Thick As Thieves
|
00:04:16 |
All right. |
00:04:17 |
I know, I know, I know. |
00:04:19 |
A gun... |
00:04:24 |
- You know what I want, don't you? |
00:04:28 |
You're wasting time. |
00:04:31 |
Open it. Open it! |
00:04:47 |
Open it! |
00:04:56 |
Give me what I want. |
00:04:57 |
I don't understand, |
00:04:59 |
If the man's offering you |
00:05:03 |
When I need financial advice, |
00:05:06 |
- I'm just saying, is all. |
00:05:08 |
Take off your coat. |
00:05:21 |
- Now, how hard was that? |
00:05:24 |
Mister, I thought I told... |
00:05:31 |
What the?... |
00:05:37 |
Go, go! Move! Everybody down! |
00:05:41 |
Move! Move! |
00:05:43 |
Move! |
00:05:57 |
Go, go, go! |
00:05:59 |
Suspect white or Hispanic male. |
00:06:02 |
He's on top of the cars. |
00:06:12 |
Everybody down! Stay down! |
00:06:16 |
Other end! |
00:06:30 |
Everybody down! |
00:07:12 |
Move, move! Everybody down! |
00:07:16 |
Come on, face down! |
00:07:18 |
Come on, face down! |
00:07:23 |
- Officer... |
00:07:25 |
Come on, guys, get down! |
00:07:27 |
Get your ass down! |
00:07:30 |
Get down! Search the tracks! |
00:07:33 |
He went down the tunnel? |
00:07:42 |
Come on, people! |
00:07:45 |
He jumped! |
00:07:47 |
This train is closed. |
00:07:51 |
Sir, I need you to calm down. |
00:07:53 |
Get these people moving. |
00:08:04 |
Stop right there. |
00:08:08 |
The punk's got balls... |
00:08:11 |
but no positive identification. |
00:08:13 |
No... huh, there's another |
00:08:22 |
Michaels, stop it right there. |
00:08:25 |
You see what I see? |
00:08:26 |
- Maybe. |
00:08:29 |
That's who? |
00:08:30 |
How long have you been |
00:08:31 |
11 months, sir. |
00:08:33 |
I'm 22 years in robbery |
00:08:35 |
One of your subcategories |
00:08:38 |
There's a lot of that in the Apple. |
00:08:41 |
- I guess so, yeah. |
00:08:43 |
When I was your age, I was happy |
00:08:45 |
Lieutenant Weber minored |
00:08:48 |
Oh. |
00:08:49 |
Anyway, the Chief starts |
00:08:52 |
and puts me in charge |
00:08:55 |
of as much as an Etch-A-Sketch. |
00:08:56 |
Two decades, |
00:09:00 |
Everybody but him, Keith Ripley. |
00:09:03 |
He's the best there is. |
00:09:33 |
You've been bad boy. |
00:09:37 |
- Perhaps I could give you 15. |
00:09:41 |
That is not possible. |
00:09:42 |
I wouldn't take less than 100. |
00:09:46 |
I'm just saying, is all. |
00:09:49 |
- You... |
00:09:52 |
- Well, I may have wanted to use it. |
00:09:55 |
But yours will do. |
00:09:58 |
Will you please put down my gun? |
00:09:59 |
There's one thing |
00:10:02 |
or do you prefer Seññor Martin? |
00:10:05 |
The police cannot arrest you |
00:10:07 |
if your gun isn't loaded. |
00:10:09 |
Your point? |
00:10:10 |
You think I'd walk around |
00:10:13 |
Let's see. |
00:10:17 |
- You could have checked. |
00:10:18 |
You have my diamonds, |
00:10:22 |
Enjoy. |
00:10:25 |
By the way, |
00:10:30 |
I'm just saying, is all. |
00:10:32 |
- Gabriel, stay. |
00:10:34 |
What else do you want? |
00:10:38 |
Well, in as much as |
00:10:41 |
I figure it's only fair |
00:10:44 |
So to what do I owe |
00:10:48 |
I have a proposition |
00:10:55 |
So... |
00:10:56 |
how did you know |
00:10:59 |
as well as my name? |
00:11:00 |
It's part of the proposition... |
00:11:04 |
Oh, shit! |
00:11:07 |
- Come on: |
00:11:11 |
Nicky would like his money. |
00:11:14 |
- Ask him. |
00:11:17 |
This is between you and them. |
00:11:21 |
Everything does now. |
00:11:25 |
Call this interest. |
00:11:39 |
You must have very bad karma. |
00:11:41 |
I actually don't believe in it. |
00:11:44 |
No, no, no, no! |
00:11:48 |
Good night. |
00:11:54 |
- Hey. |
00:11:55 |
Here's your karma. |
00:12:00 |
- What was in the other envelope? |
00:12:07 |
Now you've got mine. |
00:12:10 |
Whatever. |
00:12:11 |
- Think about it. |
00:12:39 |
Hmm. |
00:12:44 |
Now... what do you want? |
00:12:48 |
A partner. |
00:12:51 |
What'd you think |
00:12:54 |
- I was watching you work. |
00:12:57 |
I've been your shadow |
00:13:00 |
So why were you in my town |
00:13:05 |
It's hurricane season in Miami. |
00:13:08 |
Or you didn't feel like |
00:13:12 |
It's over. |
00:13:14 |
Look... |
00:13:16 |
Gabriel Martin is a rock star. |
00:13:17 |
So why were you holding |
00:13:22 |
for a lousy 100 grand? |
00:13:25 |
Two reasons... |
00:13:26 |
Yes, Miami was getting too hot. |
00:13:28 |
And perhaps you can relate to this. |
00:13:31 |
Sometimes... |
00:13:34 |
Sometimes you just need |
00:13:39 |
The juice. |
00:13:41 |
Yeah. |
00:13:43 |
You know what I mean. |
00:13:45 |
Yesterday, |
00:13:47 |
