Three Days Of The Condor
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00:00:41 |
THREE DAYS OF THE CONDOR |
00:01:24 |
Tell her what you got. - Male, |
00:01:29 |
Where? - In his room. |
00:01:33 |
The wound is just below the heart. |
00:01:39 |
Turner...? |
00:01:46 |
Dr. Lappe, I'm sure he's going to be |
00:01:52 |
Mr. Turner is late again. |
00:02:11 |
Let's get back to work. |
00:02:15 |
You know what Joey would say? |
00:02:20 |
What kind of a slug? |
00:02:24 |
The machine will come back with a |
00:03:32 |
Turner, Joseph. - 17 minutes late. |
00:03:37 |
Dr. Lappe, anything in the |
00:03:42 |
Dr. Lappe? |
00:03:43 |
Nothing in response to your report. |
00:03:46 |
Please analyze the book on your desk |
00:03:52 |
I'd move the Tolmiea to the light, |
00:03:54 |
the leaves are getting a blight. |
00:03:59 |
At ease, Sarge, at ease. |
00:04:08 |
There must be more details. |
00:04:11 |
No other clues? |
00:04:14 |
Doesn't say. Just early evening. |
00:04:19 |
Apparently a.38. |
00:04:23 |
The entry wound was characteristic of |
00:04:28 |
Hey, we're getting somewhere. |
00:04:33 |
I have Far East journals to read. |
00:04:36 |
No, there was no exit wound. |
00:04:39 |
We're not getting anywhere. |
00:04:46 |
Hi. What we've got so far... |
00:04:49 |
Ice. |
00:04:51 |
Instead of lead. Ice. |
00:04:54 |
The murderer pours water into a.38 |
00:04:59 |
He shoots the guy with the ice bullet. |
00:05:05 |
No bullet, no ballistics. |
00:05:11 |
What is this? |
00:05:15 |
Beautiful calligraphy. |
00:05:20 |
Nothing else? - It can mean |
00:05:27 |
I'm not sure. - We're going to Sam |
00:05:32 |
Talk to Sam about it. |
00:05:35 |
I did. He said, "that's interesting, |
00:05:40 |
Which means he doesn't think there's |
00:05:45 |
And you. - There's not much. |
00:05:49 |
A mystery that didn't sell and has |
00:05:54 |
Turkish, but not French. |
00:05:58 |
Dutch. |
00:06:01 |
Yes. |
00:06:06 |
Where did you get that about the ice? |
00:06:10 |
Are you sure about this ideogram? |
00:06:13 |
Look at this face. Could I be wrong |
00:06:19 |
It's a great face. |
00:06:32 |
Ray, when can I get some |
00:06:36 |
A very underrated detective. |
00:06:42 |
No, stay on schedule, I'll get it. |
00:06:48 |
Four pieces, right? |
00:06:51 |
Five. |
00:06:53 |
Where is Mr. Heidegger? - He called |
00:06:57 |
This is extraordinary. |
00:07:01 |
came across an inquiry he sent to |
00:07:05 |
He did that for me. |
00:07:10 |
I asked for some research, |
00:07:13 |
I wish you people |
00:07:25 |
What's on your mind? |
00:08:16 |
This was in the pouch |
00:08:19 |
HQ in Langley says there's no other |
00:08:25 |
Call this working on that book? |
00:08:28 |
We have people to service machines. |
00:08:35 |
I wonder if you are |
00:08:39 |
Within obvious limits, yes, sir. |
00:08:43 |
I can't tell people what I do. |
00:08:50 |
I actually trust a few people. |
00:08:54 |
It's your turn to bring in lunch. |
00:08:57 |
What time is it? |
00:09:00 |
11:22. |
00:09:04 |
You can wait 8 minutes. |
00:09:55 |
That's not a proper exit! - He always |
00:09:59 |
Personnel should enter and exit |
00:10:52 |
Shakespeare, how is it? - Terrific. |
00:10:57 |
Know the feeling. |
00:11:01 |
Maybe it's not too late. Van Gogh |
00:11:06 |
No mayonnaise on Dr. Lappe's. |
00:11:09 |
On the other hand, Mozart was 3 when |
00:11:13 |
Fast starter, probably better. |
00:11:19 |
and Mozart died a pauper. |
00:11:23 |
Hey, that's a very bright man! |
00:11:28 |
I come in here to get sick, |
00:11:31 |
No butter on Ray's sandwich. |
00:12:57 |
Mr. Jennings is in the back. |
00:13:00 |
Here are the... |
00:13:22 |
Mrs. Russell, the Curtis report... |
00:14:30 |
Would you move |
00:14:36 |
Pardon? |
00:14:37 |
Would you move from the window? |
00:14:51 |
I won't scream. |
00:14:55 |
I know. |
00:15:39 |
Small breakdown in security there? |
00:15:44 |
What are you doin'? |
00:19:39 |
What the hell are you doing? |
00:20:08 |
This is the Major. |
00:20:10 |
