To Be or Not to Be
|
00:02:02 |
Europe, 1936. |
00:02:05 |
Nazi troops annex the Rhineland |
00:02:10 |
March, 1938: The Anschluss. |
00:02:14 |
Nazi troops annex Austria. |
00:02:19 |
March, 1939. Nazi troops and tanks |
00:02:24 |
... and in a matter of days, |
00:02:29 |
No shots are fired. |
00:02:35 |
August, 1939. Nazi troops mass |
00:02:40 |
Europe stands precariously |
00:02:46 |
But despite the threat |
00:02:50 |
... the Polish people forget their |
00:03:03 |
Sweet Georgie Brown! |
00:03:08 |
Sweet Georgie Brown! |
00:03:13 |
Sweet Georgie Brown! |
00:05:01 |
Bravo! |
00:05:37 |
Bravo, Anna! Bravo, Anna! |
00:06:00 |
Ladies and gentlemen. |
00:06:04 |
... the rest of this movie |
00:06:08 |
- You get roses, and I get to watch. |
00:06:14 |
Appreciation? |
00:06:16 |
You are not only my wife, |
00:06:20 |
Bronski, here's the poster. |
00:06:23 |
- It's fine, Bieler. Fine. |
00:06:27 |
I don't mind my name in smaller print. |
00:06:33 |
- I like it. It sets your name apart. |
00:06:39 |
Intermission! Intermission! |
00:06:43 |
- Sondheim. |
00:06:45 |
- I can hear you. I'm not in Kraków. |
00:06:59 |
- What is that? |
00:07:03 |
- Turn it off. |
00:07:07 |
- I for one do not feel we can... |
00:07:10 |
There's an audience massed out front. |
00:07:13 |
Mr. Bronski, don't you |
00:07:15 |
It could be war. |
00:07:19 |
Politics! That's their business! |
00:07:21 |
We are in the theatre. |
00:07:25 |
- Sondheim! |
00:07:26 |
- How's business? |
00:07:31 |
We received another bouquet of roses |
00:07:35 |
And this time, we got a card. |
00:07:39 |
- "I must see you. " |
00:07:43 |
"Lieutenant Andre Sobinski. " |
00:07:45 |
It has to be that handsome young flier |
00:07:49 |
Second row. How could I miss? |
00:07:53 |
- Fourth from the aisle. |
00:07:56 |
All these flowers, night after night. |
00:08:01 |
- He must be hopelessly in love with me. |
00:08:07 |
Me, My, Moe! Me, My, Moe! |
00:08:10 |
- Tonight's receipts. |
00:08:13 |
Ratkowski, get Ravitch! |
00:08:17 |
- Ravitch! We're on. |
00:08:19 |
Me, my, moe! |
00:08:20 |
Ravitch, we're doing "Naughty Nazis," |
00:08:30 |
Terrible! Look what they're saying |
00:08:34 |
Hitler is a monster. Hitler is a |
00:08:38 |
It'll drive him crazy. |
00:08:41 |
Yeah. The last thing we want |
00:08:47 |
Yes? What? He's coming? |
00:08:51 |
I will hide them where he will |
00:08:56 |
- Heil Hitler! Heil Hitler! |
00:09:00 |
Have you read the foreign papers? |
00:09:04 |
- They call me a monster! A madman! |
00:09:12 |
What do they want from me? |
00:09:14 |
I'm good-natured. I'm goodhearted. |
00:09:20 |
Every day, I'm out there trying |
00:09:25 |
I don't want war. |
00:09:31 |
Peace! |
00:09:33 |
A little piece of Poland |
00:09:39 |
A little piece of Portugal |
00:09:45 |
A little slice of Turkey |
00:09:49 |
Und then a piece of England, Scotland |
00:09:53 |
Nobody's allowed here |
00:09:56 |
A little nip of Norway |
00:10:01 |
A little hunk of Hungary |
00:10:05 |
A little bite of Belgium |
00:10:10 |
Armenia, Albania |
00:10:13 |
We're from the foreign office. |
00:10:17 |
I'm sorry, sir, but you can't. |
00:10:20 |
A little piece of Poland |
00:10:26 |
A little piece of India |
00:10:33 |
- Why did it come down? |
00:10:37 |
- Don't look at us! |
00:10:38 |
- Who brought the curtain down? |
00:10:42 |
- Ordered to! By whom? |
00:10:44 |
- Who are you? |
00:10:48 |
Wonderful. What gives you |
00:10:52 |
- We are trying to stop a war. |
00:10:56 |
Your presentation could be construed |
00:11:00 |
- It was meant to be an insult! |
00:11:03 |
We cannot allow you to ridicule |
00:11:09 |
Let me tell you something. |
00:11:13 |
...and we're gonna finish. |
00:11:16 |
Then we're closing this theatre. |
00:11:19 |
- We're backing down. Strike the sets. |
00:11:24 |
- Let's get on with the next number. |
00:11:28 |
We'll use Klotski's Klowns. |
00:11:31 |
Sondheim! Send in the clowns! |
00:11:34 |
Klotski, get ready! You're going on! |
00:11:38 |
- We're still 10 minutes short. |
00:11:40 |
Pardon me, a thought. |
00:11:42 |
- Shakespeare. I could do my Shylock. |
00:11:47 |
One little change. |
00:11:52 |
- Hamlet? What a wonderful idea. |
00:11:58 |
Oy, the comedian gets to play Hamlet. |
00:12:01 |
And me, a serious actor, gets to play |
00:12:34 |
- He did everything. |
00:12:40 |
- "Naughty Nazis" is out? |
00:12:44 |
- What's gonna take its place? |
00:12:48 |
- And that's not offensive? |
00:12:51 |
- But convenient. |
00:12:54 |
While he's busy with his soliloquy... |
00:12:56 |
...our gorgeous young flier |
00:13:01 |
Are you suggesting I have a rendezvous |
00:13:06 |
...while my husband's out on-stage? |
00:13:09 |
Yes. |
00:13:11 |
All right. But remember, you said it. |
00:13:20 |
Ladies and gentlemen. There has been |
00:13:25 |
Tonight you will be honored |
00:13:30 |
..."Highlights from Hamlet. " |
00:13:34 |
Yes. |
00:13:43 |
Is not more ugly |
00:13:46 |
...than is my deed |
00:13:50 |
O heavy burthen! |
00:13:53 |
I hear the handsome |
00:13:56 |
Let us withdraw, my lord. |
00:14:12 |
To be... |
00:14:16 |
Or not to be. |
00:14:20 |
...or not to be. |
00:14:25 |
Excuse me. |
00:14:26 |
- That... |
00:14:28 |
...is the que... |
00:14:31 |
- Que... question. |
00:14:34 |
Pardon me. |
00:14:37 |
- Whether 'tis nobler in the mind... |
00:14:40 |
...to suffer the slings and arrows |
00:14:45 |
Pardon me. |
00:14:46 |
Or to take arms against |
00:14:50 |
...and by opposing, end them? |
00:14:54 |
What happened? He's good tonight. |
00:14:57 |
I can't believe it. |
00:15:01 |
- You're Anna Bronski. |
00:15:05 |
You're the one who's been |
00:15:08 |