for a few stones from Romanov's. |
00:13:51 |
My idea is Romanov's itself. |
00:13:53 |
Please... |
00:13:55 |
Specifically, two Fabergé eggs |
00:14:01 |
Each. |
00:14:05 |
It's a two-man job. |
00:14:08 |
Do I have your attention? |
00:14:31 |
Wait here. |
00:14:34 |
I hear they prefer cash... |
00:15:01 |
Why don't you try |
00:15:07 |
Jealous? |
00:15:09 |
Of who? |
00:15:12 |
The mystery bandit. |
00:15:14 |
I'm afraid that type of thing |
00:15:18 |
Well, I think this guy's |
00:15:23 |
And a passing resemblance, |
00:15:28 |
Well, you don't have |
00:15:31 |
Or guts... but you've gotta admit that |
00:15:40 |
My treat... too painful watching |
00:15:44 |
Oh, no, no, no... I was just... huh, |
00:15:47 |
So you are jealous. |
00:15:50 |
Yes... you got me there. |
00:15:56 |
I've gotta get this... |
00:15:59 |
so, um... |
00:16:01 |
some other time. |
00:16:03 |
- When, some other time? |
00:16:05 |
But you don't have my number |
00:16:08 |
I guess that could be a problem. |
00:16:10 |
Gabriel. |
00:16:13 |
- Oh, shit! |
00:16:14 |
I don't know. |
00:16:16 |
Ahh... yes, I am. |
00:16:19 |
What'd you want? |
00:16:21 |
Can't I bring my goddaughter |
00:16:24 |
My birthday was last month. |
00:16:25 |
It was two weeks ago |
00:16:27 |
Alex, it's just a present. |
00:16:32 |
No thanks. |
00:16:36 |
Well, it was nice |
00:16:39 |
- Gaby. |
00:16:41 |
It's a shame you don't keep |
00:16:50 |
- Don't even think about it. |
00:16:54 |
You go anywhere near her. |
00:16:57 |
It looks like it's your heart, |
00:17:01 |
You were warned. |
00:17:04 |
I thought you said |
00:17:06 |
- This is research. |
00:17:09 |
Oh, wow! |
00:17:15 |
They're absolutely stunning. |
00:17:20 |
They are. |
00:17:22 |
Between 1885 and 1916... |
00:17:25 |
Fabergé produced 50 of these |
00:17:28 |
and her daughter-in-law, |
00:17:30 |
Should I take notes? |
00:17:32 |
Will there be a quiz? |
00:17:34 |
No quiz but there will be a test. |
00:17:37 |
Okay... the Fabergés are all made |
00:17:43 |
- Every one a unique masterpiece. |
00:17:47 |
Most are on display in the Kremlin. |
00:17:49 |
The rest in private collections, |
00:17:53 |
In this case, at Romanov's. |
00:17:56 |
Who is your buyer? |
00:17:58 |
You don't want to know. |
00:18:00 |
Oh, I'm stealing 40 million dollars |
00:18:03 |
I also want to know |
00:18:05 |
are even worth 40 million dollars. |
00:18:08 |
Because no one knows they exist. |
00:18:11 |
Oh. |
00:18:13 |
- The so-called mystery eggs? |
00:18:16 |
Yeah, I've heard rumours, |
00:18:20 |
Last year, they turned up... |
00:18:24 |
So how do you know this? |
00:18:26 |
I was partners with a man named |
00:18:31 |
He was in tight with the Russians. |
00:18:32 |
What they knew, he knew. |
00:18:35 |
So, why aren't you |
00:18:38 |
Let's just say |
00:18:41 |
Leave it at that. |
00:18:47 |
He's gone. |
00:18:48 |
You're here. |
00:18:51 |
Now we just have to deliver. |
00:18:56 |
- Ripley... |
00:18:58 |
Why? |
00:19:01 |
Why risk your freedom at all? |
00:19:03 |
This will not be |
00:19:05 |
You are not in jail in the present. |
00:19:07 |
- Are you not comfortable? |
00:19:12 |
Some people |
00:19:16 |
Others to split the atom. |
00:19:20 |
I was born to steal shit. |
00:19:25 |
Hold out your hand. |
00:19:28 |
Hand? |
00:19:34 |
That coin was given to me by Victor |
00:19:38 |
The coin represents |
00:19:40 |
"Vorovoslky mlr". |
00:19:46 |
Victor belonged to it. |
00:19:48 |
Now... |
00:19:50 |
you belong to it. |
00:20:29 |
Psst... Hey! |
00:20:31 |
You misunderstand. |
00:20:35 |
This is... huh... |
00:20:37 |
Stalking? |
00:20:39 |
Well... if you had given me |
00:20:44 |
Those are two |
00:20:47 |
Do you have a vase? |
00:20:49 |
I just took these |
00:20:50 |
and I think they need some, huh... |
00:20:54 |
Huh... |
00:20:55 |
- May I use that... huh, thing over there? |
00:21:00 |
I... I've noticed this... huh, |
00:21:06 |
Riga Rose |
00:21:08 |
Why don't we meet there |
00:21:15 |
I'm busy. |
00:21:17 |
- I'll wait. |
00:21:21 |
I'll take my chances. |
00:21:26 |
Do svldanja, Alexandra. |
00:21:29 |
Research. Keith Ripley. |
00:21:34 |
'94, the Diamond District Warehouse |
00:21:36 |
I'm very familiar |
00:21:40 |
In fact, I busted him twice. |
00:21:43 |
Both times he walked |
00:21:46 |
Exactly, so I thought |
00:21:48 |
Murder one, Victor Korolenko. |
00:21:50 |
Thinkin ' of the Brighton Beach steam bath? |
00:21:53 |
- No body. But we've got a ton of forensics. |
00:21:56 |
Nobody there admitted |
00:21:59 |
I was this close to convincing |