Identification? - My name is Turner. |
00:20:15 |
Identify yourself. |
00:20:20 |
Condor. Section 9, Department 17. |
00:20:26 |
Level of damage! - Everybody. |
00:20:32 |
Are you on a company line? |
00:20:37 |
You're in violation of |
00:20:40 |
Listen, you S.O.B... I came back with |
00:20:46 |
Has the incident been discovered |
00:20:50 |
I don't know. I don't think so. |
00:20:54 |
Damaged...? No. |
00:21:01 |
I have Mrs... I can't remember |
00:21:05 |
She was afraid of being raped. |
00:21:10 |
It's a. 45 automatic. |
00:21:14 |
I'm not a field agent. |
00:21:17 |
Alright. |
00:21:20 |
Negative. Find a secure location. |
00:21:25 |
Avoid any place you are known. |
00:21:29 |
Surface again in two hours |
00:21:34 |
That'll be 14:30 your time. |
00:21:39 |
Walk away from the phone. |
00:21:56 |
This is the Panic Officer. |
00:22:00 |
Activate following procedures: |
00:22:07 |
Replay the report upcoming. Standby. |
00:23:02 |
Augie 1 to New York Center: |
00:23:06 |
Who am I talking to? |
00:23:09 |
Hit confirmed. Six cold items. |
00:23:16 |
Did you say 6? It should be 7. |
00:23:22 |
Lappe, Chan, Russell, Jennings. |
00:23:26 |
Martin and Mitchell. |
00:23:40 |
"Condor". |
00:23:44 |
Researcher, Tidepool, |
00:24:49 |
Who is it? |
00:25:28 |
Hey, you ring my buzzer? |
00:25:31 |
It was a mistake, buddy. |
00:25:34 |
Not you guys! |
00:25:42 |
Hey, who are you? |
00:25:47 |
Augie 3. We found item 7. |
00:25:52 |
Okay, button it up, Augie. |
00:25:57 |
I need Langley, right away. |
00:26:00 |
Grover speaking. - Higgins, Deputy |
00:26:12 |
Somebody took out |
00:26:16 |
New York. Somebody got mugged, |
00:26:21 |
They're bookworms! - They got 7 out |
00:26:26 |
One of my people is still okay? |
00:26:28 |
No. Can he say what happened? |
00:26:33 |
What happened? - He's not in yet. |
00:26:38 |
Who's bringing him in? - Higgins. |
00:26:43 |
I want a chopper on the pad, |
00:27:04 |
They're waiting for you. |
00:27:12 |
They just got here. |
00:27:20 |
Mr. Turner? |
00:27:54 |
This is the Major. - This is Condor. |
00:28:02 |
Condor on 1-1, Mr. Higgins. |
00:28:05 |
Hello, Condor. |
00:28:08 |
Who's this? - Deputy Director Higgins, |
00:28:12 |
I need a code name, why don't you? |
00:28:17 |
Where are you? |
00:28:20 |
Here. |
00:28:23 |
You alright? |
00:28:27 |
Take it easy and we'll bring you home. |
00:28:31 |
Do you know the Ansonia Hotel? |
00:28:37 |
There's an alley behind the hotel. |
00:28:42 |
I want you to enter that alley |
00:28:47 |
Will you be there? |
00:28:51 |
The head of department came from D.C... |
00:28:55 |
I've never met him. - Don't worry. |
00:29:10 |
I don't know you either. |
00:29:15 |
He'll carry a Wall Street Journal. |
00:29:20 |
What were you doing there? |
00:29:25 |
They were ours. |
00:29:29 |
I'm not going in any alley |
00:29:33 |
Turner, it's been a long, bad day. |
00:29:43 |
Alright. We'll bring a familiar face. |
00:29:49 |
Who's left? - You've got a friend in |
00:29:57 |
You guys are something... |
00:30:02 |
Yes. Sam will do. |
00:30:05 |
Alright, Turner. Stay well |
00:30:10 |
Can I ask a question? |
00:30:14 |
What is happening? |
00:30:22 |
You've got 55. |
00:30:24 |
This is ridiculous. |
00:30:28 |
To pick up a friend? |
00:30:32 |
Side arm? |
00:30:35 |
You bet. |
00:30:42 |
How long have you known Condor? |
00:30:45 |
Before he was a bird even. |
00:30:51 |
Was she ever Condor's girl? |
00:31:00 |
Tell me what happened today. |
00:31:03 |
This morning. About those murders. |
00:31:07 |
What murders? |
00:32:20 |
Here he is. |
00:32:38 |
Hey, Sam. Where's that other... |
00:32:46 |
What are you doing? |
00:34:02 |
Katherine Hale. H-A-L-E. |
00:34:05 |
08-11-56... |
00:34:07 |
...172-208-875. Amount $51,86 |
00:34:13 |
Where's there enough snow this early? |
00:34:17 |
What's open, Sugar Bush? |
00:34:19 |
This is cross-country. |
00:34:24 |
474, thank you. |
00:34:37 |
Kathy! |
00:34:40 |
Kathy, where have you been? |
00:34:43 |
Wait, I don't know... |
