Underworld U
|
00:02:16 |
Rolled a drunk, huh? |
00:02:18 |
Go roll your own. |
00:02:21 |
C'mon, divvy up, Tolly. |
00:03:14 |
If there was a prize given |
00:03:15 |
For the world's |
00:03:17 |
Your father would cop it. |
00:03:19 |
He's learnin' you to be nothin' |
00:03:22 |
He's learnin' me |
00:03:23 |
Oh, sure. |
00:03:25 |
Got you in |
00:03:27 |
Rollin' drunks, |
00:03:28 |
Lying to |
00:03:32 |
He's teachin' you |
00:03:34 |
Right into |
00:03:36 |
Sandy? |
00:03:38 |
Yeah? |
00:03:42 |
Sandy? |
00:03:44 |
I want to buy him a bottle |
00:03:46 |
Not from me. |
00:03:48 |
C'mon, sandy. |
00:03:50 |
You can do |
00:03:52 |
No dice. |
00:03:53 |
Then Ill take my business |
00:03:55 |
Go ahead. |
00:04:07 |
Can I wait here |
00:04:10 |
You can wait here with me |
00:04:12 |
You know that, honey. |
00:04:21 |
Here, hold this. |
00:04:23 |
My father told me why |
00:04:26 |
How would he know? |
00:04:28 |
He said you can't have |
00:04:32 |
Well, Im going to wait |
00:04:35 |
We got a new year's date |
00:04:37 |
Wait a minute, Tolly. |
00:04:38 |
I've got something |
00:04:40 |
I been tryin' to get it |
00:04:47 |
I don't trust these |
00:04:50 |
So I had to stash it |
00:05:02 |
Merry Christmas, Tolly. |
00:05:12 |
Well, go ahead |
00:05:14 |
Oh, yeah. |
00:05:35 |
It was a pretty |
00:05:37 |
Being born in prison |
00:05:39 |
And mother dying there. |
00:06:10 |
That was Vic Farrar. |
00:06:12 |
Forget it, |
00:06:34 |
Who's the guy? |
00:06:42 |
Why you lookin' at me |
00:06:49 |
Pa! |
00:07:04 |
I understand, sandy. |
00:07:06 |
Are you, uh... |
00:07:08 |
are you sure you didn't |
00:07:13 |
She didn't see 'em, |
00:07:18 |
Do you know |
00:07:21 |
I'm no fink. |
00:07:23 |
You want us to get the men who |
00:07:26 |
I don't want no help |
00:07:28 |
I'm no cop. |
00:07:30 |
My name |
00:07:32 |
I work for |
00:07:34 |
You still smell cop to me. |
00:07:39 |
I'll get those punks |
00:08:41 |
You Mrs. Farrar? |
00:08:44 |
Yes? |
00:08:46 |
I'm a friend |
00:08:47 |
You're a friend of Vics? |
00:08:50 |
I got something for him. |
00:08:52 |
I'm sorry, Shorty. |
00:08:54 |
They slapped him |
00:08:59 |
What for? |
00:09:01 |
The old rap. |
00:09:02 |
When'll he come out? |
00:09:04 |
When he's dead. |
00:11:06 |
Hey. |
00:11:07 |
I hear Vic Farrars |
00:11:10 |
Is that right? |
00:11:13 |
Mm-Hmm. |
00:11:14 |
That's funny. |
00:11:17 |
He's been in the hospital |
00:11:20 |
Yeah, what's wrong? |
00:11:21 |
Bum heart. |
00:11:27 |
I used to know Vic |
00:11:30 |
I think Ill |
00:11:33 |
Not in this chateau, |
00:11:35 |
He's in isolation. |
00:11:37 |
So I get sick. |
00:11:39 |
Not with doc Meredith, |
00:11:42 |
Yeah, what'll it |
00:11:44 |
A pint of red juice. |
00:11:52 |
Why? |
00:11:53 |
You mean they got a blood bank |
00:12:06 |
Hey, doc. |
00:12:08 |
Yeah? |
00:12:09 |
How do you get a job |
00:12:11 |
Why? |
00:12:13 |
So you can get your hands |
00:12:15 |
I ain't no junkie. |
00:12:16 |
I didn't say you were. |
00:12:19 |
You know, I think |
00:12:21 |
A good doctor. |
00:12:22 |
If only I hadn't tried |
00:12:26 |
The smart way. |
00:13:00 |
I know you. |
