Terza Madre La
|
00:01:47 |
Cemetery of Viterbo |
00:02:17 |
- Are you OK? |
00:02:40 |
Oscar De La Valle |
00:02:53 |
Cut the chains. |
00:03:27 |
Bury it on the other side of the cemetery. |
00:03:36 |
And the urn? |
00:03:40 |
- Put it on the car. |
00:04:00 |
Dear Michael, we have done a |
00:04:09 |
I send you this urn to |
00:04:13 |
Knowing esoteric and paranormal sciencies, |
00:04:19 |
I think you'll be able |
00:04:28 |
Rome, Museum of Ancient Art |
00:04:32 |
Excume me, Sara, have you seen Michael? |
00:04:34 |
No, since a couple hours ago. |
00:04:39 |
Oh yes, that's why he doesn't |
00:04:43 |
Do you want to see a thing? |
00:04:44 |
What? |
00:04:46 |
Come with me. Come on! |
00:04:50 |
What is it? |
00:04:52 |
Now you'll see. |
00:04:53 |
- I have never seen anything like this. |
00:04:59 |
Don't make me curious. |
00:05:01 |
Well, it's an urn. |
00:05:02 |
- An urn? |
00:05:11 |
- Where does it come from? |
00:05:12 |
Monsignore Brusca sends it. |
00:05:14 |
It was found in a box buried in 1815. |
00:05:21 |
Isn't it nice? |
00:05:22 |
- I have never seen anything like this. |
00:05:29 |
- It's for Michael. |
00:05:33 |
Do we open it without him? |
00:05:34 |
I don't think he minds. |
00:05:37 |
Let's see what's inside and after |
00:05:40 |
- OK. |
00:05:42 |
Let' open here. |
00:05:47 |
- Shall I help you? |
00:05:58 |
What harm! |
00:05:59 |
You cut, |
00:06:02 |
- It a small cut. |
00:06:04 |
Be cool. |
00:06:11 |
- Let's open it |
00:06:24 |
It's beautiful. |
00:06:27 |
Grab the dagger with care.. |
00:06:31 |
- It's from the medieval age. |
00:06:38 |
- Three statues, they're creepy. |
00:06:46 |
Let's see what's this. |
00:06:54 |
They seem like demons. |
00:06:58 |
Look the inscription. |
00:07:03 |
There's one more thing here. |
00:07:15 |
It' a tunic, like talisman. |
00:07:20 |
Do you understand what's written? |
00:07:21 |
Not much well. |
00:07:23 |
They're ancient symbols. |
00:07:25 |
Sara, do me a favor, go and |
00:07:31 |
- I'll take a look meanwhile. |
00:11:07 |
Run! |
00:11:31 |
¡Help, help! |
00:11:39 |
Let's see, you have seen some people |
00:11:43 |
I didn' see well. |
00:11:47 |
- It was strange the way the moved. |
00:11:51 |
It was like... they were devouring her, |
00:12:00 |
Wait, try to describe it. |
00:12:02 |
I saw it for a few seconds. |
00:12:07 |
Not all people were deformed? |
00:12:09 |
Yeah, there was a monkey. |
00:12:12 |
A monkey? |
00:12:14 |
It followed me. |
00:12:22 |
What exactly do you do at the Institute, Sara? |
00:12:25 |
I specialize in restoring archaeology. |
00:12:31 |
Have you already catalogued the |
00:12:37 |
No, I have not yet been able to examine them. |
00:12:43 |
That is all I kno, I wish |
00:12:51 |
- Sarah, how are you? |
00:12:56 |
I am Michael Pierce, |
00:13:00 |
Enzo Marchi, I lead the investigation. |
00:13:02 |
- I'll take her home. |
00:13:11 |
I cant' believe it. |
00:13:18 |
- Will you be investigator or not? |
00:13:34 |
Can I go too? I do not want to be |
00:13:42 |
Of course you can. |
00:13:46 |
It's freezing outside. |
00:13:52 |
Yes, I'll take a look to Paul. |
00:14:11 |
He's in bed and quiet. He's sleeping. |
00:14:22 |
It happened to me one thing |
00:14:26 |
It's embarrasing for me |
00:14:29 |
What is it? |
00:14:29 |
Swear you won't say I'm crazy. |
00:14:32 |
I swear it. |
00:14:36 |
There was something inside there. I was not sure |
00:14:48 |
- It doesn't matter. |
00:14:50 |
I felt a voice inside me. |
00:14:56 |
In my head. And suddenly, BAM!, |
00:15:03 |
And they were deadlocked. |
00:15:06 |
