The Da Vinci Code
|
00:02:09 |
Stop now. |
00:02:11 |
Tell me where it is. |
00:02:18 |
You and your brethren possess |
00:02:23 |
I don't know what |
00:02:27 |
Is it a secret you will die for? |
00:02:30 |
- Please. |
00:02:33 |
Wait! |
00:02:38 |
My God, forgive me. |
00:02:42 |
In the sacristy... |
00:02:44 |
...the church of Saint-Sulpice, |
00:02:47 |
Beneath the Rose. |
00:02:52 |
Thank you. |
00:03:26 |
Thank you. |
00:03:28 |
Thank you. |
00:03:40 |
Symbols are a language that |
00:03:45 |
As the saying goes, |
00:03:49 |
...but which words? |
00:03:53 |
Interpret for me, please, this symbol. |
00:03:56 |
- Hatred, racism. |
00:03:59 |
Yes, yes, interesting. But they would |
00:04:04 |
There, they are robes |
00:04:08 |
Now this symbol. Anyone? |
00:04:10 |
Evil. |
00:04:12 |
In English, please. |
00:04:13 |
Devil's pitchfork. |
00:04:15 |
Poor, poor Poseidon. |
00:04:17 |
That is his trident. A symbol of power |
00:04:22 |
Now this symbol. |
00:04:24 |
- Madonna and child. |
00:04:27 |
No. No, it's the pagan god |
00:04:31 |
...centuries before |
00:04:33 |
Understanding our past |
00:04:37 |
...our ability to understand |
00:04:40 |
So how do we sift truth from belief? |
00:04:45 |
How do we write our own histories, |
00:04:49 |
...and thereby define ourselves? |
00:04:51 |
How do we penetrate years, |
00:04:55 |
...to find original truth? |
00:04:58 |
Tonight, this will be our quest. |
00:05:02 |
My son is a student |
00:05:05 |
- Michael Culp? He adores you. |
00:05:07 |
He says you're the best teacher |
00:05:09 |
Ms. Culp, I think I already gave |
00:05:13 |
He told me. Thank you. |
00:05:15 |
Mr. Langdon? |
00:05:17 |
Hi. |
00:05:18 |
Bonjour, professor. |
00:05:20 |
I'm Lieutenant Collet from DCPJ. |
00:05:26 |
Will you take a look |
00:05:28 |
My police chief, Capitaine Fache, |
00:05:31 |
...considering your expertise |
00:05:35 |
...you might assist us. |
00:05:45 |
Will you excuse me a moment? |
00:05:50 |
I was supposed to have |
00:05:52 |
Yes, we know. |
00:05:54 |
We found your name |
00:05:57 |
He never showed. |
00:06:03 |
Why would someone do this to him? |
00:06:06 |
Oh, you misunderstand, professor. |
00:06:09 |
He was shot, yes. |
00:06:12 |
But what you see |
00:06:14 |
...Monsieur Saunière did to himself. |
00:06:20 |
Teacher, all four are dead. |
00:06:25 |
The sénéchaux and the |
00:06:28 |
Then I assume |
00:06:31 |
Confirmed by all. |
00:06:34 |
Independently. |
00:06:37 |
I had feared the Priory's penchant |
00:06:45 |
The prospect of death |
00:06:52 |
It is here. |
00:06:54 |
In Paris, Teacher. |
00:06:58 |
It hides beneath the Rose |
00:07:03 |
You will go forth, Silas. |
00:08:16 |
I chastise my body. |
00:08:56 |
Capitaine Fache is waiting for you. |
00:09:06 |
Okay. |
00:09:18 |
- Mr. Langdon. |
00:09:20 |
I'm Captain Bezu Fache. |
00:09:22 |
You like our pyramid? |
00:09:24 |
It's magnificent. |
00:09:26 |
A scar on the face of Paris. |
00:09:29 |
After me, please. |
00:09:38 |
It's the pairing |
00:09:40 |
It's unique. |
00:09:42 |
The two are geometric echoes. |
00:09:44 |
Fascinating. |
00:09:48 |
I'm not sure how much help |
00:09:52 |
How well did you know the curator? |
00:09:54 |
Not very well. |
00:09:56 |
Frankly, I was surprised |
00:10:07 |
Could we take the stairs? |
00:10:23 |
So Saunière requested |
00:10:26 |
Yes. |
00:10:28 |
How? Did he call you? |
00:10:31 |
E-mail. He heard I was in Paris. |
00:10:35 |
Had something to discuss. |
00:10:37 |
What? |
00:10:43 |
You seem uncomfortable. |
00:10:56 |
The Grand Gallery. |
00:11:00 |
How would you know that? |
00:11:03 |
I recognize the parquet floor |
00:11:17 |
Dear God. |
00:11:22 |
Let's cover the talking points again, |
00:11:24 |
Many call Opus Dei |
00:11:27 |
Others, an ultraconservative |
00:11:30 |
Obviously, some people fear |
00:11:32 |
Perhaps a less defensive tack, |
00:11:35 |
The press continue |
00:11:39 |
We are not Cafeteria Catholics. |
00:11:43 |
We don't pick and choose |
00:11:45 |
We follow doctrine. Rigorously. |
00:11:48 |
Does doctrine necessarily |
00:11:52 |
...and atonement for sins through |
00:11:56 |
Many of our followers are married. |
00:12:00 |
Only a small proportion |
00:12:03 |
- Why are some media referring..? |
00:12:06 |
Aringarosa. |
00:12:08 |
Silas has succeeded. |
00:12:12 |
It hides beneath the Rose. |
00:12:14 |
My part of our bargain |
00:12:18 |
I meet the council in an hour. |
00:12:21 |
I will have your money tonight, |
00:12:25 |
The Vitruvian Man. |
00:12:27 |
It's one of Leonardo da Vinci's |
00:12:31 |
And the star on his skin? |
00:12:33 |
A pentacle. |
00:12:34 |
And its meaning? |
00:12:36 |
The pentacle is |
00:12:38 |
Devil worship. |
00:12:40 |
No. No, no, no. |
00:12:45 |
This is a symbol for Venus. |
00:12:48 |
It represents the female half |
00:12:50 |
You are telling me that |
00:12:53 |
...was to draw a goddess symbol |
00:12:59 |
Captain Fache, |
00:13:03 |
I can tell you he, as well as anyone, |
00:13:07 |
...and it has nothing to do |
00:13:09 |
- Is that so? |
00:13:11 |
Then... |
00:13:13 |
...what do you make of this? |
00:13:15 |
"O, Draconian devil. |
00:13:19 |
It's a phrase. |
00:13:23 |
What would you do if you had such |
00:13:28 |
Well, I suppose |
00:13:33 |
Precisely. |
00:13:35 |
Precisely. |
00:13:36 |
So, professor... |
00:13:39 |
Officer Neveu. |
00:13:41 |
Please, pardon the interruption. |
00:13:43 |
This is not the time. |
00:13:44 |
I received the crime-scene jpegs |
00:13:46 |
...and I've deciphered the code. |
00:13:48 |
It's a Fibonacci sequence. |
00:13:50 |
That's the code Saunière |
00:13:52 |
Headquarters sent me |
00:13:54 |
It is the Fibonacci sequence. |
00:13:56 |
The numbers are out of order. |
00:13:57 |
But before that, I have an urgent |
00:14:00 |
Right? |
00:14:02 |
Pardon me? |
00:14:05 |
I'm Sophie Neveu, |
00:14:08 |
Your embassy called Division. |
00:14:15 |
I'm sorry, monsieur, they said |
00:14:20 |
This is the number of your |
00:14:24 |
Well, thank you. |
00:14:32 |
Hello, you've reached |
00:14:35 |
Miss Neveu? This... |
00:14:38 |
No. That's the right number. |
00:14:40 |
You have to dial an access code |
00:14:42 |
But I'm getting... |
00:14:43 |
It's a three-digit code. |
00:14:55 |
Professor Langdon, |
00:14:58 |
You must follow my directions |
00:15:01 |
... reveal nothing to Captain Fache. |
00:15:04 |
You are in grave danger. |
00:15:18 |
Church of Saint-Sulpice. |
00:15:20 |
Good evening, Sister. |
00:15:23 |
I need you to show someone |
00:15:27 |
Of course, Father. |
00:15:28 |
But so late? |
00:15:31 |
Wouldn't tomorrow? |
00:15:32 |
This is a request from an |
00:15:38 |
It would be my pleasure. |
00:16:03 |
There's been an accident. A friend. |
00:16:06 |
I have to fly home in the morning. |
00:16:08 |
I see. |
00:16:10 |
Is there a restroom I could use? I just |
00:16:14 |
Yes. |
00:16:17 |
She said it is meaningless. |
00:16:20 |
Mathematical joke. |
00:16:23 |
Is it meaningless? |
00:16:27 |
I'll take another look |
00:16:33 |
I'm sorry. Of course. |
00:16:49 |
Do you have a message |
00:16:51 |
What are you talking about? |
00:16:54 |
Crazy old man. |
00:16:56 |
You have me confused with |
00:16:59 |
Check your jacket pocket. |
00:17:02 |
Just look. |
00:17:07 |
GPS tracking dot. |
00:17:08 |
Accurate within two feet |
00:17:12 |
The agent who picked you up |
00:17:16 |
...in case you tried to run. |
00:17:20 |
We have you on a little leash, |
00:17:23 |
Why would I try to run? |
00:17:25 |
So, what do you think about |
00:17:29 |
...Fache wiped clean |
00:17:37 |
