|
Ticker
|
| 00:00:01 |
We're reporting live here |
| 00:00:03 |
in Lucas Valley outside |
| 00:00:05 |
where a tense, |
| 00:00:08 |
has been unfolding for hours now... |
| 00:00:10 |
on the scene with a breaking... |
| 00:00:12 |
Wyman's mansion involving as well. |
| 00:00:14 |
Right now I'm standing outside |
| 00:00:24 |
Right now we have the- |
| 00:00:27 |
FBI and the ATF and uh, we... |
| 00:01:58 |
Hey get Medivac in here now. |
| 00:02:01 |
I need another team |
| 00:02:23 |
I'm disappointed in you Detective. |
| 00:02:25 |
You've had over two hours |
| 00:02:27 |
You just don't withdraw a hundred |
| 00:02:30 |
It's not that easy. |
| 00:02:32 |
Besides, my people want assurances |
| 00:02:35 |
You think I care? |
| 00:02:36 |
You have fifteen minutes |
| 00:02:39 |
God. |
| 00:02:41 |
All right people, standby. |
| 00:02:43 |
Nobody fire until you |
| 00:02:45 |
There's more than money at stake here. |
| 00:02:48 |
Bomb squad en route. |
| 00:02:50 |
Call for TJ see if he's close. |
| 00:02:54 |
- Glass, what's your ETA? |
| 00:02:57 |
We got a situation here. |
| 00:02:59 |
Guy named Milos. |
| 00:03:00 |
Balkan terrorist. |
| 00:03:02 |
He's already killed three hostages, |
| 00:03:04 |
- in the basement. |
| 00:03:06 |
He's very dangerous. |
| 00:03:09 |
Okay we're droppin' down. |
| 00:03:11 |
I need sharpshooters covering us. |
| 00:03:18 |
It's up to you, Glass. |
| 00:03:19 |
It's all up to you. |
| 00:03:23 |
Okay man, get ready to drop. |
| 00:03:29 |
Five seconds. |
| 00:04:27 |
Glass, talk to me. |
| 00:04:29 |
- What's goin' on? |
| 00:04:34 |
Over here. |
| 00:04:41 |
- Hey Lieutenant, over here. |
| 00:04:54 |
Okay. Looks like we got |
| 00:04:58 |
Glass. |
| 00:04:59 |
We're running out of time. |
| 00:05:00 |
I got a countdown, one minute... |
| 00:05:02 |
forty-two seconds. |
| 00:05:08 |
Listen up people. |
| 00:05:10 |
Wait for my signal. |
| 00:05:13 |
Shooters |
| 00:05:18 |
What the hell's going on? |
| 00:05:21 |
Hold your fire dammit. |
| 00:05:24 |
Hold your fire! |
| 00:05:26 |
You, get your face down! |
| 00:05:42 |
Talk to me Glass. |
| 00:05:44 |
All hell's breaking loose up here. |
| 00:05:56 |
Your time is up. |
| 00:06:46 |
Something's wrong. |
| 00:06:53 |
- That was the decoy. |
| 00:07:03 |
Clear the area, that was the decoy. |
| 00:07:23 |
You are a dead man. |
| 00:07:26 |
Come on, everybody... |
| 00:07:27 |
Let's go. |
| 00:07:41 |
Seach out, reach out |
| 00:08:36 |
- Small gift sir? |
| 00:08:38 |
There he is, check it out. |
| 00:08:40 |
Right there. |
| 00:08:44 |
That's right. |
| 00:08:45 |
Look around. |
| 00:08:46 |
We see you. |
| 00:08:48 |
You sure about this guy? |
| 00:08:50 |
Let's do it. |
| 00:08:51 |
I don't like this guy. |
| 00:08:59 |
You gonna take care of me? |
| 00:09:03 |
You take care of me |
| 00:09:06 |
You give me a litle extra, |
| 00:09:08 |
- I can make some deliveries for ya. |
| 00:09:19 |
Show your hands. |
| 00:09:21 |
Hands on your head. |
| 00:09:23 |
Turn around. |
| 00:09:24 |
Hands on your head. |
| 00:09:25 |
Hands on your head! |
| 00:09:30 |
Lilly, what the fuck are |
| 00:09:33 |
Nice time with your girlfriend? |
| 00:09:34 |
I was trying to make some money |
| 00:09:38 |
- came up in here. |
| 00:09:39 |
thought you were supposed |
| 00:09:41 |
Too many junkies in there. |
| 00:09:43 |
What, you gonna give me |
| 00:09:45 |
Ray, what we gonna do |
| 00:09:47 |
We're gonna bust her and take |
| 00:09:50 |
- Or. |
| 00:09:51 |
Or we take her down to |
| 00:09:53 |
She'll be back on the |
| 00:09:55 |
No I promise. |
| 00:09:58 |
The Rehab was goin' good. |
| 00:09:59 |
I just needed a little extra |
| 00:10:02 |
Look, I wanna do right. |
| 00:10:05 |
Just give me a chance. |
| 00:10:08 |
Please. |
| 00:10:09 |
All right, I see you on the street |
| 00:10:12 |
I'm gonna bust you. |
| 00:10:13 |
Now come here. |
| 00:10:16 |
I never seen you before. |
| 00:10:19 |
And I never wanna see you again. |
| 00:10:21 |
- Go, get out of here. |
| 00:10:23 |
You're lucky you got a daughter. |
| 00:10:25 |
Sorry Fuzzy. |
| 00:10:28 |
All right big shot, |
| 00:10:29 |
It's like I keep telling you man, |
| 00:10:31 |
if you want your |
| 00:10:34 |
you gotta start actin' |
| 00:10:36 |
What, working garbage detail |
| 00:10:38 |
So that's it, you're just gonna |
| 00:10:41 |
- What demons? |
| 00:10:44 |
Only the ones |
| 00:10:46 |
Look, all I know is |
| 00:10:49 |
That's all. |
| 00:10:50 |
Okay? |
| 00:10:52 |
You're gonna explode, man. |
| 00:10:54 |
Let's get a drink. |
| 00:10:58 |
TJ, remember that incident |
| 00:11:06 |
Not good. |
| 00:11:10 |
What you got on that |
| 00:11:12 |
Bad news. |
| 00:11:14 |
That's an l-R-D. |
| 00:11:16 |
Instant Retirement Device. |
| 00:11:18 |
Computerized shifting sensors, |
| 00:11:21 |
Nastiest class of ticker |
| 00:11:25 |
They first showed up in Africa. |
| 00:11:27 |
Now they're using 'em in East Timor. |
| 00:11:29 |
Same stuff that blew up |
| 00:11:31 |
Whenever there's |
| 00:11:37 |
Trust me. |
| 00:11:38 |
Oh come on... |
| 00:11:39 |
Fuzzy, give me a break. |
| 00:11:41 |
Come on, Ray. |
| 00:11:42 |
Listen man, listen. |
| 00:11:43 |
I'm your partner. Not only that, |
| 00:11:46 |
I'm probably the only friend |
| 00:11:49 |
Now I can't sit back and watch you |
| 00:11:51 |
down the toilet, man. |
| 00:11:53 |
You gotta start talkin', man. |
| 00:11:55 |
get it outta your system |
| 00:11:58 |
Thanks. |
| 00:11:59 |
- Straight ahead. |
| 00:12:00 |
