Twelve Chairs The
|
00:00:24 |
[Moaning] |
00:00:30 |
[Gasps] |
00:00:32 |
Natasha Nikolaevna. |
00:00:35 |
[Door Opens] |
00:00:37 |
- [Gasps] |
00:00:41 |
Get my son-in-law. Hurry! |
00:00:44 |
I must talk to him. |
00:00:46 |
There's something |
00:00:50 |
There, there, Claudia lvanovna. |
00:00:53 |
[Groaning] |
00:00:55 |
Oh. |
00:00:58 |
Kolya! |
00:01:00 |
Kolya! |
00:01:02 |
Kolya! |
00:01:05 |
Kolya, quick. |
00:01:08 |
Tell Vorobyaninov |
00:01:10 |
Tell him to hurry. |
00:01:14 |
Oh. |
00:01:29 |
Bozhe moi. |
00:01:33 |
That poor woman. |
00:01:35 |
Who is going to take |
00:01:42 |
[Chorus Vocalizing] |
00:01:46 |
[Speaking Russian] |
00:01:51 |
It's in the hands of God now. |
00:01:55 |
Thank you for coming, Father. |
00:01:58 |
It was my pleasure. |
00:02:00 |
Go to her. |
00:02:02 |
Comfort her. |
00:02:04 |
Courage. Courage. |
00:02:08 |
[Sighs] |
00:02:16 |
- Father Fyo... |
00:02:18 |
- Dor. |
00:02:20 |
She's inside. |
00:02:23 |
I, uh... |
00:02:36 |
Oh. Oh. |
00:02:39 |
Oh, my dear neighbor. |
00:02:41 |
I'm so glad you're here. |
00:02:43 |
She has been calling for you. |
00:02:45 |
I just saw the priest. |
00:02:48 |
He seemed in a great hurry. |
00:02:50 |
He was very peculiar. |
00:02:54 |
She just confessed. |
00:02:57 |
How is she? |
00:02:59 |
She is doing splendidly. |
00:03:01 |
The doctor says |
00:03:04 |
She'll be dead before morning. |
00:03:07 |
I'd better go in. |
00:03:09 |
[Door Opens] |
00:03:12 |
lppolit, it's you. You've come. |
00:03:15 |
Yes. I'm here. |
00:03:18 |
- It's me. |
00:03:21 |
Ippolit... |
00:03:23 |
do you remember |
00:03:28 |
Dining room suite? |
00:03:31 |
In the big house in Stargorod. |
00:03:35 |
- Before the revolution. |
00:03:39 |
Beautiful furniture. |
00:03:41 |
Made by Hambs of London. |
00:03:46 |
Ippolit, my jewels. |
00:03:50 |
My diamonds. |
00:03:52 |
I sewed them into |
00:03:55 |
- What? |
00:04:01 |
I sewed them |
00:04:07 |
My gorgeous diamond tiara. |
00:04:12 |
I wore it when I was |
00:04:17 |
- My beautiful pearl earrings. |
00:04:23 |
- My emerald brooch. |
00:04:26 |
- My diamond necklace. |
00:04:30 |
The little gold cat |
00:04:34 |
Stuffed in a ch... |
00:04:37 |
How could you do |
00:04:42 |
Why didn't you |
00:04:44 |
Why should I have |
00:04:47 |
when you had already squandered away |
00:04:50 |
with your parties |
00:04:52 |
Why didn't you take them out? |
00:04:56 |
I didn't have time! |
00:04:58 |
You remember how quickly |
00:05:01 |
They were left |
00:05:03 |
Bozhe moi. |
00:05:05 |
Bozhe moi.! |
00:05:08 |
50,000 rubles' worth |
00:05:12 |
stuffed in a chair! |
00:05:16 |
Heaven knows |
00:05:20 |
If it's still a chair! |
00:05:23 |
It may be firewood by now. |
00:05:28 |
How could you do such a thing? |
00:05:34 |
How could you do |
00:05:42 |
How could you do |
00:05:47 |
Please, lppolit. |
00:05:51 |
I know I did wrong, but... |
00:05:54 |
please forgive me. |
00:06:02 |
Of course. |
00:06:07 |
Of course, maman. |
00:06:10 |
Of course I forgive you. |
00:06:22 |
Thank you. |
00:06:24 |
Now I can die in peace. |
00:06:33 |
[Man Singing] |
00:06:48 |
[Singing Continues] |
00:07:04 |
[Singing Continues] |
00:07:34 |
[Singing Continues] |
00:08:42 |
[Singing Continues] |
00:09:02 |
[Ends] |
00:09:08 |
Give! Open your heart! |
00:09:15 |
Thank you, sir. |
00:09:32 |
Now there's a healthy girl. |
00:09:46 |
What can I say, |
00:09:48 |
It's a miracle. |
00:09:50 |
I can walk. |
00:10:04 |
Do you love me? |
00:10:07 |
Well, let's just say |
00:10:11 |
- [Key Clicking In Lock] |
00:10:14 |
Your husband? |
00:10:16 |
Out goes the bad air, |
00:10:20 |
- Out goes the bad air... |
00:10:23 |
- Who are you? |
00:10:26 |
She fainted just outside the door. |
00:10:30 |
How dare you allow a frail creature |
00:10:34 |
- Has she ever fainted before? |
00:10:37 |
All right. Come on. |
00:10:39 |
Now remember, |
00:10:41 |
in goes the good air. |
00:10:43 |
[Together] |
00:10:46 |
- I should report you for this, but we'll let it go. |
00:10:49 |
You are very kind. It will never happen again. |
00:10:52 |
- See that it doesn't.! |
00:10:57 |
Out goes the good air, |
00:11:00 |
Out goes the good air, |
00:11:03 |
- [Birds Twittering] |
00:11:26 |
[Creaks] |
00:11:39 |
[Snoring] |
00:11:50 |
[Snoring Continues] |
00:12:05 |
- [Snorts, Mutters] |
00:12:07 |
There. Oh, boy. |
00:12:11 |
Thank you. |
00:12:14 |
- Who are you? |
00:12:17 |
Cigarette? |
00:12:22 |
Thank you. |
00:12:24 |
Tell me, uh, comrade... |
00:12:26 |
"Comrade." "Comrade." |
00:12:29 |
Everybody calls me comrade. |
00:12:32 |
Everybody in the new |
00:12:36 |
People you don't know, |
