Transsiberian
|
00:03:36 |
Yes, probably. |
00:03:59 |
Ours is not a gray world. |
00:04:03 |
Under the bright |
00:04:05 |
it's a world of |
00:04:08 |
Black and white, |
00:04:10 |
good and evil, |
00:04:12 |
There is always a choice. |
00:04:16 |
But with faith, |
00:04:18 |
the choice is an easy one. |
00:04:22 |
What our church |
00:04:24 |
What you have done here... |
00:04:27 |
over the past two weeks... |
00:04:29 |
is clearly right, |
00:04:39 |
Just look at Jessie's |
00:04:42 |
You tell me, |
00:04:44 |
is it not in the smiling |
00:04:48 |
that we find the true wonder |
00:04:55 |
So, tomorrow, |
00:04:58 |
as we set off... |
00:04:59 |
on our long journeys |
00:05:02 |
You sure you don't wanna fly? |
00:05:05 |
Now I think it's time to... |
00:05:06 |
reflect on this |
00:05:08 |
It's only six days. |
00:05:10 |
When you find yourself |
00:05:16 |
and you're struggling |
00:05:17 |
into the clear light... |
00:05:19 |
of God's truth, |
00:05:21 |
remember what you |
00:05:23 |
about the simple |
00:05:27 |
When you light a lamp |
00:05:31 |
you brighten your |
00:05:48 |
Honey, come on. |
00:06:22 |
Nyet. |
00:06:56 |
Hey, there, little snoop. |
00:06:57 |
Shit. Roy. |
00:06:59 |
Oh, sorry. Just wanted to see |
00:07:01 |
some 'shashlyken galoopsie.' |
00:07:04 |
'Galoopsie'? What's that? |
00:07:07 |
Oh, wait. |
00:07:09 |
Excuse me. |
00:07:11 |
Excuse me? |
00:07:13 |
That toilet's not working. |
00:07:16 |
Hey, let me take care of this. |
00:07:18 |
Uh..., ma'am. |
00:07:21 |
Uh... T for toilet. Toilet. |
00:07:25 |
'Toileten.' |
00:07:33 |
No, no. |
00:07:36 |
No, ma'am. Uh, toilet. |
00:07:38 |
'Toileten.' |
00:07:39 |
No, no, no... |
00:08:02 |
I'll have a beer. |
00:08:04 |
- The missus will have a Coke. |
00:08:06 |
- Thanks. |
00:08:08 |
Is it necessary to smoke |
00:08:11 |
We're not eating yet, Roy. |
00:08:13 |
- It affects my |
00:08:15 |
Well, I'll blow it this way. |
00:08:17 |
Just blow it in... |
00:08:24 |
They like to search |
00:08:27 |
so the rats cannot jump ship. |
00:08:30 |
'The rats'? |
00:08:32 |
Drug dealers. |
00:08:34 |
Oh. |
00:08:38 |
Hey, there, little fella. |
00:08:44 |
Did he scare you, sweetie? |
00:08:45 |
Not really. |
00:08:48 |
Best not to tangle |
00:08:51 |
and Russia. |
00:08:54 |
Especially in Russia. |
00:08:57 |
I know a man |
00:09:01 |
for 28 days, |
00:09:03 |
because his name had |
00:09:05 |
on the visa. |
00:09:06 |
They demanded 5,000 U.S. |
00:09:10 |
Of course, he |
00:09:13 |
out of principle. |
00:09:15 |
What happened? |
00:09:18 |
He paid... |
00:09:19 |
with two toes from |
00:09:23 |
You mean, the police... |
00:09:25 |
Oui, monsieur. |
00:09:27 |
The police. |
00:09:33 |
My compliments. |
00:09:34 |
Bon voyage... |
00:09:37 |
and good luck. |
00:09:46 |
He was just putting us on. |
00:09:48 |
No, I'm telling you, |
00:09:50 |
- It's like the wild, |
00:09:54 |
Shit. There she is. |
00:09:57 |
Bonsoir, mademoiselle. |
00:10:06 |
Oh, God, no. |
00:10:07 |
# Love #... |
00:10:09 |
- How do you turn it off? |
00:10:11 |
- Ask the bitch. |
00:10:14 |
# Think of me, |
00:10:17 |
# Some sweet-talkin' |
00:10:21 |
# Singin' her song #... |
00:10:23 |
# Don't mess around |
00:10:25 |
# Gotta be strong #... |
00:10:26 |
- # Just stop # |
00:10:28 |
# 'Cause I really |
00:10:31 |
# Stop #... |
00:10:32 |
# I've been thinkin' |
00:10:34 |
# Look in my heart |
00:10:37 |
# Keep us together #... |
00:10:41 |
- You're drunk. |
00:10:43 |
Yes, you are. |
00:10:45 |
- So what? |
00:10:47 |
# You belong to me now #... |
00:10:51 |
# Ain't gonna set |
00:10:55 |
Hey. No, no... |
00:10:58 |
# Talkin' me down #... |
00:11:00 |
# Here with your heart... |
00:11:02 |
and you won't |
00:11:04 |
- # Just stop # |
00:11:06 |
- # 'Cause I really love you # |
00:11:08 |
Wait. Wait. |
00:11:10 |
What? I don't know |
00:11:12 |
Are they in your wallet? |
00:11:16 |
I just thought maybe this once |
00:11:23 |
Not this again. |
00:11:25 |
Not now. Come on. |
00:11:30 |
- # When the others |
00:11:32 |
For Pete's sake. |
00:11:34 |
# Who'll be |
00:11:36 |
# I will, I will, I will #... |
00:11:38 |
- It's okay. |
00:11:41 |
# Be there to |
00:11:44 |
- # Love will keep |
00:11:47 |
I love you, Jess. |
00:11:48 |
# Said it before, |
00:11:52 |
# While others pretend #... |
00:11:54 |
# I'll need you now, |
00:11:57 |
# Just stop #... |
00:11:59 |
# 'Cause I really love you # |
00:12:26 |
That's yours. |
00:12:28 |
Let me do mine. |
00:12:30 |
Shh, Carlos. She's sleeping. |
00:12:39 |
Okay. |
00:12:42 |
Yeah. |
00:12:45 |
Oh, sí. |
00:12:56 |
Hello. |
00:12:57 |
Hello. |
00:12:59 |
Get it while it's hot. Oh. |
00:13:02 |
Sorry. Uh... |
00:13:04 |
Oh, great. You're up, honey. |
00:13:05 |
Uh, this is, uh, |
00:13:09 |
- Oh, boy. |
00:13:11 |
That's right. Abby. |
00:13:13 |
- Thanks. |
00:13:14 |
My wife, Jessie |
00:13:17 |
So where are we? |
00:13:18 |
We just crossed the border |
00:13:21 |
We're in Russia... Siberia. |
00:13:24 |
First time for you? |
00:13:25 |
Mm-hmm. |
00:13:26 |
Oh. |
00:13:28 |
Here we go. |
00:13:31 |
Grab the camera. |
00:13:35 |
Roy enjoys his trains, no? |
00:13:38 |
Just a little, yeah. |
00:13:48 |
Uh, I have to get dressed. |
00:14:05 |
They even change the gauge. |
00:14:08 |
You know, it's |
00:14:10 |
the Chinese didn't want |
00:14:13 |
so they made their |
00:14:15 |
Uh, you know, |
00:14:19 |
which is, like, |
00:14:21 |
than the Chinese, |
