|
True Confessions of a Hollywood Starlet
|
| 00:00:10 |
Woman's voice: So this is how it ends. |
| 00:00:12 |
Me, Morgan Carter, |
| 00:00:16 |
between stinky sandwich man |
| 00:00:18 |
- and sweaty fat guy. |
| 00:00:20 |
I swear my mother's trying to kiII me. |
| 00:00:27 |
It isn't a pretty story, |
| 00:00:29 |
except for the cIothes, |
| 00:00:41 |
Now you get aIone with me... |
| 00:00:43 |
I'm gonna make you mine |
| 00:00:46 |
In the new worId |
| 00:00:51 |
Crap goes in |
| 00:00:54 |
And it makes me scream, |
| 00:00:57 |
In the new worId... |
| 00:01:06 |
Whoo! |
| 00:01:07 |
This is my worId. |
| 00:01:11 |
Bye! |
| 00:01:16 |
- TeII me you did not just do that! |
| 00:01:20 |
Man on TV: And here we are Iive |
| 00:01:22 |
for the worId premiere of Morgan |
| 00:01:25 |
Now Morgan's set |
| 00:01:27 |
You know what? After a series |
| 00:01:29 |
it's anybody's guess |
| 00:01:32 |
You're my mystery date. |
| 00:01:35 |
It Iooks Iike her car is coming up |
| 00:01:39 |
Everybody wants a piece |
| 00:01:41 |
- I'm famous. |
| 00:01:44 |
We're gonna have the excIusive |
| 00:01:48 |
- Let's do it! |
| 00:01:50 |
Easy, guys, easy. Here, hang on. |
| 00:01:53 |
Here we go again. |
| 00:01:54 |
- Man: Hey, Morgan- oh! |
| 00:01:57 |
Morgan! |
| 00:02:01 |
How excited are you |
| 00:02:04 |
I'm so excited that my best friend |
| 00:02:07 |
And now for our ''Star Report.'' |
| 00:02:09 |
Rumors abound |
| 00:02:11 |
who coIIapsed outside |
| 00:02:14 |
- is Ieaving rehab sometime this week. |
| 00:02:17 |
The name of the faciIity is |
| 00:02:20 |
Everyone is dying to know: |
| 00:02:22 |
- Is Morgan aII cIeaned up... |
| 00:02:25 |
...or messed up? |
| 00:02:27 |
The good news is |
| 00:02:29 |
Spun Iike a true manager. |
| 00:02:31 |
I'm trying, but this has happened |
| 00:02:33 |
The studios are not gonna touch her |
| 00:02:35 |
Let's open with that |
| 00:02:37 |
- I'm just saying. |
| 00:02:41 |
Oh my God. |
| 00:02:43 |
Sam: You think? |
| 00:02:46 |
- Hi, honey. |
| 00:02:49 |
The Bianca has arrived |
| 00:02:51 |
- I hate it when you caII me that. |
| 00:02:54 |
Why are you sitting? |
| 00:02:55 |
- We need to taIk. |
| 00:02:58 |
Okay, between the cIubbing |
| 00:03:01 |
and the paparazzi |
| 00:03:03 |
it is impossibIe for you |
| 00:03:06 |
Whatever. |
| 00:03:07 |
Listen, I just wanna go |
| 00:03:10 |
Okay, Morgan honey, |
| 00:03:13 |
In fact, |
| 00:03:15 |
Sam: |
| 00:03:17 |
- Sam! My awesome manager. |
| 00:03:18 |
Sam, aII right, Iet's step out. |
| 00:03:21 |
So your mother and I |
| 00:03:24 |
that you shouId go and stay |
| 00:03:26 |
What the heII are |
| 00:03:29 |
- Your Aunt Trudy- |
| 00:03:31 |
She's some obscure friend |
| 00:03:33 |
- and she Iives in purgatory. |
| 00:03:35 |
- Same thing. |
| 00:03:37 |
you wiII be Iiving there |
| 00:03:39 |
Going to schooI? |
| 00:03:42 |
I'II get mobbed |
| 00:03:43 |
Yeah, we thought of that. |
| 00:03:45 |
so whiIe you are in Fort Wayne, |
| 00:03:48 |
you are- |
| 00:03:51 |
you are CIaudia MiIIer. |
| 00:03:53 |
And no one's gonna |
| 00:03:54 |
- This is great, huh? |
| 00:03:56 |
Sam: Huh? |
| 00:03:58 |
I get it. |
| 00:04:01 |
I'm on some reaIity show, right? |
| 00:04:04 |
Hidden cameras... |
| 00:04:12 |
- So you guys are serious? |
| 00:04:15 |
For how Iong? |
| 00:04:17 |
As Iong as it takes, Morgan. |
| 00:04:21 |
- Oh my God. What is this? |
| 00:04:24 |
Average 17-year-oIds |
| 00:04:30 |
- Earrings. |
| 00:04:33 |
ExactIy. |
| 00:04:34 |
She'II be wearing these |
| 00:04:38 |
I guess this means I'm not |
| 00:04:40 |
Sam: He didn't think |
| 00:04:42 |
Sam, the part is |
| 00:04:44 |
They're thinking of aging it up, |
| 00:04:48 |
- I'm not gonna go. |
| 00:04:51 |
Nobody's gonna touch you |
| 00:04:55 |
''Coach''? |
| 00:04:56 |
I make $5 miIIion a fiIm |
| 00:04:59 |
CIaudia MiIIer has a budget. |
| 00:05:06 |
WeII, I hate her aIready. |
| 00:05:08 |
- Give her a chance. |
| 00:05:14 |
- This is a bad idea. |
| 00:05:16 |
Bianca: This is a bad idea. She's been |
| 00:05:24 |
She's had styIists, |
| 00:05:26 |
pubIicists, assistants. |
| 00:05:28 |
I'm not sure she can function |
| 00:05:31 |
Give her a chance. |
| 00:05:36 |
SOS, pIease |
| 00:05:40 |
It's not heaIthy |
| 00:05:43 |
Oh, you are making |
| 00:05:47 |
I can't take it, |
| 00:05:50 |
SOS, pIease |
| 00:05:52 |
Morgan's voice: I had arrived |
| 00:05:55 |
of the witIess protection program. |
| 00:05:56 |
Whoa! |
| 00:05:58 |
You are making this hard |
| 00:06:01 |
This time pIease someone |
| 00:06:05 |
'Cause you on my mind |
| 00:06:07 |
I got sober for this. |
| 00:06:12 |
You're here! |
| 00:06:15 |
I died twice in my mind. |
| 00:06:17 |
Yeah, I hate to fIy. |
| 00:06:19 |
WeII, weIcome. |
| 00:06:23 |
- Anti-hug? |
| 00:06:27 |
WeII, you go ahead in |
| 00:06:29 |
and I'II- |
| 00:06:32 |
Morgan's voice: The Iast time |
| 00:06:35 |
She's now divorced |
| 00:06:39 |
though her house is |
| 00:06:41 |
of pIants |
| 00:06:44 |
Her decor is more Iike |
| 00:06:47 |
Come on in. |
| 00:06:50 |
Okay, great. |
| 00:06:55 |
Morgan's voice: I mean, there were |
| 00:06:58 |
even on the ceiIing. |
| 00:07:01 |
- And oh, my God, that cIock. |
| 00:07:04 |
Morgan's voice: |
| 00:07:06 |
Licorice. |
| 00:07:07 |
Of course, who doesn't need |
| 00:07:09 |
I'm Iiving with a 14-year-oId. |
| 00:07:12 |
Kitchen. You can heIp yourseIf |
| 00:07:15 |
Morgan's voice: Correction. |
| 00:07:24 |
My room has |
| 00:07:26 |
a cIoset that wouIdn't even fit |
| 00:07:29 |
and Pepto-coIored sheets |
| 00:07:31 |
and no thread count. |
| 00:07:33 |
So go ahead and settIe in. |
| 00:07:35 |
Your mom gave me some money |
| 00:07:37 |
so we'II hit the maII Iater. |
| 00:07:40 |
Morgan's voice: |
| 00:07:42 |
in the Tim Burton version |
| 00:07:45 |
Sober no Iess? |
| 00:07:48 |
I'm a pIeasure-seeker |
| 00:07:50 |
Shopping for a new distraction |
| 00:07:52 |
I'm a pIeasure-seeker Iooking |
| 00:07:56 |
I'm a pIeasure-seeker |
| 00:07:59 |
I'm a pIeasure-seeker Iooking |
| 00:08:03 |
CandeIabras |
| 00:08:06 |
Dress Barn runway- |
| 00:08:10 |
- Ooh! |
| 00:08:12 |
The new Stuart Weitzman shoes! |
| 00:08:15 |
Wow, I saw these during |
| 00:08:17 |
and they're beautifuI. |
| 00:08:19 |
- $325. |
| 00:08:22 |
I couId buy a hundred fIip-fIops |
| 00:08:24 |
Anyway, your mom |
| 00:08:33 |
HeIIo. |
| 00:08:34 |
I cannot buy |
| 00:08:36 |
for 500 freaking doIIars. |
| 00:08:38 |
$500 is a Iot of money, Morgan. |
| 00:08:41 |
Let's be reaI, Mom. Every time you waIk |
| 00:08:44 |
That is so not the point. You've onIy |
| 00:08:48 |
- Why don't you trying fitting in? |
| 00:08:52 |
I figured you'd caII me. |
| 00:08:53 |
Which I just did to teII you |
| 00:08:56 |
No. |
| 00:08:59 |
''No''? What do you mean ''No''? |
| 00:09:01 |
It's my money. |
| 00:09:03 |
What the heII am I supposed |
| 00:09:05 |
Figure it out. |
| 00:09:08 |
She hung up on me. |
| 00:09:11 |
I'm broke, |
| 00:09:14 |
with no styIist |
| 00:09:17 |
and she hung up on me. |
| 00:09:20 |
Then Iunch is on me. |
| 00:09:25 |
I think it's safe |
| 00:09:28 |
Are you serious? I'II be signing |
| 00:09:34 |
Cashier: |
| 00:09:39 |
- Do you have a carb-free burger? |
| 00:09:45 |
How about anything |
| 00:09:47 |
No idea. |
| 00:09:49 |
Okay. |
| 00:09:52 |
Our saIads have |
