|
Un Coeur En Hiver A Heart in Winter
|
| 00:00:25 |
A HEART IN WINTER |
| 00:03:22 |
Maxime and I had known each other |
| 00:03:28 |
We work together, but he's the boss |
| 00:03:33 |
In this family business... |
| 00:03:35 |
... Maxime maintains tradition, |
| 00:03:40 |
He knows their repertoire, |
| 00:03:44 |
He listens, he calms their fears |
| 00:03:48 |
No, you did play it with |
| 00:03:52 |
They entrust us with their most |
| 00:04:05 |
You hear the lack of clarity? |
| 00:04:08 |
Yes, a lack of brilliance on the E |
| 00:04:12 |
Maxime sees them more as patients |
| 00:04:16 |
For more extensive treatment, |
| 00:04:20 |
Is it just unglued, or more serious? |
| 00:04:24 |
Perhaps I should hear you |
| 00:04:54 |
Maxime preferred musicians |
| 00:04:56 |
At concert he shared |
| 00:05:01 |
... and shared in the applause, |
| 00:05:08 |
Maxime needs to expend himself |
| 00:05:12 |
He is at one with his body. |
| 00:05:16 |
... that losing for me |
| 00:05:21 |
He has appetites, but no qualms, ; |
| 00:05:27 |
If he has to lie, |
| 00:05:31 |
I'm a willing alibi for his |
| 00:05:38 |
I no longer go along, buthe tells |
| 00:05:46 |
Work done, each of us lives |
| 00:06:00 |
Maxime never asks where I go or |
| 00:06:07 |
... which is fine by me |
| 00:06:19 |
Your table will be ready |
| 00:06:39 |
See you later, after coffee? |
| 00:06:47 |
- Do you know who I was talking to? |
| 00:06:50 |
No, the other one. Know her? |
| 00:06:54 |
You've heard her... Camille Kessler |
| 00:07:01 |
The Debussy recital; |
| 00:07:03 |
No, it was good |
| 00:07:07 |
She's coming as a customer |
| 00:07:19 |
A Guarneri is to be sold in Geneva |
| 00:07:23 |
Magnificent, but a ruin, much broken |
| 00:07:27 |
You'll have a ball |
| 00:07:30 |
- Don't you want to go? |
| 00:07:34 |
- Go somewhere for once |
| 00:07:43 |
Something has happened to me... |
| 00:07:48 |
...something important |
| 00:07:52 |
But if you smile like that... |
| 00:07:56 |
It's gone |
| 00:08:00 |
I've met someone |
| 00:08:11 |
You're facing her |
| 00:08:28 |
When was this? |
| 00:08:30 |
Two months ago |
| 00:08:33 |
And you didn't tell me? |
| 00:08:38 |
That was her |
| 00:08:40 |
She was afraid... I didn't want |
| 00:08:56 |
How did it happen? |
| 00:08:58 |
I was following her concerts |
| 00:09:01 |
I went to see her after one |
| 00:09:06 |
I mentioned a dry patch she played |
| 00:09:15 |
I must have hit the spot. |
| 00:09:19 |
And you saw her home? |
| 00:09:22 |
She's not like that |
| 00:09:26 |
Besides, she lives with Régine, |
| 00:09:32 |
So you came between them? |
| 00:09:34 |
It's not like that. She's not |
| 00:09:40 |
...but her mother's best friend |
| 00:09:43 |
And her career comes first |
| 00:09:49 |
One night, meeting me here, |
| 00:09:54 |
I felt ill and nearly left, but |
| 00:10:03 |
Seeing her like that... |
| 00:10:09 |
...I realize it can happen, |
| 00:10:18 |
And your wife? |
| 00:10:22 |
There was a difficult moment |
| 00:10:25 |
But it had long been over |
| 00:10:29 |
You don't spend your life with a pal |
| 00:10:33 |
It's better for her, too |
| 00:10:36 |
You don't leave her much choice |
| 00:10:38 |
Someone always suffers |
| 00:10:49 |
And now what? |
| 00:10:51 |
We'll live together. |
| 00:10:57 |
I think you're awaited |
| 00:11:03 |
See you later |
| 00:11:17 |
Can you believe that guy? Wants to |
| 00:11:24 |
Lermontov... he's like you, |
| 00:11:28 |
The guy was propositioning me. |
| 00:11:33 |
Look at a man touched by grace |
| 00:11:44 |
Say, she's... |
| 00:12:28 |
Wonderful |
| 00:12:31 |
Come and see this marvel, Madame |
| 00:12:37 |
I had the harpsichord and cello, |
| 00:12:41 |
Magnificent. Was it you? |
| 00:12:45 |
Maxime... he found it in Hungary |
| 00:12:47 |
He repaired the mechanism. |
| 00:12:52 |
Two. I had fun making them |
| 00:12:58 |
Are you staying to dinner? |
| 00:13:00 |
I'm afraid I've work that's overdue |
| 00:13:12 |
