This Is It
|
00:01:18 |
Where you from? |
00:01:19 |
I'm from Holland, and this is like... |
00:01:22 |
Ten hours for me. |
00:01:25 |
I came here for this audition. |
00:01:27 |
I told all my boys at home I'm coming |
00:01:30 |
I'm just gonna dance for him. |
00:01:34 |
Thank you, Michael. I'm excited. |
00:01:36 |
You've inspired everything in my life. |
00:01:40 |
You're why I dance. |
00:01:42 |
I remember being a little girl |
00:01:45 |
...and thinking that was |
00:01:48 |
I go to sleep and just wake up, |
00:01:51 |
I just start playing your music... |
00:01:53 |
...and start just dancing |
00:01:56 |
I was like, "What I would give |
00:02:00 |
And the fact that I get to do that |
00:02:05 |
I'm from Australia... |
00:02:11 |
And I got word of your audition two |
00:02:15 |
...and I was on the next flight over. |
00:02:19 |
It begins. This is the beginning. |
00:02:23 |
Like, I can't even imagine |
00:02:26 |
- ... that first show in London. |
00:02:29 |
I don't even know what I wanna do |
00:02:33 |
I wanted to dance, |
00:02:35 |
And that inspiration came from, |
00:02:37 |
And you've inspired me and given me |
00:02:45 |
Life is hard, right? |
00:02:47 |
I've kind of been searching for |
00:02:50 |
...and give me a kind of a meaning, |
00:02:55 |
And this is it. |
00:03:16 |
So we open the show, as you know, |
00:03:20 |
We're gonna create a spectacular |
00:03:24 |
And we want some sizzles |
00:03:27 |
We have our video that is called |
00:03:31 |
And that's where Light Man... |
00:03:32 |
...comes out on the gantry, |
00:03:35 |
...and he'll just be dazzling |
00:03:44 |
And piece by piece by piece by piece... |
00:03:46 |
...MJ is revealed, until he jumps out... |
00:03:49 |
...and on Michael's command, |
00:05:53 |
You know I'm gonna |
00:05:56 |
It's funkier. |
00:05:58 |
I'm not feeling that part enough. |
00:06:05 |
As in running next to him. |
00:06:07 |
- It's not there. |
00:06:09 |
It should be. I know, it's all for love. |
00:06:11 |
- It's coming there. |
00:06:38 |
Jackson's ETA is 15 minutes. |
00:06:40 |
Michael Jackson last performed |
00:06:44 |
...at the 2006 World Music Awards. |
00:06:46 |
Michael Jackson's here. |
00:06:50 |
This is it! |
00:06:53 |
Yeah! |
00:06:54 |
This is it. This is it. |
00:07:03 |
I love you. |
00:07:06 |
We love you! |
00:07:10 |
I'll be performing the songs |
00:07:16 |
This is really it. |
00:07:22 |
Okay? And see you in July. |
00:09:56 |
Good. Great. Good to see all of you. |
00:10:00 |
The idea was get the big fish from all |
00:10:09 |
The dancers in |
00:10:12 |
...are an extension |
00:10:14 |
They are an extension of the man. |
00:10:17 |
Everything is bigger |
00:10:20 |
First cut, thank you. |
00:10:29 |
Next group. Ladies, brava. |
00:10:36 |
Lean, gorgeous, hot. |
00:10:38 |
Dancers that can rock it. |
00:10:41 |
...that ooze coming out of you, |
00:10:59 |
She's the one. |
00:11:02 |
And the Michael Jackson principal |
00:11:24 |
Guys, those go over here. |
00:11:27 |
Hey, guys? |
00:11:31 |
Truss moving. |
00:11:36 |
Quite the eventful day |
00:11:40 |
There's elevator speed |
00:11:45 |
Part of this, guys, |
00:11:48 |
Keep your shoulders square, |
00:11:51 |
...and just get right down into |
00:11:54 |
...and you're gonna come up and- |
00:11:56 |
- You feel that initial-? |
00:11:59 |
Yeah, that's the adrenaline, baby. |
00:15:06 |
We're at Culver Studios, |
00:15:09 |
We're gonna do "The Drill" |
00:15:12 |
...into "They Don't Really |
00:15:14 |
It's gonna be really cool because |
00:15:17 |
So our existing 11 guys |
00:15:22 |
...and it'll be really, really cool. |
