Turbulence
|
00:00:29 |
"Turbulence" |
00:00:37 |
- Merry Christmas. |
00:00:45 |
Thanks. |
00:00:51 |
Excuse me. |
00:00:54 |
Got him. |
00:00:57 |
Lieutenant, you were right. |
00:01:00 |
He bought |
00:01:02 |
He's on his way |
00:01:05 |
How can you be so sure? |
00:01:07 |
I don't have to see her. |
00:01:11 |
She's about 5'7", 5'8", blond... |
00:01:16 |
She's about 125 pounds. |
00:01:19 |
Probably a college graduate. |
00:01:21 |
Definitely well-read. |
00:01:23 |
Weaver likes to talk, and he wants |
00:01:33 |
- You see that teddy bear he's carrying? |
00:01:36 |
Murder comes next. |
00:01:39 |
I spent the last two years of my life |
00:01:43 |
He's a piece of shit. |
00:01:46 |
Look, Lieutenant, |
00:01:57 |
Hold up, guys. |
00:02:18 |
Coming. |
00:02:20 |
Merry Christmas, Laura. |
00:02:23 |
Oh, Ryan, |
00:02:25 |
Yeah, I thought so too. |
00:02:27 |
I'm sorry about |
00:02:29 |
- I was in a rush to get it to you. |
00:02:33 |
I love it. |
00:02:35 |
I love you. |
00:02:40 |
Come here. |
00:02:42 |
Sit down. |
00:02:47 |
You're the best thing that's happened |
00:02:54 |
Give me a kiss. |
00:02:59 |
On the floor with your hands |
00:03:04 |
Give them to me. |
00:03:06 |
- Pull him over. |
00:03:12 |
Take it easy. Easy. |
00:03:13 |
Hello, Weaver. |
00:03:17 |
What are you doing? |
00:03:19 |
What the hell's the matter |
00:03:21 |
5'7" and blond, huh? |
00:03:23 |
He's out of his mind. Come on. |
00:03:27 |
Merry Christmas. |
00:03:30 |
Hi, Ray. I was |
00:03:34 |
Mr. Helfet told me |
00:03:38 |
Where is he? |
00:03:41 |
He didn't stay. |
00:03:46 |
Thank you, Ray. |
00:04:04 |
I'm actually |
00:04:06 |
They're exaggerating. |
00:04:08 |
I did not beat him. |
00:04:11 |
We don't need a problem. |
00:04:14 |
- There'll be no incident on the plane. |
00:04:18 |
All right. I'm coming back. |
00:04:30 |
You my chaperon? |
00:04:31 |
After what happened today, |
00:04:35 |
"Lieutenant". |
00:04:38 |
I'm going back to L.A. I'll be |
00:04:43 |
Can't fly back with me? |
00:04:44 |
I don't want |
00:04:47 |
You're always lying. |
00:04:49 |
I think honesty would be good |
00:04:54 |
Tell me, how did you plant |
00:04:58 |
If it were true, |
00:05:01 |
Knowing what you did? |
00:05:04 |
How can you look |
00:05:06 |
I like what I see. I'm proud |
00:05:10 |
Is it fame? |
00:05:14 |
Did you want to solve |
00:05:17 |
You got your promotion. |
00:05:19 |
You didn't even make |
00:05:21 |
See? You watched. |
00:05:24 |
You track me down for two years, |
00:05:28 |
L.A.'s a tough place |
00:05:30 |
There's a lot of competition. |
00:05:36 |
I never killed anybody... |
00:05:39 |
and you know it. |
00:05:50 |
Yeah, right. |
00:05:51 |
Wow. Look at this. |
00:05:54 |
Somebody really got into |
00:05:58 |
Two crews bet over who could do the |
00:06:02 |
- You're kidding. |
00:06:06 |
Come on. Only five passengers, |
00:06:09 |
Wait a minute. We may have |
00:06:11 |
- Yep. It's now 11 passengers. |
00:06:15 |
Six men. FAA 2-14. |
00:06:34 |
Estimated flight time to L.A. |
00:06:39 |
Could get a little bumpy. |
00:06:40 |
So, who are these prisoners |
00:06:43 |
One of them's a bank robber. |
00:06:45 |
The other one is |
00:06:49 |
Leave it to Uncle Sam to cast |
00:06:57 |
When that happen? |
00:06:59 |
I don't know. |
00:07:17 |
Move it in, Marty. |
00:07:23 |
Let us know when. |
00:07:28 |
- Flatten my coat? |
00:07:30 |
No. Sit there. I want |
00:07:32 |
- I'd like to sit on the aisle. |
00:07:35 |
Please, don't argue. |
00:07:56 |
- Teri... |
00:08:01 |
- You said I was rushing in London. |
00:08:05 |
Look. At least you |
00:08:07 |
and marry the wrong guy |
00:08:10 |
- You did that? |
00:08:12 |
I am just now getting over the need |
00:08:17 |
You have so much time. You have your |
00:08:21 |
Really. Just wait |
00:08:41 |
Whoa. FAA regulations. Please step off |
00:08:49 |
- You live in L.A.? |
00:08:59 |
Seats and lavatories clear. |
00:09:26 |
Merry Christmas. |
00:09:28 |
You're four rows |
00:09:31 |
I need a 28.8 jack immediately |
00:09:56 |
Hey, Captain. |
00:09:58 |
You're late. I specifically requested |
00:10:03 |
It was my understanding |
00:10:06 |
I'm sorry. |
00:10:09 |
I think you'll find |
00:10:13 |
Four weapons. That's it? |
00:10:17 |
I carry a.38 backup. |
00:10:20 |
It's not listed. |
00:10:21 |
Most pilots don't mind. |
00:10:23 |
I do. It has to ride up front with me. |
00:10:39 |
What are you looking at? |
00:10:42 |
Shut up. |
00:10:43 |
I want the restraints |
00:10:47 |
We weren't planning |
00:10:50 |
- Okay, let's go. |
00:11:01 |
Don't push me. |
00:11:02 |
Come on, Stubbs. Any more |
00:11:13 |
Hi. |
00:11:25 |
Excuse me, miss. |
00:11:28 |
- It's a Wonderful Life. |
00:11:29 |
What's the name of that song |
00:11:32 |
They were walking down |
00:11:59 |
Right here. |
00:12:00 |
Middle seat. Sit down. |
00:12:03 |
Don't worry about the coat. |
00:12:09 |
- You really shouldn't do that. |
00:12:11 |
Make eye contact with these guys. |
00:12:15 |
What did they do? |
00:12:16 |
The guy with the dark hair, the one |
00:12:21 |
- Are you kidding? |
00:12:23 |
