|
Tetro
|
| 00:02:14 |
Excuse me. |
| 00:02:17 |
where is the... |
| 00:02:18 |
Yes, here. |
| 00:02:20 |
--Thanks. |
| 00:02:30 |
"DO NOT RELEASE THE ROPE TO ME ATA ..." |
| 00:02:34 |
Hey, excuse me ... |
| 00:02:37 |
"... YOUR SOUL" |
| 00:03:37 |
Yes, who is? |
| 00:03:50 |
Hello |
| 00:04:05 |
But what luck I have. |
| 00:06:25 |
Good night, sweet. |
| 00:12:51 |
Sure |
| 00:12:53 |
Of course. |
| 00:13:31 |
Angie is dead. |
| 00:13:48 |
--Hello, Tetro! |
| 00:13:50 |
--How are you? |
| 00:14:08 |
--Hello, Tetro, how are you? |
| 00:14:12 |
--How are you? |
| 00:14:14 |
"Okay? |
| 00:14:17 |
Well, my friend too. |
| 00:14:21 |
How are you? |
| 00:15:02 |
Excuse me. |
| 00:15:06 |
--Tart quince, specially for Tetro. |
| 00:15:09 |
Medias lunas. |
| 00:15:13 |
Ready ... |
| 00:15:16 |
Milk. |
| 00:15:18 |
--Please. |
| 00:17:10 |
Joseph, you son of a bitch! |
| 00:17:13 |
I'm the son of a bitch? |
| 00:17:16 |
Son of a bitch! |
| 00:17:18 |
No, no ... is Armani! |
| 00:17:20 |
It's Armani, I'll kill you. |
| 00:17:22 |
No, please, I beg you. |
| 00:17:26 |
It is Giorgio Armani. |
| 00:17:29 |
You can kill me. |
| 00:17:32 |
--I do not want to know! |
| 00:17:35 |
I do not care |
| 00:17:38 |
Now you will see! |
| 00:17:54 |
Okay, what else? I've been waiting, yes. |
| 00:17:59 |
Abelardo Vaca Castex, calls the "cocoa" |
| 00:18:04 |
How could you do that? |
| 00:18:07 |
What can I do? |
| 00:18:11 |
What to do? Excuse me ... |
| 00:18:12 |
Yes .. Ship to Mexico ... |
| 00:18:16 |
--José! |
| 00:18:18 |
No, wait! |
| 00:18:23 |
I dont care! |
| 00:18:25 |
No. ..! |
| 00:18:32 |
Unbelieveable! |
| 00:18:35 |
What position more tempting ... |
| 00:18:39 |
We were undoing alot |
| 00:18:46 |
Abelardo, these are my friends ... |
| 00:18:49 |
Tetro illuminate |
| 00:18:51 |
--It would be good to take it from there ... |
| 00:18:54 |
--Put the poster. |
| 00:18:57 |
Tetro is one of the best |
| 00:19:00 |
Look, how beautiful. |
| 00:19:02 |
--Okay. |
| 00:19:08 |
--Magnificent! |
| 00:19:11 |
--We are in business! |
| 00:19:36 |
In Buenos Aires ... |
| 00:19:45 |
# ... that was saved from sharp beak, # |
| 00:19:48 |
# refuge in the dark, # |
| 00:19:51 |
# of a gull destructive # |
| 00:19:54 |
# seeds. # |
| 00:19:58 |
Carito #, # |
| 00:20:00 |
# I am your friend # |
| 00:20:03 |
# offer myself as tree # |
| 00:20:06 |
for your nest # # |
| 00:20:09 |
Carito # # |
| 00:20:12 |
loose your song # # |
| 00:20:15 |
# that the fabric of my accordion is ...# |
| 00:21:14 |
No, but it is like. |
| 00:21:18 |
--Hello. |
| 00:21:21 |
But what I'm seeing. |
| 00:21:35 |
He broke again! |
| 00:21:38 |
You're alright right!? |
| 00:21:44 |
Miracle. |
| 00:22:15 |
Okay ... |
| 00:22:18 |
I need to return the car |
| 00:22:20 |
--Take care! |
| 00:22:22 |
--Thanks. |
| 00:22:25 |
All the best. |
| 00:22:27 |
Thanks! |
| 00:22:28 |
Sorry to intrude, Miranda. |
| 00:22:32 |
Bye. |
| 00:27:27 |
Welcome to "La Colifata"! |
| 00:27:29 |
Straight Edge, "La Colifata "... |
| 00:27:31 |
LT 22, Radio La Colifata " |
