Babylon
|
00:00:38 |
Hey, Beefy, come on, move some |
00:00:45 |
- Come on. |
00:00:53 |
Easy there. |
00:01:08 |
Hey, Errol! What, you not |
00:01:12 |
- I'm done. |
00:03:38 |
Beat the banker. |
00:03:41 |
I've got £5 here for ganja. |
00:03:43 |
Cho! |
00:03:51 |
I don't want to see you here any more. |
00:03:55 |
Just go outside there and |
00:04:03 |
Cho. |
00:04:06 |
£5 for the heart and £10 for the anchor. |
00:04:11 |
I gotta raise now. |
00:04:13 |
£1, £1 for the diamond. Banker's mine. |
00:04:18 |
(CLAMOURING) |
00:04:20 |
ALL: (CHANTING) Lion! |
00:04:26 |
ANNOUNCER: The soundroom play |
00:04:31 |
The winner goes tothe final, brothers |
00:04:41 |
All right, now, Ital Lion |
00:04:47 |
(INDISTINCT CHATTER) |
00:05:00 |
What you up to? |
00:05:03 |
- Moca! |
00:05:06 |
- What? |
00:05:08 |
What? |
00:05:10 |
Thing is moca, man, you know? |
00:05:12 |
- Yeah? |
00:05:14 |
- Fucking needs to be for tenner, don't it? |
00:05:18 |
Hey, Beefy. There's still |
00:05:24 |
Hey, Lover. What are you doing, |
00:05:30 |
Que? |
00:05:36 |
- Hey. You forgotten? |
00:05:42 |
The money. |
00:05:45 |
How much do you want? |
00:05:47 |
Just £2. You remember. |
00:05:52 |
Tell you what, seeing as I've |
00:05:55 |
I'll take that one. Yeah? |
00:05:59 |
Listen, I'll see you tomorrow evening. |
00:06:02 |
- Yeah? |
00:06:12 |
- Hold up your end, man. |
00:06:16 |
- Keep on the left side. |
00:06:18 |
(GRUNTING) |
00:06:23 |
Hey! |
00:06:26 |
What you do that for, man? |
00:06:28 |
What you mean, me? It was you, you fool. |
00:06:31 |
You mashed up the box. You slack, Beefy. |
00:06:34 |
Slack? It was you, rass claat, man. |
00:06:36 |
No, man, you went the wrong ways. |
00:06:38 |
No, man, you said left, right? |
00:06:44 |
Your left is my right, |
00:06:46 |
Cho, you too technical, man. |
00:06:59 |
(KNOCKING AT DOOR) |
00:07:01 |
- David, are you up? |
00:07:05 |
- Aren't you up yet? |
00:07:07 |
Get your clothes on, it's 8:30. |
00:07:11 |
I'm going to need your help with |
00:07:14 |
Oh, Mum, if it's that, count me out. |
00:07:18 |
Listen, you know you're the |
00:07:22 |
- He run away from me again yesterday. |
00:07:25 |
Listen, I want you to |
00:07:29 |
Now hurry up. |
00:07:31 |
If he don't want to go, |
00:07:34 |
Hey! |
00:07:37 |
Come here! |
00:07:42 |
(SHOUTING) |
00:07:44 |
- Get off! |
00:07:46 |
- What do you think you're doing? |
00:07:50 |
- Getting him to school. |
00:07:52 |
He's halfyour bloody size. You |
00:07:57 |
Go on, just clear out of |
00:08:00 |
Come on, you come down the |
00:08:04 |
Come on, you come down the road with me. |
00:08:08 |
Come on. |
00:08:16 |
- Dave. |
00:08:27 |
- MAN: Oi, Dave! |
00:08:31 |
- What sort oftime do you call this, then? |
00:08:34 |
You're supposed to be here |
00:08:36 |
- I know. |
00:08:39 |
- Family trouble. |
00:08:41 |
Listen, I've got all fucking night |
00:08:43 |
You have to do yours in the morning? |
00:08:46 |
Why don't you say you're out |
00:08:49 |
Believe what you want. |
00:08:50 |
I suppose your mate Ronnie, he's |
00:08:59 |
(UPBEAT MUSIC PLAYING) |
00:09:22 |
Ron, what you doing? Alan don't |
00:09:26 |
I don't even know I'm here. You know |
00:09:30 |
- Yeah? |
00:09:37 |
I keep telling you, you can't take it. |
00:09:40 |
No, man, it's got nothing to do |
00:09:43 |
"I will go home, have a nice time, |
00:09:47 |
- A big spliff. - Or a big spliff. |
00:09:51 |
thought I'd have a nice draw on |
00:09:54 |
put the headphones on, thought |
00:09:59 |
Next minute I know, I'm spark out on |
00:10:03 |
and she's shouting at |
00:10:06 |
You going to light that thing? |
00:10:09 |
- Yeah, I ain't got no matches. |
00:10:15 |
Ta. Yeah, so what was I saying? |
00:10:17 |
- Something about your old dear. |
00:10:21 |
and sends my old man up the stairs. |
00:10:25 |
trundles into the room, he sees |
00:10:30 |
"Cor, fuck me, doll, he's had a heart |
00:10:35 |
- Do you know what I did then? |
00:10:38 |
I puked over my mum's |
00:10:42 |
I did, and you should |
00:10:45 |
- What, your puke? |
00:10:48 |
Come off it, Ronnie, |
00:10:50 |
No, man, I tell you, that stuff's |
00:10:57 |
Pass the torch over for |
00:11:08 |
Given me a rightjob. |
00:11:09 |
- Here, listen, I'm going home, right? |
00:11:13 |
I know, it's force of habit. I don't |
00:11:18 |
- I'll check you later. |
00:11:27 |
Get away with it one day, eh? |
00:12:35 |
Come. |
00:12:38 |
- Beefy, where you go? |
00:12:41 |
Brakes, man, deal with it. |
00:12:50 |
Fucking hell. |
