|
Under Suspicion
|
| 00:00:50 |
So where do you think |
| 00:00:52 |
Just for a breath |
| 00:00:53 |
Tony... |
| 00:00:54 |
He won't be back |
| 00:00:56 |
Tony! |
| 00:02:35 |
[HONKING] |
| 00:02:49 |
[WOMAN LAUGHING] |
| 00:03:00 |
[DOOR BANGING] |
| 00:03:10 |
[MOANING] |
| 00:03:15 |
[WHISPERING]: |
| 00:03:44 |
You don't want |
| 00:03:48 |
Waiting for your turn, |
| 00:03:49 |
Weren't you! |
| 00:04:00 |
You're both dead now. |
| 00:04:29 |
Tony! |
| 00:04:39 |
Colin, don't! |
| 00:05:17 |
* The first Noel |
| 00:05:22 |
* Was to certain poor shepherds |
| 00:05:30 |
* In fields where they lay |
| 00:05:38 |
* On a cold winter's night |
| 00:05:46 |
* Noel, Noel * |
| 00:05:50 |
* Noel, Noel * |
| 00:05:54 |
* Born is the king |
| 00:05:59 |
Are you Mr. Aaron? |
| 00:06:00 |
Yeah, that's right. |
| 00:06:07 |
I don't suppose-- |
| 00:06:10 |
Well, I don't suppose |
| 00:06:12 |
Well, nobody is. |
| 00:06:13 |
The important thing is |
| 00:06:14 |
Ever been |
| 00:06:15 |
Brighton, no. |
| 00:06:16 |
I've had to change |
| 00:06:18 |
Change the hotel? |
| 00:06:19 |
Well, it's just |
| 00:06:20 |
a couple |
| 00:06:22 |
Raided? |
| 00:06:23 |
It's all right. |
| 00:06:24 |
I got us booked |
| 00:06:26 |
It's a much |
| 00:06:27 |
It's going to cost |
| 00:06:28 |
that's all. |
| 00:06:30 |
We'll go up to my office first, |
| 00:06:32 |
and I'll tell you |
| 00:06:34 |
Don't look so worried. |
| 00:06:50 |
Is everything |
| 00:07:07 |
Nothing seems |
| 00:07:12 |
What do you do |
| 00:07:13 |
if you don't mind |
| 00:07:15 |
Do? I'm a lawyer, |
| 00:07:19 |
Ah...barrister. |
| 00:07:22 |
Yeah, I thought it was |
| 00:07:27 |
You see her |
| 00:07:29 |
Well, that's |
| 00:07:30 |
I can't walk |
| 00:07:32 |
Yeah, you see, I was |
| 00:07:36 |
about the type of |
| 00:07:37 |
No. No, I... can't. |
| 00:07:40 |
Mm-hmm... |
| 00:07:44 |
Perhaps-- Perhaps I could |
| 00:07:46 |
Your wife? |
| 00:07:47 |
Yeah, she's an actress. |
| 00:07:49 |
I mean, she's never done |
| 00:07:51 |
Do you think she might? |
| 00:07:53 |
I mean, I-- if it's-- |
| 00:08:12 |
Uh, good evening, |
| 00:08:14 |
I have a double |
| 00:08:16 |
What name, sir? |
| 00:08:17 |
Uh, er, Franklin. |
| 00:08:20 |
It's a double room. |
| 00:08:21 |
I booked it |
| 00:08:24 |
If you'd like |
| 00:08:27 |
[BELL RINGING] |
| 00:08:29 |
Thank you very much. |
| 00:08:30 |
[KNOCKING] |
| 00:08:32 |
You developed a sudden interest |
| 00:08:34 |
Hey, Frank. |
| 00:08:36 |
Hope you're not doing |
| 00:08:38 |
I'm tailing a suspect here. |
| 00:08:40 |
There's a lot of coppers love |
| 00:08:42 |
Yeah, wouldn't you think |
| 00:08:46 |
You on your |
| 00:08:47 |
Why don't you come |
| 00:08:48 |
I'm okay, Frank. |
| 00:08:49 |
Hey, it's Christmas, |
| 00:08:51 |
Come round. |
| 00:09:00 |
Would you like a drink, sir? |
| 00:09:02 |
A drink? |
| 00:09:05 |
Would you like something? |
| 00:09:09 |
The usual... darling. |
| 00:09:13 |
Champagne. |
| 00:09:15 |
Oh, champagne... |
| 00:09:17 |
Uh, champagne. |
| 00:09:24 |
You can smile a bit. |
| 00:09:27 |
Order a prawn cocktail |
| 00:09:28 |
and pretend you're trying |
| 00:09:29 |
Impress you... right. |
| 00:09:33 |
I'm not very keen |
| 00:09:34 |
that's all. |
| 00:09:45 |
Denny! The man |
| 00:09:48 |
Give us |
| 00:09:49 |
Why? Didn't Bob bring |
| 00:09:51 |
Look, don't start, |
| 00:09:53 |
Ah, for-- |
| 00:10:00 |
Look, it's good faith, |
| 00:10:02 |
Yeah, yeah. |
| 00:10:03 |
We had a deal, |
| 00:10:04 |
I know. I know. |
| 00:10:06 |
He said he'd bring 20 quid |
| 00:10:08 |
Yeah, but you're months |
| 00:10:10 |
I know. I'm sorry. |
| 00:10:11 |
Look. Look, we agreed |
| 00:10:13 |
Yeah... Yeah. |
| 00:10:16 |
Well, don't make me |
| 00:10:18 |
All right, all right, |
| 00:10:20 |
If the money's |
| 00:10:21 |
9:00 tomorrow morning, |
| 00:10:23 |
keep the car forever. |
| 00:10:24 |
9:00. |
| 00:10:39 |
Well... |
| 00:10:40 |
So what do we-- |
| 00:10:44 |
I'll go into |
| 00:10:47 |
Knock on the door |
| 00:10:49 |
Knock on the door |
| 00:10:59 |
[CLOCK CHIMES MIDNIGHT] |
| 00:11:02 |
There you are. |
| 00:11:32 |
Excuse me, dear, |
| 00:11:33 |
could you open |
| 00:11:35 |
I forgot my key. |
| 00:11:36 |
Thank you. |
| 00:11:43 |
[WHISPERING] |
| 00:11:50 |
You two should be |
| 00:11:55 |
Uh, excuse me? |
| 00:11:58 |
Excuse me, miss? |
| 00:12:08 |
Remember what you saw. |
| 00:12:11 |
How much did you get? |
| 00:12:13 |
$25. |
| 00:12:14 |
Show me. |
| 00:12:15 |
I had some debts |
| 00:12:16 |
So you've paid |
| 00:12:18 |
You lying bastard. |
| 00:12:19 |
How much do |
| 00:12:21 |
Give it a rest, |
| 00:12:23 |
Well, I didn't marry you |
| 00:12:48 |
Hey, hey. |
| 00:12:52 |
Whose is this? |
| 00:12:54 |
What? |
| 00:12:58 |
You've been with someone else, |
| 00:13:00 |
Oh, Christ, |
| 00:13:03 |
You liar. |
| 00:13:04 |
A client must have dropped it. |
| 00:13:06 |
You're so damned suspicious. |
| 00:13:07 |
Because you never change. |
| 00:13:09 |
You're the one wanted |
| 00:13:10 |
not me. |
| 00:13:11 |
Now, close |
| 00:13:41 |
Get out of there. |
| 00:13:44 |
Mr. Dangerous. |
| 00:13:47 |
Where did you |
| 00:13:49 |
A friend of mine |
| 00:13:51 |
Come on, |
| 00:13:53 |
He said it belonged |
| 00:13:55 |
Aw! |
| 00:13:57 |
Come on. |
| 00:13:58 |
Is it loaded? |
| 00:13:59 |
Yeah, sure. |
| 00:14:00 |
Of course it's loaded. |
| 00:14:02 |
Bang! |
| 00:14:05 |
Don't worry |
| 00:14:07 |
that's easy. |
| 00:14:08 |
We just need |
| 00:14:09 |
and the night porter |
| 00:14:11 |
to act as a witness. |
| 00:14:12 |
I mean, they might |
| 00:14:14 |
to check out |
| 00:14:15 |
but they'll be |
| 00:14:16 |
I sincerely hope not. |
| 00:14:18 |
Hey! |
| 00:14:20 |
Hey! |
| 00:14:26 |
Hey, that's my car, |
| 00:14:29 |
Get out! |
| 00:14:31 |
Tony, |
| 00:14:33 |
Come on! Get out! |
| 00:14:37 |
I won his car in a poker game, |
| 00:14:39 |
What a loser. |
| 00:15:00 |
* ...To spend Christmas |
| 00:15:05 |
* How'd you like |
| 00:15:08 |
* On a great big coconut tree? * |
| 00:15:12 |
Time to go to work. |
| 00:15:14 |
* How'd you like to stay up late |
| 00:15:20 |
* Wait for Santa to sail in |
| 00:15:23 |
* With your presents |
| 00:15:32 |
That's it |
| 00:15:34 |
over there. |