00:12:38 |
Everybody says "comrade." |
00:12:42 |
Oh, I miss Russia. |
00:12:44 |
Hmm, yes. |
00:12:46 |
Tell me, uh, what goes on |
00:12:50 |
Mostly dying. |
00:12:53 |
Dying. |
00:12:55 |
It's an old-age home |
00:12:59 |
They tippy-toe in, |
00:13:04 |
and... [Raspberry] |
00:13:07 |
Oh, what a pity. |
00:13:10 |
See, I thought |
00:13:12 |
You, uh... You don't happen to know |
00:13:16 |
You see, I've come a long way, |
00:13:19 |
Oh, uh, by the by... |
00:13:22 |
do you happen to have |
00:13:24 |
[Exhales Deeply] |
00:13:28 |
[lmitating English Accent] |
00:13:31 |
I don't happen to have |
00:13:34 |
There isn't a spare bed |
00:13:37 |
People are sleeping |
00:13:39 |
and you're talking spare bed. |
00:13:42 |
You make me laugh. |
00:13:45 |
"Spare bed." |
00:13:51 |
- [Shatters] |
00:13:53 |
I'll tell you what. |
00:13:55 |
If you'll buy me a drink... |
00:13:58 |
you can sleep on the floor. |
00:14:01 |
Done. Come on. |
00:14:04 |
What are you doing in Stargorod? |
00:14:07 |
Listen, tell me. Tell me. |
00:14:10 |
Oh, in the old days |
00:14:14 |
Ippolit Matveyevich |
00:14:17 |
He was a marshal |
00:14:20 |
I loved him. |
00:14:24 |
Ah. And whatever became |
00:14:27 |
One night, about 10 years ago, |
00:14:31 |
It was bombs and cannons |
00:14:34 |
It was terrible, terrible. |
00:14:36 |
Oh, yes. |
00:14:38 |
That was it. The revolution. |
00:14:41 |
You're smart. |
00:14:45 |
You're okay. |
00:14:47 |
Anyways... |
00:14:50 |
they all run away. |
00:14:54 |
Well, come on, |
00:14:57 |
Let us see |
00:14:59 |
two Russians can get |
00:15:03 |
I like that. |
00:15:37 |
Ah. Ivan, fetch |
00:15:41 |
He's coming. |
00:15:57 |
Master. |
00:16:05 |
I love him. |
00:16:10 |
Please, dear, hurry home. |
00:16:14 |
"Don't gallop." |
00:16:18 |
"Don't gallop," |
00:16:21 |
That's your job. You'll have to puzzle it out. |
00:16:25 |
[Ivanovna] |
00:16:27 |
Don't drink too much, |
00:16:29 |
And stay away |
00:16:31 |
- Ils sont voleurs. |
00:16:35 |
Tout va bien. |
00:16:38 |
There, master. |
00:16:43 |
I love him. |
00:16:46 |
[Birds Twittering] |
00:16:57 |
[Door Opens] |
00:16:59 |
Here's your castle. |
00:17:01 |
Drink vodka, we talk. |
00:17:05 |
You know what we can... |
00:17:08 |
do. |
00:17:12 |
Master? |
00:17:14 |
Tikon. |
00:17:16 |
Master? |
00:17:19 |
Is it really him? |
00:17:21 |
It's impossible! |
00:17:24 |
It can't be! |
00:17:26 |
It can't be! |
00:17:28 |
Oh, ma... |
00:17:30 |
Oh, that's him. |
00:17:33 |
That's my master. |
00:17:35 |
- [Both Laughing] |
00:17:38 |
- Here, Tikon. |
00:17:40 |
Here is a ruble. You go have some vodka, |
00:17:44 |
- Vodka. |
00:17:47 |
- [Groans] |
00:17:49 |
- Business. Business. |
00:17:51 |
Tikon... |
00:17:54 |
you're not to say a word |
00:17:58 |
It is secret. |
00:18:04 |
[Whispering] |
00:18:07 |
It's a secret. |
00:18:16 |
So... |
00:18:18 |
you'd prefer to keep |
00:18:21 |
Very interesting. |
00:18:23 |
Who are you? |
00:18:26 |
What is this business |
00:18:30 |
I have no business with you. |
00:18:33 |
What do you want? |
00:18:35 |
Oh, I don't know. |
00:18:37 |
I guess maybe it depends |
00:18:41 |
- Maybe this will shed a little light on the matter. |
00:18:45 |
Oh, how very impressive. |
00:18:49 |
This ought to fetch |
00:18:51 |
Please give me that paper. |
00:18:55 |
Oh, haven't you heard? |
00:19:00 |
Everything belongs |
00:19:02 |
Will you please |
00:19:05 |
It is a private matter, |
00:19:08 |
Yes, of course. Of course. |
00:19:11 |
It's considered gauche. |
00:19:14 |
Now, I must be off. |
00:19:20 |
- Where are you going? |
00:19:23 |
Quo vadis? |
00:19:25 |
Well, if you must know, |
00:19:34 |
- "Secret police"? |
00:19:38 |
After all, I am a patriotic |
00:19:41 |
It is my sacred duty |
00:19:45 |
Now, maybe if you weren't such a selfish pig, |
00:19:49 |
- I can't. |
00:19:51 |
- Wait. |
00:19:53 |
- Let's talk. |
00:19:55 |
- Things. |
00:19:57 |
- I don't know. Situation... |
00:19:58 |
- Wait. |
00:20:00 |
- Let's talk. |
00:20:01 |
- It. |
00:20:02 |
- You know. |
00:20:04 |
- What we're talking about. |
00:20:07 |
- You mustn't. |
00:20:08 |
- Why? |
00:20:09 |
- What reward? |
00:20:10 |
- Wait. |
00:20:12 |
- We'll talk... |
00:20:13 |
About the diamonds, |
00:20:18 |
The diamonds. |
00:20:25 |
And most of this stuff |
00:20:28 |
20 or 30 years ago |
00:20:31 |
Yes. |
00:20:33 |
That means that today... |
00:20:35 |
they'd probably be worth |
00:20:42 |
As much as that? |
00:20:44 |
Not a kopeck less. |
00:20:47 |
And maybe more. |
00:20:49 |
I've got to find |
00:20:55 |
[Cackles] |
00:20:57 |
Tikon is back. |
