Under The Volcano
|
00:00:22 |
**[Symphonic: Modernist, Folkloric ] |
00:00:50 |
**[ Continues ] |
00:03:26 |
- ** [ Villagers Singing In Spanish: Mourning ] |
00:03:45 |
-**[Singing Continues ] |
00:04:04 |
[ Children Chattering] |
00:04:36 |
**[Singing Continues ] |
00:04:40 |
Anda, perro. Quitese! |
00:04:44 |
[Whimpers ] |
00:05:13 |
**[Mariachi In Distance ] |
00:05:30 |
[Vendors Calling In Spanish ] |
00:05:43 |
**[Flute: Festive ] |
00:05:51 |
[Dog Whimpering ] |
00:05:55 |
Buenas tardes. |
00:06:13 |
[ Whimpering Continues ] |
00:06:53 |
[ Peter Lorre ] |
00:06:56 |
I love you. I love you. |
00:07:00 |
You came to life for me. |
00:07:03 |
Don't you know me? |
00:07:06 |
[ Foreigner] |
00:07:08 |
- Ah. Buenas noches, senor Geoffrey. |
00:07:11 |
Just in time. Exactamente. |
00:07:13 |
The ingles is always by the clock. |
00:07:16 |
You go to the Red Cross, I think. |
00:07:19 |
**[Movie Score Playing, Muffled ] |
00:07:21 |
Mm-mmm. It's good. |
00:07:25 |
Very good. |
00:07:30 |
But, no, there is something wrong. |
00:07:34 |
I know, senor. |
00:07:42 |
Quite. No socks. |
00:07:46 |
With that esplendida vestimenta, |
00:07:51 |
- You want I should bring you? |
00:07:56 |
By the way, senor Bustamante, |
00:07:59 |
cartas - any letters addressed to me? |
00:08:02 |
No. No, senor. |
00:08:08 |
What letters have you lost? |
00:08:11 |
From my wife. |
00:08:13 |
- [ Speech Slurred ] From Yvonne. |
00:08:16 |
You have heard from her then. |
00:08:20 |
Is she coming back to Mexico? |
00:08:22 |
No. I don't think so. |
00:08:26 |
I'm sorry to see you apart. |
00:08:28 |
I have always great admiration |
00:08:32 |
I think she comes back. |
00:08:34 |
She writes to you, |
00:08:44 |
I also received a letter |
00:08:48 |
It seems we're divorced now. |
00:08:50 |
Uy, amigo. |
00:08:54 |
- Is this true? |
00:09:00 |
It's true. |
00:09:06 |
- [ Whimpering ] |
00:09:08 |
-I promise to come back. |
00:09:10 |
- No! |
00:09:13 |
-[Lorre ] You hate me. You despise me. |
00:09:17 |
[ Woman #2 ] |
00:09:20 |
- [ Murmurs ] |
00:09:28 |
Las Manos de Orlac. |
00:09:31 |
It's a good story. |
00:09:33 |
A man is a pianist, |
00:09:37 |
Is given him another, |
00:09:41 |
Uh, these hands murder people. |
00:09:44 |
But his heart does not, |
00:09:49 |
Some things you can't apologize for. |
00:09:53 |
[ Lorre] |
00:09:57 |
[People Laughing ] |
00:09:59 |
Only in Mexico |
00:10:03 |
[ Chuckles ] On Day of the Dead, |
00:10:08 |
the road from heaven |
00:10:12 |
and not slippery with tears. |
00:10:15 |
**[Brass Band Approaching ] |
00:10:19 |
** [ Festive] |
00:10:34 |
[Dog Barks, Whimpers ] |
00:10:45 |
Sorry, old girl. |
00:10:50 |
Your gown's cut far too low. |
00:10:57 |
- Good evening, sir. |
00:11:00 |
- How are you? |
00:11:05 |
Poquito de brandy. |
00:11:07 |
Poquito de anis. |
00:11:09 |
Poquito de tequila. |
00:11:13 |
Mmm. Poquito de whiskey. |
00:11:15 |
Poquito de mezcal. |
00:11:17 |
Oh, no, no. No mescal. |
00:11:21 |
I'd go thirsty |
00:11:23 |
[ Laughs ] Is loco. |
00:11:27 |
[ Belches ] |
00:11:29 |
Oh, good Christ. |
00:11:35 |
- Buenas noches, senor Firmin. |
00:11:37 |
I wish to introduce to you |
00:11:43 |
Herr Krausberg, Mr. Firmin. |
00:11:46 |
Former British Consul to Cuernavaca. |
00:11:49 |
It's a great pleasure for me |
00:11:51 |
- Same, I'm sure. |
00:11:54 |
I hope your next, uh, post |
00:11:58 |
- Nothing next. I've retired. |
00:12:02 |
"Cut is the branch that might have grown |
00:12:06 |
I'm going to stay on here in Mexico. |
00:12:09 |
Oh, how fortunate for me. |
00:12:12 |
I hope to have a friendship with you... |
00:12:15 |
as close, as cordial, as the friendship |
00:12:18 |
Actually, Herr Krausberg, |
00:12:23 |
I would be very happy to help |
00:12:25 |
It's to do with my brother - |
00:12:27 |
- Do you understand "halfbrother"? |
00:12:29 |
F-Father remarried |
00:12:33 |
Hugh. Uh, newspaperman. |
00:12:36 |
He's chasing some rumor down |
00:12:40 |
- But you may be able to shed some light. |
00:12:43 |
Is Germany financing a Nazi movement |
00:12:49 |
- Of course not. Your brother, Mr. Firmin - |
00:12:53 |
Half. Sorry. Your halfbrother... |
00:12:55 |
obviously suffers |
00:12:58 |
Called the sinarquistas, |
00:13:01 |
Nonsense. It's just a rumor, as you said. |
00:13:05 |
In any case, |
00:13:09 |
Since that marvelous agreement between |
00:13:14 |
- [ Chuckles ] |
00:13:17 |
To, uh -To the understanding of our nations. |
00:13:21 |
- **[ Orchestra: Dance ] |
00:13:25 |
that will assure peace |
00:13:28 |
Prost, Herr Firmin. |
00:13:32 |
Yes, quite. |
00:13:35 |
"Peace in our time." |
00:13:38 |
Let's hedge our bets, what? |
00:13:44 |
They don't mean to be taken by surprise. |
00:13:47 |
Just take a look at their newest timetable- |
00:13:51 |
Corpses must be transported by express. |
00:13:56 |
Each of these express corpses... |
00:13:59 |
must be accompanied |
00:14:03 |
Now, let's suppose, uh, the treaty fails |
00:14:08 |
-Just think of it. |
00:14:10 |
Railways stand to make a fortune. |
00:14:12 |
- You're right. You're right. |
00:14:14 |
All of those bloody corpses, |
00:14:18 |
[ Krausberg ] |
00:14:20 |
One Day of the Dead won't be enough. |
00:14:23 |
Month. Decade. |
00:14:26 |
Age of the Dead, more like it! |
00:14:29 |
The whole world |
00:14:32 |
at the sight of stinking cadavers. |
00:14:36 |
Oh, ha, ha. |
00:14:39 |
Oh, good God. |
00:14:41 |
Express trains will be booked up |
00:14:45 |
Corpses hand in hand |
00:14:50 |
standing in lines for miles |
00:14:54 |
Aha. Yes. |
00:14:59 |
- Ladies and gentlemen of the Red Cross... |
00:15:02 |
you have your bloody work |
00:15:05 |
- Arranging storage of, uh - |
00:15:08 |
Storage for this bumper crop |
00:15:11 |
- Senor Geoffrey. |
00:15:15 |
- Uh, stack them in layers. |
00:15:17 |
Or squeeze-squeeze them in upright. |
00:15:20 |
No, better still -cut them in pieces. |
00:15:22 |
Chop them up |
00:15:26 |
- And paint red crosses on them. |