It was a woman's voice that I could remember. |
00:15:11 |
Hey, tiger, what are you doing awake? |
00:15:18 |
- Hi, Paul |
00:15:21 |
- Do you want a hot chocolate? |
00:15:23 |
- Can I read a book? |
00:15:27 |
Get the book and take it to your bed. |
00:15:30 |
Which one do you want? This one? |
00:15:41 |
I do not understand why. |
00:15:45 |
What was the important |
00:15:51 |
It was a kind of talisman. Tomorrow I'll see Monsignor |
00:15:58 |
How do you know him? |
00:16:00 |
I took a course on spiritualism. He was a real |
00:16:08 |
Do you believe such foolishness? |
00:16:12 |
- The occult? - Yes |
00:16:21 |
Don't you believe in what we fail to understand? |
00:16:24 |
Not really, no. |
00:16:25 |
You and I are scientists and must |
00:16:43 |
I still hear that voice. |
00:16:45 |
It stillI resonates in my head |
00:16:52 |
Am I becoming crazy? |
00:16:54 |
No, Sarah, stay calm. |
00:16:59 |
Just rest. |
00:20:14 |
- Good morning, Father. |
00:20:16 |
I would like to see Monsignor Brusco. |
00:20:19 |
He's not well. |
00:20:25 |
He had an attack in the afternoon |
00:20:30 |
He was conscious only a few minutes |
00:20:34 |
I'm so sorry. |
00:20:38 |
Although this is not the right time, |
00:20:45 |
I can't see the reason why |
00:20:51 |
All I know is that there was a name |
00:20:55 |
Oscar De La Vallé? |
00:20:57 |
- Yes. |
00:21:00 |
Well, Monsignor believed that the main character was |
00:21:09 |
Many people considered him just a legend. |
00:21:13 |
Brusco not. That's why he sent you the urn. |
00:21:18 |
Can you tell the story? |
00:21:21 |
En 1815, some workers were |
00:21:26 |
they discovered an urn, |
00:21:28 |
Inside there were various objects, including a |
00:21:36 |
some witnesses said that the tissue |
00:21:40 |
And packs of wolves emerged from the forest. |
00:21:43 |
The wolves removed the bodies buried |
00:21:48 |
The local authority ordered to take |
00:21:52 |
Oscar De La Valle offered |
00:21:54 |
He was a gentleman of high lineage and |
00:21:59 |
It was an unfortunate trip, in its wake, |
00:22:04 |
Children were dying... |
00:22:11 |
In many cities, he was refused to entry. |
00:22:16 |
When he arrived to Viterbo, he was |
00:22:19 |
He went to the local Church and in six days |
00:22:25 |
He was buried in a secret |
00:22:29 |
The box was sealed with a crucifix. |
00:22:34 |
He spoke nonsense. |
00:22:39 |
He said things without meaning. |
00:22:44 |
Wait... He was writing this |
00:22:53 |
It is the list of objects in the box. |
00:22:59 |
- Mater Lacrimarum |
00:23:02 |
According to Monsignor, the urn and the objects |
00:23:08 |
They belonged to a wicked witch |
00:23:12 |
The Mother of Tears. |
00:23:14 |
What a pity... A man like him... Ending |
00:23:30 |
Monsignor should truly believe it. The ways of God |
00:23:37 |
If Monsignor wrote this, some reason |
00:23:46 |
Goodbye, Father. |
00:24:34 |
Help, help! |
00:27:10 |
What happened? |
00:27:11 |
They have my son. |
00:27:13 |
But, what do you say? |
00:27:14 |
They killed the nanny. |
00:27:21 |
When I arrived I found this. |
00:27:27 |
If you want your child |
00:27:33 |
The SILENCE. |
00:27:37 |
I'm sorry, my love. |
00:27:40 |
- These symbols, I saw them on the urn. |
00:27:43 |
They are that people, a |
00:27:47 |
Black magic? |
00:27:52 |
- Do you think those are a series of coincidences? |
00:27:55 |
Giselle is dead, Brusco in an coma and |
00:28:01 |
Everything started with the urn and the talisman. |
00:28:06 |
What is keeping the SILENCE? |
00:28:09 |
It is the dark returning to Rome. |
00:28:14 |
It is one thing clear. Come here. |
