Terminator The
|
00:03:58 |
What the hell...? |
00:04:17 |
What the hell...? |
00:05:13 |
Hey, my turn. |
00:05:23 |
Hey, what's wrong with this picture? |
00:05:35 |
Nice night for a walk? |
00:05:41 |
Nice night for a walk. |
00:05:44 |
Wash day tomorrow. |
00:05:48 |
Nothing clean. Right. |
00:05:50 |
I think this guy's a couple of cans |
00:05:53 |
Your clothes, give them to me. |
00:05:57 |
- Now. |
00:07:43 |
Hey, buddy, did you just see |
00:07:50 |
- See that guy? |
00:07:53 |
- He's rabbiting. |
00:07:57 |
That son-of-a-bitch took my pants. |
00:08:44 |
- What day is it? The date. |
00:08:48 |
- Thursday. |
00:09:03 |
He's got my gun. Let's go. |
00:12:00 |
Guard it for me. Big Buns. |
00:12:06 |
Hi. I'm late. |
00:12:09 |
So am I. |
00:12:54 |
- I'm in it. |
00:13:02 |
- Honey, can I have that coffee now? |
00:13:06 |
- OK. Who gets the burly-beef? |
00:13:08 |
That's mine, but I didn't order fries. |
00:13:11 |
- Mine's the chilli beef deluxe.- Who gets the burly-beef? |
00:13:14 |
- We're ready to order now.- Yes, ma'am. |
00:13:18 |
I'm so sorry. |
00:13:24 |
Thisisn't real leather, isit? |
00:13:29 |
Nice going, kid. |
00:13:34 |
Look at it this way. |
00:13:45 |
The 12-gauge auto-loader. |
00:13:50 |
That's Italian. You can go pump or auto. |
00:13:54 |
The 45 long slide with laser sighting. |
00:13:57 |
These are new. We just got them in. |
00:14:02 |
The beam comes on - you put the red dot |
00:14:05 |
You can't miss. |
00:14:09 |
- Anything else? |
00:14:13 |
Hey, just what you see, pal. |
00:14:16 |
The Uzi nine millimetre. |
00:14:19 |
You know your weapons, buddy. |
00:14:21 |
Any one of these is ideal |
00:14:25 |
So which will it be? |
00:14:28 |
- All. |
00:14:31 |
It's a 15-day wait on the handguns, |
00:14:37 |
- You can't do that. |
00:15:06 |
Hi, baby. Yeah, yeah, it's me. |
00:15:09 |
Listen, I need you to come pick me up. |
00:15:13 |
I don't care what you're doing. |
00:15:17 |
Hey, man, you got |
00:16:14 |
- Sarah Connor? |
00:16:29 |
I'm on my break, Chuck. |
00:16:32 |
Sarah, come here. It's about you. |
00:16:38 |
Incredible. You're not gonna believe this. |
00:16:43 |
- What? |
00:16:47 |
Once again, Sarah Connor, |
00:16:50 |
brutally shot to death this afternoon. |
00:16:53 |
You're dead, honey. |
00:20:08 |
...if you're into sound, |
00:20:10 |
for the greatest sound around, |
00:20:14 |
We've got woofers, tweeters, |
00:20:19 |
We've got graphic equalisers |
00:20:45 |
Sorry. |
00:20:59 |
Hello? |
00:21:01 |
First I'm gonna rip the buttons |
00:21:05 |
then run my tongue down your neck |
00:21:10 |
And then slowly...slowly pull |
00:21:17 |
Ginger, it's Matt. |
00:21:19 |
And lick your belly in circles |
00:21:23 |
and then pull your panties off |
00:21:26 |
Who is this? |
00:21:29 |
God. Sarah? |
00:21:33 |
Jesus. I'm sorry. |
00:21:35 |
I thought you were... |
00:21:38 |
Sure. |
00:21:42 |
It's the creep. |
00:21:46 |
Hello? |
00:21:47 |
First I'll rip the buttons off |
00:21:52 |
You fucking pigs. Wait till I get |
00:21:59 |
Ed. |
00:22:02 |
- What have you got? |
00:22:05 |
- I can see that. |
00:22:08 |
Shot six times at less than 10 feet. |
00:22:12 |
You know, these work. |
00:22:16 |
- What's this? |
00:22:18 |
Sent over from the Valley division |
00:22:23 |
Are you sure there's a point to all of this? |
00:22:26 |
Look at the name, Ed. |
00:22:28 |
Sarah Louise Connor. Is this right? |
00:22:34 |
You're kidding. |