00:22:02 |
in exchange for giving up Ripley. |
00:22:05 |
But Ripley got to him first. |
00:22:07 |
I can't prove it. |
00:22:09 |
Right, okay. I see, I see... okay. |
00:22:11 |
No... |
00:22:14 |
is why Ripley got involved |
00:22:17 |
like grabbin ' a few diamonds |
00:22:20 |
And neither did I. |
00:22:21 |
Until I read |
00:22:25 |
Those diamonds |
00:22:29 |
You mean Ripley and his new partner |
00:22:33 |
Ah... come on. |
00:22:36 |
Not even Ripley |
00:22:40 |
Wanna bet? |
00:23:07 |
- Hi. |
00:23:10 |
- You know this place very well. |
00:23:13 |
Let's face it, |
00:23:15 |
You saw the flyer in the fax |
00:23:19 |
Yeah. Guilty. So I did. |
00:23:22 |
Never assume anything, |
00:23:26 |
- How mysterious. |
00:23:28 |
How mysterious. |
00:23:31 |
- Can I buy you a drink? |
00:23:33 |
Another assumption. |
00:23:37 |
You wanna dance? |
00:23:42 |
Yeah. |
00:23:44 |
I'm willing to make a fool of myself. |
00:24:42 |
Here. |
00:24:45 |
- And for him. |
00:24:47 |
Thanks. |
00:24:48 |
I thought all Russians drank. |
00:24:50 |
Translation, |
00:24:53 |
No... I didn't mean that. No. |
00:24:55 |
Actually, we are. |
00:24:59 |
- Nastravila? |
00:25:01 |
Nastravise? |
00:25:04 |
So... how is it... |
00:25:09 |
- Huh... I'm a lawyer, too, you know. |
00:25:12 |
Maybe I won't say another word, |
00:25:16 |
- Well, you don't know until you try. |
00:25:19 |
Besides, my father warned me |
00:25:22 |
He told me I should try and do |
00:25:25 |
As if he would know. |
00:25:27 |
Your father and Ripley, |
00:25:34 |
Once upon a time. |
00:25:39 |
I'm sure Ripley told you. |
00:25:43 |
Now Ripley likes |
00:25:46 |
Pay for stuff. That kind of thing. |
00:25:49 |
Of course, it's the least he can do. |
00:25:53 |
Sorry. I don't mean to pry. |
00:26:01 |
Yes, you do. |
00:26:06 |
Now who is making assumptions? |
00:26:09 |
No, Gaby. I'm not assuming a thing. |
00:26:29 |
You wanna know about Ripley? |
00:26:33 |
Stay away. |
00:27:12 |
You son of a bitch! |
00:27:16 |
Well... you dropped these... |
00:27:18 |
and I am a gentleman |
00:27:22 |
Uh-huh. |
00:27:28 |
No, no, no, no, no! |
00:27:32 |
No! |
00:28:22 |
Shit, man! What do you want? |
00:28:26 |
I told you to leave her alone. |
00:28:29 |
I'm not gonna tell you again. |
00:28:32 |
Get dressed. I'll be downstairs. |
00:28:42 |
Son of a bitch. |
00:28:48 |
Fascinating. |
00:28:51 |
You could start a whole new trend |
00:28:57 |
- What are these? |
00:29:00 |
Police IDs? |
00:29:02 |
There's a reception at Romanov's |
00:29:07 |
And our invitation's just arrived. |
00:29:09 |
A cop for the night. |
00:29:11 |
And all the doughnuts you can eat. |
00:29:13 |
Meanwhile, however, |
00:29:16 |
Why don't you go and pick up |
00:29:20 |
Who said anything about picking up? |
00:29:23 |
You're dropping off. |
00:30:02 |
Cellphone, please. |
00:30:34 |
- Commissioner Rawls. |
00:30:36 |
Deputy Commissioner Morelli. |
00:30:38 |
Such a pleasure having you here. |
00:30:39 |
May we give you gentlemen |
00:30:42 |
- The secrets of Romanov? |
00:30:44 |
- Thank you. We're honored. |
00:30:51 |
The guards, |
00:30:54 |
Every door, every inch of glass |
00:30:57 |
So even if a bird flies in here, |
00:31:02 |
Topkapi. |
00:31:04 |
Rififi. |
00:31:05 |
No, the bird flew into the museum, |
00:31:09 |
and set off the alarm in Topkapi. |
00:31:11 |
You're a cineaste. |
00:31:13 |
Actually, I only see heist movies. |
00:31:17 |
Well, the lesson to take away from |
00:31:20 |
is no matter how well you planned, |
00:31:25 |
because, I guarantee you, |
00:31:28 |
- I'd prefer to avoid that. |
00:31:31 |
How comprehensive |
00:31:34 |
Let's take a look. |
00:31:56 |
- Smart card for the elevator. |
00:31:58 |
This way. After you. |
00:32:00 |
We're on. |
00:32:04 |
Good to see you, old friend. |
00:32:08 |
Lieutenant Weber, I presume. |
00:32:12 |
You know, Ripley, |
00:32:16 |
- And quite an embarrassing one in this case. |
00:32:19 |
Do you realise |
00:32:20 |
telling that nice lady at the door |
00:32:24 |
I mean at my age? |
00:32:26 |
Or should I say at your age? |
00:32:28 |
I'm not amused. |
00:32:31 |
And why did you appropriate |
00:32:34 |
I apologise for the subterfuge. |
00:32:36 |
I just wanted to show my friend here |
00:32:40 |
If you want to arrest us for impersonating |
00:32:44 |
I'm sure my lawyer |
00:32:46 |
It'd be a delightful two hours. |
00:32:49 |
Then there's all that explaining |
00:32:53 |
Now that would be |
00:32:55 |
Notorious thief gaining admittance |
00:33:00 |
Great police work, Weber. |
