Undercurrent
|
00:01:24 |
Morning, Professor Hamilton. Telegram. |
00:01:26 |
- Thanks, Luke. |
00:01:29 |
...and not wait till you get to the college. |
00:01:32 |
- Nippy. More snow in the air. |
00:01:34 |
- Morning, professor. |
00:01:37 |
Morning. |
00:01:46 |
- Fruit's on. |
00:01:47 |
Mr. Garroway's coming to see me |
00:01:50 |
- When he comes, please ask him to wait. |
00:01:53 |
- Eligible what? |
00:01:55 |
Is he between 25 and 40, |
00:01:58 |
Oh, I should think Garroway's about 30. |
00:02:00 |
- Well...? |
00:02:02 |
Can he support a wife? |
00:02:05 |
After a fashion. |
00:02:06 |
I should judge he has a rough |
00:02:09 |
Ask a foolish question, get a fool... |
00:02:11 |
Do you want your daughter |
00:02:14 |
Nothing wrong with being an old maid. |
00:02:15 |
"Nothing wrong with being an old maid." |
00:02:18 |
I'm afraid we'll have to leave that |
00:02:21 |
Now, don't go leaving it |
00:02:23 |
Men'll get tired asking her someday. |
00:02:25 |
Even Professor Bangs'll get tired. |
00:02:27 |
- If that ain't him now, I'll eat the doorbell. |
00:02:35 |
- Fruit's... |
00:02:41 |
Good morning, Lucy. |
00:02:42 |
- Fruit's on. |
00:02:45 |
Rummy, get out of that lab. |
00:02:48 |
Haven't I told you a thousand times |
00:02:51 |
You come here, you old rapscallion. |
00:02:53 |
You bunch of trouble. |
00:02:55 |
- Hello, Lucy. |
00:02:57 |
Hello, Rummy. |
00:02:59 |
- Hi, Ann. |
00:03:01 |
I thought I'd drop by |
00:03:04 |
Stop lying, Joe. |
00:03:07 |
If you want the truth... |
00:03:08 |
...I came to see if you looked as good |
00:03:12 |
Oh, Joseph, not on an empty stomach. |
00:03:14 |
Door's open, professor. |
00:03:16 |
Sorry. Didn't notice. |
00:03:17 |
Always a little chilly |
00:03:20 |
- Hello, Bangs. |
00:03:22 |
- Just gonna have breakfast. Join us? |
00:03:25 |
What are you gonna do some morning |
00:03:28 |
- Faint. |
00:03:30 |
...and being constantly frustrated has a |
00:03:35 |
- Ann turn you down again? |
00:03:37 |
- Last night, 8:00, Eastern Standard Time. |
00:03:41 |
- Sit there, Bangs. |
00:03:43 |
Can I reach Ann from here... |
00:03:44 |
...in case I suddenly ask her again |
00:03:47 |
Don't fumble at me, Joe. |
00:03:49 |
I wonder what Rummy wants in the lab. |
00:03:54 |
Speaking of angels. |
00:03:55 |
All right. Come on in, |
00:03:57 |
Come on, Rummy. Come on. |
00:04:00 |
Get up there. Come on. |
00:04:03 |
No, but, Dink, it's very mysterious. |
00:04:07 |
Hey, Rummy. |
00:04:11 |
You know, tetradite has a smell |
00:04:17 |
You mean, Rummy |
00:04:20 |
But he might blow up. |
00:04:22 |
Go ahead, Rummy, I don't care. |
00:04:26 |
In the meantime, I haven't got classes, |
00:04:29 |
No, you take a walk, Joe. |
00:04:32 |
Maybe you ought to give Bangs |
00:04:34 |
Hey, you. Lucy on my neck is enough. |
00:04:37 |
Where I'm concerned, I guess |
00:04:40 |
Well, Joe, if you must be banal, |
00:04:44 |
And where there's no spark, |
00:04:48 |
- No eggs, Lucy, dear. |
00:04:50 |
Oh, not poached. |
00:04:53 |
- Oh, please, not poached. |
00:04:55 |
Then they are poached. |
00:04:57 |
Rummy, be ready and be quick. |
00:05:00 |
If you can eat tetradite, |
00:05:02 |
Oh, poached eggs. That's different. |
00:05:05 |
If you've got a guest, |
00:05:08 |
- He won't stay for dinner. |
00:05:10 |
- A man. |
00:05:12 |
Not Garroway. |
00:05:14 |
I bet he comes in riding piggyback |
00:05:17 |
Not Kaiser. Just Garroway, |
00:05:21 |
Dink, you're joking. Not Garroway. |
00:05:23 |
Why does everyone say, "Not Garroway"? |
00:05:26 |
You mean you don't know? |
00:05:29 |
The inventor of the famous |
00:05:31 |
Ask a foolish question, get a foolish... |
00:05:34 |
For full details on Mr. Garroway, |
00:05:37 |
...of practically any magazine. |
00:05:39 |
"Read your monograph on tetradite. |
00:05:42 |
Stopping by. |
00:05:45 |
If I didn't know it before, I know it now: |
00:05:48 |
People come from all over the world |
00:05:51 |
Garroway, |
00:05:53 |
Smooth as patent leather. |
00:05:55 |
Met him in Washington. Didn't like him. |
00:05:58 |
Don't be too sure. Eggs are getting cold. |
00:06:01 |
Sorry. |
00:06:05 |
Pray for me. |
00:06:06 |
Go to it, Rummy. Get going, |
00:06:10 |
...believe it or not, |
00:06:13 |
...and he ran 29 yards with it |
00:06:19 |
Lucy, I bet you wonder what I'm doing. |
00:06:30 |
It's 6:30. |
00:06:32 |
Good gosh. |
00:06:33 |
- Where does the time go? |
00:06:36 |
He must be long-winded. |
00:06:39 |
There's nothing wrong with him. |
00:06:41 |
Dinner's been ready for half an hour. |
00:06:43 |
6:30, that's awful. |
00:06:46 |
His stomach always begins to growl |
00:06:50 |
I'm not worrying about my dinner |
00:06:53 |
Why hasn't your father |
00:06:56 |
- What do I know about tetradite? |
00:06:59 |
That's got nothing to do with it. |
00:07:00 |
It certainly is taking Dink a long time |
00:07:04 |
- Okay. |
00:07:06 |
- You're a mess. |
00:07:09 |
...he didn't come to see me. |
00:07:11 |
Well, he sure won't stay to see you |
00:07:15 |
Come on, boy. |
00:07:20 |
And that way, tetradite can be |
00:07:23 |
...in a matter of months |
00:07:25 |
I'll go still further. |
00:07:27 |
I guarantee to manufacture it at a price |
00:07:31 |
...or exploited to the public |
00:07:33 |
Oh, Ann, dear. Mr. Garroway. |
00:07:35 |
- My daughter. |
00:07:39 |
How do you do? |
00:07:42 |
How do you do? |
00:07:44 |
I'm sorry. I've been cleaning. |
00:07:47 |
- I hope you'll forgive me for barging in. |
00:07:50 |
You're going after |
00:07:53 |
- I understand it's the best. |
00:07:55 |
My manager, Mr. Warmsley, |
00:07:58 |
- He came on for the negotiations. |
00:08:01 |
Oh, I'm sorry, Ann. Here, take a look. |
00:08:04 |
You know I can't read those blueprints. |
00:08:08 |
I'm turning tetradite over |
00:08:11 |
It's all here. Quick, practical, cheap. |
00:08:15 |
I guarantee it, sir. |
00:08:17 |
You were very confident, Mr. Garroway. |
00:08:20 |
I think "presumptuous" is the word |
00:08:24 |
Well, maybe. |
00:08:30 |
- Dinner will be ready in 10 minutes. |
00:08:32 |
- Yes. You know, dinner. |
00:08:35 |
I'm not. You will join us, of course. |
00:08:37 |
- Of course. |
00:08:40 |
...while Miss Hamilton |
00:08:43 |
Oh, but I... |
00:08:44 |
Yes, naturally. I won't be a minute. |
00:08:47 |
Sure you wouldn't prefer a cocktail? |
00:08:49 |
No. No, thank you very much. |
00:08:53 |
- Your mother? |
00:08:56 |
She died three years ago. |
00:08:58 |
What a sweet-Iooking face. |
00:09:01 |
She was sweet, all right. |
00:09:05 |
...as good a one as dad, and a dynamo. |
00:09:09 |
Mine was just the opposite. |
00:09:12 |
Mother was an invalid for years. |
00:09:15 |
Whenever it snowed, she always said |
00:09:18 |
Walking in the snow. |
00:09:22 |
Why am I talking like this? |
00:09:25 |
- I like it. |
00:09:30 |
Is that why, Ann? |
00:09:32 |
Am I trying to please you? |
00:09:33 |
Whether you're trying or not, you are. |
00:09:37 |
Mr. Garroway, I was wondering... |
00:09:40 |
...were you surprised when I...? |
00:09:42 |
- Met? |
00:09:45 |
No. Whatever put that idea in your head? |
00:09:49 |
You look like no one |
00:09:52 |
That would be it. Someone you'd never |
00:09:56 |
It's quite a shock. |
00:09:59 |
Rummy, mind your manners. |
00:10:02 |
One of the tragedies of my life. |
00:10:05 |
- It's a sign of bad character. |
00:10:08 |
He has no character at all, lazy little... |
00:10:11 |
Eats tetradite. Steals it and eats it. |
00:10:13 |
I've got a dog in Virginia, boy, |
00:10:17 |
But I like you better, |
00:10:19 |
Well, you'll have to forgive him. |
00:10:22 |
If he could read, he'd know |
00:10:25 |
- Every magazine you pick up... |
00:10:27 |
No, seriously. |
00:10:29 |
As an American, I'm very proud to be |
00:10:33 |
- As an American? |
00:10:35 |
How do you feel about it as a girl? |
00:10:37 |
As a girl? |
00:10:40 |
Tickled pink. |
00:10:45 |
And catching that last plane |
00:10:49 |
I'm sorry Dink didn't get back. |
00:10:51 |
It's all right. Anyway, tell him |
00:10:55 |
- I certainly shall. |
00:10:56 |
- Good... |
00:10:58 |
- Electricity from your feet. |
00:11:01 |
Spark? |
00:11:40 |
How fresh this always is, and new. |
00:11:43 |
It always takes me into another world. |
00:11:46 |
Whatever world it was you were in, |
00:11:49 |
Of that I'm certain. |
00:11:53 |
- What do you mean, Dink? |
00:11:56 |
- Dink. |
00:11:58 |
You mustn't say that. |
00:12:00 |
Mustn't speak the truth? |
00:12:03 |
Well, that's not the truth. |
00:12:05 |
- I'm nobody, he's... |
00:12:11 |
All life isn't chemistry. |
00:12:13 |
More than you think. |
00:12:19 |
Oh, dear. Professor Joseph Bangs. |
00:12:24 |
- Hello, Joe. |
00:12:26 |
Thought I'd take a chance on finding you. |
00:12:31 |
- Flowers for you, Miss Hamilton. |
