|
Terminal The
|
| 00:01:01 |
United Airlines announcing |
| 00:01:06 |
Customer service representative, |
| 00:01:18 |
All visitors to the US should |
| 00:01:23 |
Please have your I-94 forms filled out. |
| 00:01:28 |
- What's the purpose of your visit? |
| 00:01:32 |
What is the purpose of your visit? |
| 00:01:35 |
Just visiting. Shopping? |
| 00:01:37 |
Au plaisir. |
| 00:01:38 |
- Pleasure. |
| 00:01:40 |
How long will you be staying? |
| 00:01:43 |
Could I see your return ticket? |
| 00:01:45 |
- What's the purpose of your visit? |
| 00:01:48 |
Enjoy your stay. Next. |
| 00:01:51 |
Please have your passports, |
| 00:01:55 |
and customs declarations |
| 00:02:01 |
- Stand by. He's fishing. |
| 00:02:04 |
See this bunch |
| 00:02:07 |
That's the tour from China, |
| 00:02:10 |
When was the last time |
| 00:02:12 |
on their way to Disney World |
| 00:02:16 |
Possible forged documents |
| 00:02:27 |
Sir. Sir. Passport. |
| 00:02:32 |
Thank you. |
| 00:02:34 |
Welcome, Mr. Navorski. |
| 00:02:38 |
Purpose of your visit? |
| 00:02:40 |
Business or pleasure? |
| 00:02:57 |
Sir, I have an IBIS hit on six. |
| 00:02:59 |
No! |
| 00:03:01 |
Mr. Navorski, please follow me. |
| 00:03:04 |
... flight number 746 from Montreal |
| 00:03:08 |
must proceed to US Immigration |
| 00:03:11 |
All right, Mr. Navorski, |
| 00:03:16 |
Next, please. |
| 00:03:17 |
Next, please. |
| 00:03:33 |
What are you doing |
| 00:03:41 |
Yellow taxicab, please. |
| 00:03:44 |
Take me to Ramada Inn, |
| 00:03:47 |
161 Lexington. |
| 00:03:55 |
Staying at the Ramada Inn? |
| 00:03:57 |
Keep the change. |
| 00:03:59 |
Do you know anyone in New York? |
| 00:04:03 |
Yes. |
| 00:04:04 |
- Who? |
| 00:04:08 |
- Who? |
| 00:04:12 |
- No, do you know anyone in New York? |
| 00:04:15 |
- Who? |
| 00:04:22 |
161 Lexington. |
| 00:04:24 |
OK, Mr. Navorski, I need to see |
| 00:04:29 |
No, your return ticket. Your... |
| 00:04:32 |
- Oh... Yes. |
| 00:04:37 |
This is just a standard procedure. |
| 00:04:40 |
I'm going to need the passport also. |
| 00:04:43 |
Oh... OK. |
| 00:04:45 |
- No, no. |
| 00:04:47 |
Mr. Navorski. |
| 00:04:50 |
That. Passport. |
| 00:04:55 |
That. |
| 00:05:03 |
Mr. Navorski? |
| 00:05:05 |
I'm Frank Dixon, Director of Customs |
| 00:05:10 |
I help people |
| 00:05:13 |
We're looking for |
| 00:05:16 |
How are we doing on that? |
| 00:05:20 |
But I understand |
| 00:05:22 |
- Yes. |
| 00:05:25 |
I hope you don't mind if I eat |
| 00:05:29 |
Your country has suspended |
| 00:05:32 |
on passports issued |
| 00:05:34 |
And our State Department |
| 00:05:37 |
that was going to allow you |
| 00:05:40 |
That's it in a nutshell, basically. |
| 00:05:42 |
While you were in the air there |
| 00:05:47 |
Most of the dead were members |
| 00:05:50 |
They were attacked |
| 00:05:52 |
They got it all on GHN, I think. |
| 00:05:55 |
There were few civilian casualties. |
| 00:05:58 |
Mr. Navorski, your country |
| 00:06:02 |
The Republic of Krakozhia |
| 00:06:05 |
Krakozhia. Krakozhia |
| 00:06:09 |
- Krakozhia. |
| 00:06:15 |
Er... Let me... OK. Look. |
| 00:06:18 |
Imagine that these potato chips |
| 00:06:20 |
Kra-kozhia. |
| 00:06:23 |
- Kra-kozhia. |
| 00:06:24 |
- Krakozhia. |
| 00:06:26 |
Er... So the potato chips are Krakozhia. |
| 00:06:30 |
- And this apple... |
| 00:06:34 |
...Big Apple represents |
| 00:06:37 |
OK? |
| 00:06:40 |
No more Krakozhia! OK? |
| 00:06:43 |
New government. |
| 00:06:48 |
All the flights in and out |
| 00:06:51 |
The new government has sealed all |
| 00:06:55 |
So, currently |
| 00:06:59 |
Now, we can't process you new papers |
| 00:07:01 |
until the US recognizes your country's |
| 00:07:06 |
You don't qualify for asylum, |
| 00:07:09 |
temporary protective status, |
| 00:07:12 |
or non-immigration work travel. |
| 00:07:16 |
You are at this time simply... |
| 00:07:20 |
...unacceptable. |
| 00:07:24 |
- Unacceptable. |
| 00:07:26 |
Big Apple tour includes Brooklyn Bridge, |
| 00:07:33 |
I got more bad news for you. |
| 00:07:36 |
OK. OK. |
| 00:07:38 |
Now I go New York City. Thank you. |
| 00:07:41 |
No, Mr. Navorski. I cannot allow you |
| 00:07:45 |
- Krakozhia. |
| 00:07:48 |
You don't really have a home. |
| 00:07:52 |
It's like a Twilight Zone. |
| 00:07:57 |
Talking Tina, Zanti Misfits. |
| 00:08:01 |
Zanti Misfits was Outer Limits, sir. |
| 00:08:03 |
Really? It's not important. |
| 00:08:05 |
Where do I buy the Nike shoes? |
| 00:08:08 |
OK, Mr. Navorski, come here. |
| 00:08:11 |
Here's my dilemma, Mr. Navorski. |
| 00:08:13 |
You have no right to enter the US |
| 00:08:17 |
You have fallen through |
| 00:08:19 |
- I am crack. |
| 00:08:23 |
I will allow you to enter |
| 00:08:27 |
I'm going to sign a release form |
| 00:08:31 |
- Free? |
| 00:08:33 |
Free to go anywhere you like |
| 00:08:39 |
- OK? |
| 00:08:41 |
- OK. |
| 00:08:43 |
OK. |
| 00:08:44 |
Uncle Sam will have this |
| 00:08:47 |
and welcome |
| 00:08:51 |
- Thank you. |
| 00:08:53 |
Thanks, Judge. |
| 00:09:11 |
Announcing the arrival |
| 00:09:15 |
Now, Mr. Navorski. |
| 00:09:17 |
Mr. Navorski. Mr. Navorski. |
| 00:09:19 |
This is the International |
| 00:09:22 |
You are free to wait here. |
| 00:09:25 |
You can use them in the Food Court. |
| 00:09:29 |
This is a 15-minute, |
| 00:09:32 |
You may call home, if you like. |
| 00:09:34 |
This, in case we need to contact you, |
| 00:09:38 |
You must keep this |
| 00:09:41 |
Here is an ID badge for you |
| 00:09:47 |
Mr. Navorski. |
| 00:09:51 |
Beyond those doors is American soil. |
| 00:09:53 |
Mr. Dixon wants me to make it clear |
| 00:09:56 |
that you are not |
| 00:09:59 |
You are not to leave this building. |
| 00:10:03 |
America closed. |
| 00:10:06 |
What I do? |
| 00:10:09 |
There's only one thing |
| 00:10:13 |
Shop. |
| 00:10:15 |
Passengers of flight 854 |
| 00:10:26 |
... the international community |
| 00:10:30 |
The populace has to wonder if |
| 00:10:35 |
or find the leadership to secure |
| 00:10:40 |
And next this hour, |
| 00:10:49 |
... taken hostage. We're hearing |
| 00:10:53 |
along with four cabinet members, |
| 00:10:57 |
By dawn, rebel leaders |
| 00:11:00 |
In a symbolic gesture, the national flag |
| 00:11:04 |
from the Presidential Palace |
| 00:11:32 |
Please. Please. |
| 00:11:34 |
Television. |
| 00:11:40 |
Passenger Chen Wan-Shiu |
| 00:11:44 |
please come to podium |
| 00:12:00 |
This just in. Last night a military coup |
| 00:12:05 |
Bombing and gunfire |
| 00:12:08 |
Although details are unclear, |
| 00:12:10 |
we are told that President Vagobagin |
| 00:12:16 |
Bonjour, monsieur. |
| 00:12:21 |
I need to see |