00:13:06 |
Sure I seen you somewhere. |
00:13:11 |
Yeah? |
00:13:18 |
Yeah. |
00:13:21 |
Sure I seen you somewhere. |
00:13:24 |
Save your wind, Farrar. |
00:13:42 |
Get me the chaplain's |
00:13:48 |
Oh, hello. |
00:13:51 |
You better look in |
00:13:53 |
He's going fast. |
00:14:01 |
Stick close to Farrar. |
00:14:03 |
I'll be right with him. |
00:14:16 |
Vic. |
00:14:18 |
You're dyin', Vic. |
00:14:20 |
You know why you thought |
00:14:24 |
I'm a dead ringer |
00:14:26 |
Tom Devlin. |
00:14:27 |
Devlin? |
00:14:30 |
Yeah. |
00:14:32 |
You beat him to death |
00:14:34 |
You and your three pals. |
00:14:40 |
Forgive me. |
00:14:41 |
Forgive you? |
00:14:43 |
I gotta die with |
00:14:46 |
Who were the other guys? |
00:14:49 |
I'm no fink. |
00:14:51 |
You want to meet your maker |
00:14:53 |
Yeah, yeah. |
00:14:56 |
You're gonna meet him |
00:14:58 |
Now you tell me |
00:15:00 |
And Ill forgive you. |
00:15:01 |
And you'll meet your maker |
00:15:07 |
Promise? |
00:15:08 |
Sure, I promise. |
00:15:12 |
Who were they, Vic? |
00:15:14 |
Who were they, huh? |
00:15:16 |
Gela. |
00:15:18 |
Gela? Yeah? |
00:15:19 |
Gun... |
00:15:22 |
Gunther, |
00:15:23 |
Smith. |
00:15:25 |
Gela, Gunther, Smith. |
00:15:30 |
So long, Vic. |
00:15:35 |
Don't do this to me. |
00:15:37 |
Please, you promised. |
00:15:40 |
Forgive me, forgive me! |
00:15:49 |
Fink. |
00:16:02 |
What are you |
00:16:04 |
Meathead. |
00:16:10 |
Ugh! |
00:16:24 |
Tolly! |
00:16:29 |
Oh, my baby! |
00:16:31 |
How are you, duchess? I'm |
00:16:35 |
I didn't expect you here |
00:16:36 |
I'd have died rather than |
00:16:38 |
In this deshabille |
00:16:40 |
Yeah. So why didn't you |
00:16:44 |
Oh, ho! |
00:16:45 |
I'm in the peak |
00:16:46 |
Now that you're here. |
00:16:50 |
Hey, back up. |
00:16:52 |
Back up. |
00:16:55 |
Well, well, well. |
00:17:02 |
What? |
00:17:04 |
Where did you steal |
00:17:06 |
What do you mean, steal it? |
00:17:09 |
You what? |
00:17:10 |
Sure. Helps |
00:17:12 |
Oh. |
00:17:14 |
But the tie... |
00:17:16 |
Well, I didn't |
00:17:18 |
Wait a minute. |
00:17:19 |
I got something for you. |
00:17:21 |
Here, look. |
00:17:23 |
Oops. Polka dots. |
00:17:25 |
Polka dots. |
00:17:27 |
Hey, who's tendin' |
00:17:29 |
I sold it. |
00:17:30 |
Yeah? |
00:17:31 |
You get a good price? |
00:17:33 |
I had to take |
00:17:35 |
You say Gela? |
00:17:36 |
That's what I said. |
00:17:39 |
Oh. Must be some other guy |
00:17:42 |
No! |
00:17:43 |
There's only one Mr. Gela. |
00:17:46 |
Hey, you know |
00:17:49 |
Coffee joints |
00:17:51 |
That's what my old bar |
00:17:53 |
A coffeehouse. |
00:17:55 |
On the level. |
00:17:56 |
Oh, what characters! |
00:17:58 |
You know what they do? |
00:17:59 |
They just sit around |
00:18:01 |
And just drink coffee. |
00:18:03 |
Oh, but they still |
00:18:05 |
The elite expresso |
00:18:07 |
Or whatever it is, |
00:18:10 |
Remember that guy |
00:18:12 |
Driscoll. |
00:18:16 |
Um hmm. |
00:18:18 |
He tried to question you |
00:18:20 |
You know, when you |
00:18:21 |
Yeah, I remember Driscoll. |
00:18:27 |
Now, how 'bout you? |
00:18:29 |
What? |
00:18:31 |
Well, have you got |