You work a lot? |
| 00:13:15 |
Never tire of it? |
| 00:13:20 |
You're lucky |
| 00:13:30 |
Is Vincent Madame Amet's nephew? |
| 00:13:37 |
Five, I think |
| 00:13:42 |
Camille Kessler... was she your pupil? |
| 00:13:46 |
Years ago. I heard her play at Aix |
| 00:13:50 |
- We're to have her as a customer |
| 00:13:55 |
I remember a hard, polished little |
| 00:14:02 |
But a real temperament, you felt |
| 00:14:09 |
No, in here! |
| 00:14:17 |
Isn't Vincent here? |
| 00:14:42 |
Do you hear that G, how rough it is? |
| 00:14:53 |
- You've had it how long? |
| 00:14:55 |
It's a Villaume, sounded superb then |
| 00:15:01 |
We have recordings coming up |
| 00:15:05 |
The playing must have soul |
| 00:15:11 |
The bridge is slightly warped |
| 00:15:14 |
Can you change it quickly? |
| 00:15:18 |
Checking the fret may take a few days |
| 00:15:22 |
- But we've a rehearsal |
| 00:15:24 |
I could lend you another |
| 00:15:26 |
I've got a spare |
| 00:15:29 |
You are to record...? |
| 00:15:31 |
The two Ravel sonatas and the trio |
| 00:15:35 |
I'll try for the day after tomorrow |
| 00:15:38 |
We're counting on you |
| 00:15:53 |
We're already late for the Lambertis |
| 00:16:36 |
You can go, Brice |
| 00:18:02 |
Sorry, Christophe. Again |
| 00:18:42 |
I'm not with it at all |
| 00:18:45 |
I thought it was good. Let's go on |
| 00:18:48 |
It's me, not you |
| 00:18:52 |
I don't agree |
| 00:18:54 |
I'm no use today |
| 00:18:59 |
Is it the violin? |
| 00:19:02 |
Water, please, Régine |
| 00:19:12 |
Maybe a little more work on it? |
| 00:19:16 |
No, it's exactly right; it's me |
| 00:19:20 |
I have to go |
| 00:20:14 |
Will you hand them up? |
| 00:20:21 |
I think she's starting to hate me |
| 00:20:24 |
- Which gives you a certain pleasure? |
| 00:20:34 |
Odd that three-quarters of these |
| 00:20:38 |
Airport novel, masterpiece, |
| 00:20:43 |
...always the same vocabulary, |
| 00:20:46 |
- You find it obscene? |
| 00:21:01 |
Yes, Maxime, we're ready; |
| 00:21:11 |
What are you doing? |
| 00:21:13 |
- No good, is it? |
| 00:21:17 |
Let him wait |
| 00:21:19 |
I'm not ready. Half-an-hour |
| 00:21:24 |
I didn't ask you to |
| 00:21:26 |
But you let me hunt, then said |
| 00:21:31 |
Stop it... we have to go |
| 00:21:33 |
Well, I'm not going! |
| 00:21:36 |
That's ridiculous |
| 00:21:38 |
You'll be with Maxime, |
| 00:21:43 |
I hate playing chaperone |
| 00:21:46 |
All right, don't go |
| 00:21:48 |
Do you realize what you're |
| 00:21:54 |
I put myself out so that you |
| 00:21:59 |
...and you don't give a damn |
| 00:22:04 |
Forgive me |
| 00:22:11 |
No, Vincent, knives to the right, |
| 00:22:20 |
Are you sleeping here tonight? |
| 00:22:31 |
Nasty... really? |
| 00:22:33 |
I remember the exact words |
| 00:22:35 |
"Your bow scratches like a pummice- |
| 00:22:41 |
If I said that, it's what I thought |
| 00:22:43 |
- You were that cruel? |
| 00:22:46 |
Saying it to a mediocre pupil |
| 00:22:49 |
I never said it to Maxime, the idler |
| 00:22:53 |
True, I did little, |
| 00:22:55 |
Regret is always an illusion |
| 00:22:57 |
What about Stéphane? |
| 00:22:59 |
Stéphane... that's something |
| 00:23:05 |
Not emotion, that's suspect; |
| 00:23:10 |
- I know, I read your book |
| 00:23:16 |
What upsets me, as I wrote, is that |
| 00:23:23 |
...some rate a pop video alongside a |
| 00:23:28 |
...or a Ravel sonata and |
| 00:23:33 |
Would you prefer fresh fruit? |
| 00:23:36 |
No, but it's all lumped together, |
| 00:23:40 |
People can still choose |
| 00:23:43 |
Yes, but with everything meriting |
| 00:23:46 |
...consensus of opinion becomes |
| 00:23:48 |
I believe in a certain mental |
| 00:23:53 |
No, we're listening to |
| 00:23:56 |
- Severe |
| 00:23:57 |
Tradition! So I'm a reactionary |
| 00:24:02 |
No, you speak for an anxious élite in |
| 00:24:07 |
I've fought élitism all my life. |
| 00:24:12 |
There's confusion, I agree |
| 00:24:15 |
If culture is still a privilege... |