00:14:23 |
so these Chinese |
00:14:24 |
Where'd they come from? |
00:14:27 |
I don't know. Some |
00:14:29 |
factory in Moscow, I suppose. |
00:14:31 |
No, them... our |
00:14:34 |
Oh, he said that they |
00:14:37 |
English and maybe |
00:14:40 |
Oh, honey, get a shot of that. |
00:14:43 |
Get a shot. |
00:14:45 |
You know what? |
00:14:47 |
the bogies over there. |
00:14:49 |
I don't know how they get them... |
00:14:51 |
onto that track and |
00:14:53 |
You know what? |
00:15:37 |
- Hey. |
00:15:39 |
- Hi. |
00:15:41 |
- Thanks. |
00:15:44 |
We're gonna get |
00:15:47 |
So, how was Customs? |
00:15:50 |
Oh, jeez. |
00:15:51 |
You know, they really gave us |
00:15:54 |
What, you two? No way. |
00:15:57 |
Yeah, well, they |
00:15:59 |
of our passports. |
00:16:00 |
- What? |
00:16:02 |
Sure. |
00:16:06 |
Okay. |
00:16:09 |
This is why, Roy. Look. |
00:16:13 |
A new passport is |
00:16:15 |
There are fewer stamps |
00:16:17 |
Hold on there. Those are the |
00:16:20 |
Hold on. |
00:16:25 |
This is the real McCoy. |
00:16:26 |
- Oh. |
00:16:28 |
- Well used. |
00:16:30 |
They're not accustomed |
00:16:32 |
What's Canada like? |
00:16:35 |
Let me tell you the |
00:16:37 |
through Customs |
00:16:40 |
Don't stand out. |
00:16:45 |
You think it's obvious |
00:16:51 |
Nah... Well, she |
00:16:54 |
So you've done |
00:16:56 |
Sí. |
00:16:57 |
Train's cheaper than plane. |
00:16:59 |
I don't like the cold, |
00:17:03 |
Huh? |
00:17:04 |
The colder, the better, huh? |
00:17:06 |
- You know? |
00:17:08 |
If she loves cold, she'd... |
00:17:10 |
love Iowa, 'cause |
00:17:12 |
Here they are. |
00:17:14 |
Hey, do you think it |
00:17:17 |
- Early? |
00:17:18 |
Roy, it's late. |
00:17:21 |
Trains run on Moscow time. |
00:17:23 |
We have much |
00:17:25 |
Not for me. |
00:17:27 |
- No? |
00:17:28 |
But it will melt |
00:17:38 |
Can I please bum one of those? |
00:17:39 |
'Melt the ice.' |
00:17:41 |
Cheers. |
00:17:42 |
- Uh, uh, Na Zdorovie. |
00:17:45 |
- He's got it. |
00:17:46 |
- Na Zdorovie. |
00:17:49 |
Where are you from? |
00:17:52 |
Nowhere really. |
00:17:54 |
- Seattle. |
00:17:55 |
- No, my Russian |
00:17:57 |
So you've been teaching |
00:17:58 |
- How was it? |
00:18:00 |
- It's all right. |
00:18:03 |
- I prefer Southeast Asia. |
00:18:06 |
I guess you've been |
00:18:09 |
Uh, about two years. |
00:18:11 |
You ever miss home? |
00:18:15 |
No, I never really had much |
00:18:18 |
You ever thought |
00:18:21 |
You know, plant a root? |
00:18:26 |
So, uh, you were |
00:18:30 |
Yes. Yeah. |
00:18:32 |
Roy's church... our church... |
00:18:35 |
has a... has a program. |
00:18:37 |
It's like a sister-city thing. |
00:18:39 |
That's nice. |
00:18:41 |
It was nice. |
00:18:44 |
It was a lot of work, |
00:18:47 |
I've never done anything |
00:18:50 |
Like what? |
00:18:51 |
You know, lending |
00:18:56 |
and helping |
00:18:58 |
Roy's real good like that. |
00:19:00 |
He's... He's good with people. |
00:19:02 |
Da, da, da. |
00:19:04 |
He seems like he would be. |
00:19:09 |
Oh, God. |
00:19:22 |
Okay. Show 'em. |
00:19:24 |
Look at this. |
00:19:26 |
Oh. |
00:19:28 |
A tiger attack |
00:19:33 |
There are tigers in Russia? |
00:19:35 |
A lot of Siberian tigers. |
00:19:38 |
Tony the Tiger attack me. |
00:19:44 |
Hey, look at this. |
00:19:45 |
A deer attacked me. |
00:19:48 |
A deer? |
00:19:49 |
Yeah. John Deere power mower. |
00:20:06 |
The Gulag? |
00:20:11 |
What did he do? |
00:20:13 |
Wrote poetry. |
00:20:16 |
Gulag still exists? |
00:20:18 |
No, but once in |
00:20:22 |
If you want proof |
00:20:24 |
you take a book. |
00:20:26 |
You want proof about Russia, |
00:20:29 |
They're all buried here. |
00:20:31 |
Scientists, priests, |
00:20:33 |
poets. |
00:20:35 |
There is no God, |
00:20:38 |
Oil. There is oil. |
00:20:42 |
- To oil. |
00:20:46 |
- Yeah. |
00:20:47 |
Jessie, a little |
00:20:49 |
- I don't drink. |
00:20:51 |
She's sure, Carlos. |
00:20:54 |
That poison will |
00:20:58 |
Thank you, Carlos. |
00:21:01 |
but that is the one |
00:21:04 |
that I haven't been |
00:21:06 |
Yet. |
00:21:11 |
Kill off all my demons, Roy, |
00:21:14 |
and my angels might die, too. |
00:21:21 |
Roy. |
00:21:24 |
- Cabrón. |
00:22:39 |
- Oh, I'm sorry. |
00:22:41 |
No, no. It's fine. It's fine. |
00:22:43 |
Stay. |
00:22:53 |
You're hot. |
00:22:55 |
Yeah. It's hot in here. |
00:22:59 |
If we could just |
00:23:01 |
Yeah, I've tried already. |
00:23:05 |
We'll just have |
00:23:09 |
It is good for resaca, huh? |
00:23:13 |
What's resaca? |
00:23:15 |
Hangover. |
00:23:17 |
Oh. |
00:23:18 |
Well, I wouldn't know. |
00:23:24 |
You get anything good? |
00:23:28 |
Yeah, I think so. |
00:23:30 |
Do you mind if I take a look? |
00:23:43 |
Wow. |
00:23:48 |
They're beautiful. |
00:23:50 |
Look at this one. |
00:23:53 |
You must sell them |
00:23:56 |
- Don't you? |
00:23:59 |
No? Why not? |
00:24:00 |
It's more of just |
00:24:03 |
'For now.' |
00:24:07 |
I don't know. |
00:24:10 |
I don't know. |
00:24:18 |
I want to show you something. |
00:24:24 |
Don't want those |
00:24:26 |
looking in and getting ideas. |
00:24:33 |
Wow. |
00:24:37 |
No, not this one. |
00:24:39 |
This one. |
00:24:40 |
This is my favorite. |
00:24:42 |
You see, all the |
00:24:44 |
and this one is so sad. |
00:24:52 |
I love these things. |
00:24:57 |
See? |
00:24:59 |
It's sandalwood. |
00:25:01 |
These are one of a kind. |
00:25:05 |