00:18:33 |
In the way of a job? |
00:18:34 |
A job? |
00:18:36 |
Yeah, a job. |
00:18:38 |
Meaning work? |
00:18:40 |
You know, |
00:18:42 |
Yeah, I got a job. |
00:18:46 |
Look, if you tell me you're |
00:18:48 |
I'll kick you right out |
00:18:51 |
No, nothin' like that. |
00:18:53 |
That's what |
00:18:56 |
For five years, |
00:18:59 |
And for five years, |
00:19:02 |
That you learned |
00:19:04 |
And you finally did. |
00:19:06 |
Yeah. |
00:19:08 |
Yeah, I learned |
00:19:13 |
I learned plenty. |
00:19:26 |
What do you mean? |
00:19:30 |
I learned who killed |
00:19:36 |
I finally caught up |
00:19:39 |
Did you kill him? |
00:19:41 |
Didn't have to. |
00:19:42 |
He died in a prison hospital, |
00:19:46 |
And he named names. |
00:19:54 |
You want to know |
00:19:57 |
No. |
00:19:59 |
No, I don't want to know. |
00:20:00 |
I don't want to know! |
00:20:03 |
There! |
00:20:05 |
There they are. |
00:20:07 |
That's my job. |
00:20:09 |
Gela. Gunther. Smith. |
00:20:12 |
Those are the three punks |
00:20:16 |
Punks! |
00:20:17 |
You call them punks? |
00:20:18 |
They're better guarded than the |
00:20:22 |
And you're gonna |
00:20:23 |
Stop the crazy talk, man! |
00:20:27 |
Tolly. |
00:20:29 |
I know it's been like a disease |
00:20:33 |
But you're |
00:20:35 |
Act like it. |
00:20:37 |
Don't eat your heart out |
00:20:42 |
Look at you. |
00:20:44 |
32 years old and what have you |
00:20:48 |
One year in one prison, |
00:20:50 |
The last rap, five years. |
00:20:52 |
Look, you're only |
00:20:55 |
So take advantage of it. |
00:20:58 |
Enjoy it! |
00:21:00 |
Live it. |
00:21:05 |
All I need |
00:21:10 |
to get to Gela. |
00:21:17 |
And Gela uses your salon |
00:21:20 |
Who knows? |
00:24:52 |
Hello? |
00:24:55 |
Is Mr. Gela there? |
00:25:00 |
You better get word |
00:25:03 |
The girl backed down. |
00:25:04 |
She wouldn't make the pick-Up. |
00:25:10 |
Yes, she's still here with me. |
00:25:14 |
Uh, the key? |
00:25:16 |
I'll leave it on the shelf |
00:25:18 |
What about the girl? |
00:25:37 |
Cuddles. |
00:25:41 |
Cuddles! |
00:26:09 |
Did, uh... |
00:26:12 |
did-Did he get sore? |
00:26:17 |
Give me the key, baby. |
00:26:20 |
Yeah, sure. |
00:26:24 |
Here. |
00:26:29 |
Did he get sore? |
00:26:33 |
Gee, I-I'd rather be dead |
00:26:36 |
I mean, do you know |
00:26:38 |
I went there, and when I got |
00:26:41 |
I... I... |
00:26:46 |
hey, Ill pick it up. |
00:26:48 |
I'm gonna |
00:26:50 |
Call him and tell him |
00:26:53 |
And Ill deliver it! |
00:27:03 |
Come! |
00:27:19 |
Oh, oh! |
00:27:25 |
Hey, Im beat! |
00:27:27 |
Come on, come on! |
00:27:45 |
Who are you? |
00:27:46 |
Narcotics. |
00:27:49 |
I- I never pushed |
00:27:52 |
Yeah? |
00:27:53 |
I'll tell the department |
00:27:56 |
If you cooperate. |
00:27:57 |
Honest, I don't |
00:28:00 |
To make a trade |
00:28:04 |
You know where that fits, |
00:29:09 |
This stuff uncut? |
00:29:11 |
Hey, I need |
00:29:20 |
What's the name |
00:29:22 |
Aw, give me |
00:29:24 |
Don't push me |
00:29:46 |
That's where |
00:29:52 |
What place is this? |
00:29:54 |
It's all right, lady. |
00:29:55 |
You're among friends. |
00:29:58 |
