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Tootsie en
00:01:01	That's right.
00:01:09	Keep looking!
00:01:12	You don't feel so good now, do you?
00:01:15	See, you let it out. Out!
00:01:26	I feel like an idiot.
00:01:28	Not so fast, not so fast. Slower.
00:01:30	Slower.
00:01:33	Good, good.
00:01:35	Keep it specific.
00:01:37	Still a little tension in the mouth.
00:01:40	Good, good.
00:01:42	Okay, make her work peripherally.
00:01:49	Michael...
00:01:51	...Dorsey, is it?
00:01:52	Yes, that's right.
00:01:54	Mr. Dorsey, would you turn
00:01:58	Yes, I believe you mean
00:02:01	Sorry, the second scene
00:02:03	Second scene of the first act. Right.
00:02:07	Yes, of course.
00:02:14	Oh, sweetheart, do you know what
00:02:17	...seeing the empty pillow where...
00:02:20	Wait! Cover your breasts. Kevin is
00:02:25	I'm a woman. Not Felicia's mother.
00:02:29	Thanks very much.
00:02:33	Mom! Dad! Uncle Pete, come quick!
00:02:36	Something's wrong with Biscuit!
00:02:39	We're looking for someone younger.
00:02:41	"They have dinner..." Can I start again?
00:02:46	The reading was fine.
00:02:48	I can be taller.
00:02:50	No. We're looking
00:02:53	Look. I don't have to be this tall.
00:02:56	See, I'm wearing lifts.
00:02:59	I know, but we're looking
00:03:02	I can be different.
00:03:04	We're looking for somebody else.
00:03:07	What do you care more
00:03:09	The part's the most important thing.
00:03:13	With improvisation, you're the writer.
00:03:17	...they decide where the highs are,
00:03:21	And you may not be high where
00:03:23	You may not be low where they're low.
00:03:26	You may be high on "but."
00:03:30	Of course, they were doing it
00:03:32	...the same as everybody
00:03:34	But the question is in
00:03:37	What were they doing for dough?
00:03:40	You and me were advancing our
00:03:44	So when all hell broke loose,
00:03:48	...and figured, "What the hell?
00:03:52	...who the hell do you
00:04:00	Pardon me, is my acting
00:04:03	Don't play a part that's not in you.
00:04:06	Don't say "he" or "she" like you did
00:04:11	When you were doing
00:04:13	If you can't make the part yourself,
00:04:16	Sergeant.
00:04:17	Quick! Get a priest!
00:04:19	No, sergeant, no priest.
00:04:20	- But you're dying, Count Tolstoy.
00:04:23	In the name of the Father,
00:04:26	...I commit your soul to God.
00:04:30	- My friends...
00:04:32	But I wonder if you could move center
00:04:39	Why?
00:04:40	The left side of the house
00:04:46	You want me to stand up and walk
00:04:50	...while I'm dying?
00:04:53	I know it's awkward,
00:04:56	- Why?
00:04:59	Because you say so?
00:05:01	Yes, love.
00:05:03	Not with me as Tolstoy.
00:05:06	You gotta work.
00:05:08	There's no excuse for not working.
00:05:10	There's no excuse.
00:05:13	There was unemployment when
00:05:16	And it's not changed.
00:05:18	You got 90-95% unemployment.
00:05:21	You're an actor.
00:05:24	There is no work.
00:05:28	Two tortellinis,
00:05:31	Ordering: Veal chop, medium,
00:05:34	One scrod underdone.
00:05:36	- What's the rest?
00:05:39	- How'd it go?
00:05:40	- Did you rewrite the last scene?
00:05:43	How is it?
00:05:45	It'll change theatre as we know it.
00:05:47	We'll work on it
00:05:49	That's my flounder.
00:05:51	- That is my flounder.
00:05:53	- Ordering: One flounder...
00:05:56	I eat these things so if the
00:06:00	...I can say, "Yeah, I eat his food."
00:06:04	You rewrote the necktie scene? Good.
00:06:07	- Without the necktie?
00:06:10	- With the necktie?
00:06:11	The necktie's wrong. You take the
00:06:16	- What's wrong with you?
00:06:19	What's wrong is it's depressing
00:06:22	It's depression.
00:06:24	Today's your birthday,
00:06:27	Don't start. I'm a character actor.
00:06:32	- That's very good.
00:06:34	Instead of trying to be Michael Dorsey,
00:06:39	...why not just try to be
00:06:41	I am Michael Dorsey.
00:06:44	- Say it like you mean it.
00:06:48	Surprise!
00:06:57	Speech! Speech! Speech!
00:06:58	Wait, wait, wait, wait! Wait a minute.
00:07:01	First a toast.
00:07:02	To Michael Dorsey, who makes you
00:07:07	Being unemployed!
00:07:10	To Michael...
00:07:11	...who's been my friend for six years.
00:07:14	Was it that long?
00:07:16	And who is my coach.
00:07:19	He's a great coach, a great actor.
00:07:22	This is a really dumb speech.
00:07:25	Happy birthday!
00:07:49	- How you doing? Michael.
00:07:51	You an actress? Terrific face.
00:07:55	I don't want a full house
00:07:58	I want 90 people who just came out
00:08:03	These are people who are alive
00:08:07	...until they dry off.
00:08:09	I wish I had a theatre that
00:08:16	Strasberg said you create
00:08:18	- Uta said that.
00:08:20	The point is, Sandy and I are raising
00:08:25	We're going to do it.
00:08:28	Look at Emily!
00:08:31	You can do it in the Poconos.
00:08:33	You're sitting around saying,
00:08:37	Isn't she cute?
00:08:38	He loves children.
00:08:41	You make it!
00:08:44	I was looking at you.
00:08:47	- Sometimes.
00:08:50	- You saw that?
00:08:52	You have a great singing voice.
00:08:55	I felt there was an aura
00:08:57	I'm not kidding.
00:08:59	I'll tell you about yourself.
00:09:03	- Why are you so wired?
00:09:07	That's it? Nothing more?
00:09:09	Yeah, it hurts me. Be the last one
00:09:13	Fine. All right.
00:09:14	Will you? Serious?
00:09:16	Give me a hug.
00:09:18	Thank you for liking me.
00:09:19	I don't like it when people say...
00:09:22	..."I really dug your message, man."
00:09:24	Or, "I really dug your play, man.
00:09:28	You know?
00:09:30	I like it when people come up to me...
00:09:32	...the next day...
00:09:34	...or a week later and they say...
00:09:36	..."I saw your play.
00:09:39	What happened?"
00:09:41	I've got it under control. I'll feed
00:09:44	I can't make it. My roommate
00:09:48	- You can't make it?
00:09:51	- Give me your phone number.
00:09:53	- I thought you changed it.
00:09:57	Good point.
00:10:02	- Didn't anybody hear me?
00:10:04	I've been trapped for half an hour.
00:10:06	What kind of a party is this?
00:10:08	God, you guys are having
00:10:10	Sorry.
00:10:12	I'll remember that if I ever
00:10:17	- It's nice, Michael.
00:10:21	Who is that?
00:10:22	- Mallory. She's married to John.
00:10:30	I did a thing about suicides
00:10:34	And nobody cared. Nobody showed.
00:10:37	And I think the American Indian
00:10:42	...as John and Ethel Barrymore...
00:10:44	...and Donny and Marie Osmond.
00:10:46	I think it's really sad...
00:10:48	...but I think that, nowadays,
00:10:51	...they don't even dream in their
00:10:55	And that's sick.
00:10:56	I had a good time.
00:10:59	It was late, and I wanted it
00:11:02	I invited 10 people.
00:11:04	You met 40 new people.
00:11:07	I heard nice things about you.
00:11:09	- Thanks, Jeff.
00:11:11	- Happy birthday.
00:11:12	- One of the five people I knew.
00:11:15	Thank you.
00:11:20	Excuse me, Miss Right?
00:11:30	Good night.
00:11:32	My date left with someone else.
00:11:37	Come on, I'll take you home.
00:11:40	I did have a good time.
00:11:42	You didn't.
00:11:45	That's okay. It's cheaper to
00:11:47	The fares are really
00:11:50	- Why didn't you have a good time?
00:11:53	- What's wrong?
00:11:55	What?
00:11:57	- What?
00:12:00	I just cry like this, like a tic.
00:12:03	Tell me what's wrong,
00:12:06	Nothing's wrong, Michael.
00:12:09	You're worried about your audition.
00:12:12	- Because I'm not going to get it.
00:12:15	- Because I'm completely wrong for it.
00:12:20	A woman!
00:12:21	You don't have a man,
00:12:24	You're wrong, Dr. Brewster.
00:12:27	Wait a minute.
00:12:29	...because he's a big doctor, right?
00:12:31	But don't take that.
00:12:34	Show me.
00:12:35	You're doing a Southern accent?