| 00:12:25 |
I'm sorry, sir. |
| 00:12:28 |
The public lounge is downstairs. |
| 00:12:33 |
The tiniest nation in the region |
| 00:12:38 |
Krakozhia has been involved in civil war |
| 00:12:43 |
as it has tried |
| 00:13:11 |
- Watch it! |
| 00:13:14 |
Please, telephone? |
| 00:13:17 |
Telephone? |
| 00:13:22 |
Please. Please. |
| 00:13:23 |
Please. Please. |
| 00:13:55 |
For security reasons, please |
| 00:13:59 |
Unattended luggage will be removed |
| 00:14:18 |
Oh, my God. |
| 00:14:22 |
I got this in Paris. |
| 00:14:26 |
I can't believe you just broke my bag! |
| 00:14:40 |
- Food document. |
| 00:14:45 |
Do you have an appointment? |
| 00:14:47 |
I don't let anyone to look |
| 00:14:53 |
I have an opening next Tuesday. |
| 00:14:56 |
Tuesday. Tuesday, |
| 00:15:00 |
It will be good time for you |
| 00:15:03 |
OK, goodbye. Sorry. |
| 00:15:07 |
Tuesday. |
| 00:18:01 |
Don't shoot! |
| 00:18:11 |
She sleeps 12, Frank. Has a |
| 00:18:16 |
She looks amazing. |
| 00:18:18 |
She's my pot of gold |
| 00:18:21 |
She's a beautiful boat |
| 00:18:24 |
- You've earned her. |
| 00:18:27 |
- You have. |
| 00:18:29 |
Come on. Congratulations! |
| 00:18:32 |
I'm nominating you to take my place. |
| 00:18:36 |
You will assume the duties |
| 00:18:39 |
until you get approval from Washington. |
| 00:18:42 |
Really? I don't know what to say. |
| 00:18:45 |
- Jesus. Richard, is this real? |
| 00:18:49 |
Don't pretend to be surprised. |
| 00:18:53 |
You've been waiting for me to retire |
| 00:18:57 |
No, I haven't been |
| 00:19:01 |
That's all right, Frank. |
| 00:19:03 |
My retirement will become official |
| 00:19:09 |
- You've waited a long time for this. |
| 00:19:13 |
Just be careful |
| 00:19:17 |
I will. |
| 00:19:20 |
We're talking about |
| 00:19:23 |
People are going to look to you |
| 00:19:29 |
What are you saying? |
| 00:19:33 |
I'm saying the job is yours to lose. |
| 00:19:37 |
Ship the Colombians |
| 00:19:41 |
and call the parents |
| 00:19:44 |
Tell them it was a bad idea |
| 00:19:47 |
Come on, let's go. South America |
| 00:19:50 |
I want them out of here in half an hour. |
| 00:19:56 |
Mr. Thurman. |
| 00:19:59 |
There's a man walking around |
| 00:20:03 |
I know, sir. You put him there. |
| 00:20:26 |
Welcome to the United States. |
| 00:20:28 |
Next! |
| 00:20:33 |
I need visa. |
| 00:20:35 |
Where's your green form? |
| 00:20:38 |
Go to the wall. |
| 00:20:40 |
Next! |
| 00:20:44 |
Sir. |
| 00:20:48 |
The light green form. |
| 00:20:57 |
I love it! |
| 00:21:16 |
Light green. |
| 00:21:21 |
Mr. Navorski, you cannot |
| 00:21:24 |
You cannot get a visa |
| 00:21:26 |
and you cannot get |
| 00:21:29 |
There's nothing |
| 00:21:31 |
I give you light green. |
| 00:21:33 |
I'm sorry, |
| 00:21:37 |
At this time you are simply... |
| 00:21:40 |
- Unacceptable. |
| 00:21:43 |
Unacceptable. |
| 00:21:46 |
Why is he still here? |
| 00:21:47 |
You released him, sir. |
| 00:21:52 |
Why doesn't he walk out the doors? |
| 00:21:56 |
- Sir, you told him to wait. |
| 00:22:03 |
I mean, he's in a crack. |
| 00:22:07 |
No news from the State Department, |
| 00:22:11 |
Yeah, it could be a few days. |
| 00:22:15 |
Who knows what this guy is thinking, |
| 00:22:18 |
Next! |
| 00:22:22 |
Everything he does comes back to me. |
| 00:22:25 |
- You want him back in the holding cell? |
| 00:22:31 |
Hello. |
| 00:22:33 |
Hello. |
| 00:22:36 |
- Do you have an appointment? |
| 00:22:39 |
Food document, trash. Tuesday. |
| 00:22:42 |
Tuesday. I hate the Tuesday. |
| 00:22:46 |
Excuse me. |
| 00:23:13 |
Airports are tricky places, |
| 00:23:17 |
I'm about to tell you something. |
| 00:23:19 |
Something you can |
| 00:23:22 |
Do you understand? It's a secret. |
| 00:23:25 |
- Secret? |
| 00:23:27 |
At 12 o'clock today, the guards |
| 00:23:33 |
and their replacements |
| 00:23:36 |
Late five minutes. |
| 00:23:38 |
Yes. Late five minutes. At 12 o'clock. |
| 00:23:43 |
No one is going |
| 00:23:45 |
- And no one will be watching you. |
| 00:23:50 |
No. |
| 00:23:51 |
America, for five minutes, is open. |
| 00:23:55 |
Have a nice life, Mr. Navorski. |
| 00:24:07 |
Catch and release. It's simple. |
| 00:24:10 |
You unhook him |
| 00:24:13 |
You set him free so that somebody else |
| 00:24:21 |
All right, here we go. |
| 00:24:23 |
OK. Call them off. |
| 00:24:25 |
Johnson, clear the doors. |
| 00:24:30 |
All right. Go. |
| 00:24:32 |
Get out of there. |
| 00:24:36 |
All right. |
| 00:24:38 |
Here we go. |
| 00:24:40 |
- There he is. |
| 00:24:43 |
There he is. |
| 00:24:45 |
All right, Viktor. |
| 00:24:47 |
Here we go. |
| 00:25:05 |
What's so complicated? Exit, Viktor. |
| 00:25:09 |
Come on. In a few minutes, |
| 00:25:12 |
He wants to make sure |
| 00:25:15 |
I told him nobody would be watching. |
| 00:25:17 |
Come on. All right, here we go. |
| 00:25:20 |
- Call the Airport Police. |
| 00:25:24 |
Excuse me. |
| 00:25:45 |
You got it. There we go. |
| 00:25:48 |
He's got to get a running start, |
| 00:25:51 |
Just leave. Just leave. |
| 00:25:53 |
Leave. Leave. |
| 00:25:55 |
What are you doing? |
| 00:25:59 |
No. He's tying his shoelace. |
| 00:26:07 |
Come on, leave. |
| 00:26:09 |
Get the cameras. |
| 00:26:18 |
Where is he? Where is he? |
| 00:26:25 |
- To the left of here. |
| 00:26:28 |
- Just go a little left. |
| 00:26:40 |
I wait. |
| 00:26:48 |
What are you looking at? |
| 00:26:58 |
Oh, God. Oh, shit. |
| 00:27:09 |
- This belong you? |
| 00:27:12 |
Oh, shit. |
| 00:27:16 |
See? Wet floor. |
| 00:27:19 |
That you. |
| 00:27:20 |
I'm so late. |
| 00:27:22 |
Buenos Aires. |
| 00:27:25 |
Gate 24. |
| 00:27:27 |
- You sure? |
| 00:27:31 |
Thanks. |
| 00:27:32 |
Ladies and gentlemen... |
| 00:27:35 |
Wait. |
| 00:27:37 |
For you. Payless Shoes. |
| 00:27:40 |
Second floor. |
| 00:27:55 |
- Hi, baby. |
| 00:28:03 |
I think he's CIA. |
| 00:28:09 |
You don't know what you're talking |
| 00:28:13 |
If he could learn to speak, this guy. |
| 00:28:15 |
He can't speak English, how could he |
| 00:28:19 |
A flight attendant. |
| 00:28:20 |
- So, she's CIA, too? |
| 00:28:23 |
She look like a Russian. |
| 00:28:28 |
And he gave her a piece of the paper. |
| 00:28:30 |
- Was it microfilm? |
| 00:28:35 |
Must be some kind of the code. |
| 00:28:37 |
You been spending too much time |
| 00:28:42 |
I'm warning you guys. |
| 00:28:45 |
This guy is here for a reason. |
| 00:29:10 |
Excuse me, buddy. |
| 00:29:32 |
What's going on? |
| 00:29:34 |
It's Navorski. |
| 00:30:00 |
Good afternoon. Welcome to Burger King. |
| 00:30:07 |
Keep the change. |
| 00:30:28 |
Excuse me. |
| 00:30:34 |
OK, go. Go. |