Why didn't you take me |
00:30:01 |
It may not |
00:30:03 |
Your lover might have |
00:30:05 |
Oh! |
00:30:07 |
He's not my lover. |
00:30:09 |
If he's not your lover, |
00:30:11 |
Hey, look... |
00:30:13 |
I don't want |
00:30:15 |
I done you a favor, |
00:30:18 |
What's his name? |
00:30:20 |
Gus. |
00:30:21 |
Gus what? |
00:30:23 |
Come on. |
00:30:24 |
What's his phone number? |
00:30:26 |
Wilton, four... |
00:30:29 |
five. |
00:30:31 |
Five. |
00:30:32 |
One. |
00:30:35 |
Nine. |
00:30:37 |
Thanks, cuddles. |
00:30:42 |
I brought some |
00:30:43 |
It's better than |
00:30:45 |
Here, drink this. |
00:30:59 |
Who are you? |
00:31:00 |
Sandy. |
00:31:02 |
Thanks for lettin' me |
00:31:04 |
Huh? |
00:31:08 |
He's nice for a cop. |
00:31:16 |
I'll fix up |
00:31:18 |
Don't bother. |
00:31:19 |
Where are you goin'? |
00:31:22 |
Look, let's have |
00:31:25 |
Of straight talk |
00:31:27 |
That, uh... |
00:31:29 |
cuddles character? |
00:31:31 |
Who and what? |
00:31:33 |
She got in a jam. And |
00:31:35 |
That's right. |
00:31:37 |
That's the first time you ever |
00:31:40 |
You know me. |
00:31:42 |
Who is she? |
00:31:43 |
Just a broad. |
00:31:45 |
So you're telling me. |
00:31:48 |
And why did you |
00:31:51 |
It helps swing weight |
00:31:56 |
Why did you tell her |
00:31:59 |
I told you. |
00:32:01 |
It helps swing weight |
00:32:03 |
What things? |
00:32:05 |
She didn't want |
00:32:08 |
Where did |
00:32:12 |
In a backroom |
00:32:15 |
Where all they do |
00:32:18 |
And just drink coffee. |
00:32:21 |
You never handled a gun |
00:32:24 |
Then what's this box |
00:32:32 |
Hello, Gus? |
00:32:33 |
Yeah, who is this? |
00:32:35 |
Gus, Ill sell you back |
00:32:37 |
What are you talkin' about? |
00:32:39 |
Meet me in the alley |
00:32:41 |
Hey, who is this? |
00:32:43 |
Come alone and bring |
00:32:46 |
50 grand cash! |
00:32:47 |
Hey listen, I can't... |
00:32:53 |
askin' for dough like that |
00:33:11 |
Hold it, Gus. |
00:33:30 |
What'd you |
00:33:32 |
The phone. |
00:33:35 |
Where's the dough? |
00:33:37 |
You hung up on me |
00:33:39 |
That amount's tough to get |
00:33:41 |
When can you get it? |
00:33:42 |
Tomorrow. |
00:33:44 |
I'll call you |
00:33:47 |
Now blow. |
00:33:57 |
All right. |
00:34:02 |
A bullet won't buy |
00:34:08 |
I file faces, |
00:34:11 |
Yeah, well, |
00:34:13 |
You say you're |
00:34:15 |
Yeah, that's my trade. |
00:34:18 |
Prove it! |
00:34:32 |
You, uh... |
00:34:34 |
you heard the girl |
00:34:36 |
She wouldn't make |
00:34:38 |
Yeah, that's right. |
00:34:40 |
So, you hit Gus |
00:34:45 |
Yeah. |
00:34:47 |
How'd you get her to take you |
00:34:50 |
Told her I was |
00:34:52 |
She bought that? |
00:34:54 |
Yeah. |
00:34:56 |
Well, I had to rough |
00:34:59 |
Where is she now? |
00:35:02 |
Check the hospitals. |
00:35:05 |
My talkin' stoppin' you |
00:35:08 |
Yeah. |
00:35:12 |
But not on |
00:35:15 |
I known this hole |
00:35:18 |
Close it. |
00:35:24 |
So now you know |
00:35:26 |
What about the dough? |
00:35:30 |
Gunther? |
00:35:32 |
Penny-Ante stuff here. |
00:35:34 |
Smith still there? |
00:35:36 |
Yeah, |
00:35:38 |
We could've had |
