Thr3e
|
00:00:24 |
Please. Where is he? |
00:00:26 |
Where's Roy? |
00:00:28 |
"He lives, but without a life. |
00:00:32 |
"He lives in a closet. |
00:00:34 |
An antisocial loner |
00:00:38 |
I wasn't writing about you! |
00:00:40 |
"Society doesn't notice him because |
00:00:45 |
You're not ordinary. |
00:00:48 |
Huh! And you're just trying |
00:00:51 |
Look. If you're angry at what |
00:00:54 |
But leave Roy out of it. |
00:00:56 |
- Did you come alone? |
00:00:59 |
Good. Chapter six. |
00:01:04 |
- No! Please! |
00:01:07 |
The answer is |
00:01:15 |
I'm a cop. I'm looking for |
00:01:19 |
Yeah. You're that lady |
00:01:22 |
Some guy brought this by for you. |
00:01:27 |
Chapter six. |
00:01:30 |
"You raise an attack dog |
00:01:33 |
You give it a biscuit... when it bites. " |
00:01:37 |
I think I've seen you on TV. |
00:01:42 |
Roy! |
00:01:53 |
You're a bad cop |
00:01:56 |
- Roy! |
00:01:59 |
I'm gonna give you deeper insight. |
00:02:03 |
Go away! |
00:02:05 |
One door is wired to explode and one is not. |
00:02:09 |
You can save your brother |
00:02:13 |
- Do you know? |
00:02:16 |
Twelve seconds to read my mind. |
00:02:19 |
Which door would the killer in your book pick? |
00:02:26 |
- Get out! |
00:02:29 |
Peters, get out now! |
00:02:33 |
No! No! |
00:02:36 |
No! |
00:02:51 |
We got a cop down! |
00:03:00 |
Get an ambulance now. Get it! |
00:03:02 |
Get an ambulance! |
00:03:07 |
The early Christian |
00:03:10 |
when writing |
00:03:15 |
St. Augustine... |
00:03:19 |
changed this from an objective... |
00:03:23 |
to a more subjective creation. |
00:03:27 |
Uh, for instance, |
00:03:32 |
that evil was |
00:03:37 |
So did Freud. |
00:03:41 |
Yeah, well- |
00:03:43 |
Freud isn't exactly |
00:03:48 |
Man's struggle against |
00:03:51 |
and continues unabated... |
00:03:55 |
because of the fall. |
00:03:58 |
Who once said, |
00:04:01 |
that will not spare |
00:04:05 |
Henry? |
00:04:11 |
Anyone? |
00:04:17 |
- Yeah, Kevin. |
00:04:20 |
Very good. The 19th century |
00:04:25 |
Actually, it's the 18th century. |
00:04:34 |
Kant died in 1804, but wrote |
00:04:38 |
Thank you, Kevin. |
00:04:41 |
The devil is in the details. |
00:04:44 |
I stand corrected. |
00:04:50 |
You hardly speak up... |
00:04:53 |
but when you do, |
00:04:56 |
You have a first-rate mind, Kevin. |
00:04:59 |
But about your thesis- |
00:05:02 |
I'm still waiting on |
00:05:06 |
I have hit a wall. |
00:05:09 |
Well, search along the wall... |
00:05:13 |
till you find a door. |
00:05:17 |
Hey, genius. |
00:05:25 |
And another piece of advice. |
00:05:28 |
If you're blocked, |
00:05:31 |
Get out into the fresh air |
00:05:34 |
Before you end up |
00:05:38 |
That'd be an honor, sir. |
00:05:43 |
But I do need to see an outline |
00:05:47 |
No shirking. |
00:05:51 |
Wrath. |
00:06:36 |
- Hello? |
00:06:39 |
to confess your sin |
00:06:42 |
Someone must have left |
00:06:45 |
Kevin Parson, you can't hide in the seminary. |
00:06:50 |
- Who is this? |
00:06:53 |
I'm hanging up. |
00:06:55 |
You're passing into |
00:06:57 |
Your clock reads 2:57. |
00:07:00 |
And you don't remember |
00:07:02 |
Here's a clue. |
00:07:04 |
What falls but never breaks? |
00:07:09 |
- What falls- Is this a joke? |
00:07:17 |
Hello? |
00:07:29 |
Get back! |
00:08:20 |
Liar. |
00:08:22 |
Don't you remember me, Kevin? |
00:08:25 |
You remember everything. |
00:08:28 |
Liar. |
00:08:35 |
I thought he had |
00:08:38 |
- Then he said my name. |
00:08:41 |
What falls but never breaks? |
00:08:43 |
What breaks but never falls? |
00:08:48 |
- What does that mean to you? |
00:08:52 |
Nothing. It's nonsense. |
00:08:55 |
Kevin, we didn't |
00:08:58 |
Maybe it burned up |
00:09:02 |
So he called you some names... |
00:09:05 |
gives you a riddle, |
00:09:09 |
That's it. |
00:09:12 |
No. |
00:09:18 |
You heard of R.K., right? |
00:09:24 |
The Riddle Killer. |
00:09:35 |
You must have been |
00:09:38 |
R.K.'s been making |
00:09:41 |
And why would someone like this |
00:09:46 |
Have you done anything to, |
00:09:52 |
Made any enemies? |
00:09:58 |
- Who is he? |
00:10:01 |
Seminary student. |
00:10:04 |
R.K. tends to pick on those |
00:10:12 |
Both parents died |
00:10:16 |
Raised by his aunt. |
00:10:18 |
No siblings. |
00:10:21 |
- How does he make a living? |
00:10:24 |
He has a B.S. in engineering... |
00:10:27 |
an M.A. in English lit... |
00:10:29 |
and he's working on |
00:10:32 |
A professional student. |
00:10:34 |
Yep. |
00:10:51 |
It's too early. |
00:10:56 |
I haven't cleared you yet. |
00:10:59 |
This is R.K. |
00:11:03 |
Yes, I know. |
00:11:06 |
If he gets a whiff you're on this... |
00:11:10 |
he may come after you again. |
00:11:12 |
Oh, don't worry about me. |
00:11:17 |
The question |
00:11:22 |
Why is Kevin Parson still alive? |
00:11:44 |
- What's over here? |
00:11:49 |
Wow. |
00:11:52 |
That's a lot of books. |
00:11:56 |
You read 'em all? |
00:11:59 |
Books? |
00:12:06 |
Not yet. |
00:12:09 |
So, I got something |
00:12:14 |
Here we are. |
00:12:18 |
Just press the button |
00:12:21 |
And it also has |
00:12:23 |
It's a pretty cool toy. |
00:12:25 |
- Hmm. |
00:12:29 |
Come on. Get out. |
00:12:36 |
So keep it on you. |
00:12:40 |
And don't worry. There's, uh- |
00:12:46 |
Well, technically, |
00:12:55 |
The car explosion |
00:12:58 |
is linked to the Commerce Street |
00:13:02 |
the brother of noted police profiler |
00:13:06 |
Now the police are currently speaking |
00:13:13 |