00:12:34 |
Come on in, Joe. |
00:12:42 |
Now, why didn't I think of that? |
00:12:47 |
Good heavens. Hello, Bangs. |
00:12:49 |
- Good evening, sir. |
00:12:51 |
- I can. |
00:12:58 |
Dozens of them. |
00:13:00 |
What a nice way for him |
00:13:03 |
Roses don't show respect, |
00:13:06 |
And we haven't got a vase big enough |
00:13:09 |
Garroway? |
00:13:10 |
Typical ostentation. |
00:13:13 |
Too much personality for a scientist. |
00:13:15 |
He's not a scientist. |
00:13:17 |
He invented |
00:13:19 |
Won the war with it, single-handed. |
00:13:21 |
It was... It is very important. |
00:13:24 |
However, in talking to him... |
00:13:26 |
...I felt I knew more |
00:13:29 |
I don't see why Alan Garroway has to be |
00:13:33 |
It's no crime, you know. Not yet. |
00:13:35 |
Excuse me. |
00:13:52 |
Oh, Dink, that was silly of me. |
00:13:54 |
- Joe go away mad? |
00:13:57 |
Bangs is all right. |
00:14:00 |
- I imagine he's a little jealous. |
00:14:03 |
- Alan Garroway isn't thinking of me. |
00:14:06 |
...another telegram came from him today. |
00:14:09 |
- He'll be back Thursday. |
00:14:13 |
Well, of course. |
00:14:14 |
- He has to. |
00:14:17 |
I know what you're thinking, |
00:14:19 |
- I'm nobody, and he's... |
00:14:22 |
- It happens all the time. |
00:14:24 |
You're my father. You love me. |
00:14:28 |
But Alan Garroway... |
00:14:30 |
Look at me. |
00:14:35 |
You look. |
00:14:39 |
Ann. |
00:14:41 |
- Ann, look here. |
00:14:42 |
Nothing yet. |
00:14:45 |
Now change the formula. |
00:14:50 |
There. |
00:14:52 |
- No nonsense now. That's tetradite. |
00:14:55 |
Well, love is a chemical formula, |
00:14:58 |
I recognize the formula. |
00:14:59 |
That's a very romantic conception, Dink, |
00:15:02 |
You're as bad as Joe Bangs |
00:15:04 |
Don't fight, my dear. |
00:15:06 |
Don't fight feeling the way you must. |
00:15:08 |
But don't think I like the idea, I don't. |
00:15:13 |
- I like our life together. |
00:15:15 |
But it's happening. |
00:15:18 |
You're foaming, my dear. |
00:15:19 |
- I'm not foaming. |
00:15:22 |
Now, pour you into a tube. |
00:15:25 |
Let's call it a church. |
00:15:27 |
Just a drop. |
00:15:31 |
- The world changes. |
00:15:34 |
Is that what you'll say |
00:15:36 |
When the chemist of heaven |
00:15:40 |
To have and to hold |
00:15:44 |
For better or worse, |
00:15:50 |
...in sickness and in health, |
00:15:54 |
...till death do you part. |
00:15:57 |
I will. |
00:15:58 |
I now pronounce you man and wife. |
00:16:15 |
All right? |
00:16:17 |
I've been higher than this |
00:16:21 |
- Will you fasten your safety belt, please? |
00:16:24 |
This is it. Washington. |
00:16:31 |
I'm impressed. |
00:16:33 |
The nearest I've ever been |
00:16:36 |
I wired Warmsley to meet us. |
00:16:37 |
He's the manager |
00:16:39 |
- Oh, I can't... |
00:16:43 |
- What did you say? |
00:16:45 |
No, no. Who? Mrs. Who? Who? |
00:16:48 |
You're very sweet. |
00:16:50 |
Mrs. Garroway. Mrs. Alan Garroway. |
00:16:53 |
Judas. |
00:17:10 |
- Hello, Mr. Garroway. |
00:17:11 |
This is my wife, Ann. Mr. Warmsley. |
00:17:15 |
The daughter |
00:17:17 |
- How do you do? Let me. |
00:17:20 |
That's all right. I can take this. |
00:17:22 |
- What was the matter? |
00:17:24 |
Well, he looked surprised. Why? |
00:17:26 |
- Didn't you tell him? |
00:17:28 |
He knew I went to see your father |
00:17:31 |
You don't look at all like tetradite. |
00:17:33 |
He's a good manager, Warmsley is. |
00:17:35 |
- How's the conference going? |
00:17:38 |
- I can leave for San Francisco tomorrow. |
00:17:41 |
There's the Jefferson Memorial, darling. |
00:17:44 |
Oh, Alan, this is an exciting town. |
00:17:47 |
We'll have dinner and then |
00:17:50 |
- People? |
00:17:51 |
Some of my friends are people, |
00:17:54 |
- Don't worry, darling. |
00:17:57 |
They'll probably take one look |
00:18:00 |
You'll be the most beautiful woman there. |
00:18:06 |
Oh, yes, I should say that |
00:18:10 |
Nothing and no one. |
00:18:15 |
- And the food was dreadful. |
00:18:17 |
- It's the best in town. |
00:18:22 |
- Alan. A few people? |
00:18:25 |
Thirty or 40? They're all wearing black |
00:18:28 |
Don't be silly, darling. You're stunning. |
00:18:30 |
Alan, I'm not stunning. |
00:18:34 |
Why didn't you tell me? This is awful. |
00:18:36 |
You're not gonna be thrown |
00:18:39 |
I'll get you all you want of those. |
00:18:41 |
Come on, Mrs. Garroway. |
00:18:44 |
A condemned man |
00:18:48 |
- No, you're joking. |
00:18:50 |
It happened right in the Senate chamber. |
00:18:53 |
- No. No. |
00:18:56 |
This is General and Mrs. Rand. |
00:18:58 |
- How do you do? |
00:18:59 |
- It was simply fraud. |
00:19:02 |
- How do you do? |
00:19:04 |
Mrs. Garroway! |
00:19:07 |
- Thank you very much. |
00:19:11 |
- Laura, this is Ann. Miss Webb, darling. |
00:19:14 |
- You're looking very handsome. |
00:19:16 |
- That's a good dress. |
00:19:18 |
Just a little old thing |
00:19:20 |
It could be the way you wear it. |
00:19:22 |
- Mrs. Garroway. |
00:19:25 |
Come on, Ann. Let's go over here. |
00:19:27 |
Side boys, a relic of the past. |
00:19:30 |
Oh, hello, Alan. |
00:19:33 |
- We were talking about... |
00:19:35 |
Mrs. Donegan, Captain Donegan, |
00:19:38 |
For what purpose do they serve, I ask? |
00:19:40 |
- Side boys. |
00:19:42 |
- Come here for a moment. |
00:19:44 |
Even civilians talk about tradition |
00:19:47 |
Let me tell you how ridiculous this is. |
00:19:50 |
Don't let us frighten you, my dear. |
00:19:54 |
I'm not frightened, really. |
00:19:57 |
He sent the records to this bureau. |
00:20:00 |
...he'd been transferred. |
00:20:03 |
- I've hardly understood a word. |
00:20:06 |
- Julia, darling. |
00:20:09 |
The governess has a perfect plum |
00:20:11 |
- You mean the thing we...? |
00:20:13 |
Oh, wonderful. Excuse me, my dear. |
00:20:17 |
I'm sorry. Pardon me. |
00:20:19 |
Mary. |
00:20:22 |
See you Tuesday, then? |
00:20:25 |
All its resources, hospitality... |
00:20:29 |
Here we are. |
00:20:32 |
Mrs. Garroway. There's Basil. |
00:20:36 |
It's going beautifully, darling. |
00:20:39 |
Only 300 words, |
00:20:42 |
Let's see. Who you don't know? |
00:20:45 |
Mr. Edley, Mr. Hollister |
00:20:47 |
Tony was just opening |
00:20:50 |
Tony's the only man |
00:20:52 |
Excuse me, darling. |
00:20:55 |
- Oh, please go on. |
00:20:57 |
...before Ourasanoff could |
00:21:00 |
...Svenska and Sir Gerald |
00:21:03 |
That's wonderful. |
00:21:05 |
As a result, Archie never even |
00:21:11 |
- Archie is Lady Melling's cousin. |
00:21:14 |
I know about that. Binky deliberately |
00:21:18 |
- And then... |
00:21:20 |
Sir Gerald was in the House chamber |
00:21:22 |
He was trying to line up Steven Jones! |
00:21:26 |
Poor Archie. |
00:21:29 |
Wait till he comes up against Tony. |
00:21:32 |
- And Peters. |
00:21:39 |
What is it, Ann? |
00:21:43 |
- Oh, stop it. I don't know... |
00:21:46 |
- What? |
00:21:48 |
- They know it was a mistake. |
00:21:50 |
Should've married one of those women. |
00:21:52 |
They all have husbands or sweethearts. |
00:21:54 |
Didn't you see |
00:21:56 |
They were thinking, |
00:21:59 |
- Is that all that's...? |
00:22:01 |
...but they thought I was pathetic. |
00:22:03 |
I'm gonna take this off |
00:22:05 |
- It's a perfectly nice dress. |
00:22:08 |
- I never want to see it again. I'll burn it. |
00:22:12 |
- I might as well dress in a potato sack. |
00:22:16 |
You're stuck with a wife |
00:22:18 |
- She doesn't know how to behave. |
00:22:22 |
- Alan, get it off, please... |
00:22:24 |
We'll go shopping. We'll get everything. |
00:22:26 |
By tomorrow night, you'll be |
00:22:29 |
You're already the loveliest. |
00:22:31 |
Oh, Alan, I'm sorry to be such a boob... |
00:22:35 |
...but I do wanna be good for you. |
00:22:37 |
- I wanna be right for you. |
00:22:40 |
I'll learn. |
00:22:41 |
I studied chemical formulas to help Dink. |
00:22:44 |
I'll learn to talk like your friends. |
00:22:47 |
I don't know how the heck I'll do it, |
00:22:50 |
If you do, I'll kill you. |
00:22:53 |
- Who do you belong to? |
00:22:56 |
That's all that matters to me. |
00:22:59 |
Is it, Alan? Is it? |
00:23:04 |
If you ever forget that, |
00:23:19 |
Will you please take that away |
00:23:21 |
...and make a figure of fun of myself. |
00:23:25 |
Hello, Mrs. Foster. How are you? |
00:23:36 |
Of course, I don't believe any of this. |
00:23:40 |
- You just relax. |
00:23:43 |
Doing very well, aren't we, darling? |
00:23:45 |
Now, this... This is my pet. |
00:23:50 |
I've been absolutely hiding it |
00:23:54 |
This suit is Mrs. Garroway, that's all. |
00:23:57 |
You like it, Ann? |
00:23:58 |
All I can say is, if that suit is me, |
00:24:02 |
All right, we'll take it. |
00:24:04 |
Tonight? Oh, I am sorry, but you see, |