00:20:59 |
- Tikon, come here. |
00:21:03 |
- Tikon... |
00:21:06 |
Coming, master. I'm coming. |
00:21:10 |
Coming. Coming. |
00:21:13 |
I'm coming, master. |
00:21:16 |
I'm coming. |
00:21:19 |
I'm coming. |
00:21:21 |
- Tikon. |
00:21:25 |
Tikon, the furniture. |
00:21:28 |
- The furniture. |
00:21:31 |
- What happened to the furniture? |
00:21:34 |
What happened |
00:21:37 |
[Snoring] |
00:21:41 |
Tikon. Tikon. |
00:21:44 |
[Snoring Continues] |
00:21:47 |
[Sighs] |
00:21:49 |
Well, cross-examination |
00:21:51 |
will have to be adjourned |
00:21:55 |
Let's go to bed. |
00:22:00 |
[Chorus Vocalizing] |
00:22:11 |
Oh, thou who knowest all... |
00:22:14 |
You know. |
00:22:22 |
[Snoring] |
00:22:24 |
[Rooster Crowing] |
00:22:27 |
[Crowing Continues] |
00:22:33 |
Tikon. |
00:22:36 |
Tikon. |
00:22:38 |
Master. Hmm. |
00:22:40 |
- Oh, master, you're still... |
00:22:43 |
[Vorobyaninov] |
00:22:45 |
- The furniture? |
00:22:47 |
Where is the furniture? |
00:22:49 |
You mean upstairs |
00:22:52 |
[Vorobyaninov] |
00:22:54 |
Some of it is still there. |
00:22:57 |
The velvet sofa is there. |
00:23:01 |
And the andirons. |
00:23:05 |
Did they keep the chairs? |
00:23:07 |
There was a dining room suite |
00:23:11 |
made by Hambs of London. |
00:23:14 |
They were upholstered |
00:23:17 |
Do you remember? |
00:23:20 |
Twelve chairs. Walnut. |
00:23:24 |
Yes! Yes! |
00:23:26 |
They're gone. |
00:23:28 |
[Growling] |
00:23:31 |
- All but one. |
00:23:33 |
The pantry, |
00:23:36 |
Sits there. |
00:23:39 |
Good. Now what happened |
00:23:42 |
One morning, a big van came... |
00:23:45 |
from the Bureau of Housing, |
00:23:48 |
- The Bureau of Housing? |
00:23:51 |
Now, think, Tikon, what street is |
00:23:59 |
Headache! Headache! |
00:24:04 |
- What I drink last night. |
00:24:07 |
What do you mean |
00:24:09 |
Look, I don't give a damn |
00:24:12 |
All right. |
00:24:14 |
You will go upstairs and occupy |
00:24:17 |
and I will lead the attack |
00:24:19 |
- I'm off. |
00:24:19 |
- I'm off. |
00:24:22 |
What shall I tell them? |
00:24:24 |
You will tell them that you are |
00:24:28 |
and you will say that |
00:24:31 |
and that you are willing to pay |
00:24:35 |
to remember them by. |
00:24:40 |
[Sighs] |
00:24:43 |
Cousin Michael from Kiev. |
00:24:46 |
I am Cousin Michael from Kiev. |
00:24:58 |
- Yes? |
00:25:01 |
- All the Michaels are dead. |
00:25:08 |
What can I do for you? |
00:25:10 |
I am Cousin... Chair! |
00:25:23 |
[Audio Sped Up, High-pitched] |
00:25:27 |
- Stop or I'll call the police! |
00:25:30 |
- Give it to me! Give it to me! |
00:25:34 |
Aaah! |
00:25:47 |
[Both Yelling, High-pitched] |
00:25:50 |
[Yelling Continues] |
00:25:58 |
Father Fyodor. |
00:26:01 |
[Panting] |
00:26:06 |
How are ya? |
00:26:08 |
Well, this is disgusting. |
00:26:12 |
This is truly disgusting. |
00:26:15 |
Not so fast! Not so fast! |
00:26:18 |
- That's my chair. |
00:26:20 |
It's the Holy Father. |
00:26:25 |
- Here's a donation. |
00:26:29 |
Thank you. |
00:26:33 |
[Both Yelling, High-pitched] |
00:26:35 |
- [Groans] |
00:26:37 |
- Why are you after my chair? |
00:26:40 |
- Then whose is it? |
00:26:44 |
- It belongs to the workers. |
00:26:47 |
- Yes. The workers. |
00:26:49 |
is a member |
00:26:51 |
- Maybe. |
00:26:54 |
How can a priest |
00:26:56 |
- [Blow Lands] |
00:26:58 |
The church must keep up |
00:27:07 |
[Grunts] |
00:27:31 |
How did you find out |
00:27:34 |
People talk. |
00:27:38 |
Why, you disgusting creature. |
00:27:42 |
You used the sacred sacrament |
00:27:45 |
to further your own ends.! |
00:27:48 |
- Not really. |
00:27:51 |
the most |
00:27:54 |
it has ever been |
00:27:57 |
You're not worth |
00:28:02 |
- Well, you are! |
00:28:06 |
Come back, you coward.! |
00:28:08 |
You'd better keep away |
00:28:13 |
Finders, keepers! |
00:28:20 |
Hmm. It's just like |
00:28:23 |
We have a mysterious rival. |
00:28:29 |
Hey, uh, you'd better |
00:28:31 |
You look rather conspicuous. |
00:28:33 |
You're right. |
00:28:35 |
Oh, how I hate him. |
00:28:39 |
Go. |
00:28:45 |
[Chattering] |
00:29:13 |
[Chorus Vocalizing] |
00:30:20 |
[Mumbling] |
00:30:24 |
"Hambs." |
00:30:26 |
"Drapes." |
00:30:33 |
Here we are. |
00:30:35 |
[Grunts] |
00:30:38 |
[Groans] |
00:31:00 |
Hello. |
00:31:03 |
Ah. |
00:31:09 |
Oh. |
00:31:15 |
[Mumbling] |
00:31:20 |
That's it. |
00:31:23 |
[Laughing] |
00:31:26 |
- Can I help you? |
00:31:29 |
- Well? |
00:31:32 |
[Sobbing] |
00:31:36 |
I didn't know |
00:31:41 |
I came in and... |
00:31:44 |
l... |
00:31:46 |
Persons seeking information are to wait |
00:31:50 |
It is a criminal offense |
00:31:52 |