| 00:24:18 |
...it isn't reserved for |
| 00:24:20 |
It's worse, all these clueless |
| 00:24:26 |
But if a clodhopper's life is changed |
| 00:24:33 |
It's always been so |
| 00:24:35 |
I don't think so |
| 00:24:37 |
You almost agree |
| 00:24:41 |
For you, too, there's the sensitive |
| 00:24:45 |
I didn't say that |
| 00:24:47 |
No, you said there's a natural |
| 00:24:52 |
Not at all |
| 00:24:54 |
You said some things that others don't |
| 00:24:57 |
That's what you said |
| 00:25:00 |
Yes, but... I exclude no one |
| 00:25:03 |
Neither do I |
| 00:25:06 |
You have no opinion? |
| 00:25:11 |
None? |
| 00:25:13 |
He's above debate |
| 00:25:16 |
I hear arguments, all valid |
| 00:25:18 |
If we cancel each other out, |
| 00:25:22 |
A tempting prospect |
| 00:25:29 |
I don't share your goodwill |
| 00:25:33 |
Fine, we'll respect your silence |
| 00:25:38 |
Speaking, one risks sounding stupid |
| 00:25:41 |
Not speaking, one may |
| 00:25:46 |
Maybe one is simply afraid |
| 00:25:48 |
Afraid of what? |
| 00:25:51 |
Of yourself, perhaps |
| 00:25:53 |
That must be it |
| 00:25:56 |
You worry me |
| 00:25:58 |
Don't discourage such revelations. |
| 00:26:04 |
- He's trying to move us |
| 00:26:08 |
Mission impossible |
| 00:26:09 |
I withdraw what I said: Madame Amet's |
| 00:26:16 |
Delicacy of flaking pastry |
| 00:26:18 |
- A touch of... |
| 00:26:27 |
Is it long since Lachaume taught? |
| 00:26:29 |
Seven or eight years |
| 00:26:33 |
He has an odd relationship |
| 00:26:37 |
We'd never met socially... |
| 00:26:42 |
You have to know him; it's all |
| 00:26:48 |
You'd have to defend your friend |
| 00:26:52 |
I'm not trying to; |
| 00:27:42 |
And you? |
| 00:27:44 |
No, you're not disturbing me |
| 00:27:50 |
She's asleep |
| 00:27:54 |
You think so? |
| 00:28:00 |
Maybe. All right, I'll tell her |
| 00:28:06 |
That was Stéphane |
| 00:28:09 |
What did he want? |
| 00:28:11 |
To talk to you |
| 00:28:13 |
On relection, he thinks he can |
| 00:28:19 |
He'll come to your rehearsal |
| 00:28:22 |
Why? The violin's perfect |
| 00:28:25 |
He knows what he's doing. Trust him |
| 00:28:48 |
It's a small thing, but... |
| 00:29:04 |
Yes, it's different... |
| 00:29:09 |
Purer |
| 00:29:14 |
It didn't strike you before? |
| 00:29:16 |
Yes, but... it takes time to... |
| 00:29:21 |
It didn't seem the right moment |
| 00:30:09 |
All right? |
| 00:30:11 |
Yes, but... |
| 00:30:15 |
Weren't you playing a bit fast? |
| 00:30:17 |
You want to check the pacing? |
| 00:30:21 |
Yes, if you don't... |
| 00:31:50 |
It's lovely |
| 00:32:01 |
You're going already? |
| 00:32:05 |
Have you others to see? |
| 00:32:07 |
No, but I must let you work |
| 00:33:21 |
Odd how the oldest varnish |
| 00:33:26 |
If you effect a sale, will I owe you? |
| 00:33:30 |
No commission, just my appraisal fee |
| 00:33:37 |
I think I have a buyer for you |
| 00:33:41 |
Will you excuse me a moment? |
| 00:33:50 |
Did you say Kornfeld wanted |
| 00:33:54 |
- Has he found one? |
| 00:33:59 |
I can still catch him |
| 00:34:09 |
- Isn't that too tight? |
| 00:34:13 |
Two little restorations, |
| 00:34:20 |
Can you come to Amsterdam? |
| 00:34:25 |
Not the day after tomorrow. |
| 00:34:32 |
All right, Friday |
| 00:34:36 |
That was the price, Monsieur Kornfeld |
| 00:34:41 |
Hold on, please |
| 00:34:44 |
Give me five minutes |
| 00:34:49 |
We'll be with you by eleven a.m. |
| 00:35:20 |
Perfect |
| 00:35:22 |
- Now what do you do? |
| 00:35:41 |
- I think it's... |
| 00:35:46 |
Very good, in fact |
| 00:35:51 |
You did it, didn't you? |
| 00:36:05 |
Maxime's busy, so... |
| 00:36:08 |
You were there? You should have spoken |
| 00:36:13 |
I didn't want to disturb you. |
| 00:36:21 |
And this violin? |
| 00:36:23 |
He's making it; his first instrument |
| 00:36:27 |
- How long does it take? |
| 00:36:37 |
A drink? |
| 00:36:40 |
Yes, I'd like that |
| 00:36:43 |
While we wait for Maxime |