| 00:27:35 |
We did radio one hours |
| 00:27:38 |
"Onward, O people, the rescue" |
| 00:27:40 |
"red flag!" |
| 00:27:44 |
"Onward, O people, the rescue" |
| 00:27:48 |
"red flag will triumph" |
| 00:28:10 |
"And with you the thoughts of |
| 00:28:14 |
Well ... |
| 00:28:16 |
I am very grateful for |
| 00:28:19 |
for this presentation. |
| 00:28:22 |
that is much bigger than I am ... |
| 00:28:24 |
I'm just a grain of sand in |
| 00:28:27 |
A drop of water in the ocean |
| 00:28:34 |
Unlike you, I do not |
| 00:28:37 |
Why are the worst people |
| 00:28:42 |
No! No! No! |
| 00:28:49 |
What is your name and |
| 00:28:51 |
Do not want to talk to the microphone ... |
| 00:28:53 |
--Why do not you? |
| 00:29:02 |
I just wanted to thank |
| 00:29:31 |
"My name is Tetro ..." |
| 00:29:35 |
I want to talk about my father, |
| 00:29:39 |
my father was a lover without love. |
| 00:29:44 |
A poet without a poem, |
| 00:29:48 |
was a failure! |
| 00:29:53 |
He could not act as a parent. |
| 00:29:57 |
My father worked in |
| 00:30:01 |
selling houses where we lived. |
| 00:30:07 |
We had no money. |
| 00:30:10 |
I stole, |
| 00:30:13 |
pharmacies |
| 00:30:16 |
warehouses, |
| 00:30:18 |
you were arrested? |
| 00:30:23 |
I had a gun. |
| 00:30:26 |
Did you use it? |
| 00:30:29 |
... A toy gun. |
| 00:30:34 |
Nothing you said is true. |
| 00:30:47 |
My father is ... |
| 00:30:55 |
a true son of a bitch. |
| 00:35:25 |
Rigoletto a shit |
| 00:37:01 |
--Hello! |
| 00:37:02 |
What's up Tetro? |
| 00:37:04 |
Jose is driving me crazy. |
| 00:37:06 |
I'm going home to an uncle in |
| 00:37:09 |
I have spoken with Miranda. |
| 00:37:11 |
--It 's okay. |
| 00:37:12 |
--Yes ... |
| 00:37:13 |
You are very kind. |
| 00:37:16 |
Jose told me that if not ... |
| 00:37:19 |
... he would cook and eat |
| 00:37:23 |
"Okay? |
| 00:37:24 |
No problem. |
| 00:37:30 |
Give him a kiss. |
| 00:37:32 |
Thanks, bye. |
| 00:37:35 |
Bye. |
| 00:37:37 |
Bye Ana |
| 00:40:24 |
Avenida de Mayo 825 |
| 00:40:27 |
Twenty years less ... |
| 00:40:29 |
--Like? |
| 00:40:31 |
My niece! |
| 00:40:35 |
--Hello! |
| 00:40:39 |
--This is Maria Luisa ... |
| 00:40:42 |
Come, my love ... |
| 00:40:43 |
Maria--Luisa ... |
| 00:40:49 |
That girl is adorable! |
| 00:40:52 |
Take care. |
| 00:40:54 |
Hello! |
| 00:40:56 |
Maria Luisa! |
| 00:41:05 |
Happy, happy day! |
| 00:41:08 |
Amiguinho, God bless you |
| 00:41:12 |
That the peace in your life |
| 00:41:16 |
And getting more more! |
| 00:41:20 |
Bravo! |
| 00:41:24 |
Happy, happy in your day, |
| 00:41:28 |
buddy God bless you |
| 00:41:32 |
That the peace in your life |
| 00:41:35 |
--... and repeat often! |
| 00:41:39 |
Palmas--Bennie! |
| 00:41:43 |
--Hey there! |
| 00:41:56 |
It's Bennie's birthday. |
| 00:42:00 |
How are you? |
| 00:42:02 |
You're going the festival of Patagonia? |
| 00:42:04 |
Yes, whenever possible |
| 00:42:07 |
Well, I gotta go. |
| 00:42:09 |
I have to prove the machine |
| 00:42:11 |
--Do not go falling in love with the place. |
| 00:42:14 |
Bye, thank you! |
