hey - come here - come in! |
| 00:08:59 |
You hit me! I'll kill you! |
| 00:09:58 |
Hi Carla - Hi, my washing |
| 00:10:04 |
I am, now - |
| 00:10:06 |
fine, thank you! |
| 00:11:35 |
Did everybody get this re- |
| 00:11:42 |
Am I too late? No, did you |
| 00:11:51 |
You look prettier everytime |
| 00:11:54 |
Are you still writing nice |
| 00:12:12 |
Getting my notes takes me |
| 00:12:16 |
then the actual writing |
| 00:12:21 |
Ya, two month for revision. |
| 00:12:27 |
I haven't stopped for |
| 00:12:29 |
Tenebrae is a sexist novel |
| 00:12:32 |
women so much. |
| 00:12:34 |
Sexist?! - No, I don't |
| 00:12:38 |
Women as victims, seiphors, |
| 00:12:40 |
the male heros with their |
| 00:12:42 |
how can you say it isn't? |
| 00:12:45 |
What's the matter with you? |
| 00:12:46 |
You know me for 10 years |
| 00:12:50 |
You know very well that I... |
| 00:12:57 |
Well, I don't know. Would |
| 00:13:00 |
that I support to the equal |
| 00:13:03 |
OK, so explain the books. |
| 00:13:06 |
Do you write to a fixed |
| 00:13:09 |
tell you this kind of sexism |
| 00:13:15 |
Miss, why do we do this? |
| 00:13:18 |
Setup a separate interview |
| 00:13:22 |
really come the grips with |
| 00:13:25 |
He just got of the plane and |
| 00:13:34 |
We just gonna slip out. |
| 00:13:36 |
You are all welcome to drink |
| 00:13:38 |
Thank you very much for your |
| 00:13:41 |
BTW - call me tomorrow and |
| 00:13:50 |
Hey, my mother was hoping |
| 00:13:51 |
Tell her I will. I'd love to |
| 00:13:55 |
You know that you're getting |
| 00:14:01 |
Those lesbians want your |
| 00:14:03 |
they don't have any of |
| 00:14:06 |
What is that? The hat you |
| 00:14:08 |
Bought it in a shop here in |
| 00:14:10 |
Isn't it warm? |
| 00:14:11 |
No! - Doesn't it drop off? |
| 00:14:14 |
Drop off? Yeah, at a quick |
| 00:14:18 |
Look! - That's a miracle! |
| 00:14:25 |
Your book is number one on |
| 00:14:30 |
That's amazing, amazing! |
| 00:14:32 |
Pleased with your agent? |
| 00:14:36 |
Come on, tell something |
| 00:14:39 |
Tell me, where is Ann |
| 00:14:41 |
Yeah, she's quite a girl |
| 00:14:46 |
She promised to meet me here |
| 00:14:49 |
I didn't want them to think |
| 00:14:51 |
They love your books, |
| 00:14:53 |
That's interesting, very |
| 00:14:56 |
Hey Bulmer, there was a |
| 00:15:00 |
He was - ah - well actually |
| 00:15:03 |
The tall thin guy? |
| 00:15:06 |
Cristiano Berti, he's a book |
| 00:15:09 |
he is a big fan of yours. And |
| 00:15:23 |
Oh yes! |
| 00:15:25 |
Haha Peter! - |
| 00:15:26 |
How are you? Fine, |
| 00:15:27 |
How are you? |
| 00:15:29 |
Peter, this is Gianni |
| 00:15:37 |
Gianni will be an agent with |
| 00:15:40 |
Now he is looking after you |
| 00:15:43 |
And in the meantime you pay |
| 00:15:48 |
See you tonight, alright? |
| 00:15:53 |
So, I bought you a present |
| 00:16:01 |
Oh God! - |
| 00:16:11 |
Who could have done such a |
| 00:16:26 |
Here we go, I'll take that, |
| 00:16:33 |
Are you Peter Neal? |
| 00:16:35 |
Yeah, that's me |
| 00:16:37 |
Good evening! |
| 00:16:39 |
The Rome Homicide Squat. |
| 00:16:43 |