00:15:31 |
Come, amigo. |
00:15:35 |
It is sad to spend your life |
00:15:40 |
Ah, it's not in the times, of course, |
00:15:46 |
No sepuede vivirsin amar. |
00:15:50 |
Uh. No sepuede vivirsin amar. |
00:15:54 |
Hmm. I woke up one morning, |
00:16:00 |
Nothing. Just a bloody note. |
00:16:05 |
I need her. |
00:16:07 |
Come. I know what you must do. |
00:16:10 |
Come with me. |
00:16:16 |
[ Guests Murmuring, Chattering ] |
00:16:22 |
[ Gasping, Chattering ] |
00:16:28 |
[ Footsteps Echoing ] |
00:17:00 |
[ Gate Clatters ] |
00:17:24 |
She is the Virgin of Soledad. |
00:17:28 |
La santapatrona... |
00:17:30 |
for those who have nobody with... |
00:17:35 |
and those what are lost... |
00:17:40 |
and mariners at sea. |
00:17:45 |
You must ask... |
00:17:48 |
for your esposa again. |
00:17:53 |
Ask her. |
00:17:55 |
[ Gasping ] |
00:18:00 |
It's like asking my fairy godmother |
00:18:09 |
You must forgive my companero. |
00:18:15 |
He's too borracho to pray. |
00:18:21 |
No sepuede vivirsin amar, Madrecita. |
00:18:27 |
And he - |
00:18:31 |
He - He has lost his esposa. |
00:18:35 |
And he ask for your help. |
00:18:40 |
Please. |
00:18:45 |
Pray to the Virgin. |
00:18:59 |
I'm dying without you. |
00:19:05 |
Come back to me, Yvonne. |
00:19:42 |
[ Geoffrey] |
00:19:44 |
Si es absolutamente necesario. |
00:19:47 |
Pay close attention. |
00:19:51 |
I'm telling you about responsibility, |
00:19:54 |
Si es absolutamente necesario. |
00:19:57 |
This ship was a thoroughgoing lie... |
00:20:03 |
and I was the commanding officer. |
00:20:07 |
This ship-the S.S. Samaritan... |
00:20:12 |
it was called... |
00:20:14 |
looked from the outside |
00:20:21 |
a laden freighter |
00:20:26 |
Are you listening, Fernando? |
00:20:32 |
[ Horn Honking ] |
00:20:44 |
Chamacos. |
00:21:02 |
[ Geoffrey, Indistinct ] |
00:21:07 |
...sink anything the Germans |
00:21:10 |
It was 1917, spring. |
00:21:16 |
We sight a periscope sighting us. |
00:21:23 |
[ Geoffrey Continues, Indistinct ] |
00:21:29 |
Are you listening, Fernando? |
00:21:35 |
They prepare to board us. |
00:21:38 |
Then the big surprise. |
00:21:43 |
Are you listening, Fernando? |
00:21:49 |
Oh. |
00:21:52 |
We drop our disguise. |
00:21:55 |
The predator suddenly becomes the prey. |
00:22:07 |
I got a medal for capturing that sub. |
00:22:12 |
But first I had to be tried |
00:22:15 |
The mystery |
00:22:19 |
You see... |
00:22:21 |
the remains of seven men... |
00:22:25 |
were found in the furnace ashes. |
00:22:29 |
Rather gruesome, hmm? |
00:22:38 |
It just isn't done, Fernando. |
00:22:40 |
People just don't go around |
00:22:51 |
Hmm. Yvonne. |
00:22:56 |
I'm back. |
00:22:59 |
- Is it really you? |
00:23:02 |
Can't be. |
00:23:06 |
I wrote you I was coming. |
00:23:12 |
I wasn't even sure you were still here. |
00:23:15 |
I am always more or less here. |
00:23:18 |
Uh, I did go away, uh, once, |
00:23:22 |
To a bull fight, in Tomalin. |
00:23:25 |
Wound up in El Farolito. |
00:23:27 |
But just for drinks, mind you. |
00:23:31 |
How did you get here? |
00:23:34 |
I came by, uh, boat from New York. |
00:23:38 |
- I caught a plane from Veracruz. |
00:23:43 |
You must be exhausted. |
00:23:46 |
Not really. I had a million hours |
00:23:52 |
The worst part |
00:23:55 |
A bus. |
00:24:09 |
It's the shakes that make this life |
00:24:15 |
But they subside, if handled properly... |
00:24:19 |
with the necessary swigs, |
00:24:25 |
- Have a drink with me. |
00:24:51 |
- Calle Nicaragua 52. |
00:25:12 |
[ Stif led Groan ] |
00:25:23 |
How, unless you drink as I do... |
00:25:26 |
can you hope to understand the beauty |
00:25:30 |
playing dominoes with a chicken? |
00:25:54 |
Well, the taxis seem |
00:25:57 |
- Shall we walk? |
00:26:02 |
You haven't smashed it up again, |
00:26:04 |
Well, as a matter of fact, |
00:26:08 |
- You lost it? |
00:26:10 |
Look here, dash it all, |
00:26:13 |
Let's not walk. |
00:26:16 |
No, not at all. I would think |
00:26:18 |
Oh, no, no. Fine here. |
00:26:23 |
Glad to get some circulation |
00:26:30 |
Did they tell you, the Foreign Office, |
00:26:33 |
What happened? |
00:26:36 |
Just fed up. |
00:26:41 |
Geoffrey, why didn't you |
00:26:44 |
Shakes, you know. |
00:26:48 |
You might have hired him. |
00:26:51 |
Dear Yvonne... |
00:26:53 |
I'm taking the easy, only way out- |
00:26:58 |
Good-bye- Full stop. |
00:26:59 |
Change of paragraph. |
00:27:06 |
Change of world. |
00:27:08 |
[Bell Tolling ] |
00:27:14 |
[Woman Praying In Spanish ] |
00:27:16 |
* How sweetly blooms the graves * |
00:27:19 |
*With fragrant flowers * |
00:27:23 |
*Just once ayear |
00:27:27 |
Do you remember that Strauss song, |
00:27:33 |
* Return to me, my love |
00:27:39 |
* As once in May * |
00:27:42 |
* As once in May ** |
00:27:49 |
What have you been doing for the past year |
00:27:55 |
Mostly I was in New York. |
00:27:58 |
I got a part in a revival |
00:28:01 |
Remember- |
00:28:05 |
I was the ingenue then. |
00:28:08 |
Afraid those days are gone. |
00:28:10 |
This time, I only had a character part. |
00:28:14 |
I see. |
00:28:16 |
** [ Flute: Melancholic] |
00:28:25 |
Look, his eyes are closed. |
00:28:43 |
- Gracias. |
00:28:49 |
Oh, hello, hello! |
00:28:52 |
My little Oedipuss. |
00:28:55 |
Hello! |
00:28:58 |
Oh, there you are. |
00:29:02 |
- Do you think he's forgotten me? |
00:29:06 |
I never believed it - that cats are not |
00:29:11 |
I've missed you, Oedipuss. |
00:29:13 |
He's missed you too. |
00:29:17 |
Senora, quegusto! |
00:29:20 |
- Oh! |
00:29:22 |
- Buenos dias, Concepta. |
00:29:25 |
Oh, I've missed you too, Concepta. |
00:29:36 |
What happened to my beautiful garden, |
00:29:40 |
It became a bit of a jungle, I'm afraid. |
00:29:42 |
But look here, |
00:29:44 |
that you, uh, abandoned a besieged town... |
00:29:47 |
and somehow or other, |
00:29:51 |
You can't well expect to invite yourself |
00:29:56 |
quite the same, uh, oh... |
00:29:59 |