- They're expensive. You shouldn't. |
00:15:17 |
- And that must be Mutki. Hello, Mutki. |
00:15:22 |
I know everything about you. I've read |
00:15:27 |
- How's Kishka? |
00:15:30 |
- Kishka, your canary. |
00:15:35 |
I have some very bad news for you. |
00:15:38 |
- Moska? |
00:15:40 |
Moska, your cat? |
00:15:42 |
Yes. Moska, my cat. |
00:15:46 |
I'm sorry to hear that. I love |
00:15:51 |
You behind the plow. |
00:15:55 |
- In the Chronicle. |
00:15:58 |
Oh, the farm! |
00:16:01 |
That's out of town somewhere. |
00:16:05 |
Oh, but that's enough talk about me. |
00:16:09 |
- How'd you like me in the first act? |
00:16:14 |
Oh! Flatterer. |
00:16:17 |
- I bet you have girls chasing you. |
00:16:20 |
You chase them? |
00:16:22 |
Well, actually, I believe that |
00:16:27 |
And when you do, you should dedicate |
00:16:32 |
Yes, I totally agree. |
00:16:36 |
...I've always felt that love should |
00:16:42 |
- How about you? |
00:16:46 |
You do? What do you do for fun? |
00:16:52 |
I fly a bomber. |
00:16:56 |
- That's fun? |
00:17:01 |
I climb into the cockpit, the engines |
00:17:07 |
They sputter. They hum. |
00:17:10 |
The plane moves forward, |
00:17:14 |
Faster, till the world becomes a blur, |
00:17:19 |
My tail starts to rise. The roar of |
00:17:23 |
The plane shakes, pushing with |
00:17:27 |
Then I'm off the ground! |
00:17:29 |
Thrusting upward, upward into the sky. |
00:17:33 |
Flying higher and higher |
00:17:36 |
- Would you like to see my bomber? |
00:17:39 |
- Forgive me. I got carried away. |
00:17:43 |
- It's getting late in Denmark. |
00:17:48 |
- When can I see you again? |
00:17:53 |
He's doing Hamlet tomorrow night. |
00:17:55 |
- How about tomorrow night? |
00:17:58 |
- Same time? |
00:18:04 |
Mrs. Bronski. Anna, may I...? |
00:18:09 |
Yes? Yes? |
00:18:12 |
- May I kiss you good night? |
00:18:31 |
Gee, thanks a lot. |
00:18:36 |
Oh, he's an animal! |
00:18:42 |
- Are you all right? |
00:18:45 |
- Then why are you on the floor? |
00:18:50 |
Get me up. |
00:18:54 |
I still can't believe what happened |
00:18:58 |
Bronski, will you please stop?! |
00:19:01 |
Gets up and walks right out. |
00:19:04 |
- Did it happen before? |
00:19:06 |
All right. It happened last night, |
00:19:10 |
O heavy burthen! |
00:19:13 |
I hear the handsome |
00:19:17 |
Let us withdraw, my lord. |
00:19:32 |
To be... |
00:19:39 |
...or not to be. |
00:19:42 |
That is the question. |
00:19:46 |
- Excuse me. |
00:19:48 |
- No... |
00:19:50 |
- Pardon me. |
00:19:52 |
- Bler in the mind |
00:19:57 |
...of outrageous fortune. |
00:20:00 |
Or to take arms against a sea of... |
00:20:05 |
- A sea of... A sea of... |
00:20:09 |
Ow! |
00:20:10 |
...troubles... |
00:20:14 |
- Enter Andre Sobinski. |
00:20:21 |
- Won't you sit down, lieutenant? |
00:20:24 |
- What? |
00:20:28 |
Anna, my squadron |
00:20:31 |
I've done something that I hope |
00:20:35 |
- I'm sure it isn't. |
00:20:39 |
I've written a letter to your husband, |
00:20:43 |
You what? |
00:20:44 |
- It's the decent and honorable thing. |
00:20:51 |
- You're right. That is stupid. |
00:20:55 |
I should've followed |
00:20:58 |
- What was that? |
00:21:03 |
Andre, let's think this out. |
00:21:05 |
If we tell him now, |
00:21:08 |
I know what you're feeling |
00:21:11 |
If those feelings grow, |
00:21:15 |
...and we find ourselves |
00:21:18 |
...then we'll hurt him. |
00:21:20 |
- I'll tell him now. |
00:21:24 |
Anna, it's war. |
00:21:26 |
- War? |
00:21:28 |
"German troops crossed the Polish |
00:21:33 |
- I've gotta get back to my squadron. |
00:21:38 |
- Andre. |
00:21:41 |
Andre, come back. |
00:21:43 |
Don't worry, I will. |
00:21:50 |
- Goodbye. |
00:21:57 |
That poor boy. |
00:22:01 |
All of them. |
00:22:03 |
- Anna, have you heard? |
00:22:07 |
- Does the audience know? |
00:22:12 |
Stabbed in the back. |
00:22:16 |
I don't believe it. |
00:22:19 |
I know, I know. Isn't it terrible? |
00:22:22 |
Terrible? It's more than terrible. |
00:22:25 |
It's the worst thing |
00:22:29 |
No. It isn't. It just mustn't be. |
00:22:32 |
That man, I hate him! |
00:22:35 |
I hate him too. Everybody hates him. |
00:22:42 |
They should. |
00:22:47 |
Two nights in a row? |
00:22:50 |
He walked out on me again! |
00:22:52 |
Bronski, Bronski! Can't you forget |
00:22:57 |
My God, war. What's happening? |
00:23:01 |
- We've been invaded. |
00:23:05 |
This is bad too. |
00:23:09 |
Air raid! |
00:23:10 |
Everybody to the cellar! |
00:23:13 |
To the cellar! |
00:23:17 |
- A bomb! |
00:23:24 |
What's going on? |
00:23:26 |
You'll get your costume. |
00:23:28 |
It's war! The Germans are bombing us. |
00:23:31 |
- Hurry up. |
00:23:34 |
- Hurry up! |
00:23:42 |
What did we do to them? |
00:23:44 |
Nothing. |
00:23:47 |
Poland, the doormat of Europe. |
00:23:52 |
If it isn't the Russians, |
00:23:57 |
Listen. I wish we could do something. |
00:23:59 |
What can we do? |
00:24:01 |
We'll do what |
00:24:05 |
We'll hide till it's over. |
00:24:12 |
Warsaw is almost leveled |
00:24:16 |
... the Polish capital into rubble. |
00:24:25 |
A stunned Poland, unprepared |
00:24:29 |
... is brought to its knees |
00:25:10 |
Poland surrenders, but the fight |
00:25:14 |
... by the Polish squadron of the R.A.F. |
00:26:06 |
Forgive me, but just hearing that song |
00:26:11 |
My regret is that I'm too old |
00:26:15 |
...that you brave young men |
00:26:18 |
Professor Siletski, your radio |
00:26:23 |
...are worth a thousand bombs. |
00:26:25 |
Thank you, but I won't be doing |
00:26:28 |
- Why is that? |
00:26:32 |
- I'm going on a little trip. |
00:26:35 |
Thank you for the fine supper |
00:26:39 |
- It's a secret mission. |