They pay much money for these |
00:25:11 |
Is it legal... reselling them? |
00:25:13 |
Yeah. I mean, |
00:25:15 |
little packages to Customs |
00:25:17 |
but it's legal. |
00:25:20 |
They are Matryoshkas. |
00:25:21 |
That means 'mother.' |
00:25:23 |
- See the belly? |
00:25:24 |
They celebrate fertility. |
00:25:27 |
And now, there she is. |
00:25:31 |
The little bambina. |
00:25:34 |
Look at it. |
00:25:36 |
Isn't that cute? |
00:25:43 |
- Carlos? |
00:25:45 |
- Hold on. |
00:25:58 |
I had to lock it. |
00:25:59 |
Fucking Polacks keep coming in |
00:26:03 |
Hi, Abby. |
00:26:05 |
Hey. |
00:26:11 |
Well? What did I tell you? |
00:26:16 |
Next stop, Irkutsk. |
00:26:19 |
Come on. Let's go. |
00:26:50 |
- They have everything here. |
00:26:54 |
- Oh, the pirozhki's |
00:26:56 |
They are? |
00:26:57 |
- Yeah. |
00:26:58 |
- Yeah. |
00:27:01 |
Here they are. |
00:27:02 |
Take a look at this, Carlos. |
00:27:04 |
Wow. Coal-burners. |
00:27:08 |
I'm in heaven. |
00:27:10 |
You like them? |
00:27:12 |
- So who said that? |
00:27:15 |
'Kill all my demons, |
00:27:18 |
Tennessee Williams said it. |
00:27:22 |
I like it. |
00:27:23 |
Yeah? |
00:27:26 |
I saw you have a journal. |
00:27:29 |
- No. |
00:27:30 |
No. It's more like |
00:27:33 |
Uh-huh. |
00:27:35 |
Well, I bet you got |
00:27:39 |
I sure did. |
00:27:42 |
Yeah. None of them |
00:27:46 |
I left home when I was 16. |
00:27:48 |
Maybe for the same |
00:27:50 |
I don't know. |
00:27:52 |
Spun my wheels |
00:27:54 |
Never spent more than a week |
00:27:59 |
No. Wait. I'm wrong. |
00:28:01 |
There was jail in Memphis |
00:28:04 |
and, uh, detox. |
00:28:06 |
That was two weeks, I think. |
00:28:12 |
This was all |
00:28:15 |
So, how'd you two meet? |
00:28:17 |
How'd we meet? |
00:28:19 |
Well, Roy likes to say |
00:28:22 |
I was drunk, |
00:28:24 |
and I swerved into |
00:28:26 |
going 40 miles an hour. |
00:28:29 |
- Beautiful, huh? |
00:28:31 |
I saw many like |
00:28:33 |
- Where's, uh... |
00:28:35 |
Oh, wow. You've been |
00:28:38 |
Life is a journey, right? |
00:28:42 |
I like that. |
00:28:43 |
That sounds like something |
00:28:45 |
- Really? |
00:28:47 |
She's still a bit... |
00:28:49 |
What's the word? Restless. |
00:28:52 |
Yeah. |
00:28:53 |
Okay. So, this trip... |
00:28:55 |
the Trans-Siberian... |
00:28:58 |
No, that was me. |
00:29:00 |
You see, we never |
00:29:02 |
and, so, when the church |
00:29:05 |
I thought it would be |
00:29:08 |
to impress her with |
00:29:10 |
You know, make her happy. |
00:29:14 |
She seems happy to me. |
00:29:17 |
Well, tell you |
00:29:20 |
we've been having |
00:29:23 |
marital problems. |
00:29:27 |
Oh. I'm sorry to hear it. |
00:29:30 |
I think she thinks I just... |
00:29:32 |
play it a bit safe sometimes. |
00:29:36 |
Before I met Jess, I thought |
00:29:39 |
I was the wild one. |
00:29:44 |
I'm not sure she expected... |
00:29:46 |
to end up with a |
00:29:48 |
you know, much less one |
00:29:51 |
in his basement, but... |
00:29:55 |
I love her so. |
00:30:01 |
Oh, Carlos, |
00:30:04 |
you gotta check |
00:30:10 |
What a beauty. |
00:30:13 |
Isn't she gorgeous? |
00:30:27 |
He came to the |
00:30:29 |
There was no one else. |
00:30:31 |
I pretty much pissed off... |
00:30:32 |
everyone else in my |
00:30:34 |
He said something |
00:30:36 |
I'll never forget. |
00:30:37 |
He said, 'No matter |
00:30:38 |
No. Wait. |
00:30:40 |
'No matter what |
00:30:42 |
no matter what your goal, |
00:30:43 |
keep your eye upon |
00:30:45 |
and not upon the hole.' |
00:30:46 |
What's that supposed to mean? |
00:30:49 |
I don't know, but it's so Roy. |
00:30:52 |
No, I guess it's like... |
00:30:54 |
You know, if you... |
00:30:56 |
If you focus on the positive, |
00:30:59 |
you can do amazing |
00:31:02 |
Before we met, I was a bit |
00:31:08 |
No, I'm not saying |
00:31:10 |
solves everything, you know? |
00:31:11 |
It's... Roy and I |
00:31:14 |
in many ways. |
00:31:15 |
He wants kids, for instance. |
00:31:20 |
I mean, I do, too. |
00:31:22 |
Of course I do, too. |
00:31:25 |
It's just such a |
00:31:28 |
Plant a root? |
00:31:32 |
Yeah. |
00:31:37 |
I want a family. |
00:31:39 |
But I'd get it right, |
00:31:42 |
There's this place |
00:31:44 |
on a lake... |
00:31:44 |
this cottage. |
00:31:47 |
It's got this long wooden dock... |
00:31:50 |
that you can go |
00:31:52 |
Surrounded by the mountains, |
00:31:56 |
No one else is around. |
00:31:58 |
Sounds nice. |
00:32:01 |
Yeah, my grandfather's. |
00:32:04 |
to pay for his trips to Reno. |
00:32:09 |
I'm gonna buy it back. |
00:32:12 |
Wow. Vancouver on a lake. |
00:32:17 |
Yeah, I'm working on it. |
00:32:20 |
With Carlos? |
00:32:24 |
I'm sorry. That was |
00:32:28 |
We should get back on. |
00:32:30 |
Yeah. |
00:32:33 |
Hey, it was good |
00:32:35 |
Yeah, you, too. |
00:32:37 |
Yeah. Thanks. |
00:32:56 |
Roy? You there? |
00:33:13 |
Excuse me. |
00:33:48 |
You can't keep doing that. |
00:33:50 |
- We have five more |
00:33:52 |
Roy's gone. |
00:33:52 |
What? |
00:33:54 |
I just looked up and |
00:33:56 |
He's not on it. |
00:33:57 |
- Well... Here. Sit down. |
00:33:58 |
Didn't he get |
00:34:00 |
No. |
00:34:01 |
Oh, shit. |
00:34:03 |
We looked at the old trains. |
00:34:05 |
Then I left to get some food. |
00:34:07 |
Maybe he didn't hear the bell. |
00:34:09 |
What am I going to do? |
00:34:11 |
He's got to be here somewhere. |
00:34:12 |
- He's not. |
00:34:14 |