00:28:17 |
Now I will make you see. Wait. |
00:28:23 |
An epidemic of suicides, |
00:28:26 |
A wave of violence |
00:28:29 |
Murder, arson, rape, vandalism... |
00:28:31 |
Michael, you are scaring me. |
00:28:35 |
I'll bring the box to Father Johannes. |
00:28:38 |
How do you think that this |
00:28:40 |
He is an exorcist, one of the last |
00:28:42 |
He knows all about the occult and |
00:28:47 |
- Why don't you go to the police? |
00:28:50 |
Didn't you see how they treated you at the Museum? |
00:28:54 |
Michael, I also want to find Paul |
00:29:00 |
Paul is my son, Sarah! |
00:30:09 |
Three furies. |
00:30:23 |
Three graces |
00:30:26 |
Divinity with three heads. |
00:30:35 |
The Triad |
00:30:38 |
Why they are always three? |
00:30:41 |
Hello. |
00:30:49 |
- Michael, where are you? |
00:30:53 |
- I need your help, Sarah. |
00:30:56 |
- Yes, look... |
00:31:03 |
I'm not listening, nothing. |
00:31:09 |
Sarah help me, help me. |
00:34:14 |
Concentrate! |
00:34:20 |
They won't be able to see you. |
00:35:07 |
We lost her |
00:38:54 |
Sarah Mandy killed this guy because |
00:39:07 |
Miss Mandy weighed about 50 kilograms and that |
00:39:14 |
And he was armed. |
00:39:18 |
I dont think she was |
00:40:06 |
Good morning, I am looking for a |
00:40:12 |
He came to meet |
00:40:14 |
No, sorry, he's not here. |
00:40:16 |
What!... Could I see Father Johannes now, |
00:40:20 |
Maybe he'll come back tomorrow, |
00:40:25 |
Tomorrow is impossible. Please, I swear |
00:40:59 |
It seems that you have done a tiring journey. |
00:41:05 |
I met your mother. |
00:41:11 |
You are Elisa's daughter, Mandy. Is it truth? |
00:41:15 |
My name is Marta Colussi. |
00:41:22 |
You really look like her so much. |
00:41:27 |
I met your mother many years ago. |
00:41:30 |
In Germany |
00:41:31 |
From her I learned so much. |
00:41:35 |
She was a great teacher, |
00:41:38 |
The best that I have ever met. |
00:41:41 |
My mother was a dancer. |
00:41:42 |
She was a good actress. |
00:41:45 |
A white witch. |
00:41:48 |
And from your father, you have inherited |
00:41:52 |
- But what dou you say? |
00:41:58 |
I did not come here to talk to you. |
00:42:00 |
Leave me in peace, understood? |
00:42:03 |
How could you escape at the station? |
00:42:08 |
But... what do you say? |
00:42:11 |
Elisa gave you a hand. |
00:42:14 |
She guided you. |
00:42:16 |
Didn't she? |
00:42:19 |
I don't know. |
00:42:20 |
I've felt... a voice. |
00:42:27 |
Did you really know my mother? |
00:42:29 |
Fairly well. You do not know |
00:42:33 |
Not. I remember very little of her. |
00:42:39 |
I was a childl when she died. |
00:42:42 |
In the accident at Freiburg. |
00:42:46 |
No, dear, I am sorry, it |
00:42:54 |
Your parents were killed. |
00:42:57 |
What? It is not possible. |
00:43:03 |
What do you know? |
00:43:09 |
Your mother battled a powerful |
00:43:15 |
Mater Suspiriorum. |
00:43:18 |
The Mother of Sighs? |
00:43:28 |
Father Johannes, how many drops? |
00:43:32 |
Twenty, thank you. |
00:43:34 |
You're not well, you should rest. |
00:43:37 |
I cannot with what is happening! |
00:43:42 |
Take the drops. |
00:43:52 |
I have waited for you a long time. |
00:43:55 |
- Are you Sarah? |
00:43:58 |
Their existence is a new |
00:44:12 |
2000 years ago, witchcraft emerged |
00:44:19 |
Three sisters have wandered the world |
00:44:29 |
Researching in art history books I |
00:44:35 |
Mater Suspiriorum |
00:44:39 |
Mother of Darkness, Mater Tenebrarum, |
00:44:45 |
Mater Lacrimarum will come to Rome. |
00:44:48 |
They call her the Mother of Tears and she's the most |