00:33:01 |
We should discuss my police work |
00:33:04 |
Hmm. |
00:33:05 |
- Who's your sidekick? |
00:33:09 |
Good to meet you, Jules. |
00:33:13 |
Enjoy the party, gents. |
00:33:15 |
While it lasts. |
00:33:19 |
Now... do you mind telling me |
00:33:24 |
- Just a cop. |
00:33:28 |
We have been made in the very place |
00:33:32 |
Exactly how do you stay out of jail? |
00:33:34 |
Unless, of course, you and this Weber |
00:33:41 |
Are you, Ripley? |
00:33:45 |
Here we go. |
00:33:47 |
Come on. Move your damn ass! |
00:33:52 |
Weber has no idea |
00:33:55 |
Of course he does. |
00:33:56 |
He doesn't know when |
00:33:58 |
And, no, he doesn't know |
00:34:00 |
No one does. Here. |
00:34:02 |
The best way to neutralise Weber... |
00:34:03 |
is to fuel his obsession |
00:34:07 |
He's so blinded by it, he no longer |
00:34:10 |
Give me a good reason to, huh? |
00:34:13 |
I already gave you 40 million |
00:34:17 |
Now you've seen what the public sees, |
00:34:20 |
That is, of course, as long as you |
00:34:24 |
I guess I won't take any notes, then. |
00:34:29 |
Our main vault. |
00:34:31 |
Gregor dlsarm |
00:34:33 |
Even with the knowledge |
00:34:36 |
it is absolutely impregnable. |
00:34:38 |
The voice sensors ask |
00:34:41 |
a random set of pre-recorded words. |
00:34:43 |
But this is only half the process. |
00:34:46 |
We also have |
00:34:50 |
Since Mr. Sergeev and I are |
00:34:54 |
we must both be present |
00:34:56 |
Once I activate |
00:34:59 |
he must activate the voice sensor. |
00:35:01 |
This way neither of us |
00:35:04 |
Well, you better hope Mr. Sergeev |
00:35:09 |
I must stay |
00:35:19 |
- Hamburger. |
00:35:24 |
- Blg Apple. |
00:35:33 |
Jesus Christ. |
00:35:35 |
The vault door |
00:35:38 |
at which polnt the sensor |
00:35:41 |
All In all gentlemen |
00:35:46 |
Well, did I say it was gonna be easy? |
00:35:48 |
No, but you didn't say |
00:35:51 |
Armoured glass... |
00:35:53 |
It would take half an hour |
00:35:57 |
But, I'm afraid, whoever tried |
00:36:01 |
because an ultrasonic motion detector |
00:36:04 |
and trigger the alarm. |
00:36:06 |
Contalnment securlty gentlemen |
00:36:10 |
But gettlng out |
00:36:12 |
Where does that door lead to? |
00:36:14 |
To our inner vault which |
00:36:17 |
I'm sorry but security prevents me... |
00:36:19 |
from taking even this |
00:36:22 |
Now we'll proceed back to |
00:36:24 |
I'd like to, once again, |
00:36:26 |
for your generosity this last year |
00:36:29 |
And thank you very much |
00:36:31 |
You're quite welcome. |
00:36:33 |
- Let's go. |
00:36:36 |
No... Absolutely not. |
00:36:40 |
- It was a pleasure. Goodbye. |
00:36:44 |
We're not going any where yet. |
00:36:46 |
If Zykov finds that camera, |
00:36:49 |
They'll change all the protocols. |
00:36:51 |
Which part of "I don't give a shit" |
00:37:13 |
Sorry. Let me just... |
00:37:15 |
- I'll handle it. |
00:37:17 |
- Please, please. Allow me. |
00:37:20 |
I apologise, sir. |
00:37:59 |
What the fuck? |
00:38:01 |
What the fuck? |
00:38:03 |
Detective Weber, I'm Hal Donley, |
00:38:06 |
You're conducting an investigation |
00:38:09 |
that you assume is going down |
00:38:11 |
Assume, my ass. |
00:38:13 |
I know it's going down |
00:38:16 |
Except we're asking you |
00:38:19 |
There are other matters |
00:38:21 |
What could possibly |
00:38:23 |
over the potential theft |
00:38:25 |
from a company that donates tons |
00:38:31 |
Valentin? |
00:38:33 |
Vitaly Zykov, in the old Soviet days, |
00:38:35 |
was the right-hand man |
00:38:39 |
Kuzin set up a supposedly independent |
00:38:45 |
Romanov's... |
00:38:47 |
But diamonds... they're not all |
00:38:51 |
He's ripping off |
00:38:53 |
Gold, gems, artworks. |
00:38:56 |
Gentlemen, where do you think |
00:38:58 |
to buy your department a helicopter |
00:39:02 |
From retail diamond sales? |
00:39:03 |
- So why are they doing this? |
00:39:08 |
So the NYPD will leave them alone. |
00:39:11 |
That's their mindset. |
00:39:16 |
We need more time |
00:39:18 |
That's why we can't have |
00:39:20 |
potentially alerting Zykov. |
00:39:27 |
Lieutenant... |
00:39:30 |
shut it down. |
00:39:33 |
- Gentlemen. |
00:39:38 |
Just in case |
00:39:41 |
decide to continue this investigation |
00:39:44 |
forget it. |
00:39:45 |
This is bigger than you and your ego. |
00:39:50 |
I get it. |
00:39:55 |
- What did the feds have to say? |
00:40:01 |
The first order of business |
00:40:04 |
If we can gain access |
00:40:07 |
we can replace the light feed with |
00:40:11 |
with no face inside. |
00:40:13 |