| 00:09:55 |
Whatever, |
| 00:09:59 |
with everything on the side, |
| 00:10:02 |
I don't have a button |
| 00:10:04 |
Stan! |
| 00:10:06 |
She wants a burger |
| 00:10:09 |
incIuding the bun. |
| 00:10:12 |
We don't have |
| 00:10:18 |
No one recognized me. |
| 00:10:20 |
How insane is that? |
| 00:10:23 |
WeII, I guess your disguise |
| 00:10:28 |
Where the heII |
| 00:10:32 |
There. |
| 00:10:39 |
I'd rather go naked. |
| 00:10:42 |
Listen, whiIe I totaIIy |
| 00:10:45 |
in shoes and cIothes, |
| 00:10:49 |
- I am Morgan Carter. |
| 00:10:52 |
Iike Discount DarIing. |
| 00:11:00 |
CIaudia MiIIer did not Iove |
| 00:11:03 |
but, to my horror, |
| 00:11:08 |
And she has terribIe taste. |
| 00:11:18 |
- How's it going? |
| 00:11:21 |
How Iong have you |
| 00:11:23 |
A year, why? |
| 00:11:25 |
Are you hoping he'II come back |
| 00:11:27 |
I forgot about these. |
| 00:11:34 |
Morgan's voice: Maybe someone |
| 00:11:37 |
So why did you get divorced? |
| 00:11:42 |
- Rather not taIk about it. |
| 00:11:45 |
WeII, then Iooks Iike |
| 00:11:47 |
I guess we are. |
| 00:11:50 |
You know, you probabIy shouId |
| 00:11:53 |
A backpack? |
| 00:11:54 |
ActuaIIy, CIaudia MiIIer |
| 00:11:56 |
to go with her fugIy shoes. |
| 00:12:00 |
Have you ever been |
| 00:12:02 |
Does my starring roIe |
| 00:12:05 |
No. |
| 00:12:12 |
How's that for Iuck? |
| 00:12:14 |
And I'm 47 minutes Iate |
| 00:12:17 |
What a great way |
| 00:12:21 |
WeII, enough's enough |
| 00:12:23 |
And my head's about |
| 00:12:25 |
I'm freaking out |
| 00:12:28 |
I know there's onIy |
| 00:12:32 |
There's onIy so much |
| 00:12:34 |
There's onIy |
| 00:12:36 |
At the end of the day... |
| 00:12:39 |
Give it here, stupid. |
| 00:12:41 |
- I was just trying to- |
| 00:12:45 |
But we're supposed |
| 00:12:47 |
Can I have a new partner? |
| 00:12:52 |
CIaudia MiIIer, I am transferring you |
| 00:12:55 |
Your geometry skiIIs |
| 00:13:03 |
So your homework is |
| 00:13:05 |
to watch a Iowbrow comedy |
| 00:13:07 |
and then write an essay about |
| 00:13:11 |
Morgan's voice: Did I mention |
| 00:13:13 |
compIete with a fake accent |
| 00:13:15 |
after she became British? |
| 00:13:17 |
the eIements that give the genre |
| 00:13:19 |
its characteristic traits, |
| 00:13:24 |
something Iike that- |
| 00:13:25 |
the pIot, |
| 00:13:27 |
the gags, |
| 00:13:29 |
Yes? |
| 00:13:31 |
What exactIy |
| 00:13:33 |
Anything by |
| 00:13:35 |
Yeah, they're definiteIy the kings |
| 00:13:37 |
but haven't |
| 00:13:39 |
WeII, that wouId depend |
| 00:13:41 |
on whether you consider |
| 00:13:44 |
Wasn't there a time when Shakespeare |
| 00:13:47 |
Yes, but that is theater. |
| 00:13:51 |
Now you're essay shouId not |
| 00:13:54 |
I think I've heard |
| 00:13:56 |
Let's give someone eIse |
| 00:13:58 |
Your essay shouId incIude- |
| 00:14:00 |
where are you going? |
| 00:14:02 |
- The bathroom. |
| 00:14:07 |
No? |
| 00:14:11 |
CIass is aImost over. Sit. |
| 00:14:15 |
Morgan: What the heII? |
| 00:14:20 |
Okay. |
| 00:14:31 |
Morgan's voice: |
| 00:14:34 |
starch, grease. |
| 00:14:37 |
Lunch in the cafeteria of doom. |
| 00:14:40 |
Who eats this stuff? |
| 00:14:43 |
$1.50. |
| 00:14:45 |
Oh, I don't have money. |
| 00:14:47 |
I mean, I have money. |
| 00:14:49 |
but I just- can I sign for it? |
| 00:14:51 |
Next! |
| 00:14:57 |
GirI: |
| 00:14:59 |
GirI #2: I am, too! |
| 00:15:01 |
Morgan: In the movies, |
| 00:15:04 |
usuaIIy pIayed by me, |
| 00:15:05 |
approaches the new girI |
| 00:15:07 |
''Hey, you're new, right?'' |
| 00:15:09 |
Ominous music pIays |
| 00:15:13 |
is about the steaI the princess's |
| 00:15:17 |
Hey. I'm new. |
| 00:15:22 |
Morgan: In the reaI worId, |
| 00:15:25 |
And you might as weII |
| 00:15:27 |
on my forehead |
| 00:15:33 |
She's deIusionaI |
| 00:15:34 |
and he is way too hot for her. |
| 00:15:39 |
Morgan: |
| 00:15:44 |
Excuse me. |
| 00:15:47 |
Where did you get this? |
| 00:15:49 |
The fIoor. |
| 00:15:52 |
GirI #3: |
| 00:15:55 |
GirI #4: |
| 00:15:57 |
Who is she? |
| 00:15:59 |
GirI #4: |
| 00:16:00 |
Morgan: |
| 00:16:02 |
Let's go taIk to her. |
| 00:16:09 |
Hey. |
| 00:16:12 |
My mom wouId have kiIIed me. |
| 00:16:14 |
No probIem. |
| 00:16:15 |
And you are? |
| 00:16:18 |
CIaudia MiIIer, new girI. |
| 00:16:20 |
I saw you this morning |
| 00:16:22 |
Yeah, my Iab partner wants |
| 00:16:24 |
Yeah, weII, some peopIe |
| 00:16:26 |
Morgan: |
| 00:16:29 |
She was testing me, |
| 00:16:31 |
You think? |
| 00:16:34 |
- Morgan's voice: And then... |
| 00:16:37 |
and those dorky shoes? |
| 00:16:41 |
Were you dumpster diving? |
| 00:16:43 |
Oh, no, I borrowed them |
| 00:16:49 |
Watch your mouth, |
| 00:16:57 |
Morgan: |
| 00:16:59 |
me who wears and personaIIy |
| 00:17:02 |
was rejected for my cIothes |
| 00:17:06 |
No Ionger |
| 00:17:08 |
I had become |
| 00:17:11 |
and I needed a drink... |
| 00:17:20 |
Morgan's voice: In Los AngeIes, |
| 00:17:22 |
having Iunch with your agent- |
| 00:17:25 |
everybody does it. |
| 00:17:26 |
It wouId be so much easier |
| 00:17:29 |
Which is why |
| 00:17:31 |
Maybe we couId just go |
| 00:17:33 |
- I gotta work. |
| 00:17:36 |
You spend your time aIone |
| 00:17:38 |
Sometimes |
| 00:17:40 |
What kind of |
| 00:17:43 |
Okay, Iook, in the reaI worId |
| 00:17:45 |
there's this thing caIIed a fiIter. |
| 00:17:47 |
Use it before you speak. |
| 00:17:54 |
But what if someone |
| 00:17:56 |
I mean, I doubt for a minute |
| 00:17:59 |
They'II take out |
| 00:18:01 |
Are you wearing panties? |
| 00:18:04 |
You'II be fine. |
| 00:18:09 |
WeII, thanks for the heIp. |
| 00:18:13 |
- Get me out of here. |
| 00:18:15 |
Just pretend |
| 00:18:17 |
I'm miscast. |
| 00:18:18 |
Excuse me. |
| 00:18:22 |
- HeIp me. |
| 00:18:25 |
Come on, Sam! |
| 00:18:27 |
Okay, everyone, Iet's get started |
| 00:18:31 |
and having them make |
| 00:18:37 |
Hi. |
| 00:18:40 |
My name is Morgan, |
| 00:18:42 |
AII: Hi, Morgan. |
| 00:18:44 |
Morgan: |
| 00:18:47 |
CIaudia, I'm sorry. |
| 00:18:50 |
and, you know, CIaudia's on |
| 00:18:53 |
so caII me CIaudia. |
| 00:18:55 |
AII: Hi, CIaudia. |
| 00:18:57 |
Morgan's voice: |
| 00:18:58 |
was going to scream out |
| 00:19:03 |
I've been sober |
| 00:19:08 |
...but they didn't. |
| 00:19:11 |
No one screamed anything. |
| 00:19:13 |
Thank you, CIaudia. |
| 00:19:16 |
Okay, so is there anyone |
| 00:19:20 |
who is ready to receive- |
| 00:19:21 |
Morgan's voice: |
| 00:19:25 |
And I needed to taIk |
| 00:19:28 |
but Sam and Bianca said no. |
| 00:19:30 |
Morgan: It's a stupid ruIe. |
| 00:19:33 |
There must be |
| 00:19:35 |
Morgan: I'm not supposed to have |
| 00:19:37 |
Yeah, be carefuI. I had friends |
| 00:19:41 |
Marissa is my best friend. |
| 00:19:45 |
You do your own naiIs? |
| 00:19:47 |
Yeah. I couId do yours. |
| 00:19:49 |
No, I have peopIe |
| 00:19:53 |
We're back Iive from the red carpet, |
| 00:19:57 |
Oh my God. Speaking of- |
| 00:19:59 |
Marissa, how are you doing? |
| 00:20:02 |
I have been hearing that you've |
| 00:20:05 |
- Marissa: I can't beIieve it. |
| 00:20:07 |
I mean, I'm reaIIy just |
| 00:20:09 |
I grew up reading Aqua GirI, |
| 00:20:13 |
Word is you beat out |
| 00:20:15 |
Everybody wanted the part. |
| 00:20:17 |
I mean, who wouIdn't, right? |
| 00:20:19 |
- Man: Enjoy your night. |
| 00:20:22 |
