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Top Hat en
00:02:27	I beg your pardon.
00:03:30	Good evening.
00:03:37	- Good evening.
00:03:45	- Has Mr. Jerry Travers come in yet?
00:03:48	He's been waiting for you
00:03:52	The entire evening? Oh, dear.
00:03:55	Thanks.
00:03:56	Begging your pardon, sir.
00:03:58	But is that the Mr. Travers,
00:04:02	It is indeed.
00:04:04	He's come over to star in my show.
00:04:08	Your show, Mr. Hardwick?
00:04:10	I'm producing it.
00:04:12	But I don't want
00:04:14	I want to surprise them.
00:04:16	I'm sure they'll be surprised,
00:04:35	Hello, Jerry. I'm sorry I kept you waiting.
00:04:50	Jerry, there are a lot of things
00:04:53	So I want you to come over
00:05:05	What happened?
00:05:16	Jerry, I forgot to tell you.
00:05:20	I'm sorry, I can't do it.
00:05:21	But you must, old man, really.
00:05:22	You see, at the moment, I'm having
00:05:26	What do you want me to do,
00:05:29	No. You wouldn't know how.
00:05:31	No, you don't understand.
00:05:33	- We've had a bit of a tiff.
00:05:35	- You didn't come to blows or anything?
00:05:38	We're not speaking to each other.
00:05:43	You see, Bates insists that a square tie...
00:05:45	is the only possible tie
00:05:49	A square tie, imagine.
00:05:53	- I think Bates is right.
00:05:56	- Well, then why don't you fire him?
00:06:00	I'm hoping against hope
00:06:03	I hate to interfere
00:06:06	But let's hope he'll approve of me.
00:06:08	There's never any telling with Bates.
00:06:11	There you are.
00:06:13	If you please.
00:06:18	- Good evening, sir.
00:06:20	Allow us to introduce ourselves, sir.
00:06:24	Really?
00:06:26	- We are Jerry Travers.
00:06:30	Thank you, Bates.
00:06:34	At least that was the idea
00:06:37	Whose idea?
00:06:39	Mr. Hardwick's.
00:06:41	His idea.
00:06:46	Welcome anyhow.
00:06:49	Thank you, Bates.
00:06:51	Pardon, sir, but may we make
00:06:55	- Not too personal.
00:06:58	It's merely that we feel impelled
00:07:01	upon your excellent taste in ties.
00:07:12	- They like me.
00:07:15	Where on earth did you ever find him?
00:07:17	From the Salvation Army,
00:07:19	I sent them a pair of very old shoes.
00:07:21	I see. And the shoes came back
00:07:24	And he's been wearing
00:07:27	- How's Madge feeling?
00:07:30	The climate at the Lido
00:07:32	That's fine. Too bad she won't be here
00:07:36	Isn't it? She's heartbroken, really.
00:07:37	However, she's expecting us to fly down
00:07:40	Fly down to Italy for a weekend?
00:07:44	My word, Jerry, you'll have to go.
00:07:47	She's going to have
00:07:49	I suspect there's something in the air.
00:07:51	You know Madge
00:07:54	Is she expecting me
00:07:57	You can't tell. You know how wives are.
00:08:00	No, I don't. How are they?
00:08:02	Wives? They always have a little scheme.
00:08:05	Look here, I think it's about time
00:08:09	- You do?
00:08:10	No, thanks, Horace.
00:08:11	In me you see a youth
00:08:14	No yens, no yearning.
00:10:48	Hello. This is Miss Tremont.
00:10:49	I'd like to speak
00:11:01	Hello. Are you there?
00:11:03	Who? The manager. Yes.
00:11:07	There's a young lady downstairs.
00:11:10	A young lady. At this time of night?
00:11:13	She can't come up here now.
00:11:17	Jerry, go right ahead.
00:11:19	A young lady downstairs
00:12:13	Hello.
00:12:19	Won't you come in?
00:12:22	I'm awfully glad you dropped in.
00:12:24	I dropped up from the room below,
00:12:28	I'm sorry.
00:12:33	You see, every once in a while,
00:12:37	dancing.
00:12:38	I suppose it's some kind of an affliction?
00:12:41	Yes, it's an affliction.
00:12:44	St. Vitus' dance.
00:12:46	And it only occurs at this time of night?
00:12:48	Yes, that's it.
00:12:52	As a matter of fact,
00:12:56	Yes, I can see that.
00:12:57	You probably should have
00:13:02	I think you're very unkind
00:13:04	I'm sorry.
00:13:08	- I wish you wouldn't leave.
00:13:11	I think I feel an attack coming on.
00:13:16	See, there it is.
00:13:20	So I see.
00:13:22	There's only one thing that'll stop me.
00:13:25	You must tell me what it is.
00:13:27	My nurses always
00:13:33	I'll call the house detective
00:13:43	Good night.
00:14:11	What are you doing here?
00:14:14	- Who was the young lady?
00:14:16	That call wasn't for me. It was for you.
00:14:18	Somebody has registered a complaint.
00:14:20	I know. I've just seen the complaint.
00:14:22	She's lovely, she's delightful,
00:14:26	She does?