00:24:09 |
- Okay, we'll take the model. |
00:24:12 |
- It isn't even in the works. |
00:24:14 |
- Tell her that special customer appeared. |
00:24:20 |
Alan, you know so much about clothes. |
00:24:22 |
How could you have let me wear |
00:24:25 |
- I'm in love with you. I didn't notice. |
00:24:30 |
But you couldn't do anything about it, |
00:24:34 |
Darling, you must... Oh, my feet are tired. |
00:24:38 |
Don't be afraid of hurting me. |
00:24:42 |
Is that Alan Garroway? |
00:24:47 |
- Hello, Mrs. Foster. |
00:24:49 |
The cash and the figure. |
00:24:53 |
This is a neighbor from Virginia. |
00:24:56 |
- Mrs. Foster, my wife. |
00:24:58 |
Read you were married. |
00:24:59 |
- When are you coming to Middleburg? |
00:25:01 |
Remember that strip of woods |
00:25:04 |
- Decided to sell. |
00:25:07 |
Well, you made a good choice, Alan. |
00:25:09 |
- She looks like a fine, honest girl. |
00:25:13 |
You...? You ride, of course? |
00:25:17 |
I'm afraid I'm not good at it. |
00:25:19 |
We're born on horses in Middleburg, |
00:25:22 |
- Yes. |
00:25:23 |
...but his brother Michael |
00:25:26 |
He's a horseman. |
00:25:29 |
Michael sailing over my fence like a bird, |
00:25:34 |
By the way, Alan, how is Michael? |
00:25:35 |
What's this about wanting |
00:25:38 |
Are you trying |
00:25:40 |
When she wears that dress tonight, |
00:25:42 |
- It's impossible. |
00:25:45 |
You might as well let him have it. |
00:25:47 |
How well I know. |
00:25:50 |
Goodbye. I look forward |
00:25:53 |
- Goodbye. |
00:25:54 |
And make Ann practice her riding. |
00:25:57 |
She's nice. You didn't tell me |
00:26:00 |
We've been busy, Ann. |
00:26:02 |
We're a little late. |
00:26:38 |
Something's troubling you, Alan. |
00:26:43 |
Is it something I've done? |
00:26:46 |
You're surprised that I hadn't told you |
00:26:49 |
- Your brother? No, we haven't... |
00:26:53 |
It's perfect. It's typical. |
00:26:55 |
Good old Mike. |
00:26:59 |
I'm sorry it had to come like this, Ann. |
00:27:02 |
Please don't tell me anything |
00:27:04 |
I want you to know. |
00:27:07 |
You'll meet people in San Francisco |
00:27:10 |
Adore him. |
00:27:12 |
He does that to people. |
00:27:15 |
Mother adored him. |
00:27:22 |
Mike's bright. Very bright. |
00:27:24 |
Knew how to handle people, |
00:27:28 |
When my father died, we took over |
00:27:31 |
...began to experiment. Mike ran |
00:27:35 |
That's when I started working |
00:27:38 |
I hardly ever saw Mike. |
00:27:41 |
We were making money |
00:27:43 |
...on automobile gadgets |
00:27:46 |
...when suddenly, |
00:27:49 |
I couldn't figure out why. |
00:27:51 |
Mike had bought a ranch |
00:27:54 |
He gave big parties, |
00:27:58 |
I decided to call in my own auditor. |
00:28:02 |
Mike must've thought I was an imbecile |
00:28:05 |
It's like putting your hand |
00:28:08 |
He was stealing from you? |
00:28:11 |
Yes, my own brother. |
00:28:14 |
I drove out to see him. |
00:28:16 |
I don't think I'll forget that night. |
00:28:18 |
Mike had a big party |
00:28:21 |
He was pretty drunk. |
00:28:23 |
When I told him, |
00:28:25 |
He told me to get out... |
00:28:27 |
...go back to playing |
00:28:30 |
He said I'd never do anything about him, |
00:28:36 |
And I didn't. |
00:28:40 |
The next year was something. |
00:28:42 |
I guess he knew |
00:28:45 |
He really let me have it |
00:28:52 |
I suppose I hated Mike then |
00:28:57 |
Anyway, Mother died. Mike disappeared. |
00:29:00 |
Last I heard, he was in the Army. |
00:29:04 |
He disappeared because he was afraid |
00:29:07 |
Maybe, but Mike's not afraid of me. |
00:29:11 |
I remember his face |
00:29:13 |
I keep thinking he's alive somewhere |
00:29:19 |
I even felt I didn't have |
00:29:21 |
- Don't say that, Alan. |
00:29:25 |
He can't hurt us |
00:29:27 |
...never let him come between us. |
00:29:29 |
Why should he? |
00:29:31 |
Oh, nothing, except, |
00:29:33 |
...it was as though a shadow... |
00:29:35 |
I'm sorry. We'll never think |
00:29:38 |
All right. |
00:29:39 |
But if anything ever does come up |
00:29:43 |
- You'll let me know. |
00:29:45 |
I've nothing left for Mike but |
00:29:48 |
...never to see him again. |
00:29:49 |
Hope we don't. I do so hope we don't. |
00:29:52 |
Darling, I'm so deeply sorry for you. |
00:29:56 |
And yet, in a way, I'm glad you told me. |
00:29:59 |
Because it means you're not as sure |
00:30:02 |
You need me, even if |
00:30:05 |
Yes, I do need you, Ann. |
00:30:07 |
You may have a no-good brother, |
00:30:12 |
Best wife you'll ever have. |
00:30:14 |
I'll make it up to you, Alan. |
00:30:16 |
I'm so grateful to you |
00:30:20 |
It's as though you'd led me by the hand |
00:30:24 |
- A world to dream of. |
00:30:26 |
You're here, you're mine, and I love you. |
00:30:37 |
Nora. |
00:30:39 |
- Where is 3 Cambridge Street? |
00:30:43 |
Three blocks east. |
00:30:45 |
Madam, the news just telephoned. |
00:30:47 |
They want to know, is this dinner party |
00:30:50 |
- Why do they wanna know that? |
00:30:53 |
I see. Well, I really don't know. |
00:30:56 |
I haven't the vaguest idea. |
00:30:58 |
- The sixth, I believe, madam. |
00:31:00 |
I think you'll find the seating |
00:31:03 |
I put Justice Putnam |
00:31:05 |
Of course. |
00:31:07 |
A new congressman |
00:31:10 |
Wondered why you placed him |
00:31:12 |
He's no one important, madam. |
00:31:15 |
That explains it. Thank you. |
00:31:18 |
Sorry, Henry. |
00:31:33 |
There are only four or five of these, |
00:31:36 |
And they're all in private collections. |
00:31:45 |
- Hello. |
00:31:47 |
I'm looking for a print. Sort of a... |
00:31:49 |
- A hunting print? |
00:31:51 |
- Audubon? |
00:31:52 |
That's lovely. What is it? |
00:31:54 |
- That's a Dickens scene. |
00:31:56 |
- Yes, Pickwick Papers. |
00:32:00 |
- May I have it? |
00:32:05 |
Could you send it right away... |
00:32:06 |
...to Professor David Hamilton |
00:32:08 |
- It's a birthday present. |
00:32:11 |
That'll be fine. |
00:32:13 |
Oh, no, I haven't any money with me. |
00:32:15 |
Would you charge it to me? |
00:32:17 |
- Of course. |
00:32:22 |
Oh, Mrs. Garroway, |
00:32:25 |
Only last night I was looking at a book |
00:32:29 |
It's been here for some time. |
00:32:31 |
Oh, here we are. |
00:32:50 |
My house, I say. |
00:32:52 |
That make my roof |
00:32:54 |
And fill the chimneys |
00:32:57 |
Our house, they say. |
00:33:05 |
Are you sure that this |
00:33:07 |
Why, yes, from Middleburg, Virginia? |
00:33:10 |
Yes, that's right. |
00:33:12 |
It's a fine old book, isn't it? |
00:33:14 |
And very much used. |
00:33:16 |
- Do you like the binding? |
00:33:19 |
I'll just take it with me, then. |
00:33:23 |
- Goodbye, Mrs. Garroway. |
00:33:45 |
Excuse me, madam. |
00:33:46 |
Would you look at the table again, |
00:33:48 |
- Why? Is it different? |
00:33:53 |
Oh, they're very pretty. |
00:33:54 |
I always feel so sorry for flowers |
00:33:57 |
- They die so quickly. |
00:34:01 |
Yes, thank you. |
00:34:10 |
Nobody important. Poor guy. |
00:34:17 |
Mr. Justice Putnam, do you mind? |
00:34:22 |
Don't you fret, Henry. |
00:34:24 |
You're just as important |
00:34:27 |
More so. Now... |
00:34:29 |
And what part of the Midwest |
00:34:33 |
- Iowa. |
00:34:35 |
- So big and full of corn, isn't it? |
00:34:46 |
- Judge Putnam. |
00:34:48 |
The Supreme Court decided |
00:34:52 |
Yes, '42. |
00:34:56 |
Shall we go into the other room? |
00:34:59 |
You may serve the coffee inside. |
00:35:01 |
- Delightful dinner, wasn't it? |
00:35:04 |
- Oh, Ann. |
00:35:06 |
Just a minute, sorry. |
00:35:09 |
Are you trying to be rude |
00:35:11 |
Why did you have to seat him |
00:35:13 |
The draft might do him good. |
00:35:16 |
- I invited him here for a reason. |
00:35:18 |
I don't know what got into me. |
00:35:24 |
I haven't talked about myself |
00:35:26 |
You're learning diplomacy fast, |
00:35:28 |
If you keep it up, |
00:35:31 |
I hope so, because I love Washington, |
00:35:34 |
The spring is thrilling. |
00:35:37 |
You should be in South Carolina |
00:35:39 |
It's like nothing I've ever seen |
00:35:42 |
I'm sure of it. |
00:35:43 |
What part of South Carolina, |
00:35:45 |
Charleston. I have a house on the bay, |
00:35:49 |
The blues and the whites |
00:35:52 |
- Get down there very often, sir? |
00:35:56 |
I feel it belongs to the people |
00:35:59 |
...whose families have lived on the place |
00:36:01 |
...more than it belongs to me. |
00:36:03 |
- That's very generous of you. |
00:36:06 |
My father once told me, |
00:36:10 |
...how foolish we are to think |
00:36:13 |
- What do you mean, Ann? |
00:36:16 |
No one ever really owns anything. |
00:36:20 |
It just isn't true to say |
00:36:23 |
- Not even "my wife"? |
00:36:26 |
No, but, I read something today... |
00:36:29 |