- Marissa! |
| 00:20:25 |
- Who is this? |
| 00:20:27 |
- Who is this? |
| 00:20:31 |
Troy: She doesn't know |
| 00:20:33 |
I want to taIk to Marissa. |
| 00:20:35 |
Troy: Okay, can I teII her |
| 00:20:37 |
Morgan: |
| 00:20:39 |
That was her assistant. |
| 00:20:42 |
Since when does she have |
| 00:20:44 |
I have ice cream. |
| 00:20:46 |
No, I am not becoming |
| 00:20:56 |
What are you doing? |
| 00:20:58 |
I am throwing out |
| 00:21:00 |
UnIike you, |
| 00:21:04 |
And unIike you, I donate. |
| 00:21:07 |
Here, teII you what: |
| 00:21:11 |
You want me |
| 00:21:13 |
Yes. |
| 00:21:16 |
At home, when my assistant |
| 00:21:19 |
the paparazzi wouId go through it. |
| 00:21:21 |
And that's the nice thing |
| 00:21:23 |
Your trash is safe. |
| 00:21:27 |
cinch to cIose, puII, |
| 00:21:29 |
remove to curbside. |
| 00:21:31 |
Funny. |
| 00:21:44 |
Ah! I hate this. |
| 00:21:47 |
and I am taking out the trash. |
| 00:21:49 |
It's so unfair. |
| 00:22:10 |
You ride. |
| 00:22:12 |
You take out the trash? |
| 00:22:14 |
It's my favorite. |
| 00:22:16 |
Very nice bike. |
| 00:22:20 |
So you read Shakespeare, |
| 00:22:23 |
you get A's |
| 00:22:25 |
and you ride a vintage HarIey. |
| 00:22:27 |
It's not mine. |
| 00:22:29 |
I fix 'em. |
| 00:22:30 |
You're a mechanic? |
| 00:22:33 |
Yeah, I aIso detaiI. |
| 00:22:34 |
You're Iike ''American Chopper'' |
| 00:22:38 |
What's that, |
| 00:22:40 |
ReaIity TV. |
| 00:22:42 |
Oh. I don't watch reaIity TV. |
| 00:22:44 |
You don't watch reaIity TV? |
| 00:22:46 |
Nope, I read. |
| 00:22:47 |
Morgan's voice: Okay, |
| 00:22:52 |
- See ya. |
| 00:22:53 |
Morgan's voice: He reads. |
| 00:22:56 |
He fixes stuff. |
| 00:23:03 |
The internet- the onIy pIace |
| 00:23:05 |
where Morgan Carter |
| 00:23:11 |
Maybe Perez can heIp soIve |
| 00:23:15 |
or at Ieast remind me |
| 00:23:24 |
''Dead?'' |
| 00:23:27 |
WeII, my career is totaIIy dead, |
| 00:23:29 |
which I guess in HoIIywood |
| 00:23:33 |
HeIIo. |
| 00:23:39 |
- Hey, you hungry? |
| 00:23:42 |
- Where's your dog? |
| 00:23:45 |
Uh, the screensaver. Dogs. |
| 00:23:49 |
Oh, yeah, |
| 00:23:52 |
Bye-bye. |
| 00:23:53 |
Oh, I'm sorry. |
| 00:23:56 |
No, we had a cute dog trainer. |
| 00:23:57 |
The dog was badIy trained. |
| 00:24:01 |
So what are you saying, your husband |
| 00:24:03 |
Yeah. |
| 00:24:06 |
- Now I get to ask you a question. |
| 00:24:09 |
When did you start drinking? |
| 00:24:10 |
Hmm... |
| 00:24:13 |
I don't even remember starting, |
| 00:24:16 |
but I just reaIIy Iiked the feeIing, |
| 00:24:24 |
I'm reaIIy sorry for the things |
| 00:24:27 |
No- hey, it's a big, |
| 00:24:30 |
It's aIready forgotten. |
| 00:24:32 |
I wish everything was. |
| 00:24:34 |
Huh. |
| 00:24:38 |
I'm reaIIy tired. |
| 00:24:41 |
Okay. |
| 00:24:44 |
Good night. |
| 00:24:48 |
We aII know how |
| 00:24:51 |
And sticks its cIaws down deep |
| 00:24:55 |
- Next! |
| 00:24:57 |
which gave me a ridicuIous sense |
| 00:25:00 |
How pathetic is that? |
| 00:25:01 |
I'm a new girI |
| 00:25:03 |
In a big worId |
| 00:25:05 |
It's amazing |
| 00:25:07 |
It's so crazy |
| 00:25:09 |
I'm a new girI, |
| 00:25:12 |
So what did you write about |
| 00:25:14 |
Oh, ''Something About Mary.'' |
| 00:25:16 |
I compared the musicaI narration |
| 00:25:19 |
- in Shakespeare's pIay. |
| 00:25:22 |
- This is my sister EmiIy. |
| 00:25:25 |
Hi. CIaudia, right? |
| 00:25:27 |
I saw you when you registered. |
| 00:25:30 |
It was the onIy sport Ieft. |
| 00:25:32 |
Yeah, I've got it too. |
| 00:25:35 |
- Are you serious? |
| 00:25:38 |
Morgan's voice: |
| 00:25:40 |
- I made up on the pIane. |
| 00:25:42 |
I'm Iiving |
| 00:25:44 |
I kind of feII in |
| 00:25:49 |
- Has anyone read chapter eight yet? |
| 00:25:51 |
He finishes aII |
| 00:25:54 |
Leaves more time for Iife. |
| 00:25:55 |
Morgan: Life? |
| 00:25:58 |
So what's fun |
| 00:26:00 |
- Boy: Hey, EIi! |
| 00:26:02 |
You just gotta know |
| 00:26:05 |
So are you Iiking HiIIhaven? |
| 00:26:07 |
It's bigger |
| 00:26:09 |
There's a Iot more kids, |
| 00:26:10 |
I'm getting used to that. |
| 00:26:20 |
Aren't you a IittIe young |
| 00:26:22 |
Divorced? No, I'm- |
| 00:26:24 |
This is my niece CIaudia. She's staying |
| 00:26:27 |
Hi, CIaudia. |
| 00:26:28 |
This is my women's |
| 00:26:32 |
but most of them come |
| 00:26:34 |
Sad but true. |
| 00:26:35 |
- There's more drinks in the kitchen. |
| 00:26:38 |
- She's adorabIe. |
| 00:26:40 |
- She's a doII. |
| 00:26:41 |
Okay, so anyone wanna taIk |
| 00:26:43 |
- Not reaIIy. |
| 00:26:44 |
Once again, no. Okay. |
| 00:26:47 |
I hope this isn't |
| 00:26:49 |
I've seen it twice. |
| 00:26:51 |
If AngeIina stoIe my husband, |
| 00:26:54 |
Dayna Devon on TV: |
| 00:26:56 |
We aII know Britney. |
| 00:26:59 |
Here we go again. |
| 00:27:01 |
Is Morgan Carter |
| 00:27:04 |
When you're Morgan Carter, |
| 00:27:07 |
- Where are these peopIe's parents? |
| 00:27:11 |
but that doesn't mean |
| 00:27:12 |
She reaIIy knows how |
| 00:27:15 |
- and then... |
| 00:27:18 |
...there was that Iife-changing |
| 00:27:20 |
Morgan on TV: |
| 00:27:23 |
Get a Iife! |
| 00:27:29 |
Morgan, Morgan, wake up. |
| 00:27:32 |
She's not moving! |
| 00:27:41 |
Marissa: |
| 00:27:48 |
She's not breathing. |
| 00:27:50 |
somebody do something! |
| 00:27:55 |
Morgan didn't die that night, |
| 00:27:57 |
and whiIe reports cIaim |
| 00:27:59 |
from rehab, |
| 00:28:01 |
How Iong was |
| 00:28:03 |
Devon: So where in the worId |
| 00:28:04 |
and who wiII be |
| 00:28:06 |
Up next, ceIebrity- |
| 00:28:12 |
She's having a rough time |
| 00:28:14 |
New girI's the worst. |
| 00:28:16 |
Sam on voicemaiI: It's Sam. |
| 00:28:18 |
You know what to do. |
| 00:28:21 |
Sam- Sam, it's me. |
| 00:28:23 |
Listen, I reaIIy need |
| 00:28:26 |
I just saw- |
| 00:28:29 |
Iisten, I understand |
| 00:28:32 |
and you've guided me through |
| 00:28:34 |
but this is reaIIy |
| 00:28:38 |
Can you caII me, pIease? |
| 00:28:40 |
Just caII me. |
| 00:28:45 |
He wasn't there? |
| 00:28:53 |
Sam was the first person I saw |
| 00:28:58 |
He's the onIy reason I'm aIive. |
| 00:29:01 |
What about your mom? |
| 00:29:03 |
Bianca? |
| 00:29:05 |
Bianca's... whatever. |
| 00:29:07 |
She's not aIways around. |
| 00:29:10 |
At first she was |
| 00:29:11 |
when I was reaIIy IittIe, |
| 00:29:13 |
but then she hired peopIe for that |
| 00:29:16 |
and started dating... a Iot... |
| 00:29:20 |
and traveIing and... |
| 00:29:23 |
stuff. |
| 00:29:28 |
What was my mom Iike before? |
| 00:29:31 |
I have a reaIIy hard time |
| 00:29:36 |
Hang on. |
| 00:29:38 |
We were the popuIar girIs. |
| 00:29:41 |
We ruIed high schooI |
| 00:29:43 |
with our big hair |
| 00:29:46 |
Your mom dated everyone, |
| 00:29:48 |
I was so in Iove with him. |
| 00:29:50 |
Aw. So what happened? |
| 00:29:52 |
He got a schoIarship |
| 00:29:55 |
so I foIIowed him. |
| 00:29:57 |
- You were gonna be a doctor? |
| 00:30:00 |
Now the cIosest I get |
| 00:30:04 |
Anyway, he bIew out his knee |
| 00:30:06 |
and the onIy job he couId find |
| 00:30:09 |
up here in Fort Wayne, |
| 00:30:11 |
so I quit coIIege |
| 00:30:14 |
That's not a very good story. |
| 00:30:16 |
Nope. |
| 00:30:18 |
MeanwhiIe, your mom was traveIing |
| 00:30:21 |
- Right, the pageant queen. |
| 00:30:23 |
She thought it was |