One of the maintenance men told me. |
00:12:27 |
said that Weaver |
00:12:29 |
A perfect argument |
00:12:32 |
He doesn't look like |
00:12:34 |
Did you ever see |
00:12:36 |
He was a real charmer. Mark Harmon |
00:12:56 |
What's that? |
00:12:58 |
If it's not on the manifest, |
00:13:02 |
I swear those guys have seen too many |
00:13:18 |
Doors. |
00:13:20 |
- Closed. |
00:13:22 |
Complete. Call for pushback. |
00:13:25 |
This one always sticks. |
00:13:27 |
- Seasons greetings from the cockpit. |
00:13:29 |
We're fortunate to be leaving New York |
00:13:33 |
We still face a rough ride |
00:13:36 |
Flight time is five hours |
00:13:38 |
It's about 20 minutes longer |
00:13:40 |
The latest Los Angeles weather |
00:13:44 |
Welcome aboard. |
00:13:46 |
Hello, and welcome aboard. |
00:13:48 |
Whenever we fly, wherever we fly, |
00:13:54 |
Please note that the no-smoking sign |
00:14:01 |
And now, please fasten |
00:14:29 |
Roger. 321 left Outer Hotel |
00:14:32 |
TWA 10-1 1 Trans Con 47 heavy. |
00:14:38 |
Flight attendants, |
00:14:40 |
Trans Con 47 heavy. |
00:14:44 |
I hate these icy takeoffs. |
00:14:55 |
On. |
00:14:56 |
Checklist is complete. |
00:14:58 |
Ready for takeoff. |
00:15:01 |
Trans Con 47 rolling. |
00:15:05 |
Power's good. We have |
00:15:33 |
Trans Con 47, contact departure. |
00:15:37 |
Roger. Trans Con 47. |
00:15:52 |
Thank you. |
00:15:59 |
- I'll flip you for lower business. |
00:16:02 |
Normally, but today's not a normal day. |
00:16:06 |
I would've thought you'd take them |
00:16:10 |
Yeah, well... |
00:16:12 |
I'm not as patient |
00:16:15 |
- Heads or tails? |
00:16:25 |
It'll take your mind |
00:16:28 |
Thanks a lot. |
00:16:37 |
Something to drink? |
00:16:40 |
Heineken. |
00:16:48 |
Merry Christmas. |
00:16:55 |
Something to drink? |
00:16:57 |
Yeah, orange juice, please. |
00:17:00 |
What would you like? |
00:17:02 |
What do you like? |
00:17:06 |
- I'll have the complimentary champagne. |
00:17:09 |
I'll have a Bloody Mary. Hold the vodka, |
00:17:14 |
If you wanted tomato juice, |
00:17:17 |
- What's your name? |
00:17:21 |
Teri. |
00:17:23 |
I'll have whatever |
00:17:27 |
Apple juice. |
00:17:28 |
- That would be great. Thank you. |
00:17:36 |
Coke, please. |
00:17:38 |
And you'd like? |
00:17:40 |
I'd like to nail you. |
00:17:44 |
That's two strikes, Stubbs. |
00:17:48 |
You got a short fuse, Marshal. |
00:17:51 |
It's going to be a long flight. |
00:17:53 |
Sorry about that, miss. |
00:17:58 |
Sir? |
00:17:59 |
Just bring me a Coke. |
00:18:05 |
"Buffalo Gals". |
00:18:07 |
The song from |
00:18:09 |
Buffalo gals, won't you |
00:18:16 |
That was driving me crazy. |
00:18:19 |
I dated a criminal once. |
00:18:21 |
Only once. |
00:18:23 |
He owned a used car lot. They busted him |
00:18:28 |
How could you trust someone |
00:18:30 |
I figured I did the same thing |
00:18:50 |
She's really cute. |
00:18:53 |
Yeah, just your type. |
00:18:57 |
I know it's meaningless |
00:18:59 |
but a detective planted |
00:19:02 |
You're innocent. |
00:19:04 |
Yes, I am. |
00:19:06 |
Duly noted. |
00:19:11 |
Are you married? |
00:19:13 |
Yeah, but I don't wear rings. |
00:19:17 |
You don't have |
00:19:20 |
Was that a tough sell to your wife? |
00:19:24 |
Weaver, I know you'd like |
00:19:28 |
by engaging me |
00:19:31 |
but I like to read |
00:19:37 |
Duly noted. |
00:20:02 |
Just fax me that stuff. |
00:20:02 |
Just fax me that stuff. |
00:20:06 |
Hey, Aldo, I watched Inside Edition |
00:20:11 |
Because I was |
00:20:13 |
- Oprah. |
00:20:15 |
What message? |
00:20:17 |
Hard Copy called. |
00:20:19 |
They did? |
00:20:28 |
Hines. Yeah? |
00:20:43 |
Coffee. |
00:20:44 |
Ah, great. |
00:20:49 |
And served |
00:20:51 |
Well, that's easy |
00:20:53 |
Cream and sugar. |
00:20:55 |
Skim milk and saccharin. |
00:20:58 |
Oh, god. Why do l |
00:21:00 |
An old man trying to stay fit |
00:21:05 |
Hey! You're supposed |
00:21:08 |
I'm just looking at the clouds. |
00:21:10 |
Yeah. Three heavies in front of us |
00:21:14 |
We're changing altitude and course |
00:21:17 |
May put us ten minutes behind schedule, |
00:21:21 |
That is an easy order |
00:21:39 |
Good evening, folks. |
00:21:39 |
Good evening, folks. |
00:21:42 |
Been reports of rough air |
00:21:45 |
I'm going to leave |
00:21:47 |
as we try to steer clear |
00:21:49 |
However, I recommend that |
00:21:52 |
keep your seat belts fastened |
00:21:58 |
- Yes? |
00:22:01 |
Me too. |
00:22:03 |
Ten-to-one one of them has |
00:22:07 |
What will you have? |
00:22:09 |
What do you recommend? |
00:22:11 |
The turkey. |
00:22:15 |
If that's what you like, |
00:22:17 |
You got it... |
00:22:20 |
but I'm a vegetarian. |
00:22:24 |
Turkey. |
00:22:27 |
I'll have the same. |
00:22:30 |
What would you like, sir? |
00:22:33 |
I got to hit the head. |
00:22:35 |
You went before |
00:22:38 |
I got to go again. |
00:22:40 |
Let him go in his pants. |
00:22:41 |
Come on. He's a human being, |
00:22:44 |
Turn around and |
00:22:47 |
It's your call, Marty, |
00:22:49 |
Give the man his dignity. |
00:22:52 |
Damn. |
00:22:54 |
Going to behave yourself? |