...which says what I mean |
00:36:32 |
- I'm ashamed to say I memorized it. |
00:36:37 |
Well, I found it in an old book of poems. |
00:36:41 |
And I thought to myself, |
00:36:44 |
...is someone I understand |
00:36:47 |
We speak the same language. |
00:36:50 |
Remember it, darling? |
00:36:52 |
My house, I say. |
00:36:55 |
That make my roof |
00:36:57 |
Our house, they say. |
00:37:01 |
And spreads his golden fleece |
00:37:04 |
And mine, the dog, |
00:37:07 |
If any alien foot profane the pa... Path. |
00:37:10 |
Charming, Mrs. Garroway. |
00:37:12 |
Well, I may have left out a line or two, |
00:37:15 |
I remember it now. |
00:37:18 |
Yes, it is. |
00:37:19 |
He has a trick of voicing things |
00:37:23 |
I hope everything went all right, |
00:37:25 |
Yes, thank you, Mrs. Delwin. |
00:37:28 |
- It was a nice party, wasn't it, Alan? |
00:37:33 |
How about driving |
00:37:35 |
Oh, Alan, could we? |
00:37:36 |
I'd like to look at that property again. |
00:37:40 |
Oh, that'll be exciting, the house |
00:37:44 |
It'll be beautiful at this time of year, |
00:37:46 |
Yes, beautiful. |
00:37:49 |
Alan, here's the book. |
00:37:51 |
- Book? What book's that? |
00:37:56 |
That's not my book. |
00:37:58 |
Yes, it is. You remember. You sent it |
00:38:01 |
I'm afraid it's a mistake. |
00:38:03 |
- But they had the name and Middleburg. |
00:38:06 |
We'll leave early. You don't need |
00:38:08 |
- All right. But I'm positive. |
00:38:12 |
- There's no telephone. |
00:38:15 |
Sounds like heaven. |
00:38:17 |
You won't be bored? |
00:38:18 |
- Bored? Will you? |
00:38:22 |
No, tell me seriously, Alan. Will you hate |
00:38:28 |
- Why do you ask that? |
00:38:31 |
...and I can't help noticing |
00:38:34 |
How a lot of the glow you have |
00:38:37 |
- What's the matter, Ann? |
00:38:41 |
I just want to be reassured, I guess. |
00:38:46 |
Consider yourself reassured. |
00:38:49 |
You'd better get some sleep if we're |
00:38:53 |
Well, if it's a mistake, |
00:38:58 |
But I hate to. |
00:39:00 |
I'm tempted to keep it. |
00:39:02 |
Alan, what's the penalty |
00:39:05 |
Stop shoving that book at me. |
00:39:08 |
Don't you know whose book it is? |
00:39:10 |
- What? |
00:39:12 |
Even memorized the poem. |
00:39:14 |
- I told you that. |
00:39:16 |
He got you. The gentle boy |
00:39:18 |
You speak the same language. |
00:39:19 |
He understands you, you understand him. |
00:39:24 |
I only memorized it |
00:39:32 |
Yes, of course you did. |
00:39:34 |
That was very unfair of me. |
00:39:36 |
I shouldn't take it out on you, |
00:39:39 |
Forgive me, Ann. |
00:39:41 |
I forgive you, Alan. |
00:39:52 |
What beautiful country. |
00:39:55 |
We're almost there. |
00:39:57 |
We haven't even passed anything |
00:40:01 |
- No, we're pretty isolated. |
00:40:03 |
On down the road, quite a ways. |
00:40:05 |
Those woods we were talking about |
00:40:08 |
Alan, look through those trees there. |
00:40:11 |
Yeah, this is the beginning of our place. |
00:40:14 |
Our place. |
00:40:17 |
Ours. I take it all back. |
00:40:33 |
Oh, Alan, it's a dream. |
00:40:35 |
Might be a cold dream, except for George. |
00:40:41 |
Those are the stables |
00:40:44 |
The orchard's on the other side. |
00:40:49 |
- Who's that? |
00:40:51 |
Hello, Bate. |
00:40:53 |
Hey, now, don't you back away from me. |
00:40:57 |
He's shy, isn't he? Come on, old fellow. |
00:41:00 |
- Come here. |
00:41:03 |
What you carrying on for, |
00:41:05 |
Now, you be nice to them. |
00:41:11 |
He's all right, ma'am. |
00:41:15 |
We'll get acquainted. |
00:41:17 |
- Thought you were gonna give him away. |
00:41:21 |
- How you been? |
00:41:23 |
- This is George, our caretaker. |
00:41:24 |
- Glad to know you. |
00:41:26 |
Oh, it's beautifully kept. So neat. |
00:41:28 |
- Thank you, ma'am. |
00:41:31 |
They're all right, Mr. Alan. |
00:41:33 |
- I'll get the bags. |
00:41:37 |
Come on, darling. |
00:41:40 |
Alan, if you try to carry me |
00:41:44 |
Don't worry, I won't. |
00:42:01 |
Alan, how charming. |
00:42:04 |
- I'm afraid it's a little grim. |
00:42:08 |
A little Ionely, perhaps, a little unused. |
00:42:12 |
Open your shutter. |
00:42:18 |
Now. See? |
00:42:21 |
That makes a difference, doesn't it? |
00:42:25 |
Well, let's take a look. |
00:42:29 |
This was my mother's room. |
00:42:30 |
Yes, I can tell that. It's sweet. |
00:42:34 |
George, put the bags over there, please. |
00:42:36 |
Wish I knew what she looked like. |
00:42:43 |
Isn't there a picture of her somewhere? |
00:42:44 |
- Used to be, but Mr. Alan... |
00:42:48 |
You know how that junk accumulates. |
00:42:51 |
It does rather smother you after a while. |
00:42:53 |
Wanna ride to Mrs. Foster's? |
00:42:55 |
- George can fix you something. |
00:42:57 |
- I'll wait for dinner. I'll stay and change. |
00:43:01 |
- Care for a cup of tea, ma'am? |
00:43:12 |
I hope I haven't picked |
00:43:14 |
No, ma'am. I'll have your tea ready |
00:43:17 |
Don't rush. I'm going out for a walk. |
00:43:20 |
- Oh, George? |
00:43:22 |
Could we have dinner |
00:43:24 |
Yes, ma'am. I'll put a table right here. |
00:43:26 |
That'll be nice. |
00:43:27 |
And if Mr. Alan comes home early, |
00:43:35 |
Come on, Bate. Come on. |
00:43:38 |
All right, have it your own way. |
00:43:40 |
Snob. |
00:43:57 |
Hello. |
00:43:58 |
You've got a sweet face. |
00:44:00 |
What's your name? |
00:44:03 |
Maggie, I'll bring you a carrot |
00:44:06 |
Hello, old fella. |
00:44:11 |
Better get away from that stallion. |
00:44:16 |
He's dangerous, isn't he? |
00:44:19 |
He's a devil horse, that's what. |
00:44:20 |
Nothing but a devil can ride him. |
00:44:23 |
I saw that animal trying to throw him. |
00:44:25 |
I saw him beat him with his whip... |
00:44:27 |
...until he was black in the face as |
00:44:31 |
"I'll ride you or kill you!" |
00:44:33 |
There ain't no horse he can't ride, |
00:44:36 |
I seen him. Yes, ma'am! |
00:44:38 |
I'm waiting. I'm watching. |
00:44:42 |
And the moon am dark, |
00:44:44 |
...and lay the whip to him! And that |
00:44:48 |
- There'll be nothing... |
00:44:50 |
They'll be going down. You better get... |
00:44:52 |
I told you to keep away. |
00:44:55 |
Now, get out and stay out. |
00:45:04 |
I hope he didn't scare you, ma'am. |
00:45:07 |
Oh, no. He didn't scare me, George. |
00:45:10 |
That's Mr. Michael's horse, isn't it? |
00:45:12 |
He was a great horseman, wasn't he? |
00:45:16 |
Yes, ma'am, he was. |
00:45:18 |
I think we better go home, George. |
00:45:20 |
Oh, and I think I will have |
00:45:24 |
- Yes, ma'am. |
00:45:26 |
- Who are you? |
00:45:29 |
Oh, you startled me. |
00:45:33 |
Hi, George. |
00:45:37 |
- George? |
00:45:39 |
- I like my tea very strong. |
00:45:50 |
All right, George, you take it. |
00:46:32 |
Hello, darling. |
00:46:37 |
Alan, what is it? What's the matter? |
00:46:39 |
- Who was playing that? Who was it? |
00:46:42 |
You? Why did you play that piece? |
00:46:45 |
I don't know. I play it often. |
00:46:48 |
Why? What's the matter? |
00:46:50 |
Your father. |
00:46:52 |
- Your father taught you that piece? |
00:46:56 |
Yeah. Yes, he... He plays. I'd forgotten. |
00:47:00 |
That's a... That's a piece that |
00:47:03 |
Of course they might. |
00:47:05 |
You're ice-cold. Tell me what's wrong. |
00:47:10 |
My mother died sitting at this piano, |
00:47:17 |
You see, Middleburg |
00:47:24 |
I wish I could've known your mother. |
00:47:26 |
She must've been a wonderful person. |
00:47:28 |
She had to be to be your mother. |
00:47:31 |
Finding out that she loved that piece |
00:47:33 |
It was my father's favorite too. |
00:47:36 |
Funny. |
00:47:37 |
Your mother played it, and you heard it |
00:47:41 |
That's a bond between us. |
00:47:45 |
Yes. |
00:47:51 |
- Having dinner in here? |
00:47:54 |
I'll go clean up a bit. |
00:48:05 |
I fixed the cocktails. |
00:48:07 |
Oh, no, let me do it, George. I'd like to. |
00:48:15 |
Mrs. Garroway must've been |
00:48:19 |
Yes, ma'am. She was. |
00:48:20 |
She was an invalid for a great number |
00:48:23 |
Yes, ma'am. She laid up in her bed... |
00:48:26 |
...never complaining, always smiling. |
00:48:29 |
This piano must've been a great comfort |
00:48:33 |
- Piano? |
00:48:35 |
...to be able to play. |
00:48:38 |
Mrs. Garroway never played no piano. |
00:48:43 |
She always said |
00:48:47 |
Her flowers and her boys. |
00:48:50 |
Mrs. Garroway never played the piano? |
00:48:53 |
No, ma'am. Mrs. Garroway |
00:48:57 |
But she died sitting at that piano, |
00:49:00 |
No, ma'am. She died upstairs in bed. |
00:49:15 |
- Bring dinner anytime it's ready, George. |
00:49:21 |
Cocktails. We can use these, |
00:49:30 |
George's cocktails are the best. |
00:49:36 |
Almost good enough for you. |
00:49:43 |
To us, darling. |
00:49:45 |