That still leaves the voice sensors, |
00:40:15 |
the fingerprints, |
00:40:18 |
the meanest-looking vault door |
00:40:42 |
The inner vault door, |
00:40:46 |
with spring-driven relocking bolts. |
00:40:48 |
If you punch out the lock, |
00:40:51 |
so that you couldn't open it |
00:40:53 |
Abraham Lincoln. |
00:40:56 |
- Broadway. |
00:40:59 |
30 pre-recorded words. |
00:41:02 |
Dan McWilliams, MTA. |
00:41:03 |
Yes, we're going to be doing |
00:41:06 |
in the subway adjacent |
00:41:08 |
We'll be working nights and didn't |
00:41:32 |
You place |
00:41:35 |
broadcasting at the exact operating |
00:41:38 |
and it bounces back |
00:41:41 |
At least in theory. |
00:41:43 |
Have you ever used |
00:41:46 |
Nope. |
00:41:47 |
Can you get an ultrasonic transducer? |
00:41:50 |
I can get anything, my friend. |
00:41:51 |
- Can you get past a keypad? |
00:41:55 |
One tumbler at a time. |
00:41:57 |
It is tight... but possible. |
00:42:17 |
You. |
00:42:20 |
Yeah. |
00:42:21 |
Me. |
00:42:31 |
What's so funny? |
00:42:34 |
I hate Chinese food. |
00:42:36 |
I absolutely, unequivocally, |
00:42:40 |
irrevocably, |
00:42:42 |
loathe Chinese food. |
00:42:45 |
Oh... |
00:42:46 |
Leonid, my boss, |
00:42:52 |
I can't even stand the smell. |
00:42:54 |
Another completely |
00:42:57 |
No. |
00:42:59 |
It's not completely... |
00:43:01 |
wrong. |
00:43:08 |
What? |
00:43:16 |
Wow. |
00:43:23 |
- You stole this. |
00:43:26 |
- Didn't you? |
00:44:12 |
Wait. |
00:44:45 |
We have a problem. |
00:44:48 |
The bracelet? |
00:44:51 |
I cannot return it. |
00:44:55 |
No, I like it. |
00:44:58 |
So what could possibly be a problem? |
00:45:01 |
You. |
00:45:04 |
- What? |
00:45:06 |
I thought that part |
00:45:09 |
And Ripley. |
00:45:11 |
That part is a problem. |
00:45:14 |
Yours and Ripley's |
00:45:21 |
How did your father die? |
00:45:25 |
By gunshot. |
00:45:27 |
Who did it? |
00:45:29 |
He had gambling debts to a Russian |
00:45:35 |
- Nicky wants his money. |
00:45:38 |
This concept |
00:45:41 |
"Vorovosky mlr", |
00:45:44 |
Where... where one is responsible |
00:45:47 |
Hey, why would they kill |
00:45:52 |
Because Ripley has... I don't know... |
00:45:55 |
Earning power. |
00:46:00 |
Gaby... |
00:46:02 |
I don't wanna go |
00:46:09 |
I wanna be with you |
00:46:13 |
and you can't promise me |
00:46:19 |
maybe we shouldn't even try. |
00:46:28 |
Oh, you, you, you, you. |
00:46:35 |
Get in. |
00:46:46 |
I know you don't want to, I know you |
00:46:49 |
She doesn't need any more of that. |
00:46:52 |
None of which you had |
00:46:58 |
Is there something |
00:47:01 |
Yes. |
00:47:04 |
Why is Victor dead |
00:47:10 |
I'm sure Alex told you that Victor was |
00:47:14 |
What she didn't know, that Nicky |
00:47:17 |
if Victor pulled a job, this job. |
00:47:19 |
- Victor backed out? |
00:47:22 |
Made a deal with Weber. |
00:47:26 |
- And you. |
00:47:28 |
Weber offered Victor |
00:47:31 |
He and Alex, |
00:47:33 |
Victor didn't wanna go |
00:47:36 |
he bought a bullet instead. |
00:47:38 |
So why is this still your problem? |
00:47:42 |
You don't make a deal with Nicky |
00:47:46 |
There's no statute of limitations. |
00:47:50 |
Victor's share |
00:47:54 |
Victor and I were partners. |
00:47:57 |
So now I'm responsible |
00:48:01 |
Bullshit. |
00:48:02 |
Victor is dead. Just walk away. |
00:48:06 |
- That's not an option. |
00:48:10 |
Look... |
00:48:12 |
We do the job. |
00:48:14 |
Nicky gets his cut, |
00:48:17 |
nowhere near commensurate |
00:48:20 |
and you clear a cool 20 million. |
00:48:22 |
I don't know. This is just... |
00:48:25 |
Look, either we pull |
00:48:28 |
or you call Weber |
00:48:31 |
which isn't a choice at all... |
00:48:33 |
because Nicky will find you |
00:48:35 |
It doesn't matter where you go |
00:48:39 |
That's an unalterable fact. |
00:48:49 |
Well... |
00:48:55 |
Then we steal the fucking eggs, no? |
00:48:59 |
Yes. |
00:49:04 |
Oh, shit. |
00:49:07 |
All right, we are working on it. |
00:49:12 |
I think he called us a name. |
00:49:16 |
We do not like to be insulted. |
00:49:20 |
All right. |
00:50:38 |
Do you know |
00:50:42 |
Yeah. |
00:50:45 |
Then you must know by the mere fact |
00:50:49 |
I cannot assume the two of you |
00:50:54 |
Nobody's gonna try to double-cross you, |
00:51:01 |
Nicky... |
00:51:04 |
- Alex... I'm so sorry. |
00:51:09 |
There's no reason |
00:51:11 |
The fact that you gave |
00:51:14 |
tells me there are many reasons, |
00:51:17 |
but only one I care about. |
00:51:19 |
Why would we try to betray you? |
00:51:21 |