00:14:27	And I'm going to help her,
00:14:31	No, bring it in here
00:14:34	- What are you going to do?
00:14:47	Look here, what's the idea?
00:14:49	The young lady downstairs wants to sleep.
00:14:51	So you told me.
00:14:52	I've appointed myself her official sandman.
00:14:56	But, Jerry...
00:16:20	What else have you got?
00:16:22	I'm sorry, sir,
00:16:25	You better tell them
00:16:29	They are all to go
00:16:31	That's right.
00:16:35	Her room number is 304.
00:16:43	What's that?
00:16:44	That's for the opening
00:16:48	- Send that up, too.
00:16:51	Why, yes, I may want to order
00:16:56	What's the number of your room, sir?
00:17:00	Just charge it to Horace Hardwick,
00:17:03	Yes, sir.
00:17:08	I wonder what Mr. Beddini
00:17:10	What can he say?
00:17:12	He's been sending her flowers daily
00:17:18	And entre nous...
00:17:20	the desk clerk has intimated...
00:17:22	that Mr. Beddini provides Miss Tremont
00:17:26	including her clothes.
00:17:28	Really?
00:17:30	And her niceties are very nice.
00:17:39	- Good morning.
00:17:40	- I do hope you slept well last night.
00:17:45	I'm sorry. I was hoping...
00:17:46	there was something I could do
00:17:48	That's quite all right.
00:17:50	I thought perhaps I could drive you
00:17:52	No, thank you. I have a hansom cab
00:17:56	With a horse in front of it?
00:17:58	Yes. You see,
00:18:01	They feel the horse is coming back.
00:18:03	Where's he been?
00:18:12	We're leaving tonight.
00:18:14	Yes, Miss Tremont.
00:18:16	He's ordered your baggage
00:18:18	Thank you.
00:18:41	- Driver.
00:18:44	Can't you go any faster than this?
00:18:47	Lord love a duck, miss. I can,
00:18:54	I meant the horse, of course.
00:18:58	It's like this, miss.
00:19:01	on account of having won
00:19:04	Are you trying to tell me
00:19:07	Yes, miss, and I've got his pedigree, too.
00:19:10	As a matter of fact,
00:19:15	Who was his dam?
00:19:17	- I beg your pardon, miss?
00:19:21	I don't know, miss. He didn't give a...
00:19:46	Peekaboo.
00:19:47	Stop this cab at once.
00:19:49	I don't know how.
00:19:51	I've never handled anything
00:19:54	Take it easy, Mavis.
00:19:56	What are we going to do?
00:19:58	In dealing with a girl or horse,
00:20:25	There we are, miss.
00:20:28	I told you the horse
00:20:31	What is this strange power
00:20:35	Horsepower.
00:20:38	Don't I even get any thanks?
00:20:44	Buy yourself a new hat.
00:21:39	Cab, miss?
00:22:05	May I rescue you?
00:22:08	No, thank you, I prefer being in distress.
00:22:18	Charming little spot you have here.
00:22:20	When does the concert start?
00:22:23	Just as soon as you and the rain stop.
00:22:27	Now, please.
00:22:29	You wouldn't like to be
00:22:34	Why should I?
00:22:39	Maybe it's the way I'm dressed.
00:22:46	Are you afraid of thunder?
00:22:49	No, it's just the noise.
00:22:53	You know what thunder is, don't you?
00:22:56	Of course.
00:23:01	It's something about the air.
00:23:06	No, when a clumsy cloud from here
00:23:11	he billows towards her...
00:23:13	she scurries away
00:23:18	She cries a little...
00:23:19	and there you have your shower.
00:23:22	He comforts her.
00:23:24	They spark.
00:23:26	That's the lightning.
00:23:28	They kiss.
00:23:31	Thunder.
00:27:59	Who is sending you this horse's shoe?
00:28:01	How cute.
00:28:02	Alberto, I've seen him.
00:28:06	- Him? Who is this him?
00:28:08	His name is Adam.
00:28:10	You forget this Adam.
00:28:12	You have promised to go with me to Italy.
00:28:14	Your friend Madge Hardwick
00:28:17	There, you will dazzle the eyes
00:28:21	Alberto, I hope you don't mind,
00:28:24	Madre mia. What you say?
00:28:26	My dear, listen to me.
00:28:28	Beddini designs the clothes...
00:28:30	which you wear among your friends,
00:28:32	So that they ask:
00:28:33	"Who is so smart
00:28:36	And you say,
00:28:40	Forget this Adam. Beddini demands it.
00:28:44	Beddini does, does he?
00:28:46	Alberto, up to the present, our relationship
00:28:49	But if you start interfering
00:28:52	I'll go back to America
00:28:55	Now, Dale darling, I'm so sorry.
00:28:59	Go ahead, fall in love with this Adam.
00:29:02	But, as Mrs. Adam, what would you wear?
00:29:06	Fig leaves.
00:29:16	Thank you, sir.
00:29:19	Dale, a telegram for you.
00:29:21	Read it to me, please.
00:29:25	"Come ahead, stop.
00:29:26	"Stop being a sap, stop.
00:29:28	"You can even bring Alberto, stop.
00:29:32	"My husband is stopping
00:29:35	"When do you start, stop. "
00:29:38	I cannot understand. Who wrote this?