00:12:37	You're wrong, Dr. Brewster.
00:12:41	I can't do it as good as you.
00:12:43	You can! Just turn the tables
00:12:46	You're wrong.
00:12:49	Where am I off?
00:12:50	- I don't know what you're playing.
00:12:54	You told me to turn the tables.
00:12:57	This is rage?
00:12:59	I have a problem with anger.
00:13:01	You do. But there's 100 other
00:13:04	...who don't, who aren't
00:13:07	Who aren't afraid to stick
00:13:10	- Don't get mad!
00:13:12	- I'm not a doormat!
00:13:14	You're wrong, Dr. Brewster. I am...
00:13:17	Go on.
00:13:18	- You're wrong, Dr. Brewster...
00:13:21	You're wrong.
00:13:24	And I'm proud of this hospital.
00:13:25	And before I see it destroyed
00:13:28	Have the anger. Don't show it to me.
00:13:30	...I'll recommend you be
00:13:32	- Don't lose it.
00:13:34	- Don't whine like you're second-rate.
00:13:38	Not bad.
00:13:39	Did you feel how much I hated you?
00:13:41	- You really felt it?
00:13:44	How can I get it back tomorrow?
00:13:48	I'll pick you up at 10:00
00:13:55	Bruce Fortune to Telecine.
00:13:58	- Bennett?
00:14:01	Stanz?
00:14:07	I'm supposed to look like this?
00:14:08	- That is what you look like.
00:14:10	Good.
00:14:12	No sequins, Alfred.
00:14:15	Jacqui? As soon as Ron gets here, in.
00:14:19	Lester.
00:14:20	Lester. Sandy Lester?
00:14:21	Yes, here.
00:14:25	Stop it!
00:14:27	Bye-bye. Good morning, ladies.
00:14:30	Please bring your résumés
00:14:32	Wish me luck.
00:14:34	- Fuck you.
00:14:35	- Go.
00:14:38	Here you'll recognize your favorite
00:14:42	...including John Van Horn,
00:14:46	...since the first episode aired
00:14:49	Now we'll head into Studio B,
00:14:56	Andrew Donovan,
00:14:59	I didn't get it.
00:15:00	- What?
00:15:02	- They wouldn't let you read?
00:15:07	They want somebody tougher.
00:15:09	I'll walk you.
00:15:10	To San Diego?
00:15:12	- What are you talking about?
00:15:15	I hate it here!
00:15:16	God! I'm 34!
00:15:20	All I do is buy things...
00:15:22	I wasn't gonna resort to this,
00:15:26	Excuse me, is Terry Bishop here?
00:15:27	No, Mr. Bishop is rehearsing
00:15:31	He's what?
00:15:33	He's rehearsing The Iceman Cometh
00:15:35	That was my part.
00:15:39	I got to see somebody.
00:15:43	Will he be back?
00:16:05	- Is George Fields in?
00:16:07	Now, wait a minute.
00:16:18	Michael, he's tied up right now.
00:16:22	Hang on. Will you wait outside?
00:16:25	This is a coast.
00:16:27	Oh, boy.
00:16:28	Sy, are you...
00:16:30	God... Look what you...
00:16:32	Get him back.
00:16:34	What is it, Michael?
00:16:36	Terry Bishop's doing Iceman.
00:16:40	You told me I'd get a reading for that.
00:16:44	- Stuart Pressman wants a name.
00:16:46	Michael Dorsey is a name,
00:16:51	Wait, wait, wait!
00:16:54	It was a rotten thing to say.
00:16:57	Terry Bishop is on a soap.
00:17:00	That qualifies him to ruin Iceman?
00:17:04	- I played that part in Minneapolis.
00:17:09	People are in this business
00:17:11	- I'm in it to make money too.
00:17:14	The Harlem Theatre for the Blind?
00:17:17	Wait a minute.
00:17:20	I got great reviews from the critics.
00:17:24	God forbid you should lose
00:17:27	You think I'm a failure?
00:17:29	I will not get sucked
00:17:32	I will not.
00:17:32	I sent you my roommate's play to read.
00:17:36	Where do you come off sending me
00:17:40	I'm not your mother.
00:17:43	I field offers.
00:17:45	Who told you that?
00:17:47	I could be terrific in that part.
00:17:50	- Nobody's going to do that play.
00:17:52	It's a downer about a couple
00:17:56	But that actually happened.
00:17:56	Nobody wants to watch people
00:18:00	They can see that in Jersey.
00:18:02	I don't want to argue about it.
00:18:06	Send me up for anything.
00:18:08	I'll do dog commercials.
00:18:12	- I can't put you up for that.
00:18:14	Because no one will hire you.
00:18:17	I bust my ass to get a part right!
00:18:19	And you bust everybody else's ass too!
00:18:22	Who wants to argue about
00:18:24	...walk when he's dying
00:18:28	That was two years ago,
00:18:31	They can't all be idiots.
00:18:33	You've got one of the worst
00:18:37	Nobody will hire you.
00:18:40	Are you saying that nobody
00:18:44	Nobody in Hollywood will either.
00:18:48	You played a tomato, and they went over
00:18:52	Yes, it wasn't logical.
00:18:54	You were a tomato! A tomato
00:18:57	So if he can't move,
00:19:01	I was a stand-up tomato.
00:19:04	Nobody does vegetables like me!
00:19:07	I did the best tomato,
00:19:09	I did an endive salad that knocked
00:19:14	I'm trying to stay calm here.
00:19:16	You are a wonderful actor.
00:19:19	Thank you.
00:19:20	But you're too much trouble.
00:19:23	Get some therapy.
00:19:25	Okay, thanks. I'm gonna raise
00:19:29	Michael, you're not
00:19:32	No one will hire you.
00:19:35	Oh, yeah?
00:20:05	Dorothy Michaels?
00:20:07	- Yes.
00:20:08	- Yes.
00:20:10	Please bring your pages
00:20:16	I hate this line,
00:20:20	This is Dorothy Michaels.
00:20:22	That's our producer, Rita Marshall.
00:20:27	That's impressive.
00:20:31	I'm afraid you're not right for
00:20:34	Page 205, you want camera one or two?
00:20:37	- Camera two, and tell Art.
00:20:40	I'm trying to make
00:20:43	...and I'm looking for
00:20:47	Mr. Carlysle, I'm a character actress.
00:20:52	I'm sure you're a very good actress.
00:20:54	It's just that you're not
00:20:56	Not threatening enough?
00:20:58	Take your hands off me or
00:21:01	- Is that enough of a threat?
00:21:04	I think I know what you want.
00:21:08	To prove some point like
00:21:11	...or masculine women are ugly.
00:21:13	Well, shame on any woman
00:21:17	And that means you, Miss Marshall.
00:21:19	Shame on you, you macho shithead.
00:21:23	Jesus!
00:21:26	What is idiotic about power
00:21:31	Not that that was my point.
00:21:35	Miss Michaels, just a minute.
00:21:39	Was that for real
00:21:42	Which answer will get me
00:21:45	Well, good for you.
00:21:46	Come.
00:21:49	- Miss Michaels.
00:21:55	You really think she's worth testing?
00:21:57	She told me no director had ever
00:22:02	She said that?
00:22:04	I like her...
00:22:06	...accent.
00:22:18	- I gotta get these back in order.
00:22:27	I'm a little nervous.
00:22:29	Just think of them
00:22:31	Like a firing squad.
00:22:38	Miss Michaels, we're going to
00:22:42	Let me have a right profile, camera 1.
00:22:45	What side?
00:22:47	Left side.
00:22:48	Which way for your left?
00:22:50	- What?
00:22:53	Wait. What are you talking about?
00:22:56	Your left.
00:22:57	Miss Michaels, nobody's talking to you.
00:23:00	I'm sorry.
00:23:02	- Not so close on camera 3.
00:23:06	Make her look a little more attractive.
00:23:09	- How do you feel about Cleveland?
00:23:11	That's good right there, Herbie.
00:23:13	Dorothy, honey, we're going
00:23:17	Let me see exactly
00:23:20	Cue her, Jo.
00:23:22	"I know the kind of woman
00:23:25	You're getting older. You don't have
00:23:29	Shut your mouth right now. When you
00:23:33	You don't get personal.
00:23:37	I'm proud of being a woman,
00:23:40	I'm proud of this hospital,
00:23:43	And I must tell you, before I let it
00:23:48	...by your callous inhumanities, sir...
00:23:50	...I'm going to recommend
00:23:56	Good day, Dr. Brewster.
00:24:00	I said good day, sir.
00:24:06	Thank you.
00:24:09	Tough cookie.
00:24:10	I gave her that direction.
00:24:12	Something more, though.
00:24:14	I don't know. It's your decision,
00:24:19	I like it.
00:24:21	We'll send the contracts to George.
00:24:30	Excuse me. Could you help me?