But we don't believe |
00:14:14 |
Hello, Kevin. |
00:14:16 |
Did you tell the police everything, |
00:14:21 |
No police! |
00:14:23 |
- Or I may tell them what you did. |
00:14:27 |
Who are you, Kevin? Are you still |
00:14:32 |
taking comfort from your pain |
00:14:42 |
Don't answer that! |
00:14:46 |
Kevin, it's Sam. I just saw the news. |
00:14:49 |
- I wanna make sure you're okay. |
00:14:53 |
Sam! Sam! |
00:15:01 |
- You swore that you |
00:15:04 |
- Why are you doing this? |
00:15:10 |
You have 60 minutes |
00:15:13 |
but no police. |
00:15:15 |
That's my number one rule. |
00:15:20 |
Damon. |
00:15:39 |
Here it comes, sweetie. |
00:15:59 |
Hi, Kevin. |
00:16:01 |
Oh. Hey, Bobby. |
00:16:04 |
I- I have a new computer. |
00:16:08 |
That's really cool, man. |
00:16:10 |
Hey, I'm gonna go |
00:16:13 |
Damon misses you. |
00:16:16 |
Where'd you go? |
00:16:18 |
Shut the door! |
00:16:27 |
And don't talk to strangers. |
00:16:30 |
Ah, i-it's Kevin. |
00:16:32 |
That's not Kevin, pumpkin. |
00:16:35 |
That's a stranger. |
00:16:38 |
Look, Balinda, |
00:16:40 |
then I'm gonna get out of here. |
00:16:43 |
Oh, you turned running away |
00:16:47 |
Damon. |
00:16:50 |
Hey, buddy. You okay? |
00:16:57 |
Hey. |
00:16:59 |
Kevin! |
00:17:02 |
- Hey, Eugene. |
00:17:05 |
Damon! Do not play |
00:17:08 |
Eugene, just don't stand there. |
00:17:11 |
- If you don't, I will. |
00:17:14 |
No! You have to growl at that dog. |
00:17:16 |
You have to use more authority, |
00:17:19 |
I say there, canine. To the kennel with you... |
00:17:22 |
- or it shall be the whip for your blasted hide. |
00:17:25 |
- Come here, beast. |
00:17:28 |
Stay! Stay, I say. |
00:17:31 |
Put him in the house. |
00:17:36 |
Very good! |
00:17:38 |
Very good! |
00:17:42 |
Ke-Kevin, I have a new computer. |
00:17:45 |
- Stay! |
00:17:48 |
- Princess gave it to me. You wanna see it? |
00:17:51 |
- Stay in your place. |
00:17:53 |
I can play with it |
00:17:56 |
- Then it's bedtime. |
00:18:05 |
- No! |
00:18:08 |
Damon! Damon! |
00:18:12 |
Damon! Damon! |
00:18:16 |
- What did I do? |
00:18:19 |
- Where's Damon? |
00:18:24 |
It was you. |
00:18:26 |
You did this! Why? |
00:18:31 |
- No. |
00:18:37 |
Someone's trying to kill me. |
00:18:40 |
Shut your lying, filthy mouth. |
00:18:45 |
That's right, traitor. |
00:18:50 |
Leave! |
00:18:52 |
Leave! |
00:19:45 |
Who's there? |
00:19:49 |
Sam. |
00:19:52 |
Mmm. |
00:19:56 |
I missed you. |
00:19:58 |
You look good. |
00:20:01 |
So do you. |
00:20:04 |
There's some dirt on your face. |
00:20:11 |
I love this place. |
00:20:21 |
You okay? |
00:20:23 |
I don't know. |
00:20:27 |
- You know, you shouldn't be here. |
00:20:31 |
- No, Sam. Someone's stalking me. |
00:20:33 |
They blew up my car. |
00:20:36 |
I just don't want you near this. |
00:20:39 |
- Look, I'm near criminals every single day. |
00:20:41 |
You know, I've got a cop |
00:20:44 |
Yeah. He's asleep. |
00:20:53 |
I have no idea what he meant. |
00:20:59 |
What falls but never breaks? |
00:21:01 |
What breaks but never falls? |
00:21:07 |
Night falls and day breaks. |
00:21:13 |
The answer could be |
00:21:17 |
Meaning what though? |
00:21:20 |
I don't know yet. |
00:21:22 |
I'm gonna take this and give |
00:21:26 |
- Take it. |
00:21:29 |
Yeah, probably in the kitchen. |
00:21:38 |
I should probably |
00:21:41 |
Just stay here. |
00:21:46 |
I mean- |
00:21:49 |
I'll stay on the couch. |
00:21:53 |
- This okay? |
00:21:55 |
I'm gonna need your spoon... |
00:21:58 |
so I can get a control sample |
00:22:05 |
Staying here... probably |
00:22:09 |
Why? |
00:22:13 |
Probably stay up talking all night, |
00:22:24 |
Hey, we can't talk |
00:22:27 |
Okay, but we might have to. |
00:22:34 |
I just don't want you to get hurt. |
00:22:41 |
Kevin? Hi, Kevin. |
00:22:44 |
- Hi, Sam. |
00:22:47 |
I can't. |
00:22:51 |
So? |
00:22:58 |
- I can't. |
00:23:02 |
- We could take the bus together. |
00:23:06 |
She's not your mom. |
00:23:11 |
So, do you have |
00:23:15 |
I have a boyfriend, |
00:23:19 |
- Who is he? |
00:23:22 |
He's my knight in shining armor. |
00:23:25 |
Come closer and I'll tell you. |
00:23:46 |
What benefit did you get from |
00:23:51 |
For the end of those things |
00:24:01 |
What? |
00:24:03 |
- What's going on? |
00:24:05 |
- Yeah, sure. Go home. |
00:24:07 |
Hey! You girls are 15. |
00:24:11 |
Hey, sorry. Sorry. |
00:24:14 |
We're both 21. Can you not just let us in? |
00:24:17 |
- No chance. Just go. Please. |
00:24:20 |
I could lose my job. |
00:24:26 |
Let me help you. |
00:24:28 |
Ooh! |
00:25:06 |
Kevin Parson? |
00:25:09 |
I want to ask you a question |
00:25:11 |
- I understand you've been talking to him. |
00:25:14 |
I got a real job. |
00:25:17 |
Yeah, well, this could trigger |
00:25:21 |
We need to talk. |
00:25:26 |
Hey! |
00:25:37 |
Sorry about your brother. |
00:25:46 |
- You look like you've been up all night. |
00:25:55 |
Is this the only way |
00:25:57 |
There's a fire escape. |
00:26:08 |
Close to your brother? |
00:26:10 |
Yeah. |
00:26:15 |
Who was the visitor? |
00:26:17 |
Someone I grew up with. |
00:26:19 |
Samantha Sheer. She, uh- She saw |
00:26:24 |
She's an insurance investigator. |
00:26:29 |
What, and she came by |
00:26:33 |
She's a friend. |
00:26:40 |
Anyone else? |
00:26:54 |
He was in here. |
00:26:57 |
What did he say? |
00:27:01 |
Nothing. He just- |
00:27:05 |
Well, show me the cell. |
00:27:07 |
It's gone. I think he |
00:27:11 |