00:34:47 |
Get in the car. |
00:34:58 |
Please don't hurt me. - Where |
00:35:02 |
Alone? |
00:35:06 |
You live alone. Come on, let's go. |
00:37:39 |
Leave the stuff. |
00:37:49 |
Hi, Kath. |
00:37:53 |
You should have said hello. |
00:37:56 |
Where is it? |
00:38:04 |
"Condor shot us both. " |
00:38:07 |
That was the only statement he could |
00:38:11 |
And the other man, Barber? Is he dead? |
00:38:16 |
A remarkable shot. |
00:38:23 |
Was Condor qualified with a handgun? |
00:38:29 |
"Two years military service, |
00:38:33 |
Telephone lineman, switchboard |
00:38:36 |
Separated 9/61, worked at |
00:38:41 |
The question was: |
00:38:45 |
No, sir. M-1 rifle and carbine. |
00:38:48 |
Evidently it was sheer luck. |
00:38:51 |
Or else... |
00:38:54 |
Or else what? - Condor isn't the man |
00:38:58 |
Where did he learn the basic moves? |
00:39:03 |
What the hell does that mean? |
00:39:07 |
I don't understand... |
00:39:11 |
Has Operations got anything? |
00:39:16 |
It was very well executed. |
00:39:20 |
tracks. |
00:39:24 |
but a blade of grass, |
00:39:27 |
Yes, sir. Wicks seems to be |
00:39:33 |
We don't. |
00:39:37 |
They rushed him to emergency |
00:39:41 |
Maybe we should leak the name of the |
00:39:45 |
Don't expect |
00:39:49 |
He does seem rather more interesting |
00:39:54 |
Example: Has he gone into business |
00:40:01 |
Does someone operate him? |
00:40:06 |
Vulnerable? |
00:40:10 |
Did he arrange the hit? |
00:40:13 |
Is that why he's still in flight? |
00:40:16 |
Still, he may be an innocent. |
00:40:19 |
But then, why didn't he |
00:40:29 |
"Tentrex Industries". - It's a cover. |
00:40:33 |
Jesus, your assignment for today |
00:40:39 |
Look it up. "Tentrex Industries". |
00:40:45 |
And look up the number for the CIA in |
00:40:49 |
Under US Government Agencies. |
00:40:56 |
Is this what you do? |
00:41:03 |
It's the same number. You could have |
00:41:10 |
You really get into it, don't you? |
00:41:18 |
I told you I had a friend. |
00:41:21 |
I take 151/23/4. What size are you? |
00:41:26 |
I'm scared! - So am I! - What for? |
00:41:34 |
That is not enough. |
00:41:54 |
I work for the CIA, |
00:42:01 |
I just read books. |
00:42:11 |
We read everything |
00:42:15 |
And we feed the plots, |
00:42:20 |
into a computer and the computer |
00:42:23 |
checks against |
00:42:26 |
I look for leaks, |
00:42:30 |
We read adventures |
00:42:38 |
Who'd invent a job like that? |
00:42:44 |
Listen! |
00:42:46 |
People are trying to kill me! - Who? |
00:42:53 |
There is a reason! |
00:42:56 |
And I just need some safe quiet time |
00:43:04 |
Here? |
00:43:08 |
It's only fair... |
00:43:26 |
Where's the guy with the shirts? |
00:43:34 |
We want to go cross-country skiing |
00:43:38 |
for a couple of weeks. |
00:43:45 |
What time's the news go on? Six? |
00:44:07 |
No, please... |
00:44:12 |
Lie down against the wall. |
00:44:16 |
Put this arm behind you. |
00:44:21 |
Now you listen to me: |
00:44:23 |
I am tired. |
00:44:26 |
I've got to close my eyes for a while. |
00:44:29 |
I can't think straight. |
00:44:33 |
If you try to move |
00:44:38 |
I'll know it. I'll feel it, |
00:44:40 |
and I promise I'll hurt you. |
00:44:45 |
Can't I stay in the other room? |
00:44:52 |
I believe what you told me. |
00:44:56 |
No, you don't. |
00:44:59 |
I don't know if I do. |
00:45:02 |
That includes Condor, of course. |
00:45:04 |
Yes, I owe you Condor. |
00:45:06 |
Otherwise... |
00:45:11 |
Will Condor take long? |
00:45:15 |
There is a time factor. |
00:45:21 |
Condor is an amateur. |
00:45:27 |
and perhaps even sentimental. |
00:45:30 |
He could fool a professional. |
00:45:34 |
Not deliberately, |
00:45:38 |
He doesn't know what to do. |
00:45:40 |
Unlike Wicks, who has always been |
00:45:49 |
The man Condor killed |
00:45:56 |
A close friend? - I suppose so. Why? |
00:45:59 |
What was his name? |
00:46:03 |
He was somebody for Condor. |
00:46:05 |
Get his name and adress. |
00:46:08 |
Have it for me when I call you. |