00:29:41	Sounds like Gertrude Stein.
00:29:43	No, it's from Madge Hardwick.
00:29:46	She says her husband is stopping
00:29:51	Wonder what kind of man Madge married.
00:29:53	He's sure to have influence.
00:29:56	I'm going to be too busy
00:29:59	Dale, you can't do this.
00:30:01	All my life I have promised my dresses
00:30:04	and you must be in them.
00:30:06	Sorry, Alberto, but I'm unpacking.
00:30:13	Never again will I allow
00:30:31	- Good evening, Miss Tremont.
00:30:33	Mr. Beddini and I have decided to stay.
00:30:35	I'm so glad. Then I'll cancel the order
00:30:37	Thank you. Is there a Mr. Hardwick
00:30:41	Why, yes, Miss Tremont.
00:30:45	Just above you.
00:30:48	- Are you sure?
00:30:53	As a matter of fact,
00:30:55	on the mezzanine.
00:30:56	The gentleman
00:31:10	- Horace, here's a telegram for you.
00:31:12	- It's from Italy.
00:31:15	There's a message in your room
00:31:17	Some trouble about the tickets
00:31:19	Trouble? With the tickets?
00:31:21	My word, Jerry. Why, they wouldn't dare.
00:31:23	Will you hold those things for me please?
00:31:27	All right.
00:31:44	Cab, miss?
00:31:46	When a clumsy cloud meets
00:31:58	We're only trying
00:32:01	We must protect our guests.
00:32:03	She does not need your protection.
00:32:08	There's nothing to investigate.
00:32:12	Will you please ask
00:32:15	You mean to tell me
00:32:17	in front of all those people for nothing?
00:32:19	What would you have done, sold tickets?
00:32:21	I mean, you did nothing,
00:32:24	- Now you're getting it.
00:32:27	One breath of scandal at this time
00:32:30	Why, I'd rather have had it happen
00:32:33	- Lf you enjoy that sort of thing.
00:32:35	Don't be absurd.
00:32:36	I hate men. I hate you. I hate all men!
00:32:41	But cara mia, you make a big mistake.
00:32:43	I am no man.
00:32:45	I am Beddini.
00:32:48	How could he have made love to me
00:32:52	And to Madge of all people.
00:32:55	So, this snake in the grass, this Adam...
00:32:57	already he has eaten the apple?
00:32:59	Yes.
00:33:04	I will kill him for you.
00:33:07	Have you finished packing?
00:33:09	But you do not understand.
00:33:12	We Beddinis have the motto:
00:33:14	For the woman, the kiss.
00:33:16	For the man, the sword.
00:33:22	And what have you got for the children?
00:33:25	Are we leaving or aren't we?
00:33:28	No, you cannot go back to America.
00:33:31	But I can't face his wife.
00:33:33	And why not?
00:33:37	And, after all, you can't avoid seeing
00:33:41	I guess not.
00:33:42	Very well then.
00:33:47	All right. Maybe she ought to know.
00:33:49	Bravo.
00:33:51	But let us stay just till I kill him for you.
00:33:54	Alberto, stop acting like Cellini.
00:33:56	Yes, but it is the family tradition.
00:33:58	Dale, you know, my father killed
00:34:08	You're sure
00:34:10	Positive.
00:34:11	If I ever forgot myself with that girl,
00:34:20	- We're the management.
00:34:25	Oh, dear. Some more
00:34:30	Just a moment.
00:34:32	Jerry, get into my bedroom, quick.
00:34:35	If they ever suspect that you're in this,
00:34:41	Well, gentlemen,
00:34:45	A small matter of great import
00:34:49	I am up here in your interest
00:34:52	- We wish to avoid any scandal.
00:34:56	Yes, in connection
00:34:58	The young lady refuses to divulge
00:35:02	Well, she didn't slap my face.
00:35:06	Who did she slap?
00:35:08	Why, it was... Who?
00:35:11	It was he, my valet.
00:35:13	Me, sir?
00:35:16	Why, of course. Don't argue with me.
00:35:22	Possibly we had been
00:35:27	Of course. You see,
00:35:29	But you said it wasn't you.
00:35:31	Not Mr. Hardwick.
00:35:34	Gentlemen, we take all the blame myself.
00:35:39	And there we are. There you are.
00:35:41	You see, it was just a mistake.
00:35:45	- Thank you, sir.
00:35:46	- Good night.
00:35:48	- Good night.
00:35:53	Bates, thank you.
00:35:56	You know, really,
00:36:00	Thank you, sir. Allow us, sir.
00:36:03	Thank you, Bates.
00:36:05	- Your coat, sir.
00:36:08	This is like old times, isn't it?
00:36:12	It's a pleasure we have missed, sir.
00:36:15	- Thank you, Bates.
00:36:18	How is our lumbago this evening, sir?
00:36:21	- It's so much better, Bates, thank you.
00:36:26	- Bates.
00:36:30	There's a crisis afoot.
00:36:34	I mean, couldn't we forget
00:36:38	Sic transit gloria mundi, sir.
00:36:42	- Bates.
00:36:44	Mr. Travers is in trouble.