Come on. |
| 00:12:01 |
Turn left when you get |
| 00:12:03 |
Guess I could do with a drink, |
| 00:12:06 |
It's a little late for a delivery? |
| 00:12:07 |
Maybe they need somebody |
| 00:12:09 |
Let's sign for it. |
| 00:12:50 |
Police. |
| 00:12:50 |
What the fuck are you doin'? |
| 00:12:52 |
Police! |
| 00:12:53 |
- Police, god dammit. |
| 00:12:54 |
Calm down! |
| 00:12:56 |
Watch out, Ray. |
| 00:12:56 |
Look out! |
| 00:13:13 |
Let's get outta here. |
| 00:13:15 |
Drop it. |
| 00:13:17 |
Let her go. |
| 00:13:18 |
Drop it. |
| 00:13:26 |
You'll hit her. |
| 00:13:34 |
Tell him to drop the gun, now |
| 00:13:45 |
The end of your life has just begun. |
| 00:13:49 |
Let's go. |
| 00:13:50 |
Don't worry my dear. |
| 00:13:51 |
We'll be back for you. |
| 00:13:59 |
Okay Fuzzy, |
| 00:14:01 |
they're gone. |
| 00:14:02 |
Fuzzy? |
| 00:14:03 |
Hey man, it's gonna be all right. |
| 00:14:06 |
Okay? |
| 00:14:07 |
Damn, |
| 00:14:09 |
you feel that draft? |
| 00:14:11 |
- What? |
| 00:14:13 |
Well just don't talk. |
| 00:14:15 |
Just don't talk. |
| 00:14:16 |
Ray? |
| 00:14:17 |
Yeah? |
| 00:14:21 |
Ray, |
| 00:14:22 |
those demons inside you... |
| 00:14:28 |
let 'em go, Ray... |
| 00:14:32 |
'fore it's too late. |
| 00:14:39 |
Oh no man, come on. |
| 00:14:40 |
Oh no. |
| 00:14:42 |
Don't die on me. |
| 00:14:43 |
God dammit. |
| 00:14:44 |
Don't die on me, man, Fuzzy. |
| 00:14:57 |
Prints? |
| 00:14:58 |
We're workin' on it. |
| 00:15:00 |
What about Ballistics? |
| 00:15:01 |
The lab's backed up so |
| 00:15:06 |
Hey Nettles, |
| 00:15:08 |
Thanks. |
| 00:15:11 |
Nettles. |
| 00:15:18 |
I'm sorry, Fuzzy was a good cop. |
| 00:15:21 |
He was a good man, too. |
| 00:15:23 |
- I want in on this, Captain. |
| 00:15:25 |
You're Narcotics. |
| 00:15:27 |
I saw the bastards, I know... |
| 00:15:30 |
You gotta let me in on it. |
| 00:15:31 |
I understand, you know the rules. |
| 00:15:33 |
Until Internal Affairs |
| 00:15:35 |
She won't talk. |
| 00:15:38 |
We don't even have a name. |
| 00:15:41 |
I got a name. |
| 00:15:42 |
In memory of Brandon. |
| 00:15:44 |
Somethin' to start with. |
| 00:15:45 |
- What is this? |
| 00:15:48 |
Looks like detonation |
| 00:15:50 |
Run that down |
| 00:15:54 |
Let me do it. |
| 00:15:55 |
On come on, let me do it. |
| 00:15:57 |
Artie. |
| 00:16:00 |
Captain, |
| 00:16:01 |
let me do it. |
| 00:16:03 |
Okay Ray. |
| 00:16:04 |
You go home. |
| 00:16:05 |
You get cleaned up, |
| 00:16:10 |
Thanks. |
| 00:16:12 |
What an asshole. |
| 00:16:15 |
And then my tongue |
| 00:16:18 |
on- on- on his um, his earrings. |
| 00:16:22 |
So, there we were, |
| 00:16:26 |
things were really getting hot. |
| 00:16:28 |
Okay, right. So |
| 00:16:32 |
What took you so long? |
| 00:16:33 |
Excuse me? |
| 00:16:34 |
Medium everything, |
| 00:16:37 |
You're the pizza guy, right? |
| 00:16:39 |
I'm looking for the bomb squad. |
| 00:16:41 |
I'm sorry- sorry. |
| 00:16:42 |
L- I just... I assumed that... |
| 00:16:45 |
Bomb squad where? |
| 00:16:47 |
Out on a call. |
| 00:16:48 |
Third and hyde. |
| 00:16:50 |
Thank you. |
| 00:16:53 |
Sorry, Mom. |
| 00:17:00 |
Here it comes, all right? |
| 00:17:02 |
Feel it? |
| 00:17:03 |
Tick tock. |
| 00:17:05 |
Tick tock. |
| 00:17:11 |
I felt it. |
| 00:17:12 |
That, Dugger, is the very |
| 00:17:15 |
Synchronicity. |
| 00:17:17 |
Synchronicity. |
| 00:17:18 |
Swan, they're holding her downtown. |
| 00:17:20 |
And what if she talks? |
| 00:17:22 |
She won't talk. |
| 00:17:23 |
You trust me on that. |
| 00:17:24 |
Well that's real reassuring, |
| 00:17:27 |
I think I'll cut out now... |
| 00:17:28 |
and disappear. |
| 00:17:30 |
And what would Michelangelo say? |
| 00:17:32 |
You think he'd let one |
| 00:17:34 |
just abandon him in the middle |
| 00:17:37 |
What the hell are you talking about? |
| 00:17:39 |
We're about to create |
| 00:17:42 |
a masterpiece that's gonna be |
| 00:17:45 |
And admired for centuries. |
| 00:17:46 |
And until that last, |
| 00:17:51 |
nothin', absolutely nothin', |
| 00:17:54 |
is gonna get in the way |
| 00:17:55 |
of the artistic process. |
| 00:18:01 |
Crystal. |
| 00:18:02 |
Are we clear on that? |
| 00:18:04 |
And our business plans |
| 00:18:08 |
And we'll continue our preparations |
| 00:18:10 |
with or without |
| 00:18:13 |
our lovely muse. |
| 00:18:15 |
Well we can't just leave her behind. |
| 00:18:17 |
There's no way the |
| 00:18:18 |
Unless we force 'em. |
| 00:18:20 |
How the hell are we gonna do that? |
| 00:18:23 |
Through pure and simple motivation. |
| 00:18:26 |
Is that right? |
| 00:18:27 |
And I'm motivated. |
| 00:19:08 |
We got a ticker in the shoebox. |
| 00:19:09 |
- I better call Meg. |
| 00:19:11 |
Look, ten bucks says that |
| 00:19:13 |
- Excuse me. |
| 00:19:15 |
- Who's in charge? |
| 00:19:17 |
Maybe you can tell me what that is. |
| 00:19:22 |
It's cute. |
| 00:19:23 |
Swap, Meet jewelry. |
| 00:19:24 |
Where'd you get this, brother? |
| 00:19:26 |
Off a girl's wrist. |
| 00:19:28 |
She still alive? |
| 00:19:30 |
Yeah. |
| 00:19:31 |
Why? |
| 00:19:32 |
Because this is real dangerous shit, |
| 00:19:35 |
and that means she's probably |
| 00:19:37 |
See that outer strand? That's |
| 00:19:40 |
- And the inner strand... |
| 00:19:43 |
is Semtex. |
| 00:19:44 |
Excuse me? |
| 00:19:45 |
Semtex is a... |
| 00:19:46 |
kind of a rich man's C-four. |
| 00:19:49 |
Same stuff they used to blow |
| 00:19:51 |
same stuff they used in... |
| 00:19:54 |
Dar Es Salaam. |