00:26:41 |
- You're going to Poland, aren't you? |
00:26:45 |
I can't tell you any more. |
00:26:49 |
- You didn't. |
00:26:51 |
My wife's in Kraków. |
00:26:53 |
I understand, but I cannot jeopardize |
00:26:58 |
Not one of us would |
00:27:01 |
All right. If I can't trust you, |
00:27:05 |
Write down the names and addresses |
00:27:11 |
My family got out of Poland, |
00:27:16 |
Can you handle a delicate matter? |
00:27:19 |
- Is there a lady involved? |
00:27:22 |
- You want to contact her? |
00:27:25 |
That is delicate. |
00:27:28 |
Just say, "To be or not to be. " |
00:27:32 |
In code? |
00:27:36 |
Believe it or not, it's Anna Bronski. |
00:27:39 |
Let me write all that down. |
00:27:43 |
- What did you say the lady's name was? |
00:27:47 |
B- R-O-N-S-K-I, is that correct? |
00:27:50 |
- You've never heard of Anna Bronski? |
00:27:55 |
You said you lived in Warsaw. |
00:27:57 |
Oh, yes, yes, the name is familiar. |
00:28:00 |
Familiar? She's famous! |
00:28:03 |
Oh, that Anna Bronski! |
00:28:06 |
- Can you read this? |
00:28:10 |
With the Underground? Brave. |
00:28:12 |
- My cousin's in the Underground. |
00:28:22 |
Nobody from Warsaw |
00:28:25 |
Something is wrong, and I thought |
00:28:30 |
- Siletski already left. |
00:28:33 |
- How'd you know he was leaving? |
00:28:39 |
He told you? |
00:28:41 |
That's why we gave him |
00:28:44 |
- What? |
00:28:46 |
People in the Underground. |
00:28:48 |
- He wrote them down? |
00:28:51 |
If he isn't stopped, we've sentenced |
00:28:57 |
- How is he getting to Warsaw? |
00:29:00 |
Lieutenant, how long would it take you |
00:29:05 |
Seven hours. |
00:29:11 |
It's imperative that list never falls |
00:29:15 |
Take this. Find him and kill him. |
00:29:20 |
- I will, sir. |
00:29:33 |
Good luck. |
00:29:36 |
Now! |
00:29:50 |
Three hundred years to build a city |
00:29:55 |
Heil Hitler. |
00:29:58 |
- Where's Bronski? |
00:30:01 |
...trying to convince them |
00:30:05 |
Shakespeare wasn't Jewish? Go figure. |
00:30:09 |
Hold it, Gruba. He's coming. |
00:30:16 |
Whoa! |
00:30:24 |
- Thanks, Dobish. |
00:30:27 |
- What is it? Who's this? |
00:30:30 |
She was bombed out. |
00:30:35 |
- Could I keep her downstairs with me? |
00:30:39 |
- Thank you, Mr. Bronski. |
00:30:42 |
You expect her to leave a husband |
00:30:46 |
- I must be. All right, go inside. |
00:30:52 |
Mr. Bronski, I've got a notice |
00:30:55 |
- The Gestapo? |
00:30:58 |
What? They're turning my house |
00:31:02 |
- They are? |
00:31:04 |
They cut off my gasoline, closed my |
00:31:09 |
Took my pinkie ring |
00:31:12 |
But they are not, I repeat, |
00:31:18 |
Never! |
00:31:21 |
Got everything? |
00:31:24 |
Everything. |
00:31:27 |
Everything they're allowing us |
00:31:34 |
Good. |
00:31:38 |
Excuse me. You're sitting |
00:31:42 |
Forgive me, I have a rotten memory. |
00:31:55 |
Fifteen years |
00:31:58 |
Come, sweetheart, come. Let's go. |
00:32:01 |
Don't look back. Don't look back. |
00:32:26 |
Just one more to go. |
00:32:30 |
Sasha, we can't thank you enough |
00:32:33 |
Oh, think nothing of it. |
00:32:41 |
Here we are. |
00:32:47 |
Voilà. Your new home. |
00:32:55 |
Oh, Sasha, it's so... |
00:32:57 |
It's... It's... It's... |
00:33:02 |
Don't you dare call this place |
00:33:05 |
He's sharing everything he has. |
00:33:07 |
It's charming. I love it. |
00:33:11 |
Forgive me. I'm not myself. Come on, |
00:33:17 |
Oh, Mutki, we're living |
00:33:41 |
Stay back. |
00:33:44 |
What do you want? |
00:33:49 |
It's Sobinski, let me in. |
00:33:58 |
- Oh, "To be or not to be. " |
00:34:01 |
Where do they live? |
00:34:03 |
You know that beautiful house |
00:34:06 |
Don't go there. |
00:34:09 |
- It's Gestapo headquarters. |
00:34:12 |
They moved in with Sasha. |
00:34:16 |
Kubelski St., number 52. Thank you. |
00:34:30 |
Oh! Ow! |
00:34:33 |
- Why are you getting dressed? |
00:34:37 |
What the hell's that pink thing? |
00:34:40 |
Haven't you heard? |
00:34:44 |
Jews wear yellow stars. |
00:34:50 |
Oh, Sasha! How awful for you. |
00:34:56 |
I hate it. |
00:35:01 |
It clashes with everything. |
00:35:05 |
- They're rounding up Jews. Are they...? |
00:35:11 |
- When are you coming back? |
00:35:15 |
...with another triangle. |
00:35:30 |
Are you my precious little |
00:35:34 |
Is your little belly hungry? |
00:35:48 |
- Andre! Come in. |
00:35:52 |
- How did you get here? |
00:35:55 |
You parachuted in to see me? |
00:35:59 |
You mad, impetuous, romantic darling. |
00:36:02 |
- Foolish boy, you shouldn't have. |
00:36:05 |
- Oh. |
00:36:08 |
- British Intelligence? |
00:36:12 |
- Who? What? |
00:36:16 |
- On radio? The Voice of Free Poland? |
00:36:21 |
He's coming with a list of everyone |
00:36:25 |
If he reaches the Gestapo, |
00:36:30 |
Where is he? |
00:36:32 |
- He arrives by train tomorrow morning. |
00:36:36 |
I don't know. Right now, |
00:36:40 |
- You must get some rest. |
00:36:44 |
I had nowhere to go. |
00:36:48 |
- Can I sleep on your sofa? |
00:36:50 |
- What? |
00:36:53 |
- What about your husband? |
00:37:00 |
- Here, get out of those wet things. |
00:37:04 |
I'll wait for Bronski. |
00:37:05 |
If he finds you in that bed |
00:37:09 |
...we'll all be doing |
00:37:14 |
I better get dressed. |
00:37:19 |
Here, 52. |
00:37:39 |
- May I help you, gentlemen? |
00:37:42 |
- Yes. |
00:37:44 |
- Why? I haven't done anything. |
00:37:48 |
I'll get my coat. |
00:38:33 |
- 206. |
00:39:01 |
Good evening, Mrs. Bronski. |
00:39:06 |
- Siletski? |
00:39:09 |
No. I'm curious to know |
00:39:14 |
I'll come to the point. |
00:39:18 |
I want you to tell me what it means. |
00:39:20 |
- "To be or no to be. " |
00:39:27 |