dear old welcome here and there, |
00:30:08 |
Have you come back, |
00:30:11 |
I'm here, aren't I? |
00:30:17 |
Hugh! Come out here! |
00:30:19 |
You'll never guess who's just popped in. |
00:30:22 |
- Is Hugh here? |
00:30:26 |
Oh, he's been back some time. |
00:30:28 |
He came straight |
00:30:30 |
Been playing Florence Nightingale for me. |
00:30:32 |
Hugh. Where are you? |
00:30:34 |
He was quite disappointed when he got back |
00:30:39 |
I do believe he's missed you |
00:30:42 |
Hugh. Where are you? |
00:30:46 |
Hugh! An emissary calls. |
00:30:50 |
The Consul of Cuckold's Haven. |
00:30:53 |
Come and give the wife |
00:30:59 |
Oh, I forgot. He's in Mexico City. |
00:31:02 |
He'd gotten a wind of some, |
00:31:06 |
he chased off |
00:31:19 |
Geoffrey. Just tell me. |
00:31:23 |
This is Hugh's home cure for alcoholism. |
00:31:29 |
Strychnine. |
00:31:31 |
He bribes Concepta to poison me. |
00:31:33 |
- Veneno. |
00:31:37 |
- It's dreadful. |
00:31:40 |
Uh, would you like a whiskey? |
00:31:46 |
I haven't had breakfast yet. |
00:31:57 |
Geoffrey? |
00:32:01 |
- Geoffrey. Take it. |
00:32:05 |
For God's sake, drink it. |
00:32:07 |
No, no, no, no. I'll stick to the old, |
00:32:15 |
[ Groans, Shudders ] |
00:32:25 |
- Have you really resigned? |
00:32:29 |
No more diplomacy for me. |
00:32:33 |
Well, then there's nothing really |
00:32:36 |
Magic. |
00:32:39 |
"He on whose heart |
00:32:43 |
will find no peace |
00:32:46 |
But nothing's really holding you. |
00:32:48 |
There's nothing more real than magic. |
00:32:53 |
All right, Geoffrey, we can |
00:32:56 |
When I'm sober, you mean. |
00:32:58 |
Surely you know by this time that I can't |
00:33:02 |
and that I'm only drunk in the conventional, |
00:33:05 |
when I haven't had a drink. |
00:33:08 |
Surely you appreciate the, mmm - |
00:33:12 |
between the, uh, shakes of too little |
00:33:20 |
- I do appreciate it. |
00:33:26 |
Well, I'd like to have a bath. |
00:33:30 |
Have your drink. |
00:34:39 |
Ah. |
00:34:49 |
Concepta! |
00:34:52 |
-Senor. |
00:34:54 |
- No haynada que tomar. |
00:34:56 |
- Nada. |
00:36:16 |
- Ah, good morning, Quincey. |
00:36:20 |
I have just been |
00:36:22 |
I half expected to see Adam |
00:36:27 |
- On a what? |
00:36:30 |
I would imagine- |
00:36:34 |
- About your cat, Firmin - |
00:36:37 |
Finding a path back to our origins. |
00:36:40 |
Perhaps I'll go and live among the Indians, |
00:36:47 |
stripped of useless trappings. |
00:36:50 |
Unaccommodated man -the thing itself. |
00:36:54 |
My wife and I are kept awake half the night |
00:36:58 |
- Or don't you hear it? |
00:37:02 |
He lived peacefully |
00:37:05 |
somewhere in what is now Massachusetts. |
00:37:08 |
But the-the Puritans found him... |
00:37:11 |
and tried to-to coax him back |
00:37:15 |
If you don't do something |
00:37:18 |
But Blackstone didn't like the Puritans. |
00:37:23 |
He'd have none of them. |
00:37:26 |
So he went further |
00:37:29 |
never to be heard from again. |
00:37:32 |
I'll strangle that damn cat |
00:37:40 |
Don't worry, Quincey. |
00:37:44 |
And she's come back. |
00:37:55 |
- Knock, knock. |
00:37:58 |
- Cat. |
00:38:01 |
Cat-astrophe. |
00:38:04 |
Catastrophe who? |
00:38:06 |
Oh, uh, cat-astrophysicist? |
00:38:17 |
- Have a bite of breakfast? |
00:38:25 |
- You look weary. |
00:38:30 |
Hah. |
00:38:31 |
You've always done that - |
00:38:34 |
always carefully cradled |
00:38:38 |
So meticulous. |
00:39:00 |
Oh. |
00:39:02 |
[ Sighs ] |
00:39:09 |
Do you remember the names of the months, |
00:39:14 |
- Pop. |
00:39:18 |
- Zotz. |
00:39:22 |
Yaxkin. |
00:39:24 |
Mac. Isn't there one called Mac? |
00:39:26 |
There's Yax and Zac. |
00:39:29 |
"In receipt of yours, dated Zac the first"? |
00:39:31 |
[ Laughing ] |
00:39:34 |
My favorite was always uayeb- |
00:39:39 |
the poor little month |
00:39:55 |
I've wanted you back so badly. |
00:40:04 |
I'll do anything. |
00:40:08 |
I'll do anything for you. |
00:40:12 |
It's us. It's - It's us again. |
00:40:29 |
Oh, Geoffrey! |
00:40:48 |
I'm sorry. |
00:40:50 |
It isn't any good, I'm afraid. |
00:40:58 |
Stay. |
00:41:28 |
[ Moans, Grunts ] |
00:41:45 |
[Door Closes ] |
00:41:54 |
Where are you, old man? |
00:42:10 |
Hello, Hugh. |
00:42:11 |
Yvonne. |
00:42:16 |
[ Chuckles ] |
00:42:21 |
[ Chuckles ] |
00:42:24 |
Well, how absolutely... |
00:42:32 |
Geoffrey told me you were here. |
00:42:39 |
Did he? |
00:42:41 |
He did. |
00:42:48 |
You look awfully well. |
00:42:50 |
You too. Quite a get-up. |
00:42:53 |
- Like the Ringo Kid. |
00:42:56 |
- I thought you were in Spain. |
00:42:58 |
- What happened? |
00:43:03 |
Why did you leave? |
00:43:06 |
Why, I was sort of wounded. |
00:43:09 |
Hugh. |
00:43:11 |
On the way to watch the battle for Madrid. |
00:43:16 |
Seven cases of beer and six journalists |
00:43:19 |
[ Both Laugh ] |
00:43:25 |
Ah, it's a lost cause by now anyway. |
00:43:27 |
Franco has all the soldiers |
00:43:30 |
and all the Loyalists seem to have |
00:43:33 |
*Solo es nuestro deseo * |
00:43:36 |
* Rumbala, rumbala, rumbala ** |
00:43:40 |
- When did you get here? |
00:43:46 |
Well, where is he- |
00:43:49 |
our monarch? |
00:43:52 |
He's gone out. |
00:43:59 |
You just... appeared? |
00:44:02 |
-What? |
00:44:05 |
No, I wrote. |
00:44:09 |
Still I - |
00:44:11 |
I think I... |
00:44:14 |
[ Chuckles ] |
00:44:20 |
- How did he react? |
00:44:24 |
I'm sure he was. |
00:44:30 |
- How do you find him? |
00:44:32 |
-Well, yes, his drinking. |
00:44:37 |
He has the constitution |
00:44:40 |
He's gone down, I think. |
00:44:42 |
Well, now you've come back like this... |
00:44:49 |
perhaps he'll stop. |
00:44:54 |
Yeah. |
00:44:58 |
[ Tires Screech ] |
00:45:01 |
[Villagers Chattering ] |
00:45:12 |
Look here, is everything all right? |
00:45:15 |
I say. |
00:45:20 |
Nothing. Absolutely all right. |
00:45:22 |
All right? But you were lying down |
00:45:25 |
All right just the same. |
00:45:28 |