00:24:35	This is the Russian Tea Room.
00:24:38	Oh, well, my stars! So it is.
00:24:40	Well, this is very embarrassing.
00:24:43	Yeah, well, this is it.
00:24:45	Thanks very much.
00:24:53	Good afternoon, Mr. Fields.
00:24:59	- The waiter will be just a minute.
00:25:02	Hey, Ronnie. How are you?
00:25:12	- Hi.
00:25:14	I'm new in town, and I'm lonely.
00:25:17	You can't come...
00:25:20	Don't. It's okay.
00:25:21	George. George. George.
00:25:25	Your favorite client. How are you?
00:25:30	- Oh, no, no, no...
00:25:31	- Swear to God.
00:25:34	Oh, God! I begged you to get therapy.
00:25:36	- You also said no one would hire me.
00:25:41	I got a soap.
00:25:43	I'm the new woman administrator on
00:25:46	Congratulate me! They thought
00:25:49	- Something from the bar?
00:25:53	For the lady?
00:25:55	How about a Dubonnet with a twist?
00:25:57	- Thank you. Lovely blouse.
00:26:00	- Welcome.
00:26:02	- I got away with it. Look around.
00:26:06	I mean, I just don't
00:26:08	- You want to bet?
00:26:11	- You know Joel Spector.
00:26:16	I talked to Stuart yesterday.
00:26:18	He'll be one more week in London.
00:26:22	- I missed you!
00:26:24	You're such a tickly-wickly. You
00:26:29	- We haven't been introduced.
00:26:32	- I'm sorry.
00:26:33	- Sorry. This is Michael...
00:26:37	May I say that you are
00:26:40	- Producer.
00:26:42	...on the Broadway scene today.
00:26:44	Thank you.
00:26:47	- Hope to see you again.
00:26:50	- Fine.
00:26:51	He's handsome.
00:26:54	- You are psychotic!
00:26:56	- I got the whole world...
00:26:58	- I won't make fun of you.
00:27:02	- Loan me $1000 till payday.
00:27:04	For what? I gotta have something
00:27:24	I won't let you not buy it.
00:27:27	I think it makes me look dumpy.
00:27:29	Because you're wearing ankle straps.
00:27:34	Taxi! Taxi! Taxi!
00:27:36	Thank you, thank you.
00:27:38	What are you doing?
00:27:51	Thank you.
00:27:52	Those women were like animals.
00:27:56	I was afraid to fight for it.
00:28:01	The woman that finally bought
00:28:04	Now I don't have a decent handbag.
00:28:07	You know what this lingerie cost?
00:28:09	How does a woman keep herself
00:28:12	Can I have more cottage cheese?
00:28:14	- You wore this today?
00:28:17	Easy, easy, easy.
00:28:18	I'm dieting. Please.
00:28:20	I gotta get up at 4:30,
00:28:22	I told the studio I do my own makeup
00:28:26	I appreciate your doing this,
00:28:30	It's not so you can wear
00:28:32	I'm not even gonna answer that.
00:28:38	You know what my problem is?
00:28:40	Cramps.
00:28:42	No, not cramps.
00:28:44	Sandy.
00:28:46	How can I tell her they cast a man
00:28:49	Don't tell her.
00:28:51	Where will I say I got the money?
00:28:53	What am I going to do? Tell her
00:28:57	- My God! When did she die?
00:28:59	Of what?
00:29:00	A disease.
00:29:02	Gee, what a coincidence.
00:29:05	I mean, your needing $8000 and
00:29:09	- Isn't it?
00:29:10	- All right, kid.
00:29:12	- Learn your lines.
00:29:15	This is the greatest part!
00:29:16	I want to take you to dinner.
00:29:20	- To Return to the Love Canal.
00:29:23	- I'll jump in the shower.
00:29:39	Why, yes.
00:30:11	You know, we can stay here
00:30:15	- What are you doing?
00:30:21	Sandy, I want you.
00:30:24	You want me?
00:30:25	I want you.
00:30:27	I want you.
00:30:32	- Will I ever see you again?
00:30:36	I know. But sex changes things.
00:30:39	I've had relationships where I
00:30:42	...and then I bump into him and
00:30:45	That's not me.
00:30:48	I know there's pain in every
00:30:53	Otherwise, I'll wait by the phone...
00:30:55	...and then I'll have pain
00:30:57	It's a waste of time.
00:30:58	Let's make it definite.
00:32:01	Mom?
00:32:04	What do you think?
00:32:08	Turn around.
00:32:11	Smile.
00:32:13	- Say something.
00:32:17	You look very nice. Nice.
00:32:18	But the hair's not right.
00:32:20	You got a Howard Johnson's thing going.
00:32:22	Do something. I can't be late
00:32:27	- Easy, easy!
00:32:30	- Okay?
00:32:32	Well, it works.
00:32:35	But what?
00:32:36	Don't play hard to get.
00:32:40	Taxi! Taxi!
00:32:41	Taxi!
00:32:52	- Dorothy Michaels. Southwest General.
00:32:55	TV 2.
00:32:57	Is that clock right?
00:32:58	- Yes.
00:33:01	Hi, Bobby. This is Miss Michaels.
00:33:04	You'll be in Room 4. We'll need you
00:33:08	- I'm sorry.
00:33:10	- Oh, Jesus.
00:33:12	- I'm April Paige.
00:33:16	- Really?
00:33:18	And that's a very good idea.
00:33:21	- Yeah, well, we got everything.
00:33:24	Just push all that out of the way.
00:33:30	Yes?
00:33:32	One more thing, Miss Michaels.
00:33:35	Oh, are these for today?
00:33:37	They always throw stuff
00:33:40	- My goodness!
00:33:42	- I have to kiss Dr. Brewster!
00:33:45	We call him "The Tongue."
00:33:49	Okay, quickly. Now, the tubes
00:33:53	Julie, there's an alert
00:33:56	Rick, get on the floor.
00:33:58	When Julie starts stuffing
00:34:02	...you grab her hard.
00:34:05	Yes. He's been crazy
00:34:07	You're delirious.
00:34:10	- Mr. Carlysle, I...
00:34:12	Could I have
00:34:17	Now, when you grab her,
00:34:21	Good. Is my violin somewhere
00:34:24	Your violin sunk.
00:34:28	The violin fell through the ice.
00:34:30	He was playing during the thaw.
00:34:33	You're Dorothy Michaels, aren't you?
00:34:35	I'm John Van Horn.
00:34:38	We're up next.
00:34:45	When he grabs you,
00:34:48	You know you've got to get those
00:34:52	But you also realize
00:34:54	...whose music was everything to Anthea.
00:34:58	This is a man who stood by you
00:35:02	Get me a bagel and cream cheese.
00:35:04	- Julie, you want anything?
00:35:08	So it's a struggle, but you're
00:35:12	- And I lose, right?
00:35:14	Now, then, Rick, it says when she
00:35:18	...it inflames your desire.
00:35:20	God knows, it inflames mine.
00:35:23	Okay, Big John.
00:35:25	Dorothy, come in here.
00:35:27	This is Dorothy Michaels,
00:35:30	Hello, Dorothy.
00:35:32	Hi! We met the other day.
00:35:35	No! Now, Mr. Carlysle...
00:35:37	I'm sorry, but we have so little time,
00:35:40	I'm gonna show you your marks,
00:35:45	Big John, you'll enter from here,
00:35:48	...you cross to here and cry loudly,
00:35:53	Yes, I see. Will it be
00:35:56	And who do I say that to?
00:35:59	Nurse Charles.
00:36:01	I thought when Dr. Brewster...
00:36:03	You will enter from here,
00:36:05	I know my mark.
00:36:08	The corridor scene will be played
00:36:11	See, I just wanted to ask
00:36:14	Places, please.
00:36:18	Five, four, three...
00:36:23	Anthea!
00:36:25	Oh, Anthea!
00:36:26	Freeze up.
00:36:31	Nurse Charles! Are you insane?
00:36:34	I'm Emily Kimberly,
00:36:37	Nurse Charles, what on earth
00:36:41	Help me get her to her feet,
00:36:44	John's going.
00:36:47	Nurse Charles, tend to your patient
00:36:51	- Yes, Miss...
00:36:53	Dr. Brewster...
00:36:55	...you and I must talk.
00:36:56	- Rita, you want to keep rolling?
00:37:00	- You haven't changed, Emily.
00:37:03	You know, Emily, there's no reason
00:37:08	We can rule Southwest General together.
00:37:10	I admire people with power.
00:37:13	Women with power, especially.
00:37:18	God, she hit him on the head.
00:37:21	- and not consider it a threat?
00:37:23	I'm afraid that you have
00:37:26	If you want to win me over,
00:37:29	...and not my lips.
00:37:30	- Cut it.
00:37:32	- I was supposed to kiss her.
00:37:35	Remember what you said about
00:37:38	It was a good instinct.