00:46:13 |
What about Wicks? |
00:46:19 |
Do you want the firm to question him? |
00:46:23 |
They will, you know. |
00:46:26 |
We don't want that. |
00:46:30 |
Cost you nothing. |
00:46:32 |
I was careless with Condor. |
00:46:36 |
Wicks will be done for nothing. |
00:46:42 |
What time is it? |
00:47:34 |
Lonely pictures. |
00:47:39 |
So? |
00:47:44 |
You're funny. |
00:47:47 |
You take pictures of empty streets |
00:47:54 |
It's winter. |
00:47:57 |
Not quite winter... |
00:48:00 |
They look like... |
00:48:04 |
...November. |
00:48:06 |
Not autumn, not winter, in-between. |
00:48:14 |
I like them. |
00:48:19 |
Thanks. |
00:48:28 |
The shootings behind |
00:48:31 |
The victims' identities |
00:48:37 |
Victims? |
00:48:39 |
Can you say anything about a motive? |
00:48:43 |
Have you identified the victims? |
00:48:51 |
Did the victims know their assailants? |
00:48:55 |
One man dead, one seriously wounded |
00:49:00 |
And the man with the gun |
00:49:09 |
Jesus Christ, victims... |
00:49:16 |
What happened in that alley? |
00:49:20 |
I didn't shoot him. |
00:49:26 |
Nobody in that alley |
00:49:38 |
But they were there. |
00:49:43 |
You're telling me... - They had to |
00:49:48 |
What did Higgins say? |
00:49:51 |
The section chief was coming in... |
00:49:58 |
He'd have to reach Sam. |
00:50:00 |
Sam would have to call Mae. |
00:50:30 |
I need your car. - Grand theft! You |
00:50:38 |
This guy in Vermont. What'll he do |
00:50:41 |
He probably call soon. |
00:50:43 |
Will he show up here? |
00:50:48 |
to rough me up... - Rough you up? |
00:50:53 |
Have I raped you? |
00:51:14 |
You don't believe anything I've said. |
00:51:19 |
I believe |
00:51:25 |
But I don't know what kind and I'm |
00:51:34 |
It doesn't matter. |
00:51:36 |
Wait a minute. |
00:51:44 |
What are you doing? Let me go! |
00:51:55 |
You bully! |
00:51:57 |
Don't tie me up, please! |
00:52:03 |
This is... |
00:52:06 |
...unfair! |
00:53:21 |
You're early. |
00:53:23 |
Come on in. |
00:53:27 |
Is Janice working late? |
00:53:32 |
So is Sam. |
00:53:38 |
Pour one for me, too, will you? |
00:53:43 |
It's their own fault |
00:53:50 |
We'll give 'em an hour and if they're |
00:53:55 |
just like old times... |
00:54:03 |
What is it? |
00:54:05 |
What is it, Joey? |
00:54:08 |
What's wrong? |
00:54:10 |
How do you know Sam's working late? |
00:54:13 |
What do you think he's doing? |
00:54:18 |
What did he say exactly? |
00:54:20 |
He had the Center call. |
00:54:23 |
Who? - I didnt't recognize the voice. |
00:54:43 |
Third damn time tonight. |
00:54:48 |
I want you to get out of here. |
00:54:52 |
Go to Bill and Eileen's. |
00:54:59 |
Don't argue! Move! |
00:55:02 |
Go upstairs and stay there. |
00:55:05 |
Do what I'm telling you! |
00:55:09 |
I'll call you. |
00:56:07 |
Yours? |
00:56:13 |
No. |
00:56:37 |
Fifth floor, ladies' underwear. |
00:56:46 |
Kids... |
00:56:48 |
Probably the same everywhere. |
00:57:12 |
That's the second floor. |
00:57:17 |
I do it all the time. |
00:57:31 |
After you. |
00:58:18 |
Anybody here good with a coat hanger? |
00:58:20 |
I locked my keys in my car. |
00:58:25 |
You can't tell me you never busted |
00:58:32 |
I don't have much time. |
00:58:36 |
Alright, 5 bucks. |
01:00:31 |
I want you to answer the phone. |
01:00:36 |
I'm not answering any phone! |
01:00:40 |
Answer it! |
01:00:42 |
Tell him what a great |
01:00:46 |
I want you to be casual and nice. |
01:00:55 |
Where the hell are you? |
01:00:57 |
Ben? |
01:01:03 |
You're supposed to be up here by now. |
01:01:09 |
I was held up. |
01:01:13 |
That's no excuse. Come on. |
01:01:18 |
It matters. |
01:01:21 |
No, it does! - This has happened over |
01:01:26 |
No, this is different. |
01:01:32 |
The car... |
01:01:35 |
...broke down. |
01:01:39 |
The generator went. |
01:01:44 |
Maybe not. |
01:01:50 |
The generator... |
01:01:53 |
Look, forget about the car. |
01:01:57 |
I'll try. |
01:02:00 |
Try...? |
01:02:06 |
I'm okay. I'm fine. |
01:02:11 |