- Is this a theatre quiz? |
00:39:29 |
This message was sent to you |
00:39:32 |
We thought it might |
00:39:36 |
More secret? Oh, more secret meaning. |
00:39:41 |
Yes, it does. It does. |
00:39:44 |
It means, and I hope it won't |
00:39:48 |
You see, my husband is that great |
00:39:53 |
Who? |
00:39:55 |
He's world-famous in Poland. |
00:39:58 |
His favorite soliloquy is, |
00:40:01 |
He takes 10 minutes to get through it. |
00:40:03 |
I thought that might be a good time |
00:40:09 |
Just to chat, nothing more. |
00:40:12 |
Well, he turned out to be quite |
00:40:19 |
...tall. |
00:40:20 |
Well, I begin to understand. |
00:40:23 |
This is just a secret love code |
00:40:27 |
- Well... |
00:40:31 |
I apologize for having brought |
00:40:35 |
Forgive me. |
00:40:40 |
Siletski. Hello, Colonel Erhardt. |
00:40:45 |
Thanks for sending the plane |
00:40:49 |
Oh, yes, yes. I have the list. |
00:40:52 |
Good, 10:00 tomorrow at Gestapo |
00:40:57 |
Yes. I am looking forward |
00:41:02 |
I won't keep you any longer. |
00:41:06 |
Wait. It seems I have the night off. |
00:41:09 |
Why don't you stay |
00:41:12 |
We representatives of the Third Reich |
00:41:18 |
...if given half a chance. |
00:41:20 |
Perhaps I could convince you |
00:41:24 |
I'd love to have dinner |
00:41:27 |
But just as you'd like to present |
00:41:30 |
...I'd like to plead the Polish case |
00:41:38 |
Of course. Hurry back. |
00:41:43 |
May I? |
00:41:47 |
You're drooling. |
00:41:49 |
Thank you. |
00:41:56 |
This lady is permitted to leave. |
00:41:59 |
This is a difficult place to get into, |
00:42:05 |
- Au revoir. |
00:42:10 |
...for now. |
00:42:25 |
Sweetheart, sweetheart, sweetheart. |
00:42:29 |
So many hours with those Nazi censors! |
00:42:36 |
They want us to cut out |
00:42:39 |
It seems they don't like |
00:42:44 |
Let's face it, sweetheart... |
00:42:46 |
...without Jews, fags and gypsies, |
00:42:54 |
I know, I know. |
00:42:58 |
But there's nothing, |
00:43:03 |
I'm so tired. So tired. |
00:43:06 |
Sweetheart, I'm so tired. |
00:43:14 |
You feel good. |
00:43:16 |
When this war's over, |
00:43:21 |
You need a coat. |
00:43:27 |
You need shoes. |
00:43:30 |
And you need a shave. |
00:43:46 |
A shave? |
00:44:00 |
"To be or not to be. " |
00:44:06 |
Excuse me. Pardon me. |
00:44:10 |
Talk, and talk fast. |
00:44:13 |
Andre. |
00:44:16 |
- Andre. |
00:44:17 |
What is Andre doing in my bed? |
00:44:19 |
- Siletski's here. |
00:44:21 |
- He's here? How? |
00:44:23 |
- You sure? |
00:44:25 |
- What? |
00:44:27 |
- Good. |
00:44:30 |
- Sobinski. |
00:44:31 |
- Then who's Solinski? |
00:44:34 |
I heard him talking with Erhardt, |
00:44:38 |
Siletski has that list. He'll take it |
00:44:43 |
- What are you talking about? |
00:44:45 |
Keep Siletski there. He mustn't |
00:44:50 |
If he's dangerous, why send her back? |
00:44:52 |
- Somebody's got to stop him. |
00:44:55 |
Siletski and Erhardt haven't met. |
00:45:00 |
- A good actor. |
00:45:03 |
A dead actor. |
00:45:09 |
Look at me! |
00:45:11 |
Who'd believe I'm Erhardt? |
00:45:15 |
- The flags! |
00:45:17 |
Relax. Siletski's never met Erhardt. |
00:45:22 |
If we all play our parts properly, |
00:45:26 |
Me, my, moe! |
00:45:29 |
- Dobish! Let's rehearse the scene. |
00:45:32 |
- Heil Hitler. |
00:45:39 |
It took longer than I thought. |
00:45:43 |
It was definitely worth it. |
00:45:46 |
I would die for the Führer any time, |
00:45:51 |
Come, my dear. Shall we go? |
00:45:54 |
- Go? Where? What? |
00:45:59 |
It's getting late. The Gestapo |
00:46:03 |
Ladow's. What a lovely surprise. |
00:46:08 |
Oh, a piano! |
00:46:13 |
I haven't seen one in ages. |
00:46:16 |
And with keys! |
00:46:20 |
And it works. |
00:46:22 |
Come, my dear. |
00:46:24 |
You and the night and the music |
00:46:28 |
Fill me with flaming desire |
00:46:32 |
Setting my being completely |
00:46:35 |
On fire |
00:46:39 |
The flags. Don't forget the flags! |
00:46:42 |
Hurry up. We're late. |
00:46:47 |
- You drive like an understudy. |
00:46:51 |
Will you stop? |
00:46:57 |
Sweetheart |
00:47:02 |
Sweetheart |
00:47:05 |
Heart and soul I fell in love with you |
00:47:10 |
The way a fool would do |
00:47:14 |
Because you held me tight |
00:47:18 |
Darling, your little recital is over. |
00:47:21 |
- But I wasn't finished. |
00:47:26 |
Are we mad? Are we insane? |
00:47:30 |
We're going out |
00:47:32 |
...when we could dine here, |
00:47:43 |
- Professor Siletski's room. |
00:47:46 |
We will announce ourselves. |
00:47:50 |
- Button your collar. |
00:47:58 |
- Why don't we call room service? |
00:48:03 |
There is no room service. |
00:48:07 |
- Then why don't we just skip dinner? |
00:48:22 |
- Heil Hitler. |
00:48:26 |
I am Captain Krause, |
00:48:29 |
There's been a change in |
00:48:32 |
- He will see you immediately. |
00:48:38 |
- I am devastated. |
00:48:42 |
I know how you feel, |
00:48:44 |
The Gestapo is busy. |
00:48:48 |
I'll count the moments. |
00:48:53 |
One. |
00:48:55 |
Two. Three. |
00:49:00 |
Four. |
00:49:02 |
Five, six, seven, eight, nine, |
00:49:09 |
Halt. Just a moment. |
00:49:12 |
The professor left. |
00:49:15 |
He left no instructions. |
00:49:19 |
But that's impossible. |
00:49:21 |
There is nothing I can do. Fritz, |
00:49:40 |
They're coming. Get ready. |
00:49:53 |
Right this way, professor. |
00:49:56 |
Heil Hitler. |
00:50:14 |
He's here. |
00:50:15 |
Get the list, learn who his contacts |
00:50:20 |
- Delighted to meet you. |
00:50:22 |
I'm rehearsing. |
00:50:25 |
You're playing for our lives. |
00:50:27 |
- I'll give my greatest performance. |
00:50:32 |
Just show him in. |
00:50:35 |