00:13:38 |
- Fat Larry there? |
00:13:42 |
All right. |
00:13:51 |
Larry. |
00:13:59 |
FAT LARRY: No, man, what |
00:14:02 |
Cho, blood claat, the one I Telex you! |
00:14:07 |
Yes, right, man, right. |
00:14:12 |
Tubby in Kingston, he'll |
00:14:16 |
Yeah. Yeah, Jamaica 101. |
00:14:23 |
Yes, all right. Love. |
00:14:28 |
Cho, look at Fat Larry now. |
00:14:33 |
Man must have hit upon rich |
00:14:36 |
Well, is up and down, you know. |
00:14:38 |
So what happened? Long |
00:14:41 |
- I'm here and there, you know. |
00:14:44 |
Just pass and check in, |
00:14:47 |
Frankie, play the tune |
00:14:56 |
(REGGAE SONG PLAYING) |
00:15:09 |
What you deal with, Fat Larry? |
00:15:12 |
Man, hear them tune a good |
00:15:14 |
- What you deal with? |
00:15:17 |
This tune exclusive, man. Import |
00:15:23 |
Fat Larry, somebody |
00:15:26 |
because, I tell you, I hear |
00:15:29 |
What you talk about? Is only |
00:15:33 |
- Pre-release, man. - So |
00:15:38 |
Pre-war? |
00:15:41 |
Hey, Frankie... |
00:15:43 |
(INDISTINCT) |
00:15:48 |
(TAPE REWINDING) |
00:15:55 |
(RHYTHMIC REGGAE MUSIC PLAYING) |
00:16:16 |
Oh, blood claat! |
00:16:21 |
- Beefy! |
00:16:26 |
- Fucking idiots. |
00:16:30 |
Beefy. |
00:16:32 |
This tune you check for this |
00:16:36 |
Shaka gonna beat you, Beefy. Shaka rule. |
00:16:40 |
- Yeah? |
00:16:42 |
- Sunday, we'll see who rule! Fuck off! |
00:16:46 |
Beefy, you're just big and soft. |
00:16:49 |
Big and soft! |
00:16:51 |
Anyway, take care, Beefy. |
00:16:53 |
- Shaka rule! |
00:17:00 |
Right! |
00:17:01 |
Bunch ofwanker. |
00:17:24 |
Well now, sir, is a serious business |
00:17:28 |
This tune exclusive |
00:17:33 |
Errol... |
00:17:45 |
And this ganja here, exclusive to I. |
00:17:50 |
Import, you know. Straight from Jamaica. |
00:17:53 |
Cho, what happen, sound man? |
00:17:57 |
Is a serious business, me I tell you! |
00:18:01 |
Errol. |
00:18:03 |
No man! Is where think you are? |
00:18:08 |
Trenchtown? This is Brixton. |
00:18:11 |
And it's £50 I want for |
00:18:31 |
All right, all right. Hold on a minute. |
00:18:34 |
I tell you what I'm gonna do. I'm |
00:18:39 |
because I know you for a long time |
00:18:41 |
and I want you to win this |
00:18:48 |
That's a rude thing you |
00:18:52 |
- What, this one here? |
00:18:55 |
Lfyou throw that in with the others, you |
00:19:00 |
You are a crook, I'll |
00:19:04 |
One big criminal. |
00:19:06 |
- Brixton you call this? |
00:19:35 |
Dave, I want you for a minute. |
00:19:43 |
ALAN: Look, do this Blue Peugeot |
00:19:57 |
What the fuck are you doing? |
00:19:59 |
I'm cleaning my hands, |
00:20:02 |
I'm playing the piano? |
00:20:03 |
But I've got a customer here, mush. |
00:20:05 |
I'm having my lunch break, all right? |
00:20:08 |
Look, come on, Dave, you |
00:20:11 |
Lfwe've got custom, we work |
00:20:14 |
And if Ronnie ain't here and the custom |
00:20:19 |
Stuck here till 6:00 without |
00:20:23 |
It's a terrific system that is. |
00:20:24 |
Just do us a favour, just get |
00:20:27 |
You can take the rest ofthe |
00:20:30 |
How come I've always got |
00:20:34 |
They've had their lunch, haven't they? |
00:20:36 |
I'll be back in an hour. |
00:20:42 |
If it's so important, Alan, |
00:20:45 |
You forgotten? |
00:20:46 |
- Oi! |
00:20:50 |
- You wanna know something? |
00:20:53 |
- You got too much ofthis. |
00:20:55 |
Yeah. Especially for a coon. I don't like |
00:21:01 |
In other words, son, you're |
00:21:36 |
Beefy. |
00:21:50 |
I'm talking to you. |
00:21:53 |
Man, you just ruined my concentration. |
00:21:57 |
Ruined. |
00:21:59 |
You satisfied now? |
00:22:03 |
Is what you want anyway? |
00:22:05 |
Well, right now, Beefy, it's a little |
00:22:11 |
- Oh, that. |
00:22:13 |
It have to replace because |
00:22:16 |
we only have three box |
00:22:19 |
Cho, you know how much |
00:22:22 |
Cho! Shaka this, Shaka that! |
00:22:29 |
Hold on, hold on, what happen? |
00:22:32 |
You have a benchpress to do |
00:22:34 |
Yeah, well, I'll have to do |
00:22:37 |
Have a little business to attend to. |
00:22:58 |
- What about this one? |
00:23:25 |
We'll take this one. |
00:23:27 |
We should have taken the one in the gym. |
00:23:29 |
- We're gonna take this one, all right? |
00:23:43 |
Come on, come on. |
00:23:46 |
Give me the blood claat screwdriver. |
00:23:56 |
See there. Tannoy number one. Come on. |
00:24:06 |
Right. Then how about this? |
00:24:10 |
RONNIE: If I'd been there, it |
00:24:12 |
How is it your fault, Ronnie, man? |
00:24:14 |