| 00:15:40 |
So keep near me. |
| 00:15:41 |
Remember, |
| 00:15:46 |
You two should be |
| 00:15:49 |
[SCREAMS] |
| 00:16:11 |
Okay, just take |
| 00:16:13 |
keep the guests |
| 00:16:15 |
just make sure nobody leaves. |
| 00:16:30 |
Are you all right? |
| 00:16:36 |
Get some coffee. |
| 00:16:38 |
I need to talk to you. |
| 00:16:47 |
Were you in the bar |
| 00:16:51 |
Did you see anything? |
| 00:16:53 |
Oh, God. |
| 00:16:55 |
I can't believe |
| 00:16:57 |
I just saw her-- |
| 00:16:58 |
What are you doing? |
| 00:16:59 |
Well, you touched |
| 00:17:01 |
didn't you? |
| 00:17:02 |
Oh, I'm sorry. |
| 00:17:03 |
Well, you're fine. |
| 00:17:04 |
I guess you can |
| 00:17:05 |
No. Do it |
| 00:17:06 |
My hands are |
| 00:17:09 |
Did you book |
| 00:17:10 |
Yeah. |
| 00:17:11 |
Why did you put them |
| 00:17:12 |
I don't know. |
| 00:17:13 |
If you wanted them |
| 00:17:15 |
you'd stick them in the middle |
| 00:17:16 |
I don't know, Frank, I'm sorry. |
| 00:17:17 |
I'm sorry. |
| 00:17:19 |
It's all right. Don't worry. |
| 00:17:22 |
You stay where I can find you. |
| 00:17:26 |
No! No! |
| 00:17:35 |
It's just a photograph. |
| 00:17:36 |
That's all it is. |
| 00:17:46 |
Oh, Jesus. |
| 00:17:52 |
What kind of casket |
| 00:17:55 |
Uh, casket. |
| 00:17:57 |
Uh... |
| 00:18:00 |
I-- I haven't-- |
| 00:18:02 |
You'd better make it |
| 00:18:05 |
[ENGINE STARTING] |
| 00:18:38 |
Why so formal, Frank? |
| 00:18:39 |
Can we do this |
| 00:18:41 |
I've got a lot |
| 00:18:42 |
It's got to |
| 00:18:44 |
You know |
| 00:18:45 |
he's been |
| 00:18:47 |
I was Colin's partner. |
| 00:18:49 |
You remember Colin, Tony? |
| 00:18:50 |
Yes. I remember Colin. |
| 00:18:52 |
We're not here |
| 00:18:54 |
Look, Frank, |
| 00:18:56 |
There's no need to go |
| 00:18:58 |
We got your statement. |
| 00:19:00 |
You know who was killed |
| 00:19:03 |
His name was, uh, |
| 00:19:06 |
He was |
| 00:19:07 |
I don't know much |
| 00:19:09 |
You obviously |
| 00:19:12 |
His real name |
| 00:19:14 |
famous painter, rich. |
| 00:19:16 |
I mean, really rich. |
| 00:19:18 |
How did you meet him? |
| 00:19:21 |
I-- I didn't, |
| 00:19:24 |
His, uh, his solicitor |
| 00:19:26 |
about a month ago. |
| 00:19:27 |
He said that |
| 00:19:29 |
remain discreet. |
| 00:19:30 |
In fact, he said |
| 00:19:32 |
that Stasio |
| 00:19:36 |
on the hotel registry. |
| 00:19:37 |
I said that was all right |
| 00:19:39 |
you know, |
| 00:19:41 |
Now, why would a millionaire |
| 00:19:44 |
like yours? |
| 00:19:47 |
Maybe he wanted |
| 00:19:48 |
seeing who he was. |
| 00:19:49 |
I mean, no big agency's going |
| 00:19:52 |
are they? |
| 00:19:53 |
They're against the law. |
| 00:19:54 |
They certainly are, Tony. |
| 00:19:58 |
We're not going to be able |
| 00:20:03 |
I know. |
| 00:20:07 |
You said you were |
| 00:20:09 |
From about |
| 00:20:10 |
Never left your seat. |
| 00:20:11 |
So? |
| 00:20:12 |
The barmaid said you went out |
| 00:20:15 |
just before |
| 00:20:17 |
Jesus, I went |
| 00:20:18 |
No, no, no, no. |
| 00:20:20 |
You went upstairs |
| 00:20:21 |
didn't you? |
| 00:20:22 |
They found your prints |
| 00:20:24 |
Oh, fuck off. |
| 00:20:28 |
You owe people |
| 00:20:29 |
So what? |
| 00:20:30 |
That's not |
| 00:20:32 |
It's an incentive |
| 00:20:33 |
I'll pretend |
| 00:20:36 |
Pretend what |
| 00:20:37 |
You're not getting away |
| 00:20:40 |
All right, eh. |
| 00:20:43 |
Come on. |
| 00:20:47 |
Dave, shut up! |
| 00:20:51 |
Leave him alone. |
| 00:20:58 |
Well, ask him, Frank. |
| 00:20:59 |
Ask me what? |
| 00:21:03 |
Do you possess a gun? |
| 00:21:04 |
What? |
| 00:21:06 |
No... |
| 00:21:08 |
What, do you think |
| 00:21:11 |
and then I killed |
| 00:21:13 |
Does that make sense? |
| 00:21:14 |
Even to a fucking |
| 00:21:16 |
like you, Waterston? |
| 00:21:17 |
Nobody thinks |
| 00:21:18 |
If there's nothing else, |
| 00:21:23 |
There is |
| 00:21:24 |
Have you talked |
| 00:21:26 |
about the autopsy? |
| 00:21:29 |
Whoever killed them |
| 00:21:30 |
also cut off Stasio's thumb |
| 00:21:36 |
Oh, Tony... |
| 00:21:41 |
Happy Christmas. |
| 00:22:25 |
What are you doing here? |
| 00:22:26 |
Same as you. |
| 00:22:28 |
So what's the news? |
| 00:22:30 |
Oh, nothing. |
| 00:22:32 |
Someone saw |
| 00:22:33 |
outside the back |
| 00:22:35 |
That's about it. |
| 00:22:39 |
Stasio's wife. |
| 00:22:50 |
Who's that? |
| 00:22:52 |
I have no idea. |
| 00:23:13 |
Interesting. |
| 00:23:14 |
Just remember who's |
| 00:23:16 |
all right? |
| 00:23:17 |
I'm serious. |
| 00:23:18 |
I can't have |
| 00:23:21 |
[CHURCH BELLS TOLLING] |
| 00:23:45 |
Mrs. Stasio, |
| 00:23:47 |
the Detective in charge |
| 00:23:49 |
I'd like to offer |
| 00:23:51 |
and say that if there's anything |
| 00:23:53 |
I'll tell you |
| 00:23:55 |
You can go |
| 00:23:56 |
my house-- |
| 00:23:57 |
and throw that |
| 00:23:59 |
out of it. |
| 00:24:00 |
Right. |
| 00:24:02 |
When might it be convenient |
| 00:24:09 |
[SEAGULLS CAWING] |
| 00:24:31 |
Speak. |
| 00:24:32 |
I have a floral tribute |
| 00:24:34 |
Drive down to |
| 00:24:35 |
and I'll collect it. |
| 00:24:42 |
Drive down, she says. |
| 00:25:03 |
Thank you. |
| 00:25:04 |
I'll take that. |
| 00:25:06 |
I need to give it to the lady |
| 00:25:08 |
I'm sorry. She's not at home |
| 00:25:11 |
She is at home. |
| 00:25:13 |
Sorry. |
| 00:25:14 |
Wait, please. |
| 00:25:15 |
Could you give her this, please? |
| 00:25:23 |
Thank you. |
| 00:26:02 |
I can't help you, I'm afraid. |
| 00:26:05 |
I haven't asked you |
| 00:26:07 |
Uh... |
| 00:26:08 |
Tony. Tony Aaron. |
| 00:26:11 |
Angeline White. |
| 00:26:12 |
I kind of expected |
| 00:26:14 |
This is a family home, |
| 00:26:15 |
She doesn't live here anymore. |
| 00:26:17 |
I'm sorry |
| 00:26:18 |
Don't you want to find out |
| 00:26:21 |
Do you know? |
| 00:26:22 |
Not yet. |
| 00:26:24 |
Then why don't we leave that |
| 00:26:25 |
Good day, Mr. Aaron. |
| 00:26:26 |
It's not a good day. |
| 00:26:29 |
Not for either of us. |
| 00:26:32 |
Don't you get frightened |
| 00:26:34 |
in a big house like this? |
| 00:26:37 |
Only when people like you |
| 00:26:42 |
A Detective Inspector |
| 00:26:45 |
Um, it might be better |
| 00:26:48 |
Do you have |
| 00:26:50 |