He brought you here to force a |
00:17:44 |
He's still in there? |
00:17:47 |
Fache isn't even looking |
00:17:51 |
He is sure you're guilty. |
00:17:56 |
When did Saunière contact you? |
00:17:58 |
- Today? |
00:17:59 |
What time? What time? |
00:18:02 |
At 3. Around 3. Three. |
00:18:04 |
We call Fache "the Bull." |
00:18:08 |
He can arrest you and detain you |
00:18:11 |
And by then whatever Saunière |
00:18:14 |
Stop it! Just stop! |
00:18:17 |
Who are you? |
00:18:23 |
Look at the letters. |
00:18:26 |
"P.S." |
00:18:28 |
P.S., postscript. |
00:18:31 |
"Princesse Sophie." Silly, I know. |
00:18:33 |
But I was only a girl |
00:18:39 |
Jacques Saunière |
00:18:47 |
Apparently, it was his dying wish |
00:18:52 |
If you help me understand why... |
00:18:54 |
...I will get you to your embassy, |
00:18:59 |
Fache was never gonna let me |
00:19:02 |
No. |
00:19:04 |
If we are to get away from here, |
00:19:16 |
What exactly do you propose? |
00:19:28 |
Saunière was reading his book. |
00:19:31 |
"Blood trail." |
00:19:34 |
Excuse me, captain. |
00:19:36 |
We have a problem. |
00:19:39 |
Headquarters didn't send |
00:19:44 |
What? |
00:19:45 |
Captain, look at this. |
00:19:50 |
He jumped! |
00:19:51 |
Shit. |
00:19:55 |
He's moving again. And fast. |
00:19:58 |
He must be in a car. |
00:20:01 |
He's going south |
00:20:14 |
Bastard. |
00:20:38 |
That cop will check |
00:20:44 |
I will only take a moment. |
00:20:47 |
Of course. |
00:20:56 |
He is much older than I remember. |
00:21:10 |
I hadn't seen or spoken to him |
00:21:22 |
He phoned my office today. |
00:21:27 |
He said it was a matter |
00:21:30 |
I thought it was another trick |
00:21:36 |
It seems when |
00:21:39 |
...he reached out to you. |
00:21:58 |
- Wait a minute. |
00:22:02 |
This is wrong. |
00:22:06 |
The Fibonacci numbers only |
00:22:10 |
These are scrambled. |
00:22:12 |
If he was trying to reach out, |
00:22:15 |
Would you hold this, please? |
00:22:19 |
This phrase is meaningless. |
00:22:23 |
Unless you assume these letters |
00:22:28 |
An anagram. |
00:22:40 |
You have eidetic memory? |
00:22:42 |
Not quite. But I can pretty much |
00:23:06 |
Anagram is right. |
00:23:09 |
"O, Draconian devil. Oh, lame saint" |
00:23:12 |
"Leonardo da Vinci. |
00:23:15 |
Professor, the Mona Lisa |
00:23:24 |
Look at this. He must have |
00:23:29 |
Smart to hit the truck. |
00:23:31 |
What, you admire him now? |
00:23:36 |
We're stupid. |
00:23:39 |
Ledoux? Get him on the radio! |
00:23:41 |
Her smile is in |
00:23:45 |
The horizon is significantly lower |
00:23:48 |
Why? |
00:23:49 |
Well, see, she appears larger |
00:23:53 |
Historically, the left was female, |
00:23:56 |
There. Blood. |
00:24:06 |
Hey. |
00:24:08 |
"So dark the con of man." |
00:24:12 |
No. It doesn't say that. |
00:24:15 |
Is it another anagram? |
00:24:22 |
Professor, hurry. Hurry! |
00:24:26 |
Moon. Sermon. Charms. |
00:24:29 |
Demons. Omens. Codes. |
00:24:33 |
Madonna of the Rocks. |
00:24:35 |
Da Vinci. |
00:24:46 |
Careful. Careful. |
00:24:55 |
This can't be this. The fleur-de-lis. |
00:25:36 |
It was Saunière's. |
00:25:39 |
I remember finding it once |
00:25:42 |
He'd promised |
00:25:45 |
Have you ever heard |
00:25:48 |
"So dark the con of man"? |
00:25:49 |
No. Have you? |
00:25:51 |
When you were a child, were you |
00:25:55 |
Anything ritualistic in nature? |
00:25:58 |
Meetings your grandfather |
00:26:01 |
Was there ever any talk of something |
00:26:04 |
The what? Why are you |
00:26:07 |
The Priory of Sion is a myth. |
00:26:10 |
One of the world's oldest and most |
00:26:15 |
...Sir Isaac Newton, |
00:26:17 |
The fleur-de-lis is their crest. |
00:26:19 |
They're guardians of a secret |
00:26:22 |
...as "the dark con of man." |
00:26:25 |
But what secret? |
00:26:26 |
The Priory of Sion protects |
00:26:40 |
I can't do this by myself. |
00:26:42 |
I'm in enough trouble as it is. |
00:26:45 |
Please. |
00:26:47 |
Even if we could get out of this... |
00:26:48 |
Okay. |
00:27:24 |
No, no, no. You're not gonna make it. |
00:27:35 |
Well, that was... |
00:27:45 |
We need to get out of sight. |
00:28:01 |
Christ, give me strength. |
00:28:15 |
You are a ghost. |
00:28:20 |
Christ, give me strength. |
00:28:58 |
Stealing in a house of God! |
00:29:13 |
You are an angel. |
00:29:17 |
Christ, give me strength. |
00:29:44 |
You have powerful friends. |
00:29:47 |
Bishop Aringarosa |
00:29:50 |
I could not miss this chance |
00:29:55 |
A pity you couldn't wait for morning. |
00:29:57 |
The light is not ideal. |
00:30:00 |
Tell me, Sister, please, |
00:30:04 |
A rose line is any line that goes from |
00:30:10 |
Set into the streets of Paris, |
00:30:15 |
...mark the world's |
00:30:17 |
...which passed through |
00:30:20 |
It hides beneath the Rose. |
00:30:22 |
I'm sorry? |
00:30:24 |
Sister. |
00:30:28 |
I do not want to keep you. |
00:30:34 |
I insist. |
00:30:39 |
May the peace of the Lord |
00:30:44 |
And with you. |
00:30:58 |
They found Neveu's car |
00:31:04 |
And two tickets to Brussels paid for |
00:31:09 |
A decoy, I'm sure. |
00:31:10 |
All the same, |
00:31:13 |
Question all the taxi drivers. |
00:31:15 |
Interpol? We're not sure he's guilty. |
00:31:18 |
I know he's guilty. Beyond a doubt. |
00:31:22 |
Robert Langdon is guilty. |
00:31:33 |
This is the Bois de Boulogne? |
00:31:35 |
We should be safe in this park |
00:32:28 |
Stay here. |
00:32:30 |
Police. |
00:32:33 |
What do you want? |
00:32:40 |
Fifty euros for all your stuff. |
00:32:44 |
Go and get something to eat. |
00:33:05 |
Did it occur to you |
00:33:07 |
No. And now we have |
00:33:11 |
Any ideas, professor? |
00:33:13 |
You could've just handed me |
00:33:19 |
"What's the next step?" |
00:33:21 |
With him, it's always: |
00:33:23 |
"Sophie, what's the next step?" |
00:33:27 |
Puzzles. |
00:33:28 |
Codes. |
00:33:31 |
A treasure hunt. |
00:33:36 |
To find his killer. |
00:33:41 |
Maybe there is something |
00:33:45 |
I hope not. |
00:33:46 |
Any Priory story ends in bloodshed. |
00:33:51 |
It all started over a thousand |
00:33:54 |
... conquered the holy city |
00:33:57 |
This crusade, one of the most |
00:34:00 |
...was actually orchestrated |
00:34:04 |
...the Priory of Sion... |
00:34:05 |
...and their military arm, |
00:34:09 |
But the Templars were created |
00:34:12 |
That was a cover to hide their |
00:34:17 |
Supposedly the invasion |
00:34:20 |
... lost since the time of Christ. |
00:34:22 |
An artifact, it was said, |
00:34:26 |
Did they find it, |
00:34:30 |
Put it this way: |
00:34:31 |
One day the Templars |
00:34:34 |
They quit the Holy Land |
00:34:38 |
Whether they blackmailed |
00:34:40 |
... or the Church bought their silence, |
00:34:42 |
But it is a fact the papacy |
00:34:47 |
... these Knights Templar, |
00:34:51 |
By the 1300s, the Templars |
00:34:54 |
Too threatening. |
00:34:56 |
So the Vatican |
00:34:58 |
... to be opened simultaneously |
00:35:01 |
The Pope had declared the |
00:35:05 |
...and said God had charged him with |
00:35:10 |
The plan went off like clockwork. |
00:35:13 |
The Templars |
00:35:16 |
The date was October 13th, 1307. |
00:35:20 |
Friday the 13th. |
00:35:22 |
The Pope sent troops |
00:35:25 |
... but they found nothing. |
00:35:27 |
The few surviving |
00:35:30 |
... and the search for their |
00:35:33 |
What artifact? I've never |
00:35:37 |
Yes, you have. |
00:35:39 |
Almost everyone on earth has. |
00:35:42 |
You just know it as the Holy Grail. |
00:35:50 |
Please, Saunière thought he knew |
00:35:54 |
Maybe more than that. |
00:35:56 |
This cross and the flower, |