And this is Insp. Altieri |
| 00:16:46 |
We didn't want to disturb |
| 00:16:50 |
Right Inspector? It was open, |
| 00:16:52 |
I apologize, but the girl |
| 00:16:57 |
Her name was Else Manni, an |
| 00:17:00 |
We wanted to know if you |
| 00:17:03 |
This is the first time I've |
| 00:17:08 |
She died from 4 deep wounds. |
| 00:17:11 |
Throat, chest and suffocatio |
| 00:17:16 |
Her mouth was stuffed with |
| 00:17:24 |
We came to check if you knew |
| 00:17:27 |
I'll get you a drink. |
| 00:17:29 |
Ah, just ah just some water |
| 00:17:33 |
Is it alright if I... |
| 00:17:36 |
Sorry to bother, we were |
| 00:17:38 |
heard you in the elevator! |
| 00:17:46 |
I'd offer you something |
| 00:17:49 |
Aeh, Scotch please, straight |
| 00:17:55 |
You just arrived, Mr. Neal? |
| 00:17:58 |
I landed from New York about |
| 00:18:03 |
Can I ask you something? |
| 00:18:05 |
If someone's killed with a |
| 00:18:09 |
do you go and interview the |
| 00:18:15 |
I've read all your books |
| 00:18:19 |
Just started on it |
| 00:18:22 |
The book deals with a murder |
| 00:18:26 |
Don't tell me who did it, |
| 00:18:29 |
The girl was killed with a |
| 00:18:36 |
Ah. We found this |
| 00:18:38 |
on the floor of your appart- |
| 00:18:53 |
There was only one answer to |
| 00:19:00 |
Isn't that a passage from |
| 00:19:03 |
Yes, Yes it is. |
| 00:19:07 |
I respect you Mr. Neal, be- |
| 00:19:12 |
stay in Rome to be trouble |
| 00:19:17 |
I'd like to keep the letter. |
| 00:19:22 |
I think you'll get another |
| 00:19:25 |
and then another. |
| 00:19:27 |
So we'd be very grateful |
| 00:19:29 |
if you keep us informed. |
| 00:19:36 |
Beautiful scotch but we |
| 00:19:40 |
Inspector, please give them |
| 00:19:43 |
Mr. Neal, if you get any- |
| 00:19:48 |
Wait a minute, wait a minute |
| 00:19:50 |
there is something else - my |
| 00:19:59 |
When I left home yesterday - |
| 00:20:02 |
of course it wasn't |
| 00:20:07 |
Mr. Neal, would you like me |
| 00:20:10 |
I don't know what's beeing |
| 00:20:13 |
I make you a list. |
| 00:20:18 |
? Do you mind if I take this? |
| 00:20:20 |
Hello - Peter Neal speaking! |
| 00:20:21 |
No anxiety reveal, but free- |
| 00:20:25 |
Page 46 Freedom to strike |
| 00:20:28 |
Listen, don't hang up. Snip. |
| 00:20:31 |
We have to talk! |
| 00:20:32 |
You taught me how. You and |
| 00:20:37 |
I can see you. That's your |
| 00:20:41 |
Maybe she will be next |
| 00:20:43 |
but I've got other plans |
| 00:20:46 |
Just wait and see. |
| 00:20:47 |
Now listen we should meet. |
| 00:20:49 |
Maybe I could talk to you? |
| 00:20:51 |
, explain about the books. |
| 00:20:55 |
The girl you killed today |
| 00:20:57 |
How'd you know about that? |
| 00:21:32 |
Got away? I couldn't get him |
| 00:21:34 |
I should have a though male |
| 00:21:37 |
You'd hate it. You've nothin |
| 00:24:29 |
Massimo, when are you going |
| 00:25:03 |
Hey, he is cute. |
| 00:25:05 |
He is vulgar and cheap. |
| 00:25:07 |
I love you Tilde. But no |
| 00:25:13 |
Listen, He doesn't have a |
| 00:25:17 |
Hey what's bugging you. |
| 00:25:22 |
Ok. No ties but you don't |
| 00:25:26 |