00:22:35 |
The press is gonna be short-stroking it. |
00:22:38 |
- A one-day pattern killer.- I hate the weird ones. |
00:22:47 |
So... |
00:22:50 |
Better than mortal man deserves. |
00:23:00 |
- Ginger, have you seen Pugsley? |
00:23:04 |
I thought you did. |
00:23:11 |
- Hi, Sarah, this is your mom... |
00:23:15 |
You mind your mother. |
00:23:21 |
Hi, Sarah. Stan Morsky. |
00:23:24 |
Looks like I won't be able to make it |
00:23:28 |
I'm really sorry. I'll make it up to you. |
00:23:35 |
That bum. So what if he has a Porsche? |
00:23:38 |
He can't treat you like this. |
00:23:43 |
I'll live. |
00:23:45 |
I'll break his kneecaps. |
00:23:48 |
Well, Pugsley still loves me. |
00:23:53 |
God. It's disgusting. |
00:23:58 |
I'm gonna go to a movie, kiddo.Have a good time. |
00:24:00 |
- We will. You, too. |
00:24:08 |
Damn it, Matt. |
00:25:06 |
Shit. |
00:25:09 |
These killings occurred in the order |
00:25:13 |
- What can I tell you? No comment. |
00:25:28 |
That coffee's two hours cold. |
00:25:32 |
I put a cigarette out in it. |
00:25:34 |
- Did you reach the next girl yet? |
00:25:38 |
- Send a unit. |
00:25:41 |
- The apartment manager's not in. |
00:25:43 |
- I just called her. |
00:25:46 |
Give me a cigarette. |
00:25:58 |
Hi, there. Fooled you. |
00:26:03 |
But don't be shy. It's OK. |
00:26:13 |
Same shit. |
00:26:16 |
I can hear it now, he's gonna be |
00:26:20 |
I hate these press cases. |
00:26:27 |
- Where are you going? |
00:26:30 |
Maybe make these jackals work for us. |
00:26:32 |
If I can get on the tube by eleven o'clock, |
00:26:37 |
Well, how do I look? |
00:26:39 |
- Like shit, boss. |
00:26:44 |
This just in. Police have announced |
00:26:47 |
in the second of two murders |
00:26:51 |
Incredibly, the names of the |
00:26:55 |
Two hours ago, 35-year-old Sarah Ann |
00:27:01 |
- Can we change this? |
00:27:03 |
Don't touch it. |
00:27:07 |
Police are refusing to speculate on the |
00:27:11 |
and no other connection between |
00:27:16 |
We'll have more on this |
00:28:50 |
- Hey, you got a phone? |
00:28:53 |
Hey. Four-fifty. |
00:29:34 |
You have reached the Los Angeles |
00:29:38 |
All lines are busy. If you need a police carsent out to you, stay on the line. |
00:30:48 |
Go on. I'm gonna make a belt out of you. |
00:31:05 |
Don't make me bust you up, man. |
00:32:08 |
Hi, there. Fooled you. |
00:32:12 |
But don't be shy. It's OK. |
00:32:15 |
So talk to it and Ginger, that's me, |
00:32:19 |
Wait for the beep. |
00:32:22 |
This is Sarah. Pick up if you're there. |
00:32:24 |
I'm at this place on Pico Boulevard |
00:32:30 |
I think that there's somebody after me. |
00:32:35 |
I need you and Matt to come |
00:32:39 |
The police keep transferring me. |
00:32:43 |
The number here is 5 559 175. |
00:33:06 |
It's her. |
00:33:09 |
Sarah Connor? It's Lieutenant Traxler. |
00:33:11 |
Don't put me on hold. |
00:33:14 |
I won't. Can you tell me where you are? |
00:33:17 |
- I'm in this bar called Tech Noir. |
00:33:21 |
- Are you all right? |
00:33:24 |
- I think there's a guy following me. |
00:33:28 |
You're in a public place so you'll be safe. |
00:33:33 |
- I'll have a car there in a minute. |
00:34:00 |
Hey, that guy didn't pay. |
00:36:42 |
Come with me if you wanna live. |
00:36:53 |
Come on! |
00:38:07 |
This is one-L-19. I got a hit-and-run felony. |
00:38:10 |
Suspect vehicle - late model |
00:38:14 |
He's really moving - punching lights. |