| 00:42:56 |
Sorry! |
| 00:42:57 |
Do not touch the door. |
| 00:42:59 |
I love the settlements, |
| 00:43:01 |
balances |
| 00:43:02 |
exchange station |
| 00:43:06 |
And stalls offer! |
| 00:43:07 |
Welcome to the world of Fausta! |
| 00:43:09 |
You came for something else. |
| 00:43:11 |
Shall I take this? |
| 00:43:13 |
To turn up? |
| 00:43:16 |
Few seconds. |
| 00:43:19 |
Go back to your world red |
| 00:43:22 |
--I lose memory? |
| 00:43:25 |
How many guests? |
| 00:43:27 |
--Hello! |
| 00:43:28 |
I invited Abelardo Vaca. |
| 00:43:31 |
No. .. you Have to pay. |
| 00:43:34 |
--It is a work of art! |
| 00:43:36 |
--Get in! |
| 00:43:40 |
What I want is clear ... |
| 00:43:44 |
His soul! |
| 00:43:45 |
Not a bad deal ... |
| 00:43:48 |
I want all of yours! |
| 00:43:50 |
Hallelujah! |
| 00:43:52 |
What has life to life! |
| 00:43:55 |
The future welcomes you! |
| 00:43:58 |
It's my aunt. |
| 00:44:01 |
The future welcomes you! |
| 00:44:06 |
To be young is to be naked. |
| 00:44:09 |
Youth is naked! |
| 00:44:20 |
Soon the time talks! |
| 00:44:23 |
What beautiful thing. |
| 00:44:25 |
And it is better than the preachers. |
| 00:44:53 |
Take it! |
| 00:44:55 |
Silence! |
| 00:44:58 |
Silence! |
| 00:44:59 |
I am the author, damn it! |
| 00:45:01 |
Silence! |
| 00:45:03 |
I Abelardo Castex Vaca, the author. |
| 00:45:07 |
Abelardo Vaca Castex. |
| 00:45:11 |
God ... |
| 00:45:12 |
Oh, what a waste! |
| 00:45:14 |
--It is critical now? |
| 00:45:15 |
Why not see anyone. |
| 00:45:19 |
This time this |
| 00:45:22 |
Really? |
| 00:45:24 |
Sets the tone, please. |
| 00:45:27 |
Come here. |
| 00:45:28 |
My dear ... |
| 00:45:30 |
Josephinel |
| 00:45:34 |
Tetro, what are you doing? |
| 00:45:36 |
Please look at me. |
| 00:45:38 |
Okay, okay, okay. |
| 00:45:40 |
Please! |
| 00:45:43 |
Bastard! |
| 00:45:44 |
Josephinel |
| 00:45:50 |
Firm flesh! |
| 00:45:53 |
Silky hair ... |
| 00:45:56 |
Legs hard! |
| 00:45:59 |
Tits hard! |
| 00:46:21 |
Touch my flesh and feel ... |
| 00:46:24 |
What penetrating aroma ... |
| 00:46:26 |
And it's not content ... |
| 00:46:29 |
What vulgar woman! |
| 00:46:33 |
Please! |
| 00:46:36 |
What is this? |
| 00:46:38 |
These lines are a disaster! |
| 00:46:41 |
You do not understand! |
| 00:46:44 |
What you said is not important. |
| 00:46:49 |
Go fuck yourself! |
| 00:46:51 |
Okay ... Come ... |
| 00:46:53 |
Come on. |
| 00:46:54 |
Down! |
| 00:46:56 |
Son of a bitch! |
| 00:46:58 |
Do not throw that chair! |
| 00:47:08 |
Son of a bitch! |
| 00:47:13 |
Abelardo ... |
| 00:47:26 |
Welcome back, Alone. |
| 00:47:37 |
Ladies and Gentlemen, |
| 00:47:39 |
is a pleasure to have you with us. |
| 00:47:41 |
Alone. |
| 00:47:42 |
Welcome back, Alone. |
| 00:47:54 |
I understand here this being |
| 00:47:58 |
Fausta. |
| 00:47:59 |
--Yes. |
| 00:48:01 |
Yes .. |
| 00:48:02 |
"Faust" as a woman. |
| 00:48:04 |
It's fun, you will like. |
| 00:48:07 |
For me it is very fun. |
| 00:48:09 |
A woman ... |
| 00:48:12 |
But to continue to work. |
| 00:48:14 |
It will be an honor for us. |