to tamper with official files. |
00:31:54 |
Oh, yes. Yes, to be sure. |
00:31:59 |
- Remove your hat. |
00:32:03 |
All right. Now that you are in the proper area, |
00:32:07 |
Chairs. Dining room... |
00:32:09 |
walnut, made by Hambs... |
00:32:12 |
belonging to a certain |
00:32:17 |
- Tell me, comrade. |
00:32:19 |
Why exactly are you seeking |
00:32:23 |
It's, uh... |
00:32:27 |
I'm sorry. |
00:32:29 |
No information. |
00:32:32 |
All right. All right. |
00:32:35 |
I'll tell you everything. |
00:32:38 |
I am Vorobyaninov's son. |
00:32:43 |
His firstborn. |
00:32:45 |
He was like a father to me. |
00:32:47 |
So... |
00:32:50 |
you are Vorobyaninov's son. |
00:32:53 |
Yes, I am. |
00:32:57 |
- How old are you? |
00:32:59 |
- Which is it? |
00:33:01 |
- According to our records, Vorobyaninov is 53. |
00:33:05 |
That means that when you were born, |
00:33:08 |
11. |
00:33:11 |
[Whistles] |
00:33:14 |
Ah. |
00:33:17 |
[Mutters] |
00:33:22 |
[Grunts] |
00:33:27 |
Ticktock. |
00:33:29 |
- Are you trying to bribe a Soviet official? |
00:33:33 |
I was hoping for the best. |
00:33:35 |
Well, since you are |
00:33:39 |
I'll see what I can do. |
00:33:41 |
Thank you. |
00:33:43 |
Now, if you will just |
00:33:46 |
I will be back |
00:33:48 |
Oh, thank you. |
00:33:56 |
Ah. Perfect. |
00:33:59 |
One dozen Hambs chairs, |
00:34:04 |
Ah. |
00:34:06 |
Better make that 11. |
00:34:10 |
Sent to a certain engineer |
00:34:14 |
[Chuckles] |
00:34:17 |
Siberia. |
00:34:21 |
- Here we are. |
00:34:23 |
Here's your shipping order. |
00:34:26 |
- One moment, please. |
00:34:28 |
- Procedure. |
00:34:32 |
I hope you find |
00:34:38 |
[Muttering] |
00:34:41 |
That's it. |
00:34:43 |
[Laughing] |
00:34:47 |
Bless you. Bless you. |
00:34:49 |
Bless you. |
00:34:53 |
[Chattering] |
00:34:58 |
[No Audible Dialogue] |
00:35:10 |
[Train Whistle Blows] |
00:35:37 |
Moscow. |
00:35:39 |
Moscow. |
00:35:41 |
The chairs are in Moscow. |
00:35:44 |
I can hardly believe it. |
00:35:46 |
I mean, we're actually |
00:35:50 |
[Chuckles] |
00:35:54 |
I never realized |
00:35:57 |
If they only knew. |
00:36:00 |
Moscow! |
00:36:47 |
They're not here. |
00:36:50 |
Look. See that cabinet? |
00:36:53 |
And those writing tables. |
00:36:56 |
- We're on the wrong floor. |
00:36:59 |
- Take it easy. |
00:37:03 |
How would we ever find them, hmm? |
00:37:06 |
Who would we ask? |
00:37:08 |
I never should have... |
00:37:14 |
My chairs. |
00:37:18 |
My chairs! |
00:37:20 |
That's my furniture.! |
00:37:23 |
I wonder which one it is. |
00:37:25 |
Don't you worry about it. |
00:37:29 |
We will get the chairs |
00:37:33 |
Closing time. |
00:37:36 |
- Closing time. Closing time. |
00:37:38 |
Closing time. |
00:37:41 |
Closing time. |
00:37:48 |
What shall we do? |
00:37:51 |
Wait until these people go by, |
00:38:10 |
[Wood Rattling] |
00:38:14 |
Here we are. |
00:38:17 |
Get those Hambs |
00:38:20 |
and put them on the cart. |
00:38:23 |
Shh, shh, shh. |
00:38:25 |
Don't make a sound. |
00:38:29 |
Calm. Calm. |
00:38:32 |
At all costs. |
00:38:34 |
- [Thump] |
00:38:37 |
No, no, no, no, no. |
00:38:41 |
Leave four. |
00:38:43 |
Four. We are only |
00:38:47 |
Why are they only |
00:38:50 |
We are only taking seven... |
00:38:52 |
because four is enough... |
00:38:54 |
to represent the period. |
00:38:56 |
That's why. |
00:38:59 |
Good. Good. Now... |
00:39:02 |
take the chairs |
00:39:05 |
They will be collected |
00:39:06 |
They will be collected |
00:39:09 |
Good. |
00:39:18 |
They're getting away. |
00:39:21 |
They're not getting away. |
00:39:23 |
We know exactly |
00:39:26 |
And if luck is with us, |
00:39:31 |
- What do you mean? |
00:39:34 |
the jewels might |
00:39:38 |
in one of these |
00:39:42 |
[Metal Rattles] |
00:39:44 |
- What are you doing? |
00:39:49 |
Does this look like |
00:40:07 |
The chairs.! The chairs.! |
00:40:09 |
I know, I know. |
00:40:14 |
"Columbus Repertory Theatre." |
00:40:17 |
[Vorobyaninov] |
00:40:21 |
four, six. |
00:40:26 |
Six. Seven. |
00:40:28 |
Where's seven? |
00:40:30 |
[Vorobyaninov] |
00:40:32 |
It's all right. |
00:40:34 |
Our problem is |
00:40:36 |
Where is number seven? |
00:40:41 |
Well, I must find out. |
00:40:43 |
Yes, we must find out. |
00:40:45 |
Not "we." I. |
00:40:47 |
You sit here |
00:40:50 |
Sit. |
00:40:52 |
Sit. |
00:40:58 |
Stay. |
00:41:05 |
[Whines] |
00:41:21 |
[Whimpering] |
00:42:11 |
[Man] |
00:42:14 |
Siberia.! |
00:42:58 |
[Knocking] |
00:43:05 |
[Huffing] |
00:43:08 |
- Yes? |
00:43:11 |
- I am Engineer Bruns. |
00:43:14 |
- What do you want? |
00:43:16 |
[Muttering] |
00:43:18 |
What is it? |