Not your face, honey. |
| 00:25:29 |
Listen, just give me an hour! |
| 00:25:41 |
I see you later. |
| 00:25:48 |
Hey. - Hi! - You look like a |
| 00:25:54 |
How are things? I've got an |
| 00:26:07 |
Oh god, what a drag those |
| 00:26:10 |
And that Food. |
| 00:26:12 |
I swear if there was a world |
| 00:26:14 |
would win for Italy |
| 00:26:17 |
I let you go to bed I come |
| 00:26:20 |
Anne, just have a nightcap, |
| 00:26:26 |
One! |
| 00:26:46 |
Tilde, are you coming up? |
| 00:26:55 |
Come on. - You cheap little |
| 00:26:59 |
you right now |
| 00:27:02 |
You make me sick. |
| 00:27:04 |
I drunk too much. I am going |
| 00:27:10 |
If you have to, go some |
| 00:27:14 |
I feel sick |
| 00:27:15 |
Go call your pimp to look |
| 00:27:20 |
You want to know what |
| 00:27:24 |
He made you look pathetic |
| 00:27:39 |
One day |
| 00:30:35 |
Turn it down! |
| 00:30:46 |
Filthy, slimy pervert! |
| 00:31:52 |
Tilde? |
| 00:33:34 |
Porter Albaretto speaking? |
| 00:33:39 |
Well there is a switch |
| 00:33:42 |
Daddy, 5000? - What? |
| 00:33:44 |
5000 Lire? |
| 00:33:46 |
Go to 22 and turn on |
| 00:33:48 |
The switch is either in the |
| 00:33:51 |
kitchen sideboard. 5000? |
| 00:34:07 |
Hi I am Maria. |
| 00:34:08 |
Oh Hi! - You had a deeper |
| 00:34:12 |
That was my father. Is it ok |
| 00:34:18 |
Oh, I don't think it's over |
| 00:34:19 |
No, no it's around there, |
| 00:34:24 |
Ah, there it is. - Mhhh. |
| 00:34:36 |
I guess the switch must be |
| 00:34:42 |
Oh you wrote Out of Dawn? |
| 00:34:45 |
It was terrific. |
| 00:34:49 |
You read it, hu? |
| 00:34:52 |
Look right here. |
| 00:34:55 |
Oh yes, I see! Mhh. |
| 00:34:58 |
The bookstore at the corner |
| 00:35:00 |
Just your books are in it! |
| 00:35:02 |
Really? |
| 00:35:03 |
You should go in. Carlo |
| 00:35:06 |
That sounds very nice. Maybe |
| 00:35:09 |
Good Morning! - Good Morning |
| 00:35:16 |
That was jelda my dear. She |
| 00:35:21 |
Your personal plumber! |
| 00:35:25 |
I guess I've to wait 2 hours |
| 00:35:28 |
Do you know what time I woke |
| 00:35:30 |
No, what time did you wake |
| 00:35:35 |
Oh you poor thing. Are your |
| 00:35:39 |
I'll get you a |
| 00:35:42 |
The pillows are too hard! |
| 00:35:45 |
I'll get you feather pillow. |
| 00:36:07 |
It is near the elevator! |
| 00:36:58 |
Today I need the typewriter! |
| 00:37:05 |
When did this come. |
| 00:37:06 |
It wasn't here a minute ago. |
| 00:37:36 |
"Sic transit Gloria lesbie!" |
| 00:37:39 |
So passes glory of Lesbos |
| 00:37:42 |
What does that mean! |
| 00:37:44 |
It means our killer had most |
| 00:37:50 |
I don't know, maybe he's |
| 00:37:56 |
A cut of 14cm diagonal |
| 00:37:58 |
going to the clavicle! |
| 00:38:10 |
Hi Doc. It's always nice to |
| 00:38:15 |
But I like this place less |
| 00:38:18 |
Warmer, and you complain |
| 00:38:20 |
How far have we got? |
| 00:38:22 |
It was the same razor than |
| 00:38:25 |
the girl killed 6 weeks ago! |
| 00:38:27 |
The blade has 3 shattered |
| 00:38:30 |
The girl had intercourse |
| 00:38:32 |
was killed. There was an |
| 00:38:39 |
Well it doesn't mean the |