| 00:19:55 |
I think you get the picture, y'all. |
| 00:19:57 |
Yeah. |
| 00:19:58 |
That right there is usually harmless |
| 00:20:01 |
But you combine that |
| 00:20:02 |
Yeah, so anyway uh... |
| 00:20:05 |
if this is her idea of fancy jewelry, |
| 00:20:08 |
you can bet she's into |
| 00:20:10 |
Thanks. |
| 00:20:20 |
All right let's go fishin'. |
| 00:20:26 |
Okay now Pooch, |
| 00:20:30 |
ease off |
| 00:20:32 |
Easin' and pleasin', boss. |
| 00:20:34 |
Getting' that warm, tingly feelin'. |
| 00:20:36 |
Slowly. |
| 00:20:37 |
Slow. |
| 00:20:40 |
TJ, get on in there |
| 00:20:43 |
- Jump in there TJ. |
| 00:20:47 |
Shit. |
| 00:20:49 |
Oh come on wimpy, grab it. |
| 00:20:51 |
Keep talkin' to me. |
| 00:20:53 |
Come on Teej. One size fits all. |
| 00:20:56 |
Looks like we got ourselves |
| 00:21:05 |
What the hell is that? |
| 00:21:13 |
All right. |
| 00:21:15 |
Yeah, I told ya |
| 00:21:18 |
A hula girl? |
| 00:21:20 |
It kinda looks like Barbie |
| 00:21:26 |
This is whacked. |
| 00:21:28 |
We came here to do a money job, |
| 00:21:32 |
Gentle, my good man. |
| 00:21:34 |
She's been an accident |
| 00:21:36 |
- ever since you hooked up with her. |
| 00:21:40 |
I wonder if you'd be havin' |
| 00:21:43 |
Oh yeah, like you'd put it |
| 00:21:46 |
To keep you in good health |
| 00:21:51 |
You mix, I paint. |
| 00:21:53 |
You've been a good student, Dugger. |
| 00:21:55 |
Maybe next time I'll |
| 00:22:08 |
Here, Captain. |
| 00:22:10 |
Did we get a hit on the girl's prints? |
| 00:22:12 |
Not yet, and you know what? |
| 00:22:14 |
Captain, line 1. He says it's important, |
| 00:22:19 |
Winters here. |
| 00:22:20 |
- Go get Glass on a conference call. |
| 00:22:22 |
What? |
| 00:22:23 |
I said if you don't release her... |
| 00:22:26 |
you'll have a lot of dead people |
| 00:22:28 |
with missing body parts |
| 00:22:30 |
It's four o'clock now. |
| 00:22:33 |
And if she doesn't walk by five... |
| 00:22:36 |
let's just say uh... |
| 00:22:38 |
you'll have a very bloody happy hour. |
| 00:22:40 |
We need more time. |
| 00:22:42 |
Your time's up. |
| 00:22:57 |
Phone company said it was scrambled. |
| 00:23:01 |
- What the hell did he mean by that? |
| 00:23:03 |
A bomb? |
| 00:23:04 |
Her bracelet is made out |
| 00:23:08 |
They're pros. |
| 00:23:09 |
They're a bunch of chumps, |
| 00:23:12 |
Bomb squad found traces |
| 00:23:14 |
Semtex? |
| 00:23:15 |
Nasty stuff. |
| 00:23:16 |
Ring down to the bomb squad. |
| 00:23:18 |
- Right. |
| 00:23:19 |
We're a team here, Nettles. |
| 00:23:22 |
- Why? |
| 00:23:25 |
Jackass. |
| 00:23:28 |
Man I love the Internet. |
| 00:23:30 |
You should see the recipes |
| 00:23:32 |
- on this thing. |
| 00:23:33 |
Fourteen different ways to |
| 00:23:36 |
With whichever kind of |
| 00:23:38 |
- Thank you America. |
| 00:23:40 |
For the Freedom of Information Act. |
| 00:23:44 |
Buy me dinner or I'll bring you up |
| 00:23:47 |
Baldie. |
| 00:23:49 |
Hey that's the guy |
| 00:23:51 |
Yeah we just got |
| 00:23:56 |
My my partner was killed last night, |
| 00:23:59 |
Now what do we do? |
| 00:24:02 |
Well we are not gonna do anything. |
| 00:24:04 |
You are gonna get together |
| 00:24:06 |
and do some detective work |
| 00:24:09 |
or the bomb, so we can do our job. |
| 00:24:12 |
And let's just hope it is a crank' |
| 00:24:16 |
- What's that supposed to mean? |
| 00:24:18 |
- we deactivate explosive devices. |
| 00:24:21 |
Right, isn't your job to |
| 00:24:24 |
We need detectives up there... |
| 00:24:26 |
so that we can do our job. |
| 00:24:28 |
You're right. |
| 00:24:29 |
Let's just sit on our hands |
| 00:24:32 |
What the hell was I thinking? |
| 00:24:33 |
What you should be thinking is, |
| 00:24:36 |
detective work. |
| 00:24:40 |
Bye. |
| 00:25:03 |
Well, hello beautiful. |
| 00:25:05 |
May I buy you a drink? |
| 00:25:08 |
Sure. |
| 00:25:09 |
What would you like? |
| 00:25:11 |
Shot of Tequila. |
| 00:25:13 |
A shot of Tequila? |
| 00:25:16 |
Barkeep, |
| 00:25:18 |
a shot of Tequila for the lady. |
| 00:25:20 |
- And I'll have a Coca-cola. |
| 00:25:22 |
I'm workin'. |
| 00:25:24 |
I'm workin' you. |
| 00:25:29 |
Nettles, I've got that info for you. |
| 00:25:31 |
A bar called Happy Hour in the |
| 00:25:35 |
Yeah, I know that dive, thanks. |
| 00:25:38 |
What's your position? |
| 00:25:40 |
I'm in Chinatown. |
| 00:25:41 |
I should be there in two minutes. |
| 00:25:46 |
So, |
| 00:25:48 |
- told you a little about myself. |
| 00:25:50 |
Yeah. |
| 00:25:52 |
It's your turn. |
| 00:25:56 |
What would you like to know? |
| 00:25:59 |
Well I'd like to know how to get |
| 00:26:04 |
To get to know me. |
| 00:26:08 |
I'll tell you this. |
| 00:26:11 |
The whole world's gonna know |
| 00:26:44 |
It's music to my heart. |
| 00:26:48 |
You da bomb, baby. |
| 00:26:51 |
What? |
| 00:26:52 |
Ding-dong, the bitch is dead, |
| 00:26:55 |
Ciao. |
| 00:27:23 |
Police. Get down, get down! |
| 00:28:08 |
Pooch, give me something. |
| 00:28:10 |
Not much to go on. |
| 00:28:12 |
Whoever this guy was knew |
| 00:28:15 |
Let me sample this. |
| 00:28:17 |
Watch your back. |
| 00:28:28 |
Watch your step, sir. |
| 00:28:35 |
Please, |
| 00:28:37 |
my husband and daughter |
| 00:28:39 |
- M'am, no, no. |
| 00:28:41 |
I'm sorry, we can't let |
| 00:28:43 |
They're my whole life! |
| 00:28:46 |
Please m'am. |
| 00:28:47 |
Please. |
| 00:28:47 |
Please. |
| 00:28:52 |
You know, every time you show your |
| 00:28:55 |
Why is that? |
| 00:28:58 |
At least I was trying |