| 00:36:47 |
Please sit down |
| 00:36:50 |
- Fruit juice? Whisky? |
| 00:36:53 |
- With water? |
| 00:37:08 |
I needed that; I've had |
| 00:37:14 |
- Rehearsals? |
| 00:37:18 |
No, it's not that |
| 00:37:22 |
Not Maxime, is it? |
| 00:37:24 |
No, not Maxime |
| 00:37:28 |
I quarrelled with Régine |
| 00:37:33 |
Horrible things were said |
| 00:37:38 |
About what? |
| 00:37:40 |
I don't want to say |
| 00:37:45 |
It got to me, though |
| 00:37:50 |
I thought she knew me |
| 00:37:55 |
- How long have you known her? |
| 00:37:57 |
Without her, I'd never have |
| 00:38:04 |
She stopped me from giving up |
| 00:38:12 |
Maybe you resent that |
| 00:38:18 |
She's protection for you |
| 00:38:20 |
Which I needed... |
| 00:38:23 |
...but it's become a |
| 00:38:27 |
Which you can no longer accept |
| 00:38:30 |
Yes, that's it, exactly |
| 00:38:37 |
It seems simple, but |
| 00:38:43 |
But you already knew this |
| 00:38:45 |
Yes, but I've never |
| 00:38:49 |
Oppportunity |
| 00:38:53 |
Am I in the way? |
| 00:38:55 |
Quite the contrary |
| 00:39:05 |
- When are you recording? |
| 00:39:12 |
Couldn't get away from my Dutchman |
| 00:39:14 |
A bit austere, isn't he? |
| 00:39:20 |
Sorry, we're late; see you tomorrow |
| 00:39:30 |
So, not just conversation, |
| 00:39:35 |
She came to me |
| 00:39:37 |
But it's what you expected |
| 00:39:39 |
Let's say, what I hoped for |
| 00:39:45 |
Are you in love with her? |
| 00:39:49 |
I know you bristle at the word |
| 00:39:51 |
No, it disorientates me. |
| 00:39:56 |
No, I don't think I am |
| 00:39:59 |
Anyhow, it's Maxime she loves |
| 00:40:07 |
At one point I did get the impression |
| 00:40:14 |
An impression |
| 00:40:19 |
Could you be jealous of Maxime? |
| 00:40:24 |
I never have been, and doubt |
| 00:41:35 |
You win. I'm playing well, too |
| 00:41:39 |
- You can have your revenge |
| 00:41:42 |
I'll leave you drunk with victory |
| 00:41:45 |
- Will you be back tonight? |
| 00:41:49 |
I'm glad you two are getting on; |
| 00:41:55 |
And you're relieved? |
| 00:41:57 |
Yes, selfishly I prefer it that way |
| 00:42:02 |
I wonder if we shouldn't have got |
| 00:42:06 |
I think they're fine |
| 00:42:09 |
The cellist? |
| 00:42:10 |
Christophe? No, he understands her; |
| 00:42:15 |
- What bothers me is, he loves her |
| 00:42:19 |
No, it's her, fending him off but |
| 00:42:25 |
I've never before admired |
| 00:42:29 |
So I'm forced into greater rigours... |
| 00:42:34 |
...excising lazy habits |
| 00:42:36 |
- You manage it rather well |
| 00:42:38 |
A healthy exhaustion |
| 00:42:41 |
She's guarded if you question her, |
| 00:42:46 |
In fact she reveals herself |
| 00:42:51 |
- Does that bother you? |
| 00:42:55 |
- Time's tight, but want a lift? |
| 00:45:01 |
Very, very good |
| 00:45:05 |
Shall we take a break? |
| 00:45:23 |
You were here? |
| 00:45:28 |
You heard? |
| 00:45:30 |
- Yes, the end |
| 00:45:34 |
- Excellent |
| 00:45:38 |
I was floundering earlier, though |
| 00:45:42 |
Have you time for a drink? |
| 00:45:44 |
It's a short break, but... |
| 00:45:50 |
We can go to the café |
| 00:45:54 |
- I think... |
| 00:46:16 |
- Did Maxime ask you to come? |
| 00:46:23 |
- It seems less heavy |
| 00:46:43 |
- Won't you freeze? |
| 00:46:46 |
- How about something to eat? |
| 00:46:49 |
No, your cheese plate |
| 00:46:58 |
How are things with Régine? |
| 00:47:00 |
Better. She has 'flu, a raging fever, |
| 00:47:12 |
My fingertips are stinging |
| 00:47:21 |
Why did you give up |
| 00:47:27 |
Not gifted |
| 00:47:31 |
Didn't like my sounds |
| 00:47:33 |
- Too much the critic? |
| 00:47:36 |
- It's a quality |
| 00:47:40 |
There's a table for you |
| 00:47:50 |
You said you were at Versailles. |
| 00:47:56 |
You're always lying! |
| 00:47:58 |
You're crazy! |
| 00:48:11 |
- Have you always lived alone? |
| 00:48:15 |
You enjoy solitude? |
| 00:48:17 |
I'm a thwarted Ioner, but |
| 00:48:22 |
- And of women, too |