00:38:16 |
I'm gonna need an ambulance |
00:38:21 |
Hold it. |
00:38:40 |
Hold on. |
00:38:53 |
Are you injured? Are you shot? |
00:39:02 |
Do exactly what I say. Exactly. |
00:39:06 |
Don't move unless I say. |
00:39:09 |
Do you understand? |
00:39:12 |
- Do you understand? |
00:39:33 |
I'm here to help you. |
00:39:35 |
I'm Reese. Sergeant Tech-Com. |
00:39:40 |
You've been targeted for termination. |
00:39:52 |
This is one-L-19. Westbound |
00:40:01 |
This is a mistake. I didn't do anything. |
00:40:05 |
No, but you will. |
00:40:08 |
This isn't true. How could that man |
00:40:12 |
It's not a man. A machine. |
00:40:15 |
A Terminator. |
00:40:27 |
A machine? Like a robot? |
00:40:31 |
Not a robot. A cyborg - |
00:40:36 |
- No. He was bleeding. |
00:40:42 |
Get your head down. |
00:41:28 |
Listen. The Terminator's an infiltration |
00:41:33 |
Underneath it's a hyper-alloy combat |
00:41:38 |
Fully armoured, very tough. |
00:41:43 |
Flesh, skin, hair, blood - |
00:41:47 |
- Look, Reese, I don't know... |
00:41:50 |
I gotta ditch this car. |
00:41:57 |
The 600-Series had rubber skin. |
00:42:01 |
But these are new. They look human. |
00:42:03 |
Sweat, bad breath, everything. |
00:42:07 |
I had to wait till he moved on you |
00:42:11 |
Look. I am not stupid. |
00:42:17 |
Not yet. Not for about forty years. |
00:42:23 |
Are you saying it's from the future? |
00:42:26 |
One possible future... |
00:42:30 |
I don't know tech stuff. |
00:42:33 |
Then you're from the future, too. |
00:42:36 |
- Right. |
00:42:46 |
Cyborgs don't feel pain. |
00:42:51 |
- Just let me go. |
00:42:55 |
That Terminator is out there. |
00:42:59 |
It can't be bargained with, |
00:43:04 |
It doesn't feel pity or remorse or fear |
00:43:08 |
and it absolutely will not stop,Never, until you are dead. |
00:43:24 |
Can you stop it? |
00:43:30 |
I don't know. |
00:43:33 |
With these weapons. I don't know. |
00:43:52 |
All units. Ford suspect vehicle has |
00:44:40 |
Reese, why me? |
00:44:47 |
Why does it want me? |
00:44:55 |
There was a nuclear war. |
00:44:59 |
A few years from now. |
00:45:03 |
all this, this whole place, everything. |
00:45:09 |
it's gone, just gone. |
00:45:14 |
There were survivors. |
00:45:17 |
Here, there. |
00:45:21 |
Nobody even knew who started it. |
00:45:27 |
- It was the machines, Sarah. |
00:45:31 |
Defence network computers. |
00:45:35 |
New, powerful, |
00:45:39 |
hooked into everything, |
00:45:44 |
They say it got smart - |
00:45:50 |
Then it saw all people as a threat. |
00:45:55 |
It decided our fate in a microsecond. |
00:46:00 |
Extermination. |
00:46:16 |
Did you see this war? |
00:46:30 |
No. I grew up after. In the ruins. |
00:46:35 |
Starving, hiding from the H-Ks. |
00:46:38 |
- H-Ks? |
00:46:41 |
Patrol machines |
00:46:45 |
Most of us were rounded up. |
00:46:51 |
This was burned in by laser scanner. |
00:46:58 |
Some of us were kept alive. To work. |
00:47:03 |
Loading bodies. |
00:47:06 |
The disposal units ran night and day. |
00:47:09 |
We were that close to going out for ever. |
00:47:15 |
But there was one man |
00:47:19 |
To storm the wire of the camps. |
00:47:21 |
To smash those metal |
00:47:25 |
He turned it around. |
00:47:29 |
His name was Connor. John Connor. |
00:47:33 |
Your son, Sarah. Your unborn son. |
00:49:28 |
Drive. |
00:49:36 |
Reese! |
00:49:56 |
No, Reese. No, no. They'll kill you. |
00:50:00 |
You in the Cadillac. |