00:35:40 |
Or mine. |
00:35:41 |
Yeah, Im leavin' |
00:35:44 |
It's okay with him, Gus. |
00:35:46 |
Mr. Gela? |
00:35:47 |
I'm sorry I called you |
00:35:50 |
For 50 grand, |
00:35:51 |
You didn't have to |
00:35:53 |
Mr. Gela. |
00:35:58 |
Oh, I didn't know that |
00:36:01 |
So now you know. |
00:36:03 |
Yeah. |
00:36:05 |
Now I know, |
00:36:07 |
Now don't |
00:36:10 |
I may be a sentimental |
00:36:14 |
But this time, |
00:36:17 |
This package |
00:36:21 |
On the house? |
00:36:25 |
Why on the house? |
00:36:27 |
Tom Devlin. |
00:36:29 |
Tom Devlin. |
00:36:33 |
He was my father. |
00:36:37 |
I'm Tolly Devlin. |
00:36:40 |
Devlin. |
00:36:43 |
Devlin! |
00:36:45 |
Yeah! |
00:36:48 |
Yeah, yeah, yeah. |
00:36:49 |
You used to work with him |
00:36:52 |
Now I know why |
00:36:54 |
Yeah, yeah, yeah. |
00:36:57 |
You and him was like brothers, |
00:37:00 |
Who told you we were |
00:37:04 |
Vic Farrar. |
00:37:07 |
I met him |
00:37:10 |
Yeah. |
00:37:12 |
Yeah, yeah. |
00:37:15 |
Mr. Gela. |
00:37:17 |
You know them four gonzos |
00:37:20 |
Yeah? |
00:37:22 |
They got paid off. |
00:37:25 |
Burned to death |
00:37:29 |
Who told you that? |
00:37:32 |
Died in my arms |
00:37:34 |
I ain't takin' |
00:37:40 |
You tryin' to tell me |
00:37:43 |
That you're |
00:37:46 |
Just because |
00:37:50 |
It would be like |
00:37:59 |
Hello? |
00:38:00 |
It worked. |
00:38:01 |
I scored with Gela. |
00:38:04 |
Now keep that broad |
00:38:08 |
Tolly. |
00:38:10 |
Tolly! |
00:38:16 |
Tolly! |
00:38:26 |
What do you mean, |
00:38:29 |
He's a thief. |
00:38:32 |
And he just |
00:38:39 |
He used me |
00:38:41 |
On that stuff, |
00:38:43 |
Yes. |
00:38:46 |
Well. |
00:38:48 |
I don't care. |
00:38:50 |
He saved my life. |
00:38:52 |
He thinks his old man and I |
00:38:55 |
So, I put him on |
00:38:58 |
As a numbers collector. |
00:39:00 |
Relax, relax. |
00:39:02 |
He's loaded with loyalty. |
00:39:04 |
Anyway, Im runnin' |
00:39:06 |
The name Devlin |
00:39:07 |
Still rubs me |
00:39:09 |
Well... |
00:39:11 |
Im a sentimental slob |
00:39:13 |
When it comes |
00:39:15 |
I wish my kid |
00:39:17 |
The way Tolly feels |
00:39:21 |
Hey, what's this? |
00:39:24 |
This report on the police |
00:39:27 |
Oh. |
00:39:29 |
He wants me |
00:39:32 |
For a few months. |
00:39:33 |
He thinks someone |
00:39:35 |
Is selling him out |
00:39:37 |
What are you payin' him? 5,000 a week. |
00:39:39 |
That's a fat bonus |
00:39:41 |
That's more than I grease |
00:39:44 |
He's worth it! We're |
00:39:47 |
In girls, numbers |
00:39:48 |
Five grand's a bargain. |
00:39:50 |
Yeah, but maybe he's |
00:39:52 |
He's been tryin' |
00:39:53 |
You know that. |
00:39:55 |
Look, he's very close |
00:39:57 |
He's worried stiff |
00:39:59 |
Besides, I warned him he'd be |
00:40:02 |
If he even tried to think |
00:40:19 |
The syndicate bosses |
00:40:22 |
Command the rackets |
00:40:23 |
Like generals in the field |
00:40:28 |
And lording it over |
00:40:33 |
Is the top brass. |
00:40:36 |
The underworld's |
00:40:40 |
Each chief commands |
00:40:43 |
Gela, narcotics. |
00:40:45 |
Gunther, labor. |
00:40:49 |
They all have substantial |