He can shove his exhaust |
00:24:18 |
I'll be happy to do the service, right. |
00:24:20 |
- Do you want some? |
00:24:25 |
You can't take it! I don't believe it. |
00:24:30 |
Hey, Spark. You not |
00:24:34 |
(WHISPERING) Fuck you. |
00:24:41 |
RONNIE: You know Alan's been |
00:24:47 |
What do you want? |
00:24:49 |
- Just to watch you, man. |
00:24:54 |
Move your blood claat, man! |
00:24:58 |
(SHOUTING) |
00:25:02 |
Silly blood claat. |
00:25:07 |
- Have you got the record? |
00:25:09 |
Well, give it to me, |
00:25:11 |
The tune. |
00:25:13 |
- Beefy there? |
00:25:16 |
- Give me the tune, man. |
00:25:18 |
Yeah, from Fat Larry, you know. |
00:25:21 |
Let go the tune, man. |
00:25:25 |
Yes, sir. |
00:25:26 |
- Let go ofthe tune, man. |
00:25:29 |
- Tune hard, man, hard like steel. |
00:25:33 |
RONNIE: Don't be a spoilsport. |
00:25:37 |
- Yeah, man! |
00:25:41 |
Who this bumbaclaat boy telling |
00:25:44 |
This man's no Ital Lion man, you know. |
00:25:47 |
(ALL ARGUING) |
00:25:51 |
Play the tune! |
00:25:53 |
Tannoy ready. You can go now, all right? |
00:25:57 |
BLUE: Go on. |
00:26:00 |
I show you something, Blue. |
00:26:04 |
You see this cut here? Lfthis |
00:26:11 |
not one life worth living, you hear me? |
00:26:13 |
Loud and clear, sir! |
00:26:18 |
Shall I tear up the final? |
00:26:28 |
(UPBEAT REGGAE MUSIC PLAYING) |
00:26:37 |
(ALL TALKING) |
00:26:41 |
So good, man. |
00:27:33 |
Hey, Dread! Smile, man. You on TV. |
00:27:38 |
- Just where the hell you get that? |
00:27:41 |
I never said "what", I said "where". |
00:27:44 |
Same place as the Tannoy, Dread. |
00:27:46 |
Same place as the |
00:27:49 |
- Yeah, man, ofcourse. |
00:27:53 |
Blackboard and chalk? You's one |
00:27:58 |
- What you want with this thing for, anyway? |
00:28:02 |
Film the people! How you going to |
00:28:07 |
- What do you mean, rest? - Metal |
00:28:10 |
Oh, that. We leave it behind, |
00:28:15 |
- So then video bruk. |
00:28:17 |
Useless, Beefy. It's not going to work. |
00:28:23 |
All right, Dread! Cho! Don't break |
00:28:27 |
DREAD: You do no such thing, |
00:28:36 |
(BANGING ON DOOR) |
00:28:38 |
Oi! Turn that off! |
00:28:42 |
I said turn offthe sound! |
00:28:45 |
(BANGING CONTINUES) |
00:28:55 |
Boy. |
00:29:00 |
Yeah? |
00:29:01 |
WOMAN: Have you got any idea |
00:29:04 |
- Pardon? |
00:29:06 |
You know what I'm on about. |
00:29:07 |
Well, the only noise I've heard, |
00:29:10 |
I want it stopped, understand? |
00:29:13 |
There's people trying to get to bleeding |
00:29:16 |
Carrying on? No, you must be |
00:29:19 |
There was music, very loud music, |
00:29:22 |
RONNIE: Well, why didn't you say |
00:29:26 |
That music is loud enough |
00:29:30 |
Well, I can't understand that. It's only |
00:29:34 |
Tiny thing, it's only little. |
00:29:36 |
I tell you what I'll do, I'll go in there, |
00:29:39 |
Don't you piss me about, my son, |
00:29:42 |
I know exactly what's going on. There |
00:29:45 |
They come jumping out ofthat van |
00:29:48 |
and they play their bloody |
00:29:51 |
- You don't mean blacks, do you? |
00:29:54 |
The big ones with the |
00:29:58 |
RONNIE: Sambos? WOMAN: Yeah. |
00:30:00 |
- RONNIE: Mango munchers? |
00:30:03 |
Coons? |
00:30:06 |
Oh, yeah, I might've known, I might've |
00:30:12 |
Look at you. Good for |
00:30:17 |
Lazy. You're everywhere. Jungle bunnies. |
00:30:21 |
This was a lovely area |
00:30:25 |
And you, you should be |
00:30:27 |
You know what you are, don't you? You're |
00:30:31 |
You're no relation of mine, lady. |
00:30:33 |
You fuck off back to your own |
00:30:36 |
This is my fucking country, lady, |
00:30:41 |
It's always been a fucking tip |
00:30:43 |
for as long as I can remember. |
00:30:46 |
Beefy, Beefy. |
00:30:48 |
(BEEFY SHOUTING) |
00:30:54 |
- Cool it, Beef. |
00:30:57 |
Save that steam for the gym, man. |
00:31:03 |
(PHONE RINGING) |
00:31:19 |
Hello. Yes. Hold on. |
00:31:24 |
- Blue. |
00:31:25 |
It's your mum. |
00:31:30 |
Mum. |
00:31:35 |
She knows I don't like |
00:31:43 |
No, I haven't forgotten about Carlton. |
00:31:52 |
Yeah, all right. Yeah, okay. |
00:31:57 |
What does she want? |
00:32:01 |
I have to take Carlton to school again. |
00:32:05 |
Oh, forget about Carlton. Let him wait. |
00:32:24 |
(RHYTHMIC REGGAE MUSIC PLAYING) |
00:32:48 |
(MUSIC STOPS) |
00:32:54 |
- I want my hat. |
00:32:56 |
- I want my hat. |
00:32:58 |
You got me into a whole |
00:33:00 |
- Good! |
00:33:01 |
You turned my record |
00:33:03 |
Put it back on! Put it back on! |