00:36:46	He's practically put his foot
00:36:50	But, hornets' nests grow on trees, sir.
00:36:54	Never mind that.
00:36:57	What about rubbing it with butter, sir?
00:37:00	You blasted fool,
00:37:03	My sister got into a hornets' nest
00:37:07	That's the wrong treatment.
00:37:10	Never mind that!
00:37:11	Mr. Travers is in trouble.
00:37:13	It is liable to develop into a scandal
00:37:17	There's a young lady in the room below us.
00:37:19	I've seen her, sir.
00:37:21	I want you to find out
00:37:24	Follow her wherever she goes.
00:37:27	- Never, sir?
00:37:29	- Whither she goes...
00:37:33	Right you are, sir. Whither or thither.
00:37:44	- What happened?
00:37:47	But things are getting involved.
00:37:50	Nonsense. Why should this girl want
00:37:53	Why, for money, of course. Publicity.
00:37:56	I'm going to see her and buy her off.
00:37:58	You're not. If anyone's going to buy
00:38:01	No, you stay right here.
00:38:05	It's probably some little thing you did...
00:38:07	carried away for the moment,
00:38:10	If I did, I'm going right down
00:38:22	Come along, cara mia.
00:38:29	- Get me a taxi, quickly.
00:38:34	Follow that cab.
00:38:37	Come in.
00:38:42	Where's the young lady
00:38:44	She's gone, sir.
00:38:46	- Gone?
00:38:50	You don't mind if I get on with me work?
00:38:52	I gotta get these flowers out
00:38:55	That's all right, go ahead. Go right ahead.
00:39:13	Jerry, do you realize that we have
00:39:16	We've got to get out of here. Come on.
00:39:43	Women do strange things sometimes,
00:39:46	Yes, sir.
00:39:49	- That first act was simply marvelous.
00:39:52	Everybody's crazy about it.
00:39:54	I've got some more good news.
00:39:56	- Did you find out were she's gone?
00:39:59	No, but, Jerry, please.
00:40:02	You don't suppose
00:40:05	I don't think so. They didn't say.
00:40:09	Second act begins, Mr. Travers.
00:40:10	Thanks. I'll be there.
00:40:12	Really, the second act.
00:40:14	I'll be right back as soon as the act is over.
00:40:16	My word, I never read
00:40:19	Isn't it too bad she isn't here tonight?
00:40:21	The biggest night of my life
00:40:23	- What does she say?
00:40:26	Sorry we can't fly down to Italy after
00:40:29	Her little friend is in London,
00:40:32	Her name is Tremont.
00:40:33	Tremont? Wait a minute. Let me see that.
00:40:36	Horace, hire a plane right away.
00:40:39	One minute, Mr. Travers.
00:40:41	You can't do that. The seats were sold out
00:40:44	How long does it take to fly there?
00:40:45	Seven hours. You have to be back
00:40:48	Charter a plane for the weekend,
00:40:51	You're on, Mr. Travers.
00:40:52	I will not jeopardize my position.
00:40:53	If you want this show to run two nights,
00:40:56	- What kind of a plane?
00:46:25	I'll go look for Madge
00:46:53	- Dale, when did you get down?
00:46:56	Good. Have something to drink.
00:47:04	Horse's neck.
00:47:09	- It's grand seeing you.
00:47:11	Now tell me, did my husband look you up?
00:47:15	- Yes.
00:47:20	I think he is very fascinating.
00:47:23	Fascinating?
00:47:24	You know, every once in a while, the effect
00:47:29	He sort of surprised me, too.
00:47:31	I'm glad you liked him.
00:47:35	No. He can't...
00:47:39	What's the matter? Did he flirt with you?
00:47:43	He sent me a room full of flowers.
00:47:46	That was sweet of him.
00:47:50	But, Madge, you don't understand, he...
00:47:54	- He chased me in the park.
00:47:57	I didn't know
00:48:00	Did he catch you?
00:48:03	- Yes.
00:48:08	Why, Madge, you shock me.
00:48:10	Horace flirts with
00:48:12	He doesn't mean anything.
00:48:18	That's a funny way to take it.
00:48:21	My dear, when you are as old as I am,
00:48:25	If you can find them.
00:48:40	And another thing, Jerry.
00:48:41	The gossip at the hotel
00:48:44	was supplying her with everything.
00:48:47	No, Horace, you provided the flowers.
00:48:49	I? I never did anything.
00:48:53	But anyway, as soon as we land,
00:48:56	and I am going to find out from her
00:49:00	I only want to find out where.
00:49:02	Now, Jerry, I warn you...
00:49:04	you don't realize the trouble
00:49:07	Now, I know all about these things.
00:49:14	I am the victim
00:49:17	- Surely you don't mean Madge?
00:49:19	Not Madge. She doesn't know
00:49:23	Her name is Violet.
00:49:25	She is what the French call a passade.
00:49:28	I see. Little ships that pass in the night.
00:49:32	Ships? Yes. Exactly.
00:49:35	I met her at the birdhouse in the zoo.
00:49:38	She was a very pretty little thing
00:49:42	Of the birds?
00:49:43	Yes. You see,
00:49:46	It was the storks in particular
00:49:49	I took her to a cinema...