I wish you would understand. |
01:02:15 |
I do. I do. It's just that |
01:02:22 |
I really wanted |
01:02:30 |
I know. |
01:02:34 |
We'll have time. |
01:02:40 |
Get the very first bus |
01:02:43 |
Alright. |
01:02:47 |
Good night, sweetheart. |
01:03:29 |
Listen, I'll be going. |
01:03:32 |
In the morning. |
01:03:38 |
Where? |
01:03:50 |
Was it alright? |
01:03:54 |
Alright? |
01:03:56 |
Outside. Was it safe? |
01:04:05 |
I'm not sure. |
01:04:19 |
I wish I knew more. |
01:04:23 |
About you. |
01:04:27 |
Yesterday... |
01:04:29 |
Today... |
01:04:32 |
I don't remember yesterday. |
01:04:37 |
Today it rained. |
01:04:43 |
Why did you tie me up like that? |
01:04:48 |
You thought I'd call the police. |
01:04:55 |
I wouldn't have. |
01:04:59 |
Why? |
01:05:02 |
Sometimes... |
01:05:05 |
...I take a picture |
01:05:09 |
but I took it, so it is like me. |
01:05:20 |
I put those pictures away. |
01:05:24 |
I'd like to see those pictures. |
01:05:26 |
We don't know each other that well. |
01:05:37 |
Do you know anybody that well? |
01:05:40 |
I don't think |
01:05:45 |
I don't think |
01:05:51 |
Well, I may surprise you. |
01:05:57 |
You're not telling the truth. |
01:06:01 |
What? - You want somebody, |
01:06:04 |
At least somebody who'd be on his way. |
01:06:10 |
You take pictures. |
01:06:13 |
Beautiful pictures... |
01:06:16 |
...of empty streets and trees |
01:06:22 |
Why haven't you asked me |
01:06:32 |
How much do you want? |
01:06:40 |
I just want to stop it. |
01:06:51 |
For a few hours, |
01:06:56 |
for the rest of the night. |
01:07:01 |
Then I'll go. |
01:10:16 |
What was his name? |
01:10:20 |
What did Higgins say? |
01:10:23 |
Your Department Head'll bring you in. |
01:10:35 |
Anything in the early pouch? |
01:10:38 |
HQ at Langley says there's no other |
01:10:47 |
HQ at Langley says there's no other |
01:11:25 |
Wicks! |
01:11:52 |
You didn't sleep well. |
01:11:56 |
No, you didn't. |
01:11:59 |
You were up early. |
01:12:02 |
I had some thoughts. |
01:12:07 |
I've got a plan. |
01:12:09 |
I don't know |
01:12:15 |
...I'll need your help. |
01:12:25 |
When things quiet down, |
01:12:29 |
you really are |
01:12:36 |
You had bad dreams. |
01:12:38 |
You talked in your sleep. |
01:12:42 |
What did I say? |
01:12:51 |
Was she a volunteer, |
01:12:58 |
She was... |
01:13:01 |
...a friend. |
01:13:03 |
She's dead. |
01:13:10 |
Do I have permission to shower? |
01:13:14 |
I'll help. You can always depend on |
01:13:27 |
I'm sorry... - No. |
01:13:32 |
I didn't mean to say that. |
01:13:38 |
I'd like to help you. |
01:14:04 |
18... Isn't that...? |
01:14:09 |
A.I.D. In I.C.U. 1098. |
01:14:23 |
Insured package for Katherine Hale. |
01:14:30 |
Leave it on the stoop. |
01:14:32 |
Somebody's got to sign for it. |
01:14:35 |
She's not here. |
01:14:38 |
Okay, you can sign. |
01:14:48 |
Her name on top, yours on the bottom. |
01:14:53 |
Wonderful. - Government pens. |
01:14:59 |
I'll get one. |
01:16:31 |
Now listen: You're okay. |
01:16:33 |
You're okay! |
01:16:36 |
Can you get dressed? |
01:17:24 |
Stella's Boutique. |
01:17:28 |
Extension 1891, please. |
01:17:34 |
Is this 6623799? |
01:17:40 |
There's no extension 1891? - We're |
01:17:56 |
Operator. |
01:17:58 |
What's the area code for Washington, |
01:18:13 |
6311. |
01:18:17 |
CIA, Langley? |
01:18:22 |
Extension 1891. |
01:18:26 |
1891. |
01:18:28 |
Let me speak to Mr. Wicks. |
01:18:33 |
He's not here just now. |
01:18:36 |
How do you feel? Okay? |
01:18:41 |
What people? |
01:18:44 |
I file a report |
01:18:49 |
Then he comes to New York to shoot me. |
01:18:52 |
No. - Did you know the mailman? |
01:18:58 |
but the guy in Washington did. - And |
01:19:03 |
Has he gone double or dirty? |
01:19:07 |
Is he still in New York City? |
01:19:11 |
Question: Is there an intelligence |
01:19:16 |
linking Arabic-speaking countries |
01:19:19 |
We're already visible, |
01:19:22 |
If our agents aren't enough, |
01:19:26 |
Use whatever it requires, but end it. |