- Well, can you show me the book? |
00:27:14 |
Do you know who |
00:27:17 |
Three people have died. |
00:27:21 |
So call your friend. From now on, |
00:27:25 |
Okay. |
00:27:29 |
You ever play chess? |
00:27:32 |
What does that have to do |
00:27:35 |
He made a move |
00:27:39 |
He'll move again. |
00:27:49 |
Great. |
00:27:51 |
He'll be watching |
00:27:55 |
- What? You mean, like now? |
00:28:00 |
He said no police. |
00:28:02 |
You're a cop. |
00:28:05 |
He said no police. You're a cop. |
00:28:11 |
Kevin always was a nasty little tattletale. |
00:28:19 |
Help me. Help me. |
00:28:27 |
You'll need to get this together right away. |
00:28:35 |
9:00. He said I had |
00:28:43 |
I don't wanna die! |
00:28:46 |
Please! |
00:28:48 |
Two questions: |
00:28:52 |
And why did he choose you? |
00:28:56 |
How did he choose your brother? |
00:28:58 |
Oh, Roy was a means |
00:29:02 |
I- I wrote a book |
00:29:04 |
He didn't like me going on |
00:29:10 |
Anyway- |
00:29:15 |
Yeah, maybe I did get |
00:29:18 |
Pride comes before a fall. |
00:29:21 |
Writing a book is no sin. |
00:29:24 |
Well, neither is going |
00:29:30 |
So let's start yesterday |
00:29:35 |
every place you ever went. |
00:29:37 |
You wanna hear |
00:29:40 |
I have a full tank. |
00:29:42 |
It won't take a full tank. |
00:29:47 |
A guy just walked into precinct headquarters |
00:30:00 |
Hold still! |
00:30:07 |
- "Wages of sin"! |
00:30:09 |
The wages of sin. |
00:30:11 |
He left a message. The wages of sin. |
00:30:16 |
The wages of sin is- |
00:30:18 |
- Death. |
00:30:19 |
Your stalker doesn't like seminary students. |
00:30:25 |
- Henry Jameson. |
00:30:27 |
- Give me the book and verse number. |
00:30:31 |
Look in Romans. |
00:30:34 |
- Where's the bomb squad? |
00:30:37 |
- Maybe we should just move him. |
00:30:39 |
- Keep it clear. Keep it clear. |
00:30:43 |
- Let's go! Let's go! |
00:30:45 |
- Get out! |
00:30:48 |
Okay. Here it is right here. |
00:30:51 |
"The wages of sin"- |
00:30:55 |
Okay. |
00:31:00 |
- Kevin! Kevin! |
00:31:03 |
Help me! Help me! Help me. |
00:31:07 |
"What benefit did you get from the things |
00:31:11 |
- "For the end of those things is- |
00:31:14 |
death. " |
00:31:15 |
Help me! |
00:31:21 |
What's the third number? |
00:31:23 |
Okay. There's six letters |
00:31:32 |
Get out! Everybody out! |
00:31:34 |
What are you doing here? |
00:31:36 |
- Everybody out! |
00:31:45 |
- Get it off me! |
00:31:47 |
- Your stalker went after someone else? |
00:31:50 |
- What happened? |
00:31:52 |
- You can't blame yourself for this. |
00:31:55 |
- Six. |
00:31:56 |
Hey, you! And you! |
00:32:00 |
- Get it off! |
00:32:02 |
- Twenty-three. |
00:32:05 |
Go, go. |
00:32:07 |
Go, go. Go! |
00:32:30 |
Okay. Okay. |
00:32:45 |
I hate the way you pukes look. |
00:32:47 |
The way you speak. |
00:32:50 |
The way you smell. Liar. |
00:32:52 |
You're all rotten to the core. |
00:32:55 |
Liars! |
00:32:57 |
You remember everything. |
00:33:06 |
It's the boy. |
00:33:08 |
- What boy? |
00:33:12 |
- When we were kids and used to sneak out together. |
00:33:18 |
Sometimes-Sometimes |
00:33:22 |
He liked watching us. |
00:33:25 |
- Kevin, I don't know what you're getting- |
00:33:30 |
I told you about him. |
00:33:33 |
I remember one night |
00:33:38 |
He was looking at you, |
00:33:45 |
Hey, you! |
00:33:56 |
What are you looking at, puke? |
00:34:00 |
Run, puke! |
00:34:04 |
He chased me... |
00:34:10 |
No! |
00:34:13 |
- I thought he was going to kill me. |
00:34:17 |
He warned me not to tell you. |
00:34:19 |
- No! |
00:34:21 |
I won't. |
00:34:24 |
and I'll kill you next time. |
00:34:27 |
Well, thank goodness you did. |
00:34:29 |
My dad chased him away. |
00:34:42 |
My dad won't let me out. |
00:34:54 |
We never saw him again. |
00:34:59 |
I saw him again. |
00:35:04 |
You never told me. |
00:35:06 |
I never told anyone. |
00:35:09 |
Run! |
00:35:11 |
Tattletale! |
00:35:15 |
Run! |
00:35:21 |
Run, you little moron! |
00:35:24 |
He chased me... |
00:35:26 |
- into this old warehouse. |
00:35:29 |
Run! |
00:35:41 |
No! |
00:35:52 |
Nice tomb. |
00:35:55 |
Nice and quiet. |
00:36:01 |
Thanks for bringing us |
00:36:04 |
- No! |
00:36:07 |
Scream! |
00:36:09 |
No one's gonna hear you |
00:36:13 |
You know what |
00:36:15 |
You're gonna bite off |
00:36:18 |
Bite it, tattletale! |
00:36:21 |
Then I'm gonna visit |
00:36:33 |
Hey! |
00:36:36 |
I'm gonna kill you! |
00:36:41 |
I stood there... |
00:36:43 |
thinking if he got out, |
00:36:48 |
What did you do? |
00:36:56 |
I left him to die. |
00:37:00 |
I never went back. |
00:37:06 |
That's my sin. |
00:37:15 |
I tried to forget |
00:37:17 |
Maybe- |
00:37:20 |
Maybe going to the seminary |
00:37:26 |
He must've gotten out. |
00:37:29 |
Someone would have |
00:37:32 |
- We live nearby. It would have been in the news. |
00:37:35 |
And now he's stalking me. |
00:37:40 |
It's pretty far-fetched |
00:37:43 |
someone would plan to get even with us for |
00:37:46 |
He tried to kill Henry. |
00:37:49 |
Maybe- |
00:37:53 |
to get her into our game. |
00:37:55 |
Well, forget the game. |
00:37:58 |
- Where? |
00:38:01 |
Hey! |
00:38:04 |
That's my thesis! |
00:38:07 |
Kevin, be careful. |
00:38:14 |
It's him! |
00:38:19 |
I'm calling the cops. |
00:38:21 |
- No, we can't! |
00:38:28 |
You know, |
00:38:30 |
When you turned around, |
00:38:33 |
- I didn't see his eyes. |
00:38:39 |
No. |
00:38:41 |
- Kevin Parson left when we cleared the building. |