00:49:51	and then we had dinner
00:49:54	Then I fear
00:50:15	That must be his plane now. Come on.
00:50:19	No, I'd rather not.
00:50:21	Come on. If I were you...
00:50:22	I wouldn't miss this opportunity
00:50:33	You know, Dale, I haven't told you
00:50:38	Haven't you?
00:50:39	No, I feel I've known you long enough
00:50:45	In spite of the fact that
00:50:49	there is no feeling so secure as having
00:51:14	- Jerry.
00:51:21	Where did Miss Tremont go?
00:51:22	- Dale didn't tell me she'd met you.
00:00:04	Let's eat now.
00:00:06	Leave the child alone,
00:00:09	- Really?
00:00:13	- Right between the eyes.
00:00:16	- Where's Horace?
00:00:19	The hotel's crowded and both of you
00:00:23	Dale's with me.
00:00:24	- Did you get that room for my husband?
00:00:27	because of the carnival,
00:00:31	- The bridal suite.
00:00:37	Signor, are you Horace Hardwick?
00:00:40	Thank you, I am. How do you do?
00:00:43	- I am very displeased to meet you.
00:00:45	What do you mean, displeased?
00:00:48	Signor, I warn you.
00:00:50	For men of your kind,
00:00:53	My dear fellow, this is one
00:00:56	The air, the breeze, the flowers.
00:00:59	So it is funny tricks you're being.
00:01:01	I warn you...
00:01:03	never let your path
00:01:21	- Horace.
00:01:24	Madge, darling.
00:01:26	My, your passion frightens me.
00:01:30	- Been practicing?
00:01:34	Madge, what do you think
00:01:37	- I know. You got your first long trousers.
00:01:40	There's something down here
00:01:43	and Jerry thinks that I...
00:01:46	You know, it sounds as if you were
00:01:50	Does it? What would I have to confess?
00:01:52	You really want to tell me
00:01:55	Yes, but then again, no.
00:01:58	You see, as a matter of fact,
00:02:00	- You haven't met her?
00:02:03	If that's your story, Horace, you stick to it.
00:02:05	I suppose you weren't in the park, either.
00:02:08	The park, my dear girl,
00:02:11	The zoo... Yes. The zoo was in the park.
00:02:14	- A little bird told me.
00:02:19	I think, after the trip I better clean up a bit.
00:02:21	- Of course, I understand just how you feel.
00:02:42	- What's the matter?
00:02:45	- Has she been chasing you?
00:02:50	Jerry, I think she's found out about Violet.
00:02:53	And I just had my life threatened.
00:02:55	But what did he say?
00:02:57	He just lied in a straightforward manner,
00:03:03	- He did, did he?
00:03:10	I'll make him remember me
00:03:16	Has Horace been away from you lately
00:03:18	Well, he was alone
00:03:24	Connect me
00:03:26	Madge, have you any objections
00:03:29	so that he'll never look at another woman?
00:03:31	Dale, no husband
00:03:36	Hello.
00:03:39	Hello, where are you?
00:03:43	So you do remember me?
00:03:49	- Are you alone?
00:03:53	Fine. I'll be right up.
00:04:06	Horace, she's coming up.
00:04:08	She's coming up here?
00:04:11	- She wants to see me alone.
00:04:14	What did I tell you?
00:04:16	Rack your brains, please.
00:04:18	Couldn't you have met
00:04:21	I could have met her in Moscow.
00:04:24	- In Moscow. You see?
00:04:30	Couldn't you have met her in Paris?
00:04:32	The last time I was in Paris,
00:04:34	Jerry, I don't think it's safe
00:04:39	I don't think it would be quite proper
00:04:56	Hello.
00:04:58	I know you'll think this is
00:05:01	but I just couldn't wait to see you alone.
00:05:12	I'm awfully glad you came up.
00:05:16	My darling.
00:05:21	Hello. How have you been?
00:05:25	I've been missing you terribly.
00:05:28	I came down
00:05:31	No, I meant before yesterday.
00:05:36	- Before yesterday?
00:05:41	Don't you remember?
00:05:44	Should I?
00:05:48	Have you forgotten...
00:05:51	- what we've been to each other?
00:05:55	What we've been to each other...
00:06:00	I knew yesterday in the park,
00:06:04	- you remembered who I was.
00:06:08	Who are you?
00:06:11	Then you still don't remember?
00:06:16	I can try to remember something.
00:06:21	How could you forget
00:06:25	and the suspicious concierge...
00:06:29	and that quaint little room?
00:06:33	We used to have tea and muffins
00:06:36	watching the
00:06:41	And those long walks down that
00:06:46	Paris is heavenly in the spring.
00:06:58	So that's where we met.
00:07:01	Yes, last year.
00:07:05	In Paris.
00:07:11	Why, of course.
00:07:15	It's all coming back to me now.
00:07:18	Is it?
00:07:20	Yes, but you weren't calling
00:07:24	- Wasn't I?
00:07:29	Madeline, that was it.
00:07:34	You've put on a little weight, haven't you?
00:07:40	Remember that night on the Left Bank...
00:07:42	you had on that little blue dress
00:07:47	And to think that I almost forgot you...
00:07:53	Tell me something.