01:19:51 |
Okay, let's get it over with. |
01:19:59 |
Thanks. |
01:20:23 |
Applications are here. |
01:20:32 |
See Mr. Addison. Turn right, |
01:21:03 |
Mr. Addison? |
01:21:05 |
He's in Clearance. |
01:21:12 |
Sorry, thank you. |
01:22:12 |
I didn't get the job. |
01:22:18 |
Looks good... |
01:22:21 |
I have this friend and he asked me |
01:22:25 |
Quote: "Mr Higgins, this introduces a |
01:22:33 |
Please accompany her |
01:22:42 |
Personally, I'd do it, |
01:22:47 |
and he's looking at us right now. |
01:22:51 |
I'll save this for you. Shall we? |
01:22:59 |
To your left, please. |
01:23:22 |
Okay, sit up! |
01:23:27 |
Take it easy, I'm not armed. |
01:23:31 |
They could be DF-ing us if you have a |
01:23:34 |
DF? You do read everything, don't you? |
01:23:40 |
You never complained till yesterday. |
01:23:43 |
Who's she? |
01:23:46 |
We had a big meeting about that. |
01:23:50 |
"Five Continents Imports". |
01:23:55 |
Where did you get that? |
01:23:58 |
The one you sent |
01:24:02 |
We never use mailmen. - Would you |
01:24:07 |
Strong like a farmer, not American. |
01:24:40 |
Yes? |
01:24:43 |
The return receipt has not arrived. |
01:24:48 |
A more complicated package |
01:24:52 |
But I might have |
01:24:55 |
I was told |
01:24:59 |
What will you do? |
01:25:02 |
Then what? - People who move |
01:25:08 |
I want to see that report. |
01:25:12 |
Professionally, yes. |
01:25:15 |
Yes. |
01:25:17 |
He works for the Company? |
01:25:21 |
Freelance. |
01:25:29 |
It would help if I knew. |
01:25:32 |
Who'd hire him now? |
01:25:37 |
I know. |
01:25:39 |
When I knew him, Joubert. |
01:25:42 |
Who'd hire him? You don't look him up |
01:25:47 |
Have to be somebody in the Community. |
01:25:50 |
Intelligence field. - "Community"? |
01:25:58 |
I want to see that report. - It went |
01:26:03 |
Who read it? |
01:26:07 |
You tell me. |
01:26:12 |
I pick up traces of an intelligence |
01:26:18 |
And I report it. Now why is that |
01:26:23 |
Unless it was the Company's network |
01:26:29 |
Somebody is lying, Higgins. |
01:26:31 |
Come on. Why is everybody so shy? |
01:26:37 |
I'm not shy. |
01:26:41 |
I don't know. That's what worries me. |
01:26:45 |
I don't know. |
01:26:53 |
Someone yanked him off the |
01:27:08 |
Get me in, Higgins. |
01:27:11 |
What good would that do, if they are |
01:27:18 |
What should I do? |
01:27:23 |
I'm sorry. |
01:27:26 |
You're sorry? |
01:27:34 |
You're sorry? |
01:27:39 |
I get it. |
01:27:43 |
You expect me to draw fire! |
01:27:46 |
Like a penny arcade bear parading |
01:27:53 |
And you'll pick him up |
01:27:56 |
I'm gonna cross-check all the names. |
01:28:00 |
Nice talking to you, Higgins. |
01:28:04 |
I'll find you. |
01:28:14 |
Do you trust him? |
01:28:17 |
Trust... |
01:28:20 |
He can't trust anybody. - How could |
01:28:25 |
Maybe nobody did. - Then... |
01:28:28 |
Maybe there's another CIA... |
01:28:32 |
...inside the CIA. |
01:29:00 |
The light's gone off! |
01:29:09 |
It's a hotel room. |
01:29:12 |
There's no tag. It's Room 819 in New |
01:29:18 |
You in the trade? |
01:29:20 |
I read about it in a story. |
01:29:24 |
The lock manufacturer |
01:29:28 |
I don't want to read |
01:29:31 |
Will you make the call? |
01:30:14 |
I'm doing a survey. |
01:30:17 |
Do you believe the condor |
01:30:41 |
Your room number, please. |
01:30:50 |
I just had an interesting call. |
01:30:53 |
In reference to |
01:30:57 |
Have you had such a call? |
01:31:00 |
You had no such call? |
01:31:03 |
Must have been the Audubon Society. |
01:31:13 |
Langley, Computer. |
01:31:17 |
G... Carriage return. |
01:31:21 |
TRS. Tone, symbol for number. |
01:31:26 |
Computer is ready. |
01:31:38 |
That number is 202-227-0098. |
01:31:59 |
CNA, Mrs. Coleman. |
01:32:02 |
Harold Thomas, Customer Service |
01:32:06 |
...202-227-0098. |
01:32:12 |
One moment please. |
01:32:16 |
That would be |
01:32:18 |
Mr. Leonard Atwood, 365 Mackenzie PI., |
01:32:59 |
Cross-check this tape against Wicks |
01:33:16 |