00:38:46 |
Calm down with the orders. |
00:38:50 |
I never put you on this. |
00:38:52 |
I'm on this. |
00:38:56 |
Phone call for you. |
00:39:03 |
- Hello? |
00:39:07 |
- Right. Insurance. Where's Kevin? |
00:39:10 |
We may just have seen his stalker |
00:39:13 |
He was taking pictures of Kevin. |
00:39:17 |
Josh, send units to cordon off |
00:39:21 |
Look for a guy with a camera. |
00:39:23 |
Listen. It's not safe. |
00:39:26 |
- I want you back here now. |
00:39:28 |
I don't care if you're armed. This isn't an |
00:39:32 |
- That's an order. |
00:39:35 |
Hang on. |
00:39:44 |
Let me out. |
00:39:46 |
- Let me out of here! |
00:39:48 |
- A TV just went off in Kevin's refrigerator. |
00:39:52 |
Quick. Record this! |
00:39:54 |
Let me out. |
00:39:57 |
Let me out. The cockroach |
00:40:01 |
so we must play on to the end. |
00:40:04 |
The trigger is pulled. |
00:40:06 |
Only 30 minutes tick before |
00:40:10 |
Confess what sin? |
00:40:12 |
What takes you there |
00:40:15 |
And remember, no cops. |
00:40:22 |
Get down! |
00:40:32 |
Send Emergency Response |
00:40:35 |
You got it. |
00:40:38 |
Stand back. |
00:40:44 |
The trigger is pulled. The trigger is pulled. |
00:40:48 |
Only 30 minutes tick before |
00:40:53 |
You know, he seems to be obsessed with threes. |
00:40:56 |
The 30 minutes to act. |
00:41:00 |
Get down! |
00:41:06 |
- Kevin Parson, |
00:41:09 |
whose car was allegedly destroyed |
00:41:12 |
is on our Action Phone live |
00:41:16 |
- about the case. |
00:41:19 |
When I was 14... |
00:41:21 |
I got into a fight with this boy |
00:41:27 |
He chased me into |
00:41:32 |
we fought. |
00:41:35 |
I ran out and locked him in. |
00:41:40 |
I left him to die. |
00:41:43 |
I'm a fake and a hypocrite. |
00:41:45 |
What's he doing? |
00:41:47 |
He's confessing. |
00:41:49 |
I'm a sinner. |
00:41:52 |
If he's- |
00:41:55 |
I just want to say I'm sorry. |
00:41:58 |
I'm so sorry. |
00:42:01 |
Poor Kevin. |
00:42:03 |
Samantha Sheer calling back |
00:42:06 |
Put Kevin on. |
00:42:08 |
Look, he's pretty upset. He thinks the killer |
00:42:13 |
- Yeah, I heard. Can you give me a name? |
00:42:16 |
Kevin locked him in |
00:42:19 |
- Where? What's the address? |
00:42:21 |
Look, this kid didn't live |
00:42:24 |
and he didn't go to |
00:42:27 |
We're talking 15 years back, |
00:42:32 |
My dad, |
00:42:35 |
He was a cop. Maybe he left a name |
00:42:39 |
Your dad's retired? |
00:42:41 |
He died five years ago. |
00:42:43 |
All right. |
00:42:46 |
Send a team to a warehouse on Carmine, |
00:42:49 |
filed by an officer Sam Sheer dealing with |
00:42:54 |
- Are you and Kevin okay? |
00:42:56 |
Sam. Come on. |
00:42:58 |
I confessed. It's over. |
00:43:00 |
Kevin, I can't bet on his forgiveness, |
00:43:04 |
No, it's over. Everybody knows what |
00:43:09 |
Okay. It's over. |
00:43:11 |
But let me ask you something. |
00:43:14 |
"What takes you there |
00:43:17 |
What does that mean to you? |
00:43:19 |
What takes you there |
00:43:23 |
A bus. |
00:43:25 |
All they do is go back and forth. |
00:43:30 |
The bus that went by |
00:43:32 |
They think he might |
00:43:37 |
There are three number 33 buses... |
00:43:40 |
running simultaneously |
00:43:42 |
- So, we clear all three. |
00:43:46 |
No, he said no cops- at least none in uniform, |
00:43:59 |
- Hey, how you doing? |
00:44:11 |
Come on. Everybody out! |
00:44:16 |
What did the boy look like? |
00:44:18 |
Can you remember |
00:44:21 |
like a scar or a tattoo? |
00:44:23 |
He bragged about |
00:44:28 |
Juvenile records are often wiped clean, |
00:44:32 |
Well, that narrows it down to a couple |
00:44:38 |
- We're looking for the bus. |
00:44:40 |
stop, stop, stop, stop! |
00:44:43 |
Sam! That was |
00:44:46 |
The three on your refrigerator. |
00:45:11 |
Pull over! Stop the bus! |
00:45:15 |
- Pull over! There's a bomb! |
00:45:17 |
- Stop the bus! You gotta pull the bus over! |
00:45:21 |
Pull over! You got something on the bus! |
00:45:23 |
Stop! Pull over. |
00:45:29 |
Get everybody out of the bus! |
00:45:33 |
- Open the door! |
00:45:35 |
- Get everybody out of the bus. |
00:45:38 |
There's a bomb on the bus. |
00:45:41 |
Come on. Get out of here. |
00:45:45 |
- Help her. |
00:45:48 |
Get off! |
00:45:53 |
- Sam! Phone! |
00:45:57 |
He's crazy! The man is a lunatic. |
00:45:59 |
- Hello? |
00:46:03 |
- Hey, I didn't call the cops. |
00:46:09 |
No. No. I confessed. |
00:46:13 |
- You confessed nothing! |
00:46:16 |
- Everybody's off! |
00:46:18 |
Sam! Sam! |
00:46:53 |
- Hey, you okay? |
00:46:55 |
How did he get my number? |
00:46:59 |
Anybody hurt? |
00:47:05 |
He's gonna kill me. |
00:47:07 |
Hey. No, he's not. |
00:47:15 |
My dad's stuff's in storage. |
00:47:19 |
I'm gonna go there. |
00:47:34 |
Talk to me. |
00:47:36 |
Sam talked to you, |
00:47:39 |
You should've told me |
00:47:42 |
'cause I can't help you |
00:47:44 |
Just don't help me. |
00:47:51 |
He's here. |
00:47:59 |
What do I do? |
00:48:04 |
I want you to walk away... |
00:48:06 |
and meet me in the Grand Hotel Bar |
00:48:19 |
- Liar. Cheater. |
00:48:21 |
You confessed nothing. |
00:48:23 |
- I shut the door, and I left him to die. I'm sorry. |
00:48:28 |
Liar! Liar! Liar! |
00:48:31 |
- I left him to die. |
00:48:34 |
This is Darrylin Goodman |
00:48:36 |
and behind me is a Red Line city bus that |
00:48:41 |
by what the police are now calling |
00:48:43 |
Darrylin, have the police |
00:48:45 |
