|
To Wong Foo Thanks For Everything Julie Newmar
|
| 00:01:31 |
Ready or not, here comes mama. |
| 00:04:03 |
- Don't throw your mother at me! |
| 00:04:20 |
I'm gonna make my lips |
| 00:04:22 |
I'm taking my face to Sweden |
| 00:04:27 |
Ain't nobody here tonight |
| 00:04:31 |
Ladies, five minutes. |
| 00:04:41 |
(Announcer) New York City! |
| 00:04:45 |
Pay your hometown girls some homage! |
| 00:04:48 |
Your drag-queen pageant finalists! |
| 00:04:54 |
Miss Sheena Riviera. |
| 00:04:57 |
Miss Missy! |
| 00:05:00 |
Cateria Raez! |
| 00:05:04 |
Cappuccino Commotion! |
| 00:05:08 |
Vida Boheme! |
| 00:05:12 |
Noxeema Jackson! |
| 00:05:16 |
Senorita Chi Chi! |
| 00:05:19 |
Owwww! |
| 00:06:33 |
Hello, hello, hello! |
| 00:06:38 |
And here to present |
| 00:06:44 |
last year's winner. |
| 00:06:46 |
Put your hands together for |
| 00:06:49 |
Miss Rachel Tensions! |
| 00:07:09 |
Hello! |
| 00:07:12 |
Oh! |
| 00:07:15 |
Oh! |
| 00:07:17 |
What can I say? My heart is full. |
| 00:07:26 |
- (Man) I love you! |
| 00:07:34 |
(Man) Mama! |
| 00:07:43 |
Well, well. |
| 00:07:47 |
Another year flies by |
| 00:07:50 |
and it's time to crown |
| 00:07:55 |
Proof that in New York City |
| 00:07:57 |
a thing of beauty is a joy |
| 00:08:00 |
for exactly 12 months. |
| 00:08:05 |
May I have the envelope, please? |
| 00:08:12 |
Mmm-mmm. I don't know who he is |
| 00:08:16 |
but if there's a snowstorm tonight, |
| 00:08:25 |
The winner |
| 00:08:28 |
will receive an all-expense-paid, |
| 00:08:33 |
to Hollywood, California! |
| 00:08:38 |
Where she can compete |
| 00:08:46 |
I'm so excited I could just spit. |
| 00:08:51 |
And the winner is... |
| 00:08:54 |
We have a tie! |
| 00:08:58 |
- Tie? What's she mean, tie? |
| 00:09:01 |
- And the winners are... |
| 00:09:04 |
...Miss Noxeema Jackson |
| 00:09:08 |
Work the runway, work it! |
| 00:09:15 |
(Rachel) Come, come. |
| 00:09:28 |
(Rachel) Now, go and scandalise |
| 00:09:32 |
This land was made for you and her. |
| 00:10:05 |
Us in Hollywood? |
| 00:10:08 |
I just hope nobody |
| 00:10:10 |
- We'll be seen at the China Bowl. |
| 00:10:15 |
Look. That little Latin boy |
| 00:10:19 |
Find out why |
| 00:10:23 |
Little Latin boy in drag, |
| 00:10:26 |
why are you crying? |
| 00:10:29 |
Cos... It's just cos the two of you |
| 00:10:33 |
- That's all? |
| 00:10:36 |
but why are you crying? |
| 00:10:38 |
Maybe she just found out |
| 00:10:42 |
Now, little one, what is your name? |
| 00:10:45 |
It's Chi Chi. Chi Chi Rodriguez. |
| 00:10:49 |
- What's with the waterworks? |
| 00:10:54 |
because I never won nothing. |
| 00:10:58 |
I get it wrong and somebody's |
| 00:11:02 |
But maybe I'll meet somebody nice |
| 00:11:06 |
instead of old men |
| 00:11:10 |
and their... (Grunting) |
| 00:11:13 |
But, no, I'm a loser. |
| 00:11:16 |
I hate my life, I hate myself, |
| 00:11:19 |
Listen, listen. You are a winner. |
| 00:11:24 |
Well, you are a winner and... |
| 00:11:30 |
- Don't be looking at me. |
| 00:11:33 |
Don't be giving me that |
| 00:11:37 |
Chi Chi, you just sit right here. |
| 00:11:40 |
I am going upstairs |
| 00:11:43 |
- We will be right back. |
| 00:11:46 |
I ain't driving you no more, Miss Daisy. |
| 00:11:49 |
Noxeema, we must all help others. |
| 00:11:53 |
- How? |
| 00:11:55 |
- Say what? |
| 00:11:58 |
- How are we gonna do that? |
| 00:12:01 |
Sell our plane tickets |
| 00:12:04 |
Uh-uh-uh. Not on your young, |
| 00:12:09 |
That child is Latin. You don't |
| 00:12:14 |
She might be a Sandinista. |
| 00:12:16 |
Noxeema Jackson, |
| 00:12:20 |
and just a little bit saddened by you. |
| 00:12:24 |
I remember the first time |
| 00:12:28 |
on a certain young |
| 00:12:31 |
and how, through styling |
| 00:12:35 |
I helped her look just a little bit |
| 00:12:39 |
- Moms Mabley? |
| 00:12:43 |
would one day share a title with moi? |
| 00:12:46 |
Now, on those steps, |
| 00:12:50 |
working that tired Abbe Lane drag |
| 00:12:54 |
is all alone in this world. |
| 00:12:57 |
And she just once |
| 00:13:01 |
to have a moment in the starlight, |
| 00:13:05 |
to dream of being |
| 00:13:14 |
- Hello! |
| 00:13:18 |
(Vida) Now, the China Bowl is the place |
| 00:13:29 |
What stunning visions! Tell us |
| 00:13:32 |
Darling, I cannot be held responsible |
| 00:13:36 |
- I wish I was as beautiful as you. |
| 00:13:39 |
Good luck. Come on, honey. |
| 00:13:46 |
Thank you. |
| 00:13:51 |
- They really like us. |
| 00:13:54 |
Delighted to meet us! |
| 00:13:56 |
(Man) Vida! Hi. |
| 00:14:00 |
Excuse me. Oh, Vida, Vida! |
| 00:14:05 |
Darling, enchanté. |
| 00:14:08 |
Oh, you spoke French. How bi. |
| 00:14:11 |
Look at you, my little piñata. |
| 00:14:14 |
The only man of money matters, |
| 00:14:19 |
- ¡Ay, tan chulo! El gusto es mío. |
| 00:14:23 |
No, papito, el gusto es mío. |
| 00:14:25 |
- See that? |
| 00:14:27 |
Si te ajusto las nalgas... |
| 00:14:29 |
You remember |
| 00:14:32 |
- His name is my name, too. |
| 00:14:36 |
Look at you! |
| 00:14:39 |
- Congratulations on your victoire. |
| 00:14:43 |
Now, we must talk. |
| 00:14:45 |
- Crise? Oh, jamais. |
| 00:14:50 |
to take our young protégé, |
| 00:14:55 |
- How Three Sisters. How Chekhov. |
| 00:14:57 |
- What part do I play? |
| 00:15:00 |
- To have or to dump? |
| 00:15:06 |
- One thousand. |
| 00:15:09 |
- Then three round trips to LA. |
| 00:15:12 |
- Cheapest. |
| 00:15:15 |
Sorry, darling. Forgive me. |
| 00:15:17 |
- You've got her number. |
| 00:15:20 |
I do not do the bus. You have me |
| 00:15:25 |
Lxnay on the Hound, then. |
| 00:15:29 |
- Oh, yes! Does it have a club car? |
| 00:15:33 |
Let's see. Three round-trip tickets, |
| 00:15:38 |
Tell me, does it have a club car? |
| 00:15:40 |
1,500? |
| 00:15:43 |
That is totally out of our league. |
| 00:15:46 |
On account of your need |
| 00:15:49 |
today you're the lucky winner of... |
| 00:15:52 |
- Can we pay in trade? |
| 00:15:56 |
"Crazy Elijah - |
| 00:16:00 |
Drop my name, |
| 00:16:03 |
- Problem solved. A lifesaver. |