00:07:58	Do you still have that awful weakness
00:08:04	I suppose I do.
00:08:07	Make yourself comfortable, darling.
00:08:11	A little later on,
00:08:14	It'll be like old times, won't it?
00:08:18	I think I'd better be going.
00:08:21	I'll let you go on one condition.
00:08:23	Promise me, now that I found you again...
00:08:26	we can be to each other
00:08:41	There, you see? I was right.
00:08:44	Of all the scheming, brazen creatures...
00:08:45	trying to pretend
00:08:47	Do you realize that she's
00:08:50	- What are you going to do about it?
00:08:53	Jerry, this is no time for you to be funny.
00:08:55	All right, then, you be funny.
00:08:56	I'm going down
00:08:58	Jerry, please wait.
00:09:00	Now, before you make
00:09:03	promise me that you won't ask her...
00:09:04	until I find out from Madge
00:09:06	All right, you find out all about her past...
00:09:09	and I'll go down and plan her future.
00:09:10	- Remember, that's a promise.
00:09:22	What happened? Did you scare him?
00:09:26	No. He scared me.
00:09:31	What did he do, make faces at you?
00:09:34	You know, sometimes
00:09:37	and I take a good look at him
00:09:40	He mistook me for someone called
00:09:44	Really?
00:09:46	Madge, do you think you ought
00:09:49	I don't believe he was nearly so innocent
00:09:53	Darling, you interest me.
00:09:56	But, Madge,
00:09:59	I'm trying to tell you that I'm afraid...
00:10:02	that we're carrying this thing too far.
00:10:07	You know, I wonder if you've seen
00:10:11	that I've never seen.
00:10:53	I wonder what's keeping Horace.
00:11:01	What's the matter?
00:11:03	I'm afraid I'm going to have a headache.
00:11:05	Don't go. This is a meeting
00:11:13	Good evening.
00:11:16	It's nice to see you again, Miss Tremont.
00:11:20	You've robbed me of the pleasure
00:11:23	You've already met.
00:11:26	Yes, we've met last spring.
00:11:31	I hope you see a lot of each other.
00:11:34	You know, Madge is
00:11:37	She seems to know instinctively
00:11:42	I don't know what I'd do without her.
00:11:44	That's sweet of you, darling.
00:11:45	You two run along and dance,
00:11:51	That's what I'm afraid of.
00:12:00	I think Madge is a very brave person.
00:12:03	Yes, I have
00:12:21	Well, if Madge doesn't care,
00:12:23	Neither do I, all I know is that it's...
00:17:51	Why don't you tell me
00:17:53	You know we never met in Paris.
00:17:56	I know. I'm afraid
00:18:01	You see, I know who you are.
00:18:04	What difference does that make?
00:18:07	- So that doesn't make any difference?
00:18:11	I don't know who you are, and I don't care.
00:18:14	That's big of you.
00:18:18	Well...
00:18:21	Well, what?
00:18:23	Aren't you now supposed to say...
00:18:25	we should think
00:18:27	that we're entitled to live our own lives?
00:18:32	I don't think I'd say it
00:18:38	Go on.
00:18:40	If it weren't for a promise I made
00:18:43	I would go on.
00:18:46	You made a promise.
00:18:48	That shouldn't make
00:18:52	That's right. Forget it, marry me.
00:18:59	How could I have fallen in love
00:19:10	She loves me.
00:19:17	- What are you doing?
00:19:20	I'm leaving. You don't know
00:19:22	Why, what's the matter?
00:19:25	Your husband.
00:19:29	- He wants to divorce you and marry me.
00:19:32	He wants to do right by both of us.
00:19:36	No.
00:19:38	That'll come later.
00:19:39	He'll probably want me
00:19:42	Now listen, Dale. I don't want you to go.
00:19:46	I can't stay here under the circumstances.
00:19:49	Here or there,
00:19:51	you're fair game for any philandering male.
00:19:54	You know, what you really should have...
00:19:56	is a husband you can call your own.
00:20:01	Seriously, I mean it.
00:20:04	But what are we going to do
00:20:06	Don't worry, dear. I'll do it.
00:20:15	Come in.
00:20:19	Darling.
00:20:30	All I said was darling and she smacked me.
00:20:36	Jerry, how does it look? Tell me frankly.
00:20:39	It looks like a sunrise by Maxfield Parrish.
00:20:44	Jerry, that's terrible.
00:20:46	I can't go around now like this.
00:20:49	Put a piece of raw steak on it.
00:20:52	It would?
00:20:54	- A steak?
00:21:00	Yes, sir.
00:21:01	- Order a steak.
00:21:07	You know, Jerry, I can't imagine
00:21:10	She's never hit me before.
00:21:13	Maybe she just never thought of it before.
00:21:17	Room service.
00:21:19	Yes. This is the bridal suite.
00:21:22	Yes, will you please send up
00:21:26	I beg your pardon?
00:21:28	Yes, mashed potatoes, and carrots...
00:21:32	and spinach. Yes, of course, coffee...
00:21:42	As soon as you get your eye fixed,
00:21:45	Where do you want it, sir?
00:21:47	- Want what, Bates?
00:21:50	On my eye.
00:21:53	On your eye, sir?