00:33:08 |
Give me my hat. Give us it! |
00:33:11 |
I'm gonna tell on you! |
00:33:17 |
Give it back! |
00:33:21 |
Missed! Missed! |
00:33:24 |
You're not worth one. You think you can |
00:33:29 |
Now go in the kitchen and bring |
00:33:33 |
And I want every piece ofthem sponge |
00:33:39 |
Jesus Christ! Look at the |
00:33:45 |
So what happen to yourjob, man? How |
00:33:51 |
Nothing's happened to |
00:33:54 |
Cool? |
00:33:56 |
Lfyou must know, I leave the job. |
00:33:59 |
You just threw away a good, good |
00:34:02 |
Who said I don't care? Pray stop, man. |
00:34:05 |
Listen, you do your thing, |
00:34:08 |
Your thing? Fucking kali weed |
00:34:12 |
Yeah, mine's herbs, man, and yours |
00:34:15 |
So what happened to |
00:34:17 |
No, sir, is two man inside |
00:34:21 |
and one not work, you hear me? |
00:34:23 |
And I don't want to subsidise you. |
00:34:26 |
(MIMICKING) I don't |
00:34:28 |
Come here, you, come, come. |
00:34:32 |
BLUE: Leave him alone, man. |
00:34:34 |
You see the fine example |
00:34:36 |
Why do you skank from school? |
00:34:39 |
You too feisty. |
00:34:41 |
You don't control him and |
00:34:45 |
So just leave him alone, right? |
00:34:47 |
Watch it. When you earn as much as I |
00:34:52 |
Until then, just keep your |
00:35:14 |
What's up, Blue? |
00:35:16 |
- Why you not at work? |
00:35:23 |
- Let me show you a shot, boy. |
00:35:27 |
- You the boy. |
00:35:31 |
How come your face looking so |
00:35:39 |
- That's a call shot. Take it again. |
00:35:51 |
Hey, come here, I want |
00:35:55 |
Come here. Hey, Blue, |
00:36:05 |
- Hey, Blue, come here and watch this. |
00:36:12 |
ERROL: Is that a dog? WEASEL: |
00:36:16 |
He can just ride the thing. |
00:36:19 |
Hey, Beefy, man, you've pulled a dog! |
00:36:21 |
You're going to get killed, guy! |
00:36:26 |
Turn on him! See that. |
00:36:31 |
Beefy, where are you |
00:36:35 |
What the fuck is that? |
00:36:36 |
(ALL HECKLING BEEFY) |
00:36:44 |
Cho, Beefy, man, where |
00:36:47 |
Thing? Listen, this is |
00:36:50 |
I just lent him from my neighbour, |
00:36:59 |
You see? Plan is, man, we're |
00:37:05 |
Man, this man is itection |
00:37:09 |
See, Beef, the thing |
00:37:12 |
I think it's a poodle. |
00:37:14 |
WEASEL: No, man, is a mutant, |
00:37:18 |
BEEFY: Listen, this is a lion killer. |
00:37:23 |
What does it do, Beefy? Sit on |
00:37:30 |
- A word with you, Errol. |
00:37:50 |
Look at that. |
00:37:52 |
What is it? |
00:37:56 |
£40. |
00:37:58 |
- £50, man. |
00:38:01 |
- Oh, come on. - Errol, it's got |
00:38:04 |
Have a look. |
00:38:05 |
Top price, it needs to be in mint condition |
00:38:09 |
Hold on. |
00:38:12 |
I want you to look upon video camera, |
00:38:16 |
Errol, son, where did you get |
00:38:19 |
Oh, come on, Les, don't |
00:38:22 |
10 quid, that's all I'm |
00:38:25 |
- What do you say? - You're |
00:38:30 |
- I want it delivered, all right? |
00:38:31 |
One, two, three, four, five. |
00:38:38 |
A pound for some sweets |
00:38:43 |
- Yeah, yeah, yeah. |
00:38:46 |
Anyway, listen now, |
00:38:47 |
I talked to him about the video and |
00:38:51 |
- £5? No, man, not right. - Listen, |
00:38:57 |
Listen, take the £5 and be grateful now, |
00:39:01 |
Look, listen, right, how am |
00:39:05 |
and how am I gonna buy an |
00:39:08 |
Oh, blood claat! Engagement present? |
00:39:12 |
Loverboy and this Sandra |
00:39:15 |
Yeah, well, that's all you know, innit, |
00:39:18 |
You waste your money. |
00:39:20 |
- What you doing it for? |
00:39:23 |
A walking flag of Ethiopia. |
00:39:27 |
The man must have red, gold and |
00:39:30 |
(MUMBLING) |
00:39:33 |
Jah! Star! |
00:39:35 |
Eli! Peace to the I, |
00:39:44 |
Really nice... |
00:39:46 |
So what happen now? You |
00:39:48 |
No, man, not with the |
00:39:52 |
- Later, man. |
00:39:55 |
- Walk with the dog, boy. |
00:39:58 |
(GRUMBLING) |
00:40:07 |
(KNOCKING AT DOOR) |
00:40:12 |
- SPARK: Hey, come on out. |
00:40:15 |
What you mean, you |
00:40:17 |
No, man, I'm not going, right? You think |
00:40:22 |
It's aggro. Me no go. |
00:40:24 |
How can you not turn up to |
00:40:27 |
Look, keep your mouth |
00:40:33 |
- Listen, my mum don't know, right? |
00:40:38 |
All right, I'll put |
00:40:42 |
Listen, say God came along and he's |
00:40:46 |
all different colours, right, |
00:40:49 |
Hey, wait a minute! White |
00:40:53 |
(ALL LAUGHING) |
00:40:56 |
All right, smart arse, |
00:41:01 |
He's not gonna say, "Well, the red people, |
00:41:06 |
"and brown people's that size, but black |