| 00:16:08 |
- Cherry Lifesaver. |
| 00:16:10 |
Are we discussing driving |
| 00:16:14 |
Don't start with me. We will go on. |
| 00:16:18 |
(Noxeema) This America does not |
| 00:16:24 |
No one say anything frivolous |
| 00:16:27 |
I am having a significant experience. |
| 00:16:29 |
Whoopee(!) |
| 00:16:31 |
Miss Julie Newmar has been watching |
| 00:16:37 |
And look at her, vintage Miss Julie. |
| 00:16:40 |
She is the perfect, |
| 00:16:44 |
(Vida) Describe her |
| 00:16:48 |
Miss Julie, you are statuesque |
| 00:16:54 |
- Read it, please. |
| 00:16:56 |
"thanks for everything, |
| 00:16:59 |
- Who was Wong Foo? |
| 00:17:03 |
I'm hungry. |
| 00:17:05 |
We must take this message across |
| 00:17:10 |
(Chi Chi) Let's just relax. |
| 00:17:13 |
(Noxeema) I was back in the club car, |
| 00:17:17 |
¡Ay, nenita! Look! Look at this! |
| 00:17:22 |
(Noxeema) Golly, golly, golly! |
| 00:17:24 |
- The seats are like butter. |
| 00:17:28 |
A car? Mary Alice Louise, no. |
| 00:17:32 |
I used to know a lawyer guy |
| 00:17:35 |
and I said then and there |
| 00:17:39 |
- Can we have this? |
| 00:17:42 |
I feel like Miss Jayne Mansfield |
| 00:17:45 |
Ooh! Not a good auto reference. |
| 00:17:47 |
Please, it's a wreck. Ladies. |
| 00:17:50 |
Be careful with the... |
| 00:17:56 |
- It's the look! |
| 00:18:00 |
Internal combustion, |
| 00:18:03 |
Ladies, please, for your own safety, |
| 00:18:09 |
It comes down to |
| 00:18:12 |
Style... |
| 00:18:13 |
or substance? |
| 00:19:01 |
Let me ask you something. |
| 00:19:05 |
- So the next city is... |
| 00:19:10 |
- Bala Cynwyd. It's Welsh. |
| 00:19:14 |
- How do you know that? |
| 00:19:18 |
Believe it or not, it's my hometown. |
| 00:19:20 |
- Get out! |
| 00:19:24 |
- I wanna see where she was birthed! |
| 00:19:29 |
There's got to be |
| 00:19:55 |
(Vida) Welcome to Bala Cynwyd. |
| 00:20:00 |
Here, they made me stop being Esther |
| 00:20:06 |
thus marring |
| 00:20:09 |
(Chi Chi) How come you never told us |
| 00:20:12 |
- I'm not rich, my parents are. |
| 00:20:17 |
There will be a barbecue |
| 00:20:20 |
We were so poor my parents |
| 00:20:24 |
Why did you give this up? |
| 00:20:26 |
- Vida gave all this up to be Vida. |
| 00:20:30 |
Next time you give something like |
| 00:20:33 |
There. There. |
| 00:20:35 |
¡Ay, mama! Look! |
| 00:20:46 |
Fabulous. Simply fabulous. |
| 00:21:05 |
Maps are cheating. |
| 00:21:07 |
Don't do that! What are you doing? |
| 00:21:10 |
Go back! |
| 00:21:13 |
Oh, Jesus. |
| 00:21:26 |
How are we gonna know |
| 00:21:28 |
- Instincts, my dear. |
| 00:21:32 |
To become a drag queen, |
| 00:21:36 |
What do you mean, "be a drag queen"? |
| 00:21:40 |
Oh, child, no. You are, simply put, |
| 00:21:45 |
When a straight man puts on a dress |
| 00:21:48 |
he is a transvestite. |
| 00:21:50 |
When a man is a woman |
| 00:21:53 |
and has the little operation, |
| 00:21:56 |
- I know that. |
| 00:21:59 |
has way too much fashion sense |
| 00:22:04 |
Thank you. |
| 00:22:06 |
And when a tired Latin boy puts on |
| 00:22:11 |
(Noxeema and Vida giggling) |
| 00:22:14 |
- I'm just a boy in a dress? |
| 00:22:18 |
(Chi Chi) OK, OK, that's it. |
| 00:22:24 |
Maybe there is a place for somebody |
| 00:22:30 |
She running across the border. |
| 00:22:32 |
You have huge potential |
| 00:22:35 |
What do you care? |
| 00:22:37 |
Yes, you will start off |
| 00:22:41 |
But when we are done |
| 00:22:43 |
Auntie Vida and Auntie Noxee |
| 00:22:45 |
will give you the outrageous outlook |
| 00:22:50 |
that it will take to make you |
| 00:22:55 |
So now, I want you to turn |
| 00:22:59 |
on those Robert Clergerie knockoffs |
| 00:23:05 |
Maybe I'm not just a boy in a dress. |
| 00:23:12 |
All right. You are a drag princess. |
| 00:23:17 |
I could live with that. |
| 00:23:19 |
P to the R to the IN |
| 00:23:24 |
- Are you all right? |
| 00:23:28 |
That's fine |
| 00:23:31 |
before you're a full-fledged queen. |
| 00:23:34 |
Can I stay a princess? |
| 00:23:37 |
Does everything have to be a joke? |
| 00:23:41 |
There are steps to becoming a queen. |
| 00:23:44 |
I'm sorry. How many? |
| 00:23:49 |
Four. There are four steps |
| 00:23:54 |
Tell me, what are they? |
| 00:23:56 |
Patience, ma chérie. |
| 00:24:00 |
Miss Noxeema, |
| 00:24:04 |
(Noxeema) Just pay attention. Auntie |
| 00:24:09 |
God grant me the serenity |
| 00:24:12 |
the courage to change with the fashions |
| 00:24:16 |
(Noxeema) |
| 00:24:19 |
That was step number one |
| 00:24:23 |
(Chi Chi) Step one already! |
| 00:24:25 |
(Noxeema) Let good thoughts |
| 00:24:47 |
(Chi Chi) I'm so tired, |
| 00:24:50 |
We all tired, honey. |
| 00:24:53 |
We're gonna have to stop sometime. |
| 00:24:56 |
I know. I've just |
| 00:24:59 |
Stop torturing us. |
| 00:25:05 |
OK. |
| 00:25:17 |
Budget Hosts are really good, |
| 00:25:20 |
You can keep the mints |
| 00:25:24 |
It's a Budget Host. |
| 00:25:26 |
I don't know. |
| 00:25:29 |
- Why don't we sleep in the car? |
| 00:25:33 |
I've got to sleep in a real bed. |
| 00:25:35 |
People are gonna be cruel, maybe |
| 00:25:40 |
Let's throw you two a pity party. |
| 00:25:44 |
- What is she doing? |
| 00:25:47 |
- She'll get herself killed. |
| 00:25:50 |
Gonna be second-rate your whole life. |
| 00:25:53 |
Please get in this car. |
| 00:25:55 |
I'm not sleeping with |
| 00:25:58 |
Chi Chi, please! |
| 00:26:00 |
- I need some sleep tonight, OK? |
| 00:26:03 |
- Take a picture, it'll last longer. |
| 00:26:06 |
Why do you always do this to me? |
| 00:26:09 |
- Ridiculous. A bunch of wet rags. |
| 00:26:12 |
We're staying in this no-tell motel |
| 00:26:16 |
- I should have met you outside. |
| 00:26:21 |
We came in for a little sanctuary. |
| 00:26:23 |
- Welcome. |
| 00:26:27 |
- There's wine and cheese. |
| 00:26:31 |
You'll meet many |
| 00:26:34 |
(All) Friends? |
| 00:26:36 |
Get with the programme. No one is |
| 00:26:40 |
Is there a drag ball going on? |
| 00:26:42 |
Basketball? |
| 00:26:45 |
(Chi Chi) I'll be centre, |