We'll just have to ask around. |
00:34:17 |
This is a fucking nightmare. |
00:34:26 |
The station master |
00:34:30 |
You wait at station. |
00:34:32 |
So when's the next train? |
00:34:42 |
There are delays. |
00:34:43 |
Police are checking all trains |
00:34:47 |
Checking trains? |
00:34:49 |
Da. Drugs. |
00:34:50 |
Okay, so when's |
00:34:53 |
- Zavtra. |
00:34:55 |
Tomorrow. |
00:35:01 |
It'll be okay. |
00:35:03 |
- I guess. |
00:35:04 |
We can't really do |
00:35:16 |
Hey, Jessie, we're |
00:35:18 |
and wait with you. |
00:35:18 |
Oh, no. |
00:35:20 |
Really, you don't |
00:35:22 |
Please. We will die |
00:35:24 |
A vegetable will be nice, huh? |
00:35:26 |
We've been at this a |
00:35:28 |
It's just not safe for |
00:35:30 |
Ulyanovsk. |
00:35:34 |
Okay? |
00:35:36 |
Okay, let's go. |
00:35:38 |
- You need some help? |
00:35:41 |
Okay. Come on, girls. |
00:35:46 |
Hotel. Very, very nice. |
00:35:51 |
- Big rooms. |
00:36:01 |
Nyet. I'm sorry. |
00:36:04 |
Look. Don't you understand? |
00:36:07 |
He'll be here tomorrow. |
00:36:08 |
- Miss, it's nothing. |
00:36:09 |
I just want to know |
00:36:11 |
It's happened many, |
00:36:12 |
This is Russia. |
00:36:21 |
Everything okay? |
00:36:22 |
He doesn't know a thing. |
00:36:24 |
Just that the first |
00:36:26 |
gets in at noon. |
00:36:27 |
I'm sure he's on it. |
00:36:28 |
- I'm sure he's fine. |
00:36:31 |
Hey, hey, hey. |
00:36:32 |
Let's not worry |
00:36:34 |
- Carlos. |
00:36:36 |
Roy's machote, eh? |
00:36:38 |
A big man can take |
00:36:41 |
- Come on. |
00:36:42 |
- No, no. Not this time. |
00:36:44 |
Sí, sí, sí, sí, sí. |
00:36:46 |
Now, I bring good news |
00:36:49 |
They have vegetables. |
00:36:50 |
Bad news. It's a potato. |
00:36:54 |
Solo. It's one potato. |
00:36:57 |
But don't be sad. |
00:36:59 |
We'll have so many |
00:37:02 |
as we starve to death. |
00:37:04 |
This town is rock |
00:37:08 |
Hey, what do you think? |
00:37:09 |
We should stay a few more days |
00:37:11 |
Oh, God. Please, no. |
00:37:13 |
Ah, potato. |
00:37:18 |
Mrs. Potato. Spasiba. |
00:37:22 |
One of a kind, huh? |
00:37:23 |
What? |
00:37:25 |
Your matryoshka dolls. |
00:37:26 |
Carlos told me they |
00:37:29 |
A salt shaker. |
00:37:33 |
I'm going to bed. |
00:37:35 |
Good night. |
00:37:36 |
Did I say something? |
00:37:41 |
No, no. |
00:37:42 |
She didn't know |
00:37:44 |
We had a little problem |
00:37:48 |
She wanted me to stop. |
00:37:50 |
But you didn't. |
00:37:52 |
Yep. Sometimes I'm careless. |
00:37:56 |
And I need the money, okay? |
00:37:59 |
Cheap imitation hideaway. |
00:38:01 |
Don't take this the |
00:38:03 |
but isn't she a bit young... |
00:38:04 |
to be tramping |
00:38:06 |
with someone like you? |
00:38:07 |
Maybe I should find someone |
00:38:09 |
No. I just mean |
00:38:12 |
Ah. So I'm what? |
00:38:14 |
The Big Bad Wolf? |
00:38:15 |
You're irresponsible. |
00:38:17 |
You understand? |
00:38:21 |
No. |
00:38:22 |
Roy told me about |
00:38:28 |
Why this trip, Jessie? |
00:38:31 |
He likes choo-choo trains. |
00:38:35 |
Why are you here? |
00:38:36 |
What are you looking for? |
00:38:39 |
A little bit of excitement? |
00:38:40 |
Like you had before |
00:38:44 |
And there was nothing |
00:38:46 |
No compromise. |
00:38:48 |
When life was j |
00:38:58 |
Man, I sure wish I'd met you |
00:39:01 |
¿Sí? |
00:39:03 |
Yeah. |
00:39:06 |
Nothing cleared the |
00:39:10 |
better than a good, |
00:39:21 |
I'm tired. I'm turning in. |
00:39:29 |
Buenas noches. |
00:40:05 |
- Guess what. |
00:40:08 |
Our shower is broken. |
00:40:10 |
Can I use yours? |
00:40:15 |
I brought my own towel. |
00:40:23 |
Spasiba. |
00:40:24 |
De nada. |
00:40:26 |
Are you going sightseeing? |
00:40:28 |
No. |
00:40:36 |
Waiting for a call |
00:40:42 |
About my husband. |
00:40:51 |
Is Abby sleeping? |
00:41:14 |
- Hello? |
00:41:15 |
Yes. |
00:41:16 |
I have found a |
00:41:18 |
that has an American guest. |
00:41:19 |
They will call back shortly. |
00:41:21 |
Oh, great. That's great. |
00:41:24 |
I'll be right down. Okay? |
00:41:28 |
They found Roy. |
00:41:30 |
Keys on the table, okay? |
00:42:05 |
Mrs. Nassir. |
00:42:09 |
- Not Roy? But you just |
00:42:11 |
I'm sorry. |
00:42:11 |
Maybe he's not in Irkutsk? |
00:42:13 |
No, no he is in Irkutsk. |
00:42:16 |
- He got off the |
00:42:17 |
Yes, Mrs. Nassir. We |
00:42:19 |
to many hotels. We must wait. |
00:42:21 |
We must wait and see. |
00:42:24 |
Have they found him? |
00:42:25 |
Not yet. |
00:42:28 |
Shame. |
00:42:32 |
Yeah. Yeah. He's on it. |
00:42:35 |
Okay. Great. Then |
00:42:37 |
Well, then, what |
00:42:41 |
The Bauxite Mine |
00:42:45 |
Neither. |
00:42:48 |
You like to photograph |
00:42:51 |
I'm going to show you |
00:42:55 |
- Hello? |
00:42:57 |
Mrs. Nassir. It's for you. |
00:43:03 |
- Roy? |
00:43:06 |
- Oh. |
00:43:07 |
Oh, ho, ho, what |
00:43:10 |
- Wow. |
00:43:13 |
Yeah, I'm fine, honey. |
00:43:15 |
I had a couple rubles. |
00:43:19 |
But now they're saying |
00:43:22 |
- 4:30? That late? |
00:43:24 |
It gives me a few more hours... |
00:43:26 |
to check out these |
00:43:28 |
This place is a treasure |
00:43:30 |
How you doing, by the way? |
00:43:32 |
I'm fine, Roy. I'm just fine. |
00:43:34 |
It is incredible. |
00:43:36 |
old Soviet shunting |
00:43:38 |
that's got... |
00:43:44 |
- 4:30 now? |
00:43:47 |
Well, then you have no choice. |
00:43:49 |
Vámanos. |
00:44:02 |
Ah, shit. |
00:44:03 |
Is there a bus |