00:15:24 |
So we're kind of excited. |
00:15:27 |
- There's the man. The man is here. |
00:15:31 |
So that we can give you this: |
00:15:34 |
Michael, do you like this, first of all? |
00:15:37 |
Yeah, that's a cool move, a cool move, |
00:15:41 |
So we can just stop it |
00:15:43 |
You can go to infinity. |
00:15:45 |
Yeah. As though |
00:15:47 |
...1, 2, 3, 4, 5, 6, 7, 8, 9, 10? |
00:15:52 |
- Ten. |
00:15:57 |
What is that? |
00:16:02 |
One more time. Six, seven, eight... |
00:18:41 |
In what will go down in history... |
00:18:45 |
...as the greatest demonstration |
00:19:43 |
Hold for applause, hold for applause. |
00:19:46 |
Slow umbrella fade out. |
00:19:55 |
- Yeah. Yeah. |
00:20:53 |
You sound great, MJ. |
00:21:00 |
Bam, something right there. |
00:25:21 |
We're seconds away, Mike. |
00:25:23 |
- Rolling. |
00:25:24 |
And Gilda singing. |
00:25:37 |
Bravo! |
00:25:49 |
What's he doing here? |
00:26:04 |
And cut. That was a good one. |
00:26:06 |
Let's cut. |
00:26:08 |
- Okay, Bruce? |
00:26:09 |
Rehearsed, and Michael was great. |
00:26:11 |
- Ready to shoot? |
00:26:12 |
- Okay, guys, let's shoot this. |
00:26:16 |
- ... rolling. |
00:26:28 |
What do you want me to do? |
00:26:46 |
Guys, that's the cue. |
00:26:48 |
I'm sorry, are we misunderstanding |
00:26:51 |
- No, we're not misunderstanding. |
00:26:53 |
- He's sizzling. |
00:26:55 |
He's waiting for my point, |
00:26:57 |
Michael, I was telling them to start |
00:27:02 |
Oh, no, I wanna turn first, |
00:27:07 |
- Okay. |
00:27:09 |
- ... then we go. |
00:27:11 |
...how will you see the video change |
00:27:16 |
I gotta feel that. |
00:27:18 |
All right. Now this is all sizzle, sizzle, |
00:27:24 |
The audience is going wild. |
00:27:29 |
...over the marquee. |
00:32:03 |
Pretty good... Pretty good. |
00:32:21 |
You're gonna put that in? |
00:32:25 |
It's really cool for me |
00:32:28 |
...because I need the artist |
00:32:31 |
...and MJ is always hands-on |
00:32:34 |
He knows all of his records. |
00:32:37 |
He knows all of his keys |
00:32:40 |
Just a little drag, |
00:32:43 |
Yeah. It's not the right sound. |
00:32:44 |
Like you're dragging yourself |
00:32:46 |
Imagine this is the right sound. |
00:32:55 |
Don't change so soon, though. |
00:32:57 |
Don't wanna change over so soon yet. |
00:33:16 |
Don't do that one. |
00:33:18 |
- Don't do that one yet? |
00:33:20 |
It should be simpler. |
00:33:32 |
Yeah. |
00:33:37 |
We'll get the sound, |
00:33:39 |
We'll get the sound |
00:33:41 |
We gotta do a sound check |
00:33:44 |
That's what we need to do. |
00:33:45 |
And don't start unless |
00:33:47 |
I know, that's why we doing it. |
00:33:49 |
We need you to do the sound check... |
00:33:51 |
...because can't nobody hear |
00:33:54 |
Some people might |
00:33:56 |
I want it the way I wrote it. I mean- |
00:33:58 |
Like the audience hears it. |
00:34:00 |
So whatever the record's doing, |
00:34:03 |
That's what it's gonna sound like, but |
00:34:07 |
Then if you wanna hear |
00:34:09 |
...on something else, |
00:34:12 |
Only you can say that. |
00:34:14 |
A little more booty. |
00:34:16 |
That's funny. |
00:34:18 |
But you knew what I meant though too. |
00:34:20 |
I know exactly what you meant. |
00:34:23 |
One more time from the top. |
00:34:45 |
Try to get the same sound. |
00:34:52 |
Good sound on that. Good sound. |
00:35:00 |
No, no, not yet, Prince. |
00:35:01 |
No. You gotta- |
00:35:03 |
You gotta let it simmer. |
00:35:05 |
It's got a moment |
00:35:07 |
- That's right. |
00:35:11 |
Just bathe in the moonlight. You |
00:35:15 |