00:22:56 |
What am I going to do |
00:22:59 |
Don't be soft. |
00:23:00 |
Don't tell me what to do, okay? |
00:23:05 |
Shit. Come on, man. |
00:23:09 |
- Move it. Here, Billy Bob. |
00:23:17 |
Good decision. |
00:23:19 |
Shut up. |
00:23:40 |
You know, I could go too, Marty. |
00:23:45 |
Okay. Let's get |
00:23:48 |
We'll all go before we eat. |
00:23:51 |
I'm already potty-trained. |
00:23:53 |
You're going to the bathroom. |
00:23:55 |
I don't have to go |
00:23:56 |
No, no. We're going, |
00:23:59 |
This is getting silly. When it's time |
00:24:03 |
you'll be the second to know. |
00:24:05 |
We disturb the passengers every time |
00:24:08 |
What passengers? |
00:24:10 |
I'm not going to tell you again. |
00:24:17 |
That was the captain's seat belt |
00:24:21 |
We're not done here. |
00:24:22 |
From what I can see, |
00:24:25 |
The seat belt light is on. |
00:24:29 |
You heard her. |
00:24:32 |
Let's go. |
00:24:42 |
We have |
00:24:44 |
Be right out. |
00:24:46 |
- Come on. |
00:24:49 |
This is Captain Powell. |
00:24:51 |
We can expect a rough ride |
00:24:53 |
I've turned on the seat belt sign. |
00:24:57 |
and fasten your seat belts. |
00:25:02 |
What are you doing? |
00:25:07 |
Hillbilly Bob. |
00:25:18 |
Sir, you're going to have |
00:25:22 |
Arquette, what's going on? |
00:25:25 |
Let's zip it up. Al? |
00:25:35 |
- What is it, Marty? |
00:25:40 |
What's that? |
00:25:47 |
Everybody, down! |
00:25:48 |
Don't get any ideas. |
00:25:51 |
The seat belt sign |
00:25:59 |
Let him go. |
00:26:01 |
Back off. |
00:26:04 |
You do what I tell you, |
00:26:07 |
Do it and die. |
00:26:08 |
I'm dead already. |
00:26:10 |
Let him go. |
00:26:14 |
- I'm sorry. |
00:26:16 |
You boys want |
00:26:19 |
Boo. |
00:26:22 |
Now, let's get it. |
00:26:32 |
I'm going to check it out. |
00:26:46 |
Get back! |
00:26:47 |
Oh, my god! |
00:26:59 |
Bastard. |
00:27:08 |
Cleveland, |
00:27:10 |
We are declaring an emergency. |
00:27:13 |
We'd like |
00:27:39 |
Stand back! |
00:27:43 |
We have crossing traffic directly |
00:27:47 |
Flight attendant |
00:27:51 |
Verify your cabin pressure |
00:27:54 |
Autopilot flight selected. |
00:28:06 |
Disengage. |
00:28:07 |
- Autopilot... |
00:28:24 |
Cabin pressure. |
00:28:27 |
Cleveland. Say your altitude. |
00:28:39 |
Autopilot engaged. |
00:28:52 |
- Watch it! |
00:28:57 |
Oh, god! |
00:28:59 |
Drop your gun! |
00:29:01 |
Oh, Marshal Dillon, |
00:29:08 |
You drop it, |
00:29:11 |
Stubbs, let her go. |
00:29:14 |
Don't get involved! |
00:29:16 |
Let her go. |
00:29:17 |
Why? |
00:29:19 |
Because she gave you |
00:29:21 |
You put a bullet through her head, by |
00:29:25 |
you're going to have |
00:29:27 |
Is she okay? |
00:29:30 |
- You all right? |
00:29:31 |
Bullshit. He won't shoot. |
00:29:36 |
He goes to the pistol range |
00:29:38 |
and practices on cardboard versions |
00:29:41 |
Look at his face. |
00:29:44 |
He wants to take you out. |
00:29:48 |
Let her go. |
00:29:49 |
We need a hostage. |
00:29:52 |
Wake up. |
00:29:54 |
We have |
00:29:55 |
We have the upper hand. Don't do |
00:29:59 |
Take it easy. |
00:30:02 |
Got it? |
00:30:05 |
- Give me your gun. |
00:30:07 |
Stubbs may be a moron, |
00:30:11 |
He won't let her go |
00:30:14 |
- I'm not giving you my gun. |
00:30:18 |
I already have one. |
00:30:23 |
I just didn't show it off like an idiot. |
00:30:31 |
You okay? |
00:30:33 |
You sure? |
00:30:37 |
You lost, Douglas. |
00:30:42 |
I'll take that, cowboy. |
00:30:44 |
- See, I am a professional. |
00:30:48 |
Not so tough now, are ya? |
00:30:52 |
Let's have us |
00:30:54 |
- What are you doing? |
00:30:57 |
- You can't open the door! |
00:30:59 |
Don't touch that door! |
00:31:02 |
Shut up. |
00:31:03 |
Okay, asshole, open the door |
00:31:08 |
All right, you can say "Crazy Horse". |
00:31:12 |
No, she's telling you |
00:31:16 |
One, two, three! |
00:31:23 |
Shit. |
00:31:31 |
Carl, get the key. |
00:31:34 |
Betty, follow me. |
00:31:37 |
Teri, get a pulse. |
00:31:39 |
- He's still breathing. |
00:31:41 |
Get a blanket. |
00:31:42 |
- We've got to get this open. |
00:31:42 |
- We've got to get this open. |
00:31:45 |
An emergency landing. |
00:31:47 |
- I'll go to the flight deck. |
00:31:50 |
- You can't go. You're not in charge. |
00:31:53 |
- You're trained for this. I'm not. |
00:31:56 |
Give me the key to the cockpit. |
00:32:02 |
Could you help me with my wife? |
00:32:08 |
- Betty, get some water, please. |
00:32:13 |
American National 890, |
00:32:16 |
We've lost radio control |
00:32:20 |
He's at your 5 o'clock, 15 miles |
00:32:24 |
Could you relay to him to contact |
00:32:28 |
He's in distress. |
00:32:31 |
American National 890. |
00:32:34 |
That's Indy Center |
00:32:55 |
Cleveland Center, |
00:32:58 |
No reply from Trans Con 47. |
00:33:00 |
Do you have another frequency |
00:33:03 |
Negative, American National 890. |
00:33:12 |
This is Trans Con 47 heavy. |
00:33:12 |
This is Trans Con 47 heavy. |
00:33:14 |
We are declaring an emergency. |
00:33:17 |
Would like to descend |
00:33:19 |
We've lost all communication |
00:33:22 |