00:44:05 |
Or a car? Machina? |
00:44:06 |
Yes. |
00:44:13 |
It would be very, |
00:44:16 |
Almost 1,000. |
00:44:17 |
I have the money. When? |
00:44:23 |
Dani, his brother, |
00:44:26 |
How many passenger? |
00:44:30 |
One. |
00:44:48 |
Bus? Or a time machine? |
00:44:51 |
It's incredible. |
00:45:07 |
- No. No. |
00:45:25 |
What did he say? |
00:45:27 |
I have no idea, love. |
00:45:29 |
But he pointed that way. |
00:45:50 |
Come on. |
00:45:54 |
Wait. |
00:46:00 |
- Are you sure this |
00:46:04 |
Yeah. |
00:46:09 |
How are we gonna know |
00:46:11 |
You have been dropping |
00:46:14 |
Ha, ha. |
00:46:35 |
Carlos? |
00:46:39 |
I think we should head back. |
00:46:41 |
Two more minutes. |
00:46:45 |
How do you know? |
00:47:03 |
Carlos? |
00:47:11 |
Carlos. |
00:47:17 |
Aah. |
00:47:28 |
Wow. |
00:47:33 |
You see? |
00:47:35 |
What did I tell you? |
00:47:42 |
Hey, Carlos. |
00:47:45 |
Yee-hee. |
00:47:49 |
You put that in your book. |
00:48:14 |
Was I right? |
00:48:18 |
Wow. |
00:48:26 |
Amazing. |
00:48:34 |
Thank you. |
00:48:45 |
Let me take one of you. |
00:48:47 |
- No. I look stupid in photos. |
00:48:49 |
Okay. |
00:49:00 |
- Thank you. |
00:49:01 |
Come on, can I have it back? |
00:49:02 |
Beautiful. Okay, I'll do it. |
00:49:09 |
Thank you. |
00:49:18 |
What are you doing? |
00:50:31 |
- I can't do this. |
00:50:33 |
It was stupid. |
00:50:35 |
- What? |
00:50:42 |
Where's the chica mala now? |
00:50:46 |
Come on. |
00:50:48 |
No one will know. |
00:50:53 |
- Ahh. |
00:50:56 |
Fucking tease. |
00:50:58 |
- Fucking... aah. |
00:51:01 |
Where are you going? |
00:51:05 |
Come on. Wait. |
00:51:08 |
I will not hurt you. |
00:51:11 |
Jessie. It's okay. |
00:51:15 |
Where are you going? |
00:51:17 |
- It's okay. |
00:51:22 |
I'm not going to |
00:51:25 |
Oh, oh, oh, yu, yu, yu. |
00:51:26 |
Aw, fuck. |
00:51:39 |
Fucking tease. |
00:51:44 |
Ah. Fucking bitch. Ohh. |
00:51:50 |
- Stay away from me. |
00:51:53 |
Stay away from me. |
00:51:56 |
Ahh. |
00:52:07 |
I will not hurt you. |
00:54:16 |
I will not hurt you. |
00:54:39 |
Hello? It's porter. |
00:54:42 |
- Here to take your luggage. |
00:55:24 |
Hey. |
00:55:39 |
Oh boy, does that feel good. |
00:55:42 |
Car 2, Cabin 4. |
00:55:46 |
I'm so sorry. |
00:55:48 |
You? Hey, I'm the |
00:55:52 |
Honey? |
00:55:56 |
You okay? |
00:55:58 |
Hey. You all right? |
00:56:01 |
Just cold. |
00:56:03 |
Where's your coat? |
00:56:05 |
In my bag. |
00:56:07 |
You are so silly. |
00:56:09 |
Come on. |
00:56:11 |
Can you believe it's snowing? |
00:56:13 |
You know the guy that |
00:56:15 |
Carlos Ximénez. Do |
00:56:17 |
He left this morning by bus... |
00:56:19 |
with the American |
00:56:23 |
Did they say |
00:56:28 |
They are back. |
00:56:29 |
She just left to |
00:56:31 |
to meet her husband train. |
00:56:33 |
Tovarich. |
00:56:37 |
Our new cabin mate's |
00:56:40 |
I had them phone the hotel |
00:56:43 |
and they know |
00:56:47 |
But there's still two days |
00:56:51 |
and the Kremlin and the... |
00:56:55 |
Well, you really didn't |
00:56:58 |
Was it that bad? |
00:57:01 |
- What? |
00:57:04 |
Sweetie, I swear to you. |
00:57:09 |
And you know the stock room |
00:57:13 |
It was half that size. |
00:57:14 |
No windows and... |
00:57:18 |
And, oh, this is |
00:57:21 |
Okay? |
00:57:22 |
The phone rings 3:00 |
00:57:25 |
It's reception asking, |
00:57:30 |
I mean, apparently |
00:57:33 |
But it threw me for a loop. |
00:57:35 |
I mean, l... |
00:57:38 |
she was... |
00:57:40 |
Just kidding you. |
00:57:42 |
Sweetie? You all right? |
00:57:47 |
You... you sure |
00:57:49 |
Yeah. |
00:57:54 |
Yeah. |
00:57:57 |
I am now. |
00:58:03 |
Oh, there he is. |
00:58:06 |
- Where you been, 'tabarish'? |
00:58:08 |
- Ah, tovarich, tovarich. |
00:58:12 |
Yeah, oh, this is Elia Grinko. |
00:58:17 |
- Hi. |
00:58:18 |
My colleague tells |
00:58:20 |
and cannot join me |
00:58:23 |
May I ask you to |
00:58:26 |
I am... tak, oh, |
00:58:29 |
Famished is right. |
00:58:30 |
Yeah, we're happy to join you. |
00:58:34 |
Is the dining car even open? |
00:58:37 |
I'm afraid my |
00:58:39 |
Mine's fine. |
00:58:42 |
- It's almost 5:00. |
00:58:48 |
Here I am trying to |
00:58:50 |
to the station master... |
00:58:52 |
and Elia appears |
00:58:54 |
and starts translating. |
00:58:56 |
Your husband is lucky guy. |
00:58:59 |
His English is excellent, |
00:59:02 |
My son encouraged me. |
00:59:05 |
He... he liked your country. |
00:59:08 |
He was going to be in |
00:59:16 |
Well, hold on there, Elia. |
00:59:18 |
Can policemen drink |
00:59:20 |
Well, we won't |
00:59:23 |
No, thanks. |
00:59:24 |
Don't be shy. |
00:59:26 |
- You're a cop. |
00:59:29 |
Da. With FSKN, like your |
00:59:33 |
Elia is on his way... |
00:59:34 |
to a big conference |
00:59:36 |
all the way from Vladivostok. |
00:59:38 |
In Soviet days, |
00:59:41 |
would get plane |
00:59:43 |
Now, seven days on train. |
00:59:46 |
- Na Zdorovie |
00:59:48 |
Hold on there, Elia. |
00:59:50 |
Don't tell me that you miss |
00:59:53 |
I mean, the U.S.S.R. was |
00:59:56 |
Maybe so. |
00:59:58 |
But then we were people living |
01:00:01 |
Now we are a people |
01:00:04 |
Which is better? |
01:00:05 |
When it was U.S.S.R., |
01:00:09 |
Now it is 58 years. |
01:00:11 |
I know this fact very well. |
01:00:13 |
I am 58. |
01:00:14 |
In Russia now we say there are |
01:00:18 |
those who leave |
01:00:21 |
those who leave in coffin. |