00:40:53 |
Pay taxes, |
00:40:55 |
Wear respectable suits. |
00:40:58 |
And lording it over |
00:41:02 |
Is Earl Connors. |
00:41:04 |
Their chief of staff. |
00:41:06 |
Shrewd, |
00:41:08 |
Warm, |
00:41:10 |
Charitable. |
00:41:12 |
An animal. |
00:41:14 |
He arbitrates the disputes |
00:41:19 |
Pulls national strings, |
00:41:22 |
And controls gangdom from their |
00:41:26 |
A building only |
00:41:29 |
A beehive |
00:41:32 |
With a legitimate |
00:41:34 |
From the basement |
00:41:36 |
Executive offices. |
00:41:39 |
Now. |
00:41:43 |
The most vicious |
00:41:46 |
Is the teenage |
00:41:54 |
And... |
00:41:56 |
the recruitment |
00:41:59 |
Into the ranks |
00:42:01 |
They're using coffeehouses |
00:42:05 |
The underworld is reaching |
00:42:08 |
Of this country. |
00:42:09 |
Our job... |
00:42:13 |
is to get people |
00:42:16 |
Ha, ha. |
00:42:17 |
Getting anybody to talk |
00:42:20 |
Families of informers |
00:42:22 |
butchered, burned, |
00:42:25 |
However, |
00:42:27 |
We have found a man |
00:42:30 |
He's called Menken. |
00:42:32 |
He works as a bookkeeper |
00:42:36 |
And he has agreed |
00:42:40 |
That Earl Connors |
00:42:44 |
$5,000 a week bribery |
00:42:47 |
To permit local traffic |
00:42:53 |
Connie, we've always |
00:42:56 |
I'm washed up. |
00:42:58 |
What are you |
00:43:00 |
I've been |
00:43:02 |
I've been getting |
00:43:04 |
For turning my back on dope |
00:43:11 |
I'm sorry, |
00:43:19 |
I haven't got the stomach |
00:43:22 |
] |
00:43:24 |
I'm not gonna |
00:43:25 |
I don't know what you did |
00:43:28 |
But you're gonna have to |
00:43:30 |
Those lectures you gave |
00:43:33 |
Telling them that the lowest |
00:43:35 |
Is a crooked cop. |
00:43:37 |
] |
00:43:39 |
Because they threatened to chop |
00:43:41 |
And send the pieces to me |
00:43:46 |
You're alive. |
00:43:49 |
You and... |
00:43:50 |
mother are alive. |
00:43:54 |
Where are you |
00:43:55 |
To the federal building, Connie. |
00:44:01 |
Come on, dad. |
00:44:05 |
Tell mother |
00:44:09 |
We'll be waiting downstairs, |
00:44:16 |
I wish I had a daughter |
00:44:20 |
You tell your story |
00:44:22 |
And a lot of frightened witnesses are |
00:44:26 |
Are you crazy? |
00:44:27 |
Ten minutes before you get me |
00:44:30 |
I know how they operate. |
00:44:36 |
No, John. |
00:44:45 |
My family's dead |
00:44:48 |
God forgive me. |
00:44:50 |
Bill! |
00:45:43 |
Devlin. |
00:45:44 |
Who? |
00:45:45 |
Tolly Devlin. |
00:45:47 |
From here on, |
00:45:48 |
When you make |
00:45:50 |
Bring the money here, |
00:45:52 |
What, after each one? |
00:45:54 |
Yeah. |
00:45:56 |
Can't have our collectors |
00:45:59 |
It's always an invite |
00:46:02 |
What are you worried about? |
00:46:05 |
Uh uh. I been makin' |
00:46:07 |
So the customers |
00:46:09 |
Now you make |
00:46:11 |
Devlin, here's |
00:46:13 |
Gus, Mr. Gela's |
00:46:15 |
Come on, Ill give you |
00:46:17 |
Of how the higher echelon |
00:46:24 |
Hey, what do you got? |
00:46:27 |
Yeah. |
00:46:28 |
On a roof? |
00:46:30 |
Sure. |
00:46:32 |
Well, let's |
00:46:34 |
Nope, it's just |
00:46:36 |
And underprivileged kids. |
00:46:37 |