00:43:21 |
[Moaning, Chuckling] |
00:43:24 |
- Olga! |
00:43:26 |
Andrei, why is that man |
00:43:29 |
- I don't know. |
00:43:31 |
- Oh! Oh! |
00:43:34 |
- Ooh! Ow! Ooh! |
00:43:37 |
No, no, no. Don't... |
00:43:40 |
- Put him up on the chair. |
00:43:42 |
Now, once and for all, |
00:43:45 |
- I want to grovel at your feet. |
00:43:48 |
There will be no groveling in this house. |
00:43:51 |
- We don't allow groveling. |
00:43:53 |
l... Hmm. |
00:43:56 |
These chairs. |
00:44:01 |
- He wants our chairs. |
00:44:04 |
Are you a furniture dealer? |
00:44:06 |
Not for personal gain. |
00:44:11 |
My motives are pure. Ohh. |
00:44:13 |
They're the very best motives. |
00:44:16 |
you're going to be |
00:44:19 |
Yes. |
00:44:21 |
- Well? |
00:44:23 |
Your motives. |
00:44:25 |
Oh, yes. My motives. |
00:44:29 |
Come on, brain. |
00:44:33 |
Got it! |
00:44:35 |
The chairs belonged to my wife |
00:44:39 |
and now my wife is ill. |
00:44:41 |
She's very ill. |
00:44:46 |
Dying. Uh, she keeps |
00:44:51 |
Oh, please. |
00:44:53 |
It's a dying woman's wish. |
00:44:56 |
Olga, what shall we do? |
00:44:59 |
- Don't be ridiculous. Nobody's taking my chairs. |
00:45:03 |
I'm sorry. |
00:45:05 |
I didn't hear that. |
00:45:08 |
I didn't hear that. |
00:45:10 |
I didn't hear that. |
00:45:12 |
I didn't hear that. I didn't hear that. |
00:45:15 |
Don't you understand? |
00:45:17 |
[Yells] |
00:45:19 |
[Whimpering] |
00:45:25 |
My dear lady, |
00:45:29 |
I need those chairs! |
00:45:32 |
- Andrei! |
00:45:34 |
- Oh, please. |
00:45:37 |
[Screams] |
00:45:39 |
I want him out of this house |
00:45:43 |
Well, that's done it. |
00:45:45 |
Wait. Wait. |
00:45:49 |
[Yelps] |
00:45:52 |
Don't judge a book |
00:45:54 |
[Groans] |
00:46:00 |
A memento. |
00:46:03 |
Ow! Ow! |
00:46:06 |
Ow! |
00:46:13 |
Ah! |
00:46:17 |
Wait! Wait! I'll pay! |
00:46:20 |
100 rubles! |
00:46:25 |
- 102? |
00:46:42 |
[Man] |
00:46:44 |
If we don't sail in 10 minutes, |
00:46:47 |
Wait, please. |
00:46:51 |
One of my actors |
00:47:03 |
Wait. |
00:47:12 |
[Man] |
00:47:14 |
[Sobbing] |
00:47:16 |
How the hell can I do the play |
00:47:21 |
Sevitsky, how could you |
00:47:24 |
It's your job to make sure |
00:47:26 |
are supposed to be |
00:47:29 |
and not wandering around |
00:47:31 |
- Well... |
00:47:34 |
Talk, talk, talk, |
00:47:36 |
That's all I hear |
00:47:39 |
Oh, my goodness. |
00:47:41 |
I look dreadful. |
00:47:45 |
Time and tide |
00:47:48 |
I like that reading. |
00:47:51 |
Maybe he could play the count. |
00:47:53 |
Sevitsky, that vulgar man |
00:47:56 |
it's only good |
00:47:59 |
running ships... |
00:48:03 |
and trying to browbeat |
00:48:06 |
Well, if worse |
00:48:10 |
I shall play the count. |
00:48:13 |
Worse shall never come |
00:48:19 |
Excuse me. |
00:48:21 |
I'm looking for the commissar producer |
00:48:27 |
- That's me. |
00:48:33 |
And what do you want? |
00:48:35 |
I've just come from Gronsky. |
00:48:38 |
- Where is he? |
00:48:40 |
- [Gasps] |
00:48:44 |
He tried to stop a streetcar. |
00:48:48 |
And, uh, who are you? |
00:48:50 |
Well, I am from the Artists'Union, |
00:48:53 |
I took the liberty of getting an immediate |
00:48:56 |
Fine actor. Made for the part. |
00:49:00 |
l... |
00:49:05 |
Guess what. |
00:49:09 |
- [Traditional] |
00:49:20 |
[Continues, Faint] |
00:49:26 |
Sevitsky. |
00:49:31 |
- Where are you going with that samovar? |
00:49:34 |
- That samovar. |
00:49:37 |
- Yes. |
00:49:40 |
for the show tonight. |
00:49:42 |
Sevitsky, if I catch you trying to sell |
00:49:48 |
Siberia! |
00:49:50 |
I was going to have it polished. |
00:49:56 |
I hate people I don't like. |
00:50:09 |
I feel something. |
00:50:11 |
I knew it. I felt it. |
00:50:15 |
Lucky seven. |
00:50:18 |
That is seven. |
00:50:20 |
Lucky eight. |
00:50:25 |
Well, seems much too small |
00:50:29 |
Open it, open it. |
00:50:35 |
[Sighs] |
00:50:39 |
Empty. |
00:50:42 |
Somebody must have |
00:50:46 |
Oh, there were never |
00:50:49 |
It was put in |
00:50:51 |
"One set of 12 chairs... |
00:50:53 |
"crafted for |
00:50:56 |
by Christopher Hambs |
00:50:58 |
[Sighs] |
00:51:02 |
I really thought we had them. |
00:51:05 |
Next. |
00:51:10 |
- What's going on here? |
00:51:12 |
We are actors. We are members of |
00:51:16 |
As you can see, my dear sir, |
00:51:20 |
We are repairing them. |
00:51:22 |
- Misha. |
00:51:26 |
Oh. |
00:51:28 |
If you're actors, you'd better get up to |
00:51:31 |
Oh, yes, of course. |
00:51:33 |
Come along, Misha. |
00:51:42 |
[Ostap] "The workers are dissatisfied. |
00:51:45 |
Is there any truth |
00:51:48 |
"An uprising of peasants and workers. |