They're not labeling it |
00:48:48 |
to the explosions that killed Roy Peters |
00:48:57 |
Where's Samantha? |
00:49:00 |
She went to check out |
00:49:03 |
Here we go. |
00:49:06 |
No, I'm good. |
00:49:09 |
Kevin, it's not you. |
00:49:11 |
It's him. |
00:49:14 |
He's twisted beyond your capacity |
00:49:17 |
These people enjoy holding |
00:49:20 |
Absolute power, |
00:49:23 |
If R.K. is this kid from your past... |
00:49:27 |
we will find him. |
00:49:32 |
You have to trust me- |
00:49:36 |
that I won't let him hurt you. |
00:49:42 |
So, I better get to it. |
00:49:50 |
I'll help you |
00:49:53 |
Then take a drive with me through your old |
00:49:57 |
- See if that jogs your memory. |
00:50:00 |
- Kevin- |
00:50:41 |
My name is Jennifer Peters. |
00:50:44 |
I'd like to come in and ask you |
00:50:47 |
- Certainly not. |
00:50:50 |
Your nephew is in serious danger. |
00:50:53 |
- Do you have a search warrant? |
00:50:57 |
We all make mistakes, deary. |
00:51:00 |
Balinda. |
00:51:04 |
it will be the sworn duty of the police |
00:51:20 |
Don't touch anything. |
00:51:53 |
Ask your questions. |
00:51:55 |
Do you like to play? |
00:51:57 |
Bobby! Hush! |
00:52:00 |
I have a new computer. |
00:52:04 |
Bobby, go to your room. |
00:52:07 |
She's pretty, Mom. |
00:52:09 |
She's a dog, Bobby. |
00:52:13 |
That's what you'll get |
00:52:16 |
Go to your room, |
00:52:20 |
and sleep. |
00:52:24 |
Eugene, don't just sit down. Where are |
00:52:30 |
Yes, of course, Princess. |
00:52:46 |
Your chair, my lady. |
00:52:55 |
When was the last time |
00:52:59 |
Why would I leave the house? |
00:53:03 |
Do you know who the president is? |
00:53:07 |
Eisenhower. |
00:53:10 |
Eisenhower is |
00:53:14 |
We don't go in for pretenders. |
00:53:17 |
How long have you |
00:53:19 |
Doing what? |
00:53:23 |
You've created |
00:53:25 |
cutting away what you |
00:53:29 |
What do you do |
00:53:33 |
You burn them. |
00:53:36 |
Why? |
00:53:39 |
What we do in our home |
00:53:45 |
What about Kevin? |
00:53:47 |
Was he safe here? |
00:53:50 |
Bobby. Back! Bobby! |
00:53:58 |
Oh, my sister's boy... |
00:54:00 |
always thought he was |
00:54:02 |
Bobby was the poor little dummy. |
00:54:07 |
thought he was God's gift... |
00:54:10 |
sent to cast light |
00:54:14 |
Do you even wanna know |
00:54:17 |
It all started when he was sneaking out |
00:54:21 |
She's the one |
00:54:24 |
You mean Samantha Sheer? |
00:54:27 |
He didn't think I knew, |
00:54:30 |
She's the one that put |
00:54:34 |
by wanting me to send him |
00:54:38 |
Instead of you teaching him? |
00:54:42 |
The only way to raise a child... |
00:54:47 |
is to isolate them with the truth. |
00:54:50 |
Then they shine like stars. |
00:54:54 |
You let a boy |
00:54:58 |
with no idea the real world |
00:55:02 |
It's a wonder |
00:55:06 |
Your time is up. |
00:55:08 |
Someone's been threatening Kevin... |
00:55:11 |
someone who may have known him |
00:55:16 |
Do you remember |
00:55:20 |
He came home one night |
00:55:29 |
But that's what's outside- |
00:55:32 |
blood and chaos. |
00:55:37 |
What are you looking for, Jennifer? |
00:55:41 |
What will you find? |
00:55:49 |
Don't come too close |
00:55:53 |
or you won't walk away |
00:55:57 |
We went over every one of |
00:56:00 |
at his old precinct. |
00:56:02 |
Nothing about a Peeping Tom juvenile. |
00:56:06 |
- I'm at the warehouse. |
00:56:10 |
Those, uh, old Carmine Street |
00:56:14 |
have been closed down for years. |
00:56:38 |
Stand back. |
00:57:10 |
That looks like a jacket. |
00:57:18 |
- What do you got? |
00:57:21 |
Give me eight hours. I'll have |
00:57:26 |
Blood positive. |
00:57:28 |
Oh. Looks like a weapon. |
00:57:31 |
Any skeletons in the closet? |
00:57:34 |
Nope. But we found |
00:57:40 |
Well, this backs up |
00:57:42 |
that a fight took place. |
00:57:44 |
The kid must have crawled out... |
00:57:46 |
through there. |
00:57:52 |
Search all the rooms. |
00:58:04 |
Look, man, that girl crazy. |
00:58:06 |
No, man. |
00:58:13 |
- Hey, where the brew at? |
00:58:15 |
Oh, snap. |
00:58:17 |
You know where I can get a gun? |
00:58:23 |
- Here you go. It's sweet. |
00:58:27 |
Yeah, beautiful. |
00:58:30 |
Pack it up, you guys. That's it. |
00:58:33 |
Yeah. That's a day. Let's get out of here. |
00:58:37 |
We may have a problem. |
00:58:41 |
There's a group of, uh, reporters |
00:58:46 |
Oh, I put him in a hotel |
00:58:50 |
Good. Which one? |
00:58:55 |
Come on, Sam. |
00:58:58 |
You, uh- |
00:59:02 |
and you don't bother telling |
00:59:09 |
I'm not officially |
00:59:15 |
Got a thing for him, don't you? |
00:59:19 |
The fact of the matter is, you don't |
00:59:40 |
Kevin, it's me, Sam. |
00:59:56 |
Jennifer called. |
01:00:00 |
You're not... |
01:00:03 |
keeping anything from me? |
01:00:07 |
How can I? You know me better |
01:00:25 |
This isn't a good idea. |
01:00:27 |
We've never kept secrets from each other. |
01:00:33 |
Remember when you told me |
01:00:38 |
Yeah. |
01:00:44 |
Why didn't we ever become |
01:00:51 |
I went to school |
01:00:54 |
And you got busy with college. |
01:01:09 |
I'm here now. |
01:01:18 |
I'm so tired. |
01:01:23 |
I know. |
01:01:34 |
I want you to be careful |
01:01:36 |
Why? |
01:01:40 |
Her stalker has all |
01:01:43 |
and he called me right after |
01:01:46 |
What are you saying? |
01:01:49 |
I'm not saying it is. |
01:01:54 |
Trust her. |
01:01:58 |
But trust me first, okay? |
01:02:13 |