00:41:09 |
- Why not? |
00:41:12 |
- He don't think like that, does he? |
00:41:15 |
You ever see a China girl with big tits? |
00:41:17 |
See, is the same thing, |
00:41:20 |
- He's right. |
00:41:23 |
Lfyou're sure, right, |
00:41:26 |
- put it up on the table and measure it. |
00:41:29 |
When you've quite finished, |
00:41:31 |
Yes, pal, we're going, we're going, |
00:41:35 |
Tell him where we're going. |
00:41:37 |
- I don't know, man. |
00:41:39 |
No, man, stop joking, man. Where is it? |
00:41:42 |
- No, man, Sandra's supposed to... |
00:41:45 |
See! |
00:41:46 |
(ALL JEERING) |
00:41:51 |
RONNIE: Where we getting |
00:41:53 |
Hey, Beefy... |
00:41:58 |
- St David's Hall. |
00:42:01 |
- By the Odeon. |
00:42:06 |
That's a pound. Five 20s is a pound. |
00:42:08 |
- Leave it out, guv'nor. |
00:42:53 |
Sandra, what time did |
00:42:55 |
9:00. |
00:42:56 |
It's bloody well 10:30 now. |
00:43:18 |
(INDISTINCT) |
00:43:44 |
- I'm sorry I'm late. |
00:43:48 |
- Come up there with me. |
00:44:11 |
(MUSIC STOPS) |
00:44:14 |
Good evening, ladies and gentlemen. |
00:44:18 |
Please hurry up. Thank you. |
00:44:25 |
Ladies and gentlemen, I'm sorry to |
00:44:30 |
but the reason for calling you here |
00:44:34 |
in the engagement of my |
00:44:38 |
to Norvil Washington. |
00:44:44 |
(SNICKERING) |
00:44:46 |
A very fine boy. |
00:44:49 |
And therefore, I would |
00:44:52 |
in a toast to both these lovely people. |
00:44:56 |
A toast to Sandra and Norvil. Thank you. |
00:45:01 |
Loverboy! |
00:45:04 |
Speech! |
00:45:06 |
I would also like to |
00:45:16 |
when this lovely couple |
00:45:19 |
RONNIE: He'll be late! |
00:45:20 |
Norvil has asked me to |
00:45:25 |
He put the blame on the |
00:45:30 |
I would also like to take the |
00:45:34 |
for allowing us to use this lovely hall. |
00:45:40 |
Now, ladies and gentlemen, |
00:45:43 |
Plenty of white rum, plenty of |
00:45:49 |
I thank you. |
00:46:20 |
Look at that! |
00:46:23 |
Hey, Beefy. |
00:46:31 |
Beefy, man! |
00:46:38 |
Hey. |
00:46:41 |
Look at him! |
00:48:38 |
(ALL CHATTERING) |
00:48:47 |
(ALL LAUGHING) |
00:48:55 |
(ALL TALKING EXCITEDLY) |
00:49:03 |
Just shut up! |
00:49:11 |
You see them there? |
00:49:12 |
Shut your fucking row |
00:49:16 |
I'll blow your fucking legs off! Slags! |
00:49:20 |
- Come on, get the message. |
00:49:24 |
(SHOUTS) |
00:49:25 |
- Beefy! |
00:49:31 |
I'll kill you now, you spade. Come on. |
00:49:33 |
Who do you think you are? |
00:49:36 |
Get up this way. I'll have you. |
00:49:39 |
- RONNIE: Hold him! |
00:49:42 |
BLUE: Stop it! Stop it! |
00:49:46 |
- MAN: Bastard! Fucking jungle bunnies! |
00:49:48 |
MAN: Get out ofthe fucking |
00:49:53 |
Drop it, Beefy, drop it. |
00:49:59 |
Beefy, cool it, man. |
00:50:01 |
Cool it, no one was |
00:50:03 |
That man called me a black bastard. |
00:50:05 |
Fucking hell, man, how many |
00:50:07 |
- Fucking ignorant people! |
00:50:11 |
Fucking pig ignorant. |
00:50:12 |
- Beefy, do you want to start a war? |
00:50:15 |
Do you want a race war? |
00:50:21 |
Beefy, ifyou go up there and fight that guy, |
00:50:24 |
Cool it! Cool it! |
00:50:26 |
Beefy! Beefy! Beefy, |
00:50:31 |
Damn it! They don't think twice |
00:50:35 |
Beefy, man... Ifthey throw us |
00:50:41 |
Where do we keep the sound, |
00:50:45 |
(MAN CURSING) |
00:50:47 |
- In! |
00:50:50 |
(MAN CURSING) |
00:53:16 |
MAN: Oi! |
00:53:18 |
Get around the other side! |
00:53:37 |
(TYRES SCREECHING) |
00:53:45 |
He's going around. He's getting away! |
00:55:38 |
All right! We got him! |
00:55:41 |
Right! |
00:55:46 |
Give him a dig. |
00:55:48 |
Get your legs down, you little bastard! |
00:55:50 |
What you run offfor, then, eh? What |
00:55:54 |
- I didn't fucking know who you were. |
00:55:58 |
And you done a runner. |
00:56:00 |
You fucking liars. |
00:56:03 |
Hello, MP, from Charlie Foxtrot 3. Over. |
00:56:07 |
We don't like mouthy bastards. |
00:56:10 |
Suspect detained, we're |
00:56:13 |
Come on, golly, you're coming with us. |
00:56:21 |
- I ain't done nothing! |
00:56:23 |
At 5:00 in the morning? |
00:56:25 |
You're a dirty, little slag, |
00:56:29 |
Get in. |
00:57:21 |
WESLEY: So how much is |
00:57:25 |
WESLEY: 200? 200 fucking pounds? |
00:57:29 |
If him don't turn up in the court, you |
00:57:33 |
So what you want, Wesley, what you want? |
00:57:36 |
You want the boy to stay in jail |
00:57:38 |
until the case come up |
00:57:40 |
So how come you so sure |
00:57:43 |
Because he's my son and |
00:57:47 |