00:37:41	Wait. I'll handle the instincts here.
00:37:43	It happened to be a good
00:37:45	But next time you want to change
00:37:51	Yes. I was wrong not to.
00:37:53	Good girl.
00:37:55	Big John, wonderful!
00:37:56	All right, people.
00:37:57	Item seven. In the corridor.
00:38:01	Thanks for catching me.
00:38:02	You saved my ass. Literally.
00:38:06	Dorothy...
00:38:07	...I just want to say I loved what you
00:38:12	Well, you know, you were good too...
00:38:23	Can I have your autograph?
00:38:26	You're so great.
00:38:28	Wonderful! Oh, thank you!
00:38:30	Thank you. That was an
00:38:32	- Tell me about it next week.
00:38:35	Julie, come on, baby.
00:38:37	Can we drop you?
00:38:40	- No, thanks. I feel like walking.
00:38:55	She's a very attractive girl.
00:38:57	And no dummy.
00:39:00	...I cannot understand why she
00:39:03	He treats her like she's just...
00:39:05	...nothing!
00:39:06	I think you're right.
00:39:08	I'm rewriting the necktie scene
00:39:11	He's condescending.
00:39:13	He doesn't even know my name.
00:39:15	He calls her "baby."
00:39:17	He pushed me around. If not for
00:39:21	How'd you communicate with him?
00:39:24	He told me what he wanted.
00:39:26	I did it my way. He bawled me out.
00:39:33	I think Dorothy's smarter than I am.
00:39:35	I just wish I looked prettier.
00:39:39	Maybe I can just get a softer...
00:39:41	...hair or something,
00:39:45	- Don't answer that!
00:39:48	- It could be for Dorothy. Please.
00:39:52	The show has to contact me
00:39:55	I'll find out.
00:39:56	They can't think Dorothy lives
00:40:00	It could be for me.
00:40:02	I can't!
00:40:05	If it's Diane, how do I
00:40:07	I'll get a service tomorrow.
00:40:11	When you were playing Cyrano and you
00:40:15	...I didn't say anything.
00:40:17	When you were hopping around,
00:40:20	...saying this was a bell tower,
00:40:22	But I don't see why I should
00:40:26	...just because you're not
00:40:28	That's weird.
00:40:31	- Where are you going?
00:40:33	That way if anybody wants to reach me,
00:40:37	What do you think I'm doing this for?
00:40:44	I told you to give me
00:40:46	Sandy, I'm sorry.
00:40:50	I just don't have the energy.
00:40:52	I didn't forget.
00:40:54	Do you have a fever?
00:40:56	How much? Go right to bed
00:40:59	...bundle up, sweat, and drink liquids.
00:41:01	Above all, take 1000 units of
00:41:29	Did you give Melanie
00:41:31	I don't know.
00:41:35	Don't be so hard on Dr. Brewster.
00:41:38	I have to be tough.
00:41:41	Dorothy, you're so bad.
00:41:43	- You look just the way you look.
00:41:48	I want you to meet my dad, Les.
00:41:50	- It's nice to meet you.
00:41:53	I just love your daughter to pieces.
00:42:07	I can't write any clearer
00:42:11	- What about those?
00:42:13	For me, for Dorothy. Not exactly,
00:42:16	- A little overstated.
00:42:19	Jesus!
00:42:20	- That's her.
00:42:30	You got it.
00:42:33	8:30.
00:42:36	I will not forget.
00:42:49	"Things are better since you
00:42:52	- "We're so grateful to you."
00:42:54	- "For your help and advice."
00:42:59	"What kind of mother wouldn't
00:43:03	"Tips."
00:43:05	Tips.
00:43:06	You'll find you picked
00:43:10	It was you who pro...
00:43:13	I don't trust a man
00:43:15	I don't trust it in a bank teller
00:43:18	And I certainly don't trust it
00:43:22	You provoked this confrontation.
00:43:24	You're an incredibly
00:43:26	Stop thinking of me as a woman
00:43:30	That's what Southwest General
00:43:34	And have Nurse Charles
00:43:39	- Push in for a close-up.
00:43:41	Okay, hold it there.
00:43:43	- And cut it!
00:43:47	Dorothy, it was wonderful
00:43:50	You controlled me completely.
00:43:52	Thank you, but you had
00:43:55	Hold it. Good news, children.
00:43:56	Our brilliant engineers have
00:44:00	So we have to retape
00:44:05	It's either that
00:44:08	I think we should tape it.
00:44:10	That's a wrap. See you bright
00:44:28	- Good night, Dorothy.
00:44:33	That's some day, huh?
00:44:36	What? Oh, you mean about
00:44:39	Tell me, does that happen often?
00:44:41	Every once in a while.
00:44:45	Live!
00:44:46	You should have seen Van Horn's face.
00:44:50	...we had to shoot him from the back.
00:44:53	- Want some wine?
00:44:56	I have to wash my hair.
00:44:59	- Dorothy?
00:45:01	Listen, I know this is exactly
00:45:05	...but we've got 26 pages,
00:45:08	...if you could come over and
00:45:12	I could make you something to eat.
00:45:15	Night, Fay.
00:45:16	I'm a born defroster.
00:45:18	You don't have a thing to wear?
00:45:20	- She's seen me in all these.
00:45:23	What, this? You cannot wear white
00:45:27	- You couldn't wear pants?
00:45:31	- What about this?
00:45:33	The lines make me look hippy...
00:45:35	...and it cuts me across the bust.
00:45:39	We're getting into a weird area.
00:45:41	This is smart.
00:45:43	Looks like you should
00:45:46	This may seem silly to you,
00:45:49	I want to look pretty for her.
00:45:52	Hi.
00:45:55	- Glad you like it.
00:45:56	- Brought you something.
00:45:59	It wasn't nothing.
00:46:02	Come in.
00:46:04	What a big apartment.
00:46:06	- What a lovely, lovely room.
00:46:09	- Yes, it's yummy.
00:46:12	Before, no money.
00:46:14	- Amy is asleep. Finally.
00:46:18	Miss Nichols, that child is never
00:46:23	Thank you, Mrs. Crawley.
00:46:25	- Dorothy, Mrs. Crawley.
00:46:28	Nice meeting you.
00:46:30	- Scares the shit out of me.
00:46:32	Drop your coat here.
00:46:36	- Who is it?
00:46:38	And she hates me.
00:46:39	Who's Amy?
00:46:40	My daughter.
00:46:42	She was 14 months old last week.
00:46:44	I didn't know you had a baby.
00:46:47	You got any kids, Dorothy?
00:46:50	- Were you ever married?
00:46:53	I was engaged once, though,
00:46:57	...whose career was cut short by
00:47:01	- They killed him?
00:47:04	Sutton gave up acting, and me as well.
00:47:07	He's working now as a waiter
00:47:12	I don't want to talk about it.
00:47:13	Maybe you'd like some wine?
00:47:15	No, I think I'd better keep sharp
00:47:19	You mind if I ask you a question?
00:47:22	Do you worry about using so much
00:47:26	I don't worry.
00:47:27	I have a little...
00:47:29	...moustache problem I'm sensitive to.
00:47:32	Probably just too many
00:47:37	Some men find that attractive.
00:47:39	I know, I know. I just don't like
00:47:47	So you're divorced?
00:47:49	I've never been married.
00:47:53	Perhaps I'll have
00:48:03	Tell me about Ron.
00:48:05	- How much time have you got?
00:48:08	Well, Ron...
00:48:10	Ron is, hands down, the best
00:48:14	Did they tell you
00:48:17	If anybody calls it a soap opera,
00:48:20	It's how she got her car.
00:48:22	You're not telling me
00:48:25	That's nighttime drama.
00:48:29	Oh, you mean he's...
00:48:32	You mean you have a good relationship.
00:48:35	What's a good relationship, Dotty?
00:48:39	- Oh, please do.
00:48:43	We got things in common.
00:48:44	You know a guy who wants a woman
00:48:47	...is unconscious by nine
00:48:50	But how does he treat you?
00:48:53	Oh, that!
00:48:55	- You think I do this without a plan?
00:48:58	There are a lot of men out there.
00:49:03	When I find the one who can
00:49:06	...that's when I make my move.
00:49:17	My lines sound like subtitles
00:49:20	Try answering as if the question
00:49:23	What do you mean?
00:49:24	I'll ask a question.
00:49:28	Why do you drink so much?
00:49:30	When you grow up as I did, an orphan
00:49:35	...you have few illusions.
00:49:37	- There you go.
00:49:39	You got it.
00:49:40	Thanks, Dorothy.
00:49:44	Why do you drink so much?
00:49:46	Because it's not fattening...
00:49:48	...and it's not good for me.
00:49:53	You telling me to mind
00:49:54	I just don't think you
00:49:58	- It's nice of you, but...