To us. |
00:49:58 |
You're awfully quiet tonight. Too quiet. |
00:50:03 |
I am kind of quiet, aren't I? |
00:50:05 |
Well, I'm tired, but not of Middleburg. |
00:50:07 |
I did an awful lot of rambling around |
00:50:10 |
- A wire came for you. |
00:50:14 |
It looks as though we might have to go |
00:50:18 |
You don't seem |
00:50:20 |
No, I was thinking. |
00:50:22 |
I was thinking they can get at you |
00:50:24 |
Yes, if they want to. |
00:50:27 |
I'd better get to a telephone |
00:50:30 |
Want to ride along, darling? |
00:50:32 |
- Oh, I'm so tired. |
00:50:36 |
I'll hurry. |
00:51:50 |
- What is it, George? |
00:51:52 |
What were you afraid of? |
00:51:54 |
No. I heard the front door, |
00:51:57 |
Then who did you think it was? |
00:52:00 |
Who could it be? |
00:52:02 |
- Oh, please, ma'am. |
00:52:04 |
- Nobody. |
00:52:07 |
- Who did you think it was? |
00:52:08 |
- Michael? |
00:52:10 |
You did think it was Michael. |
00:52:11 |
- I ain't seen him in years. |
00:52:14 |
Oh, Miss Garroway, please don't tell |
00:52:19 |
About Michael? |
00:52:22 |
You weren't talking about him, I was. |
00:52:24 |
I won't tell Mr. Alan. |
00:52:28 |
How he must hate him. |
00:52:30 |
He's tried to take every sign of him |
00:52:32 |
Erase him completely. |
00:52:35 |
Won't even talk about him. |
00:52:37 |
That's why he didn't tell me the truth. |
00:52:41 |
George? |
00:52:43 |
- Yes, ma'am? |
00:52:46 |
We must help him. |
00:52:50 |
We've got to find a way to help him. |
00:52:54 |
Yes, Miss Garroway. |
00:53:09 |
- Mr. Garroway. How do you do, sir? |
00:53:11 |
This way, please. |
00:53:13 |
I feel guilty. |
00:53:25 |
What a wonderful-Iooking girl. |
00:53:27 |
Yes. |
00:53:34 |
- Alan. |
00:53:37 |
Sylvia Burton. |
00:53:40 |
You make it sound like old Frisco Sal |
00:53:42 |
So nice to meet you. |
00:53:44 |
- It certainly is. |
00:53:46 |
So nice to have run into you. |
00:53:49 |
- Goodbye. |
00:53:55 |
- Well, who is she? |
00:53:58 |
- That girl, Miss Burton. |
00:54:03 |
Just an old friend? |
00:54:04 |
Well, sort of. |
00:54:06 |
- Jealous? |
00:54:09 |
Far too lovely for an old friend. |
00:54:11 |
You've got it all over her in every way. |
00:54:17 |
Sylvia's... Sylvia's changed a lot. |
00:54:21 |
Since you learned how to dress, |
00:54:24 |
People wouldn't notice her |
00:54:26 |
You're wonderful. |
00:54:28 |
Catty about every other woman. |
00:54:30 |
- Good evening. |
00:54:32 |
- Mrs. Garroway. |
00:54:34 |
Pull up a chair. |
00:54:35 |
- May I? |
00:54:37 |
Sorry to intrude, |
00:54:40 |
Things are really popping in Seattle. |
00:54:42 |
The best thing would be |
00:54:45 |
- What's wrong with Henderson? |
00:54:47 |
- But without real authority, there... |
00:54:51 |
Not quite. |
00:54:54 |
I really think it would be best for you |
00:55:01 |
I'll be back in a minute. |
00:55:02 |
- Excuse me, please. |
00:55:06 |
I just saw Miss Burton. |
00:55:10 |
Has Mrs. Garroway met her yet? |
00:55:18 |
Let's see those papers. |
00:55:26 |
- Oh, hello. |
00:55:29 |
Sorry I was pushed off like that. |
00:55:31 |
It's really crowded, isn't it? |
00:55:33 |
- Staying at the hotel? |
00:55:35 |
- How do you like San Francisco? |
00:55:37 |
- So many bridges. I've never... |
00:55:40 |
- So many to cross. |
00:55:44 |
What do you hear from Michael? |
00:55:46 |
Oh, nothing much. |
00:55:48 |
- Where is he, anyway? |
00:55:52 |
He hasn't written to anyone here |
00:55:57 |
Did you ever meet him? |
00:55:59 |
No, I haven't. |
00:56:04 |
- What's he like? |
00:56:09 |
I thought not. |
00:56:11 |
I imagine he and Alan are quite different. |
00:56:14 |
Quite. |
00:56:17 |
You know, there've been some pretty |
00:56:20 |
Well, whatever they are, |
00:56:23 |
Are you? |
00:56:25 |
Yes, I am. |
00:56:28 |
Sorry. |
00:56:30 |
What I really wanted to know... |
00:56:32 |
...I was beginning to have a funny feeling |
00:56:38 |
No, I'm sure Alan would know. |
00:56:41 |
Yes. |
00:56:48 |
You know, Miss Burton, this is funny. |
00:56:50 |
When I first met you, I wondered |
00:56:54 |
Not our features. |
00:56:56 |
Just something intangible. |
00:56:59 |
No. Oh, is that your glove? |
00:57:02 |
Oh, thanks. |
00:57:03 |
Maybe it's the way we dress or walk |
00:57:16 |
Flight 57. |
00:57:18 |
Flight 57, |
00:57:21 |
Flight 57, |
00:57:32 |
Here. They're all there. |
00:57:33 |
- You arrange a car for Mrs. Garroway? |
00:57:36 |
- Bye. Have a good time. |
00:57:39 |
Two or three days at the most. |
00:57:41 |
- Bye. |
00:57:42 |
- Bye, darling. |
00:57:55 |
Thank you very much. If there's |
00:57:59 |
I will. Thank you. |
00:58:04 |
Mr. Warmsley? |
00:58:08 |
Would you wait a minute, please? |
00:58:14 |
I wonder if it would be possible |
00:58:18 |
- Certainly. |
00:58:20 |
...and I've always been curious |
00:58:36 |
Well, it's important, isn't it? |
00:58:40 |
My, that's an impressive mural. |
00:58:43 |
What are they...? |
00:58:46 |
Awards. |
00:58:49 |
And awards. |
00:58:52 |
Don't you ever get a sharp note |
00:58:54 |
...saying your last batch was miserable? |
00:58:57 |
I'm afraid not. |
00:58:58 |
It's not a very personal place, is it? |
00:59:01 |
What were they like when it all started? |
00:59:05 |
Aren't there any pictures? |
00:59:06 |
You know, the kind they usually take |
00:59:10 |
There are some in my office, |
00:59:13 |
May I see them? |
00:59:15 |
Please. |
00:59:20 |
Thank you. |
00:59:24 |
Like this. What's this? |
00:59:26 |
The original building, |
00:59:29 |
- How interesting. Are they still here? |
00:59:32 |
- Where's the other one? |
00:59:34 |
- Which one is he? |
00:59:37 |
Oh, Carl Steuer? |
00:59:43 |
Oh, I see my husband. |
00:59:46 |
- And that's you, isn't it? |
00:59:48 |
You're the only one |
00:59:51 |
Well, I was a bookkeeper. |
00:59:53 |
Which one is my husband's brother? |
00:59:55 |
- I've never seen... |
00:59:57 |
He took the picture. |
01:00:00 |
His ranch? Oh, yes, I remember. |
01:00:03 |
- What happened to it? |
01:00:06 |
Oh, my husband owns it? |
01:00:08 |
- Where is it? How far? |
01:00:10 |
That would be a nice ride someday. |
01:00:12 |
- Did you know Michael very well, Mr...? |
01:00:15 |
Is there anything else you'd like |
01:00:19 |
No, I just... Thank you. |
01:00:21 |
I'll be very happy to show you |
01:00:25 |
You know, Mr. Warmsley... |
01:00:26 |
...I think I'd like to drive out |
01:00:28 |
- I'm afraid that's not practical. |
01:00:31 |
For one, the ranch is isolated. |
01:00:34 |
- There's a caretaker... |
01:00:36 |
You know, I've seen Nob Hill, |
01:00:38 |
...the Embarcadero, Gumpel's, |
01:00:41 |
I'd love to spend a day in the country. |
01:00:43 |
- Would you give me the keys, please? |
01:00:46 |
I'll get the keys |
01:00:48 |
And I wonder if it would be possible |
01:00:52 |
- Certainly. |
01:00:55 |
- Goodbye, Mr. Warmsley. |
01:02:15 |
Oh, how do you do? |
01:02:17 |
- Are you the caretaker? |
01:02:19 |
I'm Mrs. Alan Garroway. |
01:02:21 |
- Oh, I'm sorry. |
01:02:22 |
Go ahead with what you're doing. |
01:02:24 |
I'm just going to look around the house. |
01:02:50 |
Pardon me, have you the keys |
01:02:53 |
I don't think it's locked. |
01:02:59 |
Hasn't been opened. There. |
01:03:02 |
Thank you. |
01:03:04 |
I'll be leaving in a few minutes. |
01:03:06 |
- Is there anything else I can do for you? |
01:03:28 |
- Mister...? |
01:03:30 |
Mr. Gordon, would you mind telling me, |
01:03:35 |
Yes, I did. I'm a neighbor up the road. |
01:03:37 |
What was he like to the people here? |
01:03:41 |
Well, I guess so. |
01:03:42 |
He left very suddenly, didn't he? |
01:03:44 |
I guess he was a rather |
01:03:47 |
Well, anyway, I think this is one of |
01:03:51 |
It has dignity. |
01:03:54 |
Doesn't look as though it had been |
01:03:57 |
No. |
01:03:58 |
- No, it doesn't. |
01:04:01 |
...well, as though it were waiting |
01:04:05 |
I had a feeling, coming in, |
01:04:08 |
Yeah, but time doesn't |
01:04:11 |
Yes, it does. |
01:04:13 |
Haven't you ever had a feeling |
01:04:16 |
That's what I felt when I came in here. |
01:04:19 |
There's nothing to fear, think about. |
01:04:21 |
This was, well, peaceful. |
01:04:25 |
And time stood still. |
01:04:28 |
You probably think that's foolish. |
01:04:32 |
I don't think so. I agree with you |
01:04:35 |
It's more. It's a home. |
01:04:39 |
It's someone's home. |
01:04:43 |
Was this his? |
01:04:46 |
Oh, I suppose he played almost anything. |
01:04:49 |
That was silly of me. |
01:04:50 |
What kind of songs do you play |
01:04:52 |
Are we on a hill? |
01:04:54 |
I had the feeling, driving out, |
01:04:57 |
You came out of a valley. This is a hill. |
01:04:59 |
That's the peak right there. |
01:05:01 |
How could that be a peak? It's flat. |
01:05:02 |
Yes, it is, isn't it? |