Hat size... |
01:33:24 |
"Lucifer"... |
01:33:26 |
Alright, run "Lucifer". |
01:33:51 |
I'll be damned. |
01:33:53 |
I'll be damned. |
01:34:47 |
This is the Major. |
01:34:51 |
Routing you, Condor. Stand by. |
01:34:59 |
Hello, Condor. |
01:35:01 |
Holiday Inn, 57th Street. |
01:35:05 |
Room 819. If you move it, you'll find |
01:35:11 |
Where are you, Condor? |
01:35:17 |
Higgins? |
01:35:18 |
Yeah, I'm right here. |
01:35:22 |
Who is Atwood? |
01:35:33 |
Where are you, Higgins? |
01:35:39 |
Aren't we pals anymore? |
01:35:44 |
Something? |
01:35:46 |
Major? |
01:35:49 |
Let me see that. |
01:35:52 |
What's he doing in Brooklyn? |
01:35:56 |
We can get... |
01:36:07 |
What's going on? - The son of a bitch |
01:36:11 |
What? - Everybody in Brooklyn |
01:36:33 |
I didn't know you smoked. |
01:36:39 |
You look pale. |
01:36:46 |
What will you do there? |
01:36:49 |
See a guy. |
01:36:52 |
Like those pictures you hide. |
01:36:56 |
Yes... |
01:36:58 |
Someday I'd like to show them to you. |
01:37:03 |
If you live through this. |
01:37:06 |
You could drive me to Washington. |
01:37:15 |
No. |
01:37:22 |
You have a lot of very fine qualities. |
01:37:27 |
But... |
01:37:39 |
You have good eyes. |
01:37:42 |
Not kind, but they don't lie, |
01:37:47 |
and they don't look away much |
01:37:54 |
I could use eyes like that. |
01:37:58 |
You're overdue in Vermont. |
01:38:07 |
Is he a tough guy? |
01:38:10 |
He's pretty tough... |
01:38:14 |
What will he do? |
01:38:21 |
Boy... |
01:38:23 |
That is tough. |
01:38:27 |
All aboard for Baltimore |
01:38:34 |
Kathy... I need time. |
01:38:38 |
Eight hours or so, that's all. |
01:38:44 |
Do you understand what I'm saying? |
01:38:47 |
Are you going right to Vermont? |
01:38:51 |
Yes. |
01:38:54 |
What I mean is, don't call anyone. |
01:38:59 |
Don't stop, please. |
01:39:02 |
Don't tell anyone about... |
01:39:16 |
Jesus, I didn't... |
01:39:25 |
Hey, you take care of yourself. |
01:39:32 |
Do your best. |
01:39:42 |
Why aren't you further along? |
01:39:47 |
You seem perfect for it. |
01:39:52 |
Are you perfect for it, Mr. Higgins? |
01:39:56 |
I try to be, sir. |
01:39:58 |
You were recruited out of school? |
01:40:04 |
You served with |
01:40:08 |
I sailed the Adriatic |
01:40:13 |
It doesn't seem like |
01:40:18 |
I go even further back than that. |
01:40:21 |
Ten years after the Great War, |
01:40:26 |
before we knew enough to number them. |
01:40:29 |
Do you miss that kind of action? |
01:40:34 |
I miss that kind of clarity. |
01:40:41 |
Yes? |
01:40:44 |
Thank you. |
01:40:47 |
He's being held at New York Center. |
01:40:56 |
Mr. Higgins, you do understand |
01:41:02 |
There's nothing in the way |
01:41:49 |
What is this? What's going on? |
01:42:11 |
Who are you? |
01:42:22 |
Who are you? |
01:42:24 |
What are you doing here? |
01:42:28 |
I'm Condor. |
01:42:33 |
Sit down. |
01:42:36 |
What do you do for a living? |
01:42:39 |
Don't be ridiculous. |
01:42:42 |
What do you do... |
01:42:45 |
...exactly? |
01:42:49 |
Deputy Director of Operations. |
01:42:53 |
What section? |
01:42:59 |
What are you working on? |
01:43:03 |
What are you doing? |
01:43:07 |
What's the secret worth murdering |
01:43:11 |
There's no secret. |
01:43:15 |
Yes. |
01:43:22 |
It was your network I turned up. |
01:43:27 |
Doing what? |
01:43:30 |
Doing what? |
01:43:33 |
What does Operations care about |
01:43:39 |
A book out of Venezuela... |
01:43:42 |
Mystery stories in Arabic. |
01:43:44 |
What is so important about... |
01:43:52 |
...oil fields? |
01:43:58 |
Oil... |
01:44:12 |
That's it, isn't it? |
01:44:19 |
This whole damn thing was about oil! |
01:44:23 |
Wasn't it? |
01:44:27 |
Yes, it was. |
01:44:30 |
Don't turn around. |
01:44:33 |
Put your thumb on the hammer. |
01:44:41 |
Release it slowly. |
01:44:46 |
Set down the gun on the desk. |
01:44:55 |
Don't move. |
01:45:16 |
You were quite good, until this. |
01:45:22 |
This move was predictable. |
01:45:49 |
What? |
01:45:53 |