| 00:48:26 |
I face up to things as they are |
| 00:48:29 |
But you're a rotten coward. |
| 00:48:37 |
I fear for their future |
| 00:48:41 |
I think he's crying |
| 00:48:50 |
Haven't you ever been in love? |
| 00:48:53 |
I must have been |
| 00:48:55 |
Maxime spoke of Héléne. |
| 00:49:00 |
Someone I appreciate; we get on well |
| 00:49:10 |
You don't like talking about yourself? |
| 00:49:12 |
Not much |
| 00:49:15 |
It doesn't serve any real purpose |
| 00:49:20 |
It depends who you're with |
| 00:49:22 |
I can stay silent for days, then |
| 00:49:28 |
Like with Régine, we'd slave away... |
| 00:49:34 |
...then maybe talk all night |
| 00:49:37 |
In Rome once we had decided to... |
| 00:49:40 |
I can feel your attention slipping |
| 00:49:43 |
I'm listening... seeing... |
| 00:49:59 |
- Will you come again? |
| 00:50:03 |
I'm glad you came |
| 00:51:45 |
I'm sorry, I couldn't... |
| 00:51:52 |
Today I don't think... |
| 00:52:16 |
Pass me the honey, please |
| 00:52:22 |
I must try to get up this afternoon |
| 00:52:27 |
You're looking well |
| 00:52:32 |
- When do you start today? |
| 00:52:37 |
- What's the matter? |
| 00:52:41 |
I wonder if he really likes |
| 00:52:45 |
What are you talking about? |
| 00:52:46 |
He didn't turn up, seemed put out |
| 00:52:51 |
- But you told him to stay away |
| 00:52:57 |
I'm talking about Stéphane |
| 00:53:00 |
I don't understand. When he's there, |
| 00:53:05 |
Then suddenly it's as if |
| 00:53:12 |
I'm going to be late |
| 00:53:43 |
Again |
| 00:53:52 |
Funny, it's really so easy |
| 00:54:18 |
I think I've seen it. Never mind, |
| 00:54:25 |
Not seeing her? Are you |
| 00:54:29 |
You want me to push things? |
| 00:54:31 |
Playing dead just makes it worse |
| 00:54:36 |
You overestimate my |
| 00:54:38 |
No, I don't; nor do you |
| 00:54:44 |
When a woman gets that far, |
| 00:54:51 |
- She hasn't called again |
| 00:54:55 |
He's usually punctual |
| 00:54:58 |
- Who? |
| 00:55:01 |
- The lawyer? |
| 00:55:05 |
You never know with jealousy |
| 00:55:10 |
- What about Maxime? |
| 00:55:15 |
Has she talked to him? |
| 00:55:18 |
Maybe; I doubt it |
| 00:55:23 |
Sorry, parking problems |
| 00:55:27 |
Héléne has told me a lot about you |
| 00:55:31 |
It's intimidating; I know she |
| 00:55:49 |
It was a bargain. I can decorate as |
| 00:55:58 |
Everything all right? |
| 00:56:01 |
- What do you think? |
| 00:56:06 |
You're seeing to everything? |
| 00:56:08 |
Camille hasn't time |
| 00:56:13 |
The bedroom |
| 00:56:16 |
Bathroom there... the music room |
| 00:56:21 |
That's nothing; maybe for Régine |
| 00:56:27 |
The kitchen will be bigger |
| 00:56:32 |
Neither of us can cook, |
| 00:56:37 |
She has to feel comfortable here |
| 00:56:41 |
I must call her... let her |
| 00:57:00 |
At the apartment with Stéphane |
| 00:57:04 |
You want to speak... |
| 00:57:08 |
Yes, it's coming on |
| 00:57:12 |
They're painting |
| 00:57:17 |
The recording's fine. |
| 00:57:27 |
See you tonight. I love you |
| 00:57:36 |
Is something wrong? |
| 00:57:40 |
Can I have some water? |
| 00:58:06 |
It must be the smell of paint |
| 00:58:16 |
Is this it? |
| 00:58:22 |
- Like a bag? |
| 00:58:25 |
125 francs |
| 00:58:40 |
Have you Chekhov's stories |
| 00:59:05 |
I know it wasn't easy. Thank you, |
| 00:59:10 |
My taxi's here. Time for me |
| 00:59:19 |
Stéphane is marvellous |
| 00:59:24 |
Landron's madly happy |
| 00:59:37 |
Can you get me this London number? |
| 00:59:40 |
I forgot to call. |
| 00:59:45 |
I can go if you like |
| 00:59:47 |
- This is new |
| 00:59:50 |
If you want to, it would help me |
| 00:59:54 |
- You must be hungry |
| 00:59:58 |
Is it too late to eat... |
| 01:00:03 |
They've been working since eight |
| 01:00:06 |
Your call, Maxime |
| 01:00:19 |
- When do you finish? |
| 01:00:22 |
Maxime said you were quite pleased |
| 01:00:25 |
I think so... I'm not sure any more |
| 01:00:29 |
Are you all right? |
| 01:00:34 |