| 00:26:50 |
Come on, over here! |
| 00:26:52 |
- I'm open. |
| 00:27:00 |
(Squeals) Yeah! |
| 00:27:10 |
Miss Chi Chi, I must commend you |
| 00:27:13 |
on your entrance |
| 00:27:15 |
Oooh! Absolutely. |
| 00:27:20 |
Halfway towards |
| 00:27:24 |
Step two to becoming a queen - |
| 00:27:27 |
- Toast to Miss Chi Chi. |
| 00:27:41 |
(Whistling) |
| 00:28:24 |
"Lost in the hot embrace |
| 00:28:29 |
"Laritza surrendered |
| 00:28:33 |
(Vida) Oh! |
| 00:28:34 |
"...melting with every touch |
| 00:28:39 |
Oh, stop. My nerves. |
| 00:28:42 |
(Chi Chi) Where the freak are we? |
| 00:28:44 |
(Noxeema) The last person I saw |
| 00:28:46 |
didn't have but two teeth in |
| 00:28:55 |
(Siren) |
| 00:28:57 |
- Oh, what in gay hell? |
| 00:29:00 |
- This could prove problematic. |
| 00:29:03 |
The first name |
| 00:29:06 |
Eugene? |
| 00:29:08 |
(Vida) Yes. |
| 00:29:12 |
Eugene?! |
| 00:29:38 |
- Can I see your licence? |
| 00:29:43 |
You got a tail light out. |
| 00:29:46 |
Oh! A tail light out. That is |
| 00:29:50 |
- What have we got here? |
| 00:29:52 |
Hi. |
| 00:29:53 |
Erm... I was wondering |
| 00:29:56 |
We are three young |
| 00:29:59 |
- Career girls? |
| 00:30:02 |
We are so lost you cannot believe. |
| 00:30:05 |
- Where do you think we are? |
| 00:30:09 |
West Virginia? |
| 00:30:11 |
You're a long way |
| 00:30:14 |
Could you possibly help us find |
| 00:30:20 |
We don't go for that |
| 00:30:23 |
white girls riding around |
| 00:30:27 |
- Talk to him, you speak honky. |
| 00:30:30 |
- That's Dollard. |
| 00:30:32 |
- It's Dollard. |
| 00:30:37 |
It's a misprint! |
| 00:30:42 |
As I was saying, |
| 00:30:46 |
- You're pretty. |
| 00:30:51 |
Step out of the vehicle. |
| 00:30:53 |
- Don't do it. |
| 00:30:56 |
Get out of the car. |
| 00:31:00 |
Christ, you're tall. |
| 00:31:02 |
- Is this really necessary? |
| 00:31:08 |
Come with me to my car. Come on. |
| 00:31:12 |
You stay in the vehicle. |
| 00:31:14 |
Officer, if I could just explain. |
| 00:31:20 |
- Don't worry about your licence. |
| 00:31:24 |
I think maybe he's prejudiced. |
| 00:31:28 |
I bet you were the brightest |
| 00:31:33 |
What are you doing? |
| 00:31:35 |
- Give me a kiss. |
| 00:31:38 |
I know what you want. You know what |
| 00:31:42 |
- Careers? |
| 00:31:45 |
- No, please don't do this. |
| 00:31:48 |
Please, no! Please. No. |
| 00:31:51 |
When a lady says no, she means... |
| 00:31:55 |
Get your hand off my dick, buddy! |
| 00:32:02 |
Sheriff Dullard? |
| 00:32:05 |
Sh-Sheriff Dullard? |
| 00:32:11 |
Noxee. Oh, no. Noxee! |
| 00:32:14 |
- Don't go out there. |
| 00:32:18 |
(Vida) I think he's dead. |
| 00:32:22 |
- I killed him. |
| 00:32:24 |
- Are you sure? |
| 00:32:26 |
- How do you know he's dead? |
| 00:32:29 |
- He had his hand up my dress... |
| 00:32:34 |
He was trying to have |
| 00:32:38 |
- How do you know he's dead? |
| 00:32:43 |
- Don't get an attitude. |
| 00:32:46 |
I knew this accountant |
| 00:32:49 |
- Be careful, Chi Chi. |
| 00:32:55 |
Mamis, don't quote me |
| 00:32:59 |
Oh, my God. A dead white policeman? |
| 00:33:04 |
- Should we blow? |
| 00:33:08 |
- Let's go. |
| 00:33:12 |
Look, Miss Necrophilia, |
| 00:33:16 |
(Noxeema) I can't believe this. |
| 00:33:20 |
then I end up being part of... |
| 00:33:23 |
(Voices fade) |
| 00:34:14 |
(Chi Chi) What are we gonna do now? |
| 00:34:31 |
Lovely night. Look at those stars. |
| 00:34:36 |
(Noxeema) Come on. |
| 00:34:38 |
(Chi Chi) Use your muscles. |
| 00:34:47 |
Oh, no, it isn't. |
| 00:34:49 |
Please... |
| 00:34:52 |
Now, we're stuck here forever. |
| 00:34:55 |
I could be in a comfortable, |
| 00:34:59 |
on a transcontinental airline, |
| 00:35:02 |
enjoying my individual package |
| 00:35:06 |
if it wasn't for what? What? |
| 00:35:08 |
The little Hispanic rent-a-tart. |
| 00:35:11 |
I didn't ask to come on this trip, |
| 00:35:15 |
Did I ask you to be making me over |
| 00:35:19 |
No, I don't think so. |
| 00:35:21 |
And do I want to go to jail |
| 00:35:25 |
The next town, |
| 00:35:28 |
and I'm riding him all the way to |
| 00:35:33 |
because this trip sucks, it sucks. |
| 00:35:36 |
After all we've done to include you, |
| 00:35:40 |
Like that. |
| 00:35:42 |
All right. |
| 00:35:44 |
Since you have learned |
| 00:35:47 |
I am hereby stripping you |
| 00:35:52 |
- Ooh, that's voodoo. That's cold. |
| 00:35:56 |
When I think Noxee and I decided |
| 00:36:00 |
- and bring her along with us... |
| 00:36:05 |
No, no! Noxee didn't decide anything. |
| 00:36:10 |
What about the two of you |
| 00:36:14 |
at the hands of this possibly dead |
| 00:36:19 |
and you stayed stuck |
| 00:36:26 |
O dear and oft-thanked Wong Foo, |
| 00:36:29 |
it's not that I'm asking for help |
| 00:36:33 |
If somebody gave me back my |
| 00:36:38 |
How can you hitchhike |
| 00:36:41 |
You don't know me very well. |
| 00:36:45 |
I got more legs |
| 00:36:51 |
She'll get kidnapped |
| 00:36:54 |
and we will have to rescue her. |
| 00:36:56 |
Why she always gotta have |
| 00:37:20 |
You need a ride? |
| 00:37:22 |
Yeah! Our car died over there |
| 00:37:24 |
and I just need to go |
| 00:37:28 |
Hop in. |
| 00:37:46 |
Get inside. |
| 00:37:51 |
(Man) That's Snydersville. |
| 00:37:54 |
Thank you, Wong Foo. |
| 00:38:01 |
- Hi. |
| 00:38:03 |
Thank you. |
| 00:38:54 |
Well, ladies, |
| 00:38:58 |
Thank you. |
| 00:39:01 |
- Virgil! Carol Ann! |
| 00:39:10 |
Virgil? |
| 00:39:12 |
Carol Ann? |
| 00:39:17 |
And you thought |
| 00:39:21 |
- Bobby Ray, is that you? |
| 00:39:28 |
- Virgil. It's Bobby Ray. You in? |
| 00:39:32 |
He's in. |
| 00:39:34 |
Tell him we got a big Cadillac |
| 00:39:38 |
He's got a big Cadillac broke down. |
| 00:39:40 |
- So? |
| 00:39:54 |
OK, well, this is it. |
| 00:39:56 |
Here you got your bathroom, |
| 00:40:00 |
If you want anything, holler. |
| 00:40:03 |
You've got an overhead light here. |
| 00:40:06 |
- Go get it. |
| 00:40:10 |
You girls all did want to be |
| 00:40:14 |
Do you, by chance, have a room |