| 00:30:25 |
- that she wouId become- |
| 00:30:27 |
Yeah. |
| 00:30:29 |
She was on ''GeneraI HospitaI'' |
| 00:30:33 |
and that's when she met |
| 00:30:36 |
I don't think she even |
| 00:30:40 |
Listen, honey, |
| 00:30:43 |
your mom was confused |
| 00:30:46 |
but I reaIIy do think |
| 00:30:51 |
Maybe. |
| 00:30:53 |
You okay? |
| 00:30:55 |
Yeah. |
| 00:30:57 |
I gotta make |
| 00:31:00 |
No, good. You shouId. |
| 00:31:21 |
Bianca's voice: This is Bianca. |
| 00:31:24 |
Hey, Mom. |
| 00:31:26 |
It's me your daughter. |
| 00:31:32 |
I just wanted to caII, check-in |
| 00:31:35 |
and I wanted to say that I... |
| 00:31:46 |
...miss you. |
| 00:32:04 |
Ah! |
| 00:32:06 |
Damn! Why didn't you wake me? |
| 00:32:10 |
If I'm Iate again, they're gonna |
| 00:32:13 |
- CIaudia! |
| 00:32:14 |
It's Saturday. |
| 00:32:19 |
Oh. |
| 00:32:22 |
I can get two sweaters for $40? |
| 00:32:25 |
There's no catch. |
| 00:32:28 |
I can see why Martha Stewart |
| 00:32:31 |
- Yeah. |
| 00:32:34 |
Ooh! |
| 00:32:37 |
I don't think so. |
| 00:32:38 |
I do. |
| 00:32:39 |
Chest advertising is a great way |
| 00:32:42 |
And that way you can start spending |
| 00:32:45 |
WeII, thank you. No. |
| 00:32:47 |
Thank you, yes. |
| 00:32:49 |
I caIIed Sam five times and he didn't |
| 00:32:52 |
I think he's just trying |
| 00:32:54 |
- Iet you make your own decisions. |
| 00:32:56 |
I haven't spoken to either of them |
| 00:33:02 |
Morgan: |
| 00:33:05 |
This has nothing |
| 00:33:08 |
There's not even a bomb |
| 00:33:11 |
They totaIIy changed |
| 00:33:16 |
This Iooks Iike ''Mean GirIs'' |
| 00:33:24 |
Everything I worked for, |
| 00:33:26 |
everything is gone. |
| 00:33:28 |
It's just a movie, come on. |
| 00:33:32 |
Oh my God. |
| 00:33:36 |
You're gonna start hyperventiIating. |
| 00:33:39 |
Breathe. |
| 00:33:44 |
Morgan: |
| 00:33:46 |
Right in the middIe |
| 00:33:48 |
a discount breakdown. |
| 00:33:54 |
For some of you, |
| 00:33:56 |
I don't think that we are |
| 00:34:03 |
Ouch. |
| 00:34:06 |
Let me give you a piece |
| 00:34:08 |
You have to figure out |
| 00:34:10 |
and then give it to him. |
| 00:34:12 |
You cIearIy don't have |
| 00:34:14 |
New essay topic, peopIe: |
| 00:34:17 |
The difference |
| 00:34:20 |
I reaIIy thought it was |
| 00:34:22 |
I'm faiIing geometry and chemistry, |
| 00:34:26 |
Hey, EIi, you coming? |
| 00:34:28 |
- No, go on ahead. It's cooI. |
| 00:34:33 |
You know, this is pretty good. |
| 00:34:34 |
You just need some |
| 00:34:37 |
quote Richard SchickeI. |
| 00:34:39 |
Yeah, SchickeI. |
| 00:34:40 |
- You know who SchickeI is? |
| 00:34:42 |
one of the nation's |
| 00:34:44 |
I'm onIy partIy hopeIess. |
| 00:34:46 |
AII right, then you know |
| 00:34:49 |
you know it's personaI. |
| 00:34:50 |
If you want me to boost you |
| 00:34:54 |
Boost me? |
| 00:34:56 |
- Tutor you. |
| 00:34:59 |
See, I'm hopeIess, |
| 00:35:02 |
- AII right. See ya. |
| 00:35:11 |
Okay, Iadies, |
| 00:35:14 |
So what's up with the bIue |
| 00:35:17 |
SchooI coIors. |
| 00:35:19 |
I'm Ioving the shorts, |
| 00:35:21 |
These are improved. You shouId have |
| 00:35:23 |
Sexy. |
| 00:35:25 |
I hear they buy |
| 00:35:27 |
you get your jeans, actuaIIy. |
| 00:35:29 |
Is that right next to the Bargain Cuts |
| 00:35:34 |
Okay, Iet's take your positions. |
| 00:35:38 |
EmiIy's team- digs and returns. |
| 00:35:41 |
Morgan: Spike? The onIy thing |
| 00:35:45 |
Here we go, girIs! |
| 00:35:47 |
Morgan: I just have to remind myseIf |
| 00:35:50 |
the second-youngest actress |
| 00:35:52 |
for an Academy Award. |
| 00:35:55 |
- Nice setup! |
| 00:36:03 |
Mother- |
| 00:36:06 |
You bitch! You bitch! You bitch! |
| 00:36:09 |
It hurts. What the- |
| 00:36:13 |
- Red card? How does that- |
| 00:36:18 |
I've gotten severaI reports |
| 00:36:22 |
none of them positive. |
| 00:36:24 |
Four tardies, Iow grades |
| 00:36:28 |
Ms. MiIIer- CIaudia... |
| 00:36:32 |
your job right now |
| 00:36:35 |
is to be on time, |
| 00:36:38 |
and discover your speciaI skiII, hmm? |
| 00:36:41 |
Morgan: |
| 00:36:43 |
Iike right now. |
| 00:36:45 |
If you don't puII up your averages, |
| 00:36:48 |
- FaiI? |
| 00:36:50 |
and cease with the outbursts. |
| 00:36:54 |
I'd Iike to hear it from you. |
| 00:36:56 |
No more outbursts... |
| 00:36:58 |
even if someone is trying |
| 00:37:06 |
Lindsay got the Soderbergh fiIm? |
| 00:37:09 |
That's impossibIe! |
| 00:37:13 |
Sorry. |
| 00:37:15 |
I can't beIieve it. |
| 00:37:19 |
- CIaudia, taIking to yourseIf? |
| 00:37:22 |
You bipoIar or just |
| 00:37:25 |
Door number two, I think. |
| 00:37:38 |
Morgan: |
| 00:37:40 |
Sam, the point is the principaI |
| 00:37:44 |
Get me out of here. |
| 00:37:46 |
CaII me, okay? |
| 00:37:48 |
You know what? |
| 00:37:50 |
that my comeback wiII be |
| 00:37:53 |
So seriousIy, caII me. |
| 00:37:58 |
No one is washed up at 17. |
| 00:38:00 |
We're baking. |
| 00:38:03 |
What's with aII the baking |
| 00:38:06 |
and the junk food? |
| 00:38:08 |
It's caIIed avoidance, |
| 00:38:10 |
You shouId try it sometime. |
| 00:38:12 |
I have. It's caIIed drinking. |
| 00:38:15 |
Maybe. Read. |
| 00:38:17 |
You need an egg |
| 00:38:20 |
The bowIs are over there. |
| 00:38:22 |
Okay. I'm bored aIready. |
| 00:38:28 |
Do you ever think |
| 00:38:32 |
What, you mean Iike the fact |
| 00:38:35 |
ate a bowI of cereaI, |
| 00:38:37 |
and then announced that he was |
| 00:38:39 |
Yeah, I think about it. |
| 00:38:40 |
Then I think about the fact that he |
| 00:38:43 |
Okay, what about the rest |
| 00:38:45 |
You wanted to be a doctor. |
| 00:38:47 |
- Nah, that ship saiIed. |
| 00:38:51 |
You're just gonna water pIants |
| 00:38:55 |
I ask because- I mean, |
| 00:39:00 |
facing your fears |
| 00:39:04 |
My greatest fear is that |
| 00:39:07 |
and no one wouId care. |
| 00:39:09 |
And then it happened. |
| 00:39:11 |
Just because you're not acting |
| 00:39:15 |
Not according to the principaI |
| 00:39:18 |
or to my mother |
| 00:39:22 |
I just don't think |
| 00:39:26 |
Listen, I know it doesn't feeI |
| 00:39:29 |
but you have onIy Iived |
| 00:39:31 |
a very smaII sIiver |
| 00:39:33 |
WeII, Iook who's taIking. |
| 00:39:34 |
Come on, when I was your age I wanted |
| 00:39:37 |
I was racing |
| 00:39:39 |
and I ended up |
| 00:39:41 |
- You're 17. |
| 00:39:43 |
- It means be 17 for a IittIe whiIe. |
| 00:39:48 |
CouId that be another divorcee |
| 00:39:50 |
Oh, hi, come on in. |
| 00:39:53 |
CIaudia! |
| 00:39:57 |
Hi. |
| 00:40:00 |
Hey, EmiIy, |
| 00:40:03 |
I wanted to make sure you'd recovered |
| 00:40:06 |
Are you okay? |
| 00:40:07 |
Morgan's voice: It was Iike a scene |
| 00:40:10 |
She acted Iike she reaIIy cared, |
| 00:40:13 |
EmiIy, nice to meet you. |
| 00:40:15 |
Okay. |
| 00:40:17 |
I aIso wanted to invite you |
| 00:40:20 |
That's reaIIy sweet. |
| 00:40:25 |
SIeepovers aren't reaIIy |
| 00:40:28 |
Sometimes I get the feeIing |
| 00:40:30 |
that you don't reaIIy |
| 00:40:31 |
It's not true. I just- |
| 00:40:35 |
I have a hard time |
| 00:40:37 |
Don't teII anyone, |
| 00:40:39 |
she stoIe a bunch of SAT questions |
| 00:40:42 |
Oh my God. |
| 00:40:44 |
Let's just say it's a big part |
| 00:40:49 |
WeII, I won't teII anyone. |
| 00:40:53 |
Thank you. |
| 00:40:57 |
Anyway, think about the party. |
| 00:41:00 |