01:05:04 |
The view must be heavenly. |
01:05:06 |
That's where I would've built my house. |
01:05:08 |
Mike fixed himself a place there. |
01:05:11 |
- Really? I'd love to see it. |
01:05:14 |
You're very kind. |
01:05:17 |
I said I came out here today because |
01:05:20 |
That's not strictly true. |
01:05:22 |
What I really wanna do is to try |
01:05:26 |
Everyone seems to be so vague |
01:05:28 |
...except my husband, of course. |
01:05:31 |
But I saw a look in a girl's eye the other |
01:05:35 |
...and an insane look of fear |
01:05:38 |
I know the kind of music and poetry |
01:05:41 |
I wish you knew more about him. |
01:05:44 |
I don't know why I'm bothering you |
01:05:46 |
I think it's very interesting, |
01:05:49 |
Well, here we are. |
01:05:51 |
Golly. |
01:05:53 |
Golly. |
01:05:56 |
It's beautiful, isn't it? |
01:06:00 |
It really is an oak-paneled office. |
01:06:06 |
It's amazing. |
01:06:09 |
He had so much. |
01:06:12 |
Why do people do the things |
01:06:14 |
Why doesn't someone step in |
01:06:18 |
Yes, but what about those people |
01:06:21 |
It's useless to even try. |
01:06:23 |
Oh, no. It's never useless. |
01:06:25 |
Not if your chance of helping |
01:06:29 |
I know that from my father. |
01:06:31 |
So many things exist only |
01:06:34 |
...want to ease pain and suffering. |
01:06:36 |
You feel quite deeply about it, |
01:06:39 |
You bet I do. |
01:06:41 |
My, that sea is near. |
01:06:43 |
Looks like a wonderful beach. |
01:06:46 |
- No. Rip tide. |
01:06:50 |
You can't always see that undercurrent, |
01:06:55 |
- Like life. |
01:06:58 |
What's that dark haze over there, |
01:07:00 |
It's the fog starting to roll in. |
01:07:03 |
It'll be getting dark very soon. |
01:07:06 |
No, no. You go ahead. |
01:07:08 |
Thanks a lot for taking me around, |
01:07:13 |
I shouldn't apologize for that. |
01:07:14 |
I think it was very well said, very true. |
01:07:17 |
Well, anyway, goodbye. |
01:07:18 |
- Bye. |
01:09:07 |
- What are you doing here, Ann? |
01:09:12 |
Well, I... It was such a beautiful day, |
01:09:15 |
- What were you looking for? |
01:09:18 |
- When did you get here? |
01:09:20 |
I came down from Seattle |
01:09:22 |
- Here? Why here? |
01:09:24 |
- No, I don't. |
01:09:26 |
- I asked you to forget about Mike. |
01:09:29 |
Warmsley mentioned |
01:09:31 |
I thought it was important |
01:09:33 |
If we don't understand each other now, |
01:09:37 |
- Was it wrong to come? |
01:09:40 |
He's managed to get a hold on you |
01:09:43 |
He had a diabolical cleverness |
01:09:47 |
He always knew how to get his way. |
01:09:50 |
You keep saying "had" and "knew." |
01:09:54 |
- Alan, is he dead? |
01:09:56 |
I don't know anything about him. |
01:09:58 |
- Alan, how can you? |
01:10:02 |
He's got you sneaking around corners |
01:10:07 |
Well, what have you discovered? |
01:10:10 |
Let's find out everything we can |
01:10:13 |
A man who likes music and books, |
01:10:17 |
Pipes. These are his pipes. |
01:10:20 |
Props for the strong, |
01:10:23 |
Pipe and a book of verse. |
01:10:26 |
He'd have read you poetry and told you |
01:10:31 |
And his guitar. |
01:10:33 |
He played cowboy songs. |
01:10:35 |
...and got him a lot of free help. |
01:10:37 |
Knew other songs too. |
01:10:39 |
Sentimental, romantic ones. |
01:10:46 |
He'd have been glad to play them |
01:10:49 |
- I'm sorry... |
01:10:52 |
Why couldn't you figure |
01:10:55 |
If there's anything else you wanna know, |
01:10:58 |
Don't ask Warmsley or the natives |
01:11:01 |
I'll tell you anything if you'll only stop. |
01:11:03 |
I was wrong to come here |
01:11:06 |
But for you to come and shout at me and |
01:11:10 |
Whatever I did, I did for us. To find out |
01:11:14 |
You want me to close my eyes |
01:11:17 |
But, Alan, it's our life together |
01:11:21 |
And I want our marriage. |
01:11:27 |
We'd better start back. |
01:11:36 |
Mr. Garroway. |
01:11:40 |
- Mr. Alan Garroway. |
01:11:42 |
It seems to me I heard Garroway |
01:11:47 |
Mr. Alan Garroway. |
01:11:49 |
Mr. Garroway? |
01:11:51 |
Thank you, sir. |
01:11:56 |
It's from Warmsley. He's got me |
01:11:59 |
Alan, couldn't I go with you? |
01:12:01 |
There's only one seat. I'll try and arrange |
01:12:05 |
Everything that man touches just zooms. |
01:12:09 |
Well, he's shrewd too. |
01:12:11 |
Very few big firms were ready |
01:12:15 |
Garroway knows all about reconversion. |
01:12:19 |
I've never met her. |
01:12:20 |
I saw her in Washington |
01:12:22 |
- Oh, you know her? |
01:12:25 |
She couldn't have looked dowdier. |
01:12:28 |
Of course, the poor girl had on |
01:12:32 |
- He's very attractive. |
01:12:36 |
- Good evening, Miss Wilcox. |
01:12:39 |
Five, please. |
01:13:12 |
Well, Ann. |
01:13:14 |
Going to be thrown |
01:13:17 |
- Alan, I'm thrown by the truth. |
01:13:21 |
I was rather dowdy that first night |
01:13:24 |
- You expected me to be, didn't you? |
01:13:26 |
You're so very observing |
01:13:29 |
- You knew I wouldn't look smart. |
01:13:31 |
You could've waited to have me |
01:13:35 |
I thought you were trying |
01:13:40 |
But the truth is... |
01:13:43 |
...if no one saw the before... |
01:13:45 |
...you wouldn't get the credit |
01:13:48 |
That's ridiculous, Ann. |
01:13:51 |
So that you could exhibit me |
01:13:56 |
Like the Garroway Flight Control. |
01:13:59 |
What do you mean by that? |
01:14:02 |
You know, Alan... |
01:14:03 |
...I think I have a glimmering now |
01:14:06 |
I wanna know what you meant |
01:14:14 |
Nothing. What the woman said. |
01:14:19 |
All right, what else do you think? |
01:14:23 |
You wanted another girl, |
01:14:29 |
I happen to remind you of her. |
01:14:31 |
Only, I was so terribly admiring of you. |
01:14:34 |
You had the illusion |
01:14:37 |
...Iooking at you as she never had. |
01:14:40 |
And then you thought... |
01:14:42 |
...if you could make me outshine her... |
01:14:46 |
You're mad, Ann. |
01:14:49 |
Yes, Alan. |
01:14:51 |
I think sometimes I am. |
01:14:57 |
I feel as though I were living in a dream, |
01:15:02 |
...your hatred for your brother, |
01:15:05 |
...all around us. |
01:15:17 |
Ann, things between us |
01:15:22 |
It's hard to talk. |
01:15:24 |
But I wanna tell you that... |
01:15:27 |
That I love you. |
01:15:30 |
The way I acted tonight was unforgivable. |
01:15:35 |
I'll go on to Seattle alone, and you'll |
01:15:40 |
And when you do, try to keep |
01:15:46 |
...and blind faith in our marriage. |
01:15:49 |
I want our marriage too, Ann. |
01:15:53 |
It's going to last and grow. |
01:15:56 |
Please try, Ann. |
01:16:17 |
- Hello, Miss Burton. |
01:16:22 |
- It's awfully nice of you to be... |
01:16:25 |
You wanted to ask me something? |
01:16:28 |
I don't want to ask you anything |
01:16:31 |
Mrs. Garroway. |
01:16:32 |
If I agreed to see you, it's because |
01:16:36 |
- I'm sorry. It isn't easy. |
01:16:40 |
No, thank you. |
01:16:50 |
You're a funny girl to be mixed up |
01:16:53 |
- Really? |
01:16:55 |
In fact, I despise him. |
01:16:57 |
- Does that answer one of your questions? |
01:17:00 |
- I love him. |
01:17:02 |
What do you want me |
01:17:04 |
It's Michael that |
01:17:07 |
...and for certain reasons, |
01:17:09 |
I can imagine. |
01:17:11 |
All I know is that he and Alan |
01:17:14 |
He left. Disappeared. |
01:17:16 |
But it's not easy to forget him. |
01:17:18 |
In fact, |
01:17:20 |
...more and more in our lives, |
01:17:22 |
Whatever we do. |
01:17:24 |
I've got to know more about him, |
01:17:26 |
My marriage, my happiness, |
01:17:32 |
- That's about it. |
01:17:34 |
- What was that about? Money, wasn't it? |
01:17:40 |
Bunk. Everyone who knew Mike |
01:17:43 |
Mike never thought about money. |
01:17:46 |
I thought he'd really be happy... |
01:17:48 |
...if he retired to his ranch |
01:17:50 |
Have you ever seen it, the ranch? |
01:17:52 |
- No, have you? |
01:17:54 |
Then why did you ask? |
01:17:56 |
- I don't know. |
01:18:00 |
We weren't. I tried, |
01:18:04 |
I used to think that he had |
01:18:08 |
...because I'd met him through Alan. |
01:18:10 |
He was that thing that |
01:18:13 |
A gentleman. |
01:18:15 |
That's the man that your husband |
01:18:20 |
Miss Burton... |
01:18:22 |
...you'll have to remember, |
01:18:25 |
You don't believe Alan, |
01:18:28 |
You wouldn't have called me. |
01:18:31 |
Why? |
01:18:34 |
Because I went through this myself, |
01:18:38 |
When Mike disappeared, I nearly |
01:18:41 |
Did you find out? |
01:18:44 |
Only that it was a complete mystery, |
01:18:48 |
When I tried to find Mike, |
01:18:51 |
...and stayed until he disappeared. |
01:18:53 |
That was the last that anyone saw of him, |
01:18:56 |
...who was seen out there one night |
01:18:59 |
Alan told me, if that was the same night, |
01:19:02 |