My dear fellow, you were lying right down here. |
00:45:32 |
- Are you sure there's nothing wrong? |
00:45:34 |
What? Are you sure you're all right? |
00:45:38 |
Oh. |
00:45:43 |
- Haven't I seen you somewhere before? |
00:45:46 |
- No. Cambridge. |
00:45:49 |
Oh, the tie. That belongs to my cousin. |
00:45:53 |
We're making a little tour of the temples, |
00:45:56 |
- Splendid country, isn't it? |
00:45:59 |
Look, are you absolutely sure |
00:46:03 |
No, no bones broken - |
00:46:05 |
Oh, my dear fellow. |
00:46:09 |
Now, listen. |
00:46:13 |
Why don't we pop back to the hotel, |
00:46:17 |
- No, fine, thank you. |
00:46:20 |
Well, I always keep something |
00:46:25 |
Irish. Burke's Irish. |
00:46:32 |
Mmm. Thanks a million. |
00:46:35 |
- No, no. Carry on, my dear fellow. Carry on. |
00:46:40 |
[ Moaning ] |
00:46:44 |
Awfully decent of you, old chap. |
00:46:48 |
I say. I know where I last saw you. |
00:46:50 |
You were that chap |
00:46:53 |
- Is that right, old man? |
00:46:55 |
Didn't really get through to me completely, |
00:46:58 |
Look, if you're absolutely sure that you're |
00:47:03 |
- Top hole. |
00:47:06 |
- You might get run over or run in. Ha, ha. |
00:47:09 |
- Bloody awful road, isn't it? |
00:47:11 |
Yes, yes. The weather's splendid. |
00:47:17 |
[Engine Starts ] |
00:47:23 |
Let me know if you're ever |
00:47:25 |
- Tallyho! |
00:47:33 |
[Door Closes ] |
00:47:49 |
Hey, Hugh! |
00:47:53 |
- Hello, Geoff, old man. |
00:47:57 |
Calls for a celebration. |
00:47:59 |
God, I forgot. I haven't got a drop in the house. |
00:48:03 |
I just popped out for the champagne, |
00:48:06 |
Maudlin man. |
00:48:09 |
Did you tell Hugh |
00:48:12 |
She's made a comeback. |
00:48:14 |
Hugh's looking well, isn't he? Huh? |
00:48:16 |
Mexico agrees with him. |
00:48:19 |
Why, he's been taking |
00:48:22 |
And I do believe |
00:48:25 |
I feel strong as a horse. |
00:48:27 |
All due to Hugh's wonder drug. |
00:48:31 |
Oh, we could all have a strychnine. |
00:48:34 |
Excuse me, will you? |
00:48:37 |
Amuse yourselves |
00:48:40 |
I'll, uh, tidy up a bit. |
00:48:42 |
Aah. |
00:48:44 |
[Door Closes ] |
00:48:49 |
Yvonne, forgive my asking like this... |
00:48:51 |
but, uh, have you... |
00:48:56 |
Or what? |
00:49:00 |
I mean, I'd just... like to know |
00:49:07 |
- So would I. |
00:49:16 |
Yes. I've come back to him. |
00:49:22 |
All right? |
00:49:25 |
All right? |
00:49:31 |
[ Screaming ] |
00:49:40 |
- Right here, old man. |
00:49:43 |
Upsy-daisy. There we go. |
00:49:46 |
[ Geoffrey] |
00:49:57 |
- I wonder what this is like. |
00:50:00 |
Not bad. Not bad. |
00:50:03 |
A little like Pernod. |
00:50:05 |
Still, it keeps |
00:50:08 |
- [ Murmurs ] |
00:50:10 |
Into the shower. |
00:50:13 |
[ Screams ] |
00:50:17 |
No hotwater! |
00:50:25 |
Little cockroach on the wall... |
00:50:29 |
ain't you got no one at all? |
00:50:37 |
Ah. Allow me. |
00:50:42 |
Ooh. Oh! |
00:50:46 |
[ Moaning, Shuddering ] |
00:50:51 |
- Feeling better? |
00:50:54 |
No past, only future. |
00:50:58 |
Now be still. |
00:51:03 |
[Water Stops ] |
00:51:06 |
Oh, hey. No, listen. |
00:51:13 |
-What, now? |
00:51:17 |
I mean, we ought to, |
00:51:21 |
[ Laughs ] |
00:51:23 |
Now hold still. |
00:51:26 |
"Don't be careful," |
00:51:34 |
- ** [ Humming ] |
00:51:36 |
- Mm-hmm. |
00:51:41 |
- All right. |
00:51:45 |
She looks well. |
00:51:49 |
- Doesn't she, huh? |
00:51:53 |
[ Murmuring ] |
00:51:55 |
I think- |
00:51:57 |
I think I will only drink beer |
00:52:03 |
Chin. Chin. |
00:52:05 |
There's nothing like... |
00:52:08 |
beer- |
00:52:10 |
beer to straighten one out. |
00:52:13 |
-You know? |
00:52:14 |
-And then - |
00:52:16 |
Then go back to the strychnine. |
00:52:22 |
Strychnine. Who knows? |
00:52:25 |
- [ Making Nasal Sounds ] |
00:52:28 |
Who knows? |
00:52:31 |
I may get off it completely. |
00:52:35 |
- Well, you ought to try. |
00:52:38 |
- Yes, yes. Yes, yes, yes. |
00:52:42 |
Yes, yes, yes. |
00:52:49 |
Look, Geoff, shouldn't I - |
00:52:52 |
Shouldn't I leave? |
00:52:54 |
- Leave? |
00:52:56 |
Immediately, |
00:52:58 |
Whatever for? |
00:53:01 |
Well, I thought |
00:53:04 |
M-Make what eas-easier? |
00:53:08 |
For the two of you. Here. |
00:53:12 |
- For the two of us? |
00:53:14 |
I mean, now that Yvonne's back, |
00:53:19 |
- What are you afraid of? |
00:53:23 |
Yvonne's wiles |
00:53:28 |
For Christ's sake, |
00:53:31 |
Wouldn't it look rather odd, |
00:53:37 |
Stay, Hugh. |
00:53:40 |
Hmm. Of course. You must stay. |
00:53:57 |
Ready. |
00:54:00 |
You look very... very. |
00:54:03 |
Thank you. |
00:54:10 |
Mmm. Here. |
00:54:39 |
No sepuede vivirsin amar. |
00:54:43 |
What? |
00:54:45 |
"One cannot live without love." |
00:54:51 |
It really is an extraordinarily nice day |
00:54:55 |
We should, uh, carry on to Tomalin |
00:55:00 |
No car. |
00:55:03 |
Where's your sense of adventure? |
00:55:06 |
Get there in time for the charreada. |
00:55:10 |
- Are we up to that? |
00:55:13 |
"Up to that?' What a question. |
00:55:25 |
Oh, they look so serene. |
00:55:27 |
[ Geoffrey ] |
00:55:31 |
[Yvonne ] |
00:55:34 |
- We should pay them a visit. |
00:55:37 |
After the bulls, |
00:55:40 |
and look into the hot heart |
00:55:43 |
- One step at a time, old man. |
00:55:47 |
[ Geoffrey ] |
00:55:51 |
- Buenos dias. |
00:55:54 |
I am glad, after last night, |
00:55:59 |
- Buenos dias, doctor. |
00:56:07 |
Hello, Doctor. |
00:56:11 |
Nice to see you again. |
00:56:13 |
- Since when you are here? |
00:56:17 |
Miraculous. |
00:56:19 |
Truly it is a miracle. |
00:56:22 |
In the night, we pray to the Virgin |
00:56:27 |
The consul and me, |
00:56:30 |
and now you are here. |
00:56:33 |
Is it not wonderful? |
00:56:38 |
Geoffrey? Did you? |
00:56:40 |
I might point out, amigo, |
00:56:43 |
It seems your miracle is after the fact. |
00:56:46 |
Ah, but the Virgin, she knew you were |
00:56:51 |
Is still more miracle. |
00:56:53 |
The good doctor makes logic and faith |