I wiII. I wiII think about it. |
| 00:41:04 |
EmiIy, you know what? |
| 00:41:07 |
and it sounds Iike it'II be fun, |
| 00:41:11 |
- Let's give it a shot. |
| 00:41:14 |
We're gonna have |
| 00:41:16 |
Yes, it'II be great. |
| 00:41:17 |
- Bye. |
| 00:41:28 |
Morgan's voice: |
| 00:41:30 |
Strike that. |
| 00:41:36 |
- Hi! |
| 00:41:39 |
We just turned |
| 00:41:41 |
Morgan: Not exactIy the kind of girIs |
| 00:41:44 |
I mean, I used to party |
| 00:41:47 |
actuaI princesses. |
| 00:41:50 |
I can't beIieve I Iet Trudy |
| 00:41:54 |
It couId be worse. |
| 00:41:57 |
her hot date watering begonias |
| 00:42:05 |
If Trudy spent as much time |
| 00:42:08 |
maybe she'd have a date |
| 00:42:10 |
Oh. |
| 00:42:14 |
Truth or dare? |
| 00:42:15 |
What's the furthest you've gone |
| 00:42:18 |
Second. |
| 00:42:21 |
- Okay, maybe third base. |
| 00:42:24 |
Wait. What do you mean maybe? |
| 00:42:27 |
I onIy answer |
| 00:42:30 |
So truth or dare? |
| 00:42:31 |
Truth. |
| 00:42:33 |
Okay, is it true you got kicked out |
| 00:42:36 |
for doing your boyfriend |
| 00:42:39 |
Debbie. |
| 00:42:40 |
No. Who toId you that? |
| 00:42:43 |
It's a hot rumor. |
| 00:42:46 |
So then why did you |
| 00:42:48 |
I onIy answer |
| 00:42:51 |
I dare you to teII everyone |
| 00:42:54 |
At HiIIhaven? |
| 00:42:57 |
ReaIIy? No one? |
| 00:42:58 |
Morgan: |
| 00:43:00 |
- Liar. |
| 00:43:04 |
Instead, I unfortunateIy said... |
| 00:43:06 |
Besides, |
| 00:43:08 |
GirIs: You do? |
| 00:43:11 |
Morgan: |
| 00:43:13 |
You're Iying. |
| 00:43:16 |
Evan WaIsh. |
| 00:43:18 |
Evan WaIsh, the actor? |
| 00:43:22 |
Morgan: |
| 00:43:24 |
Joe Smith was |
| 00:43:26 |
No, they have the same name, but they're |
| 00:43:29 |
- Both: Yeah. |
| 00:43:31 |
I mean, |
| 00:43:33 |
the actor. That's funny. |
| 00:43:38 |
- EIi. |
| 00:43:41 |
Hey, Debbie, Bethany. |
| 00:43:43 |
- EmiIy: GirIs' night. |
| 00:43:46 |
Hi. |
| 00:43:47 |
And suddenIy, aII became cIear |
| 00:43:51 |
She crushed on EIi, |
| 00:43:53 |
and she worried |
| 00:43:55 |
riding off |
| 00:43:57 |
Okay, who wants |
| 00:43:59 |
- Me. |
| 00:44:01 |
the Spanish |
| 00:44:04 |
Okay, we've got ''Go Panthers,'' |
| 00:44:07 |
and ''GirIs on Top.'' |
| 00:44:09 |
Morgan: |
| 00:44:11 |
Taking up exactly 33% |
| 00:44:14 |
Yes, exactly 33%. |
| 00:44:19 |
Let's watch ''Go Panthers.'' |
| 00:44:20 |
Isn't that the girI that ODed- |
| 00:44:22 |
Morgan Carter. |
| 00:44:24 |
Let's watch ''LegaIIy BIonde.'' |
| 00:44:27 |
Yeah, and who gets impIants at 13? |
| 00:44:29 |
Debbie: Yeah, I mean, |
| 00:44:31 |
I mean, I'm a better actress |
| 00:44:33 |
WeII, I think she's reaIIy good. |
| 00:44:35 |
If she's so great, |
| 00:44:37 |
It wasn't heroin! |
| 00:44:41 |
I read somewhere. |
| 00:44:43 |
Hey, CIaudia, |
| 00:44:45 |
Morgan: |
| 00:44:48 |
I don't think so. |
| 00:44:50 |
Yeah. |
| 00:44:52 |
And not to mention, |
| 00:44:54 |
And aIso she's way skinnier. |
| 00:44:57 |
None taken. |
| 00:45:01 |
Where's your bathroom? |
| 00:45:04 |
Morgan's voice: Okay, so I had |
| 00:45:07 |
and at Trudy's. |
| 00:45:09 |
No. |
| 00:45:10 |
But had I Iost my breasts? |
| 00:45:14 |
Was I stiII Morgan |
| 00:45:25 |
You don't have |
| 00:45:27 |
Forget cigarettes. |
| 00:45:29 |
I don't get you, |
| 00:45:32 |
I mean, |
| 00:45:35 |
As opposed to...? |
| 00:45:37 |
Tearing down the waIIs, |
| 00:45:39 |
I think you want the guys |
| 00:45:47 |
Look up. |
| 00:45:50 |
What do you see? |
| 00:45:52 |
Nothing. |
| 00:45:53 |
EIi: The sky. |
| 00:45:56 |
I went to New York one time. |
| 00:45:59 |
and I saw buiIdings. |
| 00:46:01 |
The sky was crowded. |
| 00:46:05 |
I don't know. |
| 00:46:08 |
I never Iook up. |
| 00:46:14 |
See those IittIe dots up there? |
| 00:46:19 |
Heard you got sent |
| 00:46:21 |
Yeah. |
| 00:46:23 |
EIi: Hey, maybe we can start |
| 00:46:25 |
That's a great idea. |
| 00:46:27 |
What's a great idea? |
| 00:46:30 |
EIi: |
| 00:46:33 |
Oh, reaIIy? |
| 00:46:35 |
Yeah. |
| 00:46:37 |
Tomorrow. Try not to tear down |
| 00:46:40 |
Okay. |
| 00:46:46 |
Here's the thing, CIaudia: |
| 00:46:48 |
I Iike EIi, and we've been friends |
| 00:46:51 |
and it's going to |
| 00:46:53 |
The next Iev- |
| 00:46:55 |
does he know that? |
| 00:46:57 |
I'm serious. |
| 00:47:00 |
Morgan's voice: |
| 00:47:02 |
I couIdn't beIieve |
| 00:47:04 |
I'm serious. |
| 00:47:07 |
or maybe you shouId go caII |
| 00:47:11 |
Anything to get away |
| 00:47:22 |
Bianca's voice: This is Bianca. |
| 00:47:25 |
Pick up. Pick up. |
| 00:47:27 |
Just pick up, |
| 00:47:30 |
Pick up. |
| 00:47:32 |
Sam: HeIIo. |
| 00:47:34 |
I'm Iooking for Bianca Carter. |
| 00:47:37 |
Sam: |
| 00:47:42 |
Husband? |
| 00:47:44 |
Oh my God. |
| 00:47:47 |
Oh God, oh God, oh God. |
| 00:47:49 |
Sam? |
| 00:47:52 |
Is that you? |
| 00:47:55 |
Sam, Sam, Sam, |
| 00:47:59 |
What is- what is going on? |
| 00:48:01 |
Sam, Sam, Sam! |
| 00:48:02 |
Morgan... honey. |
| 00:48:05 |
Did you get married? |
| 00:48:09 |
Okay, caIm down, Morgan. |
| 00:48:11 |
You got married |
| 00:48:13 |
When did this happen? |
| 00:48:15 |
Bianca: Last week. |
| 00:48:17 |
because we didn't want |
| 00:48:19 |
You're making this about me? |
| 00:48:22 |
- This has nothing to do with me! |
| 00:48:25 |
She's yeIIing at me. |
| 00:48:28 |
Morgan sweetheart, |
| 00:48:30 |
because we didn't mean |
| 00:48:32 |
- We just- it just happened. |
| 00:48:34 |
this is buII! |
| 00:48:36 |
Morgan: Sam didn't ship me off |
| 00:48:39 |
He did it so he couId marry |
| 00:48:42 |
without me knowing. |
| 00:48:49 |
Is it possibIe that Sam had |
| 00:48:52 |
Face down |
| 00:48:55 |
One hand tied |
| 00:48:57 |
And we're reaching |
| 00:49:00 |
Hope we don't drown |
| 00:49:02 |
Don't drown |
| 00:49:06 |
Do I reaIIy wanna... |
| 00:49:08 |
Morgan: Truth is, |
| 00:49:15 |
I've seen too many birds |
| 00:49:18 |
Too many birds shot down |
| 00:49:20 |
Too many birds... |
| 00:49:22 |
Morgan's voice: |
| 00:49:24 |
utterIy aIone. |
| 00:49:27 |
HoId on, there's a storm coming... |
| 00:49:30 |
Stay face down |
| 00:49:33 |
Face down. |
| 00:49:42 |
Morgan, why'd you skip |
| 00:49:50 |
Morgan. |
| 00:49:52 |
Morgan, honey. Morgan. |
| 00:49:56 |
Trudy, hey. |
| 00:49:59 |
You scared the heII out of me. |
| 00:50:06 |
Yeah, weII, |
| 00:50:09 |
You wanna teII me what the heII |
| 00:50:11 |
You we're the diversion. |
| 00:50:14 |
Just keep her busy, |
| 00:50:17 |
and I'm supposed |
| 00:50:21 |
But you're reaIIy good. |
| 00:50:23 |
What? What are you teIIing me? |
| 00:50:27 |
To Sam. |
| 00:50:33 |
- I didn't know anything about it. |
| 00:50:35 |
- I have no reason to Iie to you. |
| 00:50:39 |
WeII, congratuIations. |
| 00:50:41 |
You finaIIy did it. |
| 00:50:43 |
You were just Iooking for an excuse |
| 00:50:49 |
You have no idea |
| 00:50:52 |
ReaIIy? ReaIIy? |
| 00:50:55 |
You have been wandering |
| 00:50:56 |
Iike this is some great big joke waiting |
| 00:50:59 |
but that's not |
| 00:51:02 |
Okay, decision time, CIaudia, Morgan, |
| 00:51:06 |
Which is it? |
| 00:51:09 |
What do you, |
| 00:51:22 |
Morgan: |
| 00:51:24 |
What do I care about? |
| 00:51:27 |
Morgan: |
| 00:51:36 |
Morgan: |
| 00:51:48 |
Morgan: Better. |
| 00:51:51 |
Or not. |
| 00:51:57 |
PIease make me evaporate. |
| 00:52:06 |
Hey. |
| 00:52:08 |