The plane took a steep dive, but |
00:33:27 |
- It's off the airway... |
00:33:31 |
We've located the plane. |
00:33:34 |
If it continues |
00:33:37 |
All right, notify the FAA |
00:33:41 |
Marcy, priority call. |
00:33:48 |
Go and check. |
00:33:57 |
How is he? |
00:34:00 |
Oh, God. This is bad. |
00:34:03 |
What did Ted say? |
00:34:06 |
He bumped his head pretty bad, |
00:34:09 |
He's got clearance. We'll be on |
00:34:18 |
Jesus God. |
00:34:21 |
- What's the matter? |
00:34:25 |
Are you all right? |
00:34:27 |
Yeah, I'm fine. |
00:34:30 |
It's a wonderful life. |
00:34:38 |
When we land, what happens then? |
00:34:41 |
I'll be transferred back |
00:34:44 |
and I'll wait in my little cell |
00:34:51 |
Have you ever been married, Teri? |
00:34:59 |
I was engaged. |
00:35:00 |
"Was engaged"? |
00:35:02 |
He broke it off. |
00:35:04 |
I always wanted to be married, |
00:35:08 |
a kid. |
00:35:10 |
I always wanted a son. |
00:35:15 |
I don't know why I always |
00:35:25 |
Did you do what they say you did? |
00:35:33 |
No. I never killed anyone. |
00:35:36 |
Because what you did up here |
00:35:41 |
That's not going to mean anything |
00:35:45 |
They'll think I orchestrated |
00:35:48 |
It will matter. |
00:35:49 |
You don't know the guy |
00:35:53 |
Who's that? |
00:35:57 |
They give you a last meal, |
00:36:04 |
Maybe the beat in my head |
00:36:06 |
when they stick the needle in my arm |
00:36:17 |
We're not descending. |
00:36:22 |
Maybe he hasn't found |
00:36:27 |
I'm gonna go check. |
00:36:30 |
Okay. |
00:37:12 |
Trans Con 47, |
00:37:14 |
Please acknowledge on emergency |
00:37:23 |
Trans Con 47 heavy, |
00:37:25 |
we're assuming |
00:37:28 |
If you read, squawk ident. |
00:37:29 |
Shit. |
00:38:02 |
Ted? |
00:38:36 |
Trans Con 47, |
00:38:39 |
on emergency frequency |
00:38:42 |
I repeat, 133.75. |
00:38:47 |
Trans Con 47, if you copy, |
00:38:51 |
Bingo! |
00:38:54 |
Okay, Trans Con 47, we got you. |
00:38:57 |
Please contact on |
00:39:01 |
I repeat, 133.75. |
00:39:03 |
What's the status |
00:39:06 |
Trans Con 47, |
00:39:11 |
- Are you positive? |
00:39:15 |
Someone hit that switch. |
00:39:16 |
Maybe it wasn't |
00:39:19 |
Then who's flying |
00:39:22 |
- The plane is on autopilot. |
00:39:25 |
Maybe they can hear the broadcast |
00:39:29 |
We need an instructor pilot. |
00:39:32 |
I need a 747 200 right now... |
00:39:34 |
less than 500 miles radius |
00:39:37 |
Tower Air 91, CMC. |
00:39:37 |
Tower Air 91, CMC. |
00:39:39 |
Captain Bowen, you're now |
00:39:43 |
We'll be standing by. |
00:39:45 |
Trans Con 47, this is Tower 91 |
00:39:49 |
If anyone can hear me, press the "ident" |
00:39:57 |
Repeat. |
00:39:59 |
on the far right side, |
00:40:10 |
Trans Con 47, we got you. |
00:40:14 |
Well done, Tower 91. |
00:40:16 |
Roger, CMC. |
00:40:17 |
Good show, Trans Con 47. |
00:40:19 |
Now find the VHF tuning panel |
00:40:24 |
It has two small frequency windows |
00:40:28 |
The active frequency |
00:40:32 |
in green numbers. |
00:40:34 |
Four inches below that is a small |
00:40:39 |
That's your transmit switch. |
00:40:41 |
Whoever you are, position your |
00:40:45 |
When I tell you, push the R/T switch |
00:40:50 |
then let go of that switch |
00:40:52 |
Do it now. |
00:40:55 |
My name is Teri. |
00:40:57 |
Teri Halloran. |
00:40:59 |
Pleased to meet you, Teri. |
00:41:02 |
Remember, when you need to speak, |
00:41:06 |
hold it there, talk, |
00:41:08 |
- You got that? |
00:41:12 |
Trans Con 47... |
00:41:13 |
this is Rachel Taper, |
00:41:16 |
Are you a passenger? |
00:41:18 |
I'm a flight attendant. |
00:41:21 |
We don't need that right now. |
00:41:23 |
- What is your flight crew's status? |
00:41:26 |
One of the prisoners escaped. |
00:41:29 |
All the marshals are dead. |
00:41:33 |
This is Frank Sinclair, FBI. |
00:41:39 |
Nobody. |
00:41:41 |
I'm up here all alone. |
00:41:44 |
Where is the cabin crew? |
00:41:46 |
Below with the other prisoner, |
00:41:49 |
- Oh, God. |
00:41:51 |
Is this plane going to crash? |
00:41:53 |
No, it's not. |
00:41:55 |
How do you know? |
00:41:56 |
Because we're monitoring |
00:41:58 |
on the central |
00:42:01 |
But isn't there a storm ahead? |
00:42:04 |
Teri, you've got to stay calm. |
00:42:06 |
The most important thing |
00:42:13 |
Okay. |
00:42:15 |
I'm calm. Now what? |
00:42:18 |
Whatever you do, |
00:42:22 |
I won't. |
00:42:23 |
The good news is... |
00:42:25 |
you're flying the most |
00:42:27 |
Great. But what if this |
00:42:31 |
flies into |
00:42:33 |
I hear you, Teri. |
00:42:34 |
This plane has |
00:42:37 |
Patch me through |
00:42:40 |
Teri, we need you to stay calm. |
00:42:44 |
Yeah. Calm. |
00:42:47 |
That's me. |
00:42:53 |
Aldo, I gotta ask a question. |
00:42:55 |
Internal Affairs is asking everybody |
00:42:59 |
- What did you say? |
00:43:01 |
I'd never tell them anything. |
00:43:03 |
But I'm curious. Did you plant |
00:43:07 |
Yes. |
00:43:08 |
Hey, Hines! |
00:43:11 |
Sure. Right after lunch! |
00:43:13 |
Somebody at the Crisis Control Center |
00:43:17 |
Holy shit. |
00:43:24 |
CMC to Trans Con 47 heavy, |
00:43:27 |