"Good evening, professor. |
00:50:38 |
"Good evening, professor. |
00:50:41 |
- Professor Siletski, please. |
00:50:46 |
- "Delighted to meet you. " |
00:50:49 |
Likewise. |
00:50:51 |
- Good to breathe Gestapo air again. |
00:50:55 |
We're so used to it, |
00:50:58 |
- Won't you come in? |
00:51:00 |
- Have a seat. |
00:51:04 |
- I am? |
00:51:07 |
Well, that's because |
00:51:10 |
...and the Poles do the camping. |
00:51:14 |
Actually, no. |
00:51:17 |
- Well. |
00:51:19 |
- That's why you're here. |
00:51:22 |
- Of course. You brought it with you? |
00:51:25 |
- Of course. |
00:51:29 |
- And the Polish squadron's families. |
00:51:36 |
They're as good as dead. |
00:51:40 |
- Thank you. |
00:51:43 |
I'll send the duplicate to Berlin |
00:51:46 |
Duplicate. |
00:51:48 |
I think it's red tape, |
00:51:51 |
Well, Berlin always knows |
00:51:55 |
You keep the duplicate |
00:51:59 |
Better. It's locked in my trunk. |
00:52:05 |
Of course. Wehrmacht Headquarters. |
00:52:08 |
Good. Good. Good. Good... |
00:52:16 |
Excuse me. Excuse me, professor. |
00:52:19 |
No calls when I'm with the professor. |
00:52:23 |
Thank you. |
00:52:25 |
Well, professor. |
00:52:27 |
I wanna get started on these names. |
00:52:31 |
Very good work indeed. |
00:52:34 |
"The entire hotel is a safe. " |
00:52:43 |
- Did you get the list? |
00:52:45 |
- I'll take care of him. |
00:52:47 |
He has a duplicate at the hotel, |
00:52:50 |
We've got to get it. Go back and stall |
00:52:56 |
Think fast. I'm an actor. I need |
00:53:01 |
He stinks with a script. |
00:53:03 |
I heard that. |
00:53:08 |
So they call me |
00:53:12 |
I must get back to the hotel. |
00:53:16 |
- How is Anna Bronski? |
00:53:19 |
The Gestapo knows everything. |
00:53:22 |
I had official questions to ask, and I |
00:53:29 |
Good company? |
00:53:32 |
Isn't she married to that famous actor |
00:53:37 |
- No. |
00:53:39 |
What does that matter? She not only |
00:53:43 |
- She does? |
00:53:46 |
They have a secret love code. |
00:53:48 |
Whenever her silly husband was on-stage |
00:53:53 |
...that was the signal |
00:53:57 |
I knew it! |
00:54:02 |
We at the Gestapo know everything. |
00:54:04 |
So they call me |
00:54:07 |
- Back to Mrs. Bronski. |
00:54:11 |
Yes, why don't we? She's just a cheap, |
00:54:15 |
- I think I know what you mean. |
00:54:18 |
Now, up with your hands. |
00:54:20 |
I don't know |
00:54:23 |
...but you'll be one |
00:54:26 |
Tell your friends at the door |
00:54:29 |
I won't do it. |
00:54:32 |
Get up against that wall. |
00:54:35 |
You're a Pole. |
00:54:38 |
- Turn around! |
00:54:44 |
- I don't have to see it coming. |
00:54:48 |
- Long live Poland. |
00:54:54 |
- What happened? |
00:54:56 |
- Where is he? |
00:55:00 |
The doors are locked. |
00:55:05 |
Not on me, you dope. Find Siletski. |
00:55:07 |
Be careful, he's got a gun. |
00:55:10 |
Somebody get those boxes. |
00:55:29 |
There he is! |
00:56:10 |
Heil Hitler! I am Captain Schultz |
00:56:15 |
- Professor Siletski isn't here. |
00:56:19 |
I will wait. |
00:56:21 |
- But he may not be back all night. |
00:56:33 |
They say it's going to be |
00:56:36 |
I don't know anything about that. |
00:56:45 |
Professor Siletski, your key. |
00:56:49 |
- Thanks. |
00:56:51 |
- Good night. |
00:57:03 |
- Professor Siletski? |
00:57:05 |
I'm Captain Schultz |
00:57:08 |
Pleasure to make your acquaintance. |
00:57:11 |
Professor Siletski, |
00:57:14 |
Ah, Madam Bronski. |
00:57:19 |
I thought you'd be gone. |
00:57:22 |
You didn't leave word at the desk. |
00:57:26 |
Now that you're back, I don't regret |
00:57:33 |
Dead. |
00:57:36 |
Absolutely dead. |
00:57:39 |
It's been such a long day. |
00:57:43 |
- Professor, Colonel Erhardt... |
00:57:47 |
No. There's been a change. |
00:57:51 |
Now? |
00:57:52 |
- Now? |
00:57:55 |
I see. Before I go, would you mind |
00:58:00 |
I'd like to talk in private |
00:58:03 |
- Of course. |
00:58:08 |
- He's dead? |
00:58:11 |
- What are you doing? |
00:58:14 |
Why? What's in it? |
00:58:16 |
A duplicate. He made a copy |
00:58:19 |
- What are you going to do? |
00:58:22 |
Put it in here. Oh, sugarplum, |
00:58:26 |
Don't "sugarplum" me, |
00:58:30 |
What did you do with Siletski's body? |
00:58:32 |
Never mind Siletski's body. |
00:58:37 |
How can you ask that |
00:58:40 |
Schultz is ready to take you |
00:58:45 |
The Gestapo, I forgot. |
00:58:47 |
I don't think I can do it. |
00:58:51 |
Yes, you can. You can and you will! |
00:58:55 |
You're a great actor. You even look |
00:59:00 |
- You'll be a better Siletski than him. |
00:59:05 |
Sorry, sweetheart. |
00:59:09 |
Goodbye. |
00:59:11 |
Bye. |
00:59:13 |
Freddy. |
00:59:17 |
Good luck. |
00:59:20 |
If I don't come back alive... |
00:59:22 |
...I forgive you for what happened |
00:59:27 |
But if I do come back, |
00:59:33 |
Wasn't this the Europa Hotel before |
00:59:38 |
I don't know anything about that. |
00:59:45 |
- Mrs. Bronski has permission to leave. |
00:59:54 |
- Wait here, please. I'll announce you. |
00:59:59 |
Colonel Erhardt's office. What? |
01:00:04 |
Give me their names. |
01:00:06 |
Stephan Revanski |
01:00:14 |
What do you mean, you haven't |
01:00:18 |
Arrest them! |
01:00:20 |
What? Why? Where? When? |
01:00:24 |
From now on, when in doubt, arrest |
01:00:29 |
Then shoot and interrogate them. |
01:00:33 |
You are right. Just shoot them. |
01:00:37 |
Heil Hitler. |
01:00:38 |
- Professor. |
01:00:40 |
It's good to breathe |
01:00:43 |
- Oh, it is? |
01:00:48 |
...you don't even smell it anymore. |
01:00:50 |
- May I take your coat? |
01:00:52 |
- Sit down, professor. |
01:00:55 |
- Cigarette? |
01:00:57 |
- Cigar? |
01:00:58 |