Well, Ripley, in your case, perhaps, |
00:51:25 |
a misguided sense of revenge. |
00:51:27 |
His, perhaps, simply greed. |
00:51:30 |
It doesn't matter. |
00:51:33 |
I will not take the chance |
00:51:35 |
taking what is rightfully mine |
00:51:41 |
Please, excuse me, Mr Petrovich... |
00:51:45 |
Will you please? Thank you. |
00:51:47 |
Where is it written |
00:51:54 |
Because they belong to my family. |
00:51:57 |
Because my great-grandfather |
00:52:03 |
Yes, Ripley. |
00:52:10 |
He made the 1917 mystery eggs. |
00:52:15 |
I will have those eggs. |
00:52:18 |
And you will get them for me. |
00:52:22 |
That's why I bring Alexandra here. |
00:52:26 |
To keep me company while you do |
00:52:31 |
Go. |
00:52:38 |
Anyone tries to follow us, she dies. |
00:52:43 |
You'd better believe she dies. |
00:52:46 |
If I don't get what I want... |
00:52:50 |
she dies. |
00:52:53 |
Go. |
00:52:54 |
There is a subway not far. |
00:53:00 |
Damn you, Gabriel! |
00:53:03 |
I told you not to get her involved. |
00:53:05 |
You told me? You told me? |
00:53:07 |
You and her father got her involved |
00:53:10 |
Goddamn it: We go tomorrow. |
00:55:21 |
How much time? |
00:55:23 |
Just over three minutes |
00:57:45 |
Smart card. Come on... |
00:57:52 |
Let's go. |
01:00:13 |
Rasputin. |
01:00:18 |
Rasputin. |
01:00:19 |
Seventeen. |
01:00:23 |
Seventeen. |
01:00:24 |
- Norway. |
01:00:29 |
Cheys Grodny? |
01:00:34 |
Cheys Grodny? |
01:00:35 |
Fuck. |
01:00:37 |
- It wants to know if I'm hungry. |
01:00:42 |
Cheys Grodny? |
01:00:46 |
Cheys Grodny? |
01:00:49 |
Nyet. |
01:01:38 |
- All right. |
01:01:48 |
Go. |
01:01:56 |
Stop. Go right. |
01:02:02 |
Right... Right. |
01:02:05 |
Stop. |
01:02:07 |
Good. Straight ahead. |
01:02:15 |
Go, go, go, go, go. |
01:02:17 |
Stop. Flatten out. |
01:02:22 |
Okay, now diagonally left. |
01:02:26 |
Diagonally to the left. |
01:02:33 |
Keep going... Left. |
01:02:36 |
Get your arm in. No arms! |
01:02:37 |
- Flat. Down. |
01:02:40 |
Okay, straight ahead. |
01:02:48 |
Go, go, go, go, go. |
01:02:50 |
Go, go. |
01:02:56 |
Stop. Stop. |
01:02:59 |
Deploy. |
01:03:09 |
Hurry. |
01:03:23 |
Stop. Stop. Flat. Flat. |
01:03:28 |
Okay, hurry. |
01:03:37 |
Ouick as you can. |
01:03:43 |
Good. |
01:03:51 |
It's working. Let's go! |
01:04:17 |
Hold it, hold it, hold it! |
01:04:21 |
- Lead. |
01:04:40 |
When? Shit! |
01:04:43 |
All right, sit tight. |
01:04:45 |
Yes, I owe you. |
01:04:47 |
They're havin ' a sale at Romanov. |
01:04:50 |
Sir? |
01:04:51 |
That was my plant. Unexplained alarm |
01:04:54 |
I want all available units |
01:04:56 |
Vouti and Michaels, have them |
01:04:59 |
- Yes, sir. |
01:05:11 |
We're good. |
01:05:17 |
All right. |
01:05:23 |
Easy, easy, easy, easy, easy. |
01:05:26 |
- You're on. |
01:05:28 |
- A little more. |
01:05:30 |
Come on, a little more. |
01:05:32 |
Come on. More, more, more. |
01:05:33 |
More, more, more. |
01:05:40 |
- All right. |
01:05:43 |
One. |
01:05:45 |
No. |
01:05:48 |
Two. |
01:05:50 |
No... Three. |
01:05:53 |
No... Four. |
01:05:58 |
Hold it! That's it. |
01:06:00 |
Four, one. |
01:06:02 |
No... Four, two. |
01:06:06 |
No... Four, three. |
01:06:09 |
No... Four, four. |
01:06:12 |
No... Four, five. |
01:06:18 |
Bingo. |
01:06:20 |
- Go, go, go! Let's go! |
01:06:23 |
Sometime tonight. How about it? |
01:06:25 |
- All right. |
01:06:28 |
Four, five, six, one, two. |
01:06:32 |
Got it. Got it. |
01:06:34 |
Four, five, six, one, two, three. |
01:06:40 |
No. |
01:06:42 |
Four, five, six, one, two, four. |
01:06:47 |
No... One. |
01:06:50 |
No. |
01:06:51 |
Two, five... No. |
01:06:54 |
Damn it. |
01:06:56 |
Four, five, six, one, two, six. |
01:07:02 |
- Bingo. |
01:07:04 |
Okay. |
01:07:08 |
Four, five, six, one... |
01:07:11 |
two, six, one. |
01:07:18 |
One. Come on. |
01:07:23 |
Come on. |
01:07:27 |
Improvising. |
01:07:43 |
- Shit. Take this shit off. |
01:07:47 |
Come on. Move around this guy. |
01:07:50 |
Move those guys out of the way. |
01:08:49 |
There. |
01:08:52 |
Hmm. |
01:08:53 |
There should be two |
01:08:59 |
All right. |
01:09:26 |
Okay. |
01:09:51 |
- What're you doing? |
01:09:54 |
- Gabriel, don't do this. |
01:09:58 |
What, you want more money? Hell... |
01:10:01 |
Just, shut up |
01:10:04 |
What about Alex? |
01:10:07 |
I will ask you one more time. |
01:10:11 |
Why are you doing this? |
01:10:13 |
I'm a cop... |
01:10:19 |
Weber requested me. |
01:10:25 |
So you're a cop. |
01:10:28 |
Where am I gonna go? |
01:10:30 |
But in one minute that vault door's |
01:10:34 |