00:50:05	It's all so complicated, isn't it?
00:50:07	- What?
00:50:09	Don't you find being a woman
00:50:13	Extremely.
00:50:15	- You know what I wish, just once?
00:50:19	That a guy could be honest enough
00:50:22	..."Hey, I'm confused about this too.
00:50:25	I could lay a big line on you,
00:50:29	...but the simple truth is,
00:50:32	...and I'd really like to make love
00:50:36	- Wouldn't that be a relief?
00:50:39	Sheer heaven.
00:50:41	Ron was supposed to come over
00:50:46	He never showed up.
00:50:47	Oh, my Lord!
00:50:50	It's 10:30.
00:50:51	I gotta go.
00:50:52	Listen, forgive me for rushing off.
00:51:13	The dinner is burned.
00:51:14	I'm sorry I'm late.
00:51:17	...and the water turned off...
00:51:19	...and I got soap in my eyes.
00:51:22	I had to go to five stores to get
00:51:26	Michael, I saw her.
00:51:27	What? You saw who?
00:51:29	When you were late,
00:51:32	I waited outside and I saw that
00:51:36	Fat woman?
00:51:38	The one in the raincoat.
00:51:41	Oh, that woman!
00:51:44	She came over to help him
00:51:48	They've known each other for years.
00:51:51	You think she's fat?
00:51:51	Well, it was dark but, yes,
00:51:55	When did Jeff start
00:51:58	She's an excellent typist.
00:52:00	Look, I'm not having
00:52:03	It's impossible.
00:52:06	I don't want to make trouble.
00:52:08	I shouldn't have people over.
00:52:11	I'm sorry. I feel guilty.
00:52:15	Don't do that. Don't apologize
00:52:18	You should be furious.
00:52:21	You've been great to me.
00:52:23	You helped me with the audition
00:52:27	That soap!
00:52:31	Did you see that cow they hired?
00:52:33	Cow?
00:52:35	They must've gone a different way.
00:52:37	She is awful.
00:52:41	Well, I heard she was pretty good.
00:52:43	Baloney!
00:52:46	She's supposed to be tough, right?
00:52:48	She's not tough.
00:52:51	Maybe it's the lines.
00:52:53	Well, I think she should.
00:52:55	They couldn't be any worse.
00:52:57	I can't move out, Miss Kimberly.
00:52:59	I have no place to go.
00:53:02	I don't know what to do.
00:53:07	Don't tell me your husband beats you,
00:53:11	- Why should you move?
00:53:13	Three's up. Ready one.
00:53:15	You know what I'd do
00:53:17	I'd pick up the biggest thing
00:53:22	...bash their brains
00:53:24	...the top of their skull before
00:53:29	Well, I can't afford therapy,
00:53:32	Who said anything about therapy?
00:53:35	- Cut it, Ron.
00:53:36	Wait a minute. Her line is
00:53:39	Wait a second.
00:53:41	May I say in my own defense...
00:53:42	...to tell a woman
00:53:46	...and a husband who beats
00:53:49	...to move into a welfare center
00:53:52	...horseshit!
00:53:55	- I can't act with this.
00:53:58	Ron?
00:54:15	I'm partially to blame, Miss Kimberly.
00:54:18	I know I'm pretty, and I use it.
00:54:21	I guess I shouldn't have gone
00:54:25	No, that's not true.
00:54:27	Dr. Brewster has tried to seduce
00:54:31	...claiming to be in the throes
00:54:34	Do you know what?
00:54:37	I'm going to give every nurse
00:54:41	...and instruct them to just zap
00:54:45	Cattle prod?
00:54:46	Ruby. Hi, do you want to
00:54:50	...under the section
00:56:00	I am Dorothy. Nobody's writing her.
00:56:04	You're Michael acting Dorothy.
00:56:05	It's the same thing.
00:56:09	Why can't you get me a special?
00:56:14	- You have nothing to say to women.
00:56:18	I've been an unemployed
00:56:21	I know what it's like to wait
00:56:24	Then when I finally get a job,
00:56:28	If I could impart that experience
00:56:30	There are no other women
00:56:33	Yes, I realize that, of course.
00:56:37	- We shouldn't argue about this.
00:56:41	I could do Medea, Ophelia, Lady Macbeth.
00:56:46	Get the writers at the agency...
00:56:48	I could do a great Eleanor Roosevelt.
00:56:50	We can do the
00:56:52	The Eleanor Roosevelt story?
00:56:54	What's the matter with that?
00:56:56	Phil Weintraub's party is Saturday.
00:56:59	Have a good time.
00:57:02	- He never invited me to a party.
00:57:05	He did a fabulous job on your eyes.
00:57:08	I can't blink for a week. Really.
00:57:10	- I don't like it here.
00:57:20	- What do you want?
00:57:25	What is this?
00:57:29	Hi. What would you like?
00:57:31	Give me two...
00:57:33	- Two what?
00:57:40	- I'm sorry...
00:57:48	- Can I get you something?
00:57:52	You don't remember me?
00:57:53	When I came in, I thought
00:57:57	- What's your name again?
00:58:00	Call Pamela Green, my agent.
00:58:01	Paramount's interested.
00:58:05	I'll read it after the first.
00:58:06	Actually, I'm not that crazy
00:58:09	I'm having a rewrite done.
00:58:13	Call Pamela.
00:58:15	Do you have a light?
00:58:18	- How've you been?
00:58:19	- Good.
00:58:23	Silly me, I already had dinner.
00:58:25	I didn't know there'd be so much food.
00:58:28	It's for my dog.
00:58:29	He likes fruit.
00:58:32	Mike Dorsey.
00:58:35	Great view, huh?
00:58:37	Only Phil could afford all those lights.
00:58:41	You know...
00:58:42	...I could lay a big line on you...
00:58:45	...and we could do a lot of
00:58:49	...is that I find you
00:58:52	And I'd like to make love to you.
00:58:54	You know?
00:58:59	As simple as that.
00:59:12	I understand who you really are.
00:59:14	And I'll no longer submit to your
00:59:18	It's not necessary now that
00:59:21	Now that someone who sees
00:59:23	Listen, doctor, I've filed charges
00:59:27	You'll be notified tomorrow.
00:59:29	- And cut it.
00:59:31	It's a good one.
00:59:34	Perfect.
00:59:36	- That was great.
00:59:38	- Lovely job. First-rate.
00:59:41	Thanks to my coach.
00:59:42	No, you did it yourself.
00:59:44	- Was it okay?
00:59:46	So much for the
00:59:48	Let's move on to item 17.
00:59:52	I'll need Alan, Tom and John.
00:59:55	Tootsie, take 10.
00:59:56	Ron?
00:59:58	My name is Dorothy.
00:59:59	It's not Tootsie or Toots
01:00:02	- Oh, Christ.
01:00:05	Alan's always Alan, Tom's always Tom
01:00:08	I have a name too. It's Dorothy,
01:00:13	Dorothy.
01:00:16	Excuse me, doctor.
01:00:31	Did somebody die?
01:00:32	- Violinist.
01:00:35	He wasn't.
01:00:41	I'm sorry about what
01:00:44	- I was upset.
01:00:47	Why?
01:00:50	Well, the baby and I are gonna
01:00:53	It's not exactly the fast lane,
01:00:58	Maybe you'd like to come along?
01:01:02	You know, since my dad met you,
01:01:07	Is Ron coming too?
01:01:09	Would that make a difference?
01:01:13	Actually...
01:01:14	...I think he has to stay
01:01:19	If it matters...
01:01:21	...I've always hated women who treat
01:01:26	It's not that, really.
01:01:29	I'd just like you to come.
01:01:30	I just don't want to get up too soon
01:01:35	Isn't there some way we could rehearse
01:01:39	We will. Right after the weekend.
01:01:42	Thanks. Bye-bye.
01:01:44	You know where my pink nightgown is?
01:01:47	- Listen to me.
01:01:48	Stop packing.
01:01:50	Don't do this.
01:01:51	- Why?
01:01:53	In two weeks, if I ever see Julie again,
01:01:56	...and she'll probably
01:01:59	- How can you keep lying to Sandy?
01:02:03	I never told Sandy I wouldn't
01:02:06	If I told her, it would hurt her
01:02:10	Especially since Julie and I
01:02:13	I'm just afraid you'll
01:02:16	I don't believe in hell.
01:02:48	- Wait! Let me get those.
01:02:53	- Strong little thing, aren't you?
01:02:57	Come on, Dorothy.
01:03:00	- Careful coming up here.
01:03:05	Here we are.
01:03:09	I'll set up the crib in a second.
01:03:11	Unpack your bags and we'll...
01:03:13	Wait. Are we sharing?
01:03:15	The upstairs is shut off.
01:03:18	No matter what, you'll sneak back
01:03:23	He still thinks I'm 12.
01:03:26	Which side do you want?