Party? |
01:19:03 |
No, they were alone, |
01:19:07 |
What do you mean, Miss Burton? |
01:19:09 |
I discovered |
01:19:11 |
...the last person |
01:19:13 |
Because I think he's dead. |
01:19:15 |
Knowing the man Mike was, |
01:19:17 |
...he'd cut himself off from everyone and |
01:19:21 |
You mean he was killed in the war? |
01:19:24 |
No. I don't mean that he was killed |
01:19:28 |
Before you went to war, |
01:19:30 |
Where was Mike all that time? |
01:19:33 |
Not to me, I couldn't expect that... |
01:19:35 |
...but his friends |
01:19:37 |
...or a thousand people he knew |
01:19:39 |
Ask your husband, will you? |
01:19:41 |
Lots of us would like to know |
01:19:44 |
What kind of a fight was it? |
01:19:47 |
And what happened to Mike Garroway? |
01:19:51 |
How dare you speak to me this way, |
01:19:55 |
Forgive me for coming here. I'm sorry. |
01:20:00 |
It isn't... |
01:20:02 |
It isn't such a shocking idea... |
01:20:05 |
...when you've lived with it for a while. |
01:20:51 |
- Hello? |
01:20:54 |
Ann, I miss you, darling. |
01:20:56 |
I haven't been able to think |
01:21:00 |
I'm so glad you said that, Alan. |
01:21:04 |
I'm so... |
01:21:06 |
Don't, darling. Don't. |
01:21:09 |
I have to leave for Baltimore in the |
01:21:14 |
All right, Alan. |
01:21:15 |
But I think it'll work out well for us |
01:21:18 |
You could go to Middleburg. I'll call |
01:21:21 |
By the time you get there, |
01:21:24 |
... and can join you. Would you like that? |
01:21:28 |
Well, yes. Yes, Alan. |
01:21:32 |
I'm going to devote |
01:21:35 |
Middleburg'll be beautiful now. |
01:21:37 |
We're going to have a real honeymoon. |
01:21:42 |
Goodbye. |
01:21:45 |
I love you, Ann. |
01:21:56 |
I love you, Ann. |
01:21:58 |
I love you. |
01:22:01 |
Trust and faith. |
01:22:03 |
It isn 't such a shocking idea |
01:22:08 |
- Faith. |
01:22:10 |
- Faith. |
01:22:12 |
Blind faith. |
01:22:14 |
And what happened at the finish? |
01:22:17 |
What happened to Mike Garroway? |
01:22:35 |
- Hello, George. How are you? |
01:22:38 |
Mighty sorry, ma'am. |
01:22:40 |
Didn't know you was coming |
01:22:43 |
Miss Foster sent her boy over. |
01:22:45 |
I wished you'd give me a little time |
01:22:48 |
That's all right. |
01:22:49 |
- He'll be along soon? |
01:22:54 |
I wished you had told me. |
01:22:56 |
- Told you what? |
01:23:08 |
It is beautiful, isn't it? |
01:23:10 |
While you take the bags upstairs, |
01:23:13 |
- Three days on a train. |
01:23:15 |
- Looks dry enough. |
01:23:18 |
George, I don't think |
01:23:20 |
Oh, yes, ma'am. Real pleased. |
01:23:22 |
Before you take your walk, |
01:23:25 |
All right, George. Maybe you're right. |
01:23:29 |
George, here are the keys |
01:24:04 |
- George. |
01:24:06 |
There's somebody down by the stables. |
01:24:09 |
- Nobody, Miss Garroway. |
01:24:12 |
- Ain't nobody there. |
01:24:14 |
Maybe it's old Ben. |
01:24:16 |
Would Bate act as though |
01:24:19 |
Oh, let it pass. |
01:25:31 |
Where is he, Bate? |
01:25:33 |
Did you see him? |
01:25:35 |
Did you see Michael? |
01:25:37 |
He's alive. He's alive, isn't he, Bate? |
01:25:42 |
I thought that Sylvia Burton was right, |
01:25:45 |
But I was wrong. Michael's alive. |
01:25:48 |
He's here, and everything |
01:25:52 |
He's here and he's hiding. |
01:25:55 |
Oh, Alan, how could I have thought...? |
01:26:55 |
Hello, Alan. |
01:26:59 |
Take it easy, Al. I don't wanna see you |
01:27:03 |
Why did you come back? |
01:27:05 |
Wouldn't you rather know |
01:27:11 |
Of course, I heard |
01:27:13 |
That was a lie. |
01:27:15 |
You've been a long time denying it. |
01:27:17 |
Be kind of tough to prove. |
01:27:19 |
You had the books pretty well rigged. |
01:27:21 |
But that's not what sent me away |
01:27:25 |
It was Carl Steuer, Alan. |
01:27:29 |
- Steuer's dead. |
01:27:31 |
Dead and buried. |
01:27:34 |
Not that anyone |
01:27:37 |
He was just an old German refugee |
01:27:39 |
Nice old guy. |
01:27:42 |
Lived for one thing: To get back at them. |
01:27:45 |
He was senile. |
01:27:49 |
He wasn't senile. |
01:27:52 |
The best engineer we had. |
01:27:55 |
You remember that invention |
01:27:57 |
...in the cellar of his house |
01:28:00 |
Never talked about it too much. |
01:28:01 |
Just a little bit to me, and a lot to you. |
01:28:06 |
Every man at the plant was working on |
01:28:10 |
That's right. But only Steuer died. |
01:28:12 |
The coroner said it was an accident. |
01:28:14 |
Fell down the cellar steps. |
01:28:18 |
- What's that got to do with me? |
01:28:28 |
Steuer had a pet name |
01:28:31 |
His "Fern," he used to call it... |
01:28:34 |
...as though it were alive, |
01:28:36 |
"My Fern'll fix the Nazis," he'd say. |
01:28:39 |
"Your brother and me know. |
01:28:42 |
Fern. Fern. Had me winging for a while. |
01:28:45 |
And then it made sense. |
01:28:47 |
Steuer was German. |
01:28:52 |
Fernsteuerung, long-distance control. |
01:28:55 |
That's Fern. |
01:28:57 |
That's why Steuer died. |
01:29:00 |
...by somebody who wanted those plans. |
01:29:03 |
Somebody who got them... |
01:29:05 |
...because they were never found. |
01:29:07 |
Then later, the Garroway |
01:29:10 |
The Garroway Distance Controller |
01:29:12 |
It was Carl Steuer's. |
01:29:14 |
But it made millions for you. |
01:29:17 |
...all the things that you thought |
01:29:20 |
...that feeling of insecurity |
01:29:25 |
Well, has it released you, Alan? |
01:29:28 |
Has it made you what you wanna be? |
01:29:32 |
Has it been worth killing for? |
01:29:35 |
You can't prove any of this. |
01:29:37 |
Maybe not in a court, |
01:29:41 |
Is Warmsley the only other one |
01:29:44 |
Because you're paying him off, |
01:29:49 |
Anyhow, when I finally found out, |
01:29:53 |
Then the war came along. |
01:29:55 |
You know, I spent most of my time |
01:29:58 |
...so I'd never have to face this moment. |
01:30:01 |
But it seems it has to be faced after all. |
01:30:06 |
You see, Alan, I met your wife. |
01:30:15 |
- You met Ann? |
01:30:17 |
Sheer accident. |
01:30:19 |
She didn't know who I was. |
01:30:23 |
She's a fine person, Alan. |
01:30:25 |
She's much too fine |
01:30:29 |
Does she know about it, Al? |
01:30:31 |
She doesn't, does she? |
01:30:33 |
I'm here to make sure |
01:30:37 |
You think I killed Steuer. |
01:30:40 |
What makes you think |
01:30:45 |
I believe you're capable of trying. |
01:30:47 |
Once I could've killed you, Mike. |
01:30:51 |
I thought about it enough, |
01:30:57 |
But now I can't kill you |
01:31:01 |
I could've done that once, |
01:31:04 |
...given her up and kept all the rest. |
01:31:06 |
Not anymore. |
01:31:09 |
I'm gonna keep her, Mike, |
01:31:12 |
A minute, an hour. |
01:31:14 |
- As long as I can. |
01:31:18 |
What gives a man a right? |
01:31:21 |
If I lose her, Mike, I'm through. |
01:31:24 |
You can take all the rest. |
01:31:28 |
But not her, Mike. Not her. |
01:31:33 |
I never thought I would, |
01:31:37 |
I've got a chance now. |
01:31:40 |
For the first time, I've found something |
01:31:43 |
I can be... I can be all right. |
01:31:46 |
I never... Never could before. |
01:31:49 |
But what about your wife, Al? |
01:31:52 |
She doesn't know what she's in. |
01:32:01 |
I'll tell her, Mike. |
01:32:03 |
Only I'Il... I'll have to do it |
01:32:07 |
Just a little time, that's all I'm asking. |
01:32:13 |
She said she loved me, |
01:32:17 |
...and I've got to know |
01:32:22 |
...above everything else. |
01:32:27 |
I think you can be sure of her, Al. |
01:32:29 |
I felt that, even when I tried |
01:32:32 |
...that she'd be better off without you. |
01:32:34 |
Maybe she wouldn't, at that. |
01:32:40 |
I guess there's nothing left for me to do. |
01:32:43 |
If she'll go along with you, well... |
01:32:45 |
...I'll stay out of it. |
01:32:48 |
But tell her, Al. |
01:32:50 |
Tell her. There's no other way for you. |
01:32:52 |
Because if you don't, |
01:32:56 |
I'm gonna see |
01:34:01 |
Oh, Alan. |
01:34:03 |
Alan, I'm so glad to see you. |
01:34:07 |
Forgive me, darling. Forgive me. |
01:34:10 |
Forgive you? |
01:34:11 |
I've been so wrong. |
01:34:14 |
- So wrong. |
01:34:18 |
Alan, I've got to tell you something. |
01:34:21 |
And I'm deeply ashamed. |
01:34:26 |
I thought such crazy things about you. |
01:34:30 |
I thought... |
01:34:32 |
I thought you'd killed your brother. |
01:34:35 |
No, darling, listen to me. I thought that. |
01:34:38 |
And then this afternoon, |
01:34:43 |
I didn't see him, but I know he was here. |
01:34:47 |
And then I knew that everything |
01:34:51 |
All at once, I was able to breathe again. |
01:34:56 |
I've been so shaken. |
01:34:59 |
I was going to go away |
01:35:04 |
You were going to leave me? |
01:35:06 |
I couldn't have stayed. |
01:35:08 |
I couldn't have endured... |
01:35:10 |