and Alex is gonna be dead. |
01:10:36 |
I can't believe you're such |
01:10:39 |
that you would use her like that |
01:10:41 |
cos you might as well |
01:10:44 |
Simply to bag |
01:10:48 |
You sorry, sick motherfucker. |
01:10:54 |
- You got 30 seconds. |
01:10:58 |
Phone number in my pocket. |
01:11:00 |
Give it to me... |
01:11:03 |
- Do you want her alive or not? |
01:11:19 |
Ten seconds. |
01:11:22 |
I'm sorry. |
01:11:52 |
Underground, boys. |
01:11:53 |
All right, let's move! |
01:12:41 |
I'm a police officer! |
01:12:44 |
There is a thief |
01:12:46 |
The guard is in the basement closet. |
01:12:48 |
Move, move, move, |
01:12:52 |
Now! Move! Come on! |
01:12:55 |
Tell them to put |
01:12:59 |
Now! |
01:13:01 |
Okay. Fine. |
01:13:05 |
Put them down: |
01:13:07 |
Now! |
01:13:13 |
Kick them. Now! |
01:13:18 |
What do you want? |
01:13:20 |
You let me out the front door |
01:13:23 |
They have the building surrounded. |
01:13:25 |
Meantime, you go downstairs, |
01:13:29 |
- You understand? |
01:13:31 |
You have a problem, solve it. |
01:13:33 |
Do not make me |
01:14:13 |
- Put down your weapons. |
01:14:15 |
Yeah? Everybody's police tonight. |
01:14:25 |
Hello? |
01:14:26 |
Hey, I have what you want. |
01:14:50 |
Can we talk? |
01:15:04 |
Where is she? |
01:15:10 |
Do not move. |
01:15:14 |
Bad boy. |
01:15:15 |
Give me the box |
01:15:19 |
We don't wish trouble here. |
01:15:20 |
No, no, no. |
01:15:22 |
You let her go, |
01:15:24 |
You see, if I fire through this box, |
01:15:28 |
which I have no problem |
01:15:31 |
Nicky's not gonna |
01:15:32 |
Then we are all expendable. |
01:15:35 |
If you understand |
01:15:37 |
Open the box. |
01:15:40 |
Lower the gun. |
01:15:42 |
Lower it. |
01:15:49 |
Okay. |
01:15:58 |
- Are you all right? |
01:16:01 |
You go. |
01:16:11 |
Give me the box. |
01:16:16 |
- Get in. |
01:16:18 |
Nicky wants too see you. |
01:16:22 |
Give me your weapon. |
01:16:24 |
We're fine, right? |
01:16:35 |
Where do you get off detaining us? |
01:16:37 |
My apologies, Lieutenant Weber. |
01:16:39 |
My security were, |
01:16:42 |
Please go with Mr. Sergeev |
01:16:45 |
We have what you want. Please. |
01:16:56 |
- Where's the other one? |
01:17:00 |
Where the hell's my man? |
01:17:03 |
Lieutenant, your personal life, |
01:17:09 |
I apologise for bringing you here... |
01:17:13 |
but I had to be sure the eggs |
01:17:18 |
Your lack of trust |
01:17:24 |
I'm a man of my word. |
01:17:28 |
She should be with her godfather now. |
01:17:33 |
Let's see. |
01:17:35 |
- Do you mind? |
01:17:45 |
Yeah. |
01:17:51 |
- Hello? |
01:17:55 |
I'm at the jail. I had to see him. |
01:17:57 |
How is he? |
01:17:59 |
Well, how do you think he is? |
01:18:00 |
I had no choice, Alex. |
01:18:03 |
No one had a choice. |
01:18:04 |
Remember? I told you. |
01:18:09 |
Listen, promises blow away in the wind. |
01:18:13 |
But feelings are real. |
01:18:14 |
And I need to know |
01:18:18 |
Listen, listen. |
01:18:22 |
are we real? |
01:18:29 |
- I've gotta go, Gabriel. Good night. |
01:18:34 |
Hold... |
01:18:43 |
Are you satisfied? |
01:18:54 |
Did you see them? |
01:18:56 |
- Actually, we were in a hurry. |
01:19:09 |
They are simply... |
01:19:11 |
wood? |
01:19:31 |
- Oh, my God: |
01:19:38 |
It was 1917, Gabriel. |
01:19:40 |
Russia. People were starving. |
01:19:43 |
There were no jewels, |
01:19:46 |
No hope. |
01:19:49 |
Yet Czarina Alexandra |
01:19:54 |
Perhaps you understand |
01:19:59 |
People needed |
01:20:04 |
Take him home. |
01:20:12 |
Gabriel. |
01:20:17 |
I know what they say about me |
01:20:21 |
Merely a humble immigrant. |
01:20:25 |
Probably much like you. |
01:20:28 |
I don't think so, Mr. Petrovich. |
01:20:32 |
You're not like me at all. |
01:20:45 |
Excellent. Thanks. |
01:20:48 |
Snitch called it in. After all this time |
01:20:52 |
I'm sure you'll tell us. |
01:20:54 |
On the boardwalk, |
01:20:56 |
He's coming in now. |
01:21:02 |
Yeah, what I didn't count on |
01:21:06 |
would be manipulated by a chick. |
01:21:08 |
What kind of cops |
01:21:10 |
Good ones, Weber. |
01:21:12 |
I don't get it. |
01:21:14 |
All these years in that world. |
01:21:19 |
Sometimes things... change. |
01:21:21 |
Things change? |
01:21:26 |
Ripley, what is he, |
01:21:28 |
Actually, a better friend than you. |
01:21:30 |
Ah, I get it. I'm the asshole. |
01:21:33 |
You're gonna tell me |
01:21:35 |
or how he got caught up |
01:21:38 |
or how the sins of the father |
01:21:40 |
Give me something better |
01:21:43 |
All I can give you is the truth. |