00:56:58 |
Doctor, what would you prescribe |
00:57:01 |
of uncontrollable, all-possessing |
00:57:04 |
More alcohol is best, |
00:57:08 |
- Precisely. You hear that, you two? |
00:57:10 |
Doctor, would you care to join me |
00:57:15 |
[ Chuckling ] |
00:57:19 |
- So I leave the family to be together. |
00:57:22 |
Senora Firmin, truly you are a miracle. |
00:57:25 |
Thank you, Doctor. |
00:57:27 |
Buenos dias. |
00:57:31 |
We shall have thunder. |
00:57:34 |
- [ Geoffrey ] Adios. |
00:57:52 |
- Did you? |
00:57:55 |
Go to the shrine. |
00:57:57 |
I'm sure I couldn't tell you honestly. |
00:58:00 |
Uh, the events of last night |
00:58:05 |
Ah. |
00:58:11 |
"Plingen, plangen, aufgefangen... |
00:58:14 |
swingen, swangen at my s-side." |
00:58:18 |
Uh -"Swootle, pootle... |
00:58:22 |
"offto Bootle. |
00:58:24 |
Nemesis: a pleasant ride!" |
00:58:26 |
[ Laughs ] |
00:58:31 |
**[ Carnival ] |
00:58:33 |
- **[ Continues ] |
00:58:36 |
[ Spanish, Dramatic] |
00:58:41 |
[ Devil Babbling, Screeching ] |
00:58:51 |
[ Screaming] |
00:58:57 |
[ Screaming ] |
00:59:01 |
[ Gasps] |
00:59:03 |
[Children Laughing ] |
00:59:07 |
[ Spanish] |
00:59:15 |
[Spanish Continues ] |
00:59:17 |
[Spanish] |
00:59:20 |
-Dona Inés! Dona Inés! |
00:59:29 |
[ Spanish] |
00:59:38 |
[Spanish Continues ] |
00:59:55 |
**[Brass Band: Festive ] |
00:59:59 |
That's the way to contend |
01:00:02 |
Offer him a drink and a dance! |
01:00:10 |
Will you two talk to me |
01:00:13 |
Offer me bread and sugar skulls to help me |
01:00:17 |
Oh, absolutely, old man. |
01:00:21 |
You should write something |
01:00:24 |
- It's been done. |
01:00:26 |
Give it a - |
01:00:30 |
Matter of fact, I've about decided |
01:00:33 |
for a musket. |
01:00:36 |
I might- |
01:00:38 |
I just might go back to England, |
01:00:43 |
This next war will be fought in the air. |
01:00:45 |
The next war? |
01:00:48 |
Oh, no, no, Geoff. |
01:00:50 |
This time, it won't be for territories |
01:00:54 |
Our souls? Ah, good. |
01:00:57 |
Sowe still have them, do we? |
01:01:00 |
But no, I mustn't judge others |
01:01:03 |
You have a soul, Geoff. |
01:01:06 |
I must have mislaid it then. |
01:01:11 |
-Well, shall we brave the rides? |
01:01:15 |
[ Geoffrey ] |
01:01:18 |
- Shall we go back? |
01:01:21 |
I'll fortify myself for the bus ride. |
01:01:24 |
Go on. I'll - I'll, uh, catch up. |
01:01:30 |
I think perhaps you've |
01:01:33 |
I would've come back sooner. |
01:01:36 |
Why didn't you? |
01:01:38 |
Well, I wasn't sure he wanted me to. |
01:01:42 |
I don't think he ever read them. |
01:01:44 |
- What? |
01:01:47 |
He carries them around |
01:01:50 |
but I don't think he ever opened them. |
01:01:52 |
[Bells Jangling ] |
01:01:55 |
I cannot find them at all. |
01:01:58 |
Think of places you can go. |
01:02:00 |
Think in your mind the cantinas |
01:02:04 |
-Think. |
01:02:07 |
Hmm. Si. El Sol de la Noche. |
01:02:10 |
They're not there. |
01:02:12 |
El Popo? No. El Petate? No. |
01:02:17 |
Uh, Todos Contentos y Yo También? |
01:02:20 |
No. |
01:02:22 |
- El Farolito. |
01:02:25 |
Senor Consul, you never been there. |
01:02:28 |
- Yes, once. |
01:02:32 |
Gentlemens never go to El Farolito. |
01:02:35 |
Es horrible. Es muymalo. |
01:02:38 |
Men balls turn blue... |
01:02:41 |
and then they go sick, |
01:02:44 |
Ha! If anybody be there, |
01:02:49 |
Believe me, dona Gregoria, |
01:02:55 |
There's no need to break my glass. |
01:02:57 |
Only fill it again on your own, |
01:03:00 |
Ay, senor Consul. Hmm. |
01:03:02 |
After a while, I began to wonder. |
01:03:06 |
If a man can hold his liquor as well as Geoff, |
01:03:09 |
Somehow, Hugh, |
01:03:12 |
I'm simply at a loss |
01:03:15 |
Perhaps we should get away from here, |
01:03:19 |
- Find a farm somewhere. |
01:03:23 |
A real farm, with a red barn and silos |
01:03:28 |
What, no guinea fowl? |
01:03:32 |
- Is it so fantastic? |
01:03:36 |
We have money. Enough. |
01:03:38 |
[ Chuckling ] |
01:03:42 |
It's just the notion of Geoff |
01:03:44 |
in bib overalls and a straw hat, |
01:03:47 |
Well, it wouldn't have to be |
01:03:51 |
What if he hates farms? |
01:03:53 |
Maybe the mere sight of a cow |
01:03:56 |
Well, maybe it's ridiculous, but at least |
01:04:00 |
[ Shouting In Spanish ] |
01:04:02 |
No. Gracias. No. No. |
01:04:05 |
- [ Children Clamoring ] |
01:04:10 |
-No, gracias. |
01:04:12 |
- No, gracias. |
01:04:15 |
[ Chattering Continues ] |
01:04:18 |
Here's to your love. |
01:04:21 |
- Well - |
01:04:24 |
In fact, she has. |
01:04:28 |
So it is. One day, |
01:04:31 |
She has. |
01:04:35 |
Senor Consul, if you had esposa... |
01:04:38 |
you would lose everything |
01:04:41 |
Oh. |
01:04:44 |
Because is beautiful to have love. |
01:04:48 |
But your mind is "occupated" |
01:04:51 |
So you will never lose your mind. |
01:04:55 |
**[ Carnival ] |
01:05:03 |
I hope your wife come back soon. |
01:05:06 |
She's there, right now. Out there. |
01:05:12 |
You can ever think of it. |
01:05:15 |
Ay, senor Consul. |
01:05:18 |
- No, a bottle of Habanero, por favor. |
01:05:22 |
Como no, senor Consul. |
01:05:24 |
Ahora se la traigo. |
01:05:30 |
Ah, you know, senor Consul... |
01:05:35 |
I think you going to see |
01:05:40 |
I can see you together... |
01:05:43 |
laughing in a very nice place. |
01:05:46 |
In the placeyou used to laugh. |
01:05:49 |
Huh? |
01:05:53 |
Ay, gracias, senor Consul. |
01:05:59 |
-Adios. |
01:06:05 |
** [ Continues ] |
01:06:11 |
[ Shouting In Spanish ] |
01:06:15 |
[ Groans ] |
01:06:17 |
Uno- |
01:06:19 |
[ Shouting Continues ] |
01:06:21 |
Whoa! |
01:06:28 |
[Man Shouting, Laughing ] |
01:06:34 |
[ Children Shouting ] |
01:06:42 |
[ Speaking Spanish ] |
01:06:59 |
Here we go. |
01:07:02 |
[Shouts ] |
01:07:07 |
[ Laughing ] |
01:07:09 |
[Laughing Continues ] |
01:07:11 |
[ Gasps ] |
01:07:14 |
[ Shrieking ] |
01:07:18 |
[ Shrieking, Shouting ] |
01:07:22 |
Ride 'em, cowboy! |
01:07:27 |
[ Excited Shouting In Spanish ] |