Chocolate-covered nougats? |
01:01:01 |
- Chocolate-covered what? |
01:01:04 |
No, thank you. |
01:01:08 |
Well, professor... |
01:01:10 |
...I have good news for you. |
01:01:12 |
- A friend of yours is coming to Warsaw. |
01:01:15 |
The Führer himself. I know you'll be |
01:01:20 |
Well, who, who knows him, wouldn't? |
01:01:24 |
Yes. |
01:01:26 |
How long since you've seen him, |
01:01:29 |
Too long. Much too long. |
01:01:33 |
Well, Professor Siletski... |
01:01:36 |
Well, Colonel Erhardt... |
01:01:40 |
You know, you're quite famous |
01:01:43 |
- Really? I am? |
01:01:46 |
They call you |
01:01:49 |
So they call me |
01:01:53 |
- I thought you'd react like that. |
01:01:55 |
- Nothing. |
01:01:57 |
No, thanks. |
01:01:58 |
Brandy. That reminds me |
01:02:02 |
A story about our Führer. |
01:02:05 |
Oh, yes, they named |
01:02:08 |
They made a herring out of Bismarck. |
01:02:13 |
- A pickle? |
01:02:18 |
That's not funny. |
01:02:22 |
- Do you think it's funny? |
01:02:25 |
Please, professor. |
01:02:30 |
Now, professor, |
01:02:34 |
Yes, the Underground movement. |
01:02:36 |
- Well, let's get down to details. |
01:02:40 |
- There are no details. |
01:02:43 |
I'm compiling it. |
01:02:46 |
...I have the name of the head |
01:02:51 |
Congratulations. |
01:02:57 |
- Now, what is his name? |
01:03:00 |
- Stephan Revanski? |
01:03:02 |
You don't have to worry about him. |
01:03:06 |
I refuse to believe it. |
01:03:09 |
Do you realize who you shot? |
01:03:11 |
I risked my life to get him, |
01:03:15 |
Well, I... |
01:03:17 |
Wait, we can still save the situation. |
01:03:22 |
- Good. What's his name? |
01:03:24 |
- Jan Petrovski? |
01:03:28 |
We shot him. |
01:03:30 |
You shot Petrovski! |
01:03:33 |
Shouldn't we question them |
01:03:36 |
Yes! Shouldn't we question them |
01:03:40 |
But, colonel, you yourself signed... |
01:03:43 |
- Heil Hitler! |
01:03:46 |
Schultz, get out! |
01:03:48 |
Yes, sir. |
01:03:51 |
There's something wrong with |
01:03:55 |
- Like our Führer? |
01:03:59 |
Well, I must be going. |
01:04:00 |
When you see the Führer, I hope you |
01:04:05 |
Or the pickle? |
01:04:08 |
No, I wouldn't want to ruin you. |
01:04:12 |
- I must go. I'm keeping a lady waiting. |
01:04:15 |
- How did you know? |
01:04:19 |
Then you know her husband, |
01:04:23 |
- Yes, I do. |
01:04:24 |
I saw him on a stage before the war. |
01:04:27 |
- You did? |
01:04:28 |
- And about his performance... |
01:04:30 |
What he did to Hamlet, |
01:04:34 |
Good night, colonel. |
01:04:36 |
Let me tell you something. |
01:04:38 |
I wouldn't repeat any jokes |
01:04:41 |
No, never. Never! |
01:04:43 |
Never again! |
01:04:53 |
Made it. Made it! |
01:04:58 |
I did it. Sweetheart, I did it. |
01:05:05 |
I did it. I did it. |
01:05:09 |
I fooled him. I did it. |
01:05:13 |
I made it. |
01:05:17 |
I gave the greatest performance |
01:05:23 |
...and nobody saw it. |
01:05:36 |
Where is Sasha? |
01:05:39 |
Hide me! |
01:05:40 |
They're putting homosexuals |
01:05:45 |
I have a list of lovely things |
01:05:47 |
That make my life complete |
01:05:51 |
And at the top |
01:05:53 |
That makes my poor heart beat |
01:05:56 |
It isn't money or power |
01:06:01 |
It's a simple word |
01:06:05 |
But let me repeat it again |
01:06:09 |
That word is "ladies" |
01:06:13 |
Those wonderful ladies |
01:06:16 |
Those fabulous ladies |
01:06:20 |
They're driving me wild |
01:06:23 |
I'm talkin ' ladies |
01:06:26 |
All ages of ladies |
01:06:29 |
From 20s to 80s |
01:06:33 |
They've got me beguiled |
01:06:42 |
Out of the way. |
01:06:46 |
I love those ladies |
01:06:49 |
Those glamorous ladies |
01:06:53 |
Over-amorous ladies |
01:06:56 |
They're simply divine |
01:06:59 |
I don't care if I'm headed |
01:07:04 |
... Hades |
01:07:06 |
As long as there's ladies |
01:07:09 |
Oh, ladies be mine |
01:07:12 |
I told you there was no one in there. |
01:07:17 |
You invade Poland, Warsaw, |
01:07:20 |
You people are compulsive invaders. |
01:07:24 |
- He loves the ladies |
01:07:27 |
- Those wonderful ladies |
01:07:30 |
- Those fabulous ladies |
01:07:34 |
- They're driving him wild |
01:07:37 |
- I'm talkin ' |
01:07:39 |
- I certainly am |
01:07:43 |
Those breathtaking ladies |
01:07:46 |
They've got me beguiled |
01:07:50 |
- He calls us ladies |
01:07:54 |
- His glamorous ladies |
01:07:56 |
- Over-amorous ladies |
01:08:00 |
She's a princess |
01:08:06 |
So... |
01:08:08 |
... although the Lucilles |
01:08:12 |
... Sadies |
01:08:14 |
May be beautiful ladies |
01:08:17 |
This lady's my queen |
01:08:19 |
- What are you doing? |
01:08:51 |
Get him! |
01:08:56 |
No! |
01:09:00 |
Wait a minute! |
01:09:03 |
- He's under arrest. |
01:09:06 |
- He's a performer! |
01:09:09 |
Don't, they'll take you too. |
01:09:12 |
Wait a minute. I am Anna Bronski, |
01:09:17 |
Take him away! |
01:09:19 |
- Oh, Sasha. |
01:09:21 |
- Sasha! |
01:09:26 |
Bring that curtain down. This theatre |
01:10:03 |
Why am I being taken |
01:10:06 |
My orders are to bring you to Erhardt. |
01:10:35 |
Chief of police keeps me |
01:10:38 |
Then comes in and says, "Nobody knows |
01:10:43 |
I used to command respect |
01:10:46 |
What's that? |
01:10:48 |
The Gestapo arrested Anna. |
01:10:51 |
- My God! |
01:10:54 |
Are you crazy? You walk in with a gun, |
01:10:59 |
She's my wife. If there's any, |
01:11:05 |
- How are you gonna do it? |
01:11:07 |
Let me think. Let me think! |
01:11:11 |
- Siletski! I can play him again. |
01:11:15 |
Where did I put that beard? |
01:11:19 |
Get that out of the way. |
01:11:23 |
Hurry up, we're late. |
01:11:34 |
- Mrs. Bronski. |
01:11:38 |
- We're all here. |