| 00:40:19 |
This is the presidential suite. |
| 00:40:22 |
Must have been |
| 00:40:26 |
You seem a little tired |
| 00:40:29 |
Your car should be ready tomorrow. |
| 00:40:33 |
- Excuse me. |
| 00:40:38 |
You know what I think? |
| 00:40:40 |
The last black person |
| 00:40:43 |
"'The fates must despise me |
| 00:40:46 |
"'for I am doomed |
| 00:40:48 |
"'in this miserable cell.' |
| 00:40:51 |
"The rest of her days? |
| 00:40:53 |
"Suddenly, from out of the darkness |
| 00:40:57 |
"'By the sword of my father |
| 00:41:00 |
"'I, Juan Carlos la Noche |
| 00:41:04 |
I think tomorrow |
| 00:41:08 |
I think tomorrow |
| 00:41:15 |
"'I'm here to save you, |
| 00:41:18 |
"'You are my knight |
| 00:41:56 |
Why do I feel like I'm in |
| 00:42:00 |
- Because you're as big as a float? |
| 00:42:02 |
- Thank you. |
| 00:42:05 |
As soon as I get to a town with a bus |
| 00:42:09 |
Hello. |
| 00:42:13 |
For girls, |
| 00:42:17 |
- Brunell? |
| 00:42:20 |
Oh, Virgil. |
| 00:42:24 |
- All of five minutes. |
| 00:42:28 |
When I get the part. |
| 00:42:30 |
See, I don't have any Cadillac parts, |
| 00:42:36 |
- I can order it for Monday. |
| 00:42:41 |
- What do we do till Monday? |
| 00:42:44 |
Oh, no, no, no, no! |
| 00:42:51 |
Ladies. Ladies. |
| 00:42:56 |
- Maybe Virgil can call his friend... |
| 00:43:03 |
Excuse me. |
| 00:43:05 |
What are we gonna do now, |
| 00:43:08 |
- Hello. |
| 00:43:10 |
We will have to stay here till Monday |
| 00:43:12 |
and get to know this lovely town |
| 00:43:17 |
Excuse me. What are you gawking at? |
| 00:43:22 |
What are you gonna do about it? |
| 00:43:25 |
Nothing. |
| 00:43:27 |
I love roughnecks. If I was your bread, |
| 00:43:32 |
(Noxeema) My God. |
| 00:43:34 |
- Careful. |
| 00:43:38 |
We will make the most of it. Watch. |
| 00:43:41 |
Pardon me, kind sirs. Pardon me. |
| 00:43:45 |
Thank you. |
| 00:43:47 |
My name is Vida Boheme |
| 00:43:50 |
and my travelling companions and I |
| 00:43:54 |
will be staying in your fair hamlet |
| 00:43:57 |
Are there some historical points of |
| 00:44:04 |
She can't hear and she don't talk. |
| 00:44:11 |
Oh. Oh... |
| 00:44:13 |
There's nothing interesting here |
| 00:44:18 |
But we'll try to be accommodating. |
| 00:44:23 |
Well, er, thank you. |
| 00:44:28 |
Pardon me. |
| 00:44:29 |
But let's just all suck it up |
| 00:44:35 |
Now, ready? |
| 00:45:33 |
- That's him. |
| 00:45:40 |
- This guy's living. |
| 00:45:43 |
- Sheriff Dullard? |
| 00:45:47 |
- Your badge says Dullard. |
| 00:45:50 |
- Sheriff, what happened here? |
| 00:45:57 |
- (Woman) Hello, Loretta. |
| 00:46:00 |
Alcoholic. Low self-esteem. |
| 00:46:06 |
She took to the bottle |
| 00:46:10 |
Over there. Her and her husband |
| 00:46:14 |
Another mess is the youngest |
| 00:46:20 |
Poor thing, he's got a sad little... |
| 00:46:23 |
It'd bring a tear to your eye. |
| 00:46:27 |
You can say anything to her. |
| 00:46:30 |
- She can't hear you? |
| 00:46:32 |
Your stockings are falling down! |
| 00:46:35 |
There's no medical reason. Ever since |
| 00:46:41 |
and he run off with that lady film - |
| 00:46:45 |
Oh! Now, over there is Jimmy Joe, |
| 00:46:51 |
He is the nicest coloured man |
| 00:46:56 |
Robert Mitchum? |
| 00:47:00 |
Yoo-hoo! |
| 00:47:04 |
Hello! Excuse me! |
| 00:47:07 |
You forgot your picture! |
| 00:47:09 |
I picked it up because |
| 00:47:13 |
Oh, no, girlfriend... |
| 00:47:18 |
Oh, girl. I'm coming. |
| 00:47:23 |
I'm just trying to give you back... |
| 00:47:25 |
Ooh! Ow! |
| 00:47:27 |
I don't find this funny any more. |
| 00:47:29 |
Sheriff Dollard, |
| 00:47:33 |
regarding the assault |
| 00:47:35 |
and we should ask a few questions |
| 00:47:40 |
First off, |
| 00:47:43 |
are we correct in summarising, if |
| 00:47:49 |
you got beat up by a girl? |
| 00:47:56 |
They were not girls. |
| 00:47:59 |
They were boys, three of them, |
| 00:48:04 |
- May we see Exhibit A? |
| 00:48:09 |
All right! |
| 00:48:10 |
They were dressed up like girls |
| 00:48:15 |
You sons of bitches. |
| 00:48:19 |
I was attacked by perverts! |
| 00:48:23 |
- Mrs Dollard... |
| 00:48:27 |
- Mrs Dollard. |
| 00:48:31 |
I'm gonna bring back three corpses. |
| 00:48:34 |
And when you look up their dresses |
| 00:48:36 |
if you don't find something |
| 00:48:40 |
- I don't know what. |
| 00:49:06 |
I was a Fresh-Air Fund kid. |
| 00:49:08 |
They used to take us troubled kids |
| 00:49:18 |
I didn't know |
| 00:49:23 |
I would have dressed for it. |
| 00:49:34 |
I guess it's a poker party, you got |
| 00:49:39 |
Looksies, no feelsies. |
| 00:49:46 |
Anybody read any good books lately? |
| 00:49:50 |
(Horn honks) |
| 00:49:57 |
Come on! |
| 00:50:04 |
That's how you pick up a lady. |
| 00:50:13 |
Carol Ann, darling, |
| 00:50:16 |
We've gone through the first 14 |
| 00:50:20 |
- Are you crying? |
| 00:50:25 |
TVW - the very worst. |
| 00:50:29 |
Put these on |
| 00:50:32 |
- No, don't. |
| 00:50:35 |
Nothing. |
| 00:50:37 |
You are going to have a shiner, |
| 00:50:40 |
These boxes |
| 00:50:44 |
Anyway, |
| 00:50:50 |
- Oh, oh! May I? |
| 00:50:53 |
Just a little spice. |
| 00:50:55 |
- A little paprika... |
| 00:51:00 |
- We don't use spices here. |
| 00:51:03 |
- Virgil does not like it. |
| 00:51:06 |
Virgil does like his way, |
| 00:51:11 |
You're very observant. |
| 00:51:14 |
As a matter of fact... |
| 00:51:17 |
I can't help but observe right now |
| 00:51:21 |
that there are |
| 00:51:27 |
I think that maybe you'd better |
| 00:51:33 |
Surely. |
| 00:51:39 |
And the box in the closet? |
| 00:51:44 |
I used to tell people that when |
| 00:51:48 |
it was just because |
| 00:51:53 |
If you need more towels, |
| 00:51:55 |
you'll find them in the closet |
| 00:52:13 |
Hello. |
| 00:52:15 |
I brought your picture back. |
| 00:52:17 |
You dropped it earlier and... |
| 00:52:19 |
Thank you. You're welcome. |
| 00:52:26 |
Wow. Miss Thing got |
| 00:52:32 |
Mind if I sit? |
| 00:52:39 |
That little run you took me on |
| 00:52:44 |