00:44:53 |
And she's the only invict. Mater Tenebrarum and |
00:45:01 |
The Mother of Sighs is the one that killed my parents. |
00:45:05 |
Yes, your mother fought bravely |
00:45:15 |
A young dancer, Suzy Banion, could kill her. |
00:45:22 |
The opening of the box found by Brusco |
00:45:30 |
Who told that to you? |
00:45:33 |
Your friend Michael spoke to me by phone |
00:45:37 |
about a tunic which is a magical |
00:45:44 |
I have had visions. Witches from all around the world |
00:45:51 |
They arrive by air, by train, by car... |
00:45:58 |
They want Rome to fall again. |
00:46:00 |
They want to inaugurate the second |
00:46:05 |
Sorry, Father, I am confused |
00:46:08 |
It is not your mind, it's the world that is sick. |
00:46:15 |
Come and see. |
00:46:21 |
Only I have a case of exorcism per month. |
00:46:26 |
In recent days I have faced more than |
00:46:36 |
Why all this? |
00:46:38 |
The Mother of Tears spreads evil |
00:46:42 |
A few killed, others are suffering, |
00:46:52 |
I have a book in my studio to borrow you. |
00:48:22 |
Mother, you have arrived! |
00:48:33 |
Sarah, here. Run! |
00:48:58 |
Run toward my car! |
00:49:05 |
Open, quick! |
00:49:27 |
Why they are all going for me? |
00:49:29 |
For your mother. |
00:49:30 |
Hey, what are you doing? |
00:49:32 |
I call Michael. |
00:49:33 |
Don't be stupid. They can trace you. |
00:49:43 |
You'll sleep with me me tonight. |
00:49:45 |
No, I prefer to walk home. |
00:49:51 |
This is my number and my address. |
00:49:56 |
Thanks. |
00:49:57 |
You are the daughter of Elisa. |
00:50:03 |
I do not want to scare |
00:50:07 |
you should not trust anyone. |
00:50:09 |
I promise. |
00:50:16 |
Wait, what's happening? |
00:50:18 |
They're burning the Church. |
00:50:20 |
The situation worsens. |
00:52:30 |
There was someone in my apartment, the light was |
00:52:35 |
I beg you, help me, Martha! |
00:52:38 |
Breathe deep. |
00:52:46 |
Calm down. |
00:52:53 |
Helga, she is Sarah. |
00:52:54 |
Hi. |
00:52:55 |
- What is she doing here? |
00:52:58 |
Please help me, I do not know what |
00:53:02 |
Why all this to me? Why? |
00:53:04 |
Because being who you are, they |
00:53:07 |
But... I am nobody. I know. |
00:53:11 |
No, you are more than you think. |
00:53:24 |
Helga, excuse us for a moment, please. |
00:53:36 |
You are gifted, Sarah. |
00:53:37 |
You must accept this fact, |
00:54:07 |
Observe. |
00:54:26 |
The spirits roaming... |
00:54:29 |
they are many, especially here in Rome. |
00:54:34 |
The old house is full of ghosts. |
00:54:36 |
Think well, the city |
00:54:42 |
Underneath, there are five layers of cemeteries. |
00:54:46 |
How did you do that? |
00:54:47 |
You also can do it. |
00:54:49 |
With your skills, you see things |
00:55:03 |
Collect all your energy and |
00:55:11 |
Well, now lift the lid and blow. |
00:55:41 |
- Sarah. |
00:55:44 |
- Sarah. |
00:55:49 |
Do not touch her! |
00:55:51 |
Mater Lacrimarum becomes stronger. |
00:55:58 |
Where are you? |
00:56:03 |
You are in grave danger, my daughter. |
00:56:10 |
Don't leave, mom. |
00:56:16 |
Marta, make her come back, please. |
00:56:31 |
She said that I should fight. |
00:56:38 |
I am only a medium. |
00:56:47 |
I do not have your talent or your mother's. |
00:56:52 |
Now you need to be guided in the right direction. |
00:56:57 |
Tomorrow, I will introduce you to |
00:57:01 |
He is a great Belgian thinker. |
00:57:04 |
- Okay. |
00:57:12 |
Thanks. |
00:59:21 |
Grab the phone! |
00:59:37 |
Hello! Marta! You must leave the house now! |
00:59:43 |
- Marta! Who is it? |
00:59:48 |