00:51:51 |
Bender, the other |
00:51:54 |
The other three chairs in the hold |
00:51:57 |
- Hmm? |
00:52:00 |
you will get us thrown off this ship |
00:52:04 |
It's only a play. |
00:52:07 |
I have attended a theater |
00:52:11 |
[Man] |
00:52:13 |
It will be so marvelous to see |
00:52:17 |
[Woman] |
00:52:20 |
- Where's Krakov? |
00:52:23 |
You're on. |
00:52:29 |
- Ah, Count Krakov. |
00:52:40 |
[Audience Murmuring] |
00:52:46 |
[Vorobyaninov] |
00:52:50 |
Not a chance. |
00:52:52 |
Ostap... |
00:52:56 |
You'll never catch up |
00:52:58 |
I don't intend to. I'm going to take |
00:53:05 |
[Grunting] |
00:53:11 |
Ostap! Ostap! |
00:53:13 |
I'm not a strong swimmer! |
00:53:16 |
I'm not a swimmer. Help! |
00:53:26 |
Vorobyaninov. |
00:53:34 |
Vorobyaninov. |
00:53:39 |
Help. Help. |
00:53:41 |
Help. |
00:53:53 |
Thank you. |
00:54:00 |
l... |
00:54:02 |
Cold. |
00:54:04 |
It's cold. |
00:54:06 |
[Shivering] |
00:54:12 |
- Here. |
00:54:16 |
Thank you. |
00:54:19 |
Thank you. |
00:54:22 |
You're a good soul, Bender. |
00:54:26 |
A good soul. |
00:55:08 |
[Slurps] |
00:55:12 |
Mmm! This borscht |
00:55:15 |
I love it cold! |
00:55:18 |
Why didn't you |
00:55:21 |
How could I make it |
00:55:25 |
If we didn't eat hot things |
00:55:28 |
Smell that air. |
00:55:31 |
Smell that air! |
00:55:34 |
Like wine. |
00:55:36 |
I know. I know. |
00:55:38 |
Every night I thank God |
00:55:42 |
I don't think I could have |
00:55:46 |
My dear. |
00:55:49 |
My dearest dear. |
00:55:56 |
[Fyodor] |
00:55:58 |
What? |
00:56:02 |
I didn't say anything. |
00:56:05 |
104. |
00:56:07 |
Olga? |
00:56:12 |
[Chorus Vocalizing] |
00:56:15 |
105. |
00:56:20 |
Good. Oh, good. |
00:56:22 |
Good. Good. |
00:56:25 |
Oh, thank you. Thank you. |
00:56:30 |
You really shouldn't |
00:56:32 |
Please, go now. |
00:56:35 |
I never want |
00:56:37 |
Oh, I must say good-bye |
00:56:39 |
How can I leave without |
00:56:42 |
[Screams] |
00:56:45 |
[Accordion] |
00:56:55 |
The chairs. |
00:57:14 |
- Yes? |
00:57:24 |
[Ostap] |
00:57:29 |
Come on. |
00:57:31 |
We must see where |
00:58:15 |
[Ostap] |
00:58:38 |
Comrade Sevitsky! You are under arrest |
00:58:43 |
- Polished. I'm having it polished. |
00:58:47 |
Oh, it's you... |
00:58:50 |
Count Krakov. |
00:58:52 |
Well, you've had |
00:58:55 |
Now, if you don't mind, |
00:58:57 |
Wait a minute. |
00:59:00 |
- Business? |
00:59:02 |
I'm interested in some chairs. |
00:59:06 |
They're in your present production |
00:59:09 |
Oh, yes. Walnut. |
00:59:14 |
I'm afraid they're |
00:59:16 |
Listen, scum! |
00:59:19 |
Do you hear me? |
00:59:22 |
You don't understand. |
00:59:25 |
I promised them to a certain individual. |
00:59:28 |
Sell him something else. |
00:59:32 |
Don't worry. You won't |
00:59:34 |
You will get |
00:59:37 |
- Oh, my throat! |
00:59:39 |
- Tonight. After the performance. |
00:59:42 |
Yes. I'll bring them here. |
00:59:44 |
All right. |
00:59:46 |
Now, Sevitsky, |
00:59:49 |
Because if you do, I'm afraid |
00:59:52 |
- A threat to the wise, hmm? |
00:59:55 |
Midnight. |
00:59:58 |
You bring the money, |
01:00:05 |
Bender, Bender, 30 rubles? |
01:00:12 |
[Seagulls Squawking] |
01:00:34 |
Thank you. |
01:00:37 |
Fine day for a picnic. |
01:00:40 |
The others should be |
01:00:43 |
Thank you. |
01:00:45 |
Thank you and good-bye. |
01:00:49 |
Good-bye. |
01:00:52 |
Good-bye. |
01:00:55 |
Get out of here! |
01:01:19 |
[Moaning] |
01:01:25 |
Ooh! Oh, |
01:01:28 |
[Moaning Continues] |
01:01:32 |
Beautiful workmanship. |
01:01:35 |
What a gorgeous chair! |
01:01:43 |
Oh, it can't be. |
01:01:46 |
[Muttering] |
01:01:51 |
[Panting] |
01:01:55 |
It can't be! It can't... |
01:01:59 |
[Groans] |
01:02:01 |
I don't want to live. |
01:02:05 |
I don't want to live! |
01:02:08 |
[Screaming] |
01:02:13 |
[Grunts, Groans] |
01:02:17 |
[Groaning Continues] |
01:02:25 |
Thirty rubles! |
01:02:53 |
Of course! Of course! |
01:03:02 |
Dostoievsky. |
01:03:05 |
- What? |
01:03:07 |
- Can you roll your eyes? |
01:03:09 |
Yes, roll your eyes. |
01:03:11 |
- I don't know. |
01:03:17 |
Oh, that's wonderful. |
01:03:20 |
Now, at a given signal... |
01:03:24 |
At a given signal from me... |
01:03:26 |
you will fall from this |
01:03:29 |
and pretend to have |
01:03:32 |
You will roll your eyes... |
01:03:35 |
you will move |
01:03:38 |
in short, |
01:03:41 |
and generally writhe |
01:03:44 |
I will call attention |
01:03:48 |
and the good-hearted citizens of Yalta |
01:03:54 |
What a disgusting idea. |
01:04:00 |
What filthy taste! |
01:04:05 |
There never was |
01:04:10 |
a Vorobyaninov who begs! |
01:04:16 |