Not that I'm not in shape |
| 00:52:56 |
Those boys didn't hurt you, |
| 00:52:59 |
Just a little bit, Bobby. |
| 00:53:01 |
Nothing time won't heal. Thank you. |
| 00:53:05 |
Look at your eyes. They as blue |
| 00:53:09 |
That's Bobby Ray. |
| 00:53:12 |
I'm sorry. Is that your girlfriend? |
| 00:53:15 |
No, I don't got one of those. |
| 00:53:19 |
Bobby Ray but you know that. |
| 00:53:26 |
Sorry. They have a mind of their own, |
| 00:53:32 |
My God, that was so brave |
| 00:53:36 |
Aw... |
| 00:53:37 |
You were just like a regular |
| 00:53:41 |
- Stop it. |
| 00:53:45 |
Bobby! Oh, my God! Oh, my God! |
| 00:53:54 |
That's so romantical. |
| 00:53:58 |
God. I don't have the words. |
| 00:54:04 |
Don't cry, Miss Chi Chi. |
| 00:54:09 |
Miss Chi Chi, if you were my girl, |
| 00:54:14 |
except maybe from happiness. |
| 00:54:23 |
You said a mouthful. |
| 00:54:35 |
- Let's go. |
| 00:54:51 |
Don't think that I can't see you, |
| 00:54:57 |
So, you are Virgil and Carol Ann's |
| 00:55:01 |
Yeah. How did you know? |
| 00:55:04 |
I'm the eldest in my family, too. |
| 00:55:06 |
Wow. |
| 00:55:08 |
I picked these for your mom. |
| 00:55:12 |
They only grow in darkness and dank |
| 00:55:15 |
but sweetness, how they blossom. |
| 00:55:19 |
- You know a lot. |
| 00:55:23 |
I guess it's on account |
| 00:55:26 |
Bobby Ray told me |
| 00:55:30 |
- He did? |
| 00:55:33 |
You're a career girl. |
| 00:55:36 |
Oh! Yes. Yes. |
| 00:55:39 |
I could never be like that. |
| 00:55:41 |
Oh, no. You can be anything you want. |
| 00:55:44 |
You just imagine |
| 00:55:47 |
- and you make them happen. |
| 00:55:51 |
Well, what if what I want to imagine |
| 00:55:56 |
You might want to set your sights |
| 00:56:00 |
Just to start off. Then I'll work |
| 00:56:05 |
(Noxeema) Miss Vida thinks |
| 00:56:08 |
I'm not Martin Luther King. |
| 00:56:12 |
I'm gonna tell you what it is |
| 00:56:17 |
being as you're not a big talker |
| 00:56:20 |
My plan is that, while in Hollywood, |
| 00:56:23 |
I will be approached by an eminent |
| 00:56:27 |
to star in the lush film version |
| 00:56:30 |
of the life |
| 00:56:36 |
Oh, yes. That noble blacktress |
| 00:56:40 |
and whose career was crushed |
| 00:56:44 |
Homegirl ended up dying penniless. |
| 00:56:47 |
I can remember |
| 00:56:50 |
from Serenade Sun Valley |
| 00:56:54 |
Gorgeous performance. |
| 00:56:56 |
After that was Hit Parade Of '43, |
| 00:57:00 |
No, no, no - Drums Of The Congo, |
| 00:57:04 |
Then between that and Carmen Jones |
| 00:57:06 |
she did something... Road. |
| 00:57:08 |
- Bright Road. |
| 00:57:10 |
Carmen Jones |
| 00:57:13 |
and her co-star in Carmen Jones |
| 00:57:17 |
whose birthday I think should be |
| 00:57:24 |
Did you say something? |
| 00:57:29 |
Carmen Jones, |
| 00:57:32 |
then Decks Ran Red, |
| 00:57:37 |
Oh, spectacular. |
| 00:57:41 |
- Tamango. |
| 00:57:46 |
Malaga. |
| 00:57:49 |
Malaga. |
| 00:57:51 |
Honey, when did you |
| 00:57:54 |
Wanna try Lena Horne? |
| 00:57:58 |
Go, girl. |
| 00:57:59 |
Feature debut, 1942. |
| 00:58:02 |
(Both) Panama Hattie! |
| 00:58:06 |
That's wonderful. |
| 00:58:10 |
You're not gonna start |
| 00:58:13 |
and making the blind see, are you? |
| 00:58:25 |
You put spices in here. |
| 00:58:28 |
Some fell in. I scooped them out. |
| 00:58:33 |
You do this to make me mad. |
| 00:58:38 |
- I scooped them out. |
| 00:58:41 |
- I'm not. |
| 00:58:53 |
Take them out. |
| 00:59:09 |
- Jimmy Jay? |
| 00:59:10 |
- Joe Jay. |
| 00:59:12 |
Can we have one ladies' cocktail... |
| 00:59:15 |
- Miss Clara! |
| 00:59:16 |
- Hey, girl. |
| 00:59:20 |
- Hi. I'm Noxeema. |
| 00:59:23 |
- Noxeema Jackson. |
| 00:59:26 |
Uh-huh. Jesse's daughter. |
| 00:59:29 |
So, Beatrice, |
| 00:59:31 |
We are working on decorations |
| 00:59:35 |
- Strawberry Social? |
| 00:59:38 |
We're doing it tomorrow. |
| 00:59:41 |
we take them into the centre of town, |
| 00:59:47 |
Then we go home. |
| 00:59:51 |
Oh, lovely! Une fête champêtre. |
| 00:59:54 |
- May I? |
| 00:59:56 |
Is there music and dancing and...? |
| 00:59:59 |
We used to have a hollering contest |
| 01:00:04 |
We give out ribbons |
| 01:00:08 |
- This party craves a theme. |
| 01:00:10 |
What do strawberries say |
| 01:00:14 |
Well, erm... |
| 01:00:17 |
Strawberries are red. |
| 01:00:20 |
Good. That's a start. |
| 01:00:23 |
- Wild strawberries. |
| 01:00:28 |
- Red and wild. That's your theme. |
| 01:00:31 |
Red and wild is our theme. |
| 01:00:37 |
- A day with the girls. |
| 01:00:41 |
Somebody has to drive me |
| 01:00:45 |
A day with the girls, |
| 01:00:51 |
Merna, what's a day |
| 01:00:53 |
Katina, |
| 01:00:57 |
and then you get your hair done, |
| 01:00:59 |
then you pick out a new outfit |
| 01:01:01 |
and then you go sit |
| 01:01:04 |
I've never heard |
| 01:01:07 |
I'm Merna. I run the beauty parlour. |
| 01:01:10 |
Beauty parlour? |
| 01:01:17 |
Here, here it is! |
| 01:01:21 |
Oh! |
| 01:02:31 |
(Boy) Here, kitty, kitty, kitty. |
| 01:02:34 |
Man! Look at that! |
| 01:02:36 |
It's like living |
| 01:02:40 |
I think we should |
| 01:02:43 |
Oh, no, no, no. |
| 01:02:46 |
What's all this noise? |
| 01:02:49 |
Oh, baby. |
| 01:02:53 |
I know what you need. |
| 01:02:55 |
I hardly think you're the man |
| 01:02:58 |
- Oh, no? |
| 01:03:06 |
Thank you. |
| 01:03:08 |
I think you should apologise to me. |
| 01:03:14 |
And I also think you should |
| 01:03:17 |
I ain't apologising to no ladies. |
| 01:03:21 |
No way. |
| 01:03:22 |
Just as I expected. |
| 01:03:32 |
Walk. |
| 01:03:35 |
What can I say? |
| 01:03:39 |
What did you say your name was? |
| 01:03:43 |
- Tommy. |
| 01:03:45 |
Well, Tommy, this is Miss Vida |
| 01:03:49 |
and this is Miss Katina |
| 01:03:52 |
Miss Loretta and of course |
| 01:03:56 |
Now, Tommy, when you encounter |
| 01:04:00 |
the correct way to greet them |
| 01:04:03 |
"Good afternoon, ladies." |
| 01:04:09 |
Good afternoon, ladies. |
| 01:04:11 |
Unless it's the evening |
| 01:04:14 |
Good evening, ladies. |