| 00:48:19 |
Come on, boys, come on! |
| 00:48:21 |
At your posts! |
| 00:48:23 |
Careful with that! |
| 00:48:25 |
His clothes, Josefina! |
| 00:48:28 |
--It is important! |
| 00:48:29 |
Come! |
| 00:48:30 |
--Caio! |
| 00:48:33 |
Josefina, Hurry up! |
| 00:48:35 |
--It is a disaster, a disgrace! |
| 00:48:38 |
--All ... |
| 00:48:39 |
Mrs. Alone, champagne? |
| 00:48:56 |
Here, we ... |
| 00:48:58 |
See ... |
| 00:49:14 |
Let |
| 00:49:18 |
--Let's get this! |
| 00:50:23 |
"For 35 years." |
| 00:50:33 |
His father is Carlos Tetrocini? |
| 00:50:36 |
Of course, as I did not notice that? |
| 00:50:39 |
But you told me in "La Colifata" |
| 00:50:43 |
Was a failed writer. |
| 00:50:44 |
--Do you remember? |
| 00:50:46 |
I told you many stories. |
| 00:50:51 |
You even stole! |
| 00:58:26 |
Dammit, Bennie! |
| 00:58:29 |
What did you do? |
| 00:58:32 |
Please ... |
| 00:58:41 |
Yes, I'm seeing |
| 00:59:28 |
So, very well. |
| 01:00:08 |
Infinty Lines, please. |
| 01:00:32 |
--Hello! |
| 01:00:44 |
Good night, Tetro. |
| 01:02:07 |
not touch him! |
| 01:02:09 |
Call an ambulance! |
| 01:02:11 |
What happened? |
| 01:02:12 |
Nobody touches him! |
| 01:02:15 |
not touch anywhere |
| 01:02:18 |
Do not move it or move. |
| 01:02:22 |
can talk to me? |
| 01:02:39 |
What happened? |
| 01:02:40 |
Please come here |
| 01:02:43 |
Bennie is a friend |
| 01:02:45 |
I can help, please? |
| 01:03:00 |
Tetro, I go with him. |
| 01:04:10 |
Excuse me ... |
| 01:04:12 |
How much? |
| 01:04:14 |
Fifteen is good? |
| 01:04:16 |
More? |
| 01:06:48 |
Yes? |
| 01:06:52 |
Yes, who is it? |
| 01:08:37 |
Goodbye. |
| 01:15:35 |
What are you doing? |
| 01:15:38 |
Don't touch me! |
| 01:15:39 |
yes! yes! |
| 01:15:47 |
You want to hit me? |
| 01:15:49 |
Then hit me! |
| 01:15:51 |
Do not you see? |
| 01:15:53 |
I'm the only person who is |
| 01:15:55 |
Always at your side |
| 01:15:57 |
The only person in this damn |
| 01:15:59 |
And still want to beat me. |
| 01:16:01 |
Come on! |
| 01:16:03 |
I will not repeat ... |
| 01:16:05 |
Yes! |
| 01:16:28 |
Come on! |
| 01:16:32 |
Doctor, the patient is |
| 01:17:38 |
He is only 18. |
| 01:18:00 |
He is 18 ... |
| 01:19:31 |
This is the famous work of Tetro? |
| 01:19:33 |
What everyone talks of |
| 01:19:43 |
Okay? |
| 01:19:44 |
I am very happy that |
| 01:19:49 |
Need something, Bennie? |
| 01:19:59 |
Ending? Well! |
| 01:20:07 |
We parents and our families |
| 01:20:14 |
This interests me greatly ... |
| 01:20:26 |
Obelisk of Buenos Aires. |
| 01:20:40 |
--Sit down, please. |
| 01:20:42 |
Tetro, how are you? |
| 01:20:44 |
How are you? What happened? |
| 01:20:45 |
How are you? |
| 01:20:47 |
Well, well ... |
| 01:20:48 |
I'm fine because we are in |
| 01:20:52 |
Of what? |
| 01:20:55 |
You dont know? |
| 01:20:59 |
No, what? |
| 01:21:01 |
--What? |
| 01:21:05 |
-- "The desire to travel." |
| 01:21:07 |
"The desire to travel." |
| 01:21:10 |
It is very good. |
| 01:21:11 |
--What? |
| 01:21:16 |
Bennie is a genius! |
| 01:21:18 |
A genius! |
| 01:21:20 |
Is a genius! |