All right, Prince? |
00:35:19 |
Or at least a bar. |
00:35:22 |
Yeah. MJ, check it from the top again. |
00:35:27 |
One, two, three, four. |
00:37:00 |
I gotta cue that. I gotta cue that. |
00:37:02 |
- That shouldn't trigger on its own. |
00:37:05 |
That can't trigger on its own. |
00:37:07 |
I gotta cue that. |
00:37:10 |
So you gotta watch me |
00:39:19 |
One more time. |
00:39:23 |
That's why we rehearse. |
00:39:25 |
It's okay, it's okay. |
00:39:32 |
They wanted us to take |
00:39:34 |
It's okay, it's okay, no. |
00:39:37 |
- Yeah, I agree, Michael. |
00:39:39 |
- I think let's add them back. |
00:39:42 |
You don't feel totally nourished by it, |
00:39:46 |
MJ, we'll also have a fan there, |
00:39:48 |
I'm trying to hear you. |
00:39:50 |
There'll be a fan, |
00:39:54 |
Boom, right there. |
00:39:56 |
Okay, watching Michael. |
00:41:06 |
Once again, ladies and gentlemen, |
00:41:10 |
The Jackson 5. |
00:41:45 |
Everybody clap your hands. |
00:42:37 |
You guys, I gotta tell you this. |
00:42:39 |
When I'm trying to hear |
00:42:41 |
...somebody's fist is |
00:42:43 |
...it's really very difficult. |
00:42:45 |
I know you mean well, so, but it's... |
00:42:47 |
I'm trying to adjust to the ear, |
00:42:51 |
With the love, with the love. L-O-V-E. |
00:42:53 |
- Michael. |
00:42:56 |
Michael, one more time. |
00:42:58 |
The inner ears are very difficult for me |
00:43:02 |
...to use just your real own, |
00:43:07 |
Now it feels like somebody's fist, |
00:43:11 |
- Okay. |
00:43:15 |
So I'm adjusting to the situation. |
00:43:17 |
Right. Michael, is there anything |
00:43:20 |
...in your ears to make it better |
00:43:27 |
If we could just bring it down |
00:43:29 |
Bring it down a little bit, please. |
00:43:32 |
Anything else, Michael? |
00:43:35 |
You wanna hear more voice, |
00:43:37 |
- No. |
00:43:39 |
...if it hasn't adjusted to your liking, |
00:43:42 |
- For sure. |
00:43:44 |
Would you like to pick it up from...? |
00:43:46 |
- "Stop! The Love You Save. " |
00:44:50 |
God bless you. |
00:46:40 |
Everybody! |
00:47:21 |
I'll say, "Jackie, Jermaine, Marlon... |
00:47:26 |
...Tito, Randy, I love you. |
00:47:31 |
Joseph and Katherine, |
00:47:45 |
Just trying to conserve my throat, |
00:48:28 |
- And blackout. |
00:48:31 |
So you wanna get rid of the bad |
00:48:35 |
There's a lot going on. The dancers... |
00:48:37 |
...we do maintenance with them |
00:48:40 |
We do Pilates and stretching and |
00:48:44 |
You know, |
00:48:46 |
I saw you, you were going like this, |
00:48:48 |
That's Russian. This is Russian. |
00:48:50 |
So Baryshnikov does it like this... |
00:48:52 |
...and you guys are doing like this. |
00:48:55 |
- Good. |
00:48:58 |
But we're straight up |
00:49:00 |
I don't think it's anything |
00:49:03 |
I think that's smoother, |
00:49:06 |
I mean, I have nothing to move. |
00:49:09 |
Dancers, music. |
00:50:17 |
Oh, my gosh. |
00:50:23 |
All right, "I Just Can't Stop |
00:50:26 |
Let me know when you're ready. |
00:50:28 |
A mi amor eres tú |
00:50:34 |
Cuando no estas |
00:50:41 |
A mi amor eres tú |
00:50:45 |
Do it for Ortega. |
00:50:48 |
- Ortega. |
00:50:50 |
For his people. |
00:50:54 |
One, two, three. |
00:50:58 |
More echo in here? |
00:56:15 |
Now, don't make me sing out |
00:56:19 |
I'm warming- I'm trying to warm up |
00:56:24 |
Why do you do this to me? |
00:56:28 |
- No. No, no. |
00:56:33 |
I'm warming up to the moment. |
00:56:36 |
- But you just can't help it, MJ. |
00:56:41 |
- Yeah, but you felt it. |
00:56:43 |
But you can allow yourself |
00:56:45 |
I can't do that. |
00:56:47 |