00:50:06 |
Get out of the car. |
00:50:11 |
Drop to your knees. |
00:50:13 |
- Out of the car. |
00:50:45 |
Sarah. Sarah, try to drink some of this. |
00:50:52 |
Listen, are you sure it's them? |
00:50:54 |
I mean, |
00:50:57 |
No. They've been identified |
00:51:04 |
Ginger. Kiddo. |
00:51:09 |
- Sarah, this is Dr Silberman. |
00:51:15 |
Tell him everything Reese told you. |
00:51:19 |
Yeah. I guess so. |
00:51:23 |
- You're a doctor? |
00:51:27 |
- Is Reese crazy? |
00:52:56 |
So you're a soldier. Fighting for whom? |
00:53:01 |
With the 132nd under Perry. |
00:53:07 |
That's the year 2027? |
00:53:10 |
That's right. Then I was assigned... |
00:53:12 |
- This is fucking great. |
00:53:16 |
- Who was the enemy? |
00:53:19 |
Goddamn! Sorry. |
00:53:21 |
...built for SAC-NORAD |
00:53:25 |
I see. |
00:53:27 |
And this computer thinks it can win |
00:53:33 |
Killing him, in effect, |
00:53:36 |
A sort of retroactive abortion? |
00:53:40 |
Silberman cracks me up. |
00:53:44 |
- He screwed it first... |
00:53:46 |
Why didn't the computer |
00:53:49 |
Why this elaborate scheme |
00:53:52 |
It had no choice. |
00:53:56 |
We'd won. Taking out Connor then |
00:54:01 |
Skynet had to wipe out |
00:54:04 |
Is that when you captured the lab |
00:54:09 |
The time displacement equipment? |
00:54:11 |
That's right. The Terminator |
00:54:15 |
Connor sent me to intercept |
00:54:18 |
Well, how are you supposed to get back? |
00:54:21 |
I can't. |
00:54:24 |
Nobody goes home. |
00:54:31 |
It's just him and me. |
00:56:18 |
It's just him and me. |
00:56:24 |
Why didn't you bring any weapons? |
00:56:29 |
Don't you have ray guns? |
00:56:32 |
- Ray guns. |
00:56:36 |
You go naked. Something about the |
00:56:41 |
Nothing dead will go. |
00:56:45 |
OK, OK. But this cyborg, if it's metal...? |
00:56:49 |
- Surrounded by living tissue. |
00:56:53 |
Great stuff, |
00:56:56 |
See how clever it is? |
00:56:59 |
Most paranoid delusions are intricate, |
00:57:05 |
- Why were the other women killed? |
00:57:08 |
Skynet knew almost nothing |
00:57:11 |
Her full name, where she lived. |
00:57:15 |
The Terminator was |
00:57:18 |
- Let's go back... |
00:57:21 |
I have answered your questions. |
00:57:25 |
- I'm afraid that's not up to me. |
00:57:28 |
- Who is in authority here? |
00:57:31 |
Shut up! |
00:57:33 |
You still don't get it, do you? |
00:57:36 |
He'll find her. That's what he does. |
00:57:41 |
You can't stop him, he'll reach down |
00:57:47 |
- Doc. |
00:57:54 |
Sorry. |
00:57:59 |
He's crazy? |
00:58:01 |
In technical terminology, he's a loon. |
00:58:05 |
Sarah, this is what they call body armour. |
00:58:11 |
It'll stop a 12-gauge round. |
00:58:13 |
This other man must've been wearing |
00:58:19 |
- He punched through the windshield. |
00:58:23 |
Broke every bone in his hand. |
00:58:26 |
There was this guy once... |
00:58:29 |
Thank you. |
00:58:31 |
There's a couch in this other room. |
00:58:35 |
Be at least an hour |
00:58:37 |
- I can't sleep. |
00:58:41 |
It may not look it, |
00:58:46 |
You'll be perfectly safe. |
00:58:51 |
Thank you. |
00:58:59 |
- Good night. |
00:59:16 |
I'm a friend of Sarah Connor. |
00:59:19 |
No, can't see her. |
00:59:22 |
Where is she? |
00:59:24 |
It make take a while. If you wanna wait. |
00:59:38 |
I'll be back. |
01:00:36 |
Stay here. |
01:01:17 |
Watch him. |
01:02:26 |
Ed... |
01:02:56 |
Sarah! |
01:02:59 |
Reese. |
01:03:04 |