01:07:30 |
Go on, my beauty! |
01:07:33 |
For your life! |
01:07:35 |
[ Laughs, Shouting ] |
01:07:40 |
[ Geoffrey Laughing ] |
01:07:45 |
- [ Coins Clinking ] |
01:07:52 |
M-My heels kicked at heaven! |
01:07:55 |
Oh! Gracias! |
01:07:58 |
Gracias. Gracias. |
01:08:00 |
Gracias. Gracias. |
01:08:02 |
Gracias. Gracias. Gracias. Gracias. |
01:08:06 |
Gracias. Gracias. |
01:08:11 |
- Let's forget the charreada, Geoff. |
01:08:14 |
Forward to the arena! |
01:08:17 |
[ Clears Throat ] |
01:08:38 |
It's like riding over the moon. |
01:08:45 |
I thought divorcées didn't wear |
01:08:50 |
- They don't. |
01:08:54 |
I couldn't get the ring off. |
01:08:58 |
He's a bloody sinarquista. |
01:09:02 |
They're the ones |
01:09:05 |
The ones getting money |
01:09:28 |
Stop. Stop the bus. Alto. |
01:09:42 |
[ Panting ] |
01:09:44 |
- Prohibido. |
01:09:50 |
[ Gasping ] |
01:09:54 |
[ Geoffrey] |
01:09:56 |
Geoffrey, it's the flute player. |
01:09:58 |
- A doctor in Tomalin? |
01:10:00 |
- Go on, Geoff. Let's get him on the bus. |
01:10:03 |
No, senor. We go to jail. |
01:10:07 |
It is the law. |
01:10:09 |
Let it go, Hugh. |
01:10:12 |
[ Gasping Stops ] |
01:10:14 |
Well, we have to help him. |
01:10:16 |
It's too late. |
01:10:21 |
What you doing? |
01:10:26 |
- You murder? |
01:10:30 |
- You know who murder? |
01:10:33 |
He's dead, Hugh. Let it go. |
01:10:44 |
Vamonos! |
01:10:59 |
He was thrown from the horse. |
01:11:02 |
Come from the market. |
01:11:10 |
Could've gotten yourself shot. |
01:11:55 |
- **[Brass Band: Festive ] |
01:12:02 |
Ole! |
01:12:06 |
Ole! |
01:12:18 |
- **[ Continues ] |
01:12:27 |
Gracias. |
01:12:32 |
Buenas tardes. |
01:12:34 |
Perhaps you'd like to start |
01:12:36 |
- "Hin fish?' |
01:12:39 |
- Gin fizz. |
01:12:42 |
Tequila, por favor. |
01:12:45 |
Uh, si. "Hin fish." |
01:12:47 |
Uh, "hin fish" for the lady. |
01:12:49 |
- Tequila doble, por favor. |
01:12:51 |
You like eggs, senora? |
01:12:54 |
Stepped-on eggs? Divorced eggs? |
01:12:59 |
Uh, no "poxy" eggs for me. |
01:13:01 |
What's this? |
01:13:04 |
- [ Waiter ] Pollo de la casa. |
01:13:07 |
- [ Geoffrey ] Shall we try the spectral chicken? |
01:13:10 |
Pollopara todos, por favor. |
01:13:13 |
- Muchas gracias. |
01:13:16 |
Ah, the cocktails have arrived. |
01:13:19 |
Gracias. |
01:13:24 |
** [ Singing Continues ] |
01:13:29 |
- Ole! |
01:13:32 |
Muchas gracias, senor. |
01:13:36 |
- Oh. |
01:13:40 |
- Si, senor. |
01:13:47 |
** [ Strums Chord ] |
01:13:52 |
** [ Playing ] |
01:14:02 |
* Madrid, you wondrous city * |
01:14:06 |
* Madrid, you wondrous city * |
01:14:10 |
* Madrid, you wondrous city * |
01:14:14 |
- *Mamita mia* |
01:14:17 |
*We wanted to take you * |
01:14:19 |
*They wanted * |
01:14:23 |
*To take you * |
01:14:30 |
* But your courageous children * |
01:14:33 |
*But your courageous children* |
01:14:38 |
*But your courageous children* |
01:14:42 |
* Mamita mia |
01:14:47 |
* Did not * |
01:14:51 |
* Disgrace you * |
01:14:58 |
* And all your tears of sorrow * |
01:15:01 |
- *And all your tears of sorrow* |
01:15:05 |
*And all your tears of sorrow* |
01:15:10 |
* Mamita mia |
01:15:15 |
*We shall * |
01:15:19 |
* Avenge them ** |
01:15:28 |
-[Hugh ] Gracias, senor. |
01:15:33 |
Gracias, senor. |
01:15:41 |
Had an English friend fighting in Spain. |
01:15:44 |
He was there from the start. |
01:15:46 |
During the Battle of Madrid... |
01:15:48 |
he layholed up with a machine gun |
01:15:52 |
reading Carlyle between attacks. |
01:15:57 |
He was a Communist. |
01:16:00 |
Approximately the best man I ever met. |
01:16:04 |
Had a taste for Vin Rose d'Anjou... |
01:16:09 |
and a dog named Harpo. |
01:16:12 |
You wouldn't expect a Communist |
01:16:15 |
Or would one? |
01:16:18 |
He'd been reported dead |
01:16:20 |
and both times |
01:16:24 |
So when he was listed |
01:16:27 |
no one took any notice... |
01:16:29 |
expecting him |
01:16:32 |
hale as ever. |
01:16:36 |
He didn't. |
01:16:40 |
Cervantes! Otros tequila, por favor! |
01:16:44 |
A bottle! |
01:16:48 |
When I think of the men I knew there - |
01:16:50 |
the ones who stayed and died - |
01:16:54 |
Christ, I feel like a deserter. |
01:16:56 |
I should never have left. |
01:16:58 |
You said yourself it was a lost cause. |
01:17:00 |
My conscience says that's no excuse. |
01:17:03 |
What do you know |
01:17:07 |
Remember who you're talking to. |
01:17:09 |
Master of the S.S. Samaritan... |
01:17:11 |
whose hands - these very hands - |
01:17:15 |
flung seven German officers |
01:17:18 |
- You did not. |
01:17:22 |
The tale gets taller |
01:17:25 |
Geoffrey, you know very well you didn't. |
01:17:27 |
The British Navy doesn't |
01:17:31 |
Well, I might have done it. |
01:17:33 |
I was the commanding officer responsible. |
01:17:37 |
You can't apologize for some things. |
01:17:39 |
The past fills up quicker than we know. |
01:17:41 |
"Firmin innocent. |
01:17:47 |
Bears your guilt as well, doesn't he? |
01:17:52 |
He invited... |
01:17:54 |
the heart full of dust... |
01:17:57 |
that he got. |
01:17:59 |
Cervantes! Tequila! |
01:18:01 |
**[Brass Band Resumes ] |
01:18:03 |
[ Crowd Applauding, Cheering ] |
01:18:12 |
- **[ Continues ] |
01:18:57 |
[ Crowd Applauding, Cheering ] |
01:19:03 |
[ Crowd ] |
01:19:08 |
He's quite good actually. |
01:19:13 |
[ Crowd ] |
01:19:15 |
Ole! |
01:19:20 |
[ Crowd ] |
01:19:23 |
It was always one of his dreams - |
01:19:25 |
He practices veronicas |
01:19:29 |
[Applauding ] |
01:19:31 |
Ole! |
01:19:36 |
- **[Band Resumes ] |
01:19:39 |
[ Crowd Shouting Cheering ] |
01:19:43 |
[ Crowd Gasping ] |
01:19:46 |
[ Woman ] |
01:19:50 |
Olé! |
01:19:57 |
Ole! Bravo, Hugh! |
01:20:06 |
[ Crowd Chanting ] |
01:20:11 |
Toreador! Toreador! |
01:20:17 |
Toreador! Toreador! |
01:20:19 |
Toreador! Toreador! |
01:20:22 |
Toreador! Toreador! |
01:20:25 |
Toreador! Toreador! Toreador! |
01:20:28 |
[ Cheering ] |
01:20:31 |
[ Men Shouting In Spanish ] |