But you're fine to do it. |
00:56:49 |
That ending was just like |
00:56:53 |
Band, it's just this. |
00:56:56 |
This is what it is. |
00:57:06 |
What day is it? |
00:57:09 |
We're down to the wire. We're |
00:57:13 |
...for all of our incredible |
00:57:17 |
Today we are filming new segments |
00:57:36 |
- Do I still have on my 3-D glasses? |
00:57:39 |
Oh, good. |
00:57:40 |
I think I look great in these glasses. |
00:57:43 |
Do I look as old as I feel? |
00:57:45 |
Guys, please step away if you're not |
00:57:49 |
Clear the set now for the crew. |
00:57:51 |
- Rolling! |
00:57:54 |
Action. |
00:57:59 |
This guy should be getting out soon. |
00:58:02 |
- You guys, be aware of the camera. |
00:58:04 |
There's gonna be light on him. |
00:58:07 |
Give the information to him. |
00:58:09 |
Gravedigger, right into the camera. |
00:58:11 |
There it is. Right into it, right in there. |
00:58:14 |
- Right there. |
00:58:16 |
Right into the camera. |
00:58:19 |
- Yeah, yeah, yeah! |
00:58:22 |
Keep coming. Yeah, right into the lens. |
00:58:26 |
There you go. |
00:58:28 |
Now, go out. Go out. Good. And cut. |
00:58:40 |
We call these the dead brides |
00:58:44 |
And there'll be a parade of them |
00:59:19 |
Darkness falls across the land |
00:59:23 |
The midnight hour is close at hand |
00:59:26 |
Creatures crawl in search of blood |
00:59:30 |
To terrorize y'all's neighborhood |
00:59:33 |
And whosoever shall be found |
00:59:36 |
Without the soul for getting down |
00:59:40 |
Must stand and face the hounds of hell |
00:59:44 |
And rot inside a corpse's shell |
01:02:25 |
The demons squeal in sheer delight |
01:02:28 |
It's you they spy, so plump, so right |
01:02:33 |
For though the groove is hard to beat |
01:02:37 |
Yet still you stand with frozen feet |
01:02:40 |
You try to run, you try to scream |
01:02:44 |
But no more sun you'll ever see |
01:02:47 |
For evil reaches from the crypt |
01:02:50 |
To crush you in its icy grip |
01:04:27 |
Make sure that there's somebody |
01:04:30 |
...with a flashlight and everything. |
01:04:45 |
Now, you know, |
01:04:50 |
Absolutely! |
01:04:53 |
Okay, so next is the fire screen. |
01:04:55 |
We're gonna show you |
01:05:13 |
Rock 'n' roll! |
01:05:31 |
Today was all about... |
01:05:32 |
...testing the chandelier |
01:05:36 |
...with our aerialists |
01:05:39 |
It's all about |
01:05:42 |
- ... widths, pipe, how things work. |
01:05:46 |
...is a big responsibility |
01:05:48 |
...because we have to design things |
01:05:55 |
This is the first time in the history |
01:05:58 |
...for the past 25 years that |
01:06:02 |
...in his "Billie Jean" costume. |
01:06:04 |
The cut of the stones, |
01:06:06 |
...as we're applying, you almost |
01:06:10 |
We're bringing things |
01:06:12 |
...where they haven't been developed. |
01:06:16 |
I'm working with scientists |
01:06:18 |
...with people in California, |
01:06:21 |
Always trying to push the boundaries |
01:06:27 |
Now, is this working this evening? |
01:06:30 |
Without running the number, |
01:06:34 |
...just to give him a little ride so that |
01:06:37 |
From the top of "Beat It. " |
01:06:39 |
- You wanna do it with music already? |
01:06:42 |
Can I just give you a ride first? |
01:06:45 |
- Sure. If you want. |
01:06:46 |
Yeah. Just for safety. Thank you, sir. |
01:06:50 |
- Sure. Sure. |
01:06:52 |
- I trust in you. |
01:06:55 |
Just for safety. Thank you. |
01:06:58 |
Stand by, guys. |
01:07:02 |
You've been there before. |
01:07:06 |
MJ, this is just at mid-height. |
01:07:09 |
It goes much higher than this. |
01:07:12 |
This is the low height. |
01:07:14 |