| 00:29:00 |
Oh yeah? |
| 00:29:01 |
You know, I keep tellin' you, |
| 00:29:04 |
Why you still here? |
| 00:29:05 |
You touch me again, |
| 00:29:07 |
Wh- and what? |
| 00:29:09 |
You gonna shoot me? |
| 00:29:10 |
No I'm not your fuckin' |
| 00:29:12 |
I will make retirement. |
| 00:29:15 |
Falta subtitulo. |
| 00:29:17 |
What-what, motherfucker! |
| 00:29:18 |
Let go of me. |
| 00:29:20 |
You son of a bitch, |
| 00:29:24 |
- Fuck you. |
| 00:29:26 |
Get outta here before I kick your ass. |
| 00:29:29 |
Oh Artie, Artie, listen to me, |
| 00:29:32 |
I've been talkin' to Nettles |
| 00:29:34 |
I kinda feel like he's got |
| 00:29:36 |
real vital to our group. |
| 00:29:38 |
You don't mind if I sneak him |
| 00:29:40 |
He's all yours. |
| 00:29:41 |
Thank you man, I appreciate that. |
| 00:29:43 |
Right guys, |
| 00:29:45 |
Oh I love it. |
| 00:29:46 |
Why the save? |
| 00:29:47 |
I'm tryin' to save you |
| 00:29:49 |
What's that supposed to mean? |
| 00:29:51 |
You gotta get beyond hope and fear. |
| 00:29:54 |
Learn the nature of your own mind. |
| 00:29:56 |
And then, |
| 00:29:57 |
you won't be suffering anymore. |
| 00:30:00 |
You comin'? |
| 00:30:08 |
Traces of Semtex just like the braid |
| 00:30:12 |
Check out the sequencing. |
| 00:30:15 |
I've never seen anything |
| 00:30:19 |
Yeah the detonator's made |
| 00:30:23 |
So what kind of bomb was it? |
| 00:30:25 |
Did you say the B word? |
| 00:30:26 |
Excuse me? |
| 00:30:27 |
Nettles you gotta be more Zen. |
| 00:30:30 |
- Device. |
| 00:30:32 |
Device. |
| 00:30:33 |
B is for boom. |
| 00:30:36 |
So you're the Device Squad |
| 00:30:38 |
devices. |
| 00:30:39 |
We treat devices. |
| 00:30:42 |
Anything else I should know? |
| 00:30:44 |
Yeah. |
| 00:30:45 |
Watch where you step. |
| 00:30:49 |
Check it out boss, we got action. |
| 00:30:51 |
Stay close to us. |
| 00:30:55 |
What ya think? |
| 00:30:58 |
Computer chip. |
| 00:31:01 |
That could be from an IRD. |
| 00:31:03 |
Very, very nasty piece of shit. |
| 00:31:06 |
Let's hope that's not what this is. |
| 00:31:16 |
Hey remember, I'm watchin' your ass. |
| 00:31:19 |
You know Pluchinsky, pretty words |
| 00:31:22 |
get me to kiss you. |
| 00:31:24 |
Captain, we got a hit on the prints. |
| 00:31:26 |
I was wondering why it took so long. |
| 00:31:28 |
Turns out she had |
| 00:31:30 |
- Department of Defense contractor. |
| 00:31:33 |
San Francisco. |
| 00:31:35 |
- an architect, died last May. |
| 00:31:38 |
She was an Rand D Skunkworks |
| 00:31:41 |
Trained at Lawrence |
| 00:31:43 |
- Resigned abruptly last year. |
| 00:31:49 |
Yeah. |
| 00:31:50 |
How will you tell them, Captain? |
| 00:31:54 |
How will you explain to the families |
| 00:31:56 |
that their loved ones |
| 00:31:59 |
You got a name? |
| 00:32:01 |
No, this time, |
| 00:32:02 |
I'll give you two hours. |
| 00:32:04 |
But if she isn't released by then... |
| 00:32:06 |
another bomb will go off, |
| 00:32:09 |
every man... |
| 00:32:10 |
woman and child in this city... |
| 00:32:14 |
is either dead... |
| 00:32:15 |
- or in mourning. |
| 00:32:18 |
Tick tock. |
| 00:32:19 |
Tick... |
| 00:32:20 |
tock. |
| 00:32:26 |
Find him. |
| 00:32:30 |
Hey Angie um, |
| 00:32:33 |
I wanna check on |
| 00:32:36 |
I want a list of every project |
| 00:32:39 |
and uh, call the Feds, |
| 00:32:41 |
any details on the girl |
| 00:33:19 |
Officer Gordon, hi. |
| 00:33:23 |
She's tough, huh? |
| 00:33:24 |
Tough? |
| 00:33:25 |
Tough is, where's my lawyer. |
| 00:33:28 |
Well the Captain wants me |
| 00:33:31 |
Fine. |
| 00:33:32 |
- You baby-sit her for awhile. |
| 00:33:41 |
You remember me? |
| 00:33:43 |
Yeah, I remember you. |
| 00:33:45 |
Sorry about the eye. |
| 00:33:53 |
First my partner, |
| 00:33:55 |
What makes you so valuable that uh, |
| 00:33:57 |
they'd slaughter all these innocent |
| 00:34:02 |
Look, I know you don't wanna talk. |
| 00:34:04 |
Somebody once told me |
| 00:34:07 |
you know, get better, feel better. |
| 00:34:10 |
You see uh... |
| 00:34:21 |
you see not too long ago um, |
| 00:34:31 |
not long ago I... |
| 00:34:34 |
I lost two people |
| 00:34:37 |
too. |
| 00:35:04 |
Your husband uh, |
| 00:35:06 |
was a gifted architect... |
| 00:35:08 |
Brandon Manning. |
| 00:35:10 |
Famous, was about to expose |
| 00:35:13 |
they were gonna build |
| 00:35:16 |
waste site downtown. |
| 00:35:19 |
But before he could blow the |
| 00:35:22 |
It was not an accident. |
| 00:35:24 |
That's what the grand jury |
| 00:35:25 |
He was murdered in cold blood |
| 00:35:29 |
And nobody gave a damn. |
| 00:35:31 |
So that's why you're |
| 00:35:33 |
That's why you're |
| 00:35:40 |
First my partner, then the bar. |
| 00:35:43 |
Now, who is he? |
| 00:35:45 |
Tell me his name. |
| 00:35:46 |
Why is he killing all these |
| 00:35:53 |
Why's he want you back |
| 00:35:56 |
Now tell me his name. |
| 00:35:58 |
Who is he? |
| 00:36:00 |
Tell me. |
| 00:36:04 |
God dammit, tell me his name! |
| 00:36:07 |
What is his goddamn name! |
| 00:36:09 |
Hey listen the police aren't gonna |
| 00:36:13 |
When your boyfriend realizes this, |
| 00:36:15 |
are gonna die, kids and families, |
| 00:36:18 |
Now there's blood on your hands. |
| 00:36:20 |
Okay? |
| 00:36:21 |
Now... |
| 00:36:21 |
help me put an end to this. |
| 00:36:23 |
You're the only one who can. |
| 00:36:30 |
We met at a convention in Europe. |
| 00:36:34 |
I was lonely, as you might imagine. |
| 00:36:38 |
He was... |
| 00:36:39 |
brilliant, |
| 00:36:40 |