| 00:30:39 |
Good boy. Thank you. |
| 00:30:43 |
Bye-bye. |
| 00:31:02 |
Welcome to Burger King. |
| 00:31:30 |
"Crisis. Crisis in Krakozhia." |
| 00:31:33 |
Now that heavy fighting has subsided |
| 00:31:35 |
and both sides have dug in |
| 00:31:38 |
it's clear that the future of Krakozhia |
| 00:31:43 |
Meanwhile, the people of Krakozhia |
| 00:31:46 |
"And food... in..." |
| 00:31:50 |
... have caused food |
| 00:31:52 |
"...in Krakozhia." |
| 00:32:16 |
"The story of Broadway is the..." |
| 00:32:25 |
"The cast of comedy hit Friends |
| 00:32:31 |
which is set in New York." |
| 00:32:36 |
Friends. |
| 00:32:38 |
Friends. |
| 00:32:48 |
Due to the heavy snowfall, |
| 00:33:01 |
"Wayne Newton is 61 today." |
| 00:33:05 |
"It's a miracle." |
| 00:33:08 |
"Korean conjoined twins |
| 00:33:13 |
"Chances of survival 50-50." |
| 00:33:17 |
50-50. |
| 00:33:21 |
Next. |
| 00:33:25 |
Let me ask you something, |
| 00:33:27 |
Why do you wait here every day |
| 00:33:31 |
Your new visa will not arrive until |
| 00:33:37 |
You have two stamp. |
| 00:33:39 |
One red, one green. |
| 00:33:42 |
- So? |
| 00:33:50 |
Yes. That's a beautiful way to look at |
| 00:34:08 |
As acting Field Commissioner, |
| 00:34:13 |
Transportation Liaison |
| 00:34:18 |
Sir, what will that person do? |
| 00:34:25 |
Thank you. |
| 00:34:30 |
I'm Transportation Liaison |
| 00:34:42 |
No carts, no quarters. |
| 00:34:45 |
It'll be days before he goes through |
| 00:34:49 |
Then he's somebody else's problem. |
| 00:34:51 |
Why don't we tag him |
| 00:34:54 |
Then ship him to detention. |
| 00:34:56 |
He has to break the law by leaving. |
| 00:34:58 |
I won't lie, particularly to get rid |
| 00:35:36 |
- Sorry, buddy. |
| 00:36:00 |
Put it down. Put it down. |
| 00:36:04 |
Put it down. |
| 00:36:07 |
You try to take my mop. |
| 00:36:10 |
It's my job. Stay off my floor. |
| 00:36:15 |
- Food. |
| 00:36:31 |
Hey. I'm Enrique Cruz. |
| 00:36:36 |
We need to talk. |
| 00:36:43 |
- I want to make a deal with you. |
| 00:36:46 |
I need information |
| 00:36:49 |
You feed me information about her |
| 00:36:52 |
- What do you want know? |
| 00:36:56 |
I want to know |
| 00:37:00 |
What makes her blood boil |
| 00:37:05 |
She's a wild stallion |
| 00:37:09 |
I'm... |
| 00:37:10 |
I'm her man of mystery. |
| 00:37:12 |
- Officer Torres is wild stallion? |
| 00:37:17 |
You help me to win her heart |
| 00:37:23 |
- I do this. |
| 00:37:26 |
- Yes. |
| 00:37:30 |
What mean, "wild stallion"? |
| 00:37:39 |
Officer Torres. |
| 00:37:42 |
Mr. Navorski. |
| 00:37:44 |
- A what? |
| 00:37:47 |
Stand behind the yellow line. |
| 00:37:49 |
- It's beautiful horse. |
| 00:37:52 |
- My friend drive the food. |
| 00:37:57 |
- I will help once it's your turn. |
| 00:38:00 |
- Light green form. |
| 00:38:05 |
Mm. |
| 00:38:07 |
She say one thing. |
| 00:38:11 |
- Very important. |
| 00:38:18 |
Something wrong with the salmon? |
| 00:38:19 |
Need gorchitsa. |
| 00:38:21 |
What? |
| 00:38:23 |
Mustard. Mustard? |
| 00:38:25 |
- Mustard? |
| 00:38:31 |
Thank you. |
| 00:38:41 |
Officer Torres, you like the films? |
| 00:38:44 |
- Movies? |
| 00:38:46 |
- The Rockettes? |
| 00:38:49 |
- What do you like? |
| 00:38:53 |
Conventions. What is? |
| 00:38:55 |
- Conventions. |
| 00:39:00 |
This is like secret place you go? |
| 00:39:03 |
She go to these conventions |
| 00:39:08 |
- Yeoman Rand. |
| 00:39:10 |
Favorite episode |
| 00:39:19 |
Now, listen, Viktor. |
| 00:39:20 |
You can ask her something |
| 00:39:23 |
- OK. |
| 00:39:33 |
- I wait. |
| 00:39:37 |
Next. |
| 00:39:42 |
- Officer Torres. |
| 00:39:45 |
You have choose. |
| 00:39:48 |
Man with money or man with love? |
| 00:39:57 |
What is choose? |
| 00:40:03 |
She had a boyfriend? |
| 00:40:06 |
For how long? Two years? |
| 00:40:09 |
What happened? |
| 00:40:11 |
He chit. |
| 00:40:13 |
- What? |
| 00:40:15 |
Eat shit? |
| 00:40:18 |
He chit. He chit. He chit. |
| 00:40:20 |
- Repeat exactly what she said. |
| 00:40:26 |
- He cheats. |
| 00:40:28 |
What we call krushkach. |
| 00:40:31 |
One man, two womans. |
| 00:40:34 |
So. Mm. |
| 00:40:36 |
Crowded, you know. |
| 00:40:39 |
OK. He cheats. |
| 00:40:41 |
- You say "cheats". |
| 00:40:43 |
- No, "cheat". |
| 00:40:46 |
You, no chit. |
| 00:40:49 |
- No cheat. |
| 00:40:50 |
No. I won't cheat. |
| 00:40:52 |
She's a nice girl. |
| 00:41:00 |
Next. |
| 00:41:03 |
Officer Torres. |
| 00:41:07 |
Enough, Viktor. Who is it? |
| 00:41:10 |
Who's telling you |
| 00:41:12 |
It's a man of misery. |
| 00:41:18 |
Misery? |
| 00:41:19 |
- Mystery? |
| 00:41:24 |
He's so sick. He's so in love. |
| 00:41:28 |
But what did she say? |
| 00:41:30 |
She did say, "Next! Next!" |
| 00:41:33 |
And now she say, |
| 00:41:36 |
That's... Wait. |
| 00:41:43 |
- I coming now. |
| 00:41:46 |
Viktor, just tell me more. |
| 00:41:49 |
I coming. I coming. |
| 00:41:51 |
Please, please. |
| 00:42:09 |
Beeper went off. |
| 00:42:14 |
We have an idea. |
| 00:42:16 |
Would you like something to eat? |
| 00:42:18 |
No. No food. I stuffed. |
| 00:42:24 |
OK. All right. |
| 00:42:26 |
Thank you. |
| 00:42:27 |
So, Mr. Navorski, |
| 00:42:31 |
What? |
| 00:42:33 |
I've figured out a way |
| 00:42:36 |
How? |
| 00:42:38 |
Well, we have laws here |
| 00:42:42 |
who have a credible fear |
| 00:42:45 |
If we can establish this fear with you, |
| 00:42:48 |
then the CBP will be forced |
| 00:42:53 |
to bring you to an immigration judge |
| 00:42:59 |
- Asylum? |
| 00:43:01 |
Unfortunately, the courts |
| 00:43:06 |
that the soonest you'd get before |
| 00:43:11 |
Yes, and we would have no choice |
| 00:43:14 |
but to let you go for those six months. |
| 00:43:20 |
You would be free to wait |
| 00:43:23 |
But, believe it or not, most people |
| 00:43:28 |
- So I go New York City? |
| 00:43:32 |
You can go to New York City tonight. |
| 00:43:34 |
But, you only get to go |
| 00:43:39 |
- Fear? |
| 00:43:41 |
- Fear. |
| 00:43:42 |
From what? |
| 00:43:44 |
That's the best part. |
| 00:43:46 |
It doesn't matter what you're afraid of. |
| 00:43:51 |
So I'm going to ask you one question, |
| 00:43:53 |
if you give me the correct answer, I can |
| 00:43:59 |
So, I answer one question. |
| 00:44:03 |
Go to New York City. Tonight. |
| 00:44:05 |
- Tonight. |
| 00:44:06 |
- Tonight. |
| 00:44:12 |
- OK. |
| 00:44:14 |
All right. |
| 00:44:16 |
Do you, at this time, have any fear |
| 00:44:20 |
No. |
| 00:44:27 |
OK. Let me try it again. |
| 00:44:30 |
- Your country's at war. |
| 00:44:33 |
There are men in the streets |
| 00:44:36 |
- Yes. It's terrible. |
| 00:44:39 |
And God only knows |