Why are you avoiding me? |
| 01:00:37 |
I'm not avoiding you |
| 01:00:42 |
Was it something I said or did? |
| 01:00:45 |
Not at all; I've been very busy |
| 01:00:50 |
I thought you cared about my work |
| 01:00:56 |
Is it because of Maxime? |
| 01:01:01 |
You might have scruples |
| 01:01:05 |
There's no friendship between us |
| 01:01:10 |
No friendship? |
| 01:01:13 |
We've been partners for years; |
| 01:01:19 |
It's to our mutual interest, |
| 01:01:22 |
He thinks of you as a friend |
| 01:01:26 |
I can't prevent that |
| 01:01:33 |
- I don't believe you |
| 01:01:36 |
Because it's not something one admits |
| 01:01:44 |
No, saddened |
| 01:01:47 |
Misusing words is sad |
| 01:01:50 |
You devalue them, and everything else |
| 01:01:56 |
What are you protecting yourself from? |
| 01:01:58 |
I seem to be laying myself open |
| 01:02:01 |
You aren't like that; nobody is |
| 01:02:04 |
It's a pose |
| 01:02:09 |
Do you want me to invent reasons, |
| 01:02:15 |
Unhappy childhood, sexual frustration, |
| 01:02:20 |
No, I don't see it |
| 01:02:23 |
My brothers and sisters did find me |
| 01:02:29 |
I admit it freely |
| 01:02:33 |
Offering this unpleasant image of |
| 01:02:40 |
A bit. I'm sorry |
| 01:02:45 |
You act as if emotions didn't exist |
| 01:02:49 |
Yet you love music |
| 01:02:51 |
Music is the stuff of dreams |
| 01:03:04 |
Sorry, they don't want you. |
| 01:03:10 |
Too bad; it's their loss |
| 01:03:13 |
I'm off. See you later |
| 01:03:21 |
Your table's ready, Maxime |
| 01:03:56 |
I'm feeling low |
| 01:04:07 |
It has nothing to do with the sonatas |
| 01:04:20 |
I've never lied to you, |
| 01:04:30 |
What's happened? |
| 01:04:32 |
Nothing |
| 01:04:41 |
He's attracted to you |
| 01:04:45 |
I sense it, I see it |
| 01:04:49 |
I know him... |
| 01:04:52 |
...better than he thinks |
| 01:04:56 |
He's always hanging around |
| 01:05:03 |
At the apartment that day, it was |
| 01:05:10 |
Like a malaise |
| 01:05:17 |
What about you? |
| 01:05:23 |
It's like... |
| 01:05:27 |
...a pressure |
| 01:05:33 |
It's there |
| 01:05:37 |
I try to... |
| 01:05:43 |
...but I do think about it... |
| 01:05:49 |
...all the time |
| 01:05:58 |
It crossed my mind, but |
| 01:06:04 |
Beating him up isn't on |
| 01:06:12 |
I need air. Like to come for a walk? |
| 01:06:28 |
Not gone yet? |
| 01:06:29 |
Just boarding. I'll miss Camille's |
| 01:06:38 |
I'm counting on you |
| 01:08:09 |
- You have a car? |
| 01:08:15 |
- It's long since I've been so moved |
| 01:08:20 |
You were right; I'm so pleased |
| 01:08:25 |
Will you take my violin? |
| 01:08:29 |
But we're all having dinner |
| 01:08:32 |
I know, but no |
| 01:08:37 |
- What shall I tell them? |
| 01:08:42 |
Are you sure you... |
| 01:08:45 |
Yes, everything's all right |
| 01:08:50 |
Recording with Barbizet, we weren't |
| 01:08:55 |
I'd never played it like that |
| 01:08:58 |
Yesterday was good, but flat. |
| 01:09:03 |
- Right through to the end |
| 01:09:09 |
How about a drink? |
| 01:09:12 |
- Any idea where? |
| 01:09:23 |
I played for you |
| 01:09:39 |
I spoke to Maxime |
| 01:09:42 |
About us |
| 01:09:46 |
It was hard |
| 01:09:50 |
He heard me out |
| 01:09:57 |
I told him what happened |
| 01:10:09 |
I want you |
| 01:10:11 |
It's not like me, but |
| 01:10:23 |
I don't think I can give you |
| 01:10:28 |
You want it, too. I know you |
| 01:10:33 |
I don't mind about this closed world |
| 01:10:40 |
I'm here for you. Look at me |
| 01:10:47 |
You can't go on living like that; |
| 01:10:55 |
You're beautiful, you're going to be |
| 01:11:00 |
You have almost a surfeit of gifts |
| 01:11:04 |
So, since I'm perfect... |
| 01:11:06 |
But you insist on seeing me |
| 01:11:11 |
I'm not that person |
| 01:11:16 |
Don't deceive yourself; |
| 01:11:22 |
I must tell you the truth |
| 01:11:25 |
I'd decided to seduce you, |
| 01:11:31 |
...probably to get at Maxime |
| 01:11:34 |
One doesn't "decide" |