| 01:21:22 |
If you can do |
| 01:21:29 |
former husband of Josephine comes |
| 01:21:33 |
He is in charge of production. |
| 01:21:34 |
From all the same. |
| 01:21:36 |
Put yourself in my place. |
| 01:21:41 |
Curtains, please. |
| 01:21:43 |
No, please. |
| 01:21:44 |
Do not cry, let's see. |
| 01:21:47 |
Do not cry, my love. |
| 01:21:54 |
No! |
| 01:23:09 |
Hello, hello! |
| 01:23:11 |
Hello, Bennie. |
| 01:23:12 |
--His work is one of five finalists. |
| 01:23:19 |
Yes! |
| 01:23:21 |
Thank you very much. |
| 01:23:22 |
--How wonderful! |
| 01:23:23 |
Listen ... |
| 01:23:44 |
Bravo! Viva! |
| 01:23:51 |
She welcomed his brother. |
| 01:23:52 |
Come on Tetro! |
| 01:23:55 |
Congratulations, Tetro. |
| 01:23:57 |
Let's celebrate. |
| 01:23:59 |
Bravo, my love! |
| 01:24:01 |
--Thank you! |
| 01:24:03 |
What's wrong? |
| 01:26:56 |
--Hello! |
| 01:26:58 |
Hello! |
| 01:27:00 |
How are you? |
| 01:27:01 |
Hello, La Boca! |
| 01:27:03 |
How are you? |
| 01:27:05 |
You see the car? |
| 01:27:06 |
How wonderful in Patagonia! |
| 01:27:08 |
Of course my dear |
| 01:27:11 |
Very nice. |
| 01:27:12 |
--Maria Luisa. |
| 01:27:17 |
Hello, Tetro! |
| 01:27:20 |
My love. |
| 01:27:30 |
It's a lie. |
| 01:27:34 |
Come! |
| 01:27:52 |
Why not stop here... |
| 01:27:55 |
close the hood? |
| 01:27:56 |
Look at that beautiful day |
| 01:27:58 |
We are freezing! |
| 01:28:05 |
Bye! |
| 01:28:07 |
We want to close the hood! |
| 01:28:09 |
And I would like to have a |
| 01:28:14 |
Just kidding ... |
| 01:29:20 |
A little. |
| 01:29:21 |
--Really? |
| 01:29:23 |
-- A wee? |
| 01:29:25 |
Give me a kiss. |
| 01:29:26 |
What? |
| 01:29:28 |
--No. |
| 01:29:31 |
What will they think of family? |
| 01:29:33 |
--Do you not see what you are doing? |
| 01:29:35 |
I? |
| 01:29:37 |
What aunt... |
| 01:29:49 |
Hands off. |
| 01:29:51 |
--I am not playing. |
| 01:29:53 |
I'm not playing. |
| 01:29:55 |
You'll see ... |
| 01:32:14 |
Being empathetic |
| 01:32:16 |
to know about Argentina ... |
| 01:32:24 |
What? |
| 01:32:25 |
Girl, let's see ... |
| 01:32:26 |
Look what you do: |
| 01:32:28 |
Bennie gets |
| 01:32:30 |
Bennie? |
| 01:32:33 |
He is accustomed to |
| 01:32:35 |
--The other two rooms are alike. |
| 01:32:41 |
Go on with your husband, go! |
| 01:32:48 |
Come in! |
| 01:32:53 |
The boy is a virgin! |
| 01:32:56 |
This woman is well known. |
| 01:33:00 |
She knows perfectly |
| 01:33:02 |
Intuition, or not. |
| 01:33:52 |
Thank ... |
| 01:33:53 |
--What happened? |
| 01:33:56 |
the midst of the dark. |
| 01:33:59 |
I did not want to crush him. |
| 01:34:03 |
And my car! |
| 01:34:07 |
Calma ... |
| 01:34:16 |
"Look at this woman" |
| 01:34:19 |
"being alone in front of you" |
| 01:34:27 |
"And no one thinks ..." |
| 01:34:30 |
"What can already ..." |
| 01:34:33 |
"but ..." |
| 01:34:41 |
--Baby ... |
| 01:34:50 |
Yes .. |
| 01:35:43 |
Going down! |
| 01:36:03 |
Who is it? |
| 01:36:09 |
Wait! |
| 01:36:19 |
Is Bennie here? |
| 01:36:59 |
Good evening, welcome you! |
| 01:37:02 |
We parked the car. |