| 00:44:41 |
Innocent people |
| 00:44:43 |
On Tuesdays. I hate Tuesdays. |
| 00:44:46 |
So you're afraid. |
| 00:44:48 |
- From what? |
| 00:44:52 |
You're afraid of Krakozhia. |
| 00:44:54 |
Krakozhia? |
| 00:44:56 |
No, I am not afraid from Krakozhia. |
| 00:45:04 |
I'm talking about bombs. |
| 00:45:08 |
Human rights. |
| 00:45:09 |
Viktor, please don't be afraid |
| 00:45:15 |
Is home. |
| 00:45:21 |
So? I go to New York City now? |
| 00:45:27 |
- No. |
| 00:45:31 |
OK. |
| 00:45:32 |
- I'm afraid from ghosts. |
| 00:45:36 |
- I'm afraid from Dracula. |
| 00:45:40 |
I'm afraid from Wolfmens, |
| 00:45:45 |
Thanks a lot. |
| 00:45:51 |
Damn. |
| 00:45:56 |
- Why you do this? |
| 00:46:02 |
This is the only fun I have. |
| 00:46:05 |
A barbecue? |
| 00:46:09 |
Let me get this straight. |
| 00:46:13 |
I take four back-to-back flights, |
| 00:46:15 |
fly 27 hours straight |
| 00:46:19 |
and now you tell me you're going |
| 00:46:23 |
The woman hates fireworks. |
| 00:46:26 |
Don't lie to me, OK? |
| 00:46:29 |
I know for a fact |
| 00:46:32 |
Because you flew United, Max. |
| 00:46:40 |
South African Airlines |
| 00:46:43 |
please come to the main ticket counter. |
| 00:46:53 |
You make a habit out of listening |
| 00:46:58 |
No, I try to call home. |
| 00:47:01 |
So then... |
| 00:47:04 |
- You know why men are such assholes? |
| 00:47:12 |
Because they're all liars. |
| 00:47:15 |
Wait. Wait, wait, wait, wait. |
| 00:47:18 |
Wet floor. |
| 00:47:20 |
Please. Don't be hurt. |
| 00:47:21 |
How can I not be? He's married. |
| 00:47:23 |
One man. Two womens. Crowded. |
| 00:47:25 |
You want to know |
| 00:47:27 |
I never asked him to leave his wife. |
| 00:47:31 |
What kind of sick person am I? |
| 00:47:34 |
I'm rooting for the home team. |
| 00:47:42 |
I just wish the sex |
| 00:47:47 |
- So amazing. |
| 00:47:50 |
You know... |
| 00:47:55 |
I just stare at him over room service. |
| 00:47:58 |
Watch him do the crossword puzzle. |
| 00:48:02 |
I start to think that maybe... |
| 00:48:08 |
That we belong together. |
| 00:48:13 |
This... man... has you. |
| 00:48:19 |
Why he need... puzzle? |
| 00:48:24 |
This is my problem. |
| 00:48:27 |
I always see men |
| 00:48:34 |
Do I know you from someplace? |
| 00:48:37 |
Sensible heels. |
| 00:48:43 |
Oh... |
| 00:48:45 |
You headed for home? |
| 00:48:48 |
Er... No, no. I am... |
| 00:48:51 |
I am delayed a long time. |
| 00:48:55 |
I hate it when they delay flights. |
| 00:48:59 |
I go from one building |
| 00:49:04 |
I have beeper. |
| 00:49:07 |
Oh, contractors. |
| 00:49:14 |
Sorry about that. |
| 00:49:17 |
What's "BH"? |
| 00:49:18 |
In English... |
| 00:49:22 |
Viktor Navorski. |
| 00:49:24 |
- In English, Amelia Warren. |
| 00:49:29 |
- Nice to meet you. |
| 00:49:31 |
Nice to see you again. |
| 00:49:35 |
You like Italian food? |
| 00:49:38 |
I know, it's late |
| 00:49:41 |
but if you'd like to grab some dinner, |
| 00:49:45 |
I know a place |
| 00:49:49 |
Erm... |
| 00:49:50 |
No, I... I can't. |
| 00:49:53 |
- You married? |
| 00:49:55 |
- Girlfriend? |
| 00:49:57 |
I... I can't go out... with you. |
| 00:50:06 |
God. I am so... I'm so sorry. |
| 00:50:09 |
I am so sorry. |
| 00:50:11 |
I must come off |
| 00:50:14 |
- No. |
| 00:50:17 |
Wet floor. Wet floor. |
| 00:50:19 |
- I... |
| 00:50:22 |
No, I... Please, I... |
| 00:50:27 |
Wheelchair to gate A-five. |
| 00:50:29 |
Nadia. |
| 00:50:30 |
In New York restaurant, |
| 00:50:36 |
I don't know. Maybe 15 bucks. |
| 00:50:38 |
- Dollars? |
| 00:50:40 |
Two people, 40. |
| 00:50:42 |
Two people, 40 dollars. |
| 00:50:52 |
Two people, 40 dollars. |
| 00:51:00 |
I... I... help you? |
| 00:51:04 |
I'm so sorry, sir. |
| 00:51:14 |
- Do you live nearby? |
| 00:51:17 |
Because we are very particular |
| 00:51:23 |
Gate 67. |
| 00:51:28 |
You got to be kidding. |
| 00:51:30 |
You got to help me help you. |
| 00:51:35 |
...mailing address, |
| 00:51:37 |
Telephone? You need? I get. |
| 00:51:42 |
I get... I get phone. |
| 00:51:54 |
451-1226. |
| 00:51:59 |
All right. |
| 00:52:03 |
Now? |
| 00:52:35 |
- Hello? |
| 00:52:37 |
Yes, this is Viktor Navorski. |
| 00:52:40 |
It's Cliff from the Discovery Store. |
| 00:52:42 |
Cliff. Hello. |
| 00:52:45 |
- How's it going? |
| 00:52:46 |
- Is this a good time? |
| 00:52:50 |
Well, I got to tell you |
| 00:52:53 |
Yeah, so could you please |
| 00:52:57 |
- I go to bathroom now. |
| 00:53:00 |
- All right. |
| 00:53:01 |
OK. |
| 00:54:27 |
Who is this? |
| 00:54:30 |
- Who are you? |
| 00:54:32 |
There's no one here for |
| 00:54:39 |
Look at this cornicing. |
| 00:54:44 |
Must be Harry's crew. |
| 00:54:46 |
Does Harry think |
| 00:54:48 |
- I go now. |
| 00:54:51 |
- Gate 67. |
| 00:54:53 |
We're ten months away from 67. |
| 00:54:55 |
He's got to be Harry's. |
| 00:54:59 |
Harry's trying to make me look bad. |
| 00:55:01 |
I've got to slow him down |
| 00:55:04 |
- What's your name? |
| 00:55:07 |
Pull him off Harry's crew, |
| 00:55:10 |
You start 6.30 Monday morning. |
| 00:55:12 |
You give me job? |
| 00:55:16 |
6.30, yes... Boss. |
| 00:55:57 |
We have lobster ravioli from Alitalia. |
| 00:56:00 |
We have caviar from Russian Aeroflot. |
| 00:56:02 |
OK. Just bring it. |
| 00:56:04 |
- Hey, Viktor. |
| 00:56:07 |
Look. The man without a country. |
| 00:56:10 |
Come on in. Welcome. |
| 00:56:12 |
- I see this. |
| 00:56:15 |
Have a seat. |
| 00:56:16 |
- Here? |
| 00:56:17 |
Come on, sit down. |
| 00:56:19 |
- Who invited him? |
| 00:56:23 |
- I'm not going to play with him. |
| 00:56:26 |
- He isn't a spy. |
| 00:56:29 |
He could be recording |
| 00:56:34 |
A microphone up in his ass. |
| 00:56:37 |
- I'm not going to lose my job. |
| 00:56:42 |
- What if we x-rayed him? |
| 00:56:46 |
Close your eyes. |
| 00:56:58 |
- OK. So you are clean. |
| 00:57:02 |
I will have money. |
| 00:57:05 |
Don't worry about it. We play for |
| 00:57:09 |
You'll be amazed |
| 00:57:13 |
I have two nines and two nines. |
| 00:57:16 |
Four nines. Thank you. |
| 00:57:19 |
- Careful. |
| 00:57:22 |
- We have a question for you. |
| 00:57:27 |
What is in the can? |
| 00:57:29 |
- This? |
| 00:57:32 |
We know there's no nuts in there. |
| 00:57:35 |
What is in there? |
| 00:57:37 |
This is jazz. |
| 00:57:39 |
- Jazz? |
| 00:57:41 |
- Jazz? |
| 00:57:45 |
You sure it's jazz in there? |
| 00:57:49 |
- Or salsa. |
| 00:57:51 |
- No, no, is jazz. |
| 00:57:54 |
For tonight's grand prize, we have... |
| 00:57:58 |
Show them, Gupta. |
| 00:58:00 |
I found this upstairs. |
| 00:58:02 |
Virgin Air, first class lounge. |
| 00:58:05 |
There you go. |
| 00:58:07 |