00:36:00 |
This metal here underneath is much |
00:36:05 |
"Haxo 24." |
00:36:09 |
And these dots. |
00:36:13 |
This is more than a pendant. |
00:36:16 |
He left us, professor. |
00:36:20 |
And vingt-quatre Haxo, |
00:36:25 |
It's a street address. |
00:36:31 |
This is Jacques Saunière. |
00:36:33 |
Please leave a message |
00:36:37 |
Please, Monsieur Saunière, |
00:36:39 |
This is Sandrine Bieil. |
00:36:41 |
I have called the list. |
00:36:44 |
I fear the other guardians are dead. |
00:36:46 |
The lie has been told. |
00:36:48 |
The floor panel has been broken. |
00:36:51 |
Please, monsieur, pick up the phone. |
00:36:54 |
Job 38, verse 11. |
00:36:57 |
Do you know it, Sister? |
00:37:01 |
Job 38:11. |
00:37:04 |
Hitherto shalt thou come... |
00:37:07 |
...but no further. |
00:37:09 |
"But no further." |
00:37:14 |
Do you mock me? |
00:37:19 |
Where is the keystone? |
00:37:22 |
I do not know. |
00:37:24 |
No. |
00:37:28 |
You are a sister of the Church... |
00:37:32 |
...and yet you serve them: |
00:37:36 |
Jesus had but one true message. |
00:37:52 |
Come, you saints of God. |
00:37:55 |
Hasten, angels of the Lord. |
00:37:59 |
To receive her soul. |
00:38:02 |
And bring her to the sight |
00:38:24 |
Welcome, bishop. |
00:38:26 |
This council is convened. |
00:38:37 |
Our words shall never |
00:38:43 |
What business, say you? |
00:38:46 |
As you know, my request for funds... |
00:38:49 |
Yes, 20 million euro |
00:38:53 |
A tad more than petty cash. |
00:38:58 |
I only offer a route to the renewal |
00:39:02 |
How humble. |
00:39:04 |
Our savior, Bishop Aringarosa. |
00:39:06 |
How dare you presume to... |
00:39:08 |
I do not presume, I act! |
00:39:10 |
The Vatican's unwillingness |
00:39:12 |
...is both impious and cowardly. |
00:39:14 |
Blood is being spilled because true |
00:39:19 |
This council has forgotten |
00:39:24 |
Tonight... |
00:39:26 |
...the Grail will be destroyed. |
00:39:29 |
The Priory's few remaining members |
00:39:40 |
I was contacted by a man |
00:39:47 |
Two prostitutes identified |
00:39:49 |
... getting into a taxi |
00:40:01 |
Because of your expertise? |
00:40:04 |
- I'm sorry? |
00:40:06 |
Do you think that's why |
00:40:08 |
I can think of dozens of scholars |
00:40:12 |
Actually, I didn't think |
00:40:16 |
Once made a joke at my expense. |
00:40:20 |
What was it? |
00:40:34 |
How may I help you? |
00:40:41 |
The door to the right, please. |
00:41:01 |
Good evening. I am André Vernet, |
00:41:05 |
I take it this is your first visit |
00:41:09 |
Yes. |
00:41:11 |
Understood. |
00:41:13 |
Keys are often passed on |
00:41:15 |
...are sometimes |
00:41:19 |
Keys are essentially |
00:41:24 |
Often willed through generations. |
00:41:29 |
Is it yours, mademoiselle? |
00:41:33 |
The shortest safety-deposit-box |
00:41:37 |
And what's your longest account? |
00:41:39 |
Quite a bit longer. |
00:41:41 |
Technologies change, |
00:41:49 |
Once the computer |
00:41:51 |
...enter your account number |
00:41:54 |
The room is yours, |
00:42:02 |
What if I lost track |
00:42:05 |
How might I recover it? |
00:42:09 |
I'm afraid each key is paired |
00:42:11 |
...known only to the account bearer. |
00:42:14 |
I hope you manage to remember it. |
00:42:16 |
A single wrong entry |
00:42:25 |
- Ten. |
00:42:26 |
Your grandfather's |
00:42:32 |
Scrambled, unscrambled? |
00:42:35 |
Unscrambled. |
00:42:37 |
It's your key. |
00:42:43 |
Funny, I don't even like history. |
00:42:50 |
I've never seen much good come |
00:43:01 |
Moment of truth. |
00:43:45 |
My God. I don't believe this. |
00:43:48 |
A rose. |
00:43:54 |
The rose was a symbol |
00:43:59 |
Forgive the intrusion. |
00:44:00 |
I'm afraid the police arrived |
00:44:05 |
You must follow me, please. |
00:44:07 |
For your own safety. |
00:44:08 |
You knew they were coming? |
00:44:10 |
My guard alerted me to your status |
00:44:13 |
Yours is one of our oldest |
00:44:16 |
It includes a safe-passage clause. |
00:44:18 |
Safe passage? |
00:44:20 |
If you would step inside, please. |
00:44:26 |
In there? |
00:44:42 |
Hey, is there a problem? |
00:44:44 |
Good evening, sir. Police. |
00:44:47 |
I just drive from here to Zurich. |
00:44:51 |
- English? |
00:44:53 |
We are looking for two criminals. |
00:44:57 |
You came to the right place. |
00:45:02 |
Would you mind opening the hold? |
00:45:04 |
Please. You think they trust us, |
00:45:08 |
You don't have keys |
00:45:10 |
It's armored. |
00:45:13 |
You mind? I'm on a schedule here. |
00:45:18 |
And do all the drivers wear a Rolex? |
00:45:23 |
What? |
00:45:26 |
This piece of shit. |
00:45:28 |
Forty euros in Barbès. |
00:45:30 |
Yours for 35. |
00:45:31 |
No, no, no. |
00:45:33 |
- Thirty. |
00:45:34 |
Come on, 30, eh? |
00:45:36 |
I said, no! |
00:45:38 |
Move along! |
00:45:52 |
Now we wait. |
00:45:53 |
The Teacher will call and tell me |
00:45:56 |
You have put tremendous faith |
00:45:59 |
Yes, I have. And I have given him |
00:46:04 |
For surely there is no better |
00:46:08 |
I firmly resolve, with the help of |
00:46:12 |
...to do penance |
00:46:16 |
Amen. |
00:46:32 |
The Holy Grail. |
00:46:34 |
A magic cup. |
00:46:39 |
It's nonsense. |
00:46:41 |
You don't believe in God. |
00:46:44 |
No. |
00:46:46 |
Just people. |
00:46:48 |
Sometimes that they can be kind. |
00:46:53 |
Are you a God-fearing man, |
00:46:56 |
I was raised a Catholic. |
00:46:59 |
Well, that's not really an answer. |
00:47:03 |
Professor, are you okay? |
00:47:06 |
Go ahead, open it. |
00:47:08 |
Go on. |
00:47:16 |
A cryptex. |
00:47:19 |
They are used to keep secrets. |
00:47:22 |
It's da Vinci's design. |
00:47:24 |
You write the information |
00:47:28 |
...which is then rolled around |
00:47:33 |
If you force it open, the vial breaks... |
00:47:36 |
...vinegar dissolves papyrus... |
00:47:40 |
...and your secret is lost forever. |
00:47:43 |
The only way |
00:47:45 |
...is to spell out the password... |
00:47:48 |
...with these five dials, |
00:47:52 |
That's 12 million possibilities. |
00:47:56 |
I've never met a girl |
00:48:01 |
Saunière made one for me once. |
00:48:11 |
My grandfather gave me a wagon. |
00:48:16 |
This clearly is not the Holy Grail. |
00:48:22 |
Come on. |
00:48:23 |
Please, you're not all right. |
00:48:28 |
May I try something? |
00:48:30 |
I don't know why it works. |
00:48:32 |
My mother used to do it |
00:48:36 |
You think? |
00:48:38 |
Yes. |
00:48:51 |
Feeling better, Sophie? |
00:49:04 |
My parents died in a car crash |
00:49:09 |
I was 4. |
00:49:13 |
I'm sorry. |
00:49:15 |
It was many years ago. |
00:49:32 |
Better? |
00:49:36 |
Yeah. |
00:49:38 |
Okay. |
00:50:04 |
Twenty years waiting |
00:50:07 |
...and now it's you two murderers. |
00:50:10 |
I don't know what |
00:50:12 |
All right! Okay! |
00:50:15 |
Right now! |
00:50:26 |
Step back! |
00:50:31 |
No one will lose sleep |
00:50:36 |
Turn around. |
00:50:39 |
Turn around! |
00:50:40 |
You too, mademoiselle. |
00:51:04 |
Sophie! |
00:51:06 |
Get in the truck! |
00:51:08 |
I'll drive! Hurry! |
00:51:37 |
What happened between you |
00:51:42 |
I've jammed my shoulder, |
00:51:46 |
I need to know. |
00:51:48 |
You say he raised you, |
00:51:52 |
You call him by his last name. |
00:51:54 |
You say you hate history. |
00:51:56 |
Nobody hates history. |
00:51:59 |
So now you're a psychologist too? |
00:52:01 |
What if Saunière had started |
00:52:05 |
What do you mean, groom me? |
00:52:07 |
Your grandfather gave you puzzles |
00:52:10 |
So you are saying all this is real? |
00:52:14 |
We've been dragged into a world |