We don't usually have a need |
| 00:26:54 |
If there's nothing else, |
| 00:26:55 |
then I'll |
| 00:26:57 |
The wages |
| 00:27:04 |
What does Stasio |
| 00:27:06 |
Was he ill? |
| 00:27:11 |
He thought he was ill. |
| 00:27:12 |
There was |
| 00:27:14 |
Goodbye. |
| 00:27:15 |
Where's all his |
| 00:27:18 |
What are you |
| 00:27:19 |
Would you please ask this man |
| 00:27:22 |
and not come back again? |
| 00:27:23 |
Get out, |
| 00:27:35 |
I warned you, didn't I? |
| 00:27:37 |
Was she his mistress? |
| 00:27:39 |
He was doing all right |
| 00:27:42 |
Maybe I should |
| 00:27:44 |
I'm giving her |
| 00:27:45 |
for the next |
| 00:27:46 |
I'll tell my men |
| 00:27:47 |
if you show up here |
| 00:27:49 |
You never offered me |
| 00:27:53 |
Oh, come on, Frank. |
| 00:27:55 |
It's got to be |
| 00:27:57 |
She gets dumped |
| 00:27:58 |
thrown out of her home. |
| 00:27:59 |
She feels bitter. |
| 00:28:00 |
She doesn't want Stasio |
| 00:28:01 |
to go through with |
| 00:28:03 |
so she kills him. |
| 00:28:04 |
Absolutely. |
| 00:28:05 |
There's only one drawback-- |
| 00:28:07 |
How do you know? |
| 00:28:08 |
She was at a party |
| 00:28:09 |
at least 20 witnesses. |
| 00:28:10 |
She didn't do it. |
| 00:28:12 |
And what about Angeline, |
| 00:28:13 |
Come on, Frank, |
| 00:28:16 |
I didn't have time to. |
| 00:28:18 |
She says she was |
| 00:28:21 |
At midnight? |
| 00:28:30 |
[SEAGULLS CAWING] |
| 00:28:35 |
I don't |
| 00:28:36 |
Come on, Frank. |
| 00:28:37 |
Ton, don't make me have |
| 00:28:39 |
Would it be all right |
| 00:28:41 |
No, it ain't all right. |
| 00:28:46 |
Go on. |
| 00:28:48 |
I understand |
| 00:28:51 |
Mr. Roscoe. |
| 00:28:52 |
Yes, that's correct. |
| 00:28:53 |
Why did you pick Tony's-- |
| 00:28:55 |
Mr. Aaron's agency |
| 00:28:58 |
Look, I'm not saying-- |
| 00:28:59 |
It's all right. |
| 00:29:00 |
I'm not interested |
| 00:29:02 |
Why Mr. Aaron? |
| 00:29:03 |
Well, he'd, uh... |
| 00:29:05 |
done some work for me |
| 00:29:08 |
matrimonial, similar work. |
| 00:29:10 |
I didn't really know him. |
| 00:29:12 |
I see. |
| 00:29:14 |
What was Stasio like |
| 00:29:16 |
Very difficult. |
| 00:29:18 |
He was forever |
| 00:29:20 |
But he paid well. |
| 00:29:22 |
Is that a question? |
| 00:29:24 |
Why did you |
| 00:29:25 |
the night |
| 00:29:26 |
That is a question. |
| 00:29:28 |
Mr. Stasio had instructed me |
| 00:29:31 |
to explain about the... |
| 00:29:33 |
when it was already |
| 00:29:35 |
She didn't know? |
| 00:29:37 |
Why didn't he tell her? |
| 00:29:38 |
You'd have to ask her. |
| 00:29:40 |
What time |
| 00:29:42 |
Very late. About 10:00. |
| 00:29:44 |
What did you do then? |
| 00:29:45 |
I went home. |
| 00:31:41 |
Mr. Aaron? |
| 00:31:44 |
Mr. Aaron! |
| 00:31:51 |
It's your own fault. I told you |
| 00:31:54 |
I'm sorry. |
| 00:31:57 |
I didn't mean |
| 00:31:59 |
You didn't frighten me. |
| 00:32:01 |
It's a bit late |
| 00:32:02 |
I think |
| 00:32:04 |
You can leave now. |
| 00:32:08 |
I don't want to leave. |
| 00:32:12 |
If I blow this, |
| 00:32:13 |
the two cops out front |
| 00:32:16 |
I think |
| 00:32:18 |
I seem to be in more danger |
| 00:32:24 |
[THUNDER CLAPPING] |
| 00:32:57 |
Is this you? |
| 00:32:59 |
It has |
| 00:33:01 |
of making strangers |
| 00:33:07 |
Where did you meet Stasio? |
| 00:33:10 |
At an exhibition |
| 00:33:12 |
I admired |
| 00:33:13 |
He asked me |
| 00:33:15 |
And here you are. |
| 00:33:17 |
I was an art student. |
| 00:33:18 |
I decided to |
| 00:33:19 |
when I saw |
| 00:33:21 |
with his eyes shut. |
| 00:33:24 |
An artist's work leaps in value |
| 00:33:26 |
isn't that true? |
| 00:33:27 |
Always. |
| 00:33:30 |
You must be sitting |
| 00:33:32 |
Well, do you think |
| 00:33:34 |
to make money? |
| 00:33:37 |
I was just |
| 00:33:41 |
I could take this painting |
| 00:33:43 |
and get $20,000 for it, |
| 00:33:56 |
If you take it out, |
| 00:34:04 |
What are you |
| 00:34:07 |
It's a serious offer. |
| 00:34:23 |
I wanted to show you |
| 00:34:24 |
you care more about money |
| 00:34:26 |
Yeah, well, |
| 00:34:27 |
you've got more of it |
| 00:34:35 |
It's signed. |
| 00:34:36 |
Yeah? |
| 00:34:39 |
All these paintings are signed. |
| 00:34:41 |
I thought famous painters |
| 00:34:44 |
until it was sold, |
| 00:34:45 |
to stop people |
| 00:34:47 |
People |
| 00:34:49 |
People can forge signatures, |
| 00:34:51 |
so Stasio did something |
| 00:34:55 |
he put his thumb print |
| 00:34:59 |
Only the ones on the wall |
| 00:35:02 |
The rest are worthless. |
| 00:35:04 |
Pretty smart, huh? |
| 00:35:09 |
Yeah, pretty smart. |
| 00:35:20 |
Now you've had the tour. |
| 00:35:22 |
You hated him, didn't you? |
| 00:35:25 |
Why do you say that? |
| 00:35:29 |
He was an amazing man. |
| 00:35:31 |
He was the most powerful man |
| 00:35:34 |
but he was... so obsessive, |
| 00:35:38 |
and he became... |
| 00:35:44 |
He threw Selina out. |
| 00:35:45 |
He said he'd divorce her |
| 00:35:48 |
even though I kept telling him |
| 00:35:50 |
I didn't mean to stay with him. |
| 00:35:51 |
Things just... |
| 00:35:57 |
and then, he wouldn't let me go. |
| 00:35:59 |
He said |
| 00:36:01 |
if I left. |
| 00:36:04 |
Maybe that's what happened. |
| 00:36:07 |
Maybe he shot your wife |
| 00:36:10 |
Yeah, sure, |
| 00:36:12 |
and then what did he do |
| 00:36:39 |
Son? |
| 00:36:40 |
What am I supposed |
| 00:36:42 |
You weren't there, Frank. |
| 00:36:45 |
Look carefully. |
| 00:36:51 |
Tony had this |
| 00:37:04 |
Souvenir? |
| 00:37:06 |
A souvenir, from the war. |
| 00:37:07 |
Why did you lie to me? |
| 00:37:10 |
for it, and I'm in enough shit |
| 00:37:13 |
as it is, all right? |
| 00:37:17 |
Get it. |
| 00:37:21 |
I'd forgotten all about it. |
| 00:37:23 |
Don't make a big deal. |
| 00:37:34 |
It was here. |
| 00:37:37 |
I swear |
| 00:37:50 |
It's gone. |
| 00:37:51 |
I know it was in there. |
| 00:37:55 |
It's been taken. |
| 00:37:58 |
Hazel was playing with it |
| 00:37:59 |
She must have put it somewhere. |
| 00:38:01 |
This is the gun |
| 00:38:09 |
[LOW VOICES] |
| 00:38:16 |
Good morning! |
| 00:38:17 |
What are you doing? |
| 00:38:19 |
May I ask... |
| 00:38:21 |
where did you go |
| 00:38:23 |
on the night of the murder? |
| 00:38:24 |
Home. |