| 01:04:17 |
Go home, take a bath, comb your hair |
| 01:04:20 |
and please put on a clean shirt |
| 01:04:23 |
It's an affront |
| 01:04:30 |
Miss Clara. |
| 01:04:38 |
You just got to know |
| 01:04:42 |
And a four and a five |
| 01:04:45 |
and a six |
| 01:04:47 |
and a seven and a eight. |
| 01:04:51 |
Children, and one. |
| 01:04:53 |
Plié on two. |
| 01:04:55 |
And three, opening four. |
| 01:04:59 |
Come, come, come. |
| 01:05:03 |
Hello, you handsome thing. |
| 01:05:07 |
- All right. No colours. |
| 01:05:11 |
We just have-have |
| 01:05:17 |
- We're not gonna have much luck. |
| 01:05:23 |
- (Noxeema screams) |
| 01:05:25 |
- Oh, my God! |
| 01:05:29 |
Oh! Oh... |
| 01:05:33 |
Oh! Oh! I can't believe it! Oh! |
| 01:05:38 |
Look! They're from the Sixties! |
| 01:05:42 |
There's a whole bunch of it, |
| 01:05:47 |
T-That's just s-stuff my grandma bought |
| 01:05:51 |
It never s-s-s-sold |
| 01:05:56 |
and we were gonna g-give it |
| 01:06:00 |
Good-Good-Good... |
| 01:06:01 |
- Can you believe? I can't believe! |
| 01:06:05 |
Look at this. Look, look. |
| 01:06:09 |
Oh, Miss Clara, |
| 01:06:12 |
Ooh! Sorry. |
| 01:06:14 |
Goodwill. |
| 01:06:18 |
- Yes. For me. |
| 01:06:23 |
Oh, there's this fringe, honey. |
| 01:07:01 |
This book has been |
| 01:07:04 |
and, well... here. |
| 01:07:08 |
"DV. |
| 01:07:10 |
"The Au-au-autobiography Of Diana |
| 01:07:14 |
"V-Vreeland." |
| 01:07:16 |
And l-I-I-I should read this? |
| 01:07:20 |
Oh, hon, you should commit |
| 01:07:24 |
Check yourself, Loretta, |
| 01:07:53 |
Acting real proud of yourself |
| 01:08:02 |
- God! It's still too spicy. |
| 01:08:06 |
Don't argue with me because |
| 01:08:10 |
- It's too goddamn hot! |
| 01:08:15 |
(Noxeema) Eartha... (Purrs) |
| 01:08:18 |
Dinah Washington |
| 01:08:22 |
Honey, we should play these. |
| 01:08:36 |
- Here, put this on. |
| 01:08:38 |
- Why? |
| 01:08:41 |
It can never be too big. |
| 01:08:44 |
Come on. Dance with me. |
| 01:08:57 |
"That season, |
| 01:09:00 |
"earrings of fuchsia and peach. |
| 01:09:04 |
"Mind you, peach. |
| 01:09:07 |
"And hats. Hats, hats, hats. |
| 01:09:10 |
"Hats for career girls. |
| 01:09:15 |
"How I adored Paris." |
| 01:09:17 |
Jimmy Joe, this is not |
| 01:09:20 |
You have turned it |
| 01:09:24 |
A café? |
| 01:09:25 |
Now slap a dollar surcharge |
| 01:09:30 |
Thank you, my little Miss Vida. |
| 01:09:33 |
I've got a secret romance. |
| 01:09:36 |
- To say the least. |
| 01:09:40 |
Oh, shut up. For real? |
| 01:09:42 |
And this secret romance |
| 01:09:46 |
Miss Vida! |
| 01:09:47 |
Mine, too. What a coinky-dinky. |
| 01:09:51 |
Mine, too. |
| 01:09:54 |
Let me tell you, |
| 01:09:58 |
- Let's go. |
| 01:10:01 |
Bobby Lee, listen. The way |
| 01:10:09 |
Imagine. |
| 01:10:35 |
Oh, Carol Ann, what on earth...? |
| 01:10:38 |
I'm just so clumsy. I mean... |
| 01:10:42 |
Virgil yelled at me. |
| 01:10:45 |
And, well, I just spilled the stew. |
| 01:10:49 |
Hon, do you, like, |
| 01:10:56 |
(Laughter and quiet chatter) |
| 01:11:05 |
(Noxeema) Oooh! Guess what I see. |
| 01:11:08 |
- I spy with my little eye. |
| 01:11:11 |
Somebody's coming courting. |
| 01:11:14 |
Miss Vida, I just kept thinking |
| 01:11:17 |
I imagined just like you said. |
| 01:11:19 |
Is that who you have |
| 01:11:22 |
- Yeah. |
| 01:11:25 |
(Chi Chi) No, mamita, please! |
| 01:11:30 |
- Evening, ladies. |
| 01:11:34 |
I come to ask somebody out |
| 01:11:37 |
- Well, I declare. |
| 01:11:40 |
- I declare. |
| 01:11:44 |
Well, er, it's tomorrow afternoon, |
| 01:11:49 |
(Clears throat) |
| 01:11:52 |
- Bobby Lee? |
| 01:11:56 |
Could you do me a favour |
| 01:12:00 |
I need to talk to |
| 01:12:08 |
Bobby Lee, mamita, |
| 01:12:11 |
- Bobby Lee! |
| 01:12:14 |
(Vida) Bobby Lee. |
| 01:12:19 |
- Er, Miss Chi Chi... |
| 01:12:23 |
- Er... |
| 01:12:34 |
It's absolutely |
| 01:12:38 |
You're not my mamas |
| 01:12:41 |
Darling, you most certainly will not |
| 01:12:45 |
Why not? We got a lot in common. |
| 01:12:47 |
For starters, the same business |
| 01:12:51 |
Poinky-poinky-poink-poink! |
| 01:12:53 |
If he gets a whiff |
| 01:12:55 |
It's the "why I'm always right |
| 01:12:58 |
sung by |
| 01:13:01 |
What do you know about relationships? |
| 01:13:04 |
- I mean, who loves you, baby? |
| 01:13:07 |
Nobody, that's who. |
| 01:13:12 |
Oh, oh! I know what this is about. |
| 01:13:16 |
because I'm going out with a cute boy |
| 01:13:21 |
You are deceiving that child. That boy |
| 01:13:25 |
and you know that Miss Bobby Lee |
| 01:13:29 |
So what if she is? |
| 01:13:31 |
Maybe I want something? |
| 01:13:34 |
Miss Girl |
| 01:13:37 |
- I will not allow you to play games. |
| 01:13:42 |
There are human rules |
| 01:13:46 |
I'm so sick of |
| 01:13:49 |
telling a black lady and a Latin lady |
| 01:13:54 |
You can laugh but I hope you pack |
| 01:13:59 |
You're staying? Well, Miss Jennifer |
| 01:14:03 |
Don't forget to write. |
| 01:14:05 |
She truly does have |
| 01:14:07 |
Don't go there, Vida. |
| 01:14:09 |
She's an oppressive gringa |
| 01:14:12 |
- All right, y'all. |
| 01:14:15 |
- Don't go there. |
| 01:14:19 |
fossil-face, cracker witch. |
| 01:14:21 |
Listen to me, you little |
| 01:14:24 |
- She went there. |
| 01:14:27 |
You're the selfish one, |
| 01:14:30 |
bossing people's lives around |
| 01:14:33 |
Mrs Ann Landers pain in my culo. |
| 01:14:36 |
- How dare you think that... |
| 01:14:38 |
What is that noise? |
| 01:14:40 |
You want to know? That's you |
| 01:14:45 |
Shut up, Chi Chi! |
| 01:14:47 |
(Chi Chi) When I look at you, |
| 01:14:51 |
- Virgil's beating up Carol Ann. |
| 01:14:55 |
Well, we have to help her. |
| 01:14:58 |
No, no. Vida, |
| 01:15:01 |
and then there are times |
| 01:15:04 |
you ends up being killed, |
| 01:15:09 |
She trusts me and I trust her. |
| 01:15:11 |
There's a fine line |
| 01:15:15 |
and there's people you don't trust |
| 01:15:19 |
I thought you had learned |
| 01:15:22 |
You need to mind your own business. |
| 01:15:25 |