If he's listening, I just wanna say I'm sorry. |
01:02:17 |
You confessed nothing. |
01:02:19 |
I'm a fake and a hypocrite. |
01:02:21 |
- Tonight I'm gonna take everything from you- |
01:02:24 |
until there is nothing left. |
01:02:26 |
I shut the door |
01:02:29 |
Tonight you get to kill |
01:02:57 |
- Hello? |
01:03:01 |
- How's Kevin? |
01:03:04 |
I took the adjoining room |
01:03:09 |
Okay. |
01:03:12 |
I need to talk to Kevin. |
01:03:14 |
Okay. We'll be here. |
01:03:17 |
Hang on. |
01:03:20 |
- Careful. Nobody knows you're there. |
01:03:23 |
- Hello? |
01:03:26 |
- Samantha? |
01:03:28 |
- Hello? |
01:03:30 |
It's so dark in here. |
01:03:33 |
Let me out. |
01:03:39 |
You confessed nothing. |
01:03:42 |
Tonight I'm gonna take everything |
01:03:51 |
The cockroach has |
01:03:53 |
And so it's time to play |
01:03:58 |
- I confessed! |
01:04:00 |
Kevin thinks he would never do, |
01:04:05 |
Confess the rest, Kevin! |
01:04:16 |
Ma'am, you can't park here. |
01:04:29 |
- Let me out. |
01:04:32 |
Why did you leave me, Kevin? |
01:04:38 |
Let me out. |
01:04:42 |
The cockroach has not |
01:04:47 |
Let's go. |
01:04:49 |
Time to play. You have one hour. |
01:04:52 |
Hey! Kevin! Stop! |
01:04:55 |
Maybe we should at least |
01:04:58 |
If she's smart, |
01:05:00 |
Then we don't break his rules. |
01:05:05 |
What wants to be filled but will always be empty? |
01:05:08 |
The city fathers gave it a number- |
01:05:10 |
369-33. |
01:05:14 |
Hey. |
01:05:17 |
You followed me? |
01:05:21 |
Yeah, well, uh, I wouldn't have to |
01:05:25 |
operating behind my back. |
01:05:31 |
Where's Parson? |
01:05:33 |
He just left with Samantha Sheer. |
01:05:36 |
What've you got? |
01:05:39 |
Another message with a timed riddle |
01:05:43 |
Time to play. |
01:05:46 |
What wants to be filled |
01:05:49 |
The city fathers |
01:05:51 |
369-33. |
01:05:54 |
The storage warehouse. |
01:05:57 |
I told you. |
01:05:59 |
This is the place. |
01:06:01 |
He knew that. |
01:06:07 |
You sure you don't know |
01:06:11 |
What could be worse |
01:06:20 |
Sam! There's no reason for us |
01:06:24 |
Look, this is gonna blow |
01:06:26 |
We didn't break his cop rule, |
01:06:29 |
If we don't figure this out, |
01:06:35 |
Wait here. |
01:06:37 |
No, you're not going |
01:06:43 |
This is a bad idea. |
01:06:46 |
- I better get my cell. |
01:06:55 |
Sam! |
01:06:57 |
Sam! Sam! |
01:07:02 |
Hey! |
01:07:15 |
Hello? |
01:07:20 |
Hello? |
01:07:59 |
Hey! |
01:08:01 |
Who's there? |
01:08:04 |
I said, who's there? |
01:08:08 |
Samantha. |
01:08:11 |
Hey! |
01:08:19 |
Samantha! |
01:08:23 |
Who's there? |
01:08:27 |
Samantha. |
01:08:38 |
Hey! Hey! |
01:08:41 |
Hey! Let me out! |
01:08:49 |
Hey, let me out of here! |
01:08:56 |
Hey! |
01:09:11 |
Sam? |
01:09:16 |
Sam? |
01:09:41 |
"There's three natures to every human being: |
01:09:44 |
the good, the bad and the soul |
01:09:47 |
"Radical evil is the deep |
01:09:50 |
"God has preordained |
01:09:53 |
"Where there is light, |
01:10:02 |
"Where there is light, there is shadow. " |
01:10:05 |
That's one of |
01:10:07 |
Where'd you steal it? |
01:10:10 |
Hey! |
01:10:12 |
Sam! Sam? |
01:10:15 |
Kevin, I'm here! |
01:10:17 |
- There's another bomb. |
01:10:20 |
All right. |
01:10:25 |
Are you looking for the key to |
01:10:28 |
You won't find it |
01:10:31 |
- You let her go! |
01:10:34 |
You gotta get out of here. |
01:10:40 |
I see the pathetic book grub |
01:10:43 |
- Let her go or I'll kill you! |
01:10:47 |
Didn't work out so well, did it? |
01:10:53 |
Come on. |
01:10:56 |
Can't save her this time. |
01:10:58 |
And in the end, |
01:11:08 |
Kevin! Hey! |
01:11:19 |
I need the flashlight! |
01:11:22 |
- Kevin! What are you doing? |
01:11:25 |
Kevin, listen to me. |
01:11:33 |
Oh. |
01:12:03 |
No. |
01:12:05 |
Get out! Get out! |
01:12:35 |
- Can't believe I missed. |
01:12:38 |
These are all lines |
01:12:41 |
It's pretty dark stuff. |
01:12:45 |
"Radical evil is the deep blemish |
01:12:54 |
He didn't find it very original. |
01:13:01 |
I didn't write this. |
01:13:03 |
- You mean, "Your house is afire"? |
01:13:07 |
Wait. What's this? |
01:13:16 |
He's not done with us yet. |
01:13:21 |
"Your house is afire. " |
01:13:23 |
- How many places have you lived? |
01:13:27 |
And your aunt's place. |
01:13:30 |
Balinda won't let you in. |
01:13:34 |
She might not even |
01:13:38 |
You know, you get this look |
01:13:40 |
What look? |
01:13:43 |
That look. |
01:13:48 |
She just tried to get me |
01:13:55 |
Midnight. We have two hours. |
01:14:00 |
You take my car to Balinda's place |
01:14:20 |
- Kevin, what happened? |
01:14:23 |
Yeah, I can see that. |
01:14:27 |
Because he said, "No cops"? |
01:14:32 |
You know, |
01:14:39 |
He left another riddle. |
01:14:41 |
Okay. |
01:14:43 |
Where? |
01:14:56 |
Do you see this? |
01:14:59 |
I quit. |
01:15:05 |
I quit. |
01:15:07 |
I swear to you, I'm never setting foot |
01:15:11 |
I'm done. |
01:15:21 |
I'm not a cop. |
01:15:23 |
I'm Roy's sister. |
01:15:26 |
Go read the wall. |
01:15:43 |
Princess. |
01:15:49 |
Kevin? It's- It's Uncle Eugene. |
01:15:54 |
Princess. Where's Princess? |
01:16:01 |
Where's Princess? |
01:16:08 |
Hiding like a roach |
01:16:33 |
Princess is gone! |
01:16:36 |
- What? |
01:16:39 |
- You have to find her. |
01:16:41 |
- Inside. |
01:16:44 |
- Why? |
01:16:46 |
Oh. |
01:16:49 |
Princess. Princess. |
01:16:51 |
Bobby? |
01:16:53 |
- Bobby? |
01:16:56 |
- She's hiding. |
01:16:58 |