| 00:38:27 |
Straight home? |
| 00:38:28 |
I may have driven around |
| 00:38:30 |
I was pretty upset. |
| 00:38:31 |
You'll have to do |
| 00:38:33 |
I had few drinks. |
| 00:38:35 |
I don't remember |
| 00:38:36 |
What are you looking for? |
| 00:38:37 |
Lots of things. |
| 00:38:38 |
Like what? |
| 00:38:39 |
Now, this is a search warrant. |
| 00:38:42 |
I wonder, |
| 00:38:43 |
would you mind |
| 00:38:44 |
if we took a look |
| 00:38:49 |
[DOOR BANGS] |
| 00:38:51 |
Did you tell |
| 00:38:53 |
to make them tear my car apart? |
| 00:38:54 |
No. |
| 00:38:56 |
No? |
| 00:38:57 |
No. |
| 00:39:06 |
You see, I... |
| 00:39:08 |
I did go to the hotel |
| 00:39:12 |
Mr. Roscoe told me |
| 00:39:15 |
and I wanted |
| 00:39:17 |
I-- |
| 00:39:21 |
But I knew |
| 00:39:24 |
so I just sat in my car. |
| 00:39:31 |
You sat in your car? |
| 00:39:32 |
I should have told the police, |
| 00:39:38 |
I mean, it looks bad, |
| 00:39:50 |
I think his wife killed him. |
| 00:39:52 |
She was 50 miles away. |
| 00:39:57 |
Oh. |
| 00:40:00 |
Well, maybe she paid someone |
| 00:40:03 |
Go and talk to her. |
| 00:40:04 |
Hey, listen, I'm doing |
| 00:40:07 |
I'll pay you. |
| 00:40:09 |
To find my wife's killer? |
| 00:40:11 |
What kind of person |
| 00:40:13 |
Hello, girls. |
| 00:40:16 |
Someone who needs money. |
| 00:40:23 |
You could use it to move |
| 00:40:25 |
My mother was a prostitute. |
| 00:40:27 |
I like living here. |
| 00:40:31 |
Oh. |
| 00:40:34 |
Yes. Oh. |
| 00:40:39 |
Did you know your father? |
| 00:40:43 |
Oh, yes. |
| 00:40:50 |
What time did |
| 00:40:52 |
on the night |
| 00:40:54 |
Well, you don't think |
| 00:40:55 |
Good gracious, no. No. |
| 00:40:57 |
I just want to clarify |
| 00:40:59 |
the sequence of events. |
| 00:41:02 |
About midnight. |
| 00:41:04 |
He works very |
| 00:41:07 |
I was just falling asleep |
| 00:41:21 |
What are you doing |
| 00:41:22 |
I'm sorry? |
| 00:41:23 |
If you have any questions, |
| 00:41:24 |
you come to the office |
| 00:41:26 |
I have one question. |
| 00:41:27 |
If you left the office |
| 00:41:29 |
why did it take you two hours |
| 00:41:32 |
Did you go to the hotel |
| 00:41:35 |
I don't have to talk to you. |
| 00:41:36 |
Oh, you do... |
| 00:41:37 |
sooner or later. |
| 00:42:22 |
I'm Inspector Vance. |
| 00:42:23 |
We met at |
| 00:42:26 |
But I've already |
| 00:42:27 |
to Inspector Aaron. |
| 00:42:29 |
Inspector? |
| 00:42:30 |
I'm going to have |
| 00:42:33 |
Can I have a word? |
| 00:42:41 |
He'd had affairs before. |
| 00:42:43 |
We had |
| 00:42:45 |
He swore that |
| 00:42:46 |
and that he'd |
| 00:42:48 |
Until Angeline. |
| 00:42:50 |
When he came back |
| 00:42:54 |
He was completely |
| 00:42:56 |
did anything she said. |
| 00:42:57 |
She's a very |
| 00:42:59 |
very clever. |
| 00:43:00 |
Are you sure you're not just... |
| 00:43:03 |
Of course I'm jealous. |
| 00:43:06 |
I've made myself ill |
| 00:43:14 |
That was his first American |
| 00:43:18 |
I was an art dealer, |
| 00:43:20 |
Of course, |
| 00:43:21 |
as soon as we were married. |
| 00:43:23 |
No wife of his |
| 00:43:25 |
I don't care he's dead. |
| 00:43:28 |
I could lie, |
| 00:43:30 |
I stopped loving him |
| 00:43:33 |
threw me out. |
| 00:43:35 |
Stop going around saying |
| 00:43:38 |
In fact, stop going |
| 00:43:40 |
You're making me |
| 00:43:42 |
arriving five minutes |
| 00:43:44 |
Frank, I can't help it |
| 00:43:46 |
Do you think |
| 00:43:47 |
No. |
| 00:43:48 |
She's a very |
| 00:43:50 |
who'd love |
| 00:43:51 |
back into paintings, |
| 00:43:52 |
but she's innocent. |
| 00:43:53 |
It's Angeline. |
| 00:43:54 |
Car was spotless, |
| 00:43:58 |
Frank, she's ice cool. |
| 00:43:59 |
Like, today she come in here |
| 00:44:01 |
to investigate the murders |
| 00:44:03 |
I don't want you |
| 00:44:06 |
I know why they cut |
| 00:44:08 |
It was to |
| 00:44:10 |
Paintings, yeah. |
| 00:44:12 |
You're not |
| 00:44:15 |
Frank, look, |
| 00:44:17 |
Stasio had homes |
| 00:44:18 |
Supposing there's |
| 00:44:20 |
lying all over the world, |
| 00:44:21 |
all worthless without |
| 00:44:24 |
Oh, Frank, she did it. |
| 00:44:25 |
I know it. |
| 00:44:31 |
Everyone thinks |
| 00:44:33 |
don't they? |
| 00:44:35 |
No. |
| 00:44:37 |
I saw a man |
| 00:44:39 |
that night when |
| 00:44:41 |
Oh, yeah? |
| 00:44:43 |
What did he look like? |
| 00:44:44 |
It was dark. |
| 00:44:47 |
Well, what height |
| 00:44:49 |
And don't say |
| 00:44:51 |
Couldn't tell. |
| 00:44:53 |
Did you tell |
| 00:44:54 |
Mm. They'll think |
| 00:44:58 |
Were you happy |
| 00:45:02 |
I don't know. |
| 00:45:03 |
I'm not an expert |
| 00:45:05 |
When you were with her, |
| 00:45:06 |
did you want to be |
| 00:45:08 |
Oh, yes. |
| 00:45:09 |
I love women. |
| 00:45:11 |
Do you think people |
| 00:45:13 |
or do you think we're... |
| 00:45:14 |
driven by things |
| 00:45:18 |
People are capable |
| 00:45:20 |
A boat goes down in |
| 00:45:22 |
and it's not |
| 00:45:23 |
who get out first, |
| 00:45:25 |
it's the people |
| 00:45:26 |
to step on the others. |
| 00:45:28 |
You're so like me. |
| 00:45:30 |
Am I? |
| 00:45:32 |
You don't really |
| 00:45:34 |
Things'd be different |
| 00:45:38 |
I'd be |
| 00:45:40 |
a new start. |
| 00:45:46 |
I understand Selina. |
| 00:45:47 |
She's more like me |
| 00:45:50 |
Nobody likes being used |
| 00:45:54 |
So why did you |
| 00:45:56 |
Because I need people |
| 00:45:59 |
and when they do, |
| 00:46:00 |
I get frightened |
| 00:46:03 |
You're not answering |
| 00:46:05 |
If he was so terrible, |
| 00:46:06 |
[BRANCH SNAPS] |
| 00:46:08 |
There's somebody |
| 00:46:10 |
Let's go back |
| 00:46:13 |
Are you joking? |
| 00:46:37 |
Is everything else locked up? |
| 00:46:44 |
I feel safe |
| 00:46:50 |
Well... I can't stay here. |
| 00:46:52 |
You don't have anywhere |
| 00:47:00 |
Look... |
| 00:47:17 |
Why don't you go down |
| 00:47:20 |
choose a wine? |
| 00:47:23 |
It's late. |
| 00:47:24 |
I know nothing |
| 00:47:28 |
Then choose a bottle |
| 00:47:48 |
Oh, very funny. |
| 00:47:52 |
Angeline? |
| 00:47:58 |
Angeline... |
| 00:48:25 |
I don't think you're supposed |
| 00:48:49 |
I'm going home. |
| 00:48:56 |
Go on then. |
| 00:49:08 |
Why did you |
| 00:49:09 |
What? |