charming, |
| 00:36:42 |
a fellow scientist, so he claimed. |
| 00:36:46 |
By the time I learned the truth, |
| 00:36:49 |
I was too scared. |
| 00:36:52 |
I was too scared. |
| 00:36:55 |
Too scared for what? |
| 00:36:57 |
Too scared for what? |
| 00:36:59 |
Oh come on. |
| 00:37:01 |
Tell me. |
| 00:37:02 |
I can't. |
| 00:37:03 |
- Bullshit. |
| 00:37:07 |
If you want it stopped, |
| 00:37:10 |
Let you go? |
| 00:37:11 |
You gotta get me out of here. |
| 00:37:13 |
You gotta get me outta here, okay? |
| 00:37:17 |
Take your hands off me. |
| 00:37:19 |
Don't touch me, don't touch me. |
| 00:37:21 |
Take your hands off me. |
| 00:37:24 |
Drop dead. |
| 00:37:33 |
Hey Nettles. |
| 00:37:34 |
How'd it go with the girl? |
| 00:37:36 |
Not good. |
| 00:37:37 |
Hey Nettles... |
| 00:37:39 |
what do you think |
| 00:37:41 |
give me all this from the beginning? |
| 00:37:55 |
So what made you think |
| 00:37:57 |
Hey, you're the expert. |
| 00:37:59 |
Looks like a really good |
| 00:38:02 |
Discreet, |
| 00:38:03 |
quiet, out of the way. |
| 00:38:05 |
We might even find an IRD here. |
| 00:38:07 |
You mentioned you saw |
| 00:38:09 |
- Where? |
| 00:38:12 |
I was uh, headin' a team, E-O-D. |
| 00:38:16 |
Some shit went sideways. |
| 00:38:21 |
Lost some of my boys. |
| 00:38:25 |
But uh, I made a choice to live. |
| 00:38:29 |
So I light candles |
| 00:38:34 |
So you live it too. |
| 00:38:36 |
If you call it livin'. |
| 00:38:41 |
You know I never cried when... |
| 00:38:45 |
I don't know. |
| 00:38:47 |
Maybe it's the guilt. |
| 00:38:50 |
After the funeral |
| 00:38:53 |
you know, |
| 00:38:55 |
to where they're buried. |
| 00:38:56 |
Yeah. |
| 00:38:58 |
I'm afraid if I do, |
| 00:39:01 |
I'll blow my brains out. |
| 00:39:04 |
It's just- it's just way too much. |
| 00:39:08 |
Well you know one thing |
| 00:39:11 |
After that, |
| 00:39:14 |
there's only one way you can go. |
| 00:39:16 |
And that's up. |
| 00:39:18 |
Yeah. |
| 00:39:19 |
That's enough talkin' for now. |
| 00:39:21 |
Time's up on our first session. |
| 00:39:23 |
It's right over here. |
| 00:39:26 |
Yeah, um... |
| 00:39:28 |
girl was here with me. |
| 00:39:30 |
Guy in charge over there |
| 00:39:33 |
Another guy was over there. |
| 00:39:35 |
So... |
| 00:39:36 |
these bombers, |
| 00:39:39 |
If you were a dog trainer |
| 00:39:42 |
They wanna bite before they get bit. |
| 00:39:44 |
People who uh, |
| 00:39:46 |
feel like... |
| 00:39:47 |
they'll blow something up |
| 00:39:48 |
to kill somebody or make a statement, |
| 00:39:53 |
Long distance. |
| 00:39:55 |
Never wanna get up-close and personal. |
| 00:39:57 |
Except if you don't play along, |
| 00:40:01 |
Most of 'em. |
| 00:40:03 |
You know uh, it's a power trip. |
| 00:40:05 |
But uh, |
| 00:40:07 |
some of 'em don't follow through. |
| 00:40:09 |
- And the other one percent? |
| 00:40:12 |
Criminal minds that are geniuses, |
| 00:40:15 |
most anti-terrorists, most military, |
| 00:40:18 |
they've got access to the most |
| 00:40:20 |
deadly devices in the world. |
| 00:40:22 |
Those are the ones |
| 00:40:25 |
That's why we're here. |
| 00:40:30 |
Hm, what do we got here? |
| 00:40:34 |
Galois. |
| 00:40:36 |
Eurotrash. |
| 00:40:42 |
Jazz Cat. Do you like the blues? |
| 00:41:22 |
Scotch on the rocks, please. |
| 00:41:43 |
Couple drinks? |
| 00:41:45 |
No thanks. Hey... |
| 00:41:47 |
you know anybody who smokes |
| 00:41:50 |
Galois cigarettes, Inspector. |
| 00:41:53 |
There's a guy in the club |
| 00:41:55 |
Is he here tonight? |
| 00:41:57 |
Yeah. He's right over there. |
| 00:41:58 |
Thanks, are you new here? |
| 00:42:00 |
Let's go talk to him. |
| 00:42:03 |
What d'ya say? |
| 00:42:04 |
Police! |
| 00:42:05 |
Show me your hands! |
| 00:42:07 |
Show me your hands! |
| 00:42:09 |
- Show me your hands! |
| 00:42:10 |
Show me your hands! |
| 00:42:12 |
- Put the gun down, brother. |
| 00:42:18 |
Don't move, don't move. |
| 00:42:22 |
Let the girl go. |
| 00:42:23 |
Come on, let's go. |
| 00:42:25 |
I'll shoot you. |
| 00:42:26 |
- Let her go. |
| 00:42:29 |
- Let the girl go. |
| 00:42:31 |
Do you think I'm crazy? |
| 00:42:32 |
- Let the girl go. |
| 00:42:34 |
I'll shoot you. |
| 00:42:35 |
- Go right ahead. |
| 00:42:36 |
- San Francisco is gonna blow. |
| 00:42:40 |
Go 'head. |
| 00:43:02 |
You know I could've used him alive. |
| 00:43:06 |
Gotta learn to listen to me. |
| 00:43:08 |
But that was good shootin'. |
| 00:43:22 |
So uh, should I get ready to die? |
| 00:43:25 |
No, you know what? |
| 00:43:29 |
See? |
| 00:43:34 |
I'm glad you were here. |
| 00:43:36 |
That's your new lucky number. |
| 00:43:38 |
You've heard of the twelve stages |
| 00:43:41 |
No, just one day at a time, |
| 00:43:42 |
Oh yeah. |
| 00:43:44 |
Well we haven't made |
| 00:43:48 |
We're doin' good, so far. |
| 00:43:52 |
The bomb didn't go off |
| 00:43:55 |
Oh, you disappoint me. |
| 00:44:01 |
It's time to bring in the boys. |
| 00:44:03 |
Are they ready? |
| 00:44:05 |
Yes sir, ready and waitin' |
| 00:44:12 |
It's never stopped before. |
| 00:44:13 |
Well, let me see it. |
| 00:44:17 |
Okay. |
| 00:44:29 |
Yeah, main spring's stuck. |
| 00:44:32 |
All right... |
| 00:44:33 |
let me show ya a little somethin'. |
| 00:44:35 |
I'm gonna teach you |
| 00:44:37 |
I'm gonna hand this back to you |
| 00:44:38 |
and give you the only tool you need |
| 00:44:41 |
Well, I'm an idiot when it comes |
| 00:44:44 |
You're not an idiot, man. |
| 00:44:45 |
Just never tried it before. |