And... they belong to? |
| 00:58:09 |
Cher. |
| 00:58:11 |
Cher? |
| 00:58:12 |
As in... Cher? |
| 00:58:14 |
Yeah. Cher. |
| 00:58:15 |
I checked it out. |
| 00:58:17 |
Those are Cher's panties. |
| 00:58:20 |
- Ready? |
| 00:58:21 |
So, will we share the panties? |
| 00:58:24 |
- No, no, no. |
| 00:58:26 |
- Come on. |
| 00:58:28 |
United Airlines |
| 00:58:32 |
is now announcing final boarding. |
| 00:58:35 |
"You can't. |
| 00:58:40 |
"You can get so confused." |
| 00:58:43 |
Viktor? |
| 00:58:44 |
Well, hi. |
| 00:58:47 |
Please. |
| 00:58:48 |
- How are you? |
| 00:58:50 |
Man. |
| 00:58:52 |
I am so sorry about what happened |
| 00:58:56 |
I'm so used to guys |
| 00:58:59 |
that when I meet somebody that doesn't, |
| 00:59:03 |
- Let's just start over. |
| 00:59:06 |
- Are you coming or going? |
| 00:59:08 |
Tell me about it. |
| 00:59:11 |
Napoleon? |
| 00:59:12 |
Yeah. I read a lot of history books. |
| 00:59:18 |
Like 1200 pages for $9.99. |
| 00:59:21 |
- But Napoleon? |
| 00:59:25 |
- You know what saved Napoleon's life? |
| 00:59:28 |
- His ego. |
| 00:59:29 |
Yes. |
| 00:59:30 |
After he loses the Battle of Waterloo, |
| 00:59:32 |
Napoleon isolates himself |
| 00:59:36 |
No one knows exactly |
| 00:59:39 |
but the version I like goes like this: |
| 00:59:42 |
He's very depressed |
| 00:59:46 |
But Napoleon believes himself |
| 00:59:50 |
that he takes six times the amount |
| 00:59:54 |
His stomach is so full up with poison |
| 00:59:59 |
and he doesn't die. |
| 01:00:00 |
See? Ego. Saved his life. |
| 01:00:04 |
Maybe he need glasses. |
| 01:00:06 |
- Glasses? |
| 01:00:09 |
Poison. |
| 01:00:12 |
It's funny you should say that. |
| 01:00:15 |
Rumor has it |
| 01:00:17 |
- There you go. |
| 01:00:19 |
- There you go. |
| 01:00:22 |
I think we're rewriting history |
| 01:00:25 |
Why don't we talk about it over lunch? |
| 01:00:28 |
Oh, my God, I can't believe it. |
| 01:00:31 |
I just did it again. |
| 01:00:34 |
I'm so... |
| 01:00:37 |
I'm sick. I don't have the ability |
| 01:00:41 |
OK. |
| 01:00:43 |
- OK, what? |
| 01:00:45 |
Lunch... with you. |
| 01:00:49 |
- You'll have lunch with me? |
| 01:00:50 |
You're not running for a flight or? |
| 01:00:53 |
I wait. |
| 01:00:58 |
- It's me. |
| 01:01:00 |
I'm sorry. |
| 01:01:03 |
You work? |
| 01:01:05 |
- No. |
| 01:01:07 |
Three of you. Crowded. |
| 01:01:10 |
Stay away from me, Viktor. |
| 01:01:13 |
I'm... I have a serious problem. |
| 01:01:17 |
I just keep ingesting these poisonous |
| 01:01:21 |
- You're not sick, Amelia. No. |
| 01:01:24 |
No. You're a little... farsighted. |
| 01:01:30 |
- I have to go. |
| 01:01:33 |
- Story of my life. |
| 01:01:52 |
Your CBP inspection's in three days. |
| 01:01:54 |
The FBI and Homeland Security |
| 01:01:57 |
spend two hours observing these offices |
| 01:02:03 |
How much does Navorski make? |
| 01:02:06 |
Sir? |
| 01:02:07 |
How much does he make? |
| 01:02:11 |
They're paying him cash under the table. |
| 01:02:14 |
I know that. How much? |
| 01:02:17 |
$19 an hour. |
| 01:02:19 |
Unbelievable. |
| 01:02:23 |
That's New York City construction. |
| 01:02:26 |
One of my own men |
| 01:02:29 |
Asked me |
| 01:02:32 |
Look at him. |
| 01:02:33 |
Place a bet on when Navorski's |
| 01:02:36 |
Have you heard about this? |
| 01:02:40 |
I have January 3rd. |
| 01:02:46 |
Bring him in. |
| 01:02:48 |
Jake, he has no nationality. |
| 01:02:52 |
He's a national security risk, according |
| 01:02:57 |
I want you to put him in a detention |
| 01:03:00 |
That's all I want. |
| 01:03:04 |
What about a federal prison? |
| 01:03:07 |
What about another airport? |
| 01:03:10 |
Hello? Hello? |
| 01:03:16 |
We're detaining so many people, |
| 01:03:20 |
- Did you try the FBI? |
| 01:03:24 |
You want me to bring him back |
| 01:03:26 |
No. From now on, Navorski lives here. |
| 01:03:39 |
The people who are coming here today |
| 01:03:46 |
But most of all they will be looking |
| 01:03:49 |
So let's show them why this is the |
| 01:03:54 |
We process about 600 planes a day, |
| 01:03:58 |
with a processing time |
| 01:04:00 |
about 60 seconds per passenger... |
| 01:04:02 |
...to be brought into the country. |
| 01:04:05 |
We keep it as clean as possible. |
| 01:04:08 |
- What do you import? |
| 01:04:11 |
That's a lot of walnuts. |
| 01:04:12 |
Yeah. |
| 01:04:15 |
Every time I go to Brazil, |
| 01:04:18 |
- Your mother-in-law? |
| 01:04:21 |
Mind if I try one? |
| 01:04:32 |
How did you know |
| 01:04:35 |
If he's married, |
| 01:04:36 |
And if he's divorced, |
| 01:04:40 |
I'm sorry, but really. |
| 01:04:44 |
- Sir. |
| 01:04:47 |
Sir, we have a situation upstairs. |
| 01:04:49 |
- It'll have to wait. |
| 01:04:52 |
When the 9.12 from Toronto landed, they |
| 01:04:56 |
They tried to take the pills away |
| 01:04:59 |
There he is. |
| 01:05:02 |
Sir, sir, calm down. |
| 01:05:04 |
Everybody keep your weapons... |
| 01:05:08 |
We're here to help you, sir. |
| 01:05:11 |
- Where's he from? |
| 01:05:13 |
The only interpreter |
| 01:05:16 |
- We have to get someone to talk to him. |
| 01:05:23 |
Viktor. |
| 01:05:25 |
Viktor. |
| 01:05:27 |
Oh... |
| 01:05:30 |
I need your help. |
| 01:05:33 |
His name is Milodragovich. |
| 01:05:36 |
He may not speak your dialect, |
| 01:05:38 |
but I need you to translate |
| 01:05:40 |
- I help you? Why? |
| 01:05:43 |
This guy's very upset. |
| 01:05:44 |
Just calm him down |
| 01:05:47 |
No. New York. |
| 01:05:51 |
- New York. |
| 01:05:52 |
- You say yes? |
| 01:05:54 |
- OK. OK, OK, OK. |
| 01:05:57 |
We have somebody here to talk to you. |
| 01:06:01 |
Stay out! |
| 01:06:19 |
So? |
| 01:06:21 |
OK, tell him in order to export |
| 01:06:25 |
he needs to have the proper form, |
| 01:06:32 |
OK? You understand me, Viktor? |
| 01:06:54 |
He say he bring |
| 01:07:04 |
This why he go to Canada. |
| 01:07:09 |
It doesn't matter. |
| 01:07:10 |
His plane landed in the US. |
| 01:07:26 |
He did not know |
| 01:07:28 |
No one say to him |
| 01:07:31 |
I'm saying it to him. |
| 01:07:32 |
He needs to have the form signed by |
| 01:07:37 |
These medicines |
| 01:07:40 |
They have to stay here. |
| 01:07:58 |
He... He's begging you. |
| 01:08:01 |
I know. I can see that he's begging. |
| 01:08:08 |
I'm sorry, sir. |
| 01:08:10 |
You'll have to take a flight in the |
| 01:08:16 |
I'm sorry. |
| 01:08:22 |
Send him down! |
| 01:08:28 |
Thank you, Viktor. |
| 01:08:36 |
Whoa. |
| 01:08:39 |
Goat. |
| 01:08:41 |
- What? |
| 01:08:46 |
- Goat? |
| 01:08:53 |
- He said that? |
| 01:08:55 |
He say... |
| 01:08:57 |
We not understand. |
| 01:09:02 |