tracking 245 degrees. |
00:43:29 |
Approaching area of severe weather |
00:43:33 |
At her present ground speed, |
00:43:48 |
I'd like you with the others. |
00:43:56 |
And I'd like to |
00:44:04 |
You don't like me. |
00:44:07 |
We were seated in your section, |
00:44:11 |
Didn't you? |
00:44:13 |
I thought it would distract her |
00:44:16 |
What problems? |
00:44:18 |
She ended a relationship |
00:44:22 |
Very smart. |
00:44:24 |
You didn't lie to me. |
00:44:26 |
You can tell I know when |
00:44:30 |
Can't you, Maggie? |
00:44:33 |
You're sharp. |
00:44:36 |
When? |
00:44:39 |
When did you notice it? |
00:44:41 |
Say it. |
00:44:45 |
When? Say it. |
00:44:47 |
When... |
00:44:49 |
you persuaded the agent to let |
00:44:53 |
You hoped |
00:45:08 |
Come on. |
00:45:22 |
Everybody back into |
00:45:25 |
- What? |
00:45:27 |
Round them up. |
00:45:31 |
Everybody back |
00:45:36 |
Open the door, Maggie. |
00:45:38 |
Go open the door. |
00:45:53 |
Excuse me. |
00:45:56 |
We can't all fit in here! |
00:46:02 |
- Just keep moving. |
00:46:05 |
You're the man. |
00:46:11 |
Get up the stairs. |
00:46:13 |
- Okay. All right. |
00:46:16 |
Move. |
00:46:17 |
Give me the key. |
00:46:27 |
Those people didn't hurt you. |
00:46:30 |
Why hurt them? |
00:46:32 |
What's your favorite book? |
00:46:35 |
I read Stephen King. |
00:46:37 |
- You're alone a lot, aren't you? |
00:46:40 |
Men don't look at you anymore, |
00:46:43 |
Your plumbing's getting rusty. |
00:46:49 |
Go for it. |
00:46:52 |
Can you kill? |
00:46:53 |
I started with squirrels and birds |
00:46:57 |
If you can kill me, |
00:46:59 |
Where's Teri? |
00:47:02 |
You should be concerned |
00:47:04 |
Oh, God. No! |
00:47:13 |
I don't like you either, Maggie. |
00:47:25 |
Get in! |
00:48:15 |
Teri, we need to get you |
00:48:18 |
on the operation |
00:48:20 |
specifically |
00:48:22 |
before we can begin |
00:48:26 |
Discuss my what? |
00:48:27 |
This is Rachel Taper again. |
00:48:30 |
We think you can land this plane |
00:48:34 |
I'm gonna get |
00:48:36 |
Teri, no. |
00:48:39 |
Why? |
00:48:40 |
You need to program |
00:48:42 |
to vector you |
00:48:44 |
It's a level six storm. |
00:48:48 |
A six on a scale |
00:48:51 |
No, Teri. |
00:48:52 |
On a scale of one to six. |
00:48:56 |
I'm going to get Maggie. |
00:48:58 |
- She'll handle this better than me. |
00:49:01 |
Do not leave the flight deck. |
00:49:08 |
I'm hanging. |
00:49:14 |
We show Trans Con 47 |
00:49:17 |
She's maintaining |
00:49:35 |
Yeah, Los Angeles |
00:49:37 |
- Is this an emergency? |
00:49:45 |
- Lieutenant, I have a call for you. |
00:49:47 |
- Hines. |
00:49:49 |
How are you, Aldo? |
00:49:53 |
- What's going on up there? |
00:49:56 |
The other prisoner |
00:49:58 |
and I came in, saved the day |
00:50:04 |
- I heard you. |
00:50:07 |
Where's the pilot? |
00:50:09 |
They're dead. Both of them. |
00:50:12 |
So who's in charge up here? |
00:50:16 |
- L.A.P.D. |
00:50:18 |
All right, Ryan, you want... |
00:50:20 |
Whoa! "Ryan"? |
00:50:23 |
Well, that's an improvement. |
00:50:26 |
You want to negotiate? |
00:50:28 |
No. I don't. |
00:50:30 |
I'm going to crash the plane. |
00:50:32 |
If you land, we can talk. |
00:50:35 |
Listen to me. Both pilots are dead. |
00:50:39 |
It's not gonna land. |
00:50:41 |
And what would you like |
00:50:45 |
You wanna talk about |
00:50:48 |
You wanna talk about admitting |
00:50:52 |
Maybe you'd like to talk |
00:50:55 |
Fuck the FBI! |
00:50:57 |
I'm talking to you. |
00:51:00 |
Where are you? |
00:51:01 |
Get this call |
00:51:03 |
- L.A.X. |
00:51:06 |
Are you the authority |
00:51:08 |
Tell 'em what |
00:51:10 |
- What are you gonna do? |
00:51:14 |
You're not listening to me! |
00:51:16 |
You don't wanna talk to me? |
00:51:19 |
I'm not talking to anybody, |
00:51:22 |
I'm 35000 feet up |
00:51:25 |
Even if I did get down, |
00:51:29 |
You'd have 20 guns on me. |
00:51:31 |
You'd bring me back to prison |
00:51:34 |
I'm smarter than that |
00:51:37 |
But we all know that... |
00:51:39 |
'cause you cops can't do anything |
00:51:44 |
Well, we caught you. |
00:51:46 |
No! How did you get me? |
00:51:48 |
I'm up here and you're down there. |
00:51:52 |
- Calm down. |
00:51:54 |
I'm gonna take it out on somebody, |
00:51:59 |
You got that? |
00:52:00 |
You wanna be famous, Aldo? |
00:52:04 |
Wear something bright |
00:52:05 |
'cause you're gonna be the first cop |
00:52:20 |
This is Trans Con 47. |
00:52:25 |
Are you still there? |
00:52:26 |
Yes, Teri, we're here. |
00:52:47 |
Fuck! |
00:52:51 |
Open the door. |
00:52:54 |
Teri, open the door! |
00:52:56 |
He's at the flight deck. |
00:52:57 |
- What? |
00:53:01 |
She keeps calling for you. |
00:53:03 |
Teri, can you hear me? |
00:53:05 |
- You've got to change your course. |
00:53:08 |
He's right outside. |
00:53:11 |
At least give me the first aid kit. |
00:53:18 |
Teri, this is Lt. Hines. |
00:53:20 |
She needs you! |
00:53:22 |
I arrested Weaver. |
00:53:24 |
Help me, Teri! |
00:53:26 |
Why didn't you tell me |
00:53:30 |
He died? |
00:53:31 |
You knew he was dead. |
00:53:32 |