| 00:44:46 |
Take a look in there, you'll see right |
| 00:44:50 |
Thing of it is, if I baby you, |
| 00:44:55 |
in one ear and out the other. |
| 00:44:57 |
If I make you figure it out |
| 00:44:58 |
Go for it. |
| 00:45:10 |
It's workin' again. |
| 00:45:12 |
Good job, man. |
| 00:45:13 |
Youjust made your first ticker. |
| 00:45:22 |
We need to talk, Nettles. |
| 00:45:24 |
Shit. |
| 00:45:34 |
I got a call from upstairs. |
| 00:45:36 |
They say you questioned the girl |
| 00:45:39 |
Yeah, that's true. |
| 00:45:40 |
Claiming that I'd given you permission |
| 00:45:46 |
Yes sir. |
| 00:45:48 |
Under any other circumstances |
| 00:45:53 |
That said... |
| 00:45:55 |
she wants to talk to you again. |
| 00:45:57 |
Alone. |
| 00:46:07 |
His name is Alex Swan. |
| 00:46:10 |
The one with the tattoos |
| 00:46:13 |
and the other one |
| 00:46:15 |
Dugger's dead. |
| 00:46:18 |
Now, Swan's planning |
| 00:46:22 |
I don't know. |
| 00:46:23 |
Oh come on, tell me the target. |
| 00:46:26 |
This bombing was |
| 00:46:29 |
Wasn't it? |
| 00:46:30 |
Look, you said you wanted |
| 00:46:34 |
Claire? |
| 00:46:35 |
Alex Swan is planning |
| 00:46:38 |
I don't know. |
| 00:46:39 |
Come on. |
| 00:46:41 |
Tell me the target. |
| 00:46:45 |
Tell me how to find him. |
| 00:46:48 |
Claire, come on, please. |
| 00:46:51 |
Tell me how to find him |
| 00:46:53 |
All right, the last I knew, |
| 00:46:56 |
staying at a motel downtown, |
| 00:46:57 |
somewhere around the corner |
| 00:46:59 |
What was the name of it? |
| 00:47:01 |
The Sunburst uh, |
| 00:47:03 |
Sunburst, room one thirty-eight. |
| 00:47:06 |
Yeah. |
| 00:47:09 |
Thanks. |
| 00:47:11 |
He'll kill me for this. |
| 00:47:13 |
Even if you catch him, |
| 00:47:16 |
It doesn't matter anymore anyway. |
| 00:47:18 |
I've lost too much already. |
| 00:47:24 |
You know what? |
| 00:47:26 |
There's always hope. |
| 00:47:28 |
You just took a small step |
| 00:47:31 |
and ain't nobody gonna kill you. |
| 00:47:52 |
Cover all the entrances. |
| 00:47:54 |
Stay alert. |
| 00:47:56 |
Always, baby. |
| 00:47:59 |
Move. |
| 00:48:15 |
City, he can't even |
| 00:48:16 |
What did you say? |
| 00:48:19 |
You didn't hear me? |
| 00:48:21 |
- Come here, say it again. |
| 00:48:23 |
I said, how can you save the city if |
| 00:48:31 |
That's what I thought you said. |
| 00:48:38 |
Just coming up to an open door. |
| 00:48:42 |
After you, my good man. |
| 00:48:46 |
, get on in there |
| 00:48:53 |
They're gone. |
| 00:48:55 |
All right. |
| 00:48:57 |
Clear the building, bring the dog. |
| 00:48:59 |
We'll check the other rooms. |
| 00:49:03 |
Copy that. |
| 00:49:04 |
Sparky's on his way. |
| 00:50:13 |
You're the one, Thursday... |
| 00:50:16 |
three-sixteen in the AM. |
| 00:50:18 |
Thirty-seven cents. |
| 00:50:19 |
You were the short change. |
| 00:50:20 |
A little light. |
| 00:50:22 |
Where's your partner, officer? |
| 00:50:24 |
He's dead. |
| 00:50:26 |
Now the guys who killed him, we |
| 00:50:29 |
You wouldn't know anything |
| 00:50:32 |
- would ya? |
| 00:50:34 |
The other is tall... |
| 00:50:35 |
thin. Thin one wanted to offer me... |
| 00:50:37 |
a donation, wanted to trade |
| 00:50:40 |
for a long time. |
| 00:50:45 |
What kind of car did they drive? |
| 00:50:47 |
- Did they drive a car? |
| 00:50:49 |
plate M-L-A-l-5-8 Ford van. |
| 00:50:53 |
But they switched late |
| 00:50:57 |
with G-O-E-N-43 plates. |
| 00:51:02 |
G-O-E-N-43? |
| 00:51:04 |
That's what I said. |
| 00:51:05 |
A steel trap. |
| 00:51:07 |
Okay. |
| 00:51:10 |
That's my life savings. |
| 00:51:15 |
G-O-E... |
| 00:51:16 |
N-43. |
| 00:51:17 |
Steel trap. |
| 00:51:22 |
Sir Lancelot is a good knight. |
| 00:51:24 |
He could save the, |
| 00:51:30 |
Afternoon gentlemen. |
| 00:51:35 |
Sure this is crazy, |
| 00:51:37 |
It has to be done. |
| 00:51:39 |
They've tested my patience |
| 00:51:42 |
Now if you're afraid, then go. |
| 00:51:45 |
I'll be in the car. |
| 00:51:46 |
Fine. |
| 00:51:49 |
Excuse me officer. |
| 00:51:51 |
I represent Claire Manning. |
| 00:51:53 |
She wants her property |
| 00:51:55 |
her credit cards actually, |
| 00:51:58 |
Wait here. |
| 00:51:59 |
I'll have to make a phone call. |
| 00:52:03 |
Angie, I have a man here claiming |
| 00:52:06 |
Everything's fine. |
| 00:52:09 |
Captain... |
| 00:52:10 |
there's a man downstairs, |
| 00:52:14 |
Put him on. |
| 00:52:16 |
Hello. |
| 00:52:16 |
Sir? |
| 00:52:17 |
Sure enough, the uh, plates belong |
| 00:52:21 |
downtown. |
| 00:52:21 |
Guy's name's Alex Swan. |
| 00:52:23 |
A-K-A, twenty other names. |
| 00:52:25 |
Guy's a legend |
| 00:52:31 |
He's the cat who blew |
| 00:52:34 |
The other one, Vershbow, |
| 00:52:37 |
Just so happens he's worked for half the |
| 00:52:41 |
Including ours |
| 00:52:43 |
Let's get out an APB y'all. |
| 00:52:45 |
Right away. |
| 00:52:55 |
This wasn't the deal. |
| 00:52:56 |
You want her property that bad, |
| 00:52:59 |
well you couldn't get |
| 00:53:01 |
I'm not gonna end up like Dugger. |
| 00:53:02 |
Now get the hell out of here. |
| 00:53:04 |
Game over. |
| 00:53:05 |
I offered you a chance |
| 00:53:08 |
and fame and fortune, you fool. |
| 00:53:11 |
Give me the briefcase. |
| 00:53:18 |
You're forgettin' some'in'. |
| 00:53:20 |
Detonator. |
| 00:53:25 |
You're makin' |
| 00:53:29 |
Now beat it, |
| 00:53:30 |
Michael-fuckin'-angelo. |
| 00:53:42 |
Nettles, suspect spotted in area. |
| 00:53:44 |
Repeat, suspect may be |
| 00:53:47 |
I need backup. |