Why? What are you saying? |
| 01:09:05 |
- It's not for his dying father? |
| 01:09:08 |
The... Krakozhia... |
| 01:09:13 |
sound like "goat". |
| 01:09:16 |
I make mistake. |
| 01:09:26 |
Why are you doing this, Viktor? |
| 01:09:28 |
Medicine is for... goat. |
| 01:09:31 |
- No, it's not. |
| 01:09:33 |
- No. |
| 01:09:35 |
You read the blue immigration form. |
| 01:09:37 |
- Blue? |
| 01:09:38 |
- Blue? |
| 01:09:40 |
The one that says if it's an animal, |
| 01:09:44 |
Then he can bring the drugs in. |
| 01:09:50 |
Why are you doing this? Huh? |
| 01:09:52 |
You don't know him. |
| 01:09:55 |
Look at me. |
| 01:09:57 |
I was going to help you. |
| 01:10:01 |
Now I want you to ask him... |
| 01:10:05 |
I want you to ask him. |
| 01:10:08 |
I want to hear him say |
| 01:10:12 |
Please. Who the medicine is for. |
| 01:10:24 |
Answer him, Mr. Milodragovich. |
| 01:10:35 |
OK. The pills stay. He goes. That's it. |
| 01:10:43 |
Goat. |
| 01:10:45 |
Please. For goat. |
| 01:10:48 |
Medicine for goat. |
| 01:10:50 |
Medicine for goat. |
| 01:10:53 |
Medicine for goat. |
| 01:10:57 |
Give him the pills. |
| 01:10:59 |
Medicine for goat. |
| 01:11:03 |
Medicine... |
| 01:11:14 |
Come on now, it's all over. |
| 01:11:16 |
He love that goat. |
| 01:11:22 |
Do you think I need an excuse |
| 01:11:25 |
to keep you there for five years? |
| 01:11:27 |
You go to war with me, and you go to war |
| 01:11:30 |
Then you'll know why Krakozhians |
| 01:11:34 |
while Uncle Sam wipes his ass |
| 01:11:46 |
There was a 20 man. |
| 01:11:48 |
Immigration gun was drawn. |
| 01:11:51 |
The Dixon was ready to fire. |
| 01:11:54 |
To kill the little man with the pills. |
| 01:11:57 |
But then someone walks into the room |
| 01:12:03 |
"Put the guns away," the man say. |
| 01:12:07 |
"Nobody will die today." |
| 01:12:09 |
Who? |
| 01:12:11 |
- Who was it that saved him? |
| 01:12:14 |
Who was this man? |
| 01:12:21 |
Navorski. Viktor "The Goat" Navorski. |
| 01:12:53 |
- It doesn't look good, Frank. |
| 01:12:57 |
Sometimes you have to ignore the rules |
| 01:13:02 |
The people, I know. |
| 01:13:03 |
The people, compassion. |
| 01:13:09 |
You could learn |
| 01:13:13 |
Cheer up. It's not over yet. |
| 01:13:41 |
- Is that for me? |
| 01:13:43 |
Is Virgin Isle swordfish. |
| 01:13:48 |
For you. |
| 01:13:50 |
For you. |
| 01:13:53 |
For wall. |
| 01:13:55 |
Fish for wall. |
| 01:14:03 |
Why do you want to go to New York? |
| 01:14:07 |
And what's in the can of peanuts? |
| 01:14:12 |
Promise. |
| 01:14:14 |
- A promise in the can? |
| 01:14:19 |
Let me make you a promise, Viktor. |
| 01:14:22 |
And this is a promise |
| 01:14:25 |
A man who may be stuck here |
| 01:14:31 |
From now on, you and I are partners. |
| 01:14:36 |
If I stay, you stay. |
| 01:14:39 |
You will not set one foot |
| 01:14:44 |
Not a single toe |
| 01:14:49 |
Do you understand |
| 01:14:53 |
Yes. |
| 01:14:56 |
You don't like fish. |
| 01:15:18 |
Do you ever feel |
| 01:15:28 |
We don't have to do this, Viktor. |
| 01:15:32 |
I can mail you |
| 01:15:34 |
What about my food cart? |
| 01:15:38 |
- No. I can't do this. |
| 01:15:42 |
- I do. |
| 01:15:44 |
Amelia Warren. |
| 01:15:45 |
I thought we were looking |
| 01:15:48 |
Be careful. Those flight attendants |
| 01:15:51 |
Flying back and forth between time zones |
| 01:15:56 |
- They're always ready for sex. |
| 01:16:00 |
I am leaving. |
| 01:16:04 |
Gupta, will you relax? |
| 01:16:06 |
You go in jail. Not me. |
| 01:16:09 |
For... You know what? Forget it. |
| 01:16:11 |
- Keep looking. |
| 01:16:13 |
- Yes. Yes. |
| 01:16:14 |
Amelia Jane Warren? |
| 01:16:16 |
- Jane? |
| 01:16:20 |
Way to go, Viktor. First class. |
| 01:16:22 |
- When she come back? |
| 01:17:05 |
Amelia, |
| 01:17:11 |
Bite to eat? Cantaloni? |
| 01:17:24 |
Bite to eat? |
| 01:17:26 |
Bite to eat? |
| 01:17:29 |
Bite to eat? |
| 01:17:35 |
Eat to bite? Eat to bite. |
| 01:17:37 |
Bite to eat. |
| 01:17:40 |
Bite to eat. |
| 01:17:41 |
Bite to eat. |
| 01:17:42 |
Bite to eat. Bite to eat. |
| 01:17:44 |
Bite to eat. Bite to eat. Bite to eat. |
| 01:17:46 |
Bite to eat. Bite to eat. |
| 01:17:49 |
Bite to eat. Bite to eat. Bite to eat... |
| 01:17:57 |
Gupta, you been ever married? |
| 01:18:01 |
- What did you say? |
| 01:18:04 |
I had a wife and two kids in India. |
| 01:18:10 |
Why? |
| 01:18:12 |
I had a small tobacco shop in Madras. |
| 01:18:16 |
Made just enough money to survive. |
| 01:18:18 |
One day this policeman comes in |
| 01:18:23 |
I said OK. |
| 01:18:28 |
The next day, the same policeman |
| 01:18:32 |
And I am paying and I'm paying him |
| 01:18:36 |
And finally, on the fifth day, I take |
| 01:18:42 |
- You killed policeman? |
| 01:18:47 |
When they tried to arrest me, |
| 01:18:49 |
So you never go home? |
| 01:18:53 |
If I go home, |
| 01:18:59 |
What if United States catch you? |
| 01:19:05 |
As long as I keep |
| 01:19:10 |
they have no reason to deport me. |
| 01:19:12 |
They have no reason |
| 01:19:17 |
United Airlines Flight 2703 |
| 01:19:31 |
- Hey, wait. |
| 01:19:38 |
No, no, no. It's wet. |
| 01:19:45 |
- Hey. |
| 01:19:48 |
Watch out! |
| 01:19:53 |
- Amelia. |
| 01:19:55 |
- Hello. |
| 01:19:58 |
He nearly killed me. |
| 01:20:00 |
- You OK? |
| 01:20:03 |
I love the suit. |
| 01:20:06 |
Hugo Boss. |
| 01:20:07 |
On sale, $149.99. |
| 01:20:10 |
That's a bargain. |
| 01:20:13 |
- Napoleon? |
| 01:20:15 |
And Josephine. |
| 01:20:16 |
Do you know what Napoleon |
| 01:20:20 |
Amelia? |
| 01:20:21 |
Would you like to have eat to bite? |
| 01:20:26 |
Food. Tonight? |
| 01:20:28 |
- You're asking me out for dinner? |
| 01:20:30 |
Yeah. Sure. |
| 01:20:32 |
- What time? |
| 01:20:35 |
- Where do you want to go? |
| 01:20:48 |
- Do you have an appointment? |
| 01:20:53 |
This way, please. |
| 01:21:04 |
Thank you. |
| 01:21:07 |
I didn't know they had a patio up here. |
| 01:21:11 |
It's very nice. |
| 01:21:31 |
Good night. |
| 01:21:37 |
Please. Please. Please. Please. |
| 01:21:40 |
Sorry. So, tonight we have |
| 01:21:44 |
- Cannelloni, please. |
| 01:21:47 |
- Sorry. |
| 01:21:49 |
For you, sir? |
| 01:21:51 |
- Same. |
| 01:21:54 |
I'll be back. |
| 01:22:09 |
Let me see. Enjoy. |
| 01:22:14 |
Did you know the croissant |
| 01:22:17 |
- Tell me. |
| 01:22:19 |
It's 1742 |
| 01:22:23 |
making a surprise attack |
| 01:22:26 |
But the town bakers... |
| 01:22:30 |
Sorry. |
| 01:22:48 |
So, the bakers? |
| 01:22:51 |
- No, never mind. It's a dumb story. |
| 01:22:55 |
I'm sorry, Viktor. |
| 01:22:57 |
Nobody really cares |
| 01:23:00 |
I'll bet the Romanians themselves |
| 01:23:04 |