This way. |
01:03:46 |
KFLB news time. 4.36. |
01:03:49 |
Top story - the largest single |
01:03:53 |
in California history |
01:03:56 |
Police in five counties are engaged |
01:04:03 |
Take this. |
01:04:08 |
All right. Let's get this off the road. |
01:04:41 |
- You cold? |
01:04:58 |
Reese? |
01:05:01 |
- You got a first name? |
01:05:05 |
Kyle, what's it like |
01:05:12 |
White light. |
01:05:16 |
Pain. |
01:05:21 |
- It's like being born maybe. |
01:05:26 |
I caught one back there. |
01:05:30 |
- You mean you got shot? |
01:05:33 |
- We gotta get you to a doctor. |
01:05:37 |
What do you mean, forget it? |
01:05:54 |
Jesus. |
01:05:56 |
See? It passed right through the meat. |
01:05:59 |
This is gonna make me puke. |
01:06:01 |
- Would you just talk about something? |
01:06:05 |
I don't know. Anything, |
01:06:10 |
He's about my height. |
01:06:15 |
He has your eyes. |
01:06:20 |
What's he like? |
01:06:23 |
You trust him, he's got a strength. |
01:06:28 |
I'd die for John Connor. |
01:06:33 |
Well, at least now I know |
01:06:38 |
Don't suppose you know who the father is |
01:06:43 |
John never said much about him. |
01:06:46 |
- I know he dies before the war... |
01:06:50 |
I don't wanna know. |
01:06:53 |
So was it John that sent you here? |
01:06:57 |
I volunteered. |
01:06:59 |
- Why? |
01:07:04 |
Sarah Connor, |
01:07:11 |
prepare from when he was a kid. |
01:07:14 |
When you were in hiding before the war. |
01:07:20 |
You're talking about things |
01:07:23 |
It's driving me crazy. |
01:07:29 |
Are you sure you have the right person? |
01:07:32 |
I'm sure. |
01:07:34 |
Come on! Do I look like |
01:07:40 |
I mean, am I tough? Organised? |
01:07:48 |
Look, Reese. I didn't ask |
01:07:52 |
Any of it. |
01:07:56 |
Your son gave me a message |
01:08:02 |
Thank you, Sarah, |
01:08:05 |
I can't help you with what you must |
01:08:10 |
You must be stronger than |
01:08:12 |
You must survive or I will never exist. |
01:08:16 |
That's all. |
01:08:21 |
It's a good field dressing. |
01:08:24 |
You like it? |
01:08:26 |
It's my first. |
01:08:31 |
Get some sleep, it'll be light soon. |
01:08:38 |
OK. |
01:08:50 |
Talk to me some more. |
01:08:55 |
About what? |
01:08:58 |
Tell me about where you're from. |
01:09:03 |
All right. |
01:09:06 |
You stay down by day, |
01:09:11 |
You still have to be careful |
01:09:16 |
But they're not too bright, |
01:09:23 |
That's when the infiltrators |
01:09:26 |
The Terminators were the newest. |
01:09:39 |
Traversing your sector in search mode |
01:09:49 |
Let's go. |
01:10:36 |
- Reese, DN384... |
01:12:11 |
Terminator! |
01:13:30 |
I was dreaming about dogs. |
01:13:33 |
We use'em to spot Terminators. |
01:13:37 |
Your world is pretty terrifying. |
01:14:18 |
Hey, buddy, |
01:14:30 |
Fuck you, asshole. |
01:14:51 |
God damn. |
01:14:53 |
Thank you. |
01:15:00 |
Is this enough? |
01:15:03 |
Yeah, it's enough. |
01:15:12 |
- I'm coming. |
01:15:14 |
- With a kitchen. |
01:15:34 |
I am dying for a shower. |
01:15:38 |
We should check your bandage, too. |
01:15:41 |
Later. I'm going out for supplies. |
01:15:48 |
Keep this. |
01:16:15 |
No. I can't tell you where I am, Mom. |
01:16:19 |
I need to know where to reach you. |
01:16:26 |
I am worried sick here. |
01:16:29 |
OK. OK, here's the number. |
01:16:33 |
- You ready? |
01:16:36 |
It's 4 085 551 439. Room nine. |
01:16:42 |
- Got it? |
01:16:44 |
I gotta go. I'm sorry |