| 00:54:04 |
- Let's go we got a perp! |
| 00:54:07 |
Drop the weapon |
| 00:54:09 |
Put the bag down! |
| 00:54:23 |
Move your fuckin' car, chief. |
| 00:54:29 |
Move that fucking car... |
| 00:54:31 |
or I'll blow it out of the way. |
| 00:54:51 |
Wait on command. |
| 00:55:36 |
Come on buddy, |
| 00:55:38 |
time to go to work |
| 00:55:40 |
Get your sniffer up there. |
| 00:55:42 |
What you got. |
| 00:55:44 |
Nothing? |
| 00:55:47 |
Come on, you're not gonna |
| 00:55:50 |
Let's go around back. |
| 00:55:51 |
- Come on, come on. |
| 00:55:54 |
Sniff. |
| 00:55:55 |
Sniff. |
| 00:55:56 |
What you smelling? |
| 00:55:57 |
Nuggets. |
| 00:55:58 |
- You smellin' nuggets. |
| 00:55:59 |
I sweep this truck |
| 00:56:02 |
Pooch hurry that mutt up. |
| 00:56:05 |
Come on. What'd ya smell? |
| 00:56:07 |
You're smellin'TJ? |
| 00:56:18 |
Head and tail are clear. |
| 00:56:27 |
Reach out, |
| 00:56:28 |
reach out |
| 00:56:35 |
Oh no. |
| 00:56:47 |
Pooch! |
| 00:56:53 |
Thank you and call again. |
| 00:57:06 |
You got a minute? |
| 00:57:09 |
I just wanted to... |
| 00:57:12 |
ljust wanna say thank you. |
| 00:57:14 |
It's no big deal. |
| 00:57:17 |
That's uh... |
| 00:57:19 |
that's Pooch's wife and kid. |
| 00:57:22 |
I'll talk to 'em. |
| 00:57:27 |
It's him. |
| 00:57:29 |
Gotta get back to you. |
| 00:57:31 |
Quiet. |
| 00:57:36 |
Winters here. |
| 00:57:37 |
You people |
| 00:57:40 |
We're ready to talk. |
| 00:57:41 |
Oh you mean stall, don't you, |
| 00:57:44 |
team of techno-geeks |
| 00:57:48 |
This is my final warning. |
| 00:57:50 |
The city has one hour to release |
| 00:57:54 |
Fifteen seconds. |
| 00:57:55 |
One hour, you understand? |
| 00:57:59 |
The girl in exchange for... |
| 00:58:04 |
let's just say, |
| 00:58:06 |
there're not enough cemeteries... |
| 00:58:08 |
in the city or enough hospital |
| 00:58:12 |
Well wait a second. |
| 00:58:15 |
How do we know we can trust you? |
| 00:58:17 |
You can trust me. |
| 00:58:21 |
One hour. |
| 00:58:25 |
What? |
| 00:58:26 |
No. |
| 00:58:42 |
I want ya |
| 00:58:43 |
to drop it off at the museum. |
| 00:59:07 |
Captain, |
| 00:59:09 |
They just received a bomb threat. |
| 00:59:12 |
Sir, we're getting bomb threats |
| 00:59:16 |
Sir, your wife received one too. |
| 00:59:20 |
Send a squad car. |
| 00:59:21 |
Okay. |
| 00:59:22 |
Also notify the bomb squad, hospitals, |
| 00:59:25 |
fire department. |
| 00:59:26 |
Right away, sir. |
| 00:59:31 |
Hey boss. |
| 00:59:33 |
She says that uh, |
| 00:59:40 |
Okay, do it. |
| 00:59:42 |
All right. |
| 00:59:46 |
We're meeting with your boyfriend. |
| 00:59:48 |
You have to convince them |
| 00:59:50 |
It's your only chance to stop him. |
| 00:59:54 |
There's not a lot of time. |
| 00:59:59 |
Hey, I've been looking for you. |
| 01:00:00 |
Here's a list of buildings |
| 01:00:04 |
This guy's done |
| 01:00:06 |
He even designed |
| 01:00:45 |
I can't see. |
| 01:00:55 |
Thank you. |
| 01:01:16 |
Shit! |
| 01:01:23 |
Vincent. |
| 01:01:24 |
Vincent, do tou hear me? |
| 01:01:26 |
Swan, we're settin' up |
| 01:01:29 |
Set it up and tell me |
| 01:01:31 |
All right, hurry up, |
| 01:02:06 |
Captain Winters. |
| 01:02:08 |
You gotta get the okay |
| 01:02:10 |
Let her go? |
| 01:02:11 |
I mean, we gotta use her. |
| 01:02:15 |
I'm not bullshitting you, Captain. |
| 01:02:20 |
If you let that girl go, |
| 01:02:27 |
Is the tracking device on the girl? |
| 01:02:31 |
The ankle transmitter is in place. |
| 01:02:43 |
The tracking transmitter is working. |
| 01:02:45 |
The tracking transmitter is working. |
| 01:02:52 |
Okay, I got her. |
| 01:02:53 |
I got her, she's right here. |
| 01:03:00 |
There you go. |
| 01:03:05 |
You're lucky we still have that. |
| 01:03:08 |
Some guy says he was your lawyer, |
| 01:03:10 |
tried to take your property. |
| 01:03:13 |
All right, go on, get outta here. |
| 01:03:16 |
Go on, get out of here. |
| 01:03:39 |
I'm goin' northbound on Sixth. |
| 01:03:47 |
Moving northbound. |
| 01:03:50 |
Position One she's not |
| 01:03:52 |
She's headed northbound on Sixth. |
| 01:03:54 |
She's headed northbound on |
| 01:04:03 |
She's headin' towards the flea market. |
| 01:04:10 |
Captain she's moving fast. |
| 01:04:24 |
Stop right there! |
| 01:04:33 |
Swan, the device is armed and |
| 01:04:37 |
Activate. |
| 01:04:40 |
Activate. |
| 01:04:43 |
Activate stage one. |
| 01:05:05 |
She's in a black BMW. |
| 01:05:06 |
L-Q-Y-A-1-niner, |
| 01:05:19 |
Don't I even get a thank you? |
| 01:05:30 |
Bye boys. |
| 01:05:56 |
We've lost her. |
| 01:05:58 |
The transmitter has |
| 01:06:03 |
Repeat, we've lost her. |
| 01:06:15 |
What were you thinking, |
| 01:06:17 |
What, you gonna ditch me? |
| 01:06:19 |
Now you yourself said |
| 01:06:21 |
that the painting is far more |
| 01:06:24 |
And what about our masterpiece? |
| 01:06:26 |
Nothing can be allowed |
| 01:06:28 |
to interfere with the |
| 01:06:32 |
You're right. |
| 01:06:35 |
A masterpiece that'll be |
| 01:06:38 |
and studied for centuries to come. |
| 01:06:40 |
Our Michelangelo. |
| 01:06:43 |
Is everything in place? |
| 01:06:44 |
Of course. |
| 01:06:47 |
Pull over. |
| 01:06:51 |
It's time to trigger the decoy. |
| 01:06:54 |
Our masterpiece. |
| 01:06:56 |
Yes. |
| 01:06:59 |
Our masterpiece. |
| 01:07:03 |
I did this all for you, you know? |
| 01:07:07 |
I love ya. |
| 01:07:08 |
I know. |
| 01:07:14 |
Reverse the charges, my love. |
| 01:07:31 |
Please reach out and touch someone. |
| 01:07:42 |