He was breathing |
00:53:35 |
Oh, shit. |
00:53:38 |
This is bad! |
00:53:40 |
Whatever you do... |
00:53:42 |
do not open the door. |
00:53:44 |
Remember downstairs |
00:53:47 |
I was trying to find a way to tell you |
00:53:52 |
- You told me we were landing. |
00:53:55 |
Okay. I didn't know what to say. |
00:53:59 |
We'd been through so much... |
00:54:01 |
You must program the autopilot. |
00:54:04 |
Teri? |
00:54:09 |
Capt. Bowen needs you to know them |
00:54:12 |
Maggie's hurt. |
00:54:13 |
I'll do everything I can. |
00:54:17 |
- She keeps calling for you. |
00:54:21 |
She's your friend. |
00:54:23 |
- Let her bleed. |
00:54:26 |
I don't care how charming |
00:54:29 |
- But she is my friend. |
00:54:33 |
You could both be in danger. |
00:54:35 |
Get her to the flight deck, |
00:54:38 |
You understand me? Teri? |
00:54:41 |
Are you there? |
00:55:04 |
Maggie? |
00:57:54 |
Please stop. |
00:58:12 |
Trans Con 47, this is CMC. |
00:58:31 |
This is Trans Con Crisis Management |
00:58:35 |
What's the FAA procedure |
00:58:39 |
There's never been |
00:58:41 |
It's got enough fuel |
00:58:46 |
If we were handling this, |
00:58:49 |
- Meaning what? |
00:58:52 |
Here's who you're dealing with: |
00:58:57 |
Raised by his aunt who mysteriously |
00:59:00 |
Has raped and strangled five women... |
00:59:02 |
escaped while being transferred |
00:59:05 |
finally recaptured and was being |
00:59:09 |
We already have |
00:59:11 |
Let's focus on the problem |
00:59:13 |
We can't just let it crash |
00:59:19 |
There's a level six storm ahead. |
00:59:22 |
Everything else could be |
00:59:53 |
Miss! |
00:59:56 |
Will this storm delay our flight? |
01:00:03 |
This is something. |
01:00:06 |
Where is everybody? |
01:00:08 |
- What? |
01:00:10 |
You know, I was kind of |
01:00:14 |
They just disappeared. |
01:00:19 |
- Why don't you sit down. |
01:00:21 |
Or stand, if you want. |
01:00:24 |
I don't like guns. |
01:00:26 |
Let me ask you something. |
01:00:30 |
What's my favorite movie? |
01:00:31 |
Look, don't answer a question |
01:00:34 |
Only stupid people do that... |
01:00:36 |
and you're obviously |
01:00:39 |
Now, what's your favorite movie? |
01:00:42 |
Gone With the Wind. |
01:00:45 |
- What's your favorite book? |
01:00:48 |
That's a question with |
01:00:52 |
I just want to talk with you. |
01:00:56 |
Gone With the Wind. |
01:00:57 |
So it's the book and movie. |
01:00:59 |
You're a real romantic, huh? |
01:01:04 |
A romantic vegetarian |
01:01:13 |
Did you have pets |
01:01:17 |
I had a dachshund. |
01:01:19 |
Dachshund? You mean |
01:01:22 |
Really? Why a dachshund? |
01:01:24 |
Because my father liked them |
01:01:29 |
Don't give me an attitude. |
01:01:32 |
So just talk to me normal. |
01:01:35 |
A guy can't even have |
01:01:38 |
- Did you like your father? |
01:01:42 |
- We got along great. |
01:01:45 |
Is he still alive? |
01:01:49 |
- Yeah. |
01:01:58 |
Here's a good one. |
01:02:00 |
You're a condemned inmate... |
01:02:02 |
on Death Row |
01:02:07 |
What five albums would you pick? |
01:02:10 |
What would you want to listen to? |
01:02:13 |
Or just pick a song. |
01:02:16 |
I wouldn't be |
01:02:18 |
You wouldn't know what the fuck |
01:02:26 |
What would you spend |
01:02:35 |
I guess I'd see |
01:02:38 |
And what if |
01:02:43 |
Then I'd want |
01:02:46 |
- What if you didn't believe in God? |
01:02:50 |
You do? Do you believe |
01:02:53 |
what they're going to do to me? |
01:02:59 |
You wouldn't, though, |
01:03:01 |
- What does that mean? |
01:03:04 |
You're sweet. |
01:03:06 |
There's always hope, |
01:03:10 |
What about sex? |
01:03:17 |
Would you want to have sex |
01:03:20 |
I'm not saying, |
01:03:23 |
So is murder. |
01:03:28 |
- Where's Maggie? |
01:03:33 |
You don't want to do that. |
01:03:38 |
I haven't had many partners. |
01:03:41 |
Don't lie to me. |
01:03:46 |
How old were you |
01:03:50 |
Eighteen and a half. |
01:03:53 |
Did you like it? |
01:03:55 |
Yeah. |
01:03:57 |
- Was that hard? |
01:04:03 |
Just simple little questions. |
01:04:05 |
Don't get upset. |
01:04:10 |
Here. Merry Christmas. |
01:04:16 |
Maggie's in the bathroom. |
01:04:21 |
- In the bathroom? |
01:04:31 |
Must be the other one. |
01:04:39 |
Hey, come here. |
01:04:52 |
Dashing through the snow |
01:04:56 |
Laughing all the way |
01:05:12 |
Come here! |
01:05:15 |
Teri, come on! |
01:05:28 |
Hold the oxygen mask |
01:05:31 |
Place the strap |
01:06:06 |
Teri, can you hear me? |
01:06:35 |
Controller break. |
01:06:55 |
Isn't this stuff |
01:06:59 |
Teri, you are |
01:07:06 |
Are you all right? |
01:07:12 |
Hold on! |
01:07:25 |
You're not having much luck |
01:07:31 |
- Please, I'll do anything you say... |
01:07:36 |
What about everybody else? |
01:07:38 |
I don't want |
01:07:43 |
I really like you, Teri. |
01:07:45 |
Then help me land the plane. |
01:07:48 |
Listen to me! Listen! |
01:07:50 |
Let's enjoy |
01:07:52 |
Maybe we'll make it halfway |
01:07:56 |
Wouldn't that be romantic? |
01:07:59 |
- Wouldn't it? |
01:08:04 |
Well, I didn't like |
01:08:08 |
It's all subjective. |
01:08:10 |