[Groans] |
01:04:19 |
Parasite! |
01:04:21 |
Parasite! Parasite! |
01:04:24 |
Disgusting, |
01:04:28 |
bloodsucking parasite! |
01:04:31 |
Vorobyaninovs never beg! |
01:04:44 |
[Whimpering] |
01:04:52 |
Now listen, old man. |
01:04:55 |
Pride is a luxury |
01:04:58 |
at this time |
01:05:01 |
We need 30 rubles |
01:05:07 |
It's sink or swim. |
01:05:09 |
I choose swim. |
01:05:12 |
Now, to beg or not to beg? |
01:05:16 |
I will give you five... |
01:05:20 |
to decide yes or no. |
01:05:22 |
On the count of five, |
01:05:25 |
- One... |
01:05:30 |
Good. |
01:05:33 |
Now, do your stuff. |
01:05:39 |
Attention! |
01:05:44 |
A comrade, a citizen, |
01:05:48 |
cries out for our attention! |
01:05:51 |
Epilepsy, my friends! |
01:05:55 |
The same disease that struck down |
01:05:59 |
God knows what genius, |
01:06:04 |
in the mind of this poor, |
01:06:07 |
Ah, this poor man. |
01:06:10 |
[Whispers] |
01:06:12 |
Yes, give! Give... |
01:06:15 |
so that this quivering, |
01:06:18 |
can receive desperately |
01:06:21 |
Give! Give, please! |
01:06:24 |
Open your hearts. |
01:06:27 |
Thank you. |
01:06:31 |
Please give. |
01:06:35 |
[Crickets Chirping] |
01:06:35 |
[Crickets Chirping] |
01:06:56 |
Cigarette? |
01:06:58 |
No, thank you. |
01:07:00 |
Still angry, huh? |
01:07:04 |
When this business is over... |
01:07:08 |
I never want |
01:07:30 |
Oh, you're here. |
01:07:34 |
Yes. |
01:07:37 |
Yes. |
01:07:40 |
Sorry I'm late. I had to wait |
01:07:44 |
It was opening night, and there was a party. |
01:07:48 |
You can tell me why you only brought two chairs. |
01:07:52 |
- Well, yes, I tried, but... |
01:07:56 |
- [Gasping] |
01:08:00 |
- Shh. Come on. You're gonna ruin everything. |
01:08:05 |
What's the matter with you people? |
01:08:09 |
What happened |
01:08:12 |
There is a thief |
01:08:14 |
It's terrible. |
01:08:16 |
He sold the chair to a Finnish aerialist |
01:08:19 |
A Finnish aerialist? |
01:08:22 |
Yes. He works at the fair, |
01:08:26 |
- Can I have my 30 rubles now, please? |
01:08:29 |
- [Growling] |
01:08:32 |
Twenty. Twenty. Twenty. |
01:08:35 |
Shh. Shh. Shh. |
01:08:37 |
- Again the throat. |
01:08:42 |
Twenty. Thank you. |
01:08:45 |
Tell me, why are you |
01:08:48 |
- Shut up. |
01:08:52 |
Bye. |
01:09:17 |
[Sighs] |
01:09:22 |
Well, don't give up, |
01:09:26 |
Remember the famous |
01:09:29 |
"The hungrier you get, |
01:09:33 |
On the other hand, |
01:09:36 |
Merde.! |
01:09:41 |
Thy love will banish sorrow |
01:09:45 |
Thy love shall cleanse |
01:09:49 |
The sun |
01:09:54 |
My a-a-a-a-anguish |
01:10:00 |
Will be brief |
01:10:03 |
Oh, foolish man. |
01:10:07 |
Foolish, foolish |
01:10:10 |
I must not weep. |
01:10:14 |
My blessings. |
01:10:16 |
[Laughing] |
01:10:24 |
I don't want to live! |
01:10:31 |
Ooh. |
01:10:33 |
Ooh-ooh-ooh! |
01:10:36 |
[Sighs] |
01:10:38 |
Thy love shall banish sorrow |
01:10:42 |
Thy love |
01:10:47 |
[Carnival Band] |
01:10:50 |
[Chattering] |
01:11:02 |
- [Drumroll] |
01:11:09 |
[Audience Gasps] |
01:11:18 |
Come down, you thief! |
01:11:20 |
Come down here |
01:11:23 |
That's my chair! |
01:11:25 |
My chair! |
01:11:28 |
[Audience Gasps] |
01:11:30 |
Listen, you! |
01:11:34 |
Get down, you fool! |
01:11:41 |
I want that chair. |
01:11:45 |
[Audience Gasps] |
01:11:47 |
[Carnival Music Resumes] |
01:12:04 |
[Chattering] |
01:12:27 |
[Whimpering] |
01:12:29 |
Oh, Lord. |
01:12:32 |
Oh, Lord, |
01:12:36 |
Please help me. |
01:12:40 |
Thank you. |
01:12:54 |
[Screams] |
01:12:56 |
It's mine! Do you hear? |
01:12:59 |
Mine! Mine! |
01:13:01 |
Very nice. |
01:13:04 |
A partner in the firm... |
01:13:07 |
running off with |
01:13:11 |
[Yelling] |
01:13:13 |
So you wanna play horsey, huh? |
01:13:16 |
Mine! Mine! Mine! |
01:13:19 |
[Both Grunting] |
01:13:26 |
Father Fyodor! |
01:13:56 |
- Need a hand, mon père? |
01:14:00 |
[Panting, Whimpering] |
01:14:08 |
[Laughing] |
01:14:16 |
[Laughs] |
01:14:20 |
- Where is he? |
01:14:23 |
Yah, yah, yah! |
01:14:26 |
Yah, yah, yah! |
01:14:29 |
Ah, hate! Hate! Hate! |
01:14:33 |
[Fyodor Chuckles] |
01:14:35 |
God sees. |
01:14:37 |
Why do you think |
01:14:40 |
to climb straight up a mountain wall |
01:14:43 |
There must be some reason. |
01:14:46 |
Oh, God, how I hate him! |
01:14:49 |
He mustn't get away! |
01:14:52 |
He mustn't get... |
01:14:55 |
Fear not, |
01:14:58 |
He will not get away. |
01:15:00 |
As a matter of fact, |
01:15:03 |
There's no way down. Come on. |
01:15:10 |
See? No way down. |
01:15:17 |
[Chuckling] |
01:15:20 |
He can't get down. |
01:15:23 |
He's trapped. |
01:15:26 |
You're tra-a-a-apped! |
01:15:29 |