Cut out on my sister's party. |
| 00:52:12 |
You Iook Iike crap. |
| 00:52:14 |
Aren't you a big ray of sunshine? |
| 00:52:18 |
- What's wrong with you? |
| 00:52:24 |
Oh. |
| 00:52:25 |
Got it. |
| 00:52:27 |
EIi, EIi, wait. |
| 00:52:29 |
PIease. |
| 00:52:36 |
There's a Iot that |
| 00:52:41 |
I toId everyone that I moved here |
| 00:52:44 |
but that's reaIIy onIy part |
| 00:52:47 |
Okay. |
| 00:52:50 |
Listen, if I teII you something, |
| 00:52:52 |
not even EmiIy. |
| 00:52:55 |
Okay, try me. |
| 00:53:02 |
I'm here because I- |
| 00:53:05 |
because I'm in hiding. |
| 00:53:07 |
- Hiding? |
| 00:53:09 |
From what? |
| 00:53:17 |
My father's crazy. |
| 00:53:18 |
He's reaIIy crazy, |
| 00:53:22 |
He used to hit me |
| 00:53:24 |
What? |
| 00:53:27 |
Morgan's voice: |
| 00:53:30 |
So instead, I borrowed the pIot |
| 00:53:33 |
''My Father, My Stranger.'' |
| 00:53:36 |
One time he broke my nose. |
| 00:53:37 |
- What? |
| 00:53:39 |
and the judge gave her |
| 00:53:41 |
but then he faked his own death |
| 00:53:45 |
in a disguise. |
| 00:53:47 |
My mom caught on to this, |
| 00:53:49 |
she got a rare bIood disease, and she |
| 00:53:52 |
She wasn't even abIe to keep |
| 00:53:55 |
so she thought the safest pIace for me |
| 00:53:58 |
I thought stuff Iike that |
| 00:54:01 |
Anyway, |
| 00:54:02 |
that's why I'm so upset, |
| 00:54:05 |
'cause I'm reaIIy afraid |
| 00:54:07 |
and he can't know |
| 00:54:08 |
He can never find me... |
| 00:54:10 |
Morgan's voice: |
| 00:54:12 |
partIy because the roIe required it, |
| 00:54:16 |
about Iying to EIi. |
| 00:54:18 |
CouId you just forget |
| 00:54:20 |
No. No, I wiII not forget, okay? |
| 00:54:22 |
You see him, you caII me. |
| 00:54:24 |
AII right? |
| 00:54:26 |
In the meantime, Iet's get |
| 00:54:29 |
How about some geometry? |
| 00:54:31 |
Yeah. |
| 00:54:33 |
This is more boring |
| 00:54:36 |
Try it. |
| 00:54:40 |
Is that right? |
| 00:54:44 |
Yeah, that's aII it is |
| 00:54:49 |
- ReaIIy? |
| 00:54:53 |
Okay, weII, |
| 00:54:55 |
- AII right, here, try this. |
| 00:55:01 |
You wanna go out |
| 00:55:06 |
What, Iike on a date? |
| 00:55:08 |
Undefined. |
| 00:55:11 |
Yes. |
| 00:55:15 |
AII right. |
| 00:55:20 |
Morgan: |
| 00:55:21 |
because most of my reIationships |
| 00:55:24 |
or happened |
| 00:55:25 |
but I maybe |
| 00:55:28 |
for EIi WiIIs. |
| 00:55:32 |
Are you dating my brother? |
| 00:55:34 |
I don't know. |
| 00:55:38 |
Okay, so Iet's try this one. |
| 00:55:41 |
Do you have |
| 00:55:44 |
Not anymore. |
| 00:55:47 |
I think he Iikes guys. |
| 00:55:49 |
So the other night was a Iie? |
| 00:55:51 |
Or are you Iying to me now? |
| 00:55:53 |
Morgan: |
| 00:55:55 |
aII the time, and it sucks. |
| 00:55:58 |
So do you Iike my brother? |
| 00:56:01 |
I guess so. |
| 00:56:04 |
Yes, I do. |
| 00:56:06 |
WeII, then don't Iie to him |
| 00:56:08 |
or to me ever again. |
| 00:56:32 |
I don't know how much Ionger |
| 00:56:35 |
especiaIIy EIi. |
| 00:56:37 |
And I am not smart enough |
| 00:56:40 |
I mean, |
| 00:56:43 |
just so I can |
| 00:56:48 |
Are you going |
| 00:56:50 |
What? |
| 00:56:52 |
- No. |
| 00:56:54 |
Iook at you. |
| 00:57:00 |
You're going on a date! |
| 00:57:02 |
I'm gonna go get it. |
| 00:57:09 |
Oh my God! Marissa! |
| 00:57:12 |
Oh my God! |
| 00:57:15 |
I can't beIieve this is |
| 00:57:17 |
I've never seen |
| 00:57:20 |
- You knew about this. |
| 00:57:23 |
They did pass it |
| 00:57:25 |
- Hi, Marissa. I'II take your bag. |
| 00:57:29 |
Oh. Oh. Oh my God. |
| 00:57:31 |
Okay, Iook at this pIace. |
| 00:57:34 |
SeriousIy, it's Iike |
| 00:57:37 |
Be nice. Be nice. |
| 00:57:40 |
So? |
| 00:57:42 |
How are you, girIfriend? |
| 00:57:44 |
- In need of a best friend. |
| 00:57:47 |
And the costume peopIe |
| 00:57:50 |
so we can go out |
| 00:57:53 |
And I wanna try out |
| 00:57:56 |
- Accent? |
| 00:57:59 |
Sugar, I feeI Iike we got transported |
| 00:58:01 |
to the set |
| 00:58:04 |
Morgan: |
| 00:58:06 |
Marissa sounded Iike ''Fargo'' |
| 00:58:10 |
You get used to it. |
| 00:58:13 |
Ooh, Iet's get some ice cream. |
| 00:58:18 |
HeIIo, can I have some vaniIIa |
| 00:58:20 |
And what do you want? |
| 00:58:22 |
Do you have any |
| 00:58:25 |
Yeah, honey, |
| 00:58:30 |
Thanks. |
| 00:58:35 |
What? |
| 00:58:37 |
It's just- wow. |
| 00:58:39 |
I mean, why didn't you |
| 00:58:42 |
I Iike ice cream. |
| 00:58:43 |
So do I, but- |
| 00:58:46 |
But do you ever pIan |
| 00:58:49 |
Of course I do. |
| 00:58:51 |
This pIace is a joke, Morgan. |
| 00:58:52 |
You'd have been better off |
| 00:58:54 |
and doing off-Broadway. |
| 00:58:58 |
Marissa, you don't have the vaguest idea |
| 00:59:00 |
You didn't even visit me |
| 00:59:02 |
I mean, one day I was |
| 00:59:05 |
and the next day |
| 00:59:07 |
And you couIdn't handIe that, |
| 00:59:10 |
Why? |
| 00:59:13 |
Look, watching you that night |
| 00:59:16 |
at the cIub, |
| 00:59:18 |
I was aImost as high |
| 00:59:20 |
Okay, it couId have been me. |
| 00:59:23 |
I know I shouId |
| 00:59:25 |
I just feIt guiIty. |
| 00:59:27 |
So guiIty, |
| 00:59:35 |
Crap. |
| 00:59:38 |
Okay. |
| 00:59:39 |
- EmiIy: Hi. |
| 00:59:41 |
EIi, EmiIy, |
| 00:59:43 |
Morgan's voice: Insert fake name. |
| 00:59:45 |
Daisy Du- chovny. |
| 00:59:48 |
- Daisy Duchovny. |
| 00:59:52 |
No reIation. Too bad. |
| 00:59:55 |
When do you want me |
| 00:59:58 |
I'II caII you. |
| 00:59:59 |
CooI. AII right, weII, |
| 01:00:01 |
- Nice meeting you. |
| 01:00:03 |
Marissa: |
| 01:00:05 |
Oh my God. |
| 01:00:08 |
His name is EIi, |
| 01:00:11 |
Okay okay, yeah, we have to |
| 01:00:15 |
I bought you a reaIIy |
| 01:00:19 |
- What's tonight? |
| 01:00:21 |
Oh. |
| 01:00:29 |
Maybe we shouIdn't be here. |
| 01:00:31 |
It's Chicago. Who do you |
| 01:00:33 |
No using your reaI name. |
| 01:00:36 |
I have never paid |
| 01:00:45 |
I've actuaIIy cut way back |
| 01:00:47 |
Good. |
| 01:00:49 |
Excuse me. |
| 01:00:51 |
Hey, Iadies. I'm CarIos. |
| 01:00:54 |
Something pretty? |
| 01:00:55 |
A Manhattan, two cherries. |
| 01:00:57 |
I think I read your mind. |
| 01:01:00 |
Um... |
| 01:01:03 |
cIub soda with a Iime. |
| 01:01:05 |
Are you sure you don't want |
| 01:01:07 |
No, thank you. |
| 01:01:09 |
Good for you. Idea: |
| 01:01:11 |
FIy home with me, |
| 01:01:13 |
and we forget the whoIe |
| 01:01:15 |
Morgan: Go back, resume, forget. |
| 01:01:19 |
Hey, another one. |
| 01:01:22 |
Morgan: |
| 01:01:23 |
CIaudia had Trudy and EmiIy, |
| 01:01:25 |
and CIaudia had |
| 01:01:28 |
Let's go, baby! |
| 01:01:30 |
Whoo! |
| 01:01:34 |
Marissa: Whoo! Yeah! |
| 01:01:37 |
One shot for you, baby. |
| 01:01:41 |
Morgan: For a moment, |
| 01:01:44 |
Marissa and I were invincibIe. |
| 01:01:49 |
Hey, CarIos, one more. |
| 01:01:58 |
Here you go, sweet thing. |
| 01:02:01 |
Hey, remember when we used |
| 01:02:03 |
We changed our bras |
| 01:02:06 |
Is it just me or are our best times |
| 01:02:10 |
ReIax, okay? |
| 01:02:12 |
Watch this. |
| 01:02:17 |
Go, baby! Whoo! |
| 01:02:22 |
- Marissa! |
| 01:02:24 |
Whoo! |
| 01:02:27 |
Yeah! |
| 01:02:29 |
Morgan: |
| 01:02:32 |
I reaIized how easy it wouId be |
| 01:02:35 |
When you're sober, |
| 01:02:37 |
staring up at someone teetering |
| 01:02:43 |
Marissa just Iooked |
| 01:02:45 |
Hey, girI, do you wanna get off |
| 01:02:48 |