00:21:56	My word, why do I always
00:21:59	On my eye means on my eye, doesn't it?
00:22:01	- I beg your pardon, sir.
00:22:05	Jerry, you see what I'm up against.
00:22:07	The man has a sluggish brain,
00:22:10	First it's a maniac, and then it's Madge,
00:22:13	I give you my word,
00:22:46	We are a grand success.
00:22:48	Every woman, she's saying this dress,
00:22:51	This Beddini is the tops.
00:22:53	I'm so happy.
00:22:58	No, but, cara mia, it's not the dress,
00:23:02	It's you who wears it.
00:23:06	Thank you, Alberto.
00:23:09	What is it? Is it Adam again?
00:23:13	His Garden of Eden...
00:23:15	he has made you sad?
00:23:20	It's just that I'm all mixed up, that's all.
00:23:23	Why worry about this man?
00:23:26	I think I'm worrying more about his wife.
00:23:31	Beddini does not like to see you so sad.
00:23:39	Alberto, you seem to be
00:23:47	Why don't you marry Beddini?
00:23:52	Why not? I'm rich, I'm pretty...
00:23:57	and then this Hardwick
00:24:04	I'll marry you if you really want me to...
00:24:07	but let's do it right away.
00:24:20	First of all,
00:24:23	and then I'll ask Madge about Dale.
00:24:25	Mr. Hardwick, dear sir, one of our
00:24:28	that he is to be married this evening.
00:24:29	We wondered
00:24:32	- Give it up? Why we...
00:24:36	- Have we, angel?
00:24:39	- Of course you may have it.
00:24:41	I shall remove you elsewhere.
00:24:45	Come on, dear sir, brace up.
00:24:47	Madge has merely heard something
00:24:50	We know it isn't the truth,
00:24:52	that's all she's waiting for.
00:24:53	I know. That's what I'm afraid of.
00:24:55	Always remember that the truth
00:24:59	Jerry, you are right.
00:25:05	Anyway, if it does,
00:25:12	Horace, what is this, Halloween?
00:25:16	Madge, Horace has
00:25:20	I've been waiting for this for some time.
00:25:22	Come right in and get it off your chest.
00:25:27	You'd better take your glasses off.
00:25:34	Sit down.
00:25:50	You see, when Horace was in London,
00:25:53	And, Madge, you must have
00:25:56	- Or you wouldn't be telling me now.
00:26:01	What Horace means to say is...
00:26:02	that he'd like to make
00:26:05	- Before I find out the truth.
00:26:10	Dear, I'm all mixed. Where am I?
00:26:21	- Hello.
00:26:23	I wanted to call you
00:26:26	You got what?
00:26:29	It sounds just as if you said
00:26:32	- I did.
00:26:36	Going to the bridal suite?
00:26:38	Very proper place
00:26:41	Darling, I must compliment you
00:26:43	but who on earth did you find
00:26:47	Alberto? You'd better hang up, Dale, dear.
00:26:50	- I think I'm going to faint.
00:26:53	What was that?
00:26:55	- Dale Tremont married?
00:26:58	- Good.
00:27:01	- It's all his fault.
00:27:02	Yes, she told me how you chased her
00:27:07	Yes, but I'm the one she slapped.
00:27:13	She's been mistaking me
00:27:17	No wonder she thought
00:27:20	No wonder. I resent that.
00:27:23	- Madge, where is she now?
00:27:26	Bridal suite.
00:27:33	I'll see you later.
00:27:34	But, Jerry, you can't do a thing like that.
00:27:37	All is fair in love and war,
00:27:45	- Yes, this is very pretty.
00:27:47	We are very proud
00:27:50	Is there anything else, sir?
00:27:51	Yes, would you please ask my wife
00:27:54	It is a pleasure, dear sir.
00:28:20	What are you doing here?
00:28:23	- What are you doing here?
00:28:26	- Yes, but this is my room.
00:28:31	But I have the key.
00:28:34	- But I am Beddini.
00:28:40	We will see who is the owner of this room.
00:29:00	But, Jerry, you shouldn't be in here.
00:29:03	- It isn't cricket.
00:29:16	Signor, there is a man in my bed.
00:29:23	It's too bad. He's not here yet.
00:29:26	I'll just wait until my uncle returns.
00:29:29	Thank you.
00:29:30	Why, Jerry, I didn't know
00:29:33	- Didn't you know?
00:29:35	I haven't, but this room is
00:29:42	He's not here, signor.
00:29:45	If he returns, I will kill him.
00:29:47	We Beddini have the motto:
00:29:52	For the man, the sword.
00:30:39	Dale, you are lovely.
00:30:42	Like a flower I am afraid to crush.
00:30:45	Don't be afraid.
00:30:55	Alberto, make him stop!
00:30:58	Who is it? You know?
00:31:00	Yes, it's Horace.
00:31:02	Horace Hardwick, that interloper.
00:31:05	I'll stop him.
00:31:14	For the man, the sword.
00:31:29	Mrs. Hardwick's apartment, please.
00:31:39	- He's coming.
00:31:40	You keep this up and hold him
00:31:43	I will.
00:31:57	Madge, you'd better come over
00:31:59	Alberto has gone after him with a sword.