00:52:17 |
- Real enough to kill for. |
00:52:25 |
I'm out of my field here. |
00:52:30 |
I do know a Grail historian, |
00:52:35 |
An Englishman, |
00:52:38 |
Do you trust this man? |
00:52:41 |
I hope you can. |
00:52:48 |
Vernet, André. |
00:52:51 |
It seems you're not a driver at all. |
00:52:56 |
Apparently, you lost your tongue |
00:53:01 |
You think you're in pain now, |
00:53:04 |
My cause is worth your life. |
00:53:12 |
What do you want? |
00:53:14 |
Your truck carries a homing device. |
00:53:26 |
Please wait. |
00:53:29 |
It's on the wrong side. |
00:53:31 |
Leigh likes all things to be English, |
00:53:33 |
Robert! Do I owe you money? |
00:53:37 |
Leigh, my friend... |
00:53:40 |
...care to open up |
00:53:44 |
- Of course. |
00:53:46 |
But first, a test of honor. |
00:53:48 |
Three questions. |
00:53:53 |
Fire away. |
00:53:55 |
Your first: |
00:53:56 |
Shall I serve coffee or tea? |
00:54:00 |
Tea, of course. |
00:54:01 |
Excellent. |
00:54:02 |
Second: milk or lemon? |
00:54:05 |
Milk? |
00:54:08 |
That would depend on the tea. |
00:54:10 |
Correct. |
00:54:12 |
And now the third |
00:54:16 |
In which year did a Harvard sculler |
00:54:29 |
Surely such a travesty |
00:54:33 |
Your heart is true. |
00:54:35 |
You may pass. |
00:54:39 |
Welcome to Château Villette. |
00:54:43 |
The truck's signal is coming online. |
00:54:46 |
It's about time. |
00:54:51 |
Locked on and tracking, sir. |
00:54:56 |
Very good. Tell Collet not to move in |
00:54:59 |
Attention! All of Collet's units |
00:55:04 |
The suspects Neveu and Langdon |
00:55:23 |
Aringarosa. |
00:55:35 |
I still don't know why |
00:55:39 |
...and I'm sorry. |
00:55:46 |
But... |
00:55:47 |
...I'm also very glad. |
00:56:07 |
You are requested |
00:56:17 |
Robert! |
00:56:19 |
And you travel with a maiden, |
00:56:22 |
Sir Leigh Teabing, |
00:56:25 |
Sophie, Sir Leigh Teabing. |
00:56:28 |
It's an honor to welcome you... |
00:56:32 |
...even though it's late. |
00:56:34 |
Thank you for having us. |
00:56:39 |
So late, mademoiselle, |
00:56:44 |
What a lovely smile you have. |
00:56:48 |
Earl Grey? |
00:56:50 |
Lemon. |
00:56:52 |
Correct. |
00:57:13 |
Château Villette. Yes. |
00:57:16 |
A dramatic late-night arrival. |
00:57:19 |
What can an old cripple |
00:57:22 |
We wanna talk about |
00:57:26 |
The keepers? |
00:57:28 |
The secret war? |
00:57:30 |
Sorry for all the mystery. |
00:57:32 |
Leigh, I'm into something here |
00:57:35 |
You? |
00:57:37 |
- Really? |
00:57:41 |
Playing to my vanity, Robert. |
00:57:44 |
Not if it works. |
00:57:48 |
There are always four: |
00:57:51 |
The Grand Master |
00:57:54 |
...make up the primary |
00:57:59 |
Thank you, Remy. |
00:58:07 |
The Priory's members |
00:58:11 |
Philippe de Chérisey |
00:58:15 |
And that is what |
00:58:18 |
The Priory is charged |
00:58:20 |
To protect the greatest secret |
00:58:24 |
The source of God's power |
00:58:26 |
No, that's a common |
00:58:28 |
The Priory protects the source |
00:58:34 |
The Holy Grail. |
00:58:35 |
I don't understand. |
00:58:37 |
What power? Some magic dishes? |
00:58:42 |
Robert. Has he been telling you |
00:59:00 |
The Good Book did not arrive |
00:59:04 |
The Bible as we know it |
00:59:08 |
The pagan emperor Constantine. |
00:59:11 |
I thought Constantine |
00:59:13 |
Oh, hardly, no. |
00:59:16 |
...who was baptized |
00:59:18 |
Constantine was Rome's |
00:59:22 |
From time immemorial... |
00:59:24 |
... his people had worshiped a balance |
00:59:28 |
...and the goddess, |
00:59:32 |
But a growing religious turmoil |
00:59:36 |
Three centuries earlier... |
00:59:38 |
...a young Jew named Jesus |
00:59:41 |
...preaching love and a single God. |
00:59:44 |
Centuries after his crucifixion... |
00:59:47 |
... Christ's followers |
00:59:50 |
... and had started a religious war |
00:59:57 |
Or did the pagans commence war |
01:00:01 |
Leigh, we can't be sure who began |
01:00:05 |
We can at least agree that the |
01:00:08 |
...that it threatened |
01:00:10 |
So Constantine may have been |
01:00:14 |
...but he was also a pragmatist. |
01:00:15 |
And in 325 anno Domini... |
01:00:18 |
...he decided to unify Rome under |
01:00:23 |
Christianity was on the rise. |
01:00:27 |
And to strengthen this new |
01:00:30 |
...Constantine held |
01:00:33 |
...known as the Council of Nicaea. |
01:00:36 |
And at this council... |
01:00:37 |
... the many sects of Christianity |
01:00:42 |
... everything, from the acceptance |
01:00:46 |
... to the date for Easter... |
01:00:48 |
...to the administering |
01:00:51 |
...the immortality of Jesus. |
01:00:53 |
I don't follow. |
01:00:55 |
Well, ma chère, |
01:00:58 |
...Jesus was viewed by many of his |
01:01:03 |
...as a great and powerful man, |
01:01:07 |
A mortal man. |
01:01:09 |
Not the Son of God? |
01:01:10 |
Not even his nephew twice removed. |
01:01:13 |
Constantine did not create |
01:01:16 |
He simply sanctioned |
01:01:20 |
- Semantics. |
01:01:22 |
You're interpreting facts |
01:01:25 |
Fact: For many Christians, Jesus was |
01:01:30 |
For some Christians, |
01:01:32 |
Absurd. There was a formal |
01:01:34 |
They couldn't even agree |
01:01:36 |
Excuse me. |
01:01:44 |
How many have been murdered |
01:01:47 |
As long as there has been |
01:01:50 |
...there has been killing |
01:02:01 |
Now let me show you the Grail. |
01:02:06 |
I trust you recognize |
01:02:09 |
...the great fresco by |
01:02:15 |
Now, my dear, |
01:02:18 |
Oh, Leigh, save us the parlor tricks. |
01:02:20 |
You asked for my help, I recall. |
01:02:22 |
Allow an old man his indulgences. |
01:02:29 |
Now, mademoiselle, |
01:02:33 |
- In the middle. |
01:02:35 |
He and his disciples |
01:02:38 |
And what drink? |
01:02:40 |
Wine. They drank wine. |
01:02:42 |
Splendid. And one final question: |
01:02:45 |
How many wineglasses |
01:02:49 |
One? The Holy Grail? |
01:02:51 |
Open your eyes. |
01:02:55 |
No single cup. |
01:02:57 |
No chalice. |
01:02:58 |
Well, that's a bit strange, isn't it? |
01:03:01 |
Considering both the Bible |
01:03:04 |
...celebrate this moment as the |
01:03:11 |
Now, Robert, |
01:03:14 |
If you'd be so kind as to show us the |
01:03:18 |
No balloon animals. |
01:03:24 |
This is the original icon for male. |
01:03:28 |
- Quite to the point. |
01:03:30 |
This is known as the blade. |
01:03:33 |
It represents aggression |
01:03:35 |
It's a symbol still used today |
01:03:37 |
Yes, the more penises you have, the |
01:03:42 |
Now, as you would imagine, the |
01:03:46 |
This is called the chalice. |
01:03:47 |
And the chalice resembles a cup |
01:03:52 |
...the shape of a woman's womb. |
01:03:55 |
No, the Grail has never been a cup. |
01:03:59 |
It is quite literally this ancient |
01:04:04 |
And in this case, a woman who |
01:04:09 |
...that if revealed, it would devastate |
01:04:14 |
Wait, please. |
01:04:15 |
You're saying the Holy Grail |
01:04:20 |
And it turns out, she makes |
01:04:25 |
But they are all men. |
01:04:27 |
Are they? |
01:04:28 |
What about that figure |
01:04:30 |
...seated in the place of honor? |
01:04:34 |
Flowing red hair. |
01:04:37 |
Folded feminine hands. |
01:04:40 |
Hint of a bosom. No? |
01:04:47 |
It's called scotoma. |
01:04:51 |
Who is she? |
01:04:54 |
My dear, that's Mary Magdalene. |
01:04:56 |
The prostitute? |
01:04:58 |
She was no such thing. |
01:04:59 |
Smeared by the Church |
01:05:06 |
Mary Magdalene was Jesus' wife. |
01:05:16 |
This is an old wives' tale. |
01:05:18 |
The original one, in fact. |
01:05:19 |
There's virtually no empirical proof. |
01:05:21 |
He knows as well as I do |