| 00:49:10 |
Stasio, |
| 00:49:11 |
If he was so awful, |
| 00:49:13 |
why did you |
| 00:49:15 |
I can't believe you, |
| 00:49:16 |
cross-examining me |
| 00:49:24 |
You know |
| 00:49:28 |
Ah... Ah. |
| 00:49:30 |
Nobody. |
| 00:49:33 |
But I've met Picasso, |
| 00:49:37 |
I've been to Mexico, |
| 00:49:40 |
and places |
| 00:49:42 |
When I die, |
| 00:49:44 |
People will stare at me |
| 00:49:45 |
in galleries |
| 00:49:47 |
We're nothing, |
| 00:49:48 |
We'll only |
| 00:49:50 |
on someone else's back. |
| 00:49:51 |
Everybody can be special. |
| 00:49:55 |
You and me, we burn |
| 00:49:59 |
We have to be special, |
| 00:50:01 |
and we'll do |
| 00:50:05 |
Wouldn't you |
| 00:50:07 |
Oh, yes. Yes. |
| 00:50:38 |
Frank, wait. Wait. |
| 00:50:51 |
You be the killer. |
| 00:51:10 |
Okay... |
| 00:51:12 |
Right... |
| 00:51:15 |
Okay, I come in |
| 00:51:24 |
I kill them both, |
| 00:51:32 |
I, uh, cut off his thumb here... |
| 00:51:40 |
Then leave. |
| 00:51:41 |
No. |
| 00:51:43 |
Why didn't they try |
| 00:51:45 |
Why'd they just sit there? |
| 00:51:46 |
Why'd they let you |
| 00:51:49 |
Okay, okay. |
| 00:51:50 |
They're not frightened... |
| 00:51:53 |
because they know me. |
| 00:51:54 |
That's right. |
| 00:51:55 |
One of them knows me. |
| 00:51:56 |
And the killer never came in |
| 00:51:59 |
Look at the direction |
| 00:52:01 |
They're both turned |
| 00:52:03 |
You're being very slow. |
| 00:52:14 |
Bathroom's |
| 00:52:16 |
A sash with |
| 00:52:18 |
The easiest window |
| 00:52:24 |
[SEAGULLS CAWING] |
| 00:52:31 |
There's |
| 00:52:35 |
I wouldn't want |
| 00:52:36 |
as an escape route, |
| 00:52:37 |
especially at night. |
| 00:52:38 |
Why are you assuming |
| 00:52:39 |
that the killer |
| 00:52:42 |
after the murders? |
| 00:52:53 |
He went over the roof. |
| 00:52:54 |
Shit. |
| 00:53:15 |
This window |
| 00:53:17 |
It's closed in the evenings |
| 00:53:19 |
From here, |
| 00:53:21 |
if you walk back downstairs |
| 00:53:23 |
It's good, Frank. |
| 00:53:25 |
There's only one thing |
| 00:53:27 |
where's the gun? |
| 00:53:31 |
Everyone in the hotel |
| 00:53:33 |
checked the rooms, |
| 00:53:34 |
rubbish tips, everything, |
| 00:53:36 |
no gun. |
| 00:53:39 |
Walk back, will you? |
| 00:53:40 |
Go through it again. |
| 00:53:44 |
What did they do with the gun? |
| 00:53:53 |
Wait a minute! |
| 00:53:54 |
Where do those lead? |
| 00:54:00 |
Yeah, heat's the water |
| 00:54:03 |
I stoke it up at night, |
| 00:54:04 |
and then again |
| 00:54:05 |
How often is it |
| 00:54:07 |
Never. It's designed |
| 00:54:10 |
drop through |
| 00:54:17 |
What are you |
| 00:54:22 |
There's something |
| 00:54:24 |
you see? |
| 00:54:25 |
You reckon |
| 00:54:49 |
What make |
| 00:54:50 |
Oh, Frank-- |
| 00:54:51 |
What make |
| 00:54:54 |
Beretta. |
| 00:54:55 |
I have to |
| 00:54:57 |
I have to. |
| 00:54:59 |
Somebody's setting me up, |
| 00:55:02 |
Look, I didn't |
| 00:55:03 |
but a few days ago, |
| 00:55:05 |
and the office door |
| 00:55:07 |
Now, I didn't |
| 00:55:08 |
Don't even start. |
| 00:55:09 |
But it's true. |
| 00:55:10 |
If I give this |
| 00:55:11 |
This is enough |
| 00:55:12 |
It's Angeline, |
| 00:55:13 |
She was outside |
| 00:55:15 |
I know she did it. |
| 00:55:16 |
Why, what was |
| 00:55:17 |
Frank, |
| 00:55:18 |
Tony, I am holding |
| 00:55:20 |
Look, you've got to keep this |
| 00:55:22 |
No, no. |
| 00:55:24 |
24 hours. |
| 00:55:25 |
What if anyone |
| 00:55:26 |
I'm holding |
| 00:55:27 |
Frank, what's more |
| 00:55:28 |
our old friendship |
| 00:55:29 |
Don't you useour friendship-- |
| 00:55:31 |
What else |
| 00:55:33 |
You were the only one |
| 00:55:35 |
the only one. |
| 00:55:38 |
Stick by me now. |
| 00:56:02 |
I could get |
| 00:56:08 |
No details |
| 00:56:10 |
have yet |
| 00:56:32 |
Mrs. Stasio, well, |
| 00:56:37 |
Shall we begin? |
| 00:56:40 |
The will is a document |
| 00:56:42 |
and the deceased names |
| 00:56:44 |
a number |
| 00:56:46 |
who are to receive |
| 00:56:49 |
and other effects, |
| 00:56:50 |
but I'll concentrate first |
| 00:56:51 |
on the main division |
| 00:56:53 |
and the paintings, |
| 00:56:55 |
which is considerably |
| 00:56:59 |
"To my dearest |
| 00:57:02 |
"I leave everything |
| 00:57:04 |
to be disposed of |
| 00:57:10 |
It's outrageous! |
| 00:57:12 |
That's it? |
| 00:57:13 |
But I... |
| 00:57:15 |
That's it? |
| 00:57:18 |
There is |
| 00:57:20 |
in the will, |
| 00:57:22 |
But I was with him |
| 00:57:26 |
When was this written? |
| 00:57:29 |
When was it written? |
| 00:57:30 |
December the 21st, 1959. |
| 00:57:32 |
The day he died. |
| 00:57:34 |
He changes his will |
| 00:57:37 |
and that same day, |
| 00:57:41 |
You bitch. |
| 00:57:43 |
You couldn't wait. |
| 00:57:45 |
As soon as |
| 00:57:47 |
you got rid of him, |
| 00:57:48 |
I told you, Frank, |
| 00:57:51 |
She got his name |
| 00:57:53 |
That will is |
| 00:57:55 |
She's going to walk away |
| 00:57:56 |
There's something |
| 00:57:57 |
I don't buy. |
| 00:57:58 |
Maybe they're |
| 00:57:59 |
I'm going to tail him. |
| 00:58:00 |
What? |
| 00:58:01 |
Frank, what does she have |
| 00:58:03 |
Look, it's got nothing |
| 00:58:05 |
it's Angeline, and I can |
| 00:58:07 |
Don't you go up there again. |
| 00:58:09 |
Look, I'm just going to |
| 00:58:38 |
I just want |
| 01:00:02 |
What are you doing? |
| 01:00:04 |
I'm sorry. I'm sorry. |
| 01:00:05 |
You were looking |
| 01:00:06 |
weren't you? |
| 01:00:07 |
You think |
| 01:00:08 |
No. |
| 01:00:09 |
Get out of here. |
| 01:00:11 |
Look, I'm sorry. |
| 01:00:13 |
Stay away from me. |
| 01:00:14 |
Angeline, |
| 01:00:15 |
Everyone thinks |
| 01:00:17 |
I don't care |
| 01:00:18 |
and I don't want |
| 01:00:19 |
Look, I know |
| 01:00:20 |
You don't know. |
| 01:00:21 |
How can you know? |
| 01:00:23 |
after I find you searching |
| 01:00:24 |
How can I trust you? |
| 01:00:25 |
Because we have |
| 01:00:27 |
We have to trust |
| 01:00:30 |
We have to. |
| 01:00:34 |
We have to... |
| 01:00:37 |
Come with me. |
| 01:00:38 |
I want to show |
| 01:00:55 |
[GARAGE DOOR BANGS OPEN] |
| 01:01:20 |
[WOMEN TALKING] |
| 01:01:43 |
Can I have a word? |
| 01:01:56 |
Go away, we're busy. |
| 01:02:01 |
Police. |
| 01:02:04 |
Oh, no. |