00:32:16	Why, yes, of course.
00:32:29	I'm sorry to break in like this,
00:32:32	Will you please stop annoying me?
00:32:34	But you've been mistaken about me.
00:32:37	- I'm afraid I haven't.
00:32:40	I'll stay right here and there will be
00:32:44	He'll be furious if he finds you here.
00:32:47	Then please come with me
00:32:49	I've simply got to talk to you.
00:32:54	And so you see, my dear chap,
00:32:58	- But you are Horace Hardwick, no?
00:33:01	Then you are not
00:33:11	Don't mind me.
00:33:13	Madge, explain to this maniac that
00:33:17	He may be making a mistake,
00:33:20	Go right ahead, Alberto.
00:33:23	No, I cannot kill him before a lady.
00:33:25	If you're going to pull out on us, Alberto,
00:33:30	I may want that pleasure myself someday.
00:33:36	But why didn't you tell me who you were?
00:33:39	After all, I mean, you never gave me
00:33:51	Mr. Travers!
00:33:57	Help, somebody.
00:33:59	I am so sorry.
00:34:03	- You must forgive me.
00:34:09	Go right ahead, boys, don't mind me.
00:34:13	Not tonight, Alberto.
00:34:14	Some other time
00:34:16	Thank you.
00:34:17	- Pardon me, sir.
00:34:20	What have you been doing?
00:34:21	Pardon me, sir,
00:34:24	they're drifting out to the bay
00:34:27	There. That ought to make you
00:34:30	- He's kidnapped her.
00:34:34	You are in this plot.
00:34:37	I've had just about enough...
00:34:39	Children, if Dale and Jerry
00:34:41	don't you think the best thing
00:34:44	Yes, come.
00:34:45	Isn't it marvelous to have some brains?
00:34:49	Don't answer me like that. Do something.
00:34:53	- Jerry.
00:34:56	That's right. Make a fool of yourself.
00:34:58	It's no crime to look, is it?
00:35:05	- I think there is no gas left.
00:35:09	Perhaps I'd better look at the engine,
00:35:12	They may have hidden it up there
00:35:19	This is the first time
00:35:26	Jerry, you mustn't come with me.
00:35:30	Alberto will have to get accustomed
00:35:33	No, seriously,
00:35:36	When am I going to see you again?
00:35:40	I don't know.
00:35:45	Mr. Travers, they went after you, sir,
00:35:51	- Mr. Beddini, too?
00:35:53	but they won't be back this evening, sir.
00:35:55	We took the precaution
00:35:59	Thank you, Bates.
00:36:15	What is it, my good man?
00:36:21	Yes. I'm masquerading.
00:36:30	Don't you understand English?
00:36:34	You don't understand English?
00:36:38	Well, I've been waiting for an opportunity
00:36:43	You frozen-faced flatfoot.
00:36:49	And grazie to you if it comes to that,
00:36:56	Can I help it if you look
00:37:03	I'm adoring this.
00:37:07	You see, I happen to be breaking the law.
00:37:12	but, of course, you would never know that,
00:37:18	Good night.
00:37:26	I arrest you for masquerading
00:37:29	I further charge you with insulting
00:37:32	according to Rule Three, Section Three
00:37:49	Beg your pardon, signoro,
00:37:51	Shall I serve now
00:37:54	I don't think the groom
00:37:57	- Very good, sir.
00:38:00	I still feel a little guilty
00:38:03	while Alberto's out looking for us.
00:38:05	Let's eat, drink, and be merry,
00:44:46	The hour of reckoning is at hand.
00:44:49	Beddini is about to settle his accounts.
00:44:59	Skipper, will you tell
00:45:08	He's the one with his mouth closed.
00:45:18	Listen, you two idiots,
00:45:21	- Where is he?
00:45:24	If you take my advice, you'll take
00:45:27	Not until I've asked Mr. Beddini for his
00:45:35	- Mr. Hardwick.
00:45:38	I regret to report, my dear sir,
00:45:42	- Bates? Really?
00:45:44	He would have spent the whole night
00:45:48	You don't mean it.
00:45:54	Come in.
00:46:01	At last.
00:46:03	The little birdies have come flying back
00:46:10	Mr. Beddini, we want to explain
00:46:14	I will not listen to any excuses,
00:46:19	Jerry, Madge,
00:46:22	A few days ago,
00:46:25	Allow me to tell them, sir, please.
00:46:28	Quiet, your turn will come later.
00:46:31	A few days ago,
00:46:33	The needle has gotten stuck in a crack.
00:46:38	Thank you, madam.
00:46:43	You see, Miss Dale, Mr. Hardwick thought
00:46:47	And he asked me to follow you
00:46:52	- Follow me?
00:46:54	And in order to put you off the scent,
00:46:59	This evening, I met
00:47:02	and fearing
00:47:05	I turned my collar around...
00:47:07	like this.
00:47:11	And very cleverly, I became a clergyman.
00:47:17	You are the one who married us.
00:47:19	Yes, sir.
00:47:21	Then we've never been really married?
00:47:24	Precisely, miss.
00:47:27	Well, Mr. Beddini...
00:47:32	what are you doing
00:48:19	English

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