Why would you say that to me? |
01:07:17 |
See, why did you say that to him? |
01:07:20 |
He's teasing me. That's why. |
01:07:22 |
He know I wants to go higher. |
01:07:24 |
God bless you, Kenny. |
01:07:27 |
Hi. |
01:07:28 |
Yeah, yeah. |
01:07:32 |
It's great. |
01:07:33 |
Michael, please hold on. |
01:07:35 |
- Thank you. |
01:07:38 |
- Yeah? Is it smooth? |
01:07:40 |
Great. This is monumental, |
01:07:45 |
- Yeah. |
01:07:47 |
- We love you, Michael. |
01:12:45 |
Okay, that's where you want it? |
01:12:48 |
What we're doing is... |
01:12:49 |
We're doing it for the height. |
01:12:52 |
I'm gonna take off the jacket... |
01:12:54 |
...and kick it, and beat it, and beat it |
01:12:58 |
The jacket's gonna be too hot. |
01:13:00 |
I just wanted to know |
01:13:02 |
That's the one, I was pointing to it. |
01:13:07 |
I was pointing that to you. |
01:13:11 |
I got you. |
01:13:14 |
We can. Do it again. |
01:13:16 |
Here it is right here, |
01:13:18 |
Come on the one before it. |
01:13:20 |
Let's go on to C. One before. |
01:14:09 |
And let it burn, and the lights out! |
01:14:12 |
Lights out. |
01:14:14 |
Lights out! Let it burn! |
01:14:16 |
We're on a 10-minute break. |
01:14:20 |
I'm just so happy. |
01:14:22 |
When MJ comes in the room |
01:14:26 |
...his presence is just amazing. It's |
01:14:35 |
Thank you. |
01:14:37 |
Michael is the epitome of one of |
01:14:42 |
Performing with Michael |
01:14:46 |
I've been a Michael Jackson fan |
01:14:50 |
It's like a lifelong dream for me |
01:14:53 |
I've worked with |
01:14:56 |
...but I consider this, |
01:14:59 |
Michael's a perfectionist. |
01:15:01 |
You don't find that in pop musicians. |
01:15:04 |
You have to come in |
01:15:06 |
Then, hopefully, |
01:15:08 |
...to embellish it |
01:15:11 |
He's just an icon of performance. |
01:15:14 |
His talent runs so deep in creativity. |
01:15:18 |
...than anybody else |
01:15:21 |
Right here, right here, right here. |
01:15:23 |
Okay, no second verse. |
01:15:27 |
That was a mistake, there is no second |
01:15:31 |
First verse, then right to the bridge, |
01:15:34 |
- Let's do it one more time. |
01:15:36 |
- Wanna go down then come back up? |
01:15:39 |
- This is why we have rehearsal. |
01:16:37 |
So we'll run this way. |
01:18:31 |
When they stop, you have to just keep- |
01:18:37 |
It's time for you to shine. |
01:18:42 |
And hit a high, long one. |
01:18:46 |
I mean, way up there. |
01:18:49 |
It's your time to shine. |
01:18:52 |
We'll be right there with you. |
01:19:05 |
It's remarkable. It's some genius stuff |
01:19:11 |
He is the king. |
01:19:13 |
And he's a good guy too. |
01:19:15 |
You know. And he knows his music. |
01:19:17 |
What more can you ask for? Because |
01:20:41 |
Look at that. I think it's beautiful. |
01:20:45 |
Show him the second one. |
01:20:47 |
- It'll come rolling out at us, right? |
01:20:50 |
- All golden. Look at this. |
01:20:53 |
I love her. I love the light. |
01:20:54 |
- God, and the lighting's great. |
01:21:06 |
I respect the secrets |
01:21:09 |
That's why it makes me so angry when |
01:21:14 |
That every second, I hear, |
01:21:16 |
...is torn down in the Amazon. |
01:21:18 |
I mean, that kind of stuff |
01:21:21 |
That's why I write these kind of songs, |
01:21:24 |
It gives some sense of awareness |
01:21:28 |
I love the planet. |
01:21:30 |
I love trees. I have this thing for trees, |
01:21:36 |
I love it. |
01:28:06 |
The value would be greater... |
01:28:08 |
...you let it rumble... |
01:28:10 |
...let it stay open, |
01:28:17 |
And when that door opens, |
01:28:26 |
God bless you. |