| 01:02:07 |
Have I got things wrong. |
| 01:02:09 |
What's going on? |
| 01:02:10 |
I think you better wait |
| 01:02:17 |
You're in a lot of trouble. |
| 01:02:20 |
I'm sure I don't need to remind |
| 01:02:25 |
Can I, uh... |
| 01:02:28 |
Can I get dressed? |
| 01:02:29 |
No. |
| 01:02:33 |
We had a bit of trouble |
| 01:02:36 |
and I kept the key |
| 01:02:38 |
I come here quite often. |
| 01:02:48 |
No, the lights |
| 01:02:51 |
A club owner |
| 01:02:52 |
He was planning |
| 01:02:56 |
We just had to |
| 01:02:57 |
It wasn't dangerous. |
| 01:03:00 |
Two other policemen |
| 01:03:02 |
I got to know |
| 01:03:05 |
Kept coming in |
| 01:03:07 |
Frank warned |
| 01:03:09 |
but I wouldn't. |
| 01:03:10 |
I couldn't stop myself. |
| 01:03:13 |
Then one night, |
| 01:03:14 |
another policeman, |
| 01:03:16 |
into trouble |
| 01:03:19 |
I got him killed. |
| 01:03:22 |
Sometimes-- Sometimes, |
| 01:03:24 |
as the same bad thing |
| 01:03:26 |
This isn't the same, |
| 01:03:28 |
You have nothing |
| 01:03:31 |
But I'm not innocent. |
| 01:03:37 |
What about this man |
| 01:03:39 |
Maybe he's trying |
| 01:03:42 |
I don't think so. |
| 01:03:45 |
They hanged him last year. |
| 01:03:49 |
People always think |
| 01:03:52 |
and they are. |
| 01:03:53 |
We're just the same. |
| 01:03:54 |
No, we're not the same. |
| 01:03:57 |
Buy a plane ticket |
| 01:03:58 |
Why? |
| 01:04:01 |
Because really bad things |
| 01:04:06 |
"Be lucky." |
| 01:04:11 |
Frank gave it to me |
| 01:04:15 |
Well, a truck |
| 01:04:16 |
It's never been |
| 01:04:23 |
What's wrong? |
| 01:04:24 |
You all right? |
| 01:04:27 |
Angeline? |
| 01:04:28 |
Angeline... |
| 01:04:31 |
Angeline! |
| 01:04:36 |
Oh, Christ. |
| 01:04:37 |
You're a sick bastard. |
| 01:04:38 |
What were you doing here? |
| 01:04:42 |
You're in it together, |
| 01:04:43 |
Yeah, sure. |
| 01:04:45 |
I want a confession. |
| 01:04:46 |
All right, I confess. |
| 01:04:47 |
You witness that, Paul? |
| 01:04:48 |
No, this isn't right, |
| 01:04:50 |
No, no. |
| 01:04:51 |
Oh, come on, then, beat me up. |
| 01:04:53 |
Yeah. Let's do this one |
| 01:05:15 |
What do you want me to say? |
| 01:05:17 |
I can't go to prison. |
| 01:05:19 |
I can't go to prison... |
| 01:05:24 |
You planned it all |
| 01:05:27 |
didn't you? |
| 01:05:28 |
You told her |
| 01:05:29 |
the moment Stasio |
| 01:05:32 |
Yeah, I told her, |
| 01:05:34 |
I didn't have any idea |
| 01:05:37 |
But you know who murdered him, |
| 01:05:41 |
Yeah, it was Angeline, |
| 01:05:45 |
[TELEPHONE RINGING] |
| 01:05:47 |
I don't want any calls! |
| 01:05:50 |
Tony? Where? |
| 01:05:55 |
All right. |
| 01:05:59 |
Just wait there. |
| 01:06:01 |
Right, listen, |
| 01:06:03 |
Go to your office now, |
| 01:06:05 |
get the old will, |
| 01:06:06 |
get the files on the |
| 01:06:08 |
I want the notes |
| 01:06:10 |
I want everything, |
| 01:06:12 |
Don't you cheat me. |
| 01:06:13 |
Everything. |
| 01:06:15 |
I'll join you there |
| 01:06:18 |
[FIREWORKS EXPLODING] |
| 01:06:45 |
Sorry. |
| 01:06:48 |
What the hell happened? |
| 01:06:50 |
Ah... |
| 01:06:54 |
Oh, I walked into a door. |
| 01:06:58 |
It kicked the shit |
| 01:07:02 |
What's so funny? |
| 01:07:04 |
I've cracked it. |
| 01:07:06 |
Roscoe is ready |
| 01:07:25 |
Ten, nine, eight, |
| 01:07:29 |
Hey, Tony, |
| 01:07:31 |
enjoy the last |
| 01:07:37 |
Happy New Year, Roscoe. |
| 01:07:41 |
No! |
| 01:07:53 |
[SINGING "AULD LANG SYNE" |
| 01:08:02 |
Frank, come on, |
| 01:08:04 |
for God's sake. |
| 01:08:10 |
There's a note. |
| 01:08:13 |
He's left a note. |
| 01:08:17 |
Hey... |
| 01:08:22 |
Just help me turn him over, |
| 01:08:24 |
Come on. |
| 01:08:31 |
Oh, God. |
| 01:08:33 |
What's that? |
| 01:08:40 |
What's it say? |
| 01:08:42 |
Come on, what's it say? |
| 01:08:47 |
Tony? |
| 01:09:03 |
What is your current profession? |
| 01:09:05 |
I'm a private detective. |
| 01:09:07 |
And what does the majority |
| 01:09:09 |
It varies. |
| 01:09:12 |
Well, I understand |
| 01:09:14 |
Well, I do a lot |
| 01:09:16 |
You falsify adulteries |
| 01:09:18 |
to enable people |
| 01:09:20 |
I like to think |
| 01:09:22 |
to put their lives |
| 01:09:23 |
You make it sound |
| 01:09:26 |
Of course, it isn't a charity, |
| 01:09:28 |
You make money out of |
| 01:09:30 |
What, like barristers, you mean? |
| 01:09:33 |
As I understand it, |
| 01:09:35 |
You would |
| 01:09:36 |
go to bed |
| 01:09:38 |
and then you'd |
| 01:09:40 |
and testify to witnessing |
| 01:09:41 |
is that more or less |
| 01:09:43 |
More or less. |
| 01:09:44 |
And how many, |
| 01:09:46 |
of these... |
| 01:09:47 |
dirty weekends did you arrange? |
| 01:09:50 |
I don't know, a dozen, maybe? |
| 01:09:53 |
Yes, well, |
| 01:09:54 |
with that figure |
| 01:09:56 |
So on at least |
| 01:09:59 |
you went to court... and lied. |
| 01:10:01 |
And you lied |
| 01:10:03 |
Well-- |
| 01:10:04 |
It doesn't inspire |
| 01:10:05 |
in you telling |
| 01:10:07 |
does it, Mr. Aaron? |
| 01:10:11 |
Why did you leave |
| 01:10:13 |
Well... |
| 01:10:15 |
Well, a friend-- |
| 01:10:17 |
a friend of mine |
| 01:10:24 |
And what, Mr. Aaron? |
| 01:10:29 |
I couldn't take the pressure, |
| 01:10:31 |
Isn't it the case |
| 01:10:33 |
in return for formal charges |
| 01:10:35 |
That's enough, |
| 01:10:37 |
The jury will ignore |
| 01:10:40 |
Mr. Aaron... |
| 01:10:42 |
Why did you marry your wife? |
| 01:10:44 |
What do you mean? |
| 01:10:46 |
Well, stupid or not, |
| 01:10:48 |
The same reason everybody does, |
| 01:10:51 |
I don't believe |
| 01:10:54 |
Tony bought a car off me |
| 01:10:57 |
and we got to be friends. |
| 01:10:59 |
He was seeing this married woman |
| 01:11:02 |
This was |
| 01:11:03 |
Yeah, that's right. |
| 01:11:04 |
Then a copper |
| 01:11:06 |
and he was... tried and hung. |
| 01:11:10 |
Anyway, Tony and I |
| 01:11:12 |
and he said he was going |
| 01:11:14 |
I couldn't believe it, |
| 01:11:15 |
because |
| 01:11:17 |
was she was just a good... |
| 01:11:18 |
Yes? |
| 01:11:21 |
Good in bed. |
| 01:11:24 |
I never thought |
| 01:11:26 |
he really cared |
| 01:11:28 |
I said this to him, |
| 01:11:29 |
He said, "Have you |
| 01:11:31 |
Do you know how much |
| 01:11:33 |
He didn't leave much doubt |