At first, I thought that Princess |
01:17:01 |
And then I remembered |
01:17:05 |
I need you to go with Eugene |
01:17:08 |
Buy some cookies and pop. And when |
01:17:11 |
Okay? Okay? Can you do that for me? |
01:17:14 |
- Okay. |
01:17:16 |
Kevin, I have a new computer. |
01:17:20 |
That's really awesome. I really need you |
01:17:23 |
You stay there |
01:17:25 |
Come on, Bobby. |
01:17:27 |
Come on. |
01:17:32 |
- Who are you, Kevin? |
01:17:35 |
Liar! Liar! Liar! |
01:17:36 |
Are you still the lonely boy in a blue house? |
01:17:40 |
- Liar! Confess the rest, Kevin. |
01:17:42 |
Where there's light, there's shadow. |
01:17:56 |
You swore that you'd never go back there. |
01:17:59 |
You stay in your room. |
01:18:15 |
Be nice to Princess. |
01:18:20 |
I hate you. |
01:18:38 |
- What are you doing? |
01:18:40 |
Are you sneaking out? |
01:18:43 |
I'm gonna wash |
01:18:45 |
You dirty, filthy, filthy boy! |
01:18:48 |
I'll show you what happens |
01:18:52 |
Dirty, dirty liar! |
01:18:54 |
Liar! |
01:19:07 |
Don't you dare, puke! |
01:19:10 |
Who are you? |
01:19:12 |
Where is she? |
01:19:16 |
Where the worms hide |
01:19:18 |
What have you done to her? |
01:19:22 |
Don't tell anyone you've been punished. |
01:19:25 |
It's our little secret. |
01:19:31 |
Where are you? |
01:20:01 |
Hi. I'm calling from Channel 22. |
01:20:04 |
I'm looking for a Kevin Parson- |
01:20:06 |
Kevin, it's Dr. Francis. I was worried |
01:20:11 |
If you need to talk- |
01:20:13 |
You left this number. |
01:20:16 |
That book on St. Augustine |
01:20:19 |
I was able to pull about six dozen prints, |
01:20:22 |
Call me. |
01:20:26 |
Kevin! Kevin! It's- It's Uncle Eugene. |
01:20:31 |
They stole Princess. |
01:20:35 |
He just keeps going from room to room |
01:21:04 |
Let's see what we got here. |
01:21:06 |
Hey, we got some.38 shell casings |
01:21:10 |
Looks like a struggle. |
01:21:13 |
Parson tell you anything |
01:21:17 |
No. All he said |
01:21:21 |
to another bomb riddle |
01:21:26 |
The guy's playing you. |
01:21:32 |
You know, there's something |
01:21:35 |
With Kevin, the clues tend to be metaphoric |
01:21:41 |
With Roy and me, R.K. tended |
01:21:45 |
He wasn't into this kind |
01:21:50 |
Maybe he changes personality |
01:21:54 |
Hey, could you back up? |
01:22:01 |
- Jennifer, it's Sam. |
01:22:04 |
I'm at Kevin's loft. |
01:22:07 |
I don't think |
01:22:09 |
I was just thinking |
01:22:11 |
- He could have copycatted R.K. |
01:22:15 |
I mean, I don't even think |
01:22:22 |
What? |
01:22:24 |
Kevin's stalker only appeared |
01:22:28 |
It's all about good and evil, |
01:22:32 |
Opposites. |
01:22:38 |
So what if Kevin... |
01:22:41 |
and his stalker are opposites... |
01:22:44 |
in the same person? |
01:22:50 |
Hey, Mike. How many sets |
01:22:54 |
It's hard to say. |
01:22:56 |
But what I am seeing is one set |
01:22:59 |
a man's tennis shoe, |
01:23:03 |
But the boy exists. |
01:23:05 |
You saw him. |
01:23:07 |
No. I thought I had, but I |
01:23:12 |
I just thought I did because |
01:23:16 |
But someone left a cassette player |
01:23:19 |
- Wasn't Kevin with you? |
01:23:23 |
And the person outside his window |
01:23:27 |
The boy doesn't exist. |
01:23:33 |
I don't know. You're the psychologist. |
01:23:39 |
When Kevin locked the boy |
01:23:43 |
he was actually locking away |
01:23:47 |
Then when Kevin's thesis |
01:23:50 |
the nature of good |
01:23:56 |
The boy resurfaced. |
01:23:59 |
Like a latent virus, he would have returned |
01:24:04 |
One personality hating the other, |
01:24:07 |
And kill the person who caused |
01:24:11 |
Balinda's missing. |
01:24:17 |
- W-Wait. I'll meet you. |
01:24:21 |
I know. |
01:24:24 |
Kevin might kill himself. |
01:26:09 |
Hello, Kevin. |
01:26:14 |
Put down the gun. |
01:26:18 |
- Who are you? |
01:26:22 |
- Let her go. |
01:26:24 |
- Let her go! |
01:26:29 |
Put down the gun, |
01:26:42 |
We've been expecting you. |
01:26:44 |
I don't think we've been |
01:26:47 |
You can call me Slater. |
01:26:50 |
Welcome to my house. |
01:26:52 |
I should say "our house. " |
01:26:55 |
You know, Kevin, they think |
01:26:57 |
They think you're me- |
01:27:03 |
And tomorrow in the headlines, |
01:27:06 |
your mommy dearest |
01:27:12 |
Shut up or I'll staple |
01:27:15 |
I'm here. |
01:27:19 |
My car's parked outside. |
01:27:22 |
I'm gonna go in. |
01:27:24 |
Look, I'm five minutes behind you. |
01:27:26 |
Yeah, I'll try. |
01:27:29 |
I don't see anyone. |
01:27:32 |
Wait. "Where the worms hide |
01:27:36 |
"Where the worms hide their secrets"? |
01:27:44 |
I'm at the garden shed. |
01:27:50 |
You confessed nothing! |
01:27:52 |
- Wait. |
01:27:54 |
The steps go down into a basement. |
01:27:58 |
More than one? |
01:28:01 |
- Kevin got himself a gun. |
01:28:04 |
- Why? You wanna kill somebody? |
01:28:06 |
Is that what you want? |
01:28:08 |
You'll never get away with this. |
01:28:11 |
Huh? You wanna taste it? |
01:28:14 |
Why are you doing this, huh? |
01:28:17 |
I told everyone |
01:28:19 |
You confessed nothing! |
01:28:22 |
But tomorrow's headlines are gonna reveal |
01:28:26 |
- My plan is perfect. |
01:28:31 |
- You're sick. |
01:28:35 |
You're the sick one, Kevin. |
01:28:38 |
At least I'm not a hypocrite. |
01:28:41 |
Well, guess what? |
01:28:51 |
Jennifer, I was wrong. |
01:28:54 |
- I just saw him. |
01:28:57 |
Yeah. No. Both of them. |
01:29:00 |
He's real. |
01:29:02 |
- Who is he? |
01:29:13 |