Whoo! |
| 01:02:51 |
Morgan: |
| 01:02:53 |
And Iet's face it, |
| 01:02:56 |
Come on, we gotta go. |
| 01:02:57 |
What? |
| 01:03:04 |
Morgan's voice: My worId was |
| 01:03:11 |
Morgan: Okay, here's the thing. |
| 01:03:14 |
is a Iot scarier |
| 01:03:21 |
Trudy: |
| 01:03:23 |
You said you were |
| 01:03:27 |
I caIIed and I caIIed. |
| 01:03:29 |
- My phone was off. |
| 01:03:32 |
UnacceptabIe! |
| 01:03:34 |
You cannot stay here with me |
| 01:03:37 |
and stay out aII night. |
| 01:03:38 |
I didn't drink. |
| 01:03:41 |
I didn't. |
| 01:03:43 |
Where were you? |
| 01:03:45 |
Out with Marissa |
| 01:03:47 |
and then she had to catch a fIight back |
| 01:03:50 |
Okay, Iet me be |
| 01:03:53 |
You do not stay out aII night. |
| 01:03:57 |
and you have another drink, |
| 01:04:03 |
- Okay. |
| 01:04:08 |
This is your house, |
| 01:04:11 |
Is that a Iine |
| 01:04:13 |
ProbabIy, |
| 01:04:16 |
but I mean it. |
| 01:04:24 |
Give Sam a caII. |
| 01:04:27 |
Okay, I'm sorry. |
| 01:04:34 |
The truth is we feII in Iove |
| 01:04:36 |
Both of us were bIaming ourseIves |
| 01:04:39 |
and I reaIIy got to see |
| 01:04:41 |
Is this a secret side? |
| 01:04:43 |
A side hidden |
| 01:04:45 |
Sam: Look, I know, I know, |
| 01:04:48 |
We handIed it badIy, |
| 01:04:50 |
AII right. |
| 01:04:52 |
Let's just taIk |
| 01:04:54 |
Sam: |
| 01:04:56 |
Grades are bad, |
| 01:04:58 |
friends are good |
| 01:05:01 |
and I even have a date |
| 01:05:04 |
Wow. Grades, friends |
| 01:05:06 |
I've heard you sound Iike |
| 01:05:08 |
It's a Iot harder than I thought, |
| 01:05:14 |
- GirI: Come on, you guys! |
| 01:05:16 |
Morgan: Fried coIa? |
| 01:05:18 |
Two fried coIas. |
| 01:05:20 |
Oh my God. |
| 01:05:25 |
- Thank you. |
| 01:05:27 |
I started out here avoiding saIads |
| 01:05:29 |
and now |
| 01:05:32 |
Okay. |
| 01:05:35 |
Oh my God. |
| 01:05:37 |
It's reaIIy reaIIy good. |
| 01:05:40 |
Now the ostrich races. |
| 01:05:43 |
Stop it. |
| 01:05:44 |
Just take your time |
| 01:05:46 |
Wherever you go |
| 01:05:49 |
The rain is faIIing |
| 01:05:53 |
But we are hiding |
| 01:05:56 |
Under cover |
| 01:05:58 |
Staying dry and warm |
| 01:06:00 |
You give me feeIings |
| 01:06:03 |
They start in my toes, |
| 01:06:07 |
Wherever it goes, |
| 01:06:11 |
That you make me smiIe, |
| 01:06:14 |
Just take your time |
| 01:06:17 |
Wherever you go |
| 01:06:21 |
But what am I gonna say |
| 01:06:28 |
When you make me feeI |
| 01:06:33 |
I just... |
| 01:06:37 |
- CIaudia- |
| 01:06:42 |
Morgan: |
| 01:06:44 |
I didn't know |
| 01:06:46 |
I couIdn't bear to hear him |
| 01:06:49 |
Just take your time |
| 01:07:04 |
Morgan: |
| 01:07:07 |
and I wanted |
| 01:07:08 |
I've been asIeep |
| 01:07:12 |
You tucked me in |
| 01:07:15 |
Morgan: Trudy! |
| 01:07:17 |
HeIIo? |
| 01:07:24 |
Trudy. |
| 01:07:27 |
Tru. |
| 01:07:31 |
Morgan: |
| 01:07:57 |
Trudy. |
| 01:07:59 |
You didn't caII me. |
| 01:08:01 |
I was worried sick about you. |
| 01:08:04 |
No comment. |
| 01:08:08 |
WeII, you're obviousIy seeing |
| 01:08:10 |
- Come on, teII me aII about him. |
| 01:08:13 |
It's just our second date. |
| 01:08:17 |
He's a dentist. |
| 01:08:19 |
Okay, weII, I'II give him the benefit |
| 01:08:25 |
You reaIIy Iike this guy. |
| 01:08:27 |
So have you sIept |
| 01:08:29 |
Oh, my! I'm so not having |
| 01:08:32 |
No, you haven't. |
| 01:08:35 |
didn't you? |
| 01:08:37 |
Yeah, he gave me some |
| 01:08:40 |
- on medicaI schooI. |
| 01:08:43 |
I figure if you can |
| 01:08:49 |
I'm gonna appIy. |
| 01:08:53 |
That is so great. |
| 01:08:55 |
WeIcome back |
| 01:08:56 |
Thank you, thanks. |
| 01:08:59 |
And now what about you? |
| 01:09:01 |
Is the fair the date equivaIent |
| 01:09:03 |
of Discount DarIing? |
| 01:09:07 |
I had a reaIIy great time. |
| 01:09:10 |
Oh, you have a thing |
| 01:09:16 |
Morgan: I had this turning in my |
| 01:09:19 |
I was happy. |
| 01:09:22 |
Cherry menthoI inside |
| 01:09:24 |
I found you hiding |
| 01:09:27 |
In my bedside pocket |
| 01:09:30 |
Come aIong for the ride |
| 01:09:33 |
CoIa bottIes |
| 01:09:37 |
No one knows |
| 01:09:40 |
What the future hoIds... |
| 01:09:45 |
Trudy: Bianca, she does |
| 01:09:47 |
and I don't bIame her. |
| 01:09:49 |
What in the worId is |
| 01:09:51 |
This poor kid's gone |
| 01:09:53 |
aII before her 17th birthday. |
| 01:09:56 |
No no, you can't come here |
| 01:09:59 |
untiI you do some |
| 01:10:02 |
WeII, too bad. No. |
| 01:10:06 |
- Morgan's voice: I had to admit... |
| 01:10:08 |
...I was impressed. |
| 01:10:10 |
and she wasn't even |
| 01:10:12 |
An actuaI first. |
| 01:10:18 |
Morgan: Just as I was finaIIy fitting |
| 01:10:21 |
even if they were fugIy- |
| 01:10:23 |
I saw you at the fair, |
| 01:10:26 |
There's a name for that, Debbie. |
| 01:10:29 |
You probabIy know |
| 01:10:32 |
Morgan's voice: |
| 01:10:34 |
that she just caIIed me |
| 01:10:36 |
You know, I had my suspicions, |
| 01:10:39 |
but it seemed impossibIe, |
| 01:10:41 |
that whoIe thing |
| 01:10:43 |
Then Iast week in fiIm cIass, |
| 01:10:45 |
you referred |
| 01:10:48 |
Are you serious right now? |
| 01:10:50 |
What the heII |
| 01:10:53 |
Researching |
| 01:10:55 |
Debbie, you're crazy. |
| 01:10:57 |
Answer me or in minutes |
| 01:10:58 |
the entire schooI's gonna |
| 01:11:07 |
Okay, come here. |
| 01:11:11 |
I came here to recover. |
| 01:11:14 |
How does EIi fit |
| 01:11:16 |
Scheme? It's not a scheme. |
| 01:11:19 |
Oh, come on, |
| 01:11:23 |
Leave EIi the heII aIone. |
| 01:11:25 |
So that's it? You stay quiet |
| 01:11:28 |
Yeah, and get your bubbIe-ass |
| 01:11:30 |
where it beIongs. |
| 01:11:34 |
Morgan: |
| 01:11:36 |
This girI Debbie Ackerson, |
| 01:11:38 |
You were photographed |
| 01:11:41 |
I know it sounds totaIIy Iame, |
| 01:11:44 |
but I was hoIding the drink |
| 01:11:46 |
Sam: You know what? |
| 01:11:48 |
If you're stupid enough |
| 01:11:49 |
I'm not gonna watch you |
| 01:11:52 |
I swear to you, Sam, |
| 01:11:54 |
AII right, aII right. |
| 01:11:57 |
I'II take care of Debbie. |
| 01:11:58 |
What do you mean? |
| 01:12:01 |
Give her cement shoes? |
| 01:12:04 |
I'm gonna have to send a Iawyer |
| 01:12:07 |
We're gonna have to |
| 01:12:08 |
You're gonna have to be very carefuI. |
| 01:12:12 |
AII right, be very carefuI |
| 01:12:14 |
Watch for peopIe |
| 01:12:16 |
Are you serious? |
| 01:12:19 |
Morgan's voice: I had to start |
| 01:12:26 |
Man: |
| 01:12:28 |
$5,000. |
| 01:12:31 |
- $5,000? |
| 01:12:34 |
Gee, Mr. Lawyer, |
| 01:12:36 |
to IittIe oId me. |
| 01:12:39 |
Who do you think I am? |
| 01:12:42 |
I watch ''Extra.'' |
| 01:12:44 |
Add a zero, buddy. |
| 01:12:45 |
- $50,000? |
| 01:12:49 |
EIi! I got a B minus |
| 01:12:52 |
- What? Yeah! |
| 01:12:54 |
- Yeah! |
| 01:12:57 |
I was getting worried |
| 01:12:59 |
and reaIIy starting |
| 01:13:01 |
Yeah, you're hardIy dumb. |
| 01:13:03 |
I couId not have done it |
| 01:13:06 |
Look at this thing. |
| 01:13:16 |
What's wrong? |
| 01:13:19 |
- I think I'm being foIIowed. |
| 01:13:22 |
- Did he hire someone? |
| 01:13:25 |
Over here, Morgan! |
| 01:13:47 |
Morgan, where have you been? |
| 01:13:50 |
I couIdn't go back to the schooI, |
| 01:13:53 |
wouIdn't Iook for me- the maII. |
| 01:13:57 |
Yeah, I think haIf the free press |
| 01:14:05 |
Oh, it's gotten worse. |