| 00:38:41 |
No, but they often are. |
| 00:38:46 |
Dofbar correctable with |
| 00:38:49 |
Lovely! |
| 00:38:53 |
Where shall I put it? |
| 00:38:56 |
Capatain Germani! |
| 00:38:58 |
Yes, Captain? |
| 00:39:11 |
Hello Mr. Bulmer, would you |
| 00:39:13 |
No, thank you. You two go |
| 00:39:19 |
Thank you, Angelica. |
| 00:39:22 |
Oh yes, thanx. |
| 00:39:27 |
I'd like to do about half |
| 00:39:30 |
Oh no, in the studio as part |
| 00:39:35 |
I'd like to do |
| 00:39:38 |
They let me do it about |
| 00:39:45 |
Now, Tenebrae is about human |
| 00:39:50 |
it's effects on society! |
| 00:39:53 |
how you see it effects the |
| 00:39:59 |
Well first of all it isn't |
| 00:40:03 |
2 of the victims are devians |
| 00:40:06 |
Wait a minute, wait a minute |
| 00:40:09 |
One was gay, so what. |
| 00:40:10 |
I mean his portraits is |
| 00:40:14 |
The motivation is to el- |
| 00:40:18 |
The killer is insane! |
| 00:40:21 |
What I mean by that is |
| 00:40:24 |
that the only aberrant |
| 00:40:26 |
Ahh - what is aberrant |
| 00:40:29 |
I was brought up a very |
| 00:40:32 |
Yeah! - But I believe in ab- |
| 00:40:36 |
That makes me aberrant from |
| 00:40:42 |
I see. I thought this was an |
| 00:40:46 |
want us to get this heavy? |
| 00:40:47 |
Well, I guess not. |
| 00:40:52 |
I'm getting really |
| 00:40:54 |
Well, I really appreciate it |
| 00:40:59 |
We're starting in 4 minutes, |
| 00:41:03 |
Ok, mh... shall we? |
| 00:41:07 |
It's down here! |
| 00:41:11 |
Hey, hey my hat! |
| 00:41:23 |
I am going to start the show |
| 00:41:30 |
They're just starting. It'll |
| 00:41:42 |
Ok. We go ahead... |
| 00:41:47 |
You see, Peter is a really |
| 00:41:50 |
is a delicate thing. |
| 00:41:53 |
Isn't that Yes Montand there |
| 00:41:55 |
Anyways, is there anything I |
| 00:41:58 |
one hell of a schedule & he |
| 00:42:01 |
What's your relation? |
| 00:42:04 |
You get 10% of his conver- |
| 00:42:07 |
Careful now, I have feelings |
| 00:42:11 |
Somehow other than your |
| 00:42:14 |
Those Killings are like, |
| 00:42:18 |
What'd you do with 10% of a |
| 00:42:24 |
You know something. I read |
| 00:42:28 |
Mickey Spillane, McBain and |
| 00:42:32 |
And you never guess who the |
| 00:42:37 |
You just remember, any bright |
| 00:42:41 |
You write these things but I |
| 00:42:45 |
Good bye, Capatain! |
| 00:42:50 |
Well how did it go, ok? |
| 00:42:57 |
I got his autogrpah! -Whose? |
| 00:43:10 |
Could it be somebody I know? |
| 00:43:14 |
Damn. I wish I'd never |
| 00:43:22 |
You don't mean that! |
| 00:43:34 |
Hi! - Hi! |
| 00:43:35 |
Mr. Bulmer left this down- |
| 00:43:44 |
Wait, I go down with you! |
| 00:43:46 |
Is that a proposal? |
| 00:43:49 |
Ok, if you need me, |
| 00:43:59 |
Jane? Is that Jane? |
| 00:44:06 |
Janne McKerrow? - I could |
| 00:44:12 |
What's the prefix to |
| 00:44:14 |
But, it's impossible - |
| 00:44:17 |
She never strays 10 miles |
| 00:44:25 |
Jane McKerrow. I am out for |
| 00:44:28 |
your name, number and |
| 00:44:32 |
It was Jane! |
| 00:44:33 |
But she'd call you. If only |
| 00:44:37 |
She wouldn't even be here if |