Samantha can't talk now. |
01:29:23 |
Samantha. |
01:29:26 |
Wake up. |
01:29:29 |
Come on. Come on. |
01:29:32 |
Just like old times |
01:29:35 |
Except this time Kevin's gonna kill for real. |
01:29:39 |
- Never. |
01:29:42 |
- And he's gonna take the blame for everything. |
01:29:46 |
Ha! |
01:29:55 |
Sticks and stones. |
01:29:57 |
She calls me sick. |
01:30:01 |
At least I'm not a hypocrite, sitting |
01:30:04 |
swearing to God that I'll be good, |
01:30:08 |
even though he knows |
01:30:10 |
Even though he knows |
01:30:15 |
You're worse than me. |
01:30:38 |
Hi, Princess. |
01:30:40 |
Good? Almost midnight. |
01:30:42 |
The cockroach has yet |
01:30:45 |
and so it's time |
01:30:48 |
- to the end. |
01:30:50 |
Get her. Get her! |
01:30:53 |
You hate her. |
01:30:55 |
Look. You've been thinking about it. |
01:30:57 |
Come on. Take it. |
01:31:00 |
Take it! |
01:31:04 |
Pain, the loneliness, |
01:31:07 |
You hate her! |
01:31:10 |
Take it! |
01:31:12 |
Leave him alone! |
01:31:15 |
Kill her! Kill her now! |
01:31:18 |
- No, Kevin, it's not Balinda you want to kill. |
01:31:20 |
- Kevin, don't! |
01:31:24 |
- Fiend. |
01:31:27 |
- Shoot her! |
01:31:30 |
Oh, true love. How touching. |
01:31:33 |
Don't do it, Kevin, please! |
01:31:36 |
Do it or I'm gonna spit roast |
01:31:41 |
He's gonna kill us all anyway. |
01:31:44 |
Then he's gonna burn up all trace that |
01:31:48 |
- Do it now! |
01:31:54 |
- He's gonna kill us all anyway! He- |
01:31:59 |
Kevin? |
01:32:02 |
You move and they die. |
01:32:06 |
Are you okay? |
01:32:12 |
Stay back. |
01:32:15 |
Jennifer, listen to Sam. |
01:32:18 |
Shut up! You two are driving me crazy! |
01:32:26 |
Drop the gun or we all go. |
01:32:36 |
Slater shot Sam. |
01:32:39 |
Kevin, look at me. |
01:32:44 |
Kevin, there's no one in here |
01:32:51 |
What? |
01:32:53 |
Samantha and Slater aren't real. |
01:32:55 |
Why are you saying that? |
01:32:58 |
- She must have a plan. Go along. |
01:33:01 |
The truth is |
01:33:05 |
The truth is |
01:33:08 |
Slater is Kevin, but so are you. |
01:33:12 |
He created you both |
01:33:16 |
locked in that house. |
01:33:19 |
You were created from all the good things |
01:33:23 |
But you saw Sam... |
01:33:25 |
at the hotel |
01:33:28 |
Hey, you! And you! Out! |
01:33:30 |
- Now! |
01:33:33 |
And outside the hotel, |
01:33:36 |
- I never actually saw her. |
01:33:47 |
But it's not true. |
01:33:50 |
- Are you? |
01:33:53 |
- Yeah, she's real. |
01:33:56 |
Wait. Why are you bleeding? |
01:34:00 |
That's a bunch of psycho crap. |
01:34:03 |
You couldn't even figure out |
01:34:05 |
and he's right in front of you. |
01:34:09 |
- Kevin, listen to me. |
01:34:11 |
It's not true. It's- It's- |
01:34:15 |
Time's up. Kill her. |
01:34:18 |
But I confessed. I confessed that |
01:34:21 |
You confessed nothing! |
01:34:24 |
All right, Kevin. Empty the trash. |
01:34:27 |
Do it. |
01:34:29 |
Kill her. Kill her now! |
01:34:32 |
No, Kevin. It's not Balinda |
01:34:35 |
You want to kill the evil inside yourself. |
01:34:38 |
Do it! |
01:34:40 |
The sin is that you're him. What falls but |
01:34:44 |
It's night and day. |
01:34:46 |
She's the one that locked you in the room. |
01:34:49 |
Kevin, he can't pull |
01:34:54 |
Shut up! |
01:34:56 |
Kevin, in your thesis you wrote about |
01:35:01 |
the good, the bad- |
01:35:03 |
And the soul struggling in between. |
01:35:08 |
I'll kill you all! |
01:35:10 |
You also wrote that we're powerless to win |
01:35:17 |
We could take the bus together. |
01:35:21 |
I love you. |
01:35:26 |
Me- Me too. |
01:35:42 |
Good-bye. |
01:35:56 |
Stop it! |
01:35:58 |
Kill her now! |
01:36:02 |
I'll kill you! |
01:36:09 |
You can't. |
01:36:11 |
You're me, Kevin. |
01:36:14 |
Confess it, Kevin! |
01:37:04 |
I hope you lock him up |
01:37:14 |
Let's get out of here. |
01:37:17 |
Kevin studied the Riddle Killer. |
01:37:22 |
- "He's right in front of you. " |
01:37:29 |
We should have noticed someone |
01:37:32 |
I- I'm looking for anything |
01:37:35 |
Hey, you're that lady |
01:37:37 |
- Some guy brought this by for you. |
01:37:47 |
- Go, go, go, go! |
01:37:50 |
- Freeze! |
01:37:52 |
Hands where I can see 'em! |
01:37:54 |
- Freeze! |
01:38:07 |
Careful. Careful. |
01:38:25 |
Tsk, tsk, tsk, tsk. |
01:38:27 |
You clean up pretty nicely. |
01:38:31 |
I see they got all |
01:38:33 |
You took pictures of Kevin Parson. |
01:38:40 |
Why? |
01:38:42 |
I intended to pay him a little visit. |
01:38:58 |
Get him out of here. |
01:39:00 |
You got it. |
01:39:03 |
Get him out of here. |
01:39:08 |
That's it. |
01:39:17 |
Another couple of hours |
01:39:21 |
that Sam Sheer never had a daughter, |
01:39:25 |
There's so many holes |
01:39:29 |
And since it was Slater |
01:39:34 |
will the court take that |
01:39:37 |
I hope. I mean, a place |
01:39:40 |
How long will he be here? |
01:39:44 |
It's up to the courts to decide. |
01:39:47 |
And the person that caused it |
01:39:51 |
Balinda. |
01:39:54 |
Kevin grew up in a world... |
01:39:56 |
of shifting realities... |
01:40:00 |
with no absolutes. |
01:40:04 |
He created good and evil. |
01:40:07 |
Samantha and Slater. |
01:40:09 |
It's a battle we all |
01:40:11 |
It's a battle we're powerless |
01:40:14 |
You mean, we need the power |
01:40:18 |
We need the power of God. |
01:40:43 |
How are you feeling? |
01:40:48 |
I'll talk to you later, Sam. |
01:40:53 |
I'm just kidding. |
01:40:58 |
I'm good. |
01:41:01 |
Good. |