01:05:25 |
Theories. There are theories. |
01:05:27 |
Notice how Jesus and Mary |
01:05:31 |
Mirror images of each other. |
01:05:33 |
The mind sees |
01:05:36 |
And venturing into the even more |
01:05:40 |
...appear to be joined at the hip and |
01:05:44 |
...as if to create a shape in the |
01:05:49 |
Leonardo gives us the chalice. |
01:05:55 |
Yes. Oh, and Robert, |
01:05:57 |
...when these two figures |
01:06:01 |
Just because da Vinci painted it |
01:06:04 |
No. But history... |
01:06:07 |
...she does make it true. |
01:06:09 |
Now, listen to this. It's from |
01:06:12 |
Philip? |
01:06:13 |
Yes, it was rejected |
01:06:16 |
...along with any other gospels |
01:06:18 |
...Jesus appear human |
01:06:21 |
"And the companion of the Savior |
01:06:26 |
Christ loved her more |
01:06:29 |
...and used to kiss her on the..." |
01:06:31 |
But this says nothing of marriage. |
01:06:33 |
Well, actually... |
01:06:36 |
Robert. |
01:06:38 |
Actually, in those days, the word |
01:06:42 |
And this is from the Gospel |
01:06:47 |
- She wrote a gospel? |
01:06:50 |
- Robert, will you fight fair? |
01:06:53 |
"And Peter said, |
01:06:57 |
And Levi answered: |
01:06:59 |
'Peter, I see you contending |
01:07:03 |
If the Savior made her worthy, |
01:07:07 |
Yes. And then, my dear, Jesus |
01:07:12 |
...that it's up to her |
01:07:17 |
Mary Magdalene, not Peter. |
01:07:20 |
The Church was supposed |
01:07:24 |
Few realize that Mary was descended |
01:07:29 |
Now, my dear, the word |
01:07:36 |
From the Middle English |
01:07:39 |
...of the original Arthurian legend. |
01:07:41 |
Now, as two words. |
01:07:48 |
Sang real, it means "royal blood." |
01:07:52 |
When the legend speaks of the |
01:07:57 |
...it speaks in fact of the female womb |
01:08:03 |
But how could Christ |
01:08:06 |
Mary was pregnant |
01:08:16 |
For her own safety and for that |
01:08:21 |
... she fled the Holy Land |
01:08:24 |
And here, it is said, |
01:08:30 |
They know the child's name. |
01:08:33 |
- A little girl. |
01:08:35 |
If that were true, |
01:08:37 |
Why? |
01:08:39 |
The pagans found transcendence |
01:08:42 |
People found God through sex? |
01:08:44 |
In paganism, women were worshiped |
01:08:47 |
...but the modern Church |
01:08:50 |
...in salvation through Jesus Christ. |
01:08:52 |
And he who keeps the keys to heaven |
01:08:55 |
Women, then, are a huge threat |
01:08:58 |
The Catholic Inquisition |
01:09:00 |
... what may be the most |
01:09:04 |
The Malleus Maleficarum. |
01:09:07 |
The Witches' Hammer. |
01:09:09 |
It instructed the clergy on how |
01:09:13 |
...all freethinking women. |
01:09:18 |
In three centuries of witch hunts... |
01:09:20 |
... 50,000 women are captured, |
01:09:24 |
Oh, at least that. Some say millions. |
01:09:27 |
Imagine, then, Robert... |
01:09:29 |
...that Christ's throne |
01:09:34 |
You asked what would |
01:09:37 |
Witness the greatest cover-up |
01:09:42 |
This is the secret |
01:09:44 |
...has defended |
01:09:46 |
They are the guardians |
01:09:50 |
The keepers of the proof |
01:09:54 |
They are the protectors of the living |
01:09:59 |
...and Mary Magdalene. |
01:10:10 |
Sir Leigh? |
01:10:12 |
Sometimes I wonder |
01:10:16 |
His sauces are not that fantastic. |
01:10:21 |
Yes, can I help you? |
01:10:23 |
Yes. They're on the news now. |
01:10:28 |
Living descendants? Is it possible? |
01:10:31 |
It's not impossible. |
01:10:34 |
You have not been honest with me. |
01:10:38 |
You are wanted for four murders! |
01:10:40 |
That's why Vernet said |
01:10:42 |
You come into my home, |
01:10:46 |
- That's why he needed you. |
01:10:48 |
- Leigh, listen! |
01:10:50 |
Jacques Saunière |
01:10:55 |
You're the obsessive Priory scholar. |
01:10:57 |
You still keep lists |
01:11:00 |
I'll bet Jacques Saunière |
01:11:05 |
He was on your list of who could |
01:11:08 |
- What? |
01:11:10 |
Consider: Four men murdered? |
01:11:16 |
What if the Priory was compromised, |
01:11:19 |
What if you yourself were dying, |
01:11:22 |
You'd have to pass the secret on |
01:11:25 |
Someone outside the society. |
01:11:27 |
Maybe someone whose training |
01:11:34 |
Robert, your ruse is pathetic. |
01:11:38 |
Not really. |
01:11:40 |
No, that's impossible. |
01:11:46 |
Can that really..? |
01:11:49 |
Is it the keystone? |
01:11:54 |
I'll even show it to you, Leigh. |
01:11:57 |
Will you just tell us |
01:12:16 |
Fache says to wait, so I wait. |
01:12:18 |
What's Fache thinking? |
01:12:30 |
Yes. |
01:12:31 |
As the legend foretold: |
01:12:36 |
"It hides beneath the Rose." |
01:12:38 |
Oh, my. |
01:12:46 |
Leigh. |
01:12:51 |
Leigh? |
01:12:53 |
Please. |
01:12:54 |
I'm sorry. Yes, of course. |
01:12:59 |
Inside the keystone... |
01:13:02 |
...there'll be a map. |
01:13:03 |
A map that will lead us |
01:13:10 |
To be trained by |
01:13:13 |
Did he pass down the fleur-de-lis? |
01:13:19 |
And he must have sung you |
01:13:22 |
I know some of them. |
01:13:33 |
Can you keep secrets? |
01:13:36 |
Can you know a thing |
01:13:40 |
And codes? |
01:13:42 |
I imagine they lie down |
01:13:49 |
A sénéchal. A guardian of the Grail |
01:13:53 |
Tell him, please. |
01:13:56 |
Leigh, it's not that simple. |
01:14:01 |
Robert! |
01:14:07 |
Do not move, woman. |
01:14:12 |
Cripple. |
01:14:16 |
Put the box on the table. |
01:14:18 |
What, this trifle? |
01:14:20 |
Well, perhaps we can make |
01:14:24 |
Put the keystone on the table. |
01:14:28 |
You will not succeed. |
01:14:32 |
Only the worthy |
01:15:03 |
Rip the gate down. |
01:15:09 |
Well, well, my dear. |
01:15:14 |
Sit down. |
01:15:16 |
- Are you okay? |
01:15:17 |
- Are you? |
01:15:19 |
Yes, well, make yourself useful, |
01:15:22 |
Get something |
01:15:29 |
Above the joint. |
01:15:31 |
Fortunately, |
01:15:36 |
He's wearing a cilice. |
01:15:38 |
- A what? |
01:15:42 |
Inflicts pain so he can suffer |
01:15:45 |
Opus Dei. |
01:15:47 |
Fache is Opus Dei. |
01:15:49 |
The policeman who's chasing us. |
01:15:52 |
Robert. |
01:15:56 |
Well, I must say, |
00:00:06 |
You want what's in this box? |
00:00:09 |
We need a way out of here. |
00:00:11 |
Well, actually... |
00:00:14 |
...I do have a plane. |
00:00:26 |
- Robert! Where do we go? |
00:00:28 |
- In here. Come in. |
00:00:30 |
Get the door. Hurry. |
00:00:34 |
Over here. Over here. Sophie. |
00:00:36 |
Watch out! |
00:00:38 |
Be careful. |
00:00:40 |
Come, Rem... |
00:00:49 |
Shit. |
00:00:53 |
Easy. |
00:01:16 |
Jesus! |
00:01:17 |
Apropos. |
00:01:21 |
I can't imagine |
00:01:23 |
I'd be within my rights to shoot you |
00:01:26 |
Put that away. We might need him. |
00:01:29 |
Better. |
00:01:37 |
Opus Dei. |
00:01:39 |
- What is it? |
00:01:42 |
Opus Dei is a prelature |
00:01:44 |
You're saying the Vatican |
00:01:47 |
No, no, no. Not the Vatican... |
00:01:49 |
...and not Opus Dei, |
00:01:52 |
And one that has been |
00:01:54 |
On the one side stands the Priory... |
00:01:57 |
...and on the other |
00:01:59 |
...with members hidden |
00:02:02 |
...throughout the Church. |
00:02:03 |
And this Council of Shadows tries |
00:02:08 |
And that throughout history, |
00:02:11 |
...the living descendants |
00:02:13 |
- That's insane. |
00:02:16 |
What if the world discovers... |
00:02:18 |
...that the greatest story ever told |
00:02:20 |
The Vatican faces a crisis of faith |
00:02:25 |
I've got a signal now, sir. It's ringing. |
00:02:29 |
Roger, look, I'm so sorry. I've got |
00:02:34 |
...and could you make |
00:02:39 |
...Zurich. |
00:02:40 |
Yes. No, we love Zurich. |
00:02:50 |
What the hell do you mean, |
00:02:54 |