| 00:44:39 |
back or apologize. |
| 00:44:42 |
For what she did to, |
| 00:44:44 |
My Travel Bag. You think it |
| 00:44:49 |
I am going home, |
| 00:44:51 |
Anne, do you think Jane |
| 00:45:02 |
Bye - Bye, See you later! |
| 00:47:10 |
No. I told you I don't give |
| 00:47:16 |
Why don't you say something? |
| 00:47:19 |
Go fuck yourself! |
| 00:47:24 |
Bastard! |
| 00:50:04 |
Help Me. Is anybody home? |
| 00:51:06 |
Is anybody here? Help me. |
| 00:55:00 |
Oh god, please help me. |
| 00:55:03 |
The door was open and I was |
| 00:55:06 |
Spy! |
| 00:55:09 |
Damn litte Spy. |
| 00:55:44 |
No. Leave me alone. |
| 00:55:47 |
What do you want from me? |
| 00:56:44 |
"I grieve for this child." |
| 00:56:47 |
"to be free to go on!" |
| 00:56:48 |
"I will eliminate those who" |
| 00:56:51 |
perverts soon now the |
| 00:56:56 |
Me. |
| 00:56:59 |
Be careful. This killer is |
| 00:57:04 |
He knew you're here! Knows |
| 00:57:08 |
can send the letter. And he |
| 00:57:11 |
to come around to your place |
| 00:57:15 |
was living in your building! |
| 00:57:18 |
You need me anymore today, |
| 00:57:20 |
No, No Mr. Neal... |
| 00:57:24 |
But I'd like you to stay in |
| 00:57:30 |
because this last message |
| 00:57:34 |
By the way I finished your |
| 00:57:37 |
I knew on Page 30 who the |
| 00:57:43 |
Oh. I can't do this! |
| 00:57:45 |
Going through your address- |
| 00:57:47 |
crazy people it's crazy! |
| 00:57:48 |
Why me, why - because, coz |
| 00:57:52 |
Or she says! |
| 00:57:54 |
She right! Trying to |
| 00:57:59 |
perverts. |
| 00:58:06 |
Christiano Berti |
| 00:58:09 |
"Tenebrae" a novel about" |
| 00:58:12 |
human perversion. |
| 00:58:15 |
He was very weird about it. |
| 00:58:19 |
Hey Gianni, gimme that |
| 00:58:44 |
Christiano Berti lives only |
| 00:58:47 |
Now wait a minute. |
| 00:58:49 |
Maria's body was found there |
| 00:58:54 |
Tenebrae is a novel about |
| 00:58:58 |
it's effect on society. |
| 00:59:01 |
Those were his exact words |
| 00:59:07 |
Trying to eleminate the |
| 00:59:12 |
Two words, that's hardly a |
| 00:59:16 |
You could mention it to the |
| 00:59:19 |
"Famous writer has funny" |
| 00:59:23 |
"Peter Neal plays the fool" |
| 00:59:29 |
On the other hand, |
| 00:59:32 |
if Peter Neal |
| 00:59:35 |
got it right, wouldn't that |
| 00:59:48 |
The cops are all over |
| 00:59:51 |
Mhh 10:15, they should be |
| 00:59:56 |
The victim was 17 year old |
| 00:59:59 |
What happened there this |
| 01:00:04 |
Meanwhile we understand our |
| 01:00:07 |
to the police in his magesty |
| 01:00:11 |
He says the next victim will |
| 01:00:13 |
"The Great Corrupter"." |
| 01:00:16 |
Well as a matter of fact |
| 01:00:19 |
several businessmen and pol- |
| 01:00:48 |
Jane? - Jane! |
| 01:01:06 |
This is Jane McKerrow. I am |
| 01:01:59 |
Come on! I haven't been in |
| 01:02:12 |
Shut up! |
| 01:02:31 |
This is boring. |
| 01:02:33 |
All detecive work is boring. |
| 01:02:35 |
...out the boring bits and |
| 01:02:38 |
...you've got a bestseller! |
| 01:02:41 |
Jesus - He must have been |
| 01:03:01 |
He couldn't have seen us! |