01:20:42 |
- Geoffrey, listen. Look at me. |
01:20:45 |
- There's nothing holding us here any longer. |
01:20:48 |
- Let's go away together. |
01:20:52 |
It's not too late. |
01:20:54 |
- We can -We can start again. |
01:20:56 |
Yes, in another place. |
01:21:00 |
Why not? |
01:21:04 |
Oh, I love you. |
01:21:06 |
So do I. So do I. |
01:21:09 |
- I've fallen down somewhat. |
01:21:12 |
- We could go north, to Maine or Canada. |
01:21:15 |
Find a cabin slap-bang on the sea. |
01:21:18 |
Cliffs beaten by the surf. |
01:21:22 |
- We could. We really could. |
01:21:25 |
Draw our own water. |
01:21:27 |
- Afterall, I'm still as strong as a horse. |
01:21:29 |
- What's all this? |
01:21:32 |
Headed north, where there's snow |
01:21:36 |
[ Sighs ] |
01:21:38 |
No, no. |
01:21:40 |
Escape into the wilderness |
01:21:44 |
Get to know the trappers |
01:21:48 |
the last free men on Earth. |
01:21:50 |
Nothing but tall pines. |
01:21:54 |
Quite a life. Tranquil isolation. |
01:21:57 |
Quite. |
01:21:59 |
Stuck between the forest and the sea... |
01:22:02 |
where there's all the time there is. |
01:22:06 |
Yvonne'll make pottery. |
01:22:08 |
- [ Laughs ] |
01:22:10 |
[ Chuckles ] |
01:22:12 |
Go further north each winter. |
01:22:15 |
Strike for the Pole. |
01:22:20 |
Build igloos. |
01:22:22 |
Uh, uh, when- |
01:22:26 |
fresh from his heroics |
01:22:29 |
I'll show proper Eskimo hospitality |
01:22:32 |
to bed down with |
01:22:38 |
Geoff, what possesses you? |
01:22:45 |
Sobriety, I'm afraid. |
01:22:48 |
Too much moderation. |
01:22:52 |
I need drink desperately. |
01:22:57 |
[Inhales, Sighs ] |
01:23:01 |
[ Gasps ] |
01:23:04 |
[ Panting ] |
01:23:08 |
What an uncommon time |
01:23:12 |
paddling palms, |
01:23:15 |
while I was having bouts |
01:23:20 |
"It isn't too late, "she said. |
01:23:24 |
Why isn't it too late? |
01:23:27 |
No, I thought it was - |
01:23:31 |
It's only she that insists |
01:23:35 |
because she can't get |
01:23:41 |
Geoffrey. Geoffrey, I've come... |
01:23:46 |
cr - crawling back. |
01:23:51 |
What m-more can I do? |
01:23:53 |
Let me be your wife. |
01:23:58 |
When has she ever been a wife to me? |
01:24:01 |
Where are the children |
01:24:03 |
- that drowned to the rattling - |
01:24:05 |
of a thousand douche bags? |
01:24:10 |
Hugh, on the threshold of paradise... |
01:24:14 |
puffing over her gills like a codfish, |
01:24:18 |
prime as a goat, hot as a monkey, |
01:24:23 |
Let them wallow here in their bliss |
01:24:30 |
Hell's... |
01:24:32 |
my preference. |
01:24:36 |
I choose hell. |
01:24:39 |
[ Chuckles ] |
01:24:41 |
Hell is my natural habitat. |
01:24:51 |
[ Grunts ] |
01:25:04 |
Let him go, Yvonne. |
01:25:06 |
- There's nothing one can do when he's like this. |
01:25:09 |
He'll drink himself sober |
01:25:12 |
- Hugh, we were wrong, not Geoffrey. |
01:25:15 |
He won't let us. |
01:25:18 |
I want his. |
01:25:20 |
[ Sighs ] |
01:25:23 |
[ Coins Jingling, Clattering In Dish ] |
01:25:30 |
[Vehicle Horn Honking ] |
01:25:32 |
Hola! Bus! |
01:25:40 |
Geoffrey! |
01:26:06 |
[Water Splashes ] |
01:26:09 |
[ Shouting ] |
01:26:17 |
[ Gunshot ] |
01:26:21 |
[ Whooping, Shouting Continues ] |
01:26:27 |
[ Cocks Squawking ] |
01:26:35 |
[Laughing, Chattering In Spanish ] |
01:26:42 |
Mezcal. |
01:26:44 |
[ Speaking Spanish ] |
01:26:47 |
[ Women Laughing ] |
01:26:49 |
[Spanish Continues ] |
01:26:54 |
Mezcal, por favor. |
01:26:58 |
[ Spanish ] |
01:27:01 |
Ay, el ingles. |
01:27:20 |
I know who you are. Si. |
01:27:23 |
My England man! Mi amigo! |
01:27:27 |
My friend. Old time, old time. |
01:27:30 |
Oh, nice to see you. |
01:27:32 |
You were very borracho. Whole time |
01:27:36 |
What do you want? |
01:27:39 |
Cuatro mezcal, por favor. |
01:27:42 |
Anis, para mi. |
01:27:44 |
You buy, then I'll buy, then you. |
01:27:47 |
What do you want, my England man? |
01:27:50 |
I give you the beautiful girl? |
01:27:53 |
- No, gracias. |
01:27:56 |
No good, "no, gracias. " |
01:27:58 |
I give you the most beautiful girl, |
01:28:01 |
No, you can't. |
01:28:03 |
Everywhere. |
01:28:05 |
You want, uh, a little girl? Petra. |
01:28:13 |
I give you a little girl. |
01:28:16 |
You want the big girl? Sofia. |
01:28:19 |
I give you Sofia. |
01:28:23 |
You want a boy? |
01:28:25 |
I guarantee all clean. |
01:28:28 |
What do you want? |
01:28:32 |
- How 'bout it? |
01:28:34 |
- The works. |
01:28:36 |
The works - |
01:28:40 |
It's all covered in the Old and New Testimony, |
01:28:44 |
What one don't say, the other do. |
01:28:48 |
Am I right, or am I wrong? |
01:28:51 |
You're absolutely right, my friend. |
01:28:53 |
This man es asshole americano. |
01:28:57 |
I no like americanos. |
01:29:00 |
- Is asshole man. Get outta here! |
01:29:04 |
- **[Trumpet: Fanfare ] |
01:29:07 |
[ Cheering, Shouting ] |
01:29:18 |
[ Chattering In Spanish ] |
01:29:24 |
**[ Continues ] |
01:29:27 |
[Thunder Rumbling ] |
01:29:44 |
[ Laughing, Speaking Spanish ] |
01:29:54 |
Hey, I have something for you, senor. |
01:29:57 |
[ Speaking Spanish ] |
01:30:02 |
Oh, my wife is picking up eggs |
01:30:07 |
She takes a baby, |
01:30:10 |
and this cockcomes out |
01:30:14 |
She wants to kill him. |
01:30:18 |
This is un bruto. |
01:30:21 |
You know what he did? |
01:30:23 |
He won seven straight fights. |
01:30:27 |
Seven straight fights. |
01:30:31 |
Ah, here you are, senor. |
01:30:34 |
Look. Do you recognize them? |
01:30:47 |
Wait, hombre. |
01:30:49 |
Bonita muchacha |
01:31:02 |
Hola, tia. |
01:31:09 |
Where is su senora? |
01:31:14 |
He's also a drunkard. |
01:31:17 |
[ Both Laughing ] |
01:31:50 |
[Yvonne's Voice ] |
01:31:52 |
and my throat is tight |
01:31:55 |
Geoffrey, why don't you answer me? |
01:31:59 |
If you no longer love me and do not |
01:32:03 |
will you not write and tell me so? |
01:32:05 |
It is your silence that frightens me. |
01:32:08 |
- **[ Continues ] |
01:32:13 |
What has happened to our hearts? |
01:32:15 |