| 01:11:36 |
You don't understand |
| 01:11:39 |
You talk of feelings to which |
| 01:11:46 |
I don't love you |
| 01:12:02 |
Don't talk, please |
| 01:12:10 |
Don't look at me |
| 01:13:13 |
You make me sick! |
| 01:13:18 |
It's my life! |
| 01:13:21 |
I've made an appointment |
| 01:13:25 |
No, I won't go! What can he say |
| 01:13:30 |
Don't smoke, don't drink, don't fuck! |
| 01:13:33 |
All right, don't go; see if I care |
| 01:13:40 |
- Here's your book |
| 01:13:44 |
So let yourself go completely, |
| 01:13:49 |
You're into everything... |
| 01:13:51 |
...nosing about like a bulldozer |
| 01:13:56 |
Don't be coarse |
| 01:13:58 |
You always have to change the subject |
| 01:14:02 |
It's for your own sake |
| 01:14:03 |
To hell with you! I'm going out |
| 01:14:12 |
Did you hurt yourself? |
| 01:14:15 |
- Don't stay out here, it's cold |
| 01:14:22 |
You hardly slept last night |
| 01:14:26 |
I don't sleep if you can't |
| 01:14:29 |
We aren't tied together |
| 01:14:32 |
I could go, if you want, |
| 01:14:37 |
I never said that. Don't go on |
| 01:14:46 |
When I got back, she'd collapsed |
| 01:14:52 |
I had to carry her and she was sick |
| 01:14:57 |
Now she's shut up in her room |
| 01:15:06 |
He said something that humiliated her |
| 01:15:18 |
I'm to blame, too |
| 01:15:20 |
I should have paid more attention, |
| 01:15:26 |
But it seemed to me... |
| 01:15:31 |
- Is she asleep? |
| 01:15:37 |
No, I can hear her |
| 01:17:16 |
- What's your pleasure? |
| 01:17:23 |
I went to your place, |
| 01:17:27 |
Would you like some? |
| 01:17:34 |
Who is this man, what is he? |
| 01:17:39 |
An "ear" |
| 01:17:42 |
A genius with his hands, |
| 01:17:46 |
Friend if it suits |
| 01:17:52 |
Friendship doesn't come into it |
| 01:18:00 |
This is good wine... not that I'd know |
| 01:18:06 |
They're nice, these little diners |
| 01:18:09 |
Afterwards you go home... |
| 01:18:17 |
I haven't heard you play, but Stéphane |
| 01:18:22 |
What is she talking about? |
| 01:18:25 |
I'll leave you |
| 01:18:39 |
I can't... I can't take it |
| 01:18:44 |
We can't just leave it like this |
| 01:18:51 |
Say something |
| 01:18:54 |
I told you the truth |
| 01:18:56 |
You know you didn't |
| 01:18:59 |
At the studio that day it rained, |
| 01:19:05 |
That's my job |
| 01:19:06 |
Don't tell me I was just |
| 01:19:11 |
- Your way of looking at me... |
| 01:19:15 |
Everything we said to each other... |
| 01:19:16 |
But we didn't say anything |
| 01:19:22 |
Or was it I who... |
| 01:19:29 |
But why? |
| 01:19:31 |
I told you why |
| 01:19:36 |
But if it was to get at your friend, |
| 01:19:41 |
Sordid, but at least it's life |
| 01:19:44 |
Stop this |
| 01:19:45 |
It's nothing! You're nothing! |
| 01:19:54 |
Embarrassed? Let them have their fun |
| 01:19:59 |
Old strait-lace... |
| 01:20:03 |
...wishes he were elsewhere |
| 01:20:08 |
It seems he loves music... |
| 01:20:09 |
...because "it's the stuff of dreams" |
| 01:20:16 |
You know nothing of dreams. You have |
| 01:20:22 |
You've nothing in there! |
| 01:20:25 |
I'm sorry, but I think... |
| 01:20:43 |
What's happened to me? |
| 01:20:46 |
What am I doing? |
| 01:20:52 |
Don't worry, I'm going |
| 01:20:56 |
I'm ashamed |
| 01:23:08 |
That's it, finished |
| 01:23:11 |
I told your mother seven o'clock |
| 01:23:19 |
Don't forget the ladder |
| 01:23:21 |
Is Stéphane sleeping here? |
| 01:23:30 |
What had you in mind? |
| 01:23:38 |
...the pleasure of demystification? |
| 01:23:43 |
But one can't demistify feelings |
| 01:23:48 |
No one can boast that sort of pride |
| 01:23:56 |
Maybe you felt unworthy of her |
| 01:24:49 |
Calm down, my pet |
| 01:24:56 |
It will soon pass |
| 01:25:00 |
You'd lost your book, is that it? |
| 01:25:05 |
I'll help you cool down a bit |
| 01:25:13 |
You frightened me, you know |
| 01:25:17 |
You should have called me |
| 01:25:20 |
You want to get up? |
| 01:25:23 |
I feel better now |
| 01:25:33 |