| 01:03:24 |
Listen, I go to the back! |
| 01:03:50 |
Peter! |
| 01:04:03 |
Who is it? Who's there? |
| 01:04:13 |
Yes it was me! |
| 01:04:47 |
Peter, Peter! Come on Hurry! |
| 01:04:53 |
Oh... my head! |
| 01:04:58 |
We've gotta get out of here. |
| 01:05:05 |
He must still be in the |
| 01:05:09 |
We've gotta go, come on. |
| 01:05:11 |
What happened to you. |
| 01:05:12 |
I don't know. |
| 01:05:14 |
hit me! |
| 01:05:25 |
What did you see, the killer? |
| 01:05:28 |
I couldn't see much. |
| 01:05:30 |
Was he tall, short? What? |
| 01:05:32 |
I don't know. I didn't see |
| 01:05:39 |
The Killer. Christiano knew |
| 01:05:45 |
He said he was who killed |
| 01:05:49 |
That many murdered. |
| 01:05:54 |
The blood! |
| 01:06:00 |
You've to tell the police |
| 01:06:03 |
I didn't see shit. A dead |
| 01:06:08 |
You know what I saw? |
| 01:06:12 |
schoolbus in Rhode Island. |
| 01:06:17 |
After the knock on the head. |
| 01:06:20 |
You should've a doctor look |
| 01:06:22 |
No, it's ok. Just a little |
| 01:06:27 |
Peter, maybe we should, |
| 01:06:30 |
back to New York. |
| 01:06:35 |
Anne, would you sleep here |
| 01:06:39 |
I will make up the bed. |
| 01:07:01 |
Six years, and we've never |
| 01:07:05 |
Four of those six years we |
| 01:07:10 |
Oh. How does your head feel? |
| 01:07:13 |
How my head feels? Well that |
| 01:07:18 |
My head? |
| 01:07:21 |
What head, hm? |
| 01:07:40 |
Peter, in the morning we |
| 01:07:45 |
Nothing's happend, Nothing! |
| 01:07:48 |
Nothing's happened! |
| 01:08:59 |
Peter? Peter? |
| 01:09:11 |
Thanx. |
| 01:09:12 |
Would you like some coffee, |
| 01:09:14 |
Well close the deal on that |
| 01:09:21 |
I am just broken up over |
| 01:09:24 |
Listen I only came to say |
| 01:09:26 |
well I'm thinking of leaving |
| 01:09:30 |
Maybe going to Paris or some |
| 01:09:32 |
Peter, Peter, you can't let |
| 01:09:35 |
We are within two days of |
| 01:09:36 |
Please, stay until friday! |
| 01:09:39 |
My Life is in danger. |
| 01:09:43 |
worth risking my life for! |
| 01:09:46 |
You are right! |
| 01:09:49 |
You are right! |
| 01:09:51 |
You know what. I'll book a |
| 01:09:56 |
Tell people you are going |
| 01:09:58 |
until the publishers and |
| 01:10:00 |
And it's a million dollar |
| 01:10:03 |
Just you & me'll know where |
| 01:10:06 |
Do that for me, will you? |
| 01:10:12 |
What is it? |
| 01:10:13 |
Sir Donald Otley on line 1! |
| 01:10:16 |
Where is he? - In London! |
| 01:10:18 |
Put him on hold! |
| 01:10:21 |
What do you say? - I'll |
| 01:10:31 |
Donald, how are you? |
| 01:10:38 |
Where is that damn drunk? |
| 01:10:39 |
He said he'd call back. |
| 01:10:43 |
No Calls! |
| 01:11:30 |
It's alright Darling! |
| 01:11:35 |
I feel so filthy. |
| 01:11:38 |
Hearing his voice from the |
| 01:11:42 |
wondering if he knows |
| 01:11:46 |
No, no it won't be long, |
| 01:11:56 |
Jane? Will I see you for |
| 01:12:00 |
Yeah. Same place? |
| 01:12:03 |
Piazza Arduini - 1 o'clock! |
| 01:12:06 |
I can't go in that house |
| 01:12:11 |
You don't have to, Gianni! |
| 01:12:19 |
The lights went out. |
| 01:12:22 |