You're the one who lost them. |
00:02:56 |
You control every step |
00:02:57 |
You don't let anybody breathe. |
00:03:00 |
You're acting like |
00:03:06 |
What is it with these two birds? |
00:03:13 |
Interpol just registered a new |
00:03:16 |
Stay out of my way on this, Collet. |
00:03:46 |
Did you kill Jacques Saunière? |
00:03:51 |
Did you kill Jacques Saunière? |
00:03:54 |
I am the messenger of God. |
00:03:59 |
Did you kill my grandfather? |
00:04:04 |
I am the messenger... |
00:04:06 |
Each breath you take is a sin. |
00:04:12 |
No shadow will be safe again. |
00:04:14 |
For you will be hunted by angels. |
00:04:20 |
You believe in God? |
00:04:23 |
Your God doesn't forgive murderers. |
00:04:29 |
He burns them. |
00:04:41 |
Sophie. |
00:05:08 |
The Teacher will be pleased. |
00:05:10 |
What will you do |
00:05:12 |
Destroy it. |
00:05:13 |
The documents and the |
00:05:18 |
And the heir? |
00:05:23 |
Will you exercise the final edict? |
00:05:27 |
There will be no need. |
00:05:29 |
Once the sarcophagus is destroyed, |
00:05:33 |
There is no way to prove |
00:05:37 |
But if you had to... |
00:05:40 |
...would you do as councils |
00:05:51 |
Christ... |
00:05:57 |
Christ sacrificed his life |
00:06:05 |
So, too, may be the fate of his seed. |
00:06:14 |
I need the flight plan. |
00:06:16 |
Ten minutes. |
00:06:18 |
I asked you to get it for me. |
00:06:22 |
I'm on break. |
00:06:25 |
Come back in 10 minutes. |
00:06:28 |
My nose! My nose! |
00:06:31 |
The flight plan, please. |
00:06:32 |
You asshole! |
00:06:46 |
It's not "cross." |
00:06:49 |
"Spear"? |
00:06:55 |
What happened to her? |
00:06:57 |
No one knows. |
00:06:59 |
Mary Magdalene lived out |
00:07:04 |
And the zealots pursued her still... |
00:07:07 |
...even in death, trying to destroy |
00:07:12 |
But she always had her Knights. |
00:07:14 |
Brave men sworn to defend her. |
00:07:17 |
You see, to worship |
00:07:20 |
... to kneel before the bones |
00:07:23 |
...was to remember all those |
00:07:26 |
...who were oppressed. |
00:07:27 |
Ultimately, the Priory hid her remains |
00:07:32 |
...until most believed |
00:07:35 |
... the Holy Grail... |
00:07:38 |
...was finally lost in time. |
00:07:51 |
What are you doing? |
00:07:52 |
At the chateau, you said, |
00:07:55 |
No, no, no. Do be careful. |
00:07:57 |
In Latin, sub rosa. |
00:08:00 |
"Beneath the rose." |
00:08:14 |
We need a mirror. |
00:08:16 |
Backwards. In the style |
00:08:19 |
Thank you. |
00:08:25 |
In London lies a knight |
00:08:29 |
His labor's fruit |
00:08:33 |
You seek the orb |
00:08:36 |
It speaks of Rosy flesh |
00:08:39 |
"In London lies a knight |
00:08:43 |
A knight whose funeral |
00:08:47 |
Of course, the Priory knights |
00:08:51 |
Templars. |
00:08:52 |
And there's just one place to bury |
00:08:55 |
Temple Church. |
00:08:56 |
Temple Church. |
00:08:58 |
...Roger and I must discuss |
00:09:01 |
Leigh. |
00:09:04 |
Harboring and transporting fugitives? |
00:09:07 |
You are already implicated enough. |
00:09:11 |
You and I, Robert, |
00:09:15 |
Time has been our glass. |
00:09:17 |
We are in history now. Living it. |
00:09:22 |
Making it. |
00:09:24 |
"Implicated"? |
00:09:26 |
I am on a Grail quest. |
00:09:30 |
Forgive me, Robert... |
00:09:31 |
...but you two may well |
00:09:34 |
...the greatest night of his life. |
00:09:38 |
Thank you. |
00:09:41 |
He's going to want more money. |
00:09:59 |
I suppose this is a new technique |
00:10:04 |
I've lost them. |
00:10:09 |
No extradition. |
00:10:14 |
The controller filed charges. |
00:10:23 |
What's going on, Bezu? |
00:10:29 |
You know that I am Opus Dei? |
00:10:32 |
Yes. |
00:10:39 |
A bishop of my order called me. |
00:10:43 |
He said a killer |
00:10:45 |
His name was Robert Langdon. |
00:10:49 |
He said I couldn't imagine |
00:10:52 |
That he would keep killing. |
00:10:55 |
He said I had to stop him. |
00:10:59 |
The bishop broke his vows |
00:11:03 |
He charged me |
00:11:09 |
Tell me, Collet, who have I failed? |
00:11:14 |
The bishop? |
00:11:17 |
God himself? |
00:11:28 |
They've changed their flight plan |
00:11:58 |
I have them, tower. Relay Hawker |
00:12:57 |
- Secure the area! |
00:12:59 |
- Armed police! |
00:13:01 |
Armed police! |
00:13:04 |
- Three men up! |
00:13:07 |
Put your hands in the air! Do it now! |
00:13:09 |
I'm afraid that's |
00:13:13 |
Oh, good morning. |
00:13:15 |
Did that old cannabis charge |
00:13:18 |
Sir, the French police say |
00:13:21 |
...and you may have |
00:13:23 |
I'm to take you all into custody. |
00:13:24 |
Sadly, I have an important medical |
00:13:28 |
I'll fetch the car, sir. |
00:13:29 |
This is serious, sir. The French police |
00:13:32 |
Inspector, I can't afford the time |
00:13:36 |
I'm late and I'm leaving. |
00:13:37 |
If it's so important |
00:13:39 |
...then you're just going |
00:13:42 |
You can start with him. |
00:13:48 |
Search the plane. |
00:13:50 |
All right. |
00:14:03 |
I could run them over. |
00:14:10 |
Bad tip. |
00:14:13 |
Let him go. |
00:14:19 |
The French cannot be trusted. |
00:14:29 |
Everyone comfy? |
00:14:32 |
Biscuits? |
00:14:34 |
They didn't notice anything? |
00:14:36 |
Well, people rarely notice things right |
00:14:54 |
Do you have the bonds, bishop? |
00:14:56 |
Yes, I do, Teacher. |
00:14:58 |
I have chosen an Opus Dei |
00:15:01 |
I am honored. |
00:15:03 |
By the time you get to London, |
00:15:13 |
Remember, if we are discovered by |
00:15:18 |
- So should anything go wrong... |
00:15:22 |
This council does not exist. |
00:15:24 |
As it never has. |
00:15:29 |
Old friend. Heaven protect you. |
00:15:39 |
Keep an eye out for the police. |
00:15:54 |
I must say, Robert, |
00:15:57 |
...by the way you withstood |
00:16:01 |
Did he never tell you? |
00:16:03 |
When he was a boy, |
00:16:06 |
How old were you? |
00:16:08 |
Seven. |
00:16:12 |
Treading water all night long, |
00:16:15 |
...to the echoes screaming back. |
00:16:17 |
When they found him, |
00:16:20 |
Help! |
00:16:22 |
It was a long time ago. |
00:16:23 |
Oh, now, now, Robert. |
00:16:25 |
You above all people shouldn't be one |
00:16:34 |
Tell me, why has the Priory kept the |
00:16:39 |
I don't know. |
00:16:40 |
Some say the Priory wait |
00:16:43 |
...which is especially odd... |
00:16:45 |
...since legend suggests he may not |
00:16:56 |
Hello? |
00:16:57 |
Why do they make them so scary? |
00:17:05 |
Oh, it's cold. |
00:17:06 |
"In London lies a knight |
00:17:19 |
So which tomb has an orb? |
00:17:24 |
Two wear tunics over their armor... |
00:17:27 |
...and two have full-length robes. |
00:17:32 |
Two are grasping swords. |
00:17:34 |
And one... Two are praying. |
00:17:39 |
This one has his arms at his sides. |
00:17:41 |
Oh, and this poor fellow |
00:17:45 |
I don't see any orb |
00:17:50 |
"Ought be on his tomb." |
00:17:53 |
Maybe. Over here, see. |
00:18:00 |
These aren't tombs. |
00:18:01 |
- What? Yes, of course they are. |
00:18:04 |
- They're effigies. |
00:18:06 |
Not tombs. There's no bodies here. |
00:18:08 |
This place is wrong. |
00:18:11 |
Can we go now? We should go. |
00:18:18 |
Sophie! No! |
00:18:21 |
Where is the keystone? |
00:18:23 |
Do not test me! |
00:18:25 |
- Let her go! |
00:18:26 |
Give me the keystone! Give it to me! |
00:18:28 |
Here! Here! Here it is! Here it is. |
00:18:30 |
Just let her go, and you and I can... |
00:18:34 |
Remy. |
00:18:39 |
Remy. No, no, no. No, put it away. |
00:18:42 |
Put it away. They're too close together. |
00:18:46 |
- Yes, I do. |
00:18:50 |
Thank you, professor. For a moment, |
00:18:54 |