01:21:48 |
Oh, fuck it. |
01:21:54 |
When your superiors get my report, |
01:21:58 |
We'll see. |
01:22:00 |
Hey, say anything |
01:22:02 |
but nothing changes |
01:22:04 |
Now when he leaves prison, |
01:22:10 |
Let's go see Mr. Petrovich. |
01:22:25 |
No. |
01:22:32 |
- That's not Nicky Petrovich. |
01:22:36 |
Not him. |
01:22:40 |
Look, man, Organised Crime |
01:22:44 |
Well, I don't care. That's not him. |
01:22:46 |
I was there, remember? |
01:22:49 |
There's no case here. |
01:22:52 |
- What? Of course there's a case. |
01:22:55 |
An undercover Miami cop |
01:22:59 |
- No offence. |
01:23:00 |
A cop who's the centrepiece |
01:23:03 |
that was officially ordered stopped? |
01:23:05 |
I won't embarrass the Bureau, |
01:23:07 |
which accepted tons of money |
01:23:11 |
What about Romanov's? What about |
01:23:14 |
What about it, Weber? |
01:23:16 |
When Zykov found Ripley in the vault, |
01:23:17 |
he had everything cleared out |
01:23:20 |
I have a proposltlon for you. |
01:23:22 |
There's no way Romanov's |
01:23:25 |
Cos they can never admit that the eggs |
01:23:30 |
So we can't even prove |
01:23:33 |
stole even a goddamn dime. |
01:23:34 |
But you must have mug shots. |
01:23:36 |
Russian Mafia, |
01:24:02 |
That's him. |
01:24:05 |
That's Nicky Petrovich. |
01:24:06 |
- Detective Martin... |
01:24:10 |
That's Victor Korolenko. |
01:24:22 |
Presumed dead. |
01:24:24 |
We just never found the body. |
01:24:31 |
You never will... |
01:24:34 |
Lieutenant. |
01:25:19 |
Weber. |
01:25:21 |
What? |
01:25:22 |
His lawyer got him in front of a judge |
01:25:25 |
Then he just walked. |
01:25:26 |
- Who was it? |
01:25:29 |
- The lawyer. |
01:25:32 |
Alex. Korolenko. |
01:25:57 |
You can't promise me anything so... |
01:26:00 |
maybe we shouldn't even try. |
01:26:42 |
Papa. |
01:26:45 |
Shall we go? |
01:26:58 |
Yeah? |
01:26:59 |
Didn't wanna leave |
01:27:02 |
I owe you one Gaby. |
01:27:05 |
The real Nicky Petrovich... |
01:27:06 |
is the one Zykov is funnelling |
01:27:10 |
Thank you, but Zykov and Petrovich |
01:27:14 |
- Check out a disco called... |
01:27:17 |
Ahh, I see you're famliar |
01:27:20 |
Well... I am a cop, remember? |
01:27:23 |
I never forgot it for a second. |
01:27:24 |
When did you know? |
01:27:26 |
I knew you were comlng |
01:27:30 |
See Weber and I... |
01:27:31 |
Well, let's just say |
01:27:34 |
only I pay better. |
01:27:35 |
Sir, we're good to go. |
01:27:37 |
So why the help Ripley? |
01:27:39 |
Maybe feeling guilty? |
01:27:43 |
Guilt's not even in my vocabulary. |
01:27:45 |
I was just hoping |
01:27:50 |
Together you and I could do anything. |
01:27:53 |
Yeah. I believe we did. |
01:27:56 |
I'll get in touch later on, |
01:28:00 |
Meanwhile, I've got to keep |
01:28:02 |
who's gonna pay |
01:28:04 |
he's got to keep locked |
01:28:09 |
- Good hunting, Gaby. |
01:28:12 |
Let me talk to her. |
01:28:14 |
- That's him? |
01:28:17 |
She didn't commit any crime. |
01:28:18 |
She just lied to someone |
01:28:32 |
You be good. |
01:28:34 |
I'll try, Uncle Keith. |
01:28:37 |
Although I suspect |
01:28:41 |
Thank God. |
01:29:13 |
You come in here every night |
01:29:16 |
I don't know shit |
01:29:21 |
This is a nightclub, my friend. |
01:29:23 |
You know what I think? |
01:29:26 |
I think you need to check out |
01:29:30 |
- Yeah. |
01:29:33 |
Find yourself a chick. |
01:29:46 |
Vodka. |
01:29:50 |
Zakuska? |
01:29:52 |
Russian hors d'eurvres |
01:29:54 |
Oh. |
01:29:56 |
- Will my stomach need coating? |
01:30:00 |
I thought you didn't drink. |
01:30:02 |
You thought a lot of things, |
01:30:03 |
but I believe I mentioned something |
01:30:07 |
Maybe that's a concept |
01:30:11 |
My name is Gabriel Martin. |
01:30:14 |
I'm from Miami. |
01:30:16 |
I was actually looking for a lawyer |
01:30:21 |
So... |
01:30:22 |
I came here. |
01:30:28 |
Okay. |
01:30:30 |
My name is Alexandra Korolenko... |
01:30:34 |
and I come from St. Petersburg. |
01:30:37 |
By way of Little Odessa. |
01:30:41 |
And... |
01:30:43 |
I love to dance. |
01:30:46 |
So... I came here tonight. |
01:30:55 |
Do you wanna dance with me? |
01:30:59 |
Yeah. |
01:31:03 |
I'm willing to make a fool of myself. |
01:31:08 |
Me too. |
01:31:12 |
- Alex... |
01:31:13 |
That night when I called you |
01:31:17 |
you never answered my question. |
01:31:20 |
Which one? |
01:31:22 |
I wanted... I want to know... |
01:31:28 |
Was it all lies? |
01:31:38 |
Not the part that matters. |
01:31:50 |
That was true. |
01:31:53 |
That was real. |
01:31:55 |
That was real. |