- Him not let you down? |
00:57:49 |
He's let you down already, |
00:57:52 |
ESTHER: He's not a thief, Wesley. |
00:57:55 |
And if he says, I believe him, right? |
00:57:58 |
Look, Wesley, you should |
00:58:02 |
WESLEY: The police, them do this |
00:58:05 |
(WESLEY CONTINUES TALKING) |
00:58:08 |
I don't believe it, |
00:58:13 |
ESTHER: You don't even |
00:58:15 |
You see the bruises on the boy face? |
00:58:18 |
WESLEY: Thieves and |
00:58:21 |
Look after it, right? |
00:58:23 |
ESTHER: God, Wesley, can't you |
00:58:28 |
I go to work, too, you |
00:58:30 |
So don't you interfere in |
00:58:33 |
How come you think you was able to save |
00:58:37 |
if I never go out and work and |
00:58:41 |
Not even that fridge... |
00:58:44 |
Come on, man, see that? |
00:58:47 |
Come on. |
00:58:55 |
Oh, right here. |
00:59:15 |
Give me that rass claat thing. |
00:59:19 |
Come on. |
00:59:22 |
What? Give me the thing, man. |
00:59:25 |
I don't see why we have to |
00:59:28 |
It's the promoter's |
00:59:31 |
Yeah, but who's the |
00:59:34 |
- Shaka. |
00:59:36 |
And where all the posters |
00:59:39 |
Shaka area. |
00:59:40 |
Right. So how's our fellows |
00:59:44 |
Hey, you're right, you know? |
00:59:45 |
Yeah, we'll have to fix that Shaka, no? |
00:59:49 |
Come, man. We'll put one over there. |
00:59:55 |
Oh, come on, Beefy! |
01:00:02 |
RONNIE: You know the first |
01:00:04 |
- It was a... |
01:00:06 |
RONNIE: That Wembley concert back in |
01:00:12 |
My Boy Lollipop. Who was |
01:00:15 |
BLUE: It was Millie Small. |
01:00:18 |
BLUE: Not Marcia and |
01:00:21 |
RONNIE: Bob and Marcia. |
01:00:23 |
Yeah, you was a skin, man. A baldhead. |
01:00:27 |
A crombie. |
01:00:29 |
White shoes, braces, and |
01:00:36 |
- We didn't get in though, did we? |
01:00:40 |
- Errol didn't turn up with the tickets. |
01:00:42 |
RONNIE: But that party was good. You know |
01:00:46 |
- Angelo? |
01:00:49 |
The one with clubs, diamonds and |
01:00:52 |
- and he mashed it up. |
01:00:54 |
Yeah, how was I to know |
01:00:58 |
I thought he was just |
01:01:01 |
It was a nice spliff. |
01:01:04 |
You know how to make them. |
01:01:05 |
(BOTH CHUCKLING) |
01:01:07 |
So where you going tonight, Elaine's? |
01:01:09 |
- Yeah, I reckon so. |
01:01:13 |
I think Errol's got a few |
01:01:15 |
So what, I'll check you later, shall I? |
01:01:18 |
Yeah. |
01:01:20 |
Too much French kissing, eh? |
01:01:58 |
Hey. |
01:02:02 |
Where are you? |
01:02:48 |
(CAR HORN HONKING) |
01:02:50 |
- Hey, Blue. |
01:02:52 |
How's it going, son? |
01:02:55 |
Tribulations, you know, up and down. |
01:02:57 |
That's all you think |
01:02:59 |
- Is that a spliff, that? |
01:03:02 |
And reggae music. |
01:03:04 |
This is the guy that's |
01:03:06 |
You know Rupie, don't you, Blue? |
01:03:09 |
Hi, Rup. So where you going? |
01:03:12 |
Where we going? |
01:03:15 |
Just a cruise, you know. |
01:03:16 |
- Can I cruise with you? |
01:05:51 |
How's it going? |
01:05:53 |
Well, I haven't won anything yet. |
01:06:09 |
- Just won something. |
01:06:12 |
(CHUCKLES) Been here for hours. |
01:06:18 |
Lfyou want business, |
01:06:21 |
All right. |
01:06:24 |
You got anywhere to go? |
01:06:26 |
- Yeah, I got a place just |
01:06:51 |
- You come up West a lot, do you? |
01:06:54 |
I thought I hadn't seen |
01:06:56 |
- MAN: You sure this is okay? |
01:07:01 |
Through the alley and just |
01:07:07 |
Hey, you, just give me |
01:07:11 |
Yo, fool, why don't |
01:07:29 |
Hey, man, what? Come on, |
01:07:33 |
They love it, it's how |
01:07:37 |
Hey, man, we can't |
01:07:39 |
Look, do you want the |
01:07:42 |
Listen, man, cho, call an |
01:07:45 |
Listen, man. |
01:07:47 |
You never tell me about |
01:07:49 |
What? About what? |
01:07:51 |
- Mugging and that kind ofthing. |
01:07:54 |
Look, how do you think all these |
01:07:57 |
these blokes driving around in fast |
01:08:01 |
They've got to step on someone's feet. |
01:08:07 |
Cho. Look, just come take your fucking |
01:08:35 |
MAN: All right. ELAINE: |
01:08:38 |
MAN: I'll come and |
01:08:51 |
BLUE: Where you fucking been? |
01:08:54 |
Do you know how long I've |
01:08:58 |
- So where've you been, Elaine? |
01:09:01 |
BLUE: It's 6:00 in the morning. |
01:09:11 |
- So who's that you're offwith now? |
01:09:15 |
I went up a soul club |
01:09:19 |
Neither Deidre nor Beverly drive. |
01:09:22 |
Look, what am I supposed |
01:09:24 |
Sit by the phone hoping you'll ring? |
01:09:29 |
Who was he? The one in the Interceptor. |
01:09:37 |
- Who was he? |