You couldn't have endured |
01:35:13 |
Just think that I almost destroyed |
01:35:18 |
...by doubting you. |
01:35:21 |
But it's over now. |
01:35:23 |
It's like a horrible dream. |
01:35:25 |
It's over now. |
01:35:29 |
Yes, Ann, it's over. |
01:35:32 |
I'm going to see that you never |
01:35:36 |
I'll never let anything come between us. |
01:35:46 |
Anything... |
01:35:49 |
...or anybody. |
01:36:33 |
- Ann. |
01:36:36 |
I'm glad you're awake. |
01:36:38 |
What is it, Ann? |
01:36:40 |
Alan, I want you to listen to me. |
01:36:42 |
I'm going to tell you something |
01:36:47 |
I know it distresses me terribly. |
01:36:51 |
But I want you to try to understand |
01:36:55 |
You remember I once told you |
01:37:00 |
Yes. |
01:37:02 |
I think I was wrong, Alan. |
01:37:05 |
I think he's my obsession. |
01:37:10 |
- In what way, Ann? |
01:37:14 |
...wherever I go, there he is. |
01:37:19 |
I wanna forget him... |
01:37:21 |
...but there's something |
01:37:25 |
I think if I could see him, |
01:37:29 |
I'd know him the way you do, |
01:37:32 |
Someone who is cruel and wrong |
01:37:35 |
Then I could forget him forever. |
01:37:38 |
I want to drive him away, Alan. I must. |
01:37:41 |
I was so wrong about him. |
01:37:44 |
Who is everyone? |
01:37:48 |
Sylvia Burton. |
01:37:50 |
Sylvia? What did she say? |
01:37:52 |
She said... |
01:37:56 |
...she thought you'd killed him. |
01:38:01 |
And you believed her. |
01:38:03 |
- Are you glad she was wrong? |
01:38:05 |
Oh, yes, Alan. Yes. |
01:38:07 |
- Then why are you unhappy? |
01:38:12 |
You've got to help me, Alan. |
01:38:14 |
I don't understand it. |
01:38:19 |
Yes, I think so. |
01:38:22 |
- You're in love with him, Ann. |
01:38:27 |
- You're in love with him, aren't you? |
01:38:29 |
How could I be in love |
01:38:32 |
Why not? You've seen a lot of Mike. |
01:38:34 |
A book, a poem, his house, |
01:38:38 |
Aren't you jealous, Ann, |
01:38:40 |
What did you really wanna know? |
01:38:42 |
- Please. |
01:38:44 |
You'd go to anyone who could |
01:38:47 |
You were falling in love with him. |
01:38:50 |
You never believed me. |
01:38:52 |
- Stop it, Alan. Stop it. |
01:38:56 |
It wasn't our happiness |
01:38:59 |
That's not true. |
01:39:00 |
You were happy last night... |
01:39:02 |
...not because I hadn't killed him, |
01:39:11 |
It's the truth, isn't it? |
01:39:14 |
Why don't you deny it? |
01:39:16 |
So you'd go on looking for him, |
01:39:20 |
After you found him, what then? |
01:39:23 |
Leave me? |
01:39:24 |
I told you you never would. |
01:39:28 |
Don't you see, you idiot? |
01:39:30 |
Why couldn't you keep out of it? |
01:39:44 |
You'll never leave me, Ann. |
01:40:59 |
George. |
01:42:31 |
Come on, Ann. |
01:42:40 |
George fixed breakfast for us |
01:42:43 |
- Where did he go? |
01:42:46 |
He won't be back until this evening. |
01:43:06 |
Don't be afraid, Ann. |
01:43:09 |
Fear is no good. |
01:43:14 |
And now I'm finally free, at last. |
01:43:20 |
I know how good it is to be without it. |
01:43:24 |
To have no fear. |
01:43:26 |
To be rid of it forever. |
01:43:29 |
That gives me a sense of great power. |
01:43:38 |
Drink your coffee, Ann. |
01:43:48 |
But you're still afraid, aren't you? |
01:43:52 |
You're not going on being afraid |
01:43:58 |
Are you, Ann? |
01:44:45 |
Hi there. Anyone up? |
01:44:52 |
Hello, Mrs. Foster. |
01:44:53 |
- Morning. Your wife up yet? |
01:44:57 |
No. Don't disturb her. |
01:45:00 |
Fine morning for a ride. |
01:45:11 |
No trouble at all, Mrs. Foster. |
01:45:13 |
Ann'd never forgive me |
01:45:15 |
- I'm sure she'd love to come to breakfast. |
01:45:20 |
I've accepted an invitation |
01:45:23 |
- I thought you'd like that. |
01:45:25 |
- I'd like it very much. |
01:45:28 |
- Expect you in half an hour. |
01:45:31 |
Won't take Ann but a minute |
01:45:34 |
- No, Alan, no. You'll wait? |
01:45:36 |
- You have your riding clothes? |
01:45:39 |
Good girl. |
01:45:40 |
She's a charming girl, |
01:45:43 |
Yes, she certainly is. |
01:45:46 |
I'd better get the horses. |
01:45:49 |
Well, you look a good ride |
01:45:52 |
Thank you, Mrs. Foster. |
01:45:53 |
- That's Maggie, isn't it? |
01:45:55 |
She's very gentle. |
01:45:57 |
Fast little thing, when she wants to go. |
01:45:59 |
- You all right, Ann? |
01:46:02 |
Well, my dear, you mount like a feather. |
01:46:04 |
- Feel comfortable? |
01:46:06 |
But I'll keep close to you |
01:46:09 |
Good idea. |
01:46:12 |
Come here. Come on, here. Come on. |
01:46:15 |
Is Alan still risking his neck |
01:46:18 |
Don't get too close to him. |
01:46:25 |
- How about going through the woods? |
01:46:28 |
Better take it easy. |
01:46:30 |
All right. You lead the way. |
01:47:03 |
Alan, you idiot! |
01:47:06 |
I can't hold him down. |
01:47:12 |
What's the matter with you two? |
01:47:14 |
- Not a quarrel, exactly. |
01:47:17 |
It's natural the first year, |
01:47:20 |
Mrs. Foster, I'll tell you. |
01:47:24 |
- What's that? |
01:47:25 |
Come on. |
01:47:40 |
Alan. Alan! |
01:47:43 |
Alan! Alan! |
01:47:45 |
Ann. Ann, over here. |
01:47:49 |
He is breathing. |
01:47:50 |
Looks like his collarbone |
01:47:54 |
You stay here, but don't move him. |
01:47:56 |
- I'll go and call Dr. Hill in Middleburg. |
01:47:59 |
Mrs. Foster, don't leave me here. |
01:48:02 |
- Back in 15 minutes. |
01:48:17 |
Alan. Alan, you've been hurt. |
01:48:20 |
- Mrs. Foster's gone for the doctor. |
01:48:24 |
I'm all right, Ann. Just my wind, |
01:48:28 |
- Must've hit a branch. |
01:48:30 |
There's no use waiting around here |
01:48:34 |
- We'll be at Mrs. Foster's in a minute. |
01:48:36 |
- I'll help you on your horse. |
01:48:39 |
- Alan, please, don't... |
01:48:45 |
Certainly didn't see that branch, |
01:48:49 |
Came around the bend... |
01:48:52 |
...and something hit me. |
01:49:17 |
Alan, you're pushing. |
01:49:19 |
Alan! Alan! Please don't. |
01:49:23 |
Please, please don't. |
01:49:26 |
Alan, don't! Don't, Alan! |
01:49:29 |
Please, Alan, don't. |
01:49:32 |
Please stop. No. |
01:49:38 |
Wanna leave me, Ann, don't you? |
01:49:42 |
- I'll take you to him now. |
01:49:44 |
Help! Help! |
01:49:47 |
Someone! |
01:49:56 |
Help! |
01:50:14 |
Ann? |
01:50:23 |
Michael. Michael. |
01:50:55 |
No! |
01:51:23 |
That's beautiful. Who's playing? |
01:51:26 |
My father. |
01:51:28 |
Dink always does well by Brahms. |
01:51:30 |
- I like your father. |
01:51:32 |
He's like you, got a stout heart. |
01:51:34 |
Horses have it sometimes, |
01:51:37 |
Takes a man of parts |
01:51:40 |
Dink's a man of many parts, |
01:51:43 |
You know, since I've met him, |
01:51:45 |
You're all right, Ann Garroway. |
01:51:47 |
You've stayed here, |
01:51:50 |
Took courage. |
01:51:53 |
I wanted to run. Couldn't. |
01:51:56 |
- You know that's not what I mean. |
01:51:58 |
That's not what I mean either. |
01:52:01 |
No, I feel that I have something to do, |
01:52:05 |
That's really why I stayed, |
01:52:09 |
- My dear. |
01:52:15 |
- Dink, who's playing the piano? |
01:52:18 |
Oh, no. No. I can't see him. |
01:52:20 |
- I'm not ready to yet. I can't. |
01:52:31 |
I can do it alone. |
01:52:33 |
- Sure? |
01:53:01 |
- You're Michael, aren't you? |
01:53:04 |
- Why? |
01:53:07 |
This must be a shock. |
01:53:10 |
No, it's not a shock to me. |
01:53:12 |
Not at the ranch, but afterwards. |
01:53:14 |
I think I knew. |
01:53:18 |
- You sent for me, Ann. |
01:53:21 |
I think I'd have come in any case |
01:53:23 |
I was just waiting until you were well. |
01:53:26 |
I wanted to see you. |
01:53:28 |
- It seems I'm a very rich woman. |
01:53:31 |
It's wrong for me to have it. |
01:53:34 |
No, it's not mine. |
01:53:37 |
It belongs to someone who's dead now. |
01:53:39 |
- His heirs, possibly. |
01:53:41 |
You can arrange that, |
01:53:44 |
If we can find them, |
01:53:47 |
Some of it. The ranch belongs to you. |
01:53:50 |
- No, Alan took that over. |
01:53:54 |
I don't think that it could ever |
01:53:58 |
It seemed to belong to you |
01:54:03 |
- Michael. |
01:54:05 |
I'm a bad liar. I didn't send for you |
01:54:08 |
There was that, of course, |
01:54:11 |
I wanted to know you. |
01:54:13 |
And now that you do? |
01:54:15 |
- I'm happy to know you, Michael. |
01:54:20 |
There are other things |
01:54:24 |
Your brother, I won't forget him. |
01:54:26 |
I loved him very much. |
01:54:28 |
Not at the end. It was gone then, |
01:54:33 |
I know, Ann. |
01:54:36 |
I almost got you killed. |
01:54:37 |
I was here the night before. |
01:54:40 |
I left. I shouldn't have done that. |
01:54:43 |
I looked for you, Michael. |
01:54:47 |
I went away that night... |
01:54:50 |
...because I was full of guilt |
01:54:54 |
I had no business |
01:54:56 |
My brother's wife. |
01:55:00 |
I won't talk about it now, |