01:11:41 |
I am Colonel Erhardt. |
01:11:43 |
Won't you sit down? |
01:11:45 |
Forgive me for calling you |
01:11:48 |
I'm taking advantage of the fact that |
01:11:54 |
In that case I'm puzzled, |
01:11:57 |
- Why am I under arrest? |
01:12:00 |
Get out. |
01:12:02 |
No, I brought you here because |
01:12:07 |
Tonight, you and your theatre company |
01:12:12 |
He's paying a surprise visit to Warsaw. |
01:12:16 |
What a great honor. |
01:12:19 |
- Besides, we can't do it. |
01:12:22 |
No. Our theatre's been closed. |
01:12:25 |
Who closed it? |
01:12:27 |
The Gestapo. |
01:12:31 |
Excuse me. |
01:12:33 |
Schultz! |
01:12:41 |
What idiot gave the order to close |
01:12:45 |
You did, sir. |
01:12:51 |
Open it up immediately. |
01:12:53 |
And stop blaming everything |
01:12:57 |
But, colonel, I was only obeying... |
01:13:01 |
Heil Hitler! |
01:13:06 |
He gets out of everything with that |
01:13:13 |
Mrs. Bronski, I had the pleasure |
01:13:18 |
You're even more beautiful in person. |
01:13:20 |
Would it be too forward of me... |
01:13:23 |
...to propose a champagne supper |
01:13:27 |
I'd love to. But I'm already having |
01:13:33 |
Any chance we could have |
01:13:37 |
- I'm sorry. I never sup after I dine. |
01:13:42 |
I don't want to take advantage |
01:13:46 |
But when they closed our theatre, |
01:13:50 |
Since I'm going to perform tonight, |
01:13:57 |
- What is his name? |
01:14:01 |
Sasha Kinski? |
01:14:10 |
Yes. He's being held downstairs. |
01:14:15 |
- What does that mean? |
01:14:23 |
Excuse me. |
01:14:25 |
What?! |
01:14:28 |
Murdered? |
01:14:31 |
You sure it is his body? |
01:14:34 |
Positive identification. |
01:14:38 |
This is terrible. Terrible! |
01:14:42 |
Mrs. Bronski, please. Sit down. |
01:14:45 |
I'm afraid I... I'm afraid I have |
01:14:49 |
Your friend, our friend, Siletski, |
01:14:53 |
His body was found in a trunk. |
01:14:56 |
Well... |
01:14:58 |
I guess you're free |
01:15:01 |
It's a bit of a shock. |
01:15:05 |
Naturally, naturally. |
01:15:08 |
Forgive me. This is an emergency. |
01:15:12 |
Good. |
01:15:14 |
What? Professor Siletski? |
01:15:20 |
- Did you tell him he was dead? |
01:15:22 |
Good. |
01:15:27 |
Hello, Professor Siletski. |
01:15:31 |
How are you? |
01:15:33 |
- How are you feeling? |
01:15:36 |
No, he's still dead. |
01:15:40 |
I can see you in 20 minutes. |
01:15:43 |
Is that good for you, |
01:15:48 |
We'll be waiting for you. |
01:15:52 |
I must run, there's so much to do. |
01:15:57 |
I'm so sorry. |
01:15:59 |
See you later. |
01:16:02 |
- Right after the show. |
01:16:07 |
Ah! |
01:16:11 |
Schultz! |
01:16:15 |
About Professor Siletski. |
01:16:21 |
As soon as he comes, |
01:16:24 |
- Am I all right? |
01:16:26 |
No, wait! |
01:16:29 |
Oh, God, you're right. |
01:16:31 |
I'm gonna take a spare. |
01:16:35 |
Sobinski, look. |
01:16:39 |
...I don't blame you for falling |
01:16:48 |
- Good luck. |
01:16:51 |
- What do you say to say good luck? |
01:16:56 |
Break a leg! |
01:17:01 |
What happened? |
01:17:02 |
I tripped. I almost broke a leg. |
01:17:07 |
Don't say, "Break a leg" anymore. |
01:17:09 |
Good luck. |
01:17:35 |
Thank you, thank you. Goodbye. |
01:17:42 |
- Professor Siletski. |
01:17:45 |
Heil Hitler. |
01:17:46 |
- How's the professor? |
01:17:49 |
Excellent. Pity you didn't get here |
01:17:55 |
- She's gone? |
01:17:57 |
They're doing a show for |
01:18:01 |
Oh! I'll be going too. |
01:18:03 |
Would you wait in my office? |
01:18:05 |
I have a few matters to take up with |
01:18:10 |
- Lf it's not too much trouble. |
01:18:15 |
No, no trouble. |
01:18:17 |
No trouble. |
01:18:21 |
No trouble. |
01:18:32 |
Trouble. |
01:18:45 |
Don't move. I'll be right back. |
01:18:57 |
Good. |
01:19:06 |
- He should've cracked by now. |
01:19:09 |
Give him time to think. |
01:19:13 |
- What if he isn't an intellectual? |
01:19:18 |
Excuse me. I tried to open a |
01:19:23 |
- He seems to be slightly dead. |
01:19:27 |
Let's go and see. |
01:19:37 |
You're very observant, professor. |
01:19:41 |
Have you observed he looks |
01:19:44 |
- He's a dead ringer for me. |
01:19:48 |
- Obviously, one of us is an imposter. |
01:19:52 |
- It looks bad for me. |
01:19:55 |
- Did you know him? |
01:19:57 |
You must have observed him for months. |
01:20:00 |
- It takes that long to grow a beard. |
01:20:03 |
Yes, Schultz. Except for one thing: |
01:20:08 |
Very funny. A clever agent like you |
01:20:12 |
Maybe he's wearing a false beard. |
01:20:17 |
- Why don't you pull his beard? |
01:20:23 |
- I can't do it. |
01:20:25 |
You can murder a man in cold blood, |
01:20:29 |
Ah! Ooh, ooh, ooh... |
01:20:31 |
Good work. I can't wait to see |
01:20:36 |
Schultz, you put me in this position! |
01:20:39 |
- You yourself gave the order. |
01:20:43 |
All you ever do is shift! |
01:20:45 |
- But, colonel...! |
01:20:48 |
Professor... |
01:20:50 |
I don't know how to apologize. |
01:20:55 |
- There is something. |
01:20:58 |
Mrs. Bronski is performing. It would |
01:21:03 |
Impossible! |
01:21:06 |
Remember, I'm seeing the Führer. |
01:21:11 |
No... Schultz! |
01:21:14 |
Release the sissy. |
01:21:17 |
- Which sissy? |
01:21:20 |
Bring him here. |
01:21:24 |
I knew it was you. I had to satisfy |
01:21:30 |
To put your mind at rest, |
01:21:34 |
Please, professor. Don't rub it in. |
01:21:37 |
- I'm sorry. |
01:21:40 |
You can't go in there. |
01:21:43 |
- Wait! |
01:21:44 |
I'm General Von Seidelman, |
01:21:48 |
I arrived this morning and in one hour, |
01:21:53 |
- Can't I rely on anybody? |
01:21:55 |
- He's an imposter. |
01:21:57 |
I will not. Are you blind? Any fool |
01:22:02 |