Don't we owe it to ourselves... |
01:32:18 |
to that self we created apart from us... |
01:32:21 |
to try again? |
01:32:24 |
I am sorry. |
01:32:27 |
I am so sorry. |
01:32:31 |
Not enough. |
01:32:34 |
Never enough. |
01:32:38 |
It's not possible. |
01:32:44 |
Not... in this world. |
01:32:48 |
**[ Continues ] |
01:33:07 |
Bueno. Estoybien. |
01:33:46 |
- Si? |
01:33:54 |
Muchachas! |
01:33:59 |
[ Spanish Continues ] |
01:34:02 |
[Women Chattering In Spanish ] |
01:34:24 |
[Thunder Rumbling ] |
01:34:31 |
Quieres a Maria? |
01:35:05 |
[Thunder Continues ] |
01:35:08 |
[Rain Pattering ] |
01:35:31 |
[ Moans ] |
01:35:53 |
I'm looking for a tall man. |
01:35:55 |
Englishman. White clothes. |
01:35:58 |
- No hablo ingles, senor. |
01:36:02 |
- Si. Si. |
01:36:05 |
- What? |
01:36:07 |
- Let's go, Yvonne. |
01:36:11 |
Oh, all right. |
01:36:13 |
Wait here. |
01:36:16 |
- **[ Continues ] |
01:36:52 |
Ingles? |
01:36:57 |
[Laughing ] |
01:37:06 |
[ Gasps ] |
01:37:10 |
[ Crying ] |
01:37:15 |
Oh, Geoffrey! |
01:37:18 |
[ Men Laughing ] |
01:37:20 |
Geoffrey! |
01:37:51 |
[ Chattering Continues ] |
01:38:02 |
You pay. |
01:38:05 |
- I paid the girl. |
01:38:12 |
- Pay more. |
01:38:19 |
Okay, my England man. |
01:38:22 |
Maria, she very clean. |
01:38:24 |
If you need doctor, |
01:38:28 |
Good man doctor. Here. Come on. |
01:38:31 |
Here. Here. |
01:38:41 |
**[ Continues ] |
01:38:45 |
[ Laughing ] |
01:38:48 |
[ Chattering In Spanish ] |
01:38:57 |
- Ah, my friend. |
01:38:59 |
My friend, my friend, old time. |
01:39:03 |
[ Slurred ] Mozart was the man |
01:39:06 |
This man is nothing for you. |
01:39:09 |
You England man. |
01:39:12 |
They no good for you orfor me. |
01:39:14 |
My Mexican - |
01:39:18 |
You gotta study deep down to know |
01:39:22 |
That's my religion |
01:39:25 |
Mozart was a lawyer. |
01:39:28 |
Oh, American no good. |
01:39:31 |
I happen to be an American... |
01:39:33 |
and I'm getting extremely bored |
01:39:45 |
[Rain Pattering ] |
01:40:22 |
Que esta haciendo? |
01:40:25 |
What are you doing? |
01:40:29 |
Nothing. |
01:40:33 |
I... heard tell that the world |
01:40:39 |
so I'm going to wait here... |
01:40:43 |
for my house to go by. |
01:40:47 |
Then I'm gonna go inside... |
01:40:55 |
You want to steal mi caballo, huh? |
01:40:59 |
No. |
01:41:01 |
No, amigo mio. |
01:41:05 |
Just looking. |
01:41:08 |
Por favor. Mmm? |
01:41:13 |
**[ Continues ] |
01:41:16 |
- Ya pagopor la bebida? |
01:41:19 |
El no ha pagado lo suficiente |
01:41:21 |
Hmm. They say there is trouble |
01:41:26 |
You no pay for a drink. |
01:41:29 |
You no have money, eh? |
01:41:31 |
Si. Gracias. |
01:41:33 |
- I have money. |
01:41:36 |
You no have money, |
01:41:40 |
- [ Laughing ] |
01:41:43 |
No, I was merely admiring it. |
01:41:47 |
Looking at your horse. Admiring. |
01:41:50 |
For why you look at mi caballo? |
01:41:55 |
I think you steal. |
01:41:57 |
To run away for to not pay money. |
01:42:00 |
No, I-I already paid the girl. |
01:42:04 |
You don't pay enough! |
01:42:06 |
I think you pay... more. |
01:42:10 |
Certainly. Certainly. |
01:42:13 |
Ah. |
01:42:17 |
Como te llamas? |
01:42:19 |
This man is chief of municipality. |
01:42:22 |
He want to know your name. |
01:42:24 |
Si, si, si. |
01:42:26 |
We want to know your names. |
01:42:31 |
- Trotsky. |
01:42:35 |
[ Chuckles ] |
01:42:38 |
William Blackstone. |
01:42:40 |
You cabron Juden. |
01:42:43 |
No, no, no. Blackstone. |
01:42:45 |
Jews are very seldom, uh, |
01:42:49 |
So - |
01:42:51 |
Where you come from? |
01:42:53 |
From Russia, eh? |
01:42:57 |
Uh, I'm - |
01:42:59 |
[ Clears Throat] |
01:43:02 |
This man is chief of gardens. |
01:43:05 |
Jefe de jardineros. |
01:43:07 |
I am chief too. |
01:43:10 |
And you - |
01:43:12 |
you are chief of borrachos. |
01:43:14 |
[ Chuckling, Muttering ] |
01:43:17 |
[Chief Of Stockyard ] |
01:43:20 |
For whyyou make disguise? |
01:43:22 |
I think he's, uh, maybe a spy then. |
01:43:27 |
-[Laughing ] |
01:43:32 |
You a Russian spy? |
01:43:34 |
No comprendo. |
01:43:37 |
William Blackstone, frontiersman. |
01:43:40 |
- [ Chuckles ] |
01:43:47 |
**[Band Resumes ] |
01:43:59 |
[ Geoffrey ] |
01:44:12 |
Go. Go. Vete rapido. |
01:44:16 |
Estos hombres |
01:44:18 |
Son malos. Vamonos. |
01:44:21 |
Go. |
01:44:23 |
Gracias, senora. |
01:44:30 |
- Como estas? |
01:44:42 |
[ Geoffrey Chuckles ] |
01:44:46 |
Where is your passport, eh? |
01:44:52 |
What for you lie? |
01:44:54 |
Your name no is Black. |
01:44:57 |
Hmm. Cabron. |
01:45:01 |
You Bolshevik prick? |
01:45:05 |
Como chingado te llamas? |
01:45:08 |
Blackstone. |
01:45:10 |
It say here your name is Firmin. |
01:45:14 |
I don't give a damn |
01:45:18 |
My name is Blackstone. |
01:45:21 |
Where your papers? |
01:45:24 |
For why you have no papers, eh? |
01:45:32 |
Give me those letters. |
01:45:34 |
You pox coxes! |
01:45:37 |
You cox coxes! |
01:45:40 |
You murdered that Indian. |
01:45:43 |
Tried to pretend |
01:45:46 |
You stole his money. |
01:45:49 |
You stole his horse! |
01:45:53 |
Give me... my letters! |
01:45:57 |
What letters, cabron? |
01:45:59 |
Your name is Black, |
01:46:04 |
[ Gasps, Chattering ] |
01:46:09 |
Give me my letters. |
01:46:13 |
I blow you wide open from your knees... |
01:46:17 |
you chingado Jew! |
01:46:25 |
You swines. |
01:46:27 |
You murderers! |
01:46:30 |
Give me my letters! |
01:46:35 |
Trash! |
01:46:38 |
Only the poor, the people |
01:46:44 |
old men carrying their fathers... |
01:46:47 |
philosophers weeping in the dust- |
01:46:49 |
will be saved! |
01:46:53 |
The beggars and the accursed! |
01:46:55 |
I blow you wide open from your knees, |
01:47:00 |
Stop walking in your sleep. |
01:47:04 |
Stop sleeping with my wife. |
01:47:08 |
[ Gunshots ] |
01:47:12 |
-[ Geoffrey Screaming ] |
01:47:13 |
[Gunshot ] |
01:47:16 |
- Geoffrey! |
01:47:48 |
[ Groans ] |
01:47:50 |
What a... |
01:47:52 |
dingy way to die. |
01:47:56 |
[ Groans ] |