| 01:37:05 |
Come on, boy. |
| 01:37:08 |
--Do you know something about Tetro? |
| 01:37:10 |
Nothing. |
| 01:37:11 |
--I tried ... |
| 01:37:14 |
Place this ... |
| 01:37:37 |
The most important figure of literary criticism |
| 01:37:41 |
Alone, a powerful woman, |
| 01:37:44 |
is expanding her influence from |
| 01:37:50 |
Your magazine "Foundation" is read by |
| 01:37:55 |
And we have today with us |
| 01:37:58 |
Thank you for being here. |
| 01:38:01 |
Not at all ... |
| 01:38:03 |
about the Festival and the prize |
| 01:38:07 |
This award is an honor for |
| 01:38:11 |
This is the sixth year that the Festival |
| 01:38:15 |
We have increased the prize |
| 01:38:19 |
Therefore, all are welcome |
| 01:38:44 |
Well, Tetro is ... |
| 01:38:46 |
I believe... |
| 01:38:49 |
at any time. |
| 01:38:51 |
But right now, the brother, |
| 01:38:54 |
5 ... 4 ... 3 ... 2 ... 1 ... |
| 01:39:02 |
Thanks! |
| 01:39:03 |
Health, my love ... |
| 01:39:05 |
Health! |
| 01:39:18 |
Lamb. |
| 01:39:23 |
5 ... |
| 01:39:25 |
Now the 3 ... |
| 01:39:58 |
I ask everyone for a round of applause |
| 01:40:01 |
owner of this important collection |
| 01:40:04 |
designer Fabian Zitta |
| 01:40:08 |
Fabián Zitta ... |
| 01:40:21 |
Good evening ... |
| 01:40:22 |
I remember a trip ... |
| 01:40:24 |
When I trained with |
| 01:40:26 |
when he received the award |
| 01:40:29 |
He stared at the time |
| 01:40:33 |
and said: |
| 01:40:34 |
"Give the award to the moon!" |
| 01:40:36 |
few days later |
| 01:40:38 |
he came here to Patagonia |
| 01:40:40 |
stared at the ice |
| 01:40:41 |
and said: "No. .. |
| 01:40:45 |
"Give the award to it too!" |
| 01:40:47 |
That's why we call the prize |
| 01:40:51 |
This award |
| 01:40:52 |
which was created especially |
| 01:40:55 |
Will be awarded to the winner along |
| 01:40:59 |
And now the last set. |
| 01:41:01 |
Tetro Angelo and Tetro Benjamin ... |
| 01:41:03 |
present their drama |
| 01:47:57 |
Hello? |
| 01:47:58 |
Before announcing the winner |
| 01:48:00 |
will repeat the list of |
| 01:48:02 |
Javier Barga |
| 01:48:03 |
Evelyn Badasame |
| 01:48:05 |
Rodrigo Alzone, |
| 01:48:06 |
Tetro Angelo e. .. |
| 01:48:12 |
seems that one of the finalists |
| 01:48:15 |
I go get them and be right back. |
| 01:48:34 |
Montser ... |
| 01:48:36 |
Cabo! Cable |
| 01:48:37 |
Come on, come on ... |
| 01:48:39 |
Ready ... Pronto! |
| 01:48:41 |
Ready, guys! |
| 01:48:54 |
Alone is going to the garden! |
| 01:49:10 |
Come here ... |
| 01:49:14 |
Taking ... making |
| 01:49:50 |
Yes ... |
| 01:49:53 |
become young |
| 01:50:39 |
Cut, staff, finished. |
| 01:51:11 |
His father died! |
| 01:51:14 |
He wanted to be buried |
| 01:51:18 |
he was born... |
| 01:57:19 |
How I did not realize? |
| 01:57:59 |
We have to take the roses |
| 01:58:01 |
There is a fire ... |
| 01:58:04 |
Let's get them out of here! |
| 01:58:26 |
Tetro, he needs you! |
| 01:58:48 |
Mad! |
| 01:58:59 |
You bastard! |
| 01:59:48 |
Bennie, no! |
| 02:00:20 |
Can not look into the light. |
| 02:01:01 |
Subtitles by: |