Did you touch anything else? |
01:45:58 |
You're working |
01:46:01 |
The desk? The lamp? |
01:46:05 |
Jesus, they took you back! |
01:46:09 |
Just for this. For Atwood. |
01:46:14 |
He's with the Company! Why...? |
01:46:18 |
I'm not interested in "why", more in |
01:46:24 |
Always "how much". |
01:46:27 |
I suspect |
01:46:32 |
As you are. |
01:46:41 |
So you're not finished? |
01:46:44 |
Oh, no, I had no arrangement |
01:46:48 |
They didn't know you would be here. |
01:46:57 |
Didn't you send the mailman? |
01:46:59 |
That was a business |
01:47:03 |
But you see... |
01:47:11 |
Come on. |
01:47:56 |
Tell me about the girl. |
01:48:01 |
What about the girl? |
01:48:04 |
She was chosen... how? |
01:48:08 |
By age? Her car? Appearance? |
01:48:15 |
Chance. |
01:48:21 |
Can I drop you? |
01:48:29 |
I'd like to go back to New York. |
01:48:34 |
You have not much future there. |
01:48:42 |
It will happen this way: |
01:48:45 |
You may be walking, |
01:48:49 |
maybe the first sunny day of spring. |
01:48:53 |
And a car will slow beside you, |
01:48:56 |
and a door will open |
01:49:01 |
will get out. |
01:49:05 |
And he will smile. A becoming smile. |
01:49:10 |
But he will leave open the car door |
01:49:15 |
and offer to give you a lift. |
01:49:23 |
You seem to understand it all so well. |
01:49:29 |
What would you suggest? |
01:49:32 |
Personally, I'd prefer Europe. |
01:49:38 |
The fact is, |
01:49:43 |
Someone is always willing to pay. |
01:49:50 |
I would find it... |
01:49:53 |
...tiring. - Oh, no, it's |
01:49:59 |
No need to believe in either side, |
01:50:03 |
There is no cause. |
01:50:08 |
The belief is in your own precision. |
01:50:16 |
I was born in the US, Joubert. |
01:50:21 |
I miss it when I'm away too long. |
01:50:25 |
A pity. |
01:50:29 |
I don't think so. |
01:50:34 |
Can you drop me at the station? |
01:50:37 |
It would be my pleasure. |
01:50:49 |
For that day. |
01:51:11 |
Higgins! |
01:51:34 |
Why do call so late? |
01:51:38 |
Is the car for me? - Yeah, it's safe. |
01:51:46 |
Let's say for the purposes of |
01:51:54 |
you'd take a walk with me, right? |
01:51:58 |
Which way? |
01:52:01 |
West. Slowly. |
01:52:04 |
Stay in front of me 3 or 4 steps. |
01:52:16 |
Where are we going? |
01:52:19 |
Wave them on ahead. |
01:52:31 |
Do we have plans |
01:52:34 |
Are you crazy? |
01:52:37 |
Do we have plans? |
01:52:41 |
We have games. That's all. |
01:52:44 |
We play games. What if? |
01:52:50 |
How can we destabilize a regime? |
01:52:53 |
That's what we're paid to do. |
01:52:57 |
Go on. |
01:53:03 |
So Atwood just took the games too |
01:53:08 |
Renegade operation. There was no way. |
01:53:15 |
What if there hadn't been any heat? |
01:53:21 |
Different ball game. |
01:53:26 |
The plan was alright. |
01:53:31 |
What is it with you people? |
01:53:33 |
You think not getting caught lying |
01:53:37 |
No. It's simple economics. |
01:53:40 |
Today, its oil. |
01:53:42 |
In 10 or 15 years it'll be food, |
01:53:47 |
What do you think the people |
01:53:52 |
Ask them. |
01:53:54 |
Ask them when they're running out. |
01:53:56 |
Ask them when there's no heating. |
01:54:01 |
When people who've never |
01:54:05 |
They won't want us to ask them, |
01:54:11 |
Boy... |
01:54:13 |
...have you found a home! |
01:54:18 |
7 people were killed. |
01:54:20 |
Atwood did. |
01:54:25 |
And who is Atwood? |
01:54:28 |
7 people killed. |
01:54:32 |
Right. |
01:54:36 |
That's why we can't |
01:54:39 |
Go on home. |
01:54:41 |
Go on. They've got it. |
01:54:44 |
Just look around. |
01:54:50 |
They've got all of it. |
01:55:02 |
What did you do? |
01:55:04 |
I told them a story. |
01:55:20 |
Oh, you poor dumb son of a bitch! |
01:55:23 |
You've done more damage |
01:55:28 |
I hope so. |
01:55:38 |
You'll be a very lonely man. |
01:55:44 |
It didn't have to end this way. |
01:55:54 |
How do you know they'll print it? |
01:55:58 |
You can take a walk |
01:56:04 |
They'll print it. |
01:56:07 |
How do you know? |