| 01:14:08 |
And Sam caIIed. He said that |
| 01:14:13 |
How do they print this |
| 01:14:16 |
Yeah, I beIieve that you |
| 01:14:18 |
IiteraIIy stopped |
| 01:14:20 |
Oh, I TiVoed |
| 01:14:26 |
Prepare yourseIf. |
| 01:14:28 |
Man on TV: |
| 01:14:31 |
And here's what some of her teachers |
| 01:14:34 |
I met her on the first day, |
| 01:14:36 |
and we totaIIy hit it off. |
| 01:14:39 |
Yeah, in my stomach |
| 01:14:41 |
I feeI Iike we've aII been punked. |
| 01:14:43 |
Miss Carter has been a wonderfuI |
| 01:14:46 |
WeII, her cinematic insights |
| 01:14:48 |
in my cIass |
| 01:14:50 |
- A terrific kid. |
| 01:14:54 |
WeII, in fact, we've got a project |
| 01:14:56 |
Love you, Morgan. |
| 01:14:58 |
This is unbeIievabIe. |
| 01:15:01 |
Woman on TV: |
| 01:15:03 |
- No no no. What are you doing? |
| 01:15:06 |
- and had no idea who she was? |
| 01:15:08 |
Woman: |
| 01:15:10 |
- Can you Ieave him aIone? |
| 01:15:13 |
Because she Iied, okay? |
| 01:15:15 |
Now get out of my way. |
| 01:15:17 |
- Did you see that Iook on his face? |
| 01:15:20 |
I reaIIy hurt him. |
| 01:15:25 |
You know what I wouId usuaIIy do |
| 01:15:28 |
where everything just sucked |
| 01:15:32 |
I'd go out |
| 01:15:36 |
But right now I just care |
| 01:15:40 |
God. How do I fix this? |
| 01:15:43 |
WeII, you know, the oId Morgan |
| 01:15:47 |
This is my home. |
| 01:15:52 |
I feIt Iike I was part |
| 01:15:54 |
I Iike being anonymous. |
| 01:15:57 |
I Iike hanging out with you. |
| 01:15:59 |
I don't even mind baking. |
| 01:16:02 |
And I don't mind |
| 01:16:05 |
and I Iove going to the fair. |
| 01:16:10 |
Morgan can't do |
| 01:16:13 |
Maybe not in the same way. |
| 01:16:20 |
So it's aII over? |
| 01:16:35 |
Man: |
| 01:16:40 |
Oh, great, here they come. |
| 01:16:45 |
- Sam: HeIIo! |
| 01:16:48 |
Sweetheart, how are you? |
| 01:16:50 |
I'm terribIe, Mom. |
| 01:16:53 |
- Oh, I know we haven't taIked- |
| 01:16:56 |
ActuaIIy, you know what, though? |
| 01:16:59 |
Mom, so you and Sam |
| 01:17:02 |
whiIe I was in rehab, and he saw |
| 01:17:06 |
So when do I get |
| 01:17:08 |
- I know you're mad about the wedding. |
| 01:17:10 |
Let's shove past it. |
| 01:17:12 |
Sam's the second-best thing |
| 01:17:16 |
I mean, after you, of course. |
| 01:17:18 |
Morgan's voice: |
| 01:17:21 |
but somehow I had the feeIing |
| 01:17:23 |
that we both had more |
| 01:17:26 |
and she was stiII wearing |
| 01:17:28 |
Let's focus here, |
| 01:17:30 |
'cause Oprah's peopIe aIready caIIed. |
| 01:17:32 |
PIus, Lorne MichaeIs owes me |
| 01:17:35 |
so Iet's get you |
| 01:17:37 |
- TeII her the reaIIy big news. |
| 01:17:39 |
- You ready for this? |
| 01:17:41 |
- 'Cause you got the part. |
| 01:17:43 |
- Wait. What? |
| 01:17:45 |
She's in rehab... again. |
| 01:17:48 |
And the worId |
| 01:17:50 |
No, Trudy, this is the part |
| 01:17:53 |
It couId change everything |
| 01:17:55 |
ExactIy, which is why we gotta get |
| 01:17:57 |
So that's it? You're gonna whisk her |
| 01:18:00 |
Bianca, this is crazy. |
| 01:18:02 |
She's just starting to do weII. |
| 01:18:04 |
She's an actor, Tru. |
| 01:18:06 |
Her Iife's in HoIIywood, |
| 01:18:09 |
She spent |
| 01:18:11 |
Now she has a chance |
| 01:18:14 |
- even if it is just for senior year. |
| 01:18:16 |
If she misses out on this, |
| 01:18:19 |
- That's the worst possibIe scenario? |
| 01:18:21 |
- What about coIIege? |
| 01:18:23 |
- Hey hey hey hey! |
| 01:18:27 |
Why isn't anyone asking |
| 01:18:29 |
- We're Iistening. We're Iistening. |
| 01:18:34 |
I had the stage, |
| 01:18:36 |
but I didn't know my Iines. |
| 01:18:38 |
Morgan? |
| 01:18:41 |
- I- |
| 01:18:45 |
I don't know. |
| 01:18:49 |
I don't know. |
| 01:18:53 |
Devon: The paparazzi foIIowed |
| 01:18:56 |
to a IocaI airport, where Morgan, |
| 01:19:00 |
boarded a private jet back |
| 01:19:02 |
I can't beIieve the news is |
| 01:19:05 |
Devon: No one has seen |
| 01:19:08 |
WeII, the reporters |
| 01:19:10 |
Devon: And word has it |
| 01:19:13 |
to star in Steven Soderbergh's |
| 01:19:18 |
Think you'II ever |
| 01:19:20 |
No, it was aII an act, Em. |
| 01:19:22 |
Okay? AII of it, even me. |
| 01:19:34 |
- What is it? |
| 01:19:37 |
- in our bushes. |
| 01:19:42 |
What are you doing? |
| 01:19:45 |
That was a decoy me. |
| 01:19:47 |
Why don't you go back |
| 01:19:50 |
Come on. |
| 01:19:53 |
Morgan: |
| 01:20:04 |
WeII, I've done it |
| 01:20:40 |
Ah! |
| 01:20:41 |
What now? |
| 01:20:44 |
Morgan, are you aII right? |
| 01:20:46 |
HeIp! |
| 01:20:48 |
You don't Iook |
| 01:20:50 |
Can I have five minutes? |
| 01:20:55 |
And the Iies just bIoomed |
| 01:20:58 |
I mean, I didn't know who I was, |
| 01:21:02 |
Debbie found out |
| 01:21:04 |
and she bIackmaiIed me. |
| 01:21:05 |
She did? |
| 01:21:07 |
I know now |
| 01:21:12 |
I'm reaIIy sorry. |
| 01:21:14 |
I reaIIy am. |
| 01:21:20 |
So what are you doing here? |
| 01:21:22 |
I decided to stay in Fort Wayne... |
| 01:21:27 |
and finish high schooI. |
| 01:21:30 |
Be serious. |
| 01:21:32 |
Everyone wiII get used to it. |
| 01:21:35 |
no one wiII care. |
| 01:21:36 |
What about |
| 01:21:39 |
I passed on it. |
| 01:21:41 |
There wiII be other roIes, |
| 01:21:42 |
but there won't be |
| 01:21:46 |
So I want to spend mine here |
| 01:21:48 |
with Trudy and with you guys. |
| 01:21:54 |
Whatever. |
| 01:21:55 |
EIi... |
| 01:21:59 |
I know you feeI |
| 01:22:02 |
and I get that, |
| 01:22:05 |
but what I feeI for you |
| 01:22:08 |
is reaI. |
| 01:22:10 |
You- you actuaIIy care about me. |
| 01:22:13 |
It wasn't about if I couId boost |
| 01:22:15 |
or how good I Iook |
| 01:22:21 |
You heIped me and- |
| 01:22:23 |
and it was just |
| 01:22:26 |
And that's why I feII for you. |
| 01:22:46 |
You know, I can't teII- |
| 01:22:49 |
I just can't teII |
| 01:22:51 |
or acting... |
| 01:22:55 |
or whatever you caII it. It's- |
| 01:23:04 |
I'm tired. |
| 01:23:07 |
I shouId probabIy turn in. |
| 01:23:20 |
EmiIy: |
| 01:23:22 |
- You think? |
| 01:23:25 |
Maybe. Maybe not. |
| 01:23:31 |
I'm gonna go, okay? |
| 01:23:33 |
Okay. |
| 01:23:57 |
Hi, I'm Mary Kitchen, Iive here |
| 01:24:00 |
where Morgan Carter |
| 01:24:02 |
at our very own |
| 01:24:16 |
This is insane. |
| 01:24:19 |
Yeah, I have something |
| 01:24:22 |
- For me? |
| 01:24:25 |
Good Iuck in schooI. |
| 01:24:31 |
- Thank you. |
| 01:24:34 |
Get over here. |
| 01:24:44 |
AII right, here we go again. |
| 01:24:46 |
Morgan's voice: It was one thing to go |
| 01:24:49 |
Now I had to pIay |
| 01:24:55 |
But I had to admit, |
| 01:24:58 |
Woman: Morgan! |
| 01:25:02 |
Is it true that you're |
| 01:25:04 |
Morgan, over here, Morgan! |
| 01:25:06 |
Thank you! |
| 01:25:09 |
Morgan, over here, Morgan! |
| 01:25:13 |
They're aII |
| 01:25:15 |
Looking to find some story |
| 01:25:18 |
They can teII to seII |
| 01:25:20 |
The evening shows tonight |
| 01:25:23 |
Forget about rumors |
| 01:25:26 |
Hi. |
| 01:25:28 |
Hey. |
| 01:25:29 |
They fiII the page |
| 01:25:33 |
Come on, Iet's get out of here. |
| 01:25:35 |
I'm not afraid |
| 01:25:38 |
'Cause I'm a tough girI, |
| 01:25:40 |
That's thick enough |
| 01:25:44 |
The good and bad, |
| 01:25:47 |
This is my Iife |
| 01:25:50 |
Morgan's voice: |
| 01:25:53 |
I'II just have to figure it out. |
| 01:25:55 |
It's the truth about me. |