Oh dear. |
| 01:08:08 |
Swan's car just went. |
| 01:08:09 |
- What about Claire? |
| 01:08:15 |
Hang on, there's something a |
| 01:08:18 |
...placed throughout the city... |
| 01:08:21 |
Glass! |
| 01:08:22 |
Only the male suspect is there. |
| 01:08:24 |
Claire's gone. |
| 01:08:25 |
...opening of the new wing, |
| 01:08:29 |
will go off without a hitch. |
| 01:08:30 |
This is Jamie Rosen |
| 01:08:32 |
reporting live from the Masquerade |
| 01:08:35 |
Jamie, we're heard that the traffic |
| 01:08:38 |
Hey are you there? |
| 01:08:40 |
Come in man are you there? |
| 01:08:42 |
- I know where she is. |
| 01:08:45 |
She's gonna blow City Hall. |
| 01:08:48 |
Go around the City Hall, |
| 01:08:51 |
All right, call for TJ. |
| 01:08:53 |
See if he's close. |
| 01:09:01 |
Nettles, where are you? |
| 01:09:06 |
Tell me what you see. |
| 01:09:10 |
I'm movin' as fast as I can, man. |
| 01:09:18 |
Hurry up, meet me in the lobby. |
| 01:09:39 |
Okay men, get ready. |
| 01:09:41 |
- Got the radio on? |
| 01:09:57 |
This is the San Francisco police. |
| 01:10:25 |
Divert them so |
| 01:13:14 |
Hey brother, what took you so long? |
| 01:13:20 |
Claire's husband was about to blow |
| 01:13:22 |
redevelopment zone. |
| 01:13:24 |
Would've cost a fortune to clean up. |
| 01:13:27 |
he got capped. |
| 01:13:28 |
So now Claire wants revenge. |
| 01:13:30 |
It's been her all along. |
| 01:13:32 |
She's gonna blow this place up, Glass. |
| 01:13:34 |
All right listen, you take |
| 01:13:36 |
Okay. |
| 01:13:51 |
Move away from the building. |
| 01:13:53 |
Stay calm. |
| 01:13:55 |
Step back away from the building. |
| 01:14:10 |
Stay back. |
| 01:15:19 |
Grenade! Go! |
| 01:15:20 |
Go! Go! |
| 01:16:51 |
Claire, put your hands in the air. |
| 01:16:53 |
Now. |
| 01:16:54 |
Don't make me do this. |
| 01:16:55 |
Don't make me do this. |
| 01:17:00 |
Don't make me do this. |
| 01:17:04 |
I'm afraid it's time. |
| 01:17:08 |
Put your hands in the air Claire. |
| 01:17:09 |
Come on. |
| 01:17:14 |
My husband never got his due. |
| 01:17:16 |
That's all gonna change now. |
| 01:17:26 |
Son of a bitch. |
| 01:17:31 |
Glass. |
| 01:17:32 |
Glass, I'm in the basement. |
| 01:17:35 |
There's a bomb, it's set to go off |
| 01:17:37 |
What do I do? |
| 01:17:39 |
Do you read me, Glass? Glass. |
| 01:17:43 |
Okay Nettles. |
| 01:17:45 |
Shit. |
| 01:17:45 |
All right, |
| 01:17:48 |
Glass, I got a ticker down here |
| 01:17:50 |
Wejust got our first |
| 01:17:53 |
That's a Fuel Air Explosive. |
| 01:17:56 |
T minus ten minutes. |
| 01:18:01 |
Now you better get down here |
| 01:18:05 |
Nettles, |
| 01:18:06 |
I got a FAE bomb up here. |
| 01:18:08 |
In case you're wondering what that is. |
| 01:18:13 |
It's a wide cloud of highly unstable |
| 01:18:16 |
When it's ignited the shock... |
| 01:18:18 |
waves will shoot down |
| 01:18:21 |
Now something tells me that you |
| 01:18:24 |
Glass, I'm gonna die down here. |
| 01:18:26 |
Just relax, brother. |
| 01:18:27 |
Talk to me. |
| 01:18:28 |
Glass, talk to me. |
| 01:18:29 |
Glass, just tell me what to do. |
| 01:18:31 |
- I'll do it. Just tell me what to do. |
| 01:18:34 |
Glass, I don't know what to do. |
| 01:18:36 |
- Talk to me! |
| 01:18:38 |
you're just gonna have to go |
| 01:18:40 |
Don't be attached to living |
| 01:18:44 |
And understand that death |
| 01:18:47 |
on the playground. |
| 01:18:52 |
You have to be able to feel it. |
| 01:18:54 |
And the way... |
| 01:18:55 |
you'll be able to learn how to feel, |
| 01:18:57 |
is by coming to know |
| 01:19:08 |
And even if you do go today |
| 01:19:11 |
So if you're not attached |
| 01:19:13 |
you have nothing to fear. If you have |
| 01:19:17 |
and just listen to me gently |
| 01:19:20 |
All right? |
| 01:19:24 |
Okay, I've finished assessing, |
| 01:19:26 |
- Now what do we do? |
| 01:19:29 |
- What do you mean? |
| 01:19:31 |
for something that looks like |
| 01:19:33 |
it may even be sealed |
| 01:19:35 |
You wanna scrape that off... |
| 01:19:37 |
and open it up. |
| 01:19:43 |
Look around, there's a hole man. |
| 01:19:56 |
I see somethin'. |
| 01:20:05 |
I got an opening. |
| 01:20:06 |
There you go. |
| 01:20:07 |
Okay reach in and tell me |
| 01:20:13 |
Heat, a lot of heat. |
| 01:20:15 |
Cold metal, |
| 01:20:17 |
- somethin' soft. |
| 01:20:19 |
Okay. |
| 01:20:20 |
What else? |
| 01:20:21 |
Keep going man, |
| 01:20:23 |
Somethin' round... |
| 01:20:26 |
and two wires. |
| 01:20:31 |
Two sets of wires, yellow... |
| 01:20:33 |
and black with red. |
| 01:20:37 |
No, stop. |
| 01:20:39 |
What's wrong? |
| 01:20:40 |
It's too easy. There's gotta be |
| 01:20:43 |
There's gotta be another way. |
| 01:20:44 |
Make up your mind. |
| 01:20:45 |
Ease your thumb over to the right. |
| 01:20:54 |
Yeah, another round thing. |
| 01:20:57 |
The device that you have there is |
| 01:21:00 |
You'll find two sets of wires. |
| 01:21:02 |
Go to the timer |
| 01:21:05 |
and try to pop |
| 01:21:07 |
and pull the yellow wires |
| 01:21:11 |
Well which one's which? |
| 01:21:13 |
All right, it's up to you. |
| 01:21:15 |
What? |
| 01:21:16 |
It's up to you Nettles, just pick one. |
| 01:21:54 |
I did it. I'm not dead. |
| 01:21:56 |
You did it brother. Now uh... |
| 01:21:59 |
I got a whole shit storm up here |
| 01:23:31 |
We're clear on the roof. |
| 01:23:34 |
- Send in the sweep team. |
| 01:23:37 |
Class said it's over. |
| 01:23:51 |
Go on man, |
| 01:23:55 |
When everyone dies, |
| 01:24:05 |
There is tunnel. |