- Yah, yah, yah! Yah, yah, yah! |
01:15:32 |
Yah, yah, yah, yah... |
01:15:35 |
[Grunting] |
01:15:46 |
Ah. It stopped raining. |
01:15:50 |
It's very quiet. |
01:15:56 |
Do you think |
01:15:58 |
Shh, shh, shh. |
01:16:01 |
the jury will bring in |
01:16:05 |
Oh, Lord, |
01:16:10 |
Tsk. |
01:16:12 |
Well, the last chair |
01:16:15 |
[Fyodor Sobbing] |
01:16:17 |
Only 3,000 miles away. |
01:16:21 |
Come, my friend. |
01:16:25 |
[Sobbing Continues] |
01:16:28 |
Oh, Lord, |
01:16:32 |
[Gasping] |
01:16:39 |
How did I get here? |
01:16:45 |
[Panting] |
01:16:48 |
There's no way down. |
01:16:50 |
There's absolutely |
01:16:54 |
I'm gonna need a great deal |
01:16:57 |
[Panting Continues] |
01:17:01 |
Boys! Oh, boys! |
01:17:06 |
Yoo-hoo.! Vorobyaninov.! |
01:17:10 |
I have always liked you. |
01:17:14 |
We come |
01:17:17 |
For 25 years, |
01:17:22 |
Oh, for Christ's sake, |
01:17:31 |
Get... me... down.! |
01:19:30 |
[Train Whistle Blowing] |
01:19:51 |
- I'm hungry. |
01:19:55 |
Look around. |
01:20:02 |
- [Brass Band: "The International"] |
01:20:08 |
[Continues] |
01:20:20 |
I now officially open... |
01:20:23 |
the Moscow Railway Workers'... |
01:20:26 |
Communal House of Recreation. |
01:20:31 |
[Resumes] |
01:20:39 |
[Continues] |
01:20:43 |
[Applause] |
01:20:51 |
May it serve to comfort... |
01:20:55 |
those brave heroes |
01:20:58 |
the railway workers |
01:21:02 |
[Applause] |
01:21:07 |
A free buffet lunch will |
01:21:12 |
[All Cheering] |
01:21:19 |
[Excited Chattering] |
01:21:24 |
[Man] |
01:21:27 |
[Shouting Continues] |
01:21:30 |
Let's go! |
01:21:37 |
What are you doing? |
01:21:40 |
[Shouting Continues] |
01:21:44 |
I didn't get a roll. |
01:21:47 |
[Shouting Continues] |
01:22:05 |
Here. |
01:22:26 |
Would you mind very much |
01:22:29 |
I didn't get a chance |
01:22:32 |
There was a greedy pig |
01:22:37 |
Animal. |
01:22:42 |
[Spitting] |
01:22:47 |
Thirsty. |
01:23:24 |
Ostap. Ostap! |
01:23:28 |
Yes, old man. |
01:23:31 |
The last chair. |
01:23:44 |
See! We are not |
01:23:49 |
Hello, comrades! |
01:23:52 |
Hello. Hello, comrades. |
01:24:02 |
[Growls] |
01:24:06 |
Eat. |
01:24:11 |
Take your eyes |
01:24:13 |
I'm gonna check |
01:24:26 |
[Man] |
01:24:29 |
[Clicks] |
01:24:41 |
I have unfastened |
01:24:44 |
and we will return tonight |
01:24:54 |
Shh. |
01:25:20 |
One, two, three! |
01:25:23 |
- Come on. |
01:25:26 |
Come on! |
01:25:40 |
- Chair. Where is the chair? |
01:25:43 |
Here. Let me do it. |
01:26:02 |
Well? Well, well, |
01:26:08 |
- They're not here. |
01:26:12 |
They're not here. |
01:26:15 |
The jewels are not here. |
01:26:20 |
It can't be. |
01:26:24 |
It can't be. Do you hear me? |
01:26:29 |
[Door Opens] |
01:26:32 |
What's going on here? |
01:26:36 |
What are you doing? |
01:26:38 |
Where are my jewels? |
01:26:42 |
They were your jewels? |
01:26:45 |
What do you mean "were"? |
01:26:49 |
Are my jewels. |
01:26:52 |
Where are they? |
01:26:55 |
See these chess tables, |
01:26:59 |
This club was built |
01:27:02 |
When were they found? |
01:27:04 |
Four months ago. |
01:27:08 |
Kaminsky was putting up |
01:27:11 |
He was standing on a chair. |
01:27:13 |
Suddenly, bang, his shoe |
01:27:17 |
and all that stuff |
01:27:19 |
diamonds, rubies, |
01:27:23 |
It was a miracle. |
01:27:28 |
No, no. |
01:27:33 |
Mine. |
01:27:44 |
[Screaming] |
01:27:47 |
- [Shouting] |
01:27:51 |
Help.! Police.! Help.! |
01:28:00 |
- See? See? He's mad! |
01:28:04 |
Oh, you wanna play rough, eh? |
01:28:08 |
That has done it. |
01:28:12 |
Come on. |
01:28:15 |
Never hit a policeman. |
01:28:17 |
Never, ever |
01:28:40 |
Halt! |
01:28:42 |
- It's too high. |
01:28:44 |
- The horse? |
01:28:46 |
- Come on. |
01:28:49 |
- Come on! |
01:28:51 |
[Horse Neighs] |
01:30:14 |
[Blowing] |
01:30:23 |
[Sighs] |
01:30:26 |
Why don't you |
01:30:34 |
Listen, old man. |
01:30:37 |
We have got to split up. |
01:30:43 |
It's the only |
01:30:46 |
The police are looking for |
01:30:49 |
and a crazy old man |
01:30:52 |
I think I'll do |
01:30:57 |
Look, what are you |
01:30:59 |
I'm not taking a vote. |
01:31:02 |
This partnership is over, |
01:31:05 |
The company is bankrupt. |
01:31:10 |
Look. Here. |
01:31:15 |
Three kopecks! |
01:31:17 |
How far can we go together |
01:31:20 |
I simply can't |
01:31:59 |
[Grunts] |
01:32:01 |
[Chair Crashes] |
01:32:03 |
[Crowd Murmuring] |
01:32:08 |
[Murmuring Continues] |
01:32:16 |
[Chattering] |
01:32:38 |
Epilepsy, my friends! |
01:32:42 |
The same disease |
01:32:45 |
our own beloved Dostoievsky. |
01:32:48 |
Give. |
01:32:50 |
Give... |
01:32:53 |
from the bottom of your hearts. |