01:09:40 |
it was Deidre's brother and |
01:09:48 |
Anyway, it's got nothing to do with you. |
01:09:49 |
What do you mean, it's |
01:09:52 |
Do you know how long I've been |
01:09:54 |
I don't care how long you've |
01:09:56 |
- You don't care! |
01:09:58 |
Listen, right. Look, when I decide |
01:10:02 |
and you're not around, |
01:10:07 |
Sometimes I could hit you. |
01:10:11 |
Look, Blue, look, just leave me |
01:11:13 |
RASTA: Jah! CROWD: Jah! |
01:11:16 |
RASTA: Almighty and most powerful god. |
01:11:21 |
Clap your hands, all ye people. |
01:11:24 |
Shout unto Jah with the voice oftriumph. |
01:11:28 |
For the Lord most high is terrible. |
01:11:32 |
He's a great king over all the earth. |
01:11:36 |
He shall serve you. |
01:11:39 |
And the nations at our feet. |
01:11:43 |
He shall choose our inheritance for us. |
01:11:46 |
The excellency ofJacob |
01:11:52 |
Jah is gonna bless you. |
01:11:55 |
Lord with the soul of a trumpet. |
01:11:58 |
Sing praises to Jah, sing praises. |
01:12:02 |
Sing praises to Rastafari, sing praises. |
01:12:06 |
'Cause he is a great |
01:12:10 |
Sing his praises with understanding. |
01:12:46 |
- Jah! |
01:12:48 |
Most high and terrible god. |
01:12:53 |
Lord of lords, |
01:12:56 |
king of kings, |
01:12:58 |
conquering lion ofthe tribe ofJudah. |
01:13:01 |
He lift up himself. |
01:13:04 |
Most high god, light |
01:13:09 |
Most powerful and terrible god. |
01:13:16 |
Dear beloved, peace be unto the I. |
01:13:20 |
Welcome to this gathering |
01:13:27 |
Rastafari. |
01:13:28 |
But the I look as if all the troubles |
01:13:34 |
Come here, draw this |
01:13:39 |
for the healing ofthe nation, |
01:13:49 |
To the east, Africa. |
01:13:53 |
To the west, Jamaica, first Babylon. |
01:13:58 |
To the north, England, second Babylon. |
01:14:03 |
Babylonian triangle ofcaptivity. |
01:14:07 |
Man travel down many |
01:14:12 |
all ofthem roads that man take, |
01:14:17 |
is brought deceptions and vanities. |
01:14:20 |
Vanities and vanities that make man |
01:14:26 |
first leaving behind him the dirty |
01:14:32 |
and wicked Babylonian society |
01:14:35 |
and step forward to |
01:14:40 |
the first point ofthis |
01:14:45 |
Jah Rastafari, most high and mighty god. |
01:15:25 |
Dread? |
01:15:28 |
Errol? |
01:16:33 |
- What errors! |
01:16:39 |
All right, come on, Shaka |
01:16:42 |
Come on, guy. Me cold enough. |
01:16:45 |
- All right, man. |
01:16:49 |
Hey, come on, Beefy, man. |
01:16:51 |
- We have to catch some fun, you know. |
01:16:55 |
Come on. |
01:16:57 |
Hey, Beefy, come on, man. |
01:17:01 |
- What errors! |
01:17:05 |
Lion! |
01:17:07 |
Hey, Beefy, you ought to see |
01:17:11 |
- Shut your fucking face. |
01:17:16 |
Come on. Come on, man. |
01:17:35 |
(VEHICLE APPROACHING) |
01:17:47 |
(ALL CHATTERING) |
01:17:59 |
- I hear that Shaka have a new tune. |
01:18:36 |
Everything is fucked, man! |
01:18:42 |
(RONNIE SINGING) |
01:18:52 |
Fuck me. |
01:18:54 |
Shut the rass claat door now. |
01:19:11 |
So what are you looking at me for? |
01:19:15 |
Well, it's not me that's done it. |
01:19:19 |
It's your kind, man. |
01:19:20 |
Your fucking kind! |
01:19:22 |
Beefy, why don't you |
01:19:25 |
- You don't know nothing! |
01:19:27 |
I know that if him never stop |
01:19:30 |
on the balcony, this would never happen. |
01:19:33 |
They're the same kind, man. |
01:19:36 |
Your kind. Your fucking kind. |
01:19:40 |
My kind, Beefy? My kind? |
01:19:43 |
It's me that sprayed |
01:19:46 |
And mashed up the speakers, yeah? |
01:19:51 |
Them are dealing in |
01:19:58 |
Don't talk fucking black, white man. |
01:20:02 |
(ALL CLAMOURING) |
01:20:10 |
DREAD: I don't want to hear no |
01:20:14 |
Nobody be making a schism, you hear? |
01:20:17 |
Tonight is still I night. Errol. |
01:20:21 |
- Cool down, Beef, man. |
01:20:25 |
- Record box is in the van? |
01:20:28 |
Fat Larry special there? |
01:20:30 |
Yeah, man. |
01:20:31 |
So sound and I look good. |
01:20:35 |
Come, come, man. Come, |
01:20:44 |
Look after yourself, Ronnie, you hear? |
01:20:57 |
The I better make sure |
01:22:04 |
I'll see you later. |
01:22:10 |
(CHOIR SINGING) |
01:22:18 |
A calm and heavenly frame. |
01:22:20 |
# A calm |
01:22:24 |
# And heavenly frame # |
01:22:29 |
A light to shine upon the road. |
01:22:31 |
# A light to shine |
01:22:38 |
# Upon the road# |
01:22:44 |
That leads me to the lamb. |
01:22:46 |
# That leads me |
01:22:50 |
# To the lamb # |
01:22:57 |
Lord bless me now and bless |
01:23:02 |