Somebody switched them off. |
| 01:12:27 |
I heard him screaming! |
| 01:12:44 |
Stop right here! |
| 01:12:48 |
I'll walk, you drive and |
| 01:13:02 |
I called you over here coz |
| 01:13:04 |
come to you til we finished |
| 01:13:07 |
Was it the same killer? |
| 01:13:10 |
I think so. |
| 01:13:13 |
Only this time it was done |
| 01:13:17 |
You didn't get the |
| 01:13:19 |
Oh No! - You will! |
| 01:13:24 |
You said that you only met |
| 01:13:28 |
Yes, at an airport press |
| 01:13:30 |
TV interview. |
| 01:13:33 |
Look here. Peter Neal... |
| 01:13:36 |
Analysis of Obsesssion |
| 01:13:40 |
Peter Neal, Aparrent |
| 01:13:45 |
Peter Neal, Personal |
| 01:13:51 |
Born Rhode I. Pref School |
| 01:13:58 |
Taller than I expected |
| 01:14:00 |
He looked at me often but he |
| 01:14:02 |
Jesus. Somebody was really |
| 01:14:10 |
Can we go outside? - Sure! |
| 01:14:14 |
Bless you! |
| 01:14:15 |
Oh thank you. I have an |
| 01:14:20 |
What happened to your head? |
| 01:14:22 |
Just feeding my brains out |
| 01:14:27 |
One thing's for sure. The |
| 01:14:30 |
were both obsessed |
| 01:14:33 |
Last time we talked, I think |
| 01:14:37 |
but you know we need all the |
| 01:14:40 |
Well I was trying to build |
| 01:14:44 |
trying to figure it out but |
| 01:14:48 |
something is missing. |
| 01:14:51 |
Tiny piece of jigsaw. Some- |
| 01:14:55 |
alive, or somebody who |
| 01:15:00 |
already dead. |
| 01:15:01 |
Explain that. |
| 01:15:04 |
You know there is a sentence |
| 01:15:08 |
When you have eliminated |
| 01:15:12 |
however inprobable must be |
| 01:15:16 |
Hound of the Baskervilles? |
| 01:15:19 |
Yes. You know the impossible |
| 01:15:22 |
chain of killings doesn't |
| 01:15:25 |
In Hound of the Baskervilles |
| 01:15:27 |
the impossible was a giant |
| 01:15:31 |
The improbable in this case |
| 01:15:34 |
is almost certainly weird, |
| 01:15:38 |
but possible. |
| 01:15:41 |
That's what we have to find. |
| 01:15:49 |
Mr. Neal! - I have to go. |
| 01:15:53 |
I'm a very devoted reader, |
| 01:15:57 |
think that 20 more books of |
| 01:16:01 |
So I guess what I'm asking |
| 01:16:04 |
Tell me, would you leave |
| 01:16:07 |
I was going to do just that. |
| 01:16:09 |
Ah ok, let me know where to |
| 01:16:18 |
For you, Jane. |
| 01:20:08 |
Passport? - Passport. |
| 01:20:13 |
OK. The bank's wired me the |
| 01:20:15 |
You are booked for a week. |
| 01:20:21 |
Hello? The Captain? |
| 01:20:25 |
I am afraid he is out to the |
| 01:20:29 |
Is there anything I can... |
| 01:20:32 |
Good bye! |
| 01:20:35 |
He just wanted to make sure |
| 01:20:37 |
Something happened he said |
| 01:20:38 |
checking to make sure you |
| 01:20:47 |
Oh, hi! |
| 01:20:49 |
Hi! |
| 01:20:50 |
Ann brings me to the Airport |
| 01:20:54 |
I know there is a piece of |
| 01:21:00 |
If I remember it, see it. |
| 01:21:04 |
Classified! Silly, I know |
| 01:21:07 |
That's cool. But I'd be glad |
| 01:21:12 |
I'm really that you had to |
| 01:21:17 |
I won't say it's worth it, |
| 01:21:21 |
And call me when it's over |
| 01:21:25 |
I go down with you! - OK! |
| 01:23:12 |