| 01:11:36 |
Did you see Mr. Aaron |
| 01:11:40 |
After they got married, |
| 01:11:42 |
Tony found out |
| 01:11:43 |
had huge debts. |
| 01:11:44 |
He was virtually |
| 01:11:46 |
His club was sold, |
| 01:11:48 |
and Hazel didn't end up |
| 01:11:51 |
He was really mad |
| 01:11:55 |
He said he'd made |
| 01:11:57 |
Mr. Aaron, |
| 01:11:59 |
that your wife had |
| 01:12:01 |
through the access |
| 01:12:02 |
of which |
| 01:12:03 |
No. |
| 01:12:05 |
Well, I wasn't |
| 01:12:06 |
until I went through |
| 01:12:07 |
Do you recall |
| 01:12:10 |
I just read it |
| 01:12:12 |
You stood to gain |
| 01:12:13 |
in the event |
| 01:12:15 |
Look, it's a standard |
| 01:12:16 |
Thank you, Mr. Aaron, |
| 01:12:18 |
I can say |
| 01:12:20 |
that this is the gun |
| 01:12:22 |
We asked him twice |
| 01:12:26 |
He denied it both times. |
| 01:12:28 |
Is this your gun? |
| 01:12:30 |
I said, is this your gun, |
| 01:12:35 |
It looks like my gun. |
| 01:12:37 |
How did it come to be |
| 01:12:39 |
It was stolen from me. |
| 01:12:41 |
I had a break-in in my office. |
| 01:12:43 |
Really? And when did you |
| 01:12:45 |
I didn't know anything |
| 01:12:47 |
I didn't realize |
| 01:12:49 |
And were there any witnesses |
| 01:12:52 |
Yes, the client I was helping. |
| 01:12:55 |
Who is this man? |
| 01:12:56 |
He's a barrister. |
| 01:12:58 |
Oh, and, uh, |
| 01:13:00 |
to this |
| 01:13:01 |
He doesn't want |
| 01:13:03 |
Well, that'll be the first |
| 01:13:05 |
to be shy of appearing in court. |
| 01:13:06 |
So really, |
| 01:13:09 |
is that no one |
| 01:13:10 |
this alleged break-in? |
| 01:13:11 |
Yes, this barrister can. |
| 01:13:13 |
Yes, well... |
| 01:13:18 |
Why did you have a gun? |
| 01:13:19 |
I mean, |
| 01:13:21 |
did you use it |
| 01:13:22 |
Really, My Lord, I must object. |
| 01:13:24 |
I'm just trying |
| 01:13:25 |
I mean, why did you have a gun? |
| 01:13:27 |
I don't know, |
| 01:13:29 |
And when did you apply |
| 01:13:36 |
I didn't have a license for it. |
| 01:13:40 |
We've got to get |
| 01:13:42 |
He won't. |
| 01:13:48 |
The beretta was fired |
| 01:13:51 |
from a distance |
| 01:13:53 |
using one of |
| 01:13:55 |
to muffle the noise. |
| 01:13:56 |
Stasio was hit twice... |
| 01:13:57 |
Give this to Frank. |
| 01:14:00 |
The first bullet penetrated |
| 01:14:02 |
and in all probability, |
| 01:14:04 |
when the second shot |
| 01:14:11 |
You've made yourself |
| 01:14:13 |
Look, I'm afraid |
| 01:14:14 |
you're wasting |
| 01:14:16 |
I've already told you |
| 01:14:18 |
Is he telling the truth |
| 01:14:21 |
Look, I can't help you, |
| 01:14:22 |
My reputation is-- |
| 01:14:23 |
Sod your reputation. |
| 01:14:24 |
Is he telling |
| 01:14:26 |
I have nothing to say. |
| 01:14:38 |
Is there room for me? |
| 01:14:42 |
Look, I'd like |
| 01:14:43 |
who I am, Detective. |
| 01:14:45 |
I'm not going |
| 01:14:47 |
I'm not giving you a choice. |
| 01:14:49 |
or do you want me to |
| 01:14:51 |
what kind of person you are? |
| 01:14:53 |
This your coat? |
| 01:14:56 |
I had paid Mr. Aaron to arrange |
| 01:14:58 |
for myself and a woman |
| 01:15:00 |
to help me... |
| 01:15:05 |
He met me at Brighton station, |
| 01:15:06 |
and then we went back |
| 01:15:08 |
to sign some papers. |
| 01:15:10 |
I immediately noticed |
| 01:15:12 |
the door had been forced open. |
| 01:15:14 |
Mr. Aaron checked |
| 01:15:17 |
but couldn't see anything |
| 01:15:19 |
and we continued with... |
| 01:15:21 |
with our business. |
| 01:15:22 |
But there were |
| 01:15:25 |
Yes. Yes, there were. |
| 01:15:28 |
You're part |
| 01:15:30 |
I'm still |
| 01:15:31 |
You're part of |
| 01:15:35 |
You can't go |
| 01:15:36 |
for the bloody defense. |
| 01:15:37 |
I'm not sure anymore. |
| 01:15:39 |
You've got the gun. |
| 01:15:42 |
You know he did it, |
| 01:15:43 |
you just don't want |
| 01:15:47 |
Waterston knows something. |
| 01:15:48 |
What's he got up his sleeve? |
| 01:15:49 |
I mean, there's the gun, yes. |
| 01:15:52 |
Even the suicide note. |
| 01:15:53 |
They're damning, |
| 01:15:55 |
Nothing directly connects you. |
| 01:15:57 |
There are |
| 01:15:59 |
so he's got to have |
| 01:16:01 |
But there isn't anything more. |
| 01:16:07 |
I went to the hotel that night |
| 01:16:09 |
I was going to drive him home |
| 01:16:12 |
the photograph. |
| 01:16:14 |
I was there for about half |
| 01:16:17 |
What did you see? |
| 01:16:18 |
I saw someone |
| 01:16:19 |
climb over the roof |
| 01:16:21 |
they stopped for a moment, |
| 01:16:23 |
and then they climbed |
| 01:16:25 |
That's the kitchen window, |
| 01:16:26 |
that's the third |
| 01:16:28 |
at the front |
| 01:16:30 |
Yes. |
| 01:16:33 |
Did you see who it was? |
| 01:16:36 |
It was definitely a man, |
| 01:16:38 |
but it was dark. |
| 01:16:39 |
I couldn't see |
| 01:16:40 |
So you have no idea |
| 01:16:42 |
I know exactly who it was. |
| 01:16:45 |
You say it was dark, |
| 01:16:48 |
Before they went back |
| 01:16:50 |
they stopped |
| 01:16:53 |
Did you see their face |
| 01:16:54 |
At that distance? |
| 01:16:55 |
No, but... |
| 01:16:58 |
they had a lighter, |
| 01:17:02 |
so they tapped it |
| 01:17:05 |
and then |
| 01:17:07 |
and then tried to light it. |
| 01:17:09 |
It was... |
| 01:17:11 |
such an individual way |
| 01:17:14 |
I forgot all about it, |
| 01:17:16 |
until I saw Tony Aaron |
| 01:17:18 |
do exactly the same thing |
| 01:17:19 |
Liar! She's a liar! |
| 01:17:21 |
Sit down, Mr. Aaron. |
| 01:17:45 |
What did she buy, |
| 01:17:48 |
An aeroplane ticket for America. |
| 01:17:50 |
Why do you want to know? |
| 01:17:52 |
One-way ticket? |
| 01:17:53 |
Yes. |
| 01:17:57 |
You have seen the evidence. |
| 01:18:02 |
The solicitor's letter, |
| 01:18:07 |
You've seen the shocking |
| 01:18:11 |
Now, you must be thinking... |
| 01:18:14 |
what kind of a person |
| 01:18:16 |
A man thrown out |
| 01:18:20 |
who, by his |
| 01:18:22 |
now makes his living |
| 01:18:24 |
A man who has perjured himself |
| 01:18:27 |
for the past two years. |
| 01:18:29 |
A man who was |
| 01:18:31 |
and I suggest to you... |
| 01:18:33 |
was prepared to do |
| 01:18:38 |
I-- I know things look bad, |
| 01:18:41 |
and I'm no angel, |
| 01:18:45 |
but I didn't do this. |
| 01:18:48 |