Oh, this is absurd. |
00:19:00 |
That was satisfying. |
00:19:02 |
I'm glad this bullshit is over. |
00:19:07 |
Throw Teabing in the trunk. |
00:19:09 |
What? |
00:19:15 |
Here. You okay? |
00:19:22 |
Sorry. |
00:20:02 |
I don't think he's following. |
00:20:12 |
They won't kill Leigh |
00:20:18 |
- So we have to find it before they do. |
00:20:29 |
He once whined to me about the |
00:20:34 |
Let's see if he complains so now. |
00:20:37 |
Are you the Teacher? |
00:20:42 |
I am. |
00:20:45 |
Superbly done. |
00:20:52 |
The cryptex has yet to be opened. |
00:20:55 |
You've done enough. |
00:21:00 |
We cannot let ego |
00:21:05 |
I understand. |
00:21:08 |
Good. |
00:21:12 |
Wait here, at this house of Opus Dei, |
00:21:17 |
I will dispose of the old man. |
00:21:20 |
Bless you, Silas. |
00:21:23 |
Teacher. |
00:21:33 |
Christ be with you. |
00:21:37 |
We're at least a half-hour |
00:21:42 |
If we're gonna help Leigh, |
00:21:55 |
Where you going? |
00:21:57 |
Getting you a library card. |
00:22:02 |
Excuse me. May I sit next to you? |
00:22:04 |
- Yeah, sure. |
00:22:15 |
That's great. |
00:22:17 |
Didn't say you had a boyfriend. |
00:22:22 |
Thanks. |
00:22:24 |
Let's see if we can access |
00:22:27 |
"In London lies a knight |
00:22:31 |
Compounding keywords: |
00:22:32 |
Knight, Pope, Grail. |
00:22:36 |
Your precious treasure was |
00:22:44 |
Can you believe how well I did? |
00:22:47 |
I even convinced the monk. |
00:22:50 |
I should be in theatre. |
00:22:59 |
A toast to our success, Teacher. |
00:23:06 |
Your identity shall go |
00:23:15 |
There's your problem, mate. |
00:23:19 |
See, keywords keep coming up |
00:23:21 |
...of some bloke named |
00:23:24 |
"A. Pope." |
00:23:27 |
Your grandfather was a genius. |
00:23:33 |
Come on. |
00:24:07 |
Emergency. |
00:24:09 |
I know the location of two murderers |
00:24:18 |
We've just had a 999 call. |
00:24:20 |
Triangulation leads back |
00:24:22 |
Caller was male. |
00:24:25 |
...are hiding at an Opus Dei house. |
00:24:36 |
The knight we're looking for |
00:24:41 |
His life's work produced new sciences |
00:24:45 |
Gravity, for God sakes. |
00:24:49 |
And if you choose to believe... |
00:24:52 |
...he was also a Grand Master |
00:25:06 |
But if he offended |
00:25:09 |
...the Pope would be the last person |
00:25:13 |
Well, that's where I got it wrong. |
00:25:15 |
"In London lies a knight |
00:25:18 |
Sir Isaac Newton's funeral |
00:25:21 |
...by his good friend, |
00:25:25 |
A. Pope. His first initial. |
00:25:30 |
Here. |
00:25:31 |
Yes. Isaac Newton's tomb. |
00:25:35 |
An orb. |
00:25:36 |
Yes. Which one? It's not possible |
00:25:41 |
"An orb with Rosy flesh |
00:25:45 |
Solar system. The planets. |
00:25:50 |
See, our moon is missing. |
00:25:52 |
The moons of Saturn and Jupiter. |
00:25:55 |
Eyes of the cherubs themselves? |
00:25:59 |
Robert. These tracks. |
00:26:03 |
Look at the cane marks in the dust. |
00:26:08 |
Teabing was here. |
00:26:11 |
He was alone. |
00:26:14 |
When the two of you |
00:26:19 |
...others might call it God's will. |
00:26:23 |
I believed that if I had the cryptex... |
00:26:25 |
...I could solve the riddle alone. |
00:26:29 |
But I was unworthy. |
00:26:31 |
But you... |
00:26:33 |
You have a reason to be here. |
00:26:35 |
You're the last remaining |
00:26:39 |
Your grandfather |
00:26:41 |
...would not have lied |
00:26:43 |
...unless they knew |
00:26:48 |
How could you know |
00:26:51 |
Leigh. |
00:26:53 |
Grail quests require sacrifice. |
00:26:56 |
You are a murderer. |
00:26:57 |
No. No. Robert, tell her. |
00:27:00 |
When history is written, |
00:27:06 |
You self-righteous bastard! |
00:27:08 |
We need to just walk away. |
00:27:10 |
- No, don't. Don't. |
00:27:15 |
I'll do what I have to now. |
00:27:21 |
Anything. |
00:27:26 |
Do you understand? |
00:27:29 |
So now... |
00:27:32 |
...can't we all be friends again? |
00:27:35 |
This way. |
00:28:11 |
I'm going to put this gun down. |
00:28:17 |
I'm listening now. |
00:28:18 |
For 2000 years... |
00:28:20 |
... the Church has rained oppression |
00:28:25 |
... crushed passion and idea alike, |
00:28:30 |
Proof of Jesus' mortality can bring |
00:28:35 |
...drive this church of lies |
00:28:39 |
Armed police! |
00:28:41 |
Drop your weapon! |
00:28:46 |
Stop, Silas! |
00:28:59 |
We are betrayed, my son. |
00:29:02 |
The living heir must be revealed. |
00:29:05 |
Jesus must be shown |
00:29:08 |
Not miraculous, simply man. |
00:29:12 |
I'm sorry. |
00:29:15 |
Armed police! |
00:29:17 |
Drop your weapon! Drop it! Drop it! |
00:29:29 |
Put it down now! Put it down! |
00:29:39 |
I am a ghost. |
00:29:42 |
The dark con can be exposed. |
00:29:45 |
Mankind can finally be set free, |
00:29:51 |
The three of us. |
00:30:10 |
How is Silas? |
00:30:11 |
Is he..? Is he alive? |
00:30:14 |
The monk? |
00:30:18 |
Bishop, how would you know |
00:30:23 |
Get me out of here, Fache. |
00:30:25 |
Wait. |
00:30:29 |
Langdon never came to you |
00:30:33 |
One of your followers called you |
00:30:38 |
I cannot be implicated here. There are |
00:30:44 |
You used me. |
00:30:47 |
God uses us all. |
00:30:50 |
Help me, Fache. |
00:30:52 |
Take him. |
00:30:58 |
- Did you get his cell phone? |
00:31:00 |
I'm going to need a trace. |
00:31:05 |
Your Silas is dead. |
00:31:13 |
The Priory's sacred charge... |
00:31:15 |
...was to reveal the heir |
00:31:19 |
The millennium came and went |
00:31:24 |
The Priory failed |
00:31:29 |
So, what choice did I have? |
00:31:35 |
I sought out the enemy. |
00:31:38 |
I persuaded them, the Council |
00:31:43 |
I even asked them for money |
00:31:47 |
Rector, I made them call me. |
00:31:50 |
"Teacher." |
00:31:51 |
- Why don't you and I... |
00:31:52 |
Robert, no words. On your knees. |
00:31:55 |
Do it. |
00:31:57 |
No, I mean it. Down. |
00:31:59 |
Not you. No, my dear, you... |
00:32:05 |
You're my miracle, Sophie. |
00:32:08 |
You're the guardian of the Grail. |
00:32:11 |
All the oppression of the poor |
00:32:14 |
...of those of different skin, |
00:32:17 |
You can put an end to all that. |
00:32:21 |
You must explode the truth |
00:32:25 |
It's your duty. |
00:32:29 |
You know the answer to this riddle. |
00:32:33 |
Open the cryptex... |
00:32:36 |
...and I'll put down the gun. |
00:32:55 |
I have no idea how. |
00:32:57 |
I don't know the code. |
00:32:59 |
And even if I did, I wouldn't tell you. |
00:33:07 |
Like your grandfather, then. |
00:33:10 |
Willing to die for your secret. |
00:33:14 |
But by the way you've been |
00:33:18 |
...I wonder, would you |
00:33:23 |
Open it, Sophie, to save his life. |
00:33:25 |
- Leigh, you can't just... |
00:33:28 |
I don't know how. |
00:33:29 |
Open it or he dies. |
00:33:31 |
- I swear, I don't know. |
00:33:33 |
- Stop it! |
00:33:34 |
Stop it! |
00:33:41 |
She can't do it, Leigh. |
00:33:54 |
But give me a moment. |
00:34:06 |
Robert. |
00:34:20 |
What are you doing? |
00:34:22 |
Please. |
00:35:40 |
I'm sorry. |
00:35:51 |
I'm sorry. |
00:35:55 |
No! |
00:36:04 |
No, Robert! |
00:36:06 |
No! |
00:36:08 |
No. |
00:36:10 |
Oh, the map. It's ruined. |
00:36:19 |
The map is ruined. |
00:36:21 |
The Grail. |
00:36:23 |
It's lost. |
00:36:25 |
The Grail is gone. |
00:36:27 |
Only the worthy |
00:36:30 |
You taught me that. |
00:36:35 |
Armed police! |
00:36:36 |
Drop it! Drop your weapon! |
00:36:39 |
Put the gun down. |
00:36:43 |
Put the gun down. |
00:36:50 |
That one. The old man. |
00:36:53 |
You're under arrest! |
00:36:54 |
You do not have to say anything, |
00:36:56 |
...if you do not mention, |