01:03:28	I think the one closest
01:03:30	I won't take up much room.
01:03:42	Take it between your thumb
01:03:44	Let every finger roll down
01:03:48	My goodness.
01:03:51	You'll be all right.
01:05:34	Special up here, isn't it?
01:05:37	I'm glad you came.
01:05:41	Can I tell you something?
01:05:42	Sweetheart?
01:05:45	Ron is on the phone.
01:05:47	Hi. I'm sorry.
01:05:49	- What, Dorothy?
01:05:52	- I think I'll put her down.
01:05:55	Gets a little chilly out here.
01:05:57	- No, I was just...
01:06:01	Thank you.
01:06:03	Thank you.
01:06:11	I wonder if we're going to get
01:06:15	I've got my stars.
01:06:17	You and Julie.
01:06:47	- It's beautiful.
01:06:50	It's wonderful for a lady
01:06:53	Quit. Mama insisted.
01:06:54	- Who wants another drink?
01:06:57	- Remember Injun Joe.
01:06:58	Don't you tell that story.
01:07:00	- This bar Daddy hangs out in...
01:07:03	He and Injun Joe threw back
01:07:05	Hard liquor.
01:07:06	They thought they saw this elk.
01:07:08	They stalked it for a couple hours.
01:07:10	They cornered it up
01:07:13	About the time they were ready
01:07:16	It was a cow?
01:07:18	Enough laughing at your old man.
01:07:20	You know this one?
01:07:25	Wait a minute.
01:07:53	- Bravo!
01:07:56	Mary Juliet Cooper.
01:08:00	Well, I'm going to bed.
01:08:02	Do you wanna hit the hay,
01:08:05	I think I'll... You and...
01:08:09	- I'll stay up.
01:08:13	Well, I'm going.
01:08:14	- Good night.
01:08:16	Good night, Dad.
01:08:17	Sleep well.
01:08:20	Be good.
01:08:24	- Nice girl, isn't she?
01:08:26	I'm kind of glad Ron didn't come up.
01:08:29	You know I am too, actually.
01:08:31	Really?
01:08:32	- I'm sorry. Please, sit down.
01:08:35	I thought you'd be more like
01:08:39	You know, I'm not really
01:08:42	I mean, it's just a part.
01:08:45	Don't get me wrong.
01:08:48	Women ought to be entitled to
01:08:52	Except...
01:08:53	...sometimes I think
01:08:56	Like men are all equal
01:09:00	Can I get you another drink?
01:09:02	I must keep my wits tonight.
01:09:04	Tonight?
01:09:05	Well, always.
01:09:06	I remember years ago...
01:09:08	...there wasn't talk about
01:09:11	You just were what you were.
01:09:14	Now they have all this stuff about
01:09:17	...so you can all be the same.
01:09:22	Not on a farm, anyway.
01:09:24	Bulls are bulls,
01:09:27	Never.
01:09:32	My wife and I, we were
01:09:35	People got it all wrong.
01:09:36	They say your health
01:09:39	But I can lift this house off the
01:09:42	Being with someone.
01:09:43	Sharing.
01:09:45	That's what it's all about.
01:09:50	- Julie says you're not married.
01:09:52	Like another drink?
01:09:53	- No.
01:09:55	Yes. Well, you know what?
01:10:00	- Thanks for staying up and talking.
01:10:07	You have beautiful eyes.
01:10:08	Oh, well, thank you.
01:10:11	Good night, Les.
01:10:58	Daddy's a little out of
01:11:00	No. Very sweet, very sweet.
01:11:04	He sees things pretty simply.
01:11:08	You're either happy or unhappy.
01:11:10	Married or not married.
01:11:13	There's nothing in between.
01:11:23	I tried to get him to take out
01:11:28	You know, she must have been
01:11:32	I guess so.
01:11:37	I remember her helping me
01:11:43	I'd chosen one with great big,
01:11:47	And she said to me...
01:11:49	..."Just remember that once
01:11:52	...it's gonna cover the walls
01:11:58	So I tried to imagine what those big,
01:12:03	...on all the walls of my room...
01:12:06	...every night when I was
01:12:08	...and every morning
01:12:12	So I said to her,
01:12:18	And she said, "The one with
01:12:23	...because daisies
01:12:29	...and rosebuds are so cheerful
01:12:35	That's lovely.
01:12:38	I made a million plans
01:12:46	I was always waiting
01:13:09	That's nice.
01:13:12	My mother used to do that too,
01:13:21	- Good night, Julie.
01:13:40	Cathy Campbell,
01:13:42	It says "cool."
01:13:45	Don't you think I should be angry?
01:13:48	Yes. Why don't you try that?
01:13:50	This just came to
01:13:54	- I think it's from Julie's father.
01:13:57	Now don't you dare eat any.
01:14:01	What a thoughtless present
01:14:03	Chocolates!
01:14:05	Dorothy Michaels,
01:14:08	You're a complicated lady.
01:14:10	On the one hand,
01:14:14	I've got one of the most
01:14:17	I owe myself a quarter.
01:14:20	And you've got him
01:14:22	I don't mean to.
01:14:23	However, we're getting
01:14:26	...and we've picked up
01:14:30	And it's largely due to you.
01:14:32	You are the first woman character
01:14:36	Who asserts her own personality
01:14:39	You're a breakthrough lady for us.
01:14:41	We're picking up your option for
01:14:46	Come on, Mike. What do you mean,
01:14:50	There's no way out.
01:14:52	What? Who gave them that?
01:14:54	You signed the standard contract.
01:14:57	But I didn't know I'd be working
01:15:00	You gotta make it work.
01:15:02	They'll pay. They'll go from
01:15:05	You get me out of this,
01:15:09	Tell them what?
01:15:10	That you put a network on the spot?
01:15:12	You're making a fool out of women?
01:15:15	My secretary wants to be like
01:15:19	We're talking major fraud here.
01:15:24	What about me? You think anybody
01:15:27	It's not just ruining yourself.
01:15:32	You can't do it.
01:15:35	- Can you take that many Valium?
01:15:38	Maybe your contract has
01:15:41	If Dorothy did something filthy or
01:15:46	But you've already done everything
01:15:57	Dorothy, it's Julie.
01:15:59	There's sort of an emergency.
01:16:04	...but if you get a chance,
01:16:07	- Are you sure you wanna do this?
01:16:11	I've been fooling myself about Ron
01:16:15	I guess I really wanted you here
01:16:18	Although I did fire Mrs. Crawley today.
01:16:22	- Want a drink?
01:16:25	I'd buy a ticket to that.
01:16:27	You have influenced me though.
01:16:31	Julie, I don't want
01:16:33	Why shouldn't you influence me?
01:16:35	You wouldn't compromise your
01:16:38	...or live this kind of lie.
01:16:40	Well, no, I wouldn't.
01:16:41	Of course not. And you're right.
01:16:44	I deserve something better.
01:16:48	But I've always been too lazy
01:16:52	Don't be so hard on yourself.
01:16:54	What the hell?
01:16:57	Maybe not happily, but honestly.
01:17:00	Sounds like something you'd say.
01:17:02	You mustn't idealize me. Honesty,
01:17:07	My father's coming.
01:17:09	If he calls, don't say
01:17:11	He's coming tonight.
01:17:13	Me?
01:17:15	Oh, God!
01:17:17	It's Ron.
01:17:19	Oh, Dorothy, God bless you.
01:17:21	Wish me luck now.
01:17:23	Always.
01:17:24	I feel that little moustache.
01:17:33	How're you doing?
01:17:37	What's going on?
01:17:38	Dorothy's gonna sit with Amy.
01:17:40	- I'll be right back.
01:17:44	Hi, honey.
01:17:46	You don't mind if I call you honey
01:17:56	Nice dress.
01:17:58	Thank you.
01:18:00	You don't like me, do you?
01:18:03	I can respect that...
01:18:05	...but there's not many women
01:18:09	Why don't you like me?
01:18:11	I don't like
01:18:13	Oh?
01:18:14	I don't like the way you patronize her,
01:18:19	What do you mean?
01:18:20	You want me to go on?
01:18:22	No, I know what you mean.
01:18:25	Look, I never promised Julie I'd be
01:18:31	But I know she doesn't want
01:18:34	...so I lie to her
01:18:36	That's very convenient.
01:18:39	No, wait a minute.
01:18:42	See, if a woman
01:18:46	...I usually do.
01:18:47	But then she pretends I promised her
01:18:52	In the end, I'm the one
01:18:55	Bullshit, Ron!
01:18:57	You know what?
01:18:59	I understand you a lot better
01:19:01	Really?
01:19:03	I'm ready.
01:19:07	- Julie's ready.
01:19:11	Dorothy, she never wakes up.
01:19:13	But if she does,
01:19:17	Give her a couple spoonfuls.
01:19:19	I'm sure she...