01:00:26 |
Which are you? |
01:00:27 |
I am too old to leave. |
01:00:30 |
Just do my job. |
01:00:32 |
Which is catching |
01:00:35 |
Right, Roy. |
01:00:37 |
Well, who are they? |
01:00:41 |
Ten years ago, it was easy. |
01:00:43 |
Drivers bring heroin |
01:00:46 |
We catch them, so |
01:00:48 |
They add special |
01:00:51 |
mold it into objects... |
01:00:53 |
souvenirs, handicrafts, |
01:00:58 |
They pay people... mules. |
01:01:00 |
I think you call them... |
01:01:02 |
who can travel |
01:01:04 |
They use students, |
01:01:07 |
People who look innocent, |
01:01:12 |
Hmm? These are bad guys. |
01:01:14 |
Hey. |
01:01:16 |
Jess, Abby and... ahem... |
01:01:19 |
shoot, what was his name? |
01:01:23 |
Carlos. |
01:01:25 |
The backpackers you |
01:01:26 |
who shared your cabin. |
01:01:28 |
Yes, Abby and Carlos. |
01:01:29 |
Do you think they could |
01:01:32 |
Why, the past year, this line... |
01:01:33 |
has become major |
01:01:35 |
You know, Elia, |
01:01:38 |
this couple |
01:01:41 |
about forging passports... |
01:01:42 |
and sneaking over borders |
01:01:44 |
This Abby and Carlos. |
01:01:46 |
I mean, at least |
01:01:48 |
said their names were. |
01:01:49 |
This couple... did they seem |
01:01:54 |
No, just young. |
01:01:56 |
And they were going |
01:01:59 |
They never said. |
01:02:01 |
So you left them |
01:02:05 |
when you got off in Ulyanovsk? |
01:02:10 |
Yeah. |
01:02:28 |
Well, you feeling better? |
01:02:29 |
Yeah. |
01:02:31 |
Oh, good. You're |
01:02:34 |
have that Russian vodka. |
01:02:36 |
Hmm. |
01:02:37 |
In the end you're lucky |
01:02:41 |
So what did you think of Elia? |
01:02:45 |
Now, I know what |
01:02:47 |
I mean, he's a persistent SOB, |
01:02:49 |
but bet you he |
01:02:52 |
Hey, buddy, we were just |
01:02:55 |
Only good, I hope. |
01:02:57 |
Oh, yeah. |
01:02:58 |
Oh, please. Allow me. |
01:03:00 |
Oh, no, that's okay. |
01:03:01 |
- Jessie. Jessie. |
01:03:02 |
- No, really. |
01:03:04 |
- Let go. |
01:03:06 |
- He's got it. |
01:03:08 |
She's a headstrong woman. |
01:03:13 |
Hey, how many days |
01:03:16 |
Three more days, Roy. |
01:03:17 |
Whoo. Amazing. |
01:03:19 |
You want to stay |
01:03:22 |
Well, as long as possible... |
01:03:23 |
- Guess what. |
01:03:24 |
Our shower is broken. |
01:03:26 |
They found Roy. |
01:03:34 |
'Spokonya Noche.' |
01:03:35 |
Spokoinoi. |
01:03:37 |
Spokoinoi...nochn. |
01:03:38 |
For now, that's good. |
01:03:41 |
Sweetie, can you |
01:03:43 |
I have my eye things on. |
01:04:09 |
# Who's peeking out |
01:04:13 |
# Calling a name that's |
01:04:16 |
# Who's yelling down, |
01:04:20 |
# Everyone knows |
01:04:23 |
# Who's tripping down |
01:04:27 |
# Smiling at everybody |
01:04:30 |
# And Windy has |
01:04:33 |
# That flash at the |
01:04:36 |
# And Windy has |
01:04:40 |
# Above the clouds #... |
01:04:44 |
# Above the clouds #... |
01:04:48 |
# Who's tripping down |
01:04:52 |
# Smiling at |
01:04:55 |
No, not this one. This one. |
01:04:58 |
All the others are smiling. |
01:05:15 |
# And Windy has |
01:05:18 |
# That flash at the |
01:05:22 |
# And Windy has wings to fly # |
01:05:56 |
The toilet's clogged. |
01:05:58 |
You gonna fix it? |
01:06:38 |
It was an accident. |
01:06:59 |
# And Windy has wings to fly # |
01:07:18 |
I'm gonna go grab |
01:07:20 |
I'll keep an eye on ya. |
01:07:23 |
I'll be fine. |
01:07:24 |
Oh, ho, ho, no. |
01:07:26 |
I'm not making the |
01:07:51 |
Hey. |
01:08:16 |
Ah, Jessie. |
01:08:18 |
Taking some pictures, I see. |
01:08:21 |
I am not photographer but... |
01:08:24 |
I suggest that |
01:08:29 |
That looks heavy. |
01:08:32 |
- Oh, no. It's not. It's fine. |
01:08:38 |
Now, there is very |
01:08:44 |
Bright colors, babushkas. |
01:08:46 |
Russian faces. |
01:08:48 |
Take, take, take. |
01:08:54 |
Take more. |
01:08:56 |
I believe we have time. |
01:09:01 |
Why do you wear it |
01:09:04 |
It was my son's. |
01:09:07 |
I gave it to him |
01:09:11 |
He died of bone cancer. |
01:09:15 |
Oh, I'm very sorry. |
01:09:18 |
Ah. To live life |
01:09:21 |
to walk through a meadow, eh? |
01:09:24 |
Still we find ways to survive. |
01:09:30 |
My colleagues in |
01:09:32 |
they searched the Vostok, |
01:09:34 |
the train you got |
01:09:37 |
They could not find |
01:09:40 |
Maybe they got off |
01:09:42 |
Maybe. |
01:09:46 |
- Ah, my phone. |
01:09:55 |
Da. |
01:10:18 |
Jessie. |
01:10:20 |
This is my colleague, |
01:10:25 |
He's also detective. |
01:10:28 |
Right. |
01:10:31 |
Jessie, would you |
01:11:01 |
My husband'll |
01:11:03 |
He knows you cannot be far. |
01:11:06 |
There are few places |
01:11:09 |
No? |
01:11:12 |
This Carlos and Abby... |
01:11:14 |
perhaps they got off train |
01:11:17 |
- No. |
01:11:21 |
You are certain? |
01:11:28 |
In Russia, we have |
01:11:31 |
'With lies you may go |
01:11:35 |
but you may never go back.' |
01:11:40 |
You understand this, Jessie? |
01:11:46 |
I have spoken with police |
01:11:50 |
They have spoken with |
01:11:53 |
This witness saw |
01:11:57 |
with the Spaniard. |
01:12:33 |
Jess? |
01:12:36 |
You okay? |
01:12:38 |
Yeah. |
01:12:40 |
Yeah. Yeah, I'm fine. |
01:12:42 |
Hey, what are these? |
01:12:50 |
What are they doing |
01:12:52 |
Did you buy 'em? |
01:12:56 |
No? Wh... Where'd |
01:12:59 |
Carlos. |
01:13:01 |
Carlos? |
01:13:03 |
- Yeah. |
01:13:06 |
- Yeah. |
01:13:12 |
Jess? |
01:13:15 |
- No. He didn't. |
01:13:17 |
Oh, God. |
01:13:19 |