What is going on upstairs |
| 01:15:29 |
You deal with what's going on |
| 01:15:31 |
Mami, save it. |
| 01:15:34 |
You go ahead, girl. |
| 01:15:38 |
You're not a queen |
| 01:15:41 |
you're a queen because |
| 01:15:45 |
so you had to put on a dress. |
| 01:15:49 |
- What did you say? |
| 01:15:52 |
I've had quite enough... |
| 01:15:57 |
(Carol Ann and Virgil arguing) |
| 01:16:04 |
(Virgil) What the hell? |
| 01:16:07 |
Vida, please. No. It's OK. |
| 01:16:09 |
Carol Ann, I'm sorry |
| 01:16:12 |
Noxee, could you take care |
| 01:16:16 |
Virgil and I |
| 01:16:21 |
So, I gather you like hitting ladies. |
| 01:16:23 |
Some ladies need to get hit. |
| 01:16:27 |
Then, conversely, |
| 01:16:36 |
Oh, God. |
| 01:16:40 |
Carol Ann, there's something |
| 01:16:44 |
Well... |
| 01:16:46 |
Vida works out. Vida works out. |
| 01:16:50 |
A lot. |
| 01:17:11 |
All right, move ahead. |
| 01:17:20 |
All right, go ahead. |
| 01:17:27 |
Move on. |
| 01:17:33 |
Oh, man, sometimes I think we should |
| 01:17:37 |
(Vida) Well, not all of us... |
| 01:17:41 |
We just need to get rid of |
| 01:17:43 |
(Noxeema) |
| 01:17:46 |
Well, maybe Mr Rogers. |
| 01:17:51 |
- Well, Mel Gibson. He has a cute can. |
| 01:17:56 |
Yeah. He can stay but |
| 01:18:10 |
Psst! |
| 01:18:16 |
Shh! |
| 01:18:26 |
My goodness. You're always on time. |
| 01:18:32 |
I guess you're never gonna |
| 01:18:35 |
How could I disappoint you? I'm your |
| 01:18:40 |
Of course I remember. My knight |
| 01:18:46 |
Oh, God, it's so beautiful |
| 01:18:50 |
Yeah. |
| 01:18:52 |
My whole life |
| 01:18:55 |
who will understand |
| 01:18:58 |
and someone who |
| 01:19:01 |
and then you showed up |
| 01:19:06 |
You make me feel like |
| 01:19:09 |
I don't have to do that. |
| 01:19:13 |
- Sorry, no. |
| 01:19:16 |
- Please. |
| 01:19:20 |
- Shut up. |
| 01:19:22 |
Stop. |
| 01:19:25 |
Oh, don't stop. |
| 01:19:27 |
And there's something about |
| 01:19:32 |
Like no-nonsense. Like... |
| 01:19:35 |
You'd never lie to me, |
| 01:19:39 |
I really respect that. I do. |
| 01:19:43 |
What is it? |
| 01:19:45 |
What did I say? |
| 01:19:47 |
I was... |
| 01:19:49 |
If you really love someone, |
| 01:19:52 |
you could keep |
| 01:19:58 |
- No. |
| 01:20:01 |
I really feel that if you love somebody |
| 01:20:05 |
then you could never |
| 01:20:10 |
You couldn't even sit on |
| 01:20:14 |
- No. |
| 01:20:16 |
No matter how big or how small. |
| 01:20:23 |
Oh... |
| 01:20:24 |
(Carol Ann) We're saving Mel Gibson. |
| 01:20:30 |
(Carol Ann) Right. Mr Rogers, |
| 01:20:34 |
- And... |
| 01:20:38 |
Yeah, you mustn't forget |
| 01:20:43 |
Bobby Lee, I've been thinking about |
| 01:20:47 |
and I don't want Bobby Ray |
| 01:20:52 |
So go ahead. You can have him. |
| 01:20:54 |
Just take him. He's yours, baby. |
| 01:20:58 |
- Good for you. |
| 01:21:01 |
- What? |
| 01:21:05 |
putting someone else's needs |
| 01:21:10 |
It was step three. |
| 01:21:13 |
Absolutely step three. |
| 01:21:19 |
- Really utterly fabulous. Sit here. |
| 01:21:25 |
Chi Chi... |
| 01:21:29 |
I am so very sorry that I called you |
| 01:21:32 |
a sway-backed, Third World |
| 01:21:36 |
It's all right, baby. I deserved it. |
| 01:21:39 |
And I'm sorry I called you |
| 01:21:41 |
a dinosaur, cellulite, |
| 01:21:49 |
- Forgiven? |
| 01:21:53 |
- You are lovely. |
| 01:21:57 |
Are you serious about Bobby Ray, |
| 01:22:00 |
Baby, you can have him. |
| 01:22:03 |
I've got a broken heart |
| 01:22:06 |
and when one goes out, I just |
| 01:22:13 |
I think I see him. |
| 01:22:16 |
No... Moses. |
| 01:22:19 |
I have lived in apartments that |
| 01:22:24 |
Let's stay positive. Bobby Lee, |
| 01:22:28 |
and look at that videotape there. |
| 01:22:31 |
I know. That is Miss Anne Baxter |
| 01:22:34 |
and those are the moves. |
| 01:22:37 |
(Noxeema) All right, let's see. |
| 01:22:41 |
- I can't. |
| 01:22:44 |
But I'm not Miss Anne Baxter. |
| 01:22:46 |
No one is asking you to be. |
| 01:22:48 |
Just take her strength, her mystery, |
| 01:22:53 |
If you want them to know |
| 01:22:56 |
you've got to let them |
| 01:23:00 |
- Yeah. |
| 01:23:02 |
- Thanks. |
| 01:23:04 |
Time to make the donuts. |
| 01:23:06 |
Chi Chi, he won't like me. |
| 01:23:08 |
Trust me. |
| 01:23:11 |
Baby, you got the look, mami. |
| 01:23:14 |
You certainly do. Do that eye thing |
| 01:23:18 |
That's right. And be honest with him, |
| 01:23:24 |
- Thanks. |
| 01:23:30 |
Momma! |
| 01:23:41 |
Chi Chi? |
| 01:23:43 |
Bobby Ray, come here. |
| 01:23:50 |
Hello? |
| 01:23:52 |
Oh! Hello. |
| 01:23:56 |
Bobby Lee! |
| 01:23:58 |
- Roberta. |
| 01:24:03 |
Wow. You really look pretty. |
| 01:24:08 |
Sure is a pretty dress |
| 01:24:11 |
Oh, this old thing? |
| 01:24:16 |
Well... Roberta... |
| 01:24:19 |
would you...? |
| 01:24:23 |
Wow. You really look good |
| 01:24:27 |
Oh, Bobby Ray, Bobby Ray, Bobby Ray. |
| 01:24:32 |
Would you like to dance with me? |
| 01:24:52 |
I've waited 23 years to ask you this. |
| 01:24:56 |
- May I have this dance? |
| 01:25:58 |
- You know, pumpkins? |
| 01:26:01 |
Sometimes it just takes a fairy. |
| 01:26:24 |
Men, acting like women. |
| 01:26:29 |
Men wanting to be with one another, |
| 01:26:35 |
Their stubbly chins |
| 01:26:43 |
Touching each other. |
| 01:26:46 |
Manly hands... |
| 01:26:51 |
touching swirls of chest hair. |
| 01:26:56 |
An occasional whiff |
| 01:27:04 |
Their low, baritone voices... |
| 01:27:07 |
sighing, grunting. |
| 01:27:12 |
They hold one another |
| 01:27:18 |
Hold one another. |
| 01:27:24 |
Tight. |
| 01:27:48 |
- How you doing? |
| 01:27:52 |
- (Barman) What can I get you? |
| 01:28:05 |
- This your shoe? |
| 01:28:10 |
I'm looking for the person |
| 01:28:23 |
- Now the ratchet. |
| 01:28:28 |
You know, if I can get this to work, |
| 01:28:34 |
Really? That would be wonderful. |
| 01:28:37 |
Of course, I'm sure you'll be wanting |
| 01:28:42 |
for the Strawberry Social |
| 01:28:45 |
- Now, Vida... |
| 01:28:49 |
You know, |
| 01:28:52 |