01:16:49 |
I love you, Mom. |
01:16:54 |
I love you, too, sweetheart. |
01:17:09 |
- Tiki Motel. |
01:17:15 |
What have we got? |
01:17:20 |
Mothballs..., corn syrup...ammonia. |
01:17:26 |
What's for dinner? |
01:17:28 |
- Plastique. |
01:17:32 |
What is it? |
01:17:34 |
It's a nitroglycerin base. |
01:17:37 |
I learned to make it when I was a kid. |
01:17:51 |
Make sure there's none on the threads. |
01:17:56 |
Like this. |
01:17:59 |
Screw the end cap on. |
01:18:03 |
Very gently. |
01:18:07 |
You must've had a fun childhood. |
01:18:13 |
That's good. |
01:18:15 |
All right. Six more like that |
01:18:30 |
He'll find us, won't he? |
01:18:35 |
Probably. |
01:18:54 |
It'll never be over, will it? |
01:19:05 |
Look at me, I'm shaking. |
01:19:08 |
Some legend. |
01:19:15 |
No, I'm not. |
01:19:27 |
Kyle, the women in your time, |
01:19:32 |
what are they like? |
01:19:37 |
Good fighters. |
01:19:39 |
That's not what I meant. |
01:19:43 |
Was there someone special? |
01:19:47 |
Someone...? |
01:19:49 |
A girl, you know. |
01:19:53 |
No. |
01:19:57 |
Never. |
01:20:00 |
Never? |
01:20:07 |
I'm sorry. I'm so sorry. |
01:20:13 |
So much pain. |
01:20:17 |
Pain can be controlled, |
01:20:22 |
So you feel nothing? |
01:20:29 |
John Connor gave me |
01:20:33 |
I didn't know why at the time. |
01:20:37 |
It was very old, torn, faded. |
01:20:46 |
You were young like you are now. |
01:20:54 |
I used to always wonder |
01:20:58 |
I memorised every line, |
01:21:02 |
every curve. |
01:21:07 |
I came across time for you, Sarah. |
01:21:11 |
I love you. I always have. |
01:21:33 |
I shouldn't have said that. |
01:23:06 |
Think fast. |
01:24:37 |
Trade places. |
01:24:50 |
Faster. Drive faster. |
01:25:43 |
Kyle. Oh, my God. |
01:26:54 |
You stay here. |
01:27:19 |
Let's get outta here. |
01:27:24 |
Get out. |
01:27:42 |
Kyle, come on. Get up. |
01:27:55 |
Come on. |
01:27:57 |
Help me. Get out. Get out. |
01:28:24 |
Don't stop. Run. |
01:30:39 |
Sarah. |
01:30:41 |
Kyle. |
01:30:53 |
We did it, Kyle. We got him. |
01:31:15 |
No. |
01:32:14 |
Wait. |
01:32:20 |
What are you doing? |
01:32:23 |
Cover, so he can't track us. |
01:32:36 |
Come on. |
01:32:39 |
No, Kyle. Come on. |
01:32:44 |
- Come on. |
01:32:56 |
Move it, Reese. On your feet, soldier. |
01:33:01 |
On your feet. Move it. |
01:34:17 |
Get back. Go back. |
01:34:53 |
- Run, Sarah. |
01:34:55 |
Run. |
01:35:00 |
Run. |
01:35:02 |
Come on, motherfucker. |
01:36:57 |
No. |
01:38:58 |
You're terminated, fucker. |
01:39:57 |
Kyle. |
01:40:20 |
Seven, November 10. Where was I? |
01:40:25 |
What's difficult is trying to decide |
01:40:29 |
But I guess I have a while before you're |
01:40:33 |
They're more for me at this point |
01:41:14 |
Fill her up. |
01:41:20 |
Should I tell you about your father? |
01:41:23 |
Boy, that's a tough one. |
01:41:26 |
Will it effect your decision to send him |
01:41:33 |
If you don't send Kyle, you can never be. |
01:41:36 |
God, a person could go crazy |
01:41:43 |
I suppose I will tell you. |
01:41:46 |
I owe him that. |
01:41:51 |
Maybe it'll help if... |
01:41:53 |
you know that in the few hours |
01:42:00 |
we loved a lifetime's worth. |
01:42:15 |
- What did he just say? |
01:42:19 |
He is ashamed to ask you |
01:42:23 |
But if he doesn't, |
01:42:26 |
Pretty good hustle, kid. |
01:42:45 |
What did he just say? |
01:42:48 |
He said there's a storm coming in. |
01:42:54 |
I know. |