Run! Now! |
01:01:21 |
¡Mater! |
01:01:24 |
Where is Sarah? |
01:01:25 |
He was not at home. |
01:01:27 |
Idiot. |
01:02:11 |
Be strong, be strong! |
01:02:13 |
- - Mom. |
01:02:22 |
Mom, what happened to Dad when...? |
01:02:25 |
It is a thing of the past... |
01:02:28 |
I am desperately angry with you. |
01:02:32 |
You have to be at my side, please |
01:02:35 |
My little Sarah, I can not speak now. |
01:02:39 |
Use your skills, use it well! |
01:02:50 |
We have to look for a girl called Sarah |
01:02:53 |
Mandy. If you found her, |
01:03:13 |
Michael, come here |
01:03:21 |
What dou you have? |
01:03:24 |
Michael, you aren't well. |
01:03:26 |
Where is Paul? |
01:03:36 |
He's dead. |
01:03:38 |
- Oh, my God. |
01:03:43 |
But you don't want to talk about that. |
01:03:48 |
- Come on. |
01:03:53 |
We will go to my house and you'll |
01:04:02 |
- Don't turn the light on. |
01:04:06 |
They don't have to know that |
01:04:10 |
I'm happy to found you. |
01:04:15 |
- This cough... give the jacket. |
01:04:22 |
I am cold. This house is frozen. |
01:04:27 |
Never went. I was followed. |
01:04:37 |
Now I know well. |
01:04:43 |
I'm so sorry. |
01:04:44 |
It's all right. |
01:04:47 |
You shouldn't smoke. |
01:04:49 |
The cough... |
01:04:53 |
Do you want me to prepare you anything? A tea? |
01:05:01 |
No, I'm okey. |
01:05:03 |
I'm so happy I found you. |
01:05:08 |
Now I am calm. Really. |
01:05:18 |
Michael, you are bleeding. |
01:05:23 |
- You're a liar. |
01:05:28 |
No, I don't believe you. |
01:05:31 |
- You're a liar. |
01:05:33 |
- Let me see. |
01:05:38 |
I told you to put your hands apart! |
01:05:49 |
Did you think you'd lose respect for me? |
01:05:52 |
My son... how naive you are. |
01:06:00 |
What have you done to your son? |
01:06:02 |
Your mother will not help you anymore |
01:06:03 |
Now we all have a single mother, |
01:06:15 |
Witch, bitch! |
01:06:49 |
Find Guglielmo! |
01:07:49 |
We begin the news with what is undoubtedly |
01:07:53 |
they call it the second fall of Rome... |
01:07:55 |
the city is witnessing hundreds |
01:07:59 |
Commissioner Marchi, who do you |
01:08:03 |
It all started with the events |
01:08:07 |
Yes, the brutal murder of the |
01:08:11 |
But what is the nexus? |
01:08:13 |
All that is what uleashed all this hell. |
01:08:15 |
All pay attention to this woman... |
01:08:18 |
Sarah Mandy... |
01:08:20 |
The only witness to the tragedy of the Museum. |
01:08:22 |
If someone sees her, don't try to stop her. |
01:08:28 |
Call the Police. |
01:08:30 |
Shit! |
01:09:33 |
Hi. |
01:09:33 |
I must talk with Guglielmo DeWitt. |
01:09:37 |
Sorry, who are you? |
01:09:39 |
You don't know my name. |
01:09:42 |
OK, come on in. |
01:10:14 |
Did you want to see me? |
01:10:17 |
Please, sit down. |
01:10:19 |
As you can see, I can't move very much. |
01:10:24 |
My friend talked to me about... |
01:10:40 |
Did you think that I din't reconize you, Sarah Mandy? |
01:10:47 |
And that the Police is looking for you |
01:10:55 |
One thing for us, the alchemists, is that |
01:11:00 |
Of course, the white magic is a good thing. |
01:11:03 |
The black magic too. |
01:11:10 |
The things that we do are based on our |
01:11:12 |
Esotericism, theosophy, laws of nature... |
01:11:15 |
a bit of this, a bit of that. |
01:11:34 |
This will exactly tell me |
01:11:37 |
And what thing you have really been able to see. |
01:11:42 |
I see that you have this instinct similar |
01:11:49 |
Ah, you were sent by Marta Colussi. |
01:11:52 |
You have found your, Elisa Mandy. |
01:12:06 |
What have you done to me? |
01:12:08 |