01:19:22	Don't be silly. How much trouble
01:19:25	It's okay.
01:19:30	Oh, please don't cry.
01:19:34	Oh, I love you.
01:19:35	Look how much fun we're having.
01:19:41	It's all right. It's all right.
01:19:43	It's okay.
01:19:45	Please don't cry.
01:19:48	Oh, come on.
01:19:51	Funny clown's talking to...
01:19:54	Come on, Amy.
01:19:56	Amy...
01:19:59	Here, come on.
01:20:02	You told me to open up this one.
01:20:10	Gotcha! Gotcha!
01:20:12	You want a little more apricot?
01:20:14	Don't do that anymore.
01:20:17	You'll go to sleep after this.
01:20:19	Just try this one,
01:20:23	I don't like you.
01:20:27	Amy, look at this.
01:20:30	She'll have to paint the kitchen.
01:20:32	Here, look at yourself.
01:20:59	Dorothy?
01:21:02	I'll be right there.
01:21:08	How's Amy? Any trouble?
01:21:09	Oh, not at all.
01:21:11	Are you all right?
01:21:13	Fine.
01:21:26	What's the matter?
01:21:42	Tell the truth now.
01:21:45	No.
01:21:47	Why?
01:21:49	Who am I going to have dinner with?
01:21:52	Oh, God! I hate myself
01:22:00	- You know something funny?
01:22:02	And I don't want you
01:22:06	But since I met you, I'm so grateful
01:22:10	And yet, at the same time...
01:22:12	...I've never felt lonelier
01:22:17	It's as though I want something
01:22:22	You know what I mean?
01:22:30	Do you?
01:22:39	- Dorothy?
01:22:40	- My God!
01:22:42	Don't say anything.
01:22:44	- There's a reason.
01:22:46	That's not the reason.
01:22:49	- Just wait a minute.
01:22:51	- It's me.
01:22:52	- No, it's me.
01:22:54	I'm not well-adjusted enough.
01:22:56	I'm sure I've got the same impulses.
01:22:59	Don't jump to conclusions about
01:23:03	If you could just see me
01:23:06	What? What?
01:23:07	That's my father!
01:23:10	- Tell him.
01:23:11	That I...
01:23:15	Hi, Dad.
01:23:17	Fine.
01:23:18	I'm here with Dorothy.
01:23:21	I can't tonight, Daddy.
01:23:25	You've got to see him.
01:23:28	- Please don't make me do this.
01:23:31	- I can't.
01:23:42	Hi, Les.
01:23:46	Tonight, sure.
01:23:51	- What'll you have?
01:23:53	- Water and bourbon.
01:23:56	Scotch and bourbon.
01:23:59	I'd like to...
01:24:00	- Let's dance.
01:24:01	- It's my favorite dance.
01:24:05	- You'll love it.
01:24:06	- Follow me. Follow me.
01:24:11	You know what? I'd...
01:24:17	- Just relax.
01:24:19	- My wife and I took a course.
01:24:23	- Emily, we love you.
01:24:26	- Just wonderful.
01:24:28	- You're even prettier in person.
01:24:34	I'm sorry. I forgot that
01:24:37	- Come on, sit down.
01:24:41	- Thank you.
01:24:43	I was happy you could
01:24:46	I know you usually
01:24:48	- There's something I'd better say.
01:24:52	Wouldn't it be funny
01:24:55	It'd be hilarious.
01:24:57	Well, mine's pretty simple.
01:25:03	I only took two pictures in my life...
01:25:05	...my high-school graduation
01:25:09	My wife stood next to me in both.
01:25:10	I never thought I'd want anybody
01:25:14	That changed last weekend.
01:25:16	- Lester.
01:25:17	- Lesley...
01:25:19	I gotta do this in one go
01:25:21	I know this is kind of quick,
01:25:24	Never did believe in
01:25:28	Don't say anything now...
01:25:30	I know it's fast.
01:25:33	If you say no, at least I'll feel
01:25:36	Would you mind?
01:25:38	I'd like to start thinking it over
01:25:47	Dorothy?
01:25:50	This is a nightmare.
01:25:52	Don't be angry.
01:25:54	- How'd you know where I live?
01:25:57	- What? Followed me home?
01:26:01	- Could I come up for a drink?
01:26:05	Please! I'll only take
01:26:09	I'll see you on the set tomorrow
01:26:14	Go home.
01:26:44	Shh! Are you out of your
01:26:48	Come on up!
01:26:50	Hurry before someone
01:26:53	Jesus!
01:26:58	Come in, but you can
01:27:00	Can I have a drink?
01:27:05	- Just one drink and I'll go.
01:27:10	Nice mirror.
01:27:19	Here.
01:27:21	What is it that couldn't wait?
01:27:24	I'm just an untalented
01:27:28	Were you ever famous?
01:27:29	- No.
01:27:33	I love the way you never let me
01:27:39	- Dorothy...
01:27:41	- I want you.
01:27:43	- I've never wanted a woman this much!
01:27:47	Turn me away, it'll kill me!
01:27:49	- I don't want emotional involvement.
01:27:52	- I don't want to hurt you.
01:27:54	Oh, shit!
01:28:02	John Van Horn, Jeff Slater.
01:28:07	Jeff Slater, John Van Horn.
01:28:10	How do you do?
01:28:10	How do you do?
01:28:13	- I'll be going.
01:28:21	- Gee, I hope I haven't...
01:28:24	I want you to know, for the record...
01:28:28	...that nothing happened here tonight.
01:28:34	Thank you, John.
01:28:39	I'm sorry, Dorothy.
01:28:41	I didn't understand.
01:28:46	Please don't talk about this.
01:28:47	My lips are sealed.
01:28:57	You slut!
01:28:58	Look, don't start in with me.
01:29:01	Rape is not a laughing matter.
01:29:05	That guy wanted me.
01:29:06	You cannot believe
01:29:10	- I think I can imagine.
01:29:12	I saw his eyes.
01:29:14	If you don't come in,
01:29:17	How did you ever let him in?
01:29:19	What do you mean?
01:29:22	- Is he that good a singer?
01:29:24	That's him!
01:29:25	Say I'm in the bedroom crying.
01:29:28	Michael.
01:29:30	It's Sandy.
01:29:31	Sandy?
01:29:33	I can't let her see me like this.
01:29:35	I hear you in there.
01:29:37	Open the door. It's me, Sandy.
01:29:41	- Sandy, is that you?
01:29:42	What time is it?
01:29:46	I was having a nightmare
01:29:48	Mike's in the shower.
01:29:50	I'm in the shower!
01:29:53	I'm not dressed.
01:29:56	You were in my dream.
01:29:59	I had big what?
01:30:00	- I gotta get something on.
01:30:04	I'm in the shower!
01:30:06	It's stuck! I got soap in my eyes
01:30:10	I can't come out
01:30:13	Open the door!
01:30:16	I can hear you in there, you guys.
01:30:21	- Open this door.
01:30:23	You must think I'm really stupid.
01:30:25	No one would say it to your face.
01:30:27	I've been out there for 10 minutes.
01:30:32	Well, Mike was in the shower.
01:30:34	- Hi, I was taking a shower.
01:30:37	- Good shower?
01:30:39	Why haven't you returned
01:30:42	I'll go do some writing.
01:30:45	Wait, I'll be back.
01:30:47	Pigs!
01:30:48	I'm glad you came over.
01:30:52	- I suppose this means nothing's wrong?
01:30:56	I've called you all week
01:30:59	- You treat me like I'm a jerk.
01:31:01	- I called and you didn't call back!
01:31:04	My new answering machine is no good.
01:31:08	- I went to six stores for your favorite.
01:31:13	That's sweet.
01:31:15	Oh, yeah. No, no!
01:31:18	I was very angry when I wrote that!
01:31:20	"Thank you for the lovely night
01:31:23	Missing you, Les."
01:31:27	This isn't for me.
01:31:30	I wouldn't give you
01:31:33	- Then, whose is it?
01:31:35	A guy named Les sends you candy?
01:31:37	Yes. He's a friend of mine.
01:31:41	Why is he thanking you for
01:31:46	My mind's a blank.
01:31:51	Are you gay?
01:31:54	In what sense?
01:31:55	Just be honest with me.
01:31:59	Because these stories
01:32:03	No matter how bad the truth is...
01:32:05	...it doesn't tear you apart inside
01:32:08	At least it leaves you with
01:32:12	You're right.
01:32:16	Okay. Okay.
01:32:20	I'm not gonna lie to you anymore.
01:32:23	I'm gonna tell you the truth.
01:32:27	I'm in love with another woman.
01:32:31	What are you saying?!
01:32:32	- Sandy, please. Don't...
01:32:34	We never said "I love you."
01:32:36	- We went to bed one time.
01:32:38	You're a dear friend. But let's not
01:32:42	We're gonna lose everything!