You don't have to force yourself |
01:08:16 |
if you help me land the plane |
01:08:29 |
So I spare everyone... |
01:08:31 |
and you give me a bigger bang than |
01:08:35 |
Yeah. Do we have a deal? |
01:08:41 |
You want me? |
01:08:51 |
Come on. |
01:09:26 |
You see? Right here. |
01:09:29 |
It's the thrill of the kill for me, |
01:09:32 |
I killed them all. |
01:09:35 |
Go to the crew cabin. |
01:09:38 |
It's beautiful. |
01:10:09 |
Teri. Trans Con Crisis. |
01:10:11 |
CMC to Trans Con 47. |
01:10:15 |
Again, Trans Con Crisis, |
01:10:19 |
If you read us, please come in. |
01:10:24 |
Teri, this is Trans Con Crisis |
01:10:27 |
I'm back. |
01:10:28 |
He wants to crash the plane |
01:10:33 |
He's crazy. |
01:10:36 |
I think he killed everybody. |
01:10:38 |
Do you have a weapon? Is there |
01:10:44 |
No, but he's going to kill me. |
01:10:47 |
Lock the door. |
01:10:50 |
Get that fighter airborne. |
01:10:52 |
We'll have to shoot it down |
01:10:56 |
What? You can't shoot |
01:10:58 |
She said he wants |
01:11:01 |
Do we have any other option? |
01:11:05 |
Our equipment shows you're leaving |
01:11:09 |
We'll prepare you |
01:11:11 |
and descent now. |
01:11:13 |
Your controls need your |
01:11:16 |
We're okay here. |
01:11:17 |
The aircraft is doing fine, |
01:11:20 |
Buffalo gal, won't you |
01:11:23 |
- Are you with me, Teri? |
01:11:27 |
Buffalo gal, won't you |
01:11:32 |
Dance by the light of the moon |
01:11:46 |
Teri, what's happening? |
01:11:52 |
Who said this was |
01:11:59 |
Honey! |
01:12:00 |
Is everything okay? |
01:12:02 |
Honey! |
01:12:06 |
- Come out! |
01:12:20 |
Come on. |
01:12:23 |
Come out! |
01:12:32 |
Oh, my god. |
01:12:34 |
She's got a fire. |
01:12:34 |
She's got a fire. |
01:12:36 |
It's on the computer. |
01:12:49 |
You got a fire on the upper deck. |
01:12:55 |
Come on. |
01:12:56 |
Can you confirm the fire? |
01:13:11 |
Trans Con 47, |
01:13:22 |
Teri, do you read me? |
01:13:35 |
Stay out of the cockpit! |
01:13:37 |
You hear me? |
01:13:40 |
Come on! |
01:13:43 |
- Get out of my way! |
01:13:50 |
Do you have it in you |
01:13:54 |
Shoot me in the head |
01:13:58 |
Shoot me! |
01:14:04 |
Give me the gun. |
01:14:10 |
Goddamn it! Fuck! |
01:14:13 |
Bitch! Now get downstairs! |
01:14:29 |
Oh, shit! |
01:14:43 |
Oh, you bitch! |
01:14:51 |
CMC, Trans Con 47, |
01:14:51 |
CMC, Trans Con 47, |
01:14:54 |
Excellent. Captain Bowen's |
01:14:57 |
Okay, I'm going to turn you |
01:15:00 |
Keep that F-14 on their tail. |
01:15:07 |
That's it. I'm never flying |
01:15:14 |
Captain Bowen, you are uplinked |
01:15:18 |
Are you ready |
01:15:21 |
Absolutely. |
01:15:23 |
Okay. We're going to land, |
01:15:27 |
It's below the glare shield. |
01:15:28 |
It says: "A stroke T, |
01:15:33 |
- Got it. |
01:15:36 |
To the right of your knee |
01:15:39 |
with buttons on either side. |
01:15:41 |
That's the CDU display. |
01:15:43 |
We'll use that to input data |
01:15:45 |
What does it say now? |
01:15:48 |
"Forty-seven progress" |
01:15:50 |
Excellent. |
01:15:52 |
We're going to be landing |
01:15:56 |
25, left. Got it. |
01:16:09 |
Come on. |
01:16:16 |
This is the one good thing |
01:16:19 |
That fucking bitch. |
01:16:21 |
Press the button marked |
01:16:24 |
It's in the top row |
01:16:27 |
That'll give you |
01:16:34 |
Push the button to the right |
01:16:39 |
Now push the button |
01:16:41 |
Then push the button |
01:16:44 |
- Done! |
01:16:47 |
Now we've got to get you |
01:16:50 |
Come on. Come on, son. |
01:16:58 |
I'm a genius! |
01:17:00 |
Oh, come on, genius. |
01:17:10 |
That's it. |
01:17:12 |
Okay. Oh, my leg. |
01:17:14 |
On the screen |
01:17:18 |
Those words |
01:17:20 |
that define your path |
01:17:23 |
- When you push the top left button... |
01:17:27 |
Right. Push the top left button, |
01:17:31 |
The plane will turn |
01:17:35 |
Done! |
01:17:37 |
Tower Air from Los Angeles |
01:17:40 |
We show her turning left, |
01:18:01 |
Any sign of Weaver? |
01:18:04 |
Not yet. |
01:18:08 |
We're doing splendidly. |
01:18:10 |
Time to drop the landing gear. |
01:18:13 |
Forward center panel, |
01:18:16 |
the handle |
01:18:18 |
Pull it towards you |
01:18:27 |
How long 'til we start |
01:18:29 |
We'll begin it now. |
01:18:31 |
The autopilots will do the landing, |
01:18:37 |
Find the switches labeled |
01:18:40 |
and push the two |
01:18:44 |
AUTOPILOT ENGAGE |
01:18:46 |
Hand on the speed brake handle |
01:18:50 |
Pull it up and back |
01:18:55 |
- Have you done that? |
01:18:57 |
Above you on the overhead panel, |
01:19:00 |
Turn them all on. |
01:19:04 |
There's seven minutes |
01:19:07 |
Leave her alone. |
01:19:10 |
You're just 20 miles out. |
01:19:13 |
Everything's looking rosy. |
01:19:44 |
I need a volunteer |
01:19:46 |
You, you, you. Okay, you. |
01:19:52 |
Okay, you can stay. |
01:19:58 |
- Sir, did you see that? |
01:20:01 |
We believe Weaver's gained access |
01:20:10 |
What's the matter? |
01:20:11 |
He's in the avionics bay, |
01:20:15 |
What's the worst that can happen? |
01:20:17 |
Disable the autopilot. |
01:20:19 |
And then what? |
01:20:26 |