I wouldn't be lying |
| 01:28:57 |
that I was really gonna miss you. |
| 01:29:00 |
I think it's really important |
| 01:29:08 |
Oh, Carol Ann, I... |
| 01:29:12 |
If we're going to be friends, there |
| 01:29:17 |
- Adam's apple? |
| 01:29:21 |
Adam's apple. |
| 01:29:25 |
Only men have Adam's apples. |
| 01:29:28 |
The first night you came to town, |
| 01:29:30 |
I noticed that you had yourself |
| 01:29:36 |
- Then you know? |
| 01:29:41 |
that I'm very fortunate |
| 01:29:45 |
who just happens to have |
| 01:29:50 |
Let's just see what we got here. |
| 01:29:55 |
- (Engine starts) |
| 01:29:58 |
You did it. Yes! |
| 01:30:02 |
God, I ain't ever gonna be right. |
| 01:30:05 |
(Police radio, indistinct) |
| 01:30:30 |
Ta-da! |
| 01:30:33 |
How do I look? |
| 01:30:35 |
Like the Miami Sound Machine |
| 01:30:40 |
(Dollard) We have the town |
| 01:30:44 |
I know there's drag queens |
| 01:30:47 |
Just come out with your hands up, |
| 01:30:52 |
Oh, what fresh hell is this? |
| 01:30:59 |
(Chi Chi) He doesn't look dead. |
| 01:31:01 |
I know them drag queens is here, |
| 01:31:10 |
None of you good people |
| 01:31:13 |
All I want's them drag queens. |
| 01:31:16 |
Don't protect these freaks! |
| 01:31:19 |
I know they're hiding here, |
| 01:31:21 |
these weirdos coming in here, |
| 01:31:24 |
What? Boys in dresses? |
| 01:31:28 |
Corrupting you |
| 01:31:30 |
changing the way |
| 01:31:34 |
I really don't think |
| 01:31:44 |
Whoever belongs to this shoe... |
| 01:31:47 |
come forward now! |
| 01:32:25 |
There's Miss Vida, come on. |
| 01:32:46 |
I believe that shoe is mine. |
| 01:32:50 |
- You ain't the one. |
| 01:32:53 |
Back off, Virgil. |
| 01:32:57 |
I am a drag queen. |
| 01:33:00 |
I know there's drag queens |
| 01:33:07 |
And I ain't leaving |
| 01:33:13 |
- Can I have my shoe, please? |
| 01:33:18 |
Nothing this pretty could be real. |
| 01:33:21 |
You want to touch my boa? |
| 01:33:23 |
That's my shoe. Ten and a half B, |
| 01:33:27 |
- I'm a boy in a dress. |
| 01:33:30 |
- I'm the drag king. |
| 01:33:33 |
- Arrest us. |
| 01:33:36 |
So you can just |
| 01:33:39 |
- What you so afraid of? |
| 01:33:43 |
You're gonna really regret this. |
| 01:33:46 |
You have no idea how dangerous |
| 01:33:53 |
No idea! You're gonna regret it! |
| 01:33:57 |
All of you are gonna regret it! |
| 01:34:47 |
(Knocking at door) |
| 01:34:52 |
Miss Vida? |
| 01:34:55 |
Auntie Noxee? |
| 01:35:19 |
- Are you hearing this? |
| 01:35:23 |
I didn't even want to come here, now |
| 01:35:28 |
You know, Vida... |
| 01:35:32 |
you were absolutely right. |
| 01:35:35 |
About what? |
| 01:35:37 |
I mean, now I realise that... |
| 01:35:40 |
you gotta take chances. |
| 01:35:43 |
Because you never know, |
| 01:35:46 |
I'm not gonna worry about |
| 01:35:50 |
I'm gonna make Hollywood |
| 01:35:58 |
I would like... |
| 01:36:02 |
Stand up, Vida. |
| 01:36:06 |
I would like... |
| 01:36:09 |
to go to Bala Cynwyd, Pennsylvania |
| 01:36:13 |
and walk into that imitation |
| 01:36:17 |
Stand up, Vida. Stand up. |
| 01:36:19 |
...and I will say, |
| 01:36:24 |
- Go ahead, girl. |
| 01:36:28 |
Approval neither desired |
| 01:36:31 |
"But I will take your acceptance." |
| 01:36:36 |
Me, too. I'm gonna stand up |
| 01:36:41 |
And when I find |
| 01:36:44 |
I'm never gonna let him go. |
| 01:36:46 |
And I don't care |
| 01:36:49 |
Everything I touch |
| 01:36:52 |
- What does she know? |
| 01:36:54 |
And I'm gonna try and find |
| 01:36:57 |
that's a little closer |
| 01:37:11 |
Idiots! Look at them! |
| 01:37:15 |
Look at them. Perverts. |
| 01:37:18 |
When the founding fathers wrote |
| 01:37:23 |
and the Constitution, |
| 01:37:25 |
"Liberty and justice for all", |
| 01:37:29 |
I can tell you one thing about them |
| 01:37:32 |
- What's that? |
| 01:38:13 |
You'd better feel it. |
| 01:38:32 |
This is my Aunt Martha's dress. |
| 01:38:34 |
I thought you could use it, |
| 01:38:37 |
- Thank you, girl. |
| 01:38:42 |
Listen to your Auntie Vida. |
| 01:38:47 |
imagine good things and moisturise, |
| 01:38:51 |
Miss Noxeema. |
| 01:38:53 |
Miss Clara. |
| 01:38:55 |
Now, listen, |
| 01:38:59 |
you give this letter |
| 01:39:03 |
I will. I promise you. |
| 01:39:07 |
Thank you. I'm gonna miss you. |
| 01:39:10 |
I'm gonna miss you, too. |
| 01:39:12 |
- Goodbye. |
| 01:39:20 |
I hope she leaves me those albums |
| 01:39:24 |
- All right. Can I hear it? |
| 01:39:28 |
Sounds wonderful. The shirt is fierce |
| 01:39:32 |
Take care. Be good to yourself. |
| 01:39:35 |
Vaya con Dios, Miss Chi Chi. |
| 01:39:37 |
You ruin my language |
| 01:39:40 |
- These all grow wild around here. |
| 01:39:46 |
This reminds me of Princess Laritza |
| 01:39:50 |
Everybody thought she was dead |
| 01:39:52 |
but she had taken |
| 01:39:55 |
- Anyway, bye-bye. |
| 01:40:01 |
Vida... |
| 01:40:07 |
Come with us. Please? |
| 01:40:11 |
Oh, Lord. |
| 01:40:14 |
If you had any idea |
| 01:40:19 |
just thinking about |
| 01:40:22 |
But it's my home. |
| 01:40:26 |
Besides, I got these girls to raise. |
| 01:40:29 |
I know. |
| 01:40:34 |
I love you, Miss Vida Boheme. |
| 01:40:43 |
I've waited my whole life to hear |
| 01:40:49 |
And I'm very, very, very happy... |
| 01:40:52 |
that you're the one to say them. |
| 01:41:01 |
What...? |
| 01:41:06 |
I have a lovely idea. |
| 01:41:14 |
I want you to have this. |
| 01:41:18 |
I don't know if |
| 01:41:20 |
It's Julie Newmar. I always thought |
| 01:41:25 |
My feelings exactly! |
| 01:41:31 |
- Well... |
| 01:41:43 |
Vida! |
| 01:41:47 |
I don't think of you as a man. |
| 01:41:49 |
And I don't think of you |
| 01:41:53 |
I think of you as an angel. |
| 01:41:57 |
I think that's healthy. |
| 01:42:50 |
(Announcer) Ladies and gentlemen. |
| 01:42:54 |
The winner of this year's |
| 01:43:09 |
(Noxeema) Step four. Larger than life |
| 01:43:18 |
(Announcer) Miss Chi Chi Rodriguez! |
| 01:43:40 |
Presenting the crown, |
| 01:43:42 |
Miss Julie Newmar! |
| 01:43:55 |
Subtitle : MovieCT |