It's okay, baby. |
01:13:23 |
It's okay. It's okay. |
01:13:54 |
Heroin. |
01:13:56 |
Oh, Lord. |
01:14:02 |
How did Carlos get a |
01:14:05 |
He came into my room. |
01:14:08 |
I let him. |
01:14:10 |
He wanted to use mine. |
01:14:12 |
So I left the room... |
01:14:13 |
and saw police |
01:14:15 |
Carlos must have |
01:14:17 |
I think he got scared |
01:14:21 |
when he... did it. |
01:14:25 |
What then? |
01:14:28 |
I went to the lobby... |
01:14:29 |
and I waited for |
01:14:31 |
It was there that I |
01:14:35 |
leave and go off together. |
01:14:46 |
Jessie... |
01:14:48 |
why did you tell me... |
01:14:50 |
they did not get |
01:14:57 |
Just got scared. |
01:14:59 |
Why? |
01:15:01 |
I got scared for Abby. |
01:15:04 |
I got to know Abby. |
01:15:07 |
So when you asked me |
01:15:10 |
I didn't want anything |
01:15:13 |
because of what Carlos did. |
01:15:15 |
She's not part of it. |
01:15:17 |
She didn't even know |
01:15:19 |
How do you know this? |
01:15:22 |
He told me. |
01:15:24 |
He showed me the dolls. |
01:15:27 |
When you were alone with him? |
01:15:33 |
Yes. |
01:15:35 |
And later, |
01:15:37 |
when I found the |
01:15:41 |
She got... |
01:15:44 |
You just told her about |
01:15:48 |
and she got scared and... |
01:15:53 |
Da. |
01:15:55 |
Fear can drive one |
01:15:59 |
In Russia, we know |
01:16:02 |
Our history is a history |
01:16:08 |
So... that's it? |
01:16:11 |
Mmm, apart from, I'm afraid, |
01:16:28 |
Ahh. |
01:16:31 |
I was right. |
01:16:33 |
Very beautiful. |
01:16:35 |
Is it okay? |
01:16:36 |
Yeah. |
01:16:45 |
What will you do |
01:16:47 |
First, we must find them, Roy. |
01:16:49 |
Hey, Carlos. |
01:16:51 |
Yee-heel |
01:16:54 |
Ah, this is very nice one. |
01:16:56 |
This is Ulyanovsk? |
01:17:02 |
Which church? |
01:17:08 |
l... I didn't get the name. |
01:17:14 |
Oh, this is very nice. |
01:17:17 |
- Like... |
01:17:19 |
The Russian symbol, no? |
01:17:26 |
We can take care of that. |
01:17:28 |
I am very sorry |
01:17:30 |
We will arrive in |
01:17:32 |
I will stay in Kolzak's |
01:17:36 |
- Spokoinoi nochn. |
01:17:38 |
- Good night...'Spokoinoi |
01:17:42 |
'Sakoinoi noche.' |
01:17:50 |
I'm sorry. |
01:17:55 |
Jess, I love you. |
01:17:58 |
That means we should be able |
01:18:04 |
No secrets. |
01:18:27 |
Yee-heel |
01:18:29 |
You put that in your book. |
01:19:27 |
Guess who's not at |
01:19:32 |
Of course there's no |
01:19:37 |
Huh. Well, at least |
01:19:45 |
Hey. |
01:19:46 |
We did the right thing, okay? |
01:19:55 |
Yeah. Yeah. |
01:19:57 |
I know. |
01:20:02 |
Ohh. |
01:20:04 |
Want me to go get you... |
01:20:05 |
some sugar from |
01:20:06 |
That'd be sweet. |
01:20:10 |
Okay. |
01:20:25 |
Aaah. |
01:20:38 |
Uhh. |
01:20:41 |
- Ohh. |
01:20:44 |
I got ya. |
01:20:50 |
Aah. |
01:20:56 |
You're okay. You're okay. |
01:21:43 |
Elia. |
01:21:46 |
Wait. |
01:21:51 |
What is going on here? |
01:21:54 |
There are some problems |
01:22:02 |
Elia... where are |
01:22:07 |
Who the hell are you? |
01:22:10 |
Kolzak. |
01:22:14 |
Roy, Jessie, |
01:22:17 |
it is best to sit. |
01:22:30 |
Your wife was seen |
01:22:36 |
on a bus with the Spaniard. |
01:22:42 |
Now perhaps your |
01:22:45 |
where is Carlos? |
01:22:47 |
Hmm? |
01:22:52 |
Hmm? |
01:22:57 |
Da. |
01:22:59 |
It seems, Roy, your wife |
01:23:04 |
Don't tell me about my wife. |
01:23:07 |
I know about my wife. |
01:23:10 |
Who are you? |
01:23:13 |
I am Detective Elia Grinko, |
01:23:16 |
- And this is... |
01:23:18 |
You're not a Detective. |
01:23:20 |
Roy. |
01:23:45 |
If you please. |
01:23:50 |
Where are we going? |
01:23:51 |
On a short walk. |
01:23:53 |
- But, Elia, we |
01:23:55 |
Aah. |
01:23:56 |
- Roy. Roy. |
01:23:58 |
- My glasses. |
01:24:00 |
We're Americans. |
01:24:01 |
Let's go. |
01:24:33 |
Please sit. |
01:24:40 |
Remove your shoes. |
01:24:41 |
What? |
01:24:43 |
And socks. |
01:24:45 |
Elia, wait a minute. |
01:24:47 |
Aah. |
01:24:48 |
Okay. Okay. |
01:25:13 |
They found her |
01:25:17 |
She was looking for her |
01:25:23 |
Elia, what do you want? |
01:25:26 |
Not my drugs, Roy. |
01:25:28 |
You think this is about |
01:25:31 |
His boss moves |
01:25:35 |
- Aah. |
01:25:37 |
He expects sometimes |
01:25:38 |
- Ohh. |
01:25:41 |
He does not expect |
01:25:43 |
That he does not like. |
01:25:45 |
- Aah. Aah. |
01:25:47 |
Stop. |
01:25:50 |
Whatever Carlos was |
01:25:53 |
Please. |
01:25:56 |
You American women. |
01:25:59 |
You describe Abby how? |
01:26:02 |
'Good girl,' no? |
01:26:05 |
Does 'good girl' |
01:26:09 |
Does she pretend |
01:26:12 |
- It's not true. |
01:26:13 |
So that he will stick knife... |
01:26:15 |
this knife... into head of man |
01:26:20 |
Does 'good girl' |
01:26:22 |
Murder a man. |
01:26:25 |
- No. |
01:26:29 |
No. It's not true. |
01:26:33 |
I am detective, Roy. |
01:26:37 |
One, Abby does not know |
01:26:40 |
Two, she does not |
01:26:42 |
So... this is my theory. |
01:26:46 |
Find Carlos. Find the money. |
01:26:55 |
Ohh. Aaah. |
01:26:58 |
- Oh, no. |
01:27:01 |
Aaah. |
01:27:03 |
- Aah. |
01:27:05 |
We took a bus. |
01:27:10 |
We took a bus out of town. |
01:27:14 |
We got off at some... |
01:27:21 |
I took some photos. |
01:27:24 |
And then... |
01:27:37 |
Then... |
01:27:42 |
We came back. |
01:27:47 |
He got off in town. |
01:27:51 |
- I didn't see him again. |
01:27:52 |
I don't know where he is. |
01:27:55 |
- I don't know where he is. |
01:27:57 |
Please. I don't. |