I care. |
| 01:23:05 |
Is histories. Is truth. |
| 01:23:09 |
- I'm 39 years old. |
| 01:23:12 |
- Yeah. |
| 01:23:14 |
- That's the truth. |
| 01:23:17 |
I tell everybody I'm 33, and most of |
| 01:23:22 |
I'm 39. |
| 01:23:25 |
So? I was 39 once. |
| 01:23:28 |
I was 18 years old |
| 01:23:32 |
I've been doing this over 20 years. |
| 01:23:34 |
And now there's no more pretending. |
| 01:23:37 |
This is it. |
| 01:23:39 |
It's why my address book is by city |
| 01:23:47 |
You can switch off pager. |
| 01:23:52 |
I wish I could. |
| 01:23:53 |
I've been waiting for a phone call |
| 01:23:57 |
I know it's coming, Viktor. |
| 01:24:02 |
That's why I live out of hotels and have |
| 01:24:06 |
just in case |
| 01:24:10 |
Yeah. |
| 01:24:12 |
I've been waiting my whole life. |
| 01:24:17 |
Just don't know what the hell for. |
| 01:24:23 |
I'm so sorry. |
| 01:24:43 |
I live here. |
| 01:24:45 |
- What? |
| 01:24:47 |
Gate 67. |
| 01:24:50 |
- You live at the airport? |
| 01:24:53 |
This home, like you. |
| 01:24:57 |
So I wait. |
| 01:24:58 |
All frequent fliers |
| 01:25:01 |
Everybody's waiting. Everybody. |
| 01:25:03 |
- For a flight, for a meeting... |
| 01:25:08 |
Then what are you waiting for? |
| 01:25:13 |
Is OK. I understand. |
| 01:25:20 |
I have an idea. |
| 01:25:23 |
- Come here. |
| 01:25:27 |
You sure? |
| 01:25:29 |
More than anything, I'm sure of this. |
| 01:25:31 |
Ready? |
| 01:25:48 |
So, when do you come back? |
| 01:25:51 |
13 days. How about you? |
| 01:25:54 |
I will be here. |
| 01:25:57 |
But what if your schedule changes? |
| 01:25:59 |
Maybe we should |
| 01:26:02 |
No. I will be here. |
| 01:26:05 |
You know what Napoleon give |
| 01:26:10 |
Tell me. |
| 01:26:13 |
Come on. Tell me. |
| 01:26:14 |
I will show you. 13 days from now. |
| 01:27:25 |
What's he doing? |
| 01:27:26 |
I can't ask him. I'm supposed |
| 01:27:30 |
If I ask him, I look like an idiot. |
| 01:27:49 |
I'm sorry. Sorry. |
| 01:27:53 |
You'll get really fat |
| 01:27:56 |
But, please, do this for me. It will be |
| 01:28:18 |
He waits for you to answer at Sbarro. |
| 01:28:26 |
- I have to work. |
| 01:29:33 |
- How was your flight? |
| 01:29:36 |
Thanks. |
| 01:29:41 |
- Is something wrong? |
| 01:29:45 |
You're kidding. |
| 01:29:48 |
Please follow me. |
| 01:29:50 |
I'm supposed to be meeting somebody. |
| 01:30:15 |
In my line of work, |
| 01:30:18 |
The person, the document and the story. |
| 01:30:24 |
Find the truth of one |
| 01:30:29 |
I need your help finding the truth. |
| 01:30:33 |
Do you know a man |
| 01:30:36 |
Yes. |
| 01:30:38 |
Do you know why he's here |
| 01:30:41 |
No. We're just friends. |
| 01:30:44 |
Have you noticed that he hides a can |
| 01:30:50 |
So? |
| 01:30:51 |
What do you make of that? |
| 01:30:55 |
I'd make peanut butter, I guess. |
| 01:30:59 |
We know that he's planning to go |
| 01:31:03 |
Has he told you why he's in New York? |
| 01:31:05 |
No. |
| 01:31:06 |
- Has he told you where he lives? |
| 01:31:10 |
All I know is that he's a building |
| 01:31:14 |
That's it. |
| 01:31:15 |
- He's a contractor? |
| 01:31:18 |
That's what he said? |
| 01:31:22 |
Amelia. I'm just curious. |
| 01:31:26 |
You are the kind of woman |
| 01:31:33 |
Why Viktor Navorski? |
| 01:31:37 |
That's something a guy like you |
| 01:32:03 |
I guess you missed your flight again. |
| 01:32:08 |
Please. Sit. |
| 01:32:10 |
It's OK, Viktor. All men lie. |
| 01:32:13 |
- At least you're not very good at it. |
| 01:32:17 |
You told me you were delayed. |
| 01:32:21 |
Maybe you see the man |
| 01:32:24 |
So what am I seeing? |
| 01:32:29 |
- I... |
| 01:32:31 |
Yes. Yes. |
| 01:32:34 |
You want to hear the funny part? |
| 01:32:36 |
I broke up with him. |
| 01:32:38 |
I was coming here to tell you |
| 01:32:41 |
I'm free. I got tired of waiting. |
| 01:32:45 |
At least we have that in common. |
| 01:32:51 |
Amelia, you know what Napoleon |
| 01:32:58 |
No. |
| 01:33:00 |
I show you. |
| 01:33:06 |
Please. Please. |
| 01:33:12 |
Sit. Please. |
| 01:33:25 |
That was gift. |
| 01:33:29 |
One thousand fountains. |
| 01:33:34 |
You built this for me? |
| 01:33:35 |
Please. Sit. Don't get wet. |
| 01:33:49 |
Come on. |
| 01:33:52 |
Oh... |
| 01:33:55 |
It no work. |
| 01:33:56 |
It should shoot, |
| 01:34:02 |
Just tell me the truth. |
| 01:34:11 |
Are you a criminal? |
| 01:34:15 |
You're living here, Viktor. |
| 01:34:17 |
You're living at Gate 67. |
| 01:34:21 |
Here. I show you. |
| 01:34:34 |
My father. |
| 01:34:36 |
Viktor, please tell me |
| 01:34:46 |
This is jazz. |
| 01:34:54 |
My father, Dimitar Asenov Navorski, |
| 01:34:57 |
see this photograph |
| 01:35:03 |
He say he look at photograph |
| 01:35:06 |
Monday, Tuesday, Wednesday... |
| 01:35:08 |
Who are they? |
| 01:35:10 |
Count Basie, Dizzy Gillespie, |
| 01:35:14 |
Art Blakey, Max Kaminsky. |
| 01:35:16 |
57 of them all together. |
| 01:35:18 |
After looking at photograph |
| 01:35:22 |
He begin to write letters to club, |
| 01:35:27 |
He ask the nuns to write English. |
| 01:35:33 |
And then he wait. |
| 01:35:35 |
He wait month, week, year. |
| 01:35:39 |
My father wait 40 year. |
| 01:35:46 |
And they all sign names. |
| 01:35:52 |
One by one. |
| 01:36:09 |
They all write their name |
| 01:36:19 |
All but not one. |
| 01:36:23 |
Benny Golson. |
| 01:36:28 |
Saxophone. |
| 01:36:30 |
My father die before Benny Golson |
| 01:36:35 |
So I make him promise. |
| 01:36:43 |
I promise I will go New York, |
| 01:36:48 |
have him write name to put in can. |
| 01:36:52 |
And you've been living here |
| 01:36:56 |
Maybe I think he do it for me. |
| 01:37:04 |
You say you are waiting for something. |
| 01:37:09 |
And I say to you, |
| 01:37:16 |
What are you waiting for? |
| 01:37:20 |
You. I wait for you. |
| 01:38:19 |
What? |
| 01:38:24 |
The war is over. |
| 01:38:26 |
... the right-wing military coup |
| 01:38:55 |
All right, everybody. |
| 01:38:59 |
Let's have a toast to my friend, |
| 01:39:04 |
May he never lose his country again. |
| 01:39:07 |
Krakozhia! |
| 01:39:09 |
Amelia! You here early! |
| 01:39:13 |
Hello. Amelia, look. |
| 01:39:15 |
Peace, peace in the war. |
| 01:39:17 |
See, the war, |
| 01:39:20 |
Peace. The war is over. |
| 01:39:27 |
- You know my friend in Washington. |
| 01:39:30 |
He has a lot of connections. Here. |
| 01:39:33 |
It's a pass, Viktor. |
| 01:39:34 |
A one-day travel emergency visa |
| 01:39:37 |
- Wha... Visa? |
| 01:39:39 |
- From your friend? |
| 01:39:41 |
Just go to New York, find that last name |
| 01:39:46 |
- I go New York? |
| 01:39:47 |
I go New York! |
| 01:39:56 |