00:36:58 |
...something which you |
00:37:00 |
Anything you do say |
00:37:13 |
I'll have some questions for you. |
00:37:32 |
Robert! Robert! Robert! |
00:37:36 |
How could you? Robert! |
00:37:38 |
To destroy our hope of freedom. |
00:37:41 |
To deny every pilgrim the chance |
00:37:44 |
How could you? |
00:37:50 |
You couldn't! You solved it. |
00:37:54 |
You took the scroll out |
00:37:58 |
You solved it. Oh, you'll find it, Robert. |
00:38:02 |
You'll find the Grail, |
00:38:04 |
...and you'll set her free |
00:38:06 |
That man there, |
00:38:19 |
There was every orb conceivable |
00:38:25 |
The orb which fell from the heavens |
00:38:29 |
Work that incurred the wrath |
00:38:37 |
A-P-P-L-E. |
00:38:40 |
Apple. |
00:38:55 |
The Holy Grail 'neath |
00:38:58 |
The blade and chalice |
00:39:00 |
Adorned in masters' |
00:39:02 |
She rests at last |
00:39:08 |
I think I know where she's gone. |
00:39:10 |
I think the Grail has gone home. |
00:39:32 |
Built by the Templars themselves. |
00:39:37 |
Rosslyn Chapel. |
00:39:40 |
So this is it. |
00:39:42 |
The gift at the end. |
00:39:45 |
"The Holy Grail 'neath |
00:39:49 |
You never told me the joke |
00:39:53 |
What was it? |
00:39:55 |
He called me a flatfoot. |
00:39:57 |
A beat cop of history. |
00:40:00 |
Oh, a dumb policeman... |
00:40:02 |
...who just does his job |
00:40:05 |
You know, his father was one. |
00:40:09 |
Saunière said he was the most |
00:40:18 |
We are who we protect, I think. |
00:40:21 |
What we stand up for. |
00:40:34 |
Jewish... |
00:40:37 |
...Christian, Egyptian... |
00:40:40 |
...Masonic, pagan... |
00:40:44 |
...Templar crosses... |
00:40:46 |
...pyramids. |
00:40:48 |
I think I've been here before. |
00:40:52 |
Sophie. |
00:41:12 |
A very long time ago. |
00:41:16 |
Come along, Sophie. |
00:41:32 |
Sophie. |
00:41:34 |
Over here. |
00:41:43 |
"The blade and chalice |
00:41:47 |
Pagan symbols for |
00:41:51 |
Fused as one. |
00:41:53 |
As the pagans would have wanted. |
00:41:57 |
We're about to close, I'm afraid. |
00:42:04 |
We're just gonna be a moment. |
00:42:21 |
Robert. |
00:42:47 |
"Adorned in masters' |
00:42:51 |
"She rests at last |
00:43:14 |
The fleur-de-lis. |
00:44:05 |
She was here. |
00:44:09 |
Her sarcophagus. |
00:44:12 |
Mary Magdalene. |
00:44:15 |
The Holy Grail herself. |
00:44:19 |
She was here. |
00:44:21 |
Where did she go? |
00:44:23 |
Did the Church finally get her? |
00:44:39 |
This is incredible. Look at this. |
00:44:42 |
Look at this. These records |
00:44:46 |
They date back |
00:44:51 |
Good God, could these |
00:45:16 |
What did he want from us? |
00:45:21 |
How was I ever supposed |
00:45:24 |
When you and your |
00:45:26 |
...was it something about your past? |
00:45:31 |
How could you know that? |
00:45:33 |
About how your parents died? |
00:45:37 |
Sophie? |
00:45:40 |
It was during primary school. |
00:45:44 |
I was in his library. |
00:45:48 |
Doing research. |
00:45:49 |
I was trying to find out |
00:45:52 |
Sophie, where are you, princess? |
00:45:55 |
I wanted to know about them. |
00:45:58 |
But I couldn't find any records. |
00:46:01 |
Not of their death... |
00:46:04 |
...not of the accident. |
00:46:07 |
I'd asked him for as long |
00:46:09 |
... but he would never tell me. |
00:46:10 |
I told you, no. |
00:46:14 |
But why can't I? |
00:46:16 |
He stood over me... |
00:46:20 |
...and he wouldn't let me leave. |
00:46:22 |
They're dead. Dead and buried. |
00:46:24 |
Never look for them, Sophie. |
00:46:26 |
Promise me. |
00:46:28 |
Swear it! |
00:46:30 |
Swear it to me! |
00:46:41 |
I kept my promise. |
00:46:47 |
The next week he sent me |
00:46:51 |
One weekend |
00:46:55 |
And what I saw |
00:46:59 |
Some ritual. |
00:47:03 |
I was so frightened. |
00:47:09 |
We hardly ever spoke again. |
00:47:14 |
Do you have any memories of your |
00:47:20 |
Before your parents were killed? |
00:47:23 |
Yeah. No. I don't know. |
00:47:26 |
Why? |
00:47:30 |
Because I don't think |
00:47:51 |
These are my parents. |
00:47:55 |
My brother. |
00:47:58 |
And this is you, isn't it? |
00:48:04 |
The paper says |
00:48:08 |
The mother, the father, the boy, 6... |
00:48:14 |
...and the girl, 4. |
00:48:18 |
But your name was never Saunière. |
00:48:25 |
It's one of the oldest families |
00:48:28 |
It's from a line of the |
00:48:40 |
Royal blood. |
00:48:44 |
I was so wrong. |
00:48:47 |
Saunière didn't want you to help guard |
00:48:53 |
Sophie... |
00:48:56 |
...you are the secret. |
00:49:00 |
You survived the accident. |
00:49:02 |
If it even was an accident. |
00:49:05 |
The Priory found out. |
00:49:07 |
Somehow they concealed |
00:49:11 |
They hid you with the |
00:49:15 |
...who raised you as his own. |
00:49:18 |
According to all of this... |
00:49:21 |
...Princess Sophie... |
00:49:26 |
...you are the heir. |
00:49:30 |
The end of the bloodline. |
00:49:33 |
You are the last living descendent... |
00:49:38 |
...of Jesus Christ. |
00:50:23 |
What is this? |
00:50:26 |
Sophie? |
00:50:30 |
Who are you? |
00:50:32 |
There have been many names. |
00:50:35 |
The keepers. |
00:50:37 |
Guardians. |
00:50:39 |
The Priory of Sion. |
00:50:41 |
But to you, Sophie, we are friends |
00:50:47 |
Jacques Saunière. |
00:50:51 |
He would have wanted you to know |
00:50:57 |
And that the Priory are here |
00:51:01 |
...as they have always |
00:51:06 |
I gave you up once... |
00:51:09 |
...knowing I might |
00:51:15 |
I'm your grandmother, Sophie. |
00:51:18 |
I have prayed for this moment |
00:51:25 |
Welcome home, child. |
00:51:39 |
Hey. |
00:51:50 |
She has some things |
00:51:55 |
About my family. |
00:52:04 |
What will you do? |
00:52:06 |
The legend will be revealed |
00:52:10 |
They just got the pronoun wrong. |
00:52:16 |
She said when Saunière died... |
00:52:18 |
...he took the location |
00:52:21 |
So there's no way to empirically prove |
00:52:27 |
What would you do, Robert? |
00:52:30 |
Okay, maybe there is no proof. |
00:52:34 |
But, Sophie, the only thing that |
00:52:39 |
History shows us |
00:52:42 |
...a human inspiration. That's it. |
00:52:45 |
That's all the evidence |
00:52:49 |
But... |
00:52:51 |
...when I was a boy... |
00:52:55 |
When I was down in that well |
00:53:02 |
...I thought I was going to die, |
00:53:07 |
What I did... |
00:53:09 |
...I prayed. |
00:53:11 |
I prayed to Jesus to keep me alive... |
00:53:15 |
...so I could see my parents again... |
00:53:17 |
...so I could go to school again... |
00:53:20 |
...so I could play with my dog. |
00:53:24 |
Sometimes I wonder |
00:53:29 |
Why does it have to be |
00:53:32 |
Maybe human is divine. |
00:53:35 |
Why couldn't Jesus |
00:53:37 |
...and still been capable |
00:53:40 |
Like turning water into wine? |
00:53:42 |
Well, who knows? |
00:53:46 |
Maybe that junkie in the park |
00:53:50 |
Maybe you healed my phobia |
00:53:53 |
And maybe you're |
00:53:58 |
Well, here's the question: |
00:54:02 |
A living descendent |
00:54:06 |
...would she destroy faith? |
00:54:09 |
Or would she renew it? |
00:54:14 |
So again I say, what matters |
00:54:19 |
Thank you. |
00:54:23 |
For bringing me here. |
00:54:26 |
For letting him choose you... |
00:54:29 |
...Sir Robert. |
00:54:40 |
You take care. |
00:54:42 |
Yes. |
00:55:07 |
Hey. |
00:55:21 |
Nope. |
00:55:23 |
Maybe I'll do better with the wine. |
00:55:29 |
Godspeed. |
00:56:26 |
Bloodline. |
00:56:31 |
Rose Line. |
00:56:39 |
"Hides beneath the Rose." |
00:57:30 |
"The Holy Grail 'neath |
00:57:37 |
Adorned in masters' |
00:57:55 |
The blade and chalice |
00:58:37 |
She rests at last |