01:28:27 |
I really feel that nature |
01:28:30 |
...to compensate for man's |
01:28:35 |
Because the planet is sick. |
01:28:38 |
If we don't fix it now, |
01:28:42 |
This is our last chance |
01:28:46 |
...where it's like a runaway train... |
01:28:48 |
...and the time has come. |
01:28:50 |
I love you. |
01:28:53 |
That'll be the ending |
01:29:00 |
People are always saying, "They'll |
01:29:03 |
Don't worry. They'll-" |
01:29:08 |
Or else it'll never be done. |
01:29:14 |
Guys, can I have the lighting crew? |
01:29:17 |
- Travis? |
01:29:20 |
First of all, Michael will be |
01:29:22 |
...and he's got, like, an attaché case. |
01:29:25 |
And right here, Michael, |
01:29:29 |
So now it comes here. So it's a light |
01:29:33 |
- Absolutely. |
01:29:36 |
- ... he's in that light. |
01:29:37 |
He's in that light. |
01:29:39 |
But I wanna be able to step |
01:29:42 |
So then- So after he does this- |
01:29:46 |
After you go like this |
01:29:48 |
...a gesture and a pool of light |
01:29:51 |
Now a pool of light comes on |
01:29:53 |
- ... wherever his light is... |
01:29:56 |
...and the pool of light comes on |
01:30:04 |
And now he'll start. |
01:36:25 |
I know. |
01:36:27 |
At least we get a feel of it. |
01:36:30 |
God bless you. |
01:36:42 |
Church. |
01:36:45 |
The church of rock 'n' roll. |
01:36:49 |
I'm a fan. |
01:36:50 |
God bless you. |
01:36:52 |
Get some water. |
01:36:53 |
Water, water... |
01:36:58 |
I just wanna say as Michael's |
01:37:01 |
...this has been one of the most |
01:37:04 |
...of my creative life. I am so proud |
01:37:08 |
...and I just wanna thank everybody |
01:37:12 |
And I'm gonna just give this |
01:37:16 |
Everybody's doing a great job. |
01:37:18 |
Let's continue |
01:37:22 |
Give me your all, your endurance, |
01:37:28 |
But it's an adventure, |
01:37:32 |
It's nothing to be nervous about. |
01:37:34 |
They just want wonderful experiences, |
01:37:37 |
We wanna take them places |
01:37:40 |
We wanna show them talent |
01:37:43 |
So give your all. |
01:37:45 |
And I love you all. And we're a family. |
01:37:48 |
- That's right. |
01:37:50 |
We're putting love |
01:37:52 |
...to remind the world |
01:37:55 |
Love is important. To love each other. |
01:37:59 |
And take care of the planet. |
01:38:01 |
We have four years to get it right... |
01:38:03 |
...or else it's irreversible, |
01:38:05 |
So we have an important message |
01:38:10 |
But I thank you for your cooperation |
01:38:17 |
Blessings! Blessings to all. |
01:38:19 |
Michael Jackson! |
01:38:30 |
Have a beautiful Sunday. |
01:38:32 |
- Be safe. Stay healthy. |
01:38:43 |
On three! On three, "Michael. " |
01:38:46 |
One, two, three! |
01:38:47 |
Michael! |
01:38:53 |
What I'd like to do right now is just run, |
01:38:57 |
- Okay. |
01:39:00 |
MJ Air. |
01:39:03 |
Your favorite part. |
01:39:05 |
Right? |
01:39:07 |
- They'd love that. |
01:39:10 |
No, no, no. |
01:39:11 |
You know you love that part. |
01:39:12 |
I love when you... |
01:39:14 |
No, no. |
01:39:16 |
That's how the stewardesses do it, |
01:39:20 |
I love it. |
01:39:21 |
In third grade, the first song |
01:39:26 |
So it's kind of cool, like, |
01:39:28 |
...singing it onstage with Michael, |
01:39:31 |
So it's just an amazing experience |
01:39:34 |
He's such an amazing artist. |
01:49:42 |
- There should be a break there. |
01:49:45 |
- Have it right there, okay? |
01:49:48 |
Let me bathe in my own time |
01:49:51 |
Yeah, you got it. |
01:49:52 |
I'm gonna button my shirt |
01:49:57 |
I'm gonna look around a little bit, |
01:50:02 |
Snap my fingers maybe, then bam! |