I pray for our complete deliverance. |
01:23:04 |
I pray that you will |
01:23:08 |
Lord, I am depending upon you |
01:23:13 |
At a time like this, |
01:23:15 |
my heart is overflow with joy |
01:23:18 |
knowing that once I was a sinner, |
01:23:23 |
was going down the road ofsedition. |
01:23:27 |
Had no intention about this man, Jesus. |
01:23:31 |
And one night I come to the conviction |
01:23:36 |
and tonight I am rejoicing in |
01:23:42 |
And I could say, as |
01:23:46 |
I am happy to be a Christian |
01:23:48 |
and I am rejoicing in this |
01:23:53 |
And now, Lord, I pray that |
01:23:57 |
What a pussy claat. What's |
01:24:03 |
Right now, when I go home, it's just |
01:24:07 |
You playing tonight? |
01:24:09 |
- No, why? |
01:24:13 |
What do you mean, borrow my sound |
01:24:15 |
- Is two you want? |
01:24:20 |
Get mash up? You know, this |
01:24:24 |
Blood claat! What do |
01:24:27 |
You're worse than a pussy |
01:24:30 |
Listen, man, watch them |
01:24:35 |
Right now, just drop them in |
01:24:38 |
And listen now, |
01:24:40 |
don't you come for no more |
01:25:19 |
Hey! Oi! |
01:25:22 |
Open this bumbaclaat door. |
01:25:28 |
Oi! I know you're in there! |
01:25:37 |
(CURSES) |
01:25:41 |
Bumbaclaat. |
01:25:45 |
What are you after, jungle bunny? |
01:25:50 |
An hiding, eh? |
01:25:53 |
Is that what you want? Eh? |
01:26:06 |
# Jah |
01:26:13 |
# Does you know? |
01:26:15 |
# Light ofthis world, I and I, Rastafari |
01:26:20 |
# I shall lead I and |
01:26:26 |
# Jah |
01:26:32 |
# Babylon, Babylon, Babylon |
01:27:07 |
# Say |
01:27:09 |
# Rastafari! |
01:27:19 |
# Fourthousand years I've gone |
01:27:26 |
# I and I come to chant |
01:27:29 |
# And setthe captives free |
01:27:51 |
# Jah |
01:27:59 |
# King of kings and lord of lords |
01:28:02 |
# Conquering Lion ofthe |
01:28:30 |
Who's this brother here? |
01:28:35 |
Blood claat, never seen |
01:28:43 |
- You know what them say about him? |
01:28:47 |
They say he likes to |
01:28:50 |
- Why he do that? |
01:28:58 |
Blood claat problems, you |
01:29:01 |
(PEOPLE EXCLAIMING) |
01:29:31 |
(ALL SHOUTING) |
01:29:40 |
No fight ing, man. |
01:29:43 |
Where's your buddy? Don't |
01:29:46 |
Get together, Rasta! |
01:29:49 |
Hey! I love... Cho! |
01:29:51 |
(ALL SHOUTING) |
01:29:58 |
Quiet! I wantto getthis song over. |
01:30:01 |
Lover boy, you gonna have |
01:30:05 |
- Me? |
01:30:09 |
Go on. |
01:30:13 |
(UPBEAT REGGAE MUSIC PLAYING) |
01:30:15 |
Right, folks, now Ital Lion. |
01:30:18 |
First of Zion, jungle lion. |
01:30:25 |
(SINGING) |
01:30:41 |
(CHEERING) |
01:30:44 |
MAN: Good to see you. |
01:30:49 |
Tothe inspiration of his Imperial Majesty, |
01:30:53 |
Jah! Rastafari! |
01:30:56 |
# Go into Lion! Lion! |
01:31:03 |
# I get a call coming down the hall |
01:31:07 |
# I had just had a few in the hall |
01:31:11 |
# I get a call coming down the hall |
01:31:14 |
# I had just had a few in the hall |
01:31:18 |
# When I was a youth |
01:31:21 |
# Teacherjusttried to make me a fool |
01:31:24 |
# Lord I said them |
01:31:28 |
# All the things that |
01:31:32 |
# Can't take no more of t hat # |
01:31:34 |
(ALL CHATTERING) |
01:31:36 |
Oi, what do you want? |
01:31:39 |
All right, all right. |
01:31:41 |
Don't I look like I'm in charge? |
01:31:45 |
- Right. Nor do I know a blood claat... |
01:31:49 |
(MUMBLING) |
01:31:51 |
# Lion! Lion! Lion! Lion! Lion! Lion! # |
01:31:55 |
Listen to me, sunshine... |
01:31:57 |
Stop the music? Send |
01:32:00 |
The guy want to send the |
01:32:03 |
(ALL SHOUTING) |
01:32:13 |
Police outside. Saying everyone gonna... |
01:32:18 |
Stand firm! |
01:32:20 |
Hey, no! No! Them fooled us long enough. |
01:32:23 |
They won't fool us again, |
01:32:28 |
(SINGING) |
01:32:29 |
# Lion! Lion! Lion! Lion! |
01:32:34 |
# We can't take no more of that |
01:32:37 |
# Lion now say, now say We |
01:32:40 |
# Lion say we can't take no more ofthat |
01:32:45 |
# It's 400 years And it's |
01:32:49 |
# Brutality, hypocrisy, same immorality |
01:32:52 |
# We can'ttake no more of that... # |
01:32:54 |
(POLICE SIREN WAILING) |
01:32:58 |
# Say, say, say, say Lion! Lion! |
01:33:00 |
# We say Lion! Lion! We say Lion! Lion! |
01:33:04 |
# Because we know you |
01:33:09 |
# Jah teach the youth the |
01:33:12 |
# Then you say every man shall pay |
01:33:17 |
# We can't take no more |
01:33:20 |
# Can't take no more ofthat |
01:33:24 |
# Can't take no more |
01:33:27 |
# We can't take no more |
01:33:30 |
# We can't take no more of that# |