Easy does it; lean on me |
| 01:25:41 |
I thought I'd had it |
| 01:26:01 |
- Has Vincent left already? |
| 01:26:12 |
I'm hungry |
| 01:26:18 |
Did you sleep well? |
| 01:26:22 |
You weren't cold? |
| 01:26:29 |
It hasn't rained as they said |
| 01:26:44 |
If the agency calls, |
| 01:26:48 |
Is Camille in? |
| 01:26:51 |
Do you really think... |
| 01:26:54 |
I'd like to talk to her |
| 01:27:20 |
The Lambertis at six, then |
| 01:27:26 |
I'm sorting things before |
| 01:27:32 |
I'm not here with excuses; |
| 01:27:37 |
You're seeing me |
| 01:27:42 |
Will you be away long? |
| 01:27:44 |
About three months. Japan, no Germany |
| 01:27:54 |
Can you forget the things I said? |
| 01:27:58 |
They were true |
| 01:28:00 |
I know I'm not nothing; I'm good at |
| 01:28:06 |
Something in me isn't alive |
| 01:28:10 |
I can never manage... |
| 01:28:18 |
I've been too late for so long |
| 01:28:24 |
I failed you and I lost Maxime |
| 01:28:29 |
It's myself, I destroy |
| 01:28:34 |
No use telling myself... |
| 01:28:37 |
...I had to tell you |
| 01:28:40 |
You have, and now I'm the empty one |
| 01:28:52 |
She isn't in... later this afternoon |
| 01:28:56 |
I'll be seeing her, so I'll tell her |
| 01:29:01 |
I must get ready |
| 01:29:04 |
- What are you going to do? |
| 01:29:14 |
Good luck |
| 01:29:46 |
Brice, the clamp, please |
| 01:30:04 |
- Did they come about the shelves? |
| 01:30:24 |
You I can tell... it was |
| 01:30:28 |
He's great; full of humour, just |
| 01:30:35 |
I'm sure he has faults, |
| 01:30:40 |
- What does he do? |
| 01:30:46 |
I'll still see you; I won't |
| 01:30:53 |
I listened to Camille's record. |
| 01:30:58 |
Do you think of her often? |
| 01:31:03 |
Must finish the inventory |
| 01:31:04 |
- You've sold up? |
| 01:31:08 |
Let's have dinner before you go |
| 01:31:10 |
At Carlo's... time heals all... |
| 01:31:50 |
The pegs are a bit tight; we'll |
| 01:32:07 |
For late this afternoon |
| 01:32:23 |
You're well set up here, |
| 01:32:28 |
I came to see how you |
| 01:32:33 |
Landron said he was going with you |
| 01:32:37 |
But don't worry, I'm doing fine |
| 01:32:43 |
That's nice |
| 01:32:47 |
- How long has it been, eight months? |
| 01:32:57 |
Camille's fine. Of course |
| 01:33:02 |
Now she's back to normal, |
| 01:33:07 |
She comes and goes |
| 01:33:10 |
You know how violinists are |
| 01:33:19 |
You sleep here? |
| 01:33:28 |
Perhaps we could merge, as partners |
| 01:33:35 |
No, you're right; better not |
| 01:33:41 |
I went to see Lachaume |
| 01:33:45 |
He's not well |
| 01:33:49 |
He's suffering, doesn't talk any more |
| 01:33:56 |
He wants to die |
| 01:34:06 |
You know he's getting married? |
| 01:34:09 |
- How old are you? |
| 01:34:12 |
- So young |
| 01:34:14 |
As a compliment. He'll stand witness? |
| 01:34:19 |
I hope he's up to it |
| 01:34:26 |
Your tickets, Brice |
| 01:34:38 |
A good competition this year |
| 01:34:41 |
Did you see the fourteen-year-old |
| 01:34:45 |
So you have a workshop now? |
| 01:34:48 |
Still looking after Camille? |
| 01:34:51 |
We see less of each other. |
| 01:34:54 |
You know she's off to Paris? |
| 01:34:58 |
You should go and see her |
| 01:35:01 |
How are things with you? |
| 01:35:04 |
I'm getting old |
| 01:35:06 |
Do it fast |
| 01:35:13 |
I'll send you some customers |
| 01:35:46 |
He's been asking for three days |
| 01:35:50 |
But I can't... I can't |
| 01:38:36 |
He was so hard on himself... |
| 01:38:42 |
...but when he laughed, it was... |
| 01:39:46 |
Where's she playing tonight? |
| 01:39:49 |
In Brussels, at the Monnaie |
| 01:40:08 |
I'll get the car |
| 01:40:18 |
You loved him? |
| 01:40:23 |
The only person I did, |
| 01:40:37 |
And you... are you all right? |
| 01:40:42 |
I think so, yes |
| 01:40:47 |
Maxime, too? |
| 01:40:58 |
- You're playing in Paris next week? |
| 01:41:22 |
I'm glad I've seen you again |
| 01:41:26 |
Me, too |
| 01:42:56 |
Eng subs ripped by |