What was your thought? That I would let you enter |
01:12:15 |
Well, ¿exactly, why have you come here? |
01:12:22 |
I must find the Mother of Tears. |
01:12:24 |
Why? |
01:12:25 |
Haven't you seen what happens? |
01:12:27 |
We must stop her. |
01:12:29 |
What do you think to do? |
01:12:35 |
Well, my mother was a powerful woman. |
01:12:40 |
And I think I have some of her powers. |
01:12:43 |
And when did you find that? |
01:12:47 |
I don't know. |
01:12:49 |
If you think in something, |
01:12:55 |
Father Johannes said that she wants to start |
01:13:02 |
He was right. It already |
01:13:08 |
It will be necessary more than a single good witch |
01:13:16 |
What do you mean? |
01:13:19 |
I can't give you answers, but |
01:13:26 |
We have to look to the roman alchemist |
01:13:31 |
he lived long ago in this town, |
01:13:34 |
he was a talented architect, |
01:13:38 |
at the end of his life, |
01:13:56 |
Here are the things |
01:14:17 |
The Three Mothers. |
01:14:21 |
I do not know how much it'll cost, but I'll get |
01:14:29 |
We won't bribe profane minds |
01:14:37 |
I have met the Three Mothers, I |
01:14:41 |
One in Freiburg, one in New York and |
01:14:45 |
Otherwise, I found a horrible secret... |
01:14:51 |
from there is where the Sisters will spread |
01:15:02 |
This design of the house is the one that Varelli |
01:15:09 |
What you see, it doesn't exit. |
01:15:18 |
It's an enigma |
01:15:20 |
Find the house of Mater Lacrimarum |
01:15:28 |
Are you sure to go on? |
01:15:31 |
You don't know how much. |
01:16:45 |
Stop here! |
01:20:39 |
Hey, who are you? |
01:20:44 |
I have seen a group of women coming in here, |
01:20:46 |
No, do you have something for me? |
01:20:48 |
Yeah, take. |
01:20:51 |
How long do you live here? |
01:20:55 |
So long... 30 or 40 years. |
01:20:58 |
I'm here since I escaped from the nazis |
01:21:04 |
Can you tell me who |
01:21:07 |
I do not know... some sort of association of philosophers... |
01:21:14 |
Why did the leave? |
01:21:17 |
When the nazis came, they |
01:21:24 |
Hey, don't go in, I will denounce you! |
01:21:46 |
Listen. |
01:21:59 |
- She shouldn't go in. |
01:22:07 |
I will look upstairs. |
01:22:10 |
All right. |
01:22:20 |
She's not here. |
01:22:26 |
You're an idiot, don't you remember |
01:22:28 |
Inform! From anybody coming in |
01:22:37 |
- Is that clear? |
01:22:40 |
Come. |
01:22:55 |
Where did the go? |
01:22:57 |
I can feel them. |
01:23:15 |
What you see, it doesn't exit. |
01:23:21 |
The mystery of the house. |
01:23:27 |
These are the same signs that in the urn. |
01:24:10 |
We are in a secret catacomb. |
01:24:21 |
Oh my God. |
01:24:27 |
This is the house of the Mother of Tears. |
01:24:31 |
And her followers. |
01:24:39 |
- Witches. |
01:25:14 |
The Three Graces. |
01:25:41 |
What are you doing here? |
01:25:43 |
I'm an art researcher. |
01:28:14 |
Mater, give me the power! |
01:28:40 |
The tunic! |
01:28:42 |
Wonderful! Powerful! |
01:28:44 |
Mater, watch out! |
01:28:47 |
An intruder! |
01:28:54 |
Get him! |
01:29:03 |
We will eat you alive now. |
01:29:14 |
Get him! |
01:29:16 |
Our time is coming. |
01:29:40 |
Welcome, Sarah. |
01:29:53 |
Come closer. |
01:30:08 |
Come to me. |
01:30:16 |
Who wants to eat the girl? |
01:30:21 |
We have been waiting |
01:30:29 |
Our power is here. |
01:30:34 |
Nobody will be able to stop us. |
01:30:39 |
Nobody no more! |
01:30:54 |
¡Nooooo, bitch! |
01:32:57 |
¡Sarah, it's me, calm down! |
01:33:01 |
Give me your hand, come on! |
01:33:06 |
Stay calm! |
01:33:17 |
Get out, get out. |
01:33:20 |
Panetone for Cinemageddon |