01:32:44	I don't care about "I love you!"
01:32:47	...and The Cinderella Complex!
01:32:51	I just don't like to be lied to!
01:32:53	You asked me
01:32:55	I didn't say
01:32:58	- What can I do?
01:33:01	I just have to feel like this...
01:33:03	...and you have to know
01:33:06	- Aren't we still friends?
01:33:08	I don't take this shit from friends,
01:33:11	- Wait, what about the play?
01:33:13	I should tell you to shove your play.
01:33:16	But I won't, because
01:33:19	...to ruin my
01:33:21	I am a professional actress!
01:33:25	So, are these real
01:33:29	I think so.
01:33:32	- See you at rehearsal.
01:33:34	Don't call me.
01:33:38	It's 2 a.m.
01:33:40	I don't care.
01:33:43	- It's impossible.
01:33:46	You hurt my feelings.
01:33:48	I told her about Julie.
01:33:51	- Julie thinks your gay?
01:33:54	Well, sleep with her.
01:33:56	- I did and she still thinks I'm gay.
01:33:59	I gotta get back to my life.
01:34:02	...there must be a way to get
01:34:05	- We've been through this.
01:34:09	We can use our imaginations.
01:34:11	Kill somebody and bring back the stiff,
01:34:15	- They don't miss a trick.
01:34:19	Since when do you care so much
01:34:23	You should have seen Julie's face
01:34:27	Lesbian?
01:34:29	Sandy thinks I'm gay.
01:34:31	- I thought Dorothy was straight.
01:34:34	Les, the sweetest man in the world,
01:34:38	A guy named Les
01:34:40	Yeah.
01:34:42	- He knows she's a lesbian?
01:34:44	- I know that, but does he?
01:34:46	That...
01:34:49	You know he gave me a ring?
01:34:52	What did you say?
01:34:54	"I got to think it over."
01:34:56	I went in the ladies' room
01:35:00	Thirteen's up.
01:35:02	Widen E.
01:35:05	- Cut it.
01:35:07	We're gonna take
01:35:10	Hold it, hold it!
01:35:14	Our future ex-tape editor spilled
01:35:18	...on the second reel
01:35:20	So we have to redo
01:35:23	- Live?
01:35:25	You have 26 minutes.
01:35:27	- But Rita...
01:35:30	Well, I don't see
01:35:32	Just because it's a little sticky.
01:35:42	Explain to them that
01:35:46	No...
01:35:54	Can I call you back?
01:36:01	My God, Dorothy! I just...
01:36:04	It's for Amy.
01:36:06	Oh, thanks.
01:36:09	That's nice.
01:36:10	- I don't know how to say this...
01:36:14	I understand that you weren't able
01:36:19	So it'd be better for all of us
01:36:24	Look, I wouldn't be honest
01:36:27	...how much you've meant to me
01:36:31	You taught me how to stand up
01:36:37	You taught me to stop hiding
01:36:41	...because you're always yourself.
01:36:44	I'm grateful to you.
01:36:48	But...
01:36:50	Well, I just...
01:36:53	I just can't see you anymore,
01:36:59	I just feel it would be leading you on.
01:37:06	I really love you, Dorothy.
01:37:08	But I can't...
01:37:11	I can't love you.
01:37:13	Places, everybody.
01:37:16	Fifteen seconds to commercial.
01:37:20	I don't care how you get there.
01:37:22	This is the most important night
01:37:24	We're all going to be there
01:37:35	Stand by.
01:37:37	Stand by.
01:37:38	Twenty-two and 23
01:37:41	Hold it.
01:37:43	Five, four, three...
01:37:50	Let's raise our glasses to our
01:37:58	We're looking forward to having
01:38:02	...for many years to come.
01:38:09	Thank you, Gordon.
01:38:12	I never in my wildest dreams...
01:38:14	...imagined that I would be the object
01:38:25	It makes it more difficult for
01:38:32	I do feel it's time
01:38:35	I didn't come here
01:38:38	I came to this hospital
01:38:40	What score?
01:38:42	My father built
01:38:44	But to his family...
01:38:46	...he was an unmerciful tyrant.
01:38:49	Oh, no! Not live.
01:38:51	Let's see where she goes.
01:38:52	He drove my mother to drink.
01:38:53	In fact, she went riding one time
01:38:57	What? What?
01:38:59	- the oldest daughter, the pretty,
01:39:03	...at 15 and was driven
01:39:05	She was so terrified that her daughter
01:39:10	...she changed her name and contracted
01:39:18	...after moving to Tangiers, where
01:39:23	But her one ambition...
01:39:25	Any preference of shots
01:39:27	- was to become a nurse.
01:39:29	So she returned to the States
01:39:33	...at Southwest General.
01:39:36	She worked here
01:39:38	...wherever she saw injustice
01:39:40	Don't you understand that,
01:39:43	I never laid a hand on her.
01:39:44	Yes, you did. She was shunned
01:39:48	Give me something, one.
01:39:50	Two and three go left and right.
01:39:52	No, two go left!
01:39:54	Her outspokenness threatened
01:39:57	But she was deeply, deeply,
01:40:01	...by her brother.
01:40:03	This brother,
01:40:05	...swore to the good Lord above
01:40:09	And, and, and...
01:40:13	...just, just, just...
01:40:16	Don't, don't, don't panic.
01:40:18	...owe it all up to her!
01:40:22	Here come the terms.
01:40:23	As a woman...
01:40:25	...and just as proud to be a woman...
01:40:28	...as she ever was...
01:40:32	...for I am not Emily Kimberly...
01:40:35	...the daughter of Dwayne...
01:40:39	...and Alma Kimberly.
01:40:42	No, I'm not.
01:40:45	I'm Edward Kimberly,
01:40:49	Holy Christ!
01:40:51	Edward Kimberly, who's finally
01:40:55	I'm Edward Kimberly.
01:40:57	Edward Kimberly.
01:40:59	- I'll be damned.
01:41:02	...and lucky to be the woman
01:41:07	The best part of myself.
01:41:10	That is one nutty hospital.
01:41:13	I knew there was a reason
01:41:16	Cut it!
01:41:17	Cut!
01:41:35	Does Jeff know?
01:42:27	Hey, Robert.
01:42:38	Hi, Les.
01:42:40	Get him!
01:42:43	All right!
01:42:46	Get him! Get him! Get him!
01:43:29	- I thought you'd want it back.
01:43:33	Give it to me outside.
01:43:46	Why'd you do it?
01:43:49	I needed the work.
01:43:53	The only reason you're still living is
01:43:59	I hope you enjoyed the chocolates.
01:44:03	I gave them to a girl.
01:44:04	So did I. I thought.
01:44:09	Do you like them?
01:44:10	- Chocolates?
01:44:13	I like Julie.
01:44:16	I think I love Julie.
01:44:19	Wearing a dress is
01:44:21	I know. I apologize.
01:44:30	The truth is,
01:44:33	So were you.
01:44:35	I could have done
01:44:38	You know, you're very good.
01:44:41	- I'm seeing a real nice woman now.
01:44:45	You think I didn't check her out?
01:44:50	Can I buy you a beer?
01:44:54	You got six bits.
01:44:58	Can I have a couple of beers?
01:45:04	Does Julie ever mention me?
01:45:19	Taxi!
01:45:27	Thank you.
01:46:00	Hi.
01:46:03	I saw your father.
01:46:07	I drove up to see him
01:46:11	He doesn't hang out there.
01:46:13	Oh, yeah. I forgot.
01:46:16	- How's Amy?
01:46:20	Your dad and I had a couple of beers
01:46:24	We had a really good time together.
01:46:29	How's it going?
01:46:34	Terry Bishop's back on the show.
01:46:36	April lost her license...
01:46:37	- I meant with you.
01:46:45	So you're pretty hot
01:46:48	What's your next triumph?
01:46:49	I'm going to do this play with...
01:46:51	Good. I've gotta catch a cab.
01:46:55	Can I call you sometime?
01:47:03	Look, I don't want to hold you up.
01:47:06	I just did it for the work.
01:47:11	Especially you.
01:47:24	I miss Dorothy.
01:47:28	You don't have to.
01:47:31	She's right here.
01:47:35	And she misses you.
01:47:40	Look, you don't know me from Adam.
01:47:43	But I was a better man with you,
01:47:48	...than I ever was with a woman,
01:47:50	You know what I mean?
01:47:55	I just gotta learn to do it
01:48:03	At this point, there might be
01:48:12	The hard part's over,
01:48:16	We were already...
01:48:19	...good friends.
01:48:30	Will you loan me
01:48:34	Which one?
01:48:37	- The Halston.
01:48:39	Oh, no!
01:48:41	You'll ruin it.
01:48:43	- You'll spill wine all over it.
01:48:46	I'll loan it to you, but you gotta
01:48:51	What are you gonna use it for?

Tootsie