You didn't even pull on it. |
01:22:05 |
- What do you have to say? |
01:22:10 |
- Who is this? |
01:22:12 |
I was going to release him |
01:22:16 |
I'll take charge myself. |
01:22:20 |
Believe me, heads will roll. |
01:22:23 |
You will hear from me. |
01:22:32 |
Schultz! |
01:22:41 |
Remember, we've gotta be convincing. |
01:22:43 |
The dress circle will be |
01:22:47 |
If they suspect anything, they'll |
01:22:52 |
Be certain Hitler's in his box |
01:22:56 |
And I am the diversion. |
01:22:59 |
All your life you've wanted |
01:23:04 |
Don't worry, I can do it. |
01:23:07 |
With a little luck, tomorrow night... |
01:23:10 |
...we'll all be in England. |
01:23:12 |
- Me too? |
01:23:15 |
- And them? |
01:23:18 |
This them. |
01:23:20 |
What's going on here? |
01:23:23 |
We started with three. |
01:23:27 |
- How can we take them? |
01:23:31 |
All right, we'll take them. |
01:23:37 |
Come on. It's half-hour. |
01:23:54 |
Heil Hitler. |
01:24:15 |
General. |
01:24:39 |
General. |
01:24:53 |
Achtung! Achtung! |
01:25:18 |
Sieg Heil! |
01:25:29 |
Heil Hitler! |
01:25:40 |
Sieg! |
01:25:41 |
- Sieg! |
01:25:43 |
- Sieg! |
01:26:13 |
Hurry! Get them into |
01:26:17 |
Sasha, the gold stars. |
01:26:19 |
I got one more star to do. |
01:26:29 |
Hurry up. |
01:27:18 |
The Führer! |
01:27:20 |
Achtung! |
01:27:23 |
- How did you get here? |
01:27:26 |
And what made you decide to die here? |
01:27:29 |
Him. |
01:27:31 |
- What do you want from the Führer? |
01:27:35 |
- Aren't we human? |
01:27:38 |
Let him speak. |
01:27:40 |
Hath not a Jew eyes? |
01:27:45 |
Organs, dimensions, senses, |
01:27:50 |
Fed with the same food. |
01:27:55 |
Subject to the same diseases. |
01:27:58 |
If you prick us, do we not bleed? |
01:28:04 |
If you poison us, do we not die? |
01:28:10 |
And if you wrong us... |
01:28:12 |
...shall we not revenge? |
01:28:17 |
Silence! |
01:28:19 |
Bring this man to my headquarters. |
01:28:25 |
- You were wonderful. |
01:28:27 |
Scandalous! |
01:28:30 |
How could this have happened? |
01:28:32 |
I must advise you to leave. |
01:28:35 |
We'll follow you to the airport. |
01:28:38 |
No! You will stay and search |
01:28:43 |
Come, Mein Führer. |
01:28:45 |
- Heil Hitler! |
01:29:46 |
Here. |
01:29:48 |
Go, go, go! |
01:29:50 |
All right. Here. |
01:29:55 |
- Come on. |
01:30:02 |
Coming. |
01:30:05 |
Surprise! |
01:30:09 |
- You're early. |
01:30:12 |
You can't stay. |
01:30:16 |
I doubt if he outranks me. |
01:30:18 |
He's very jealous. |
01:30:21 |
Don't worry, liebchen. Just consider |
01:30:26 |
What are you doing? |
01:30:28 |
- Heil Hitler! |
01:30:34 |
Hurry, they're going! |
01:30:54 |
- Anna should be here. |
01:30:56 |
I'll get her. I'm her husband. |
01:30:58 |
Get back to the truck |
01:31:05 |
- No! |
01:31:07 |
I'll give you three eggs a week. |
01:31:10 |
- No! |
01:31:13 |
- Sweetheart, are you all right? |
01:31:18 |
Heil... |
01:31:23 |
- Hitler. |
01:31:25 |
Heil. |
01:31:26 |
- I told him somebody big was coming. |
01:31:30 |
Come, schatzi, we're late. |
01:31:34 |
What's your name? |
01:31:35 |
Colonel Er... |
01:31:41 |
- Erhardt. |
01:31:43 |
Erhardt? Erhardt? |
01:31:46 |
Aren't you the one who makes a joke |
01:32:05 |
- The Führer. |
01:32:35 |
- Heil Hitler. |
01:32:37 |
You and your men are relieved. |
01:32:41 |
That is the Führer's bomb squad. |
01:32:46 |
- Take your men to a safe distance. |
01:32:52 |
No one is allowed near the plane |
01:32:56 |
Von Seidelman, what's going on? |
01:32:59 |
Heil Hitler. |
01:33:08 |
I'll check out the cockpit. |
01:33:11 |
Bomb squad, check the Führer's plane. |
01:33:16 |
Come on! Hurry up, let's go. |
01:33:20 |
Hurry up. |
01:33:24 |
Go down. |
01:33:26 |
Give me the gun. |
01:33:40 |
Hurry! Get into the plane! |
01:33:50 |
Hurry, hurry! |
01:33:56 |
No! No, Anna, no! |
01:34:03 |
Mutki! |
01:34:12 |
Come on, honey. |
01:34:15 |
Good, Mutki. Good! |
01:34:18 |
Come on. Please, Mutki! |
01:34:22 |
Jump, baby, jump. |
01:34:38 |
Are you all right? Will it fly? |
01:34:40 |
It's just a compass. |
01:34:54 |
- What's wrong? |
01:35:00 |
Hurry! Everybody run to the back! |
01:35:21 |
- We're on our way! |
01:35:34 |
- What's happening? |
01:35:39 |
It's hard to see. Is that England? |
01:35:41 |
I think so, but without this compass, |
01:35:45 |
We'll know soon enough. |
01:35:47 |
- What's going on? |
01:35:49 |
- We're coming in for a landing. |
01:35:53 |
We're gonna land. |
01:35:57 |
We're gonna land. Brace yourselves! |
01:35:59 |
- Where are we? |
01:36:02 |
- Where are we? |
01:36:06 |
We're not quite sure. |
01:36:21 |
Don't get moody. |
01:36:23 |
- How's your feet? |
01:36:25 |
Bless your heart. |
01:36:40 |
Stay here. Just in case this is German |
01:36:57 |
Excuse me! |
01:37:00 |
- Is this England? |
01:37:10 |
Mr. And Mrs. Bronski, His Majesty's |
01:37:16 |
If there is any way we could repay |
01:37:22 |
...would you please let us know? |
01:37:24 |
Well, general, since this |
01:37:28 |
...it would give me great pleasure, |
01:37:33 |
What he's trying to say... |
01:37:35 |
...is he would love to do his |
01:37:39 |
- Why, certainly. |
01:37:43 |
Highlights? |
01:37:48 |
The show's just started. |
01:37:52 |
Is not more ugly |
01:37:56 |
...than is my deed |
01:38:00 |
O heavy burthen. |
01:38:04 |
I hear the handsome young prince |
01:38:21 |
To be... |
01:38:27 |
...or not to be |
01:38:30 |
That is the question. |
01:38:37 |
Whether 'tis nobler in the mind |
01:38:41 |
Excuse me. Pardon me. |
01:38:44 |
Excuse me. Pardon me. |
01:38:47 |
Excuse me. |
01:38:49 |
- Of outrageous fortune... |
01:42:47 |
Subtitles by |
01:42:58 |
Ripped by: |