Somebody stole my gun |
| 01:18:50 |
That's what happened. |
| 01:18:53 |
Why should I kill my wife? |
| 01:18:55 |
I mean, |
| 01:18:59 |
I mean, |
| 01:19:00 |
They're saying I killed my wife |
| 01:19:03 |
and then killed |
| 01:19:05 |
so that people |
| 01:19:07 |
It's sick. It's-- |
| 01:19:11 |
I couldn't do anything |
| 01:19:14 |
I don't deny I've lied. |
| 01:19:15 |
I've done a lot of things |
| 01:19:18 |
but not this. |
| 01:19:20 |
God, not this. |
| 01:19:37 |
[FOOTSTEPS ABOVE] |
| 01:19:42 |
[CROWD NOISE] |
| 01:20:01 |
Someone |
| 01:20:03 |
It's going to be |
| 01:20:17 |
Have you reached |
| 01:20:18 |
that is the verdict |
| 01:20:21 |
We have. |
| 01:20:24 |
And to the charge |
| 01:20:26 |
do you find |
| 01:20:29 |
or not guilty? |
| 01:20:32 |
Guilty. |
| 01:20:33 |
No... |
| 01:20:35 |
No. |
| 01:20:37 |
No. I'm innocent. |
| 01:20:38 |
No. No. |
| 01:20:41 |
Get off me. |
| 01:20:44 |
I'm innocent. |
| 01:20:47 |
It wasn't me. |
| 01:20:49 |
I'm innocent. |
| 01:20:50 |
I'm innocent, |
| 01:21:32 |
She's clean. |
| 01:21:37 |
I've turned in |
| 01:21:38 |
Oh, Christ. |
| 01:21:40 |
She did it, Frank, |
| 01:21:43 |
What can I do? |
| 01:21:44 |
Do you know |
| 01:21:47 |
I get these two pricks |
| 01:21:49 |
Saying, "Do I want |
| 01:21:51 |
Do I even want to play |
| 01:21:53 |
I'm being hung |
| 01:21:55 |
So don't just sit there |
| 01:21:56 |
and tell me you |
| 01:21:57 |
Search the house again. |
| 01:21:59 |
I can't get another warrant |
| 01:22:02 |
When I was in Stasio's studio, |
| 01:22:03 |
she found me, |
| 01:22:05 |
Search the house again. |
| 01:22:07 |
Eat your steak before |
| 01:22:08 |
Fuck, steak! |
| 01:22:11 |
Frank, find something. |
| 01:22:13 |
Search the house again. |
| 01:22:56 |
Paul, it's me. |
| 01:22:59 |
Call the airports. |
| 01:23:01 |
If she turns up anywhere, |
| 01:23:02 |
try getting customs |
| 01:23:05 |
Think of something. |
| 01:23:06 |
Yeah, well, just fucking do it. |
| 01:24:09 |
No, sir, no. |
| 01:24:11 |
I can't answer |
| 01:24:13 |
There's been |
| 01:24:14 |
I'm sorry, you'll have |
| 01:24:16 |
You'll have to ask |
| 01:24:18 |
about that as well. |
| 01:24:19 |
All right, thank you. |
| 01:24:20 |
Sorry, I can't help you. |
| 01:26:01 |
It's time |
| 01:26:03 |
Yes. |
| 01:26:19 |
[BUSY SIGNAL] |
| 01:26:21 |
No, I'm afraid the governor |
| 01:26:23 |
is unavailable for comment |
| 01:26:25 |
No. |
| 01:26:26 |
[BUSY SIGNAL] |
| 01:26:50 |
I'm not going to make it. |
| 01:27:46 |
No, no, hey, guys. |
| 01:27:49 |
I didn't do it. |
| 01:27:50 |
I didn't do it. |
| 01:27:52 |
Wait. I didn't do this. |
| 01:27:54 |
I didn't do it. |
| 01:27:55 |
Come on, lad, behave. |
| 01:28:12 |
I swear to God, I didn't do it. |
| 01:28:14 |
Oh, Jesus. |
| 01:28:17 |
I didn't do this. |
| 01:28:18 |
Listen, |
| 01:28:24 |
I didn't do this. |
| 01:28:26 |
I swear I didn't. |
| 01:28:27 |
No. I don't want that. I don't |
| 01:28:29 |
Don't go away. |
| 01:28:32 |
Look, it wasn't me. |
| 01:28:42 |
Hey! |
| 01:28:44 |
Oi! Where you think |
| 01:28:50 |
Please. Please... |
| 01:28:53 |
Please, I'm innocent. |
| 01:28:57 |
I'm innocent! |
| 01:29:33 |
[KEYS RATTLING] |
| 01:29:43 |
What's wrong? |
| 01:29:45 |
Don't want to go |
| 01:29:53 |
Bye. |
| 01:29:54 |
Good. |
| 01:30:04 |
You leaving Brighton? |
| 01:30:07 |
That sounded like |
| 01:30:09 |
I didn't mean-- |
| 01:30:10 |
I know. |
| 01:30:12 |
Well... there's still |
| 01:30:15 |
you owe money to. |
| 01:30:17 |
Yeah. |
| 01:30:23 |
What? No, Frank. |
| 01:30:24 |
Go on. |
| 01:30:25 |
No. |
| 01:30:26 |
Buy yourself a suit |
| 01:30:38 |
I'm sorry I didn't believe you. |
| 01:30:41 |
Life's too short. |
| 01:30:48 |
Well, look, I'll see you around. |
| 01:30:52 |
I don't think so. |
| 01:31:19 |
It's not |
| 01:31:21 |
Frank swung it for me. |
| 01:31:23 |
I thought you'd like |
| 01:31:26 |
So where are you going? |
| 01:31:29 |
Oh, America. |
| 01:31:30 |
I was going there. |
| 01:31:31 |
I didn't quite |
| 01:31:34 |
So how much |
| 01:31:36 |
What? |
| 01:31:37 |
Selina. |
| 01:31:39 |
Please, don't start. |
| 01:31:39 |
She's certainly got enough now. |
| 01:31:41 |
You should at least get half, |
| 01:31:43 |
You were bound to go to prison |
| 01:31:46 |
That was good. |
| 01:31:47 |
That threw people |
| 01:31:48 |
You thought, "Six months |
| 01:31:49 |
that can't be bad." |
| 01:31:50 |
I didn't come here for this. |
| 01:31:51 |
You... |
| 01:31:54 |
looking for evidence. |
| 01:31:56 |
You remember? |
| 01:31:57 |
Sure. I remember. |
| 01:32:00 |
But you weren't searching |
| 01:32:03 |
You were planting it |
| 01:32:06 |
You only got to know me |
| 01:32:09 |
Goodbye, Angeline. |
| 01:32:13 |
Then who killed them |
| 01:32:17 |
You did. |
| 01:32:19 |
And you're still trying |
| 01:32:20 |
to drag somebody down |
| 01:32:21 |
You killed him. That's |
| 01:32:23 |
Think yourself lucky |
| 01:32:24 |
They would have hanged you |
| 01:32:25 |
Oh, I'll think myself lucky. |
| 01:32:28 |
Don't go. |
| 01:32:29 |
I've got a boat to catch. |
| 01:32:31 |
I miss you. |
| 01:32:34 |
I miss you every day. |
| 01:32:38 |
I'm-- I'm sorry |
| 01:32:42 |
Tony, you have to |
| 01:32:45 |
I'm going to go crazy in here |
| 01:32:47 |
Please... just tell me. |
| 01:32:49 |
No one |
| 01:32:50 |
no matter |
| 01:32:53 |
I've got to know. |
| 01:32:57 |
Just tell me once... |
| 01:33:01 |
Did you do it? |
| 01:33:13 |
Did you? |
| 01:33:18 |
Whisper. |
| 01:33:21 |
Did you? |
| 01:33:24 |
Did you do it? |
| 01:34:03 |
Is he in? |
| 01:34:11 |
I've only put |
| 01:34:14 |
but I could sell the lot. |
| 01:34:16 |
Everything. |
| 01:34:17 |
I want to wait a while... |
| 01:34:20 |
until the prices go up. |
| 01:34:30 |
We're going |
| 01:34:33 |
You know, I might |
| 01:34:36 |
for your Stasio one day. |
| 01:34:39 |
You said she was |
| 01:34:41 |
but she wasn't. |
| 01:34:45 |
She just wanted to be somebody. |
| 01:34:48 |
Who cares? |
| 01:34:50 |
She's out of the way now. |
| 01:34:55 |
You fell in love with her, |
| 01:34:57 |
That's why |
| 01:34:59 |
to plant the evidence. |
| 01:35:01 |
No. |
| 01:35:03 |
No, it was just business. |
| 01:35:12 |
Come on, Tony. |
| 01:35:14 |
You've got everything |