Did you wear something bright? |
01:20:30 |
You still there? |
01:20:33 |
After you got me mad, I killed |
01:20:36 |
You better get to confession. |
01:20:38 |
The next sound you hear |
01:20:41 |
See you soon. |
01:20:42 |
Weaver, no! |
01:20:49 |
Autopilot disengaged. |
01:20:52 |
What happened? |
01:20:55 |
You have to abort. |
01:20:57 |
Repeat: Abort. |
01:20:58 |
Find two switches on the floor, |
01:21:02 |
Push them twice. |
01:21:04 |
Repeat: Find the two switches |
01:21:07 |
- I can't find them! |
01:21:12 |
LAX |
01:21:20 |
She's going to slam |
01:21:23 |
If she clears that, |
01:21:32 |
I got them! |
01:21:35 |
Well done, Teri. |
01:21:39 |
What the f... |
01:21:48 |
'Tis the season to be jolly |
01:21:50 |
Deck the halls |
01:21:56 |
Oh, my god! |
01:22:19 |
Oh, my god! |
01:22:34 |
She cleared the buildings. |
01:22:37 |
I think it's a Ford. |
01:22:45 |
The autopilot backup circuits |
01:22:50 |
Reengage autopilot switches. |
01:22:55 |
Autopilot engaged. |
01:23:09 |
CMC, flight tracking. |
01:23:12 |
300 feet and sinking. |
01:23:13 |
The truck's dragging her down. |
01:23:21 |
You're stalling. |
01:23:25 |
She can't. There's |
01:23:29 |
Forget the landing gear. |
01:23:41 |
Push the thrust levers forward. |
01:23:50 |
Oh, my god! |
01:23:54 |
CMC, flight tracking. |
01:24:02 |
Patch me through |
01:24:11 |
- Bring her back and try again. |
01:24:14 |
You've got a 747, |
01:24:17 |
a dead flight crew... |
01:24:19 |
an armed serial killer |
01:24:21 |
eight passengers missing and |
01:24:25 |
- Have I left anything out? |
01:24:33 |
What's happening? |
01:24:36 |
CMC, flight tracking from Moondog. |
01:24:39 |
I'm alongside her at 9:00. |
01:24:41 |
In tight. Distance: 200 feet. |
01:24:45 |
- Roger. Hold your position. |
01:24:51 |
It's there in case |
01:24:59 |
How could it assist me? |
01:25:02 |
It's just a precaution. |
01:25:07 |
Fuck precaution and fuck you. |
01:25:23 |
First. |
01:25:45 |
God, she's turning it around. |
01:25:45 |
God, she's turning it around. |
01:25:47 |
How can she turn it around? |
01:25:50 |
She's a flight attendant. |
01:25:57 |
CMC, Moondog. |
01:25:59 |
Trans Con 47 coming left. |
01:26:02 |
Moondog maintaining position. |
01:26:04 |
Okay, now listen up, everyone. |
01:26:07 |
I'm coming back into L.A. |
01:26:11 |
You got two choices here. |
01:26:13 |
You can either help me land |
01:26:16 |
Notify the Department of Defense. |
01:26:19 |
Wing Commander, |
01:26:21 |
Arm your weapons. |
01:26:23 |
I repeat: Arm weapons |
01:26:26 |
Roger. Breaking left to rejoin. |
01:26:36 |
The pilot that was outside |
01:26:40 |
I don't know if you can hear me. |
01:26:44 |
I hope you can. |
01:26:47 |
If you're supposed |
01:26:51 |
I just hope you'll give me |
01:26:55 |
Target's in sight. |
01:26:57 |
Just one more chance to show you |
01:27:05 |
Look, I know it's |
01:27:09 |
against who knows how many |
01:27:15 |
but I can make this happen. |
01:27:17 |
Just give me another chance. |
01:27:23 |
Weapons systems |
01:27:25 |
Standing by |
01:27:30 |
That's all I want for Christmas. |
01:27:36 |
It's all I want forever. |
01:27:50 |
CMC from Moondog. |
01:27:52 |
Reconfirm intent to fire. |
01:27:55 |
You listen to me, son. |
01:27:57 |
None of us wants |
01:27:59 |
but bringing her back in |
01:28:03 |
Fire. That's an order. |
01:28:05 |
My commander's |
01:28:08 |
Target's approaching a populated area |
01:28:11 |
That's why it's important |
01:28:38 |
Say your prayers. |
01:28:50 |
Moondog, this is Commander Rice. |
01:28:56 |
Fire! |
01:29:24 |
Come on, asshole! |
01:29:46 |
You got to love her. |
01:30:37 |
Oh, god! |
01:31:03 |
You're not going to kill me. |
01:31:07 |
You can't kill me, 'cause you |
01:31:12 |
I changed my mind. |
01:31:55 |
Trans Con 47, your excess baggage |
01:31:59 |
You're clear to land. |
01:32:09 |
Oh, perfect. |
01:32:11 |
- Rachel. |
01:32:14 |
Weaver is dead. |
01:32:17 |
Copy that? |
01:32:19 |
- I hear you. |
01:32:21 |
I'm with you, Teri. |
01:32:23 |
- Tell me what to do. |
01:32:29 |
- Push it. |
01:32:31 |
Push the button |
01:32:34 |
and then execute. |
01:32:35 |
LAX arrivals up. |
01:32:38 |
Find those switches |
01:32:42 |
Push them. |
01:32:43 |
To the left is |
01:32:46 |
Dial in a speed of 180. |
01:32:51 |
Done. |
01:32:52 |
- Speed brakes armed? |
01:32:55 |
Reduce speed to 156. |
01:33:00 |
All right, Teri. |
01:33:04 |
The plane |
01:33:06 |
Whatever happens, |
01:33:11 |
Got it. |
01:33:19 |
CMC, flight tracking. |
01:33:20 |
She's intercepted seven right... |
01:33:22 |
slowing to 160 knots. |
01:33:36 |
Everything's looking good. |
01:34:18 |
All right! |
01:34:44 |
I'm down! |
01:34:49 |
Set the parking brake, please. |
01:34:53 |
Merry Christmas, everyone! |
01:35:11 |
Red Leader to team three. |
01:35:14 |
She may know where the hostages are. |
01:35:22 |
All clear here. |
01:36:07 |
Miss Halloran, |
01:36:10 |
You'd make a hell of a cop. |
01:36:13 |
No, thanks. |
01:36:16 |
- Merry Christmas. |
01:36:30 |
Captain Bowen. |
01:36:32 |
Captain Halloran. |
01:36:54 |
Translation: dima360 [notabenoid.com] |