01:28:01 |
I don't. |
01:28:14 |
I am a fair man. |
01:28:18 |
He wanted to tie your feet. |
01:28:22 |
You're not criminals. |
01:28:25 |
You must have... |
01:28:27 |
a lot of questions |
01:28:29 |
So I will give you |
01:29:24 |
Is there anything... |
01:29:28 |
to help us? |
01:29:33 |
Jessie, no matter |
01:29:38 |
I will still love you. |
01:29:41 |
No matter what you say. |
01:29:54 |
Oh, God. |
01:30:00 |
Oh, Roy. |
01:30:07 |
Okay. Let's go. |
01:30:14 |
- Go where? |
01:30:15 |
There's got to be |
01:30:16 |
We have no shoes. |
01:30:18 |
They have guns. |
01:30:20 |
Don't leave me. Please. |
01:30:22 |
We can't just leave her. |
01:30:23 |
She's why we're here. |
01:30:25 |
It's not true. |
01:30:27 |
It's not true. |
01:30:29 |
Please don't go. |
01:30:31 |
Help me. Please. |
01:30:35 |
Jess. A door. |
01:30:37 |
- No. No. |
01:30:39 |
Please don't leave me. |
01:30:41 |
- Please, help me. |
01:30:44 |
Where's Carlos? |
01:30:47 |
Where is he? |
01:30:48 |
It's open. |
01:30:49 |
- Where's Carlos? |
01:30:51 |
Jess, hurry. |
01:30:52 |
Where is he? Where is he? |
01:30:54 |
Where is he? |
01:30:55 |
- Jess. |
01:30:56 |
Aaah. |
01:31:05 |
This way. |
01:31:17 |
There. I see daylight. |
01:31:34 |
We've got to break it. |
01:31:36 |
- Give me that pipe. |
01:31:39 |
Aah. Aah. |
01:31:42 |
Jessie. |
01:31:44 |
Here. |
01:31:48 |
Good enough. |
01:31:52 |
Aaah. |
01:31:54 |
Wow. Like the Chinese... |
01:31:56 |
made the crap we |
01:31:59 |
Honey, help me. |
01:32:05 |
Go. Go, go, go. |
01:32:07 |
Go. |
01:32:14 |
Ahh. |
01:32:26 |
- There it is. |
01:32:44 |
Okay, come on. |
01:32:57 |
Hi. |
01:33:02 |
- Aah. |
01:33:05 |
Shit. |
01:33:09 |
Shit, Roy. |
01:33:11 |
- Push him out. |
01:33:13 |
Push him out. |
01:33:17 |
Ohh. |
01:33:21 |
She's powered up. |
01:33:24 |
I worked a diesel |
01:33:25 |
at the Rail Museum |
01:33:26 |
Great. |
01:33:27 |
The gages were in English. |
01:33:29 |
Oh, shit. |
01:33:32 |
Roy. |
01:33:34 |
- Shit. |
01:33:36 |
- What? |
01:33:37 |
- Shut all the doors. |
01:33:41 |
Okay. That's the throttle. |
01:33:44 |
Brakes. Just need the brakes. |
01:34:06 |
That's it, sweetheart. |
01:34:14 |
Yeah. |
01:34:23 |
She's stalling. |
01:34:26 |
Where's the fuel pump? |
01:34:36 |
Come on. |
01:34:41 |
No. Oh, no. |
01:34:52 |
He's coming. Shit. |
01:34:54 |
Jess, hold the door. |
01:34:57 |
Help. |
01:34:59 |
Aah. |
01:35:01 |
Aah. |
01:35:03 |
Aah. |
01:35:14 |
Ohh. Oh, God. |
01:35:16 |
Are you okay? |
01:35:23 |
Kolzak. |
01:35:30 |
You listen to me. |
01:35:34 |
You must take responsibility. |
01:35:36 |
He will kill Roy, okay? |
01:35:41 |
Where is he? |
01:35:44 |
Where is he? |
01:35:46 |
And you think this |
01:35:50 |
just game? |
01:35:51 |
He will shoot |
01:35:56 |
Unless you tell me now. |
01:35:58 |
- He's dead. |
01:36:00 |
I killed him. |
01:36:19 |
Aah. |
01:37:09 |
Oh, no, no. |
01:37:33 |
No. |
01:38:20 |
No, wait. It's... He's... |
01:38:25 |
It's him. |
01:38:37 |
He was... he was |
01:38:44 |
He was gonna kill us. |
01:38:52 |
Wait. Listen... listen... |
01:38:58 |
He was... He was trying... |
01:39:00 |
He wanted to... ahh. |
01:39:26 |
You got the statements? |
01:39:31 |
Uh, Mr. Nassir? |
01:39:33 |
Yeah. Come on in, fellas. |
01:39:36 |
Now these three were... |
01:39:37 |
mid-level ops in |
01:39:40 |
run by a fellow |
01:39:42 |
He pours junk into the states |
01:39:46 |
And your pal the cop, |
01:39:48 |
that nobody interfered |
01:39:50 |
including, of course, |
01:39:51 |
at the MVD. |
01:39:53 |
He's a marked man now. |
01:39:55 |
On both sides. |
01:39:57 |
Now the good news is, |
01:39:59 |
that your photo may |
01:40:01 |
for us and the |
01:40:02 |
to put this whole operation |
01:40:04 |
Way to go, sweetie. |
01:40:07 |
Oh, yeah. |
01:40:11 |
Now, um... |
01:40:13 |
may I give you a |
01:40:18 |
Something my, uh, |
01:40:19 |
my mama always |
01:40:22 |
Don't you be talking |
01:40:25 |
Carlos Ximénez from Barcelona. |
01:40:29 |
Those are his priors. |
01:40:31 |
Theft, possession, |
01:40:33 |
Trafficking is a |
01:40:37 |
Well, you think |
01:40:39 |
Someone will. |
01:40:43 |
Mmm. |
01:40:44 |
And her? |
01:40:46 |
Abby Brunell. 20 years old. |
01:40:48 |
Last known address Seattle. |
01:40:50 |
Haven't been able |
01:40:52 |
Ah, just another lost kid. |
01:40:54 |
Made the mistake |
01:40:57 |
Well, like you told us |
01:40:58 |
Which are... oh, yeah. |
01:41:00 |
Yep. All nicely printed out |
01:41:05 |
What's gonna happen to her? |
01:41:07 |
Ah, soon as she's fit, |
01:41:08 |
she'll be sent back |
01:41:10 |
At the taxpayer's expense. |
01:41:12 |
Now, your signature here... |
01:41:15 |
means that you swear |
01:41:28 |
Just right here, Mr. Nassir. |
01:41:52 |
Roy? |
01:41:55 |
I need to see her. |
01:42:25 |
Hi. |
01:42:32 |
I want to tell you |
01:42:40 |
- Here you are, sir. |
01:42:43 |
You all right? |
01:42:46 |
Mm-hmm. |
01:42:54 |
What'd you say to her? |
01:43:00 |
Just something |
01:43:03 |
In the hospital. |
01:43:08 |
Oh, you're kidding. |
01:43:10 |
The doughnut thing? |
01:43:13 |
Honey, I don't even know |
01:43:16 |
I just was trying |
01:43:18 |
to make you look on |
01:43:24 |
I know. |
01:43:26 |
Ahh. |
01:43:42 |
It's sure gonna be nice |
01:43:59 |
Max. Max, come here. |
01:44:02 |
Leave her alone. |
01:44:04 |
I'm sorry. |
01:44:05 |
That's okay. |
01:44:07 |
Stay in your seat, |
01:44:18 |
It's okay. |