Amelia, you come with. |
| 01:40:02 |
Your friend do this for me? |
| 01:40:09 |
He did it for me. |
| 01:40:13 |
I told you to stay away from me, Viktor. |
| 01:40:17 |
- I think you were confused. |
| 01:40:21 |
I not confused... Not this. Not this. |
| 01:40:25 |
I'm sorry. I'm running late. |
| 01:40:29 |
Amelia. Why you go? Why you go? |
| 01:40:33 |
You know what Napoleon |
| 01:40:37 |
It was a gold locket. |
| 01:40:39 |
And on the inside, |
| 01:40:46 |
"Destiny". |
| 01:40:51 |
Destiny. |
| 01:40:55 |
... rejoice in the streets |
| 01:40:58 |
The Krakozhian flag waved goodbye |
| 01:41:03 |
It is a clear sign of the power... |
| 01:41:07 |
- Hey, baby. |
| 01:41:11 |
I missed you. |
| 01:41:15 |
Come on. |
| 01:41:29 |
Next. |
| 01:41:31 |
Viktor. |
| 01:41:35 |
Hello, Delores. |
| 01:41:39 |
What do you have here? |
| 01:41:45 |
What do you have here? |
| 01:41:56 |
Oh, no. It's not signed. |
| 01:42:00 |
What? |
| 01:42:02 |
This is a one-day emergency travel visa. |
| 01:42:05 |
To validate authenticity, it needs |
| 01:42:10 |
Dixon? |
| 01:42:12 |
Yes. |
| 01:42:13 |
Dixon. |
| 01:42:19 |
The war in my country is over. |
| 01:42:24 |
Yeah. I know. Congratulations. |
| 01:42:28 |
It's strange, isn't it, Viktor? |
| 01:42:31 |
When you wait so long for one thing? |
| 01:42:35 |
One tiny moment. |
| 01:42:37 |
I had that moment today, too. |
| 01:42:40 |
You see this badge? |
| 01:42:42 |
This badge means that I was made |
| 01:42:46 |
It means that my authority over the |
| 01:42:52 |
Your ticket and your passport. |
| 01:42:57 |
It's time for you to go home. |
| 01:43:03 |
Officer Waylin, please show |
| 01:43:06 |
and make sure |
| 01:43:09 |
Goodbye, Viktor, and good luck. |
| 01:43:21 |
I think I want go New York City. |
| 01:43:26 |
Don't make this difficult, Viktor. |
| 01:43:28 |
I no more "unacceptable". |
| 01:43:31 |
- I told you this is over. |
| 01:43:37 |
Are you sure you want to do that? |
| 01:43:40 |
I go New York City now. |
| 01:43:47 |
Part of my job is to get rid of |
| 01:43:53 |
Like this guy, Joe Mulroy. |
| 01:43:56 |
He's been here for 20 years, but he's |
| 01:44:00 |
Bringing in liquor and marijuana. |
| 01:44:02 |
Poor guy's going to lose his pension. |
| 01:44:06 |
Yep. |
| 01:44:07 |
And then there's this guy, Enrique Cruz. |
| 01:44:12 |
Enrique has been letting people |
| 01:44:17 |
That's a major security breach. |
| 01:44:19 |
The poor guy, I think he's a newlywed. |
| 01:44:21 |
But I'm going to have to let him go. |
| 01:44:23 |
And then there's Gupta Rajan. |
| 01:44:27 |
But he's wanted for assaulting |
| 01:44:33 |
I'll have to deport him. |
| 01:44:35 |
I will go home. |
| 01:44:38 |
- I'm sorry. What did you say? |
| 01:44:42 |
Leave them alone. I will go. |
| 01:44:44 |
- Today. |
| 01:44:46 |
If you don't get on that plane, |
| 01:44:49 |
- Do you understand? |
| 01:44:51 |
OK. Good. |
| 01:44:54 |
Your attention please. |
| 01:44:56 |
Immediate boarding, gate B-20, for |
| 01:45:06 |
I don't believe you. |
| 01:45:07 |
- Viktor, you don't have to do this. |
| 01:45:11 |
- We'll help you. |
| 01:45:14 |
- Please let me help you. |
| 01:45:17 |
We're all your friends. |
| 01:45:24 |
Gupta. |
| 01:45:25 |
Goodbye. |
| 01:45:27 |
You try to fool us. |
| 01:45:29 |
You make us to think you would walk out, |
| 01:45:34 |
Why don't you fight? |
| 01:45:36 |
- The war is over. |
| 01:45:40 |
Get lost. Go home |
| 01:45:45 |
You come this close to America, |
| 01:45:49 |
but you don't have the courage |
| 01:45:54 |
You are a coward. |
| 01:45:56 |
The plane is on time. |
| 01:45:59 |
You are a coward. |
| 01:46:01 |
You are a coward! |
| 01:46:04 |
You make me sick! |
| 01:46:06 |
What's wrong with you, man? |
| 01:46:09 |
Got people looking all around, |
| 01:46:15 |
Look at me. |
| 01:46:17 |
Come on, look at me. |
| 01:46:24 |
There's something you should know. |
| 01:46:29 |
Ladies and gentlemen, |
| 01:46:33 |
from Krakozhia has landed |
| 01:46:36 |
For those passengers holding tickets |
| 01:46:40 |
we expect departure |
| 01:46:57 |
Get back, please. |
| 01:47:09 |
Gupta. |
| 01:47:22 |
Gupta! |
| 01:47:54 |
I am going home. |
| 01:48:00 |
Get lost. |
| 01:48:13 |
Your attention, please. |
| 01:48:15 |
Flight 866 to Krakozhia |
| 01:48:28 |
Do you have an appointment? |
| 01:48:33 |
Somebody tell me |
| 01:48:38 |
We're right behind you. |
| 01:48:44 |
Viktor's leaving. |
| 01:49:00 |
- Monica, Viktor's leaving. |
| 01:49:03 |
He's going for the front door, |
| 01:49:06 |
What? |
| 01:49:16 |
Viktor. Remember us. |
| 01:49:18 |
From the Discovery Store, |
| 01:49:21 |
It's good luck. |
| 01:49:22 |
A digital camera for cousin Katia. |
| 01:49:24 |
I don't know where you're going, |
| 01:49:37 |
- Everybody in position? |
| 01:49:39 |
Secure the door. |
| 01:49:52 |
Sorry, Viktor. |
| 01:49:57 |
Take him, Judge. |
| 01:50:00 |
Hold it, Viktor. Take it easy. |
| 01:50:05 |
You see those doors? |
| 01:50:07 |
Those are the entry doors |
| 01:50:09 |
To the United States of America. |
| 01:50:22 |
It's snowing in the city |
| 01:50:29 |
Good luck. |
| 01:50:31 |
Oh, no. Oh, no. Oh, no. Oh, no. |
| 01:50:34 |
Oh, no. Oh, no. No, no. |
| 01:50:36 |
I'm going to miss you. |
| 01:50:37 |
Try not to get stuck |
| 01:50:39 |
Arrest him! Arrest him! |
| 01:50:41 |
Goddammit! |
| 01:51:27 |
Taxi! |
| 01:51:41 |
Thank you. |
| 01:52:20 |
Where you go? |
| 01:52:23 |
161 Lexington. Please take Van Wyck |
| 01:52:28 |
It's faster than BQE. |
| 01:52:29 |
- Where you from? |
| 01:52:33 |
I'm Goran. Albania. |
| 01:52:35 |
- When do you come to New York? |
| 01:52:48 |
You want us to block the south exit |
| 01:52:54 |
Sir? |
| 01:53:00 |
5.30 from Tokyo just landed. |
| 01:53:02 |
Got two planes on the tarmac. |
| 01:53:06 |
The night is young |
| 01:53:12 |
Everybody inside. |
| 01:53:15 |
Come on, let's go. |
| 01:53:16 |
Let's go. |
| 01:53:46 |
- Are you checking in, sir? |
| 01:53:50 |
I want to go to this place, please. |
| 01:53:52 |
The lobby lounge |
| 01:53:54 |
They have happy hour specials |
| 01:53:58 |
The monitor's off. |
| 01:54:05 |
The piano's OK. A little more |
| 01:54:13 |
Let's do Killer Joe. |
| 01:54:17 |
- Yes? |
| 01:54:20 |
Yeah. Yes, I am. |
| 01:54:23 |
Benny Golson, I am Viktor Navorski. |
| 01:54:27 |
My father, Dimitar Asenov Navorski, |
| 01:54:33 |
A jazz fan. Fantastic. |
| 01:54:36 |
Would you sign your name, please? |
| 01:54:40 |
Can I do it a little later? |
| 01:54:44 |
- Just a minute. |
| 01:54:45 |
OK. |
| 01:55:49 |
Taxi! Taxi! |
| 01:56:13 |
Where you want to go? |
| 01:56:17 |
I am going home. |