Yes I killed them. It was me! |
| 01:23:17 |
I killed them, |
| 01:23:21 |
Christiano... But I don't... |
| 01:23:23 |
Killed them all, |
| 01:23:25 |
Christiano is the murderer. |
| 01:23:31 |
So who killed him? |
| 01:24:59 |
Hello? Oh Ann, I'm sorry |
| 01:25:04 |
He's gone, he's left Italy. |
| 01:25:07 |
I did something so... |
| 01:25:11 |
It's like there are two |
| 01:25:13 |
...and sometimes the other |
| 01:25:16 |
Where are you, Jane? |
| 01:25:18 |
Yeah. Help me please, don't |
| 01:25:23 |
Tell me where you are Jane. |
| 01:25:25 |
An appartment, on the |
| 01:25:29 |
I'll be right down. |
| 01:25:32 |
I am so sorry! |
| 01:25:36 |
I wanted to explain... |
| 01:25:40 |
...about... |
| 01:25:42 |
...everything... |
| 01:25:45 |
...I have done! |
| 01:26:15 |
Ok, I'm coming. God damn. |
| 01:26:19 |
Who is that lady? |
| 01:26:20 |
She is the housekeeper of |
| 01:26:24 |
and has a lot of interesting |
| 01:26:26 |
Like Bulmer had a girlfriend |
| 01:26:29 |
What language she speaks? |
| 01:26:34 |
You question her! The |
| 01:26:38 |
I have to go! |
| 01:26:44 |
Ok, I see you later, eh!? |
| 01:27:01 |
Have you got a license |
| 01:27:06 |
Oh, thank you! |
| 01:27:21 |
Good bye! |
| 01:27:41 |
Ann? Is it you Ann? |
| 01:30:32 |
Ann? |
| 01:31:01 |
I didn't know... |
| 01:31:03 |
I didn't know that... |
| 01:31:45 |
No, don't look! |
| 01:31:56 |
When you have eliminated |
| 01:31:59 |
whatevery remains, |
| 01:32:02 |
must be the truth. |
| 01:32:04 |
And Bulmers maid told Insp. |
| 01:32:07 |
...with your fiance |
| 01:32:09 |
Altieri was too headstrong |
| 01:32:13 |
...alone to check. |
| 01:32:15 |
She didn't know that |
| 01:32:18 |
Completely mad. |
| 01:32:20 |
And it cost her her life. |
| 01:32:23 |
I don't know if I should |
| 01:32:26 |
No, I didn't kill the other |
| 01:32:31 |
I know. That would have been |
| 01:32:38 |
But I realized Christiano |
| 01:32:43 |
And it didn't take me |
| 01:32:50 |
The rest, Mr. Germani, was |
| 01:32:56 |
Perfect revenge. |
| 01:32:59 |
The Razor Killer was dead... |
| 01:33:01 |
. but you wanted him to live |
| 01:33:03 |
...long enough to be blamed |
| 01:33:06 |
. fiance & her lover. The |
| 01:33:11 |
Come on, get up! - No! |
| 01:33:15 |
Turn around. |
| 01:33:18 |
Come on, get up. Get up! - |
| 01:33:24 |
Come on, move over there. |
| 01:34:09 |
I'll call from the car radio |
| 01:34:13 |
No wait. I don't want to |
| 01:34:21 |
Lets go now! |
| 01:34:40 |
Ok, it's over! |
| 01:34:44 |
Peter! It's not possible. |
| 01:34:52 |
I couldn't believe it either |
| 01:34:58 |
not until I got the telex |
| 01:35:02 |
When Peter was a teenager |
| 01:35:05 |
a girl he knew was killed, |
| 01:35:11 |
Someone accused him but |
| 01:35:16 |
and it was never brought |
| 01:35:23 |
But it was Peter Neal. There |
| 01:35:29 |
which haunted his life and |
| 01:35:33 |
It was in his last book. |
| 01:35:36 |
Now he realized that any |
| 01:35:41 |
standing in his way could be |
| 01:35:48 |
act of annihilation: Murder! |
| 01:35:55 |
Calm down, it's all over now |
| 01:36:03 |
You better stay here. |