Once every week, national |
00:46:40 |
And every month |
00:46:42 |
Well, Tolly. |
00:46:44 |
Mr. Gela. |
00:46:45 |
I haven't seen you |
00:46:48 |
Gettin' along okay? |
00:46:50 |
They've been keeping me |
00:46:52 |
Hey, that's |
00:46:56 |
Gus's tailor. |
00:46:58 |
Hey... |
00:46:59 |
that, uh... bookkeeper |
00:47:02 |
That dropped out |
00:47:04 |
Menken? |
00:47:06 |
Yeah, Mr. Menken. |
00:47:09 |
See you boys. |
00:47:12 |
As I was saying, |
00:47:16 |
Gave us a plaque |
00:47:18 |
I even acted as lifeguard |
00:47:21 |
I liked that. |
00:47:54 |
Menken's gotta be |
00:47:57 |
He was the only one who paid |
00:48:01 |
What about |
00:48:03 |
Not a trace. |
00:48:04 |
I just gave Gus |
00:48:14 |
Send for |
00:48:19 |
Ask Smith and Gunther |
00:48:25 |
I've been on the phone |
00:48:27 |
To at least nine cities |
00:48:29 |
About Driscoll? |
00:48:30 |
No, they know |
00:48:34 |
They're disappointed |
00:48:37 |
I'm stretchin' the rubberband |
00:48:40 |
I want to hear it snap. |
00:48:44 |
There are at least 13 million |
00:48:49 |
Between the ages of 10 and 15. |
00:48:52 |
Don't tell me the end |
00:48:58 |
Put more field men to work |
00:49:08 |
Mr. Gunther. |
00:49:10 |
The mister |
00:49:12 |
Real trouble. |
00:49:14 |
The coast wants |
00:49:16 |
You haven't made any headway |
00:49:19 |
Strong arm isn't helping |
00:49:22 |
It's the unions themselves. |
00:49:24 |
Locals are kickin' our men |
00:49:32 |
Hello, Smith. |
00:49:33 |
Everybody's asking me |
00:49:35 |
Think he's got a pipeline |
00:49:38 |
We don't know yet, |
00:49:40 |
Is that you showed |
00:49:42 |
St. Louis, Chicago, |
00:49:45 |
All showed drops. |
00:49:47 |
Let's have |
00:49:52 |
Think I like sitting on |
00:49:55 |
But it's gotta |
00:49:57 |
'Cause we won't stay big |
00:50:03 |
There'll always be |
00:50:06 |
There'll always be |
00:50:11 |
As long as we don't have |
00:50:15 |
As long as we run |
00:50:18 |
A legitimate |
00:50:21 |
And pay our taxes |
00:50:27 |
and donate to charities |
00:50:32 |
We'll win the war. |
00:50:34 |
We always have. |
00:50:40 |
Hello, Jenny. |
00:50:44 |
Remember me? |
00:50:50 |
Boy, this is |
00:50:54 |
You're Jenny Menken, |
00:50:56 |
Yes. How did you |
00:50:59 |
I'm a friend |
00:51:01 |
Say, you haven't |
00:51:03 |
No. He went away |
00:51:07 |
Mommy says. |
00:51:09 |
Oh. He went away |
00:51:11 |
Do you know |
00:51:13 |
No. |
00:51:16 |
Say, would you like |
00:51:18 |
Uh huh. |
00:51:21 |
Go on, take it. |
00:51:23 |
I'm not a stranger. |
00:51:26 |
Thank you. Bye bye. |
00:52:03 |
Yes? |
00:52:05 |
This is Gus. |
00:52:07 |
I couldn't find Mr. Menken. |
00:52:09 |
But his wife and two kids |
00:52:12 |
I just got through talking |
00:52:14 |
Well, the only way to keep |
00:52:17 |
Is to teach him a lesson. |
00:53:00 |
Bye bye, mister. |
00:53:23 |
Jenny! |
00:53:27 |
Jenny! |
00:53:38 |
There you are. |
00:53:40 |
How 'bout that? |
00:53:42 |
And I got a little somethin' |
00:53:45 |
There. Here. |
00:53:48 |
Hey, how is |
00:53:50 |
She's gone. |
00:53:51 |
What do you mean, |
00:53:53 |
Out. |
00:53:54 |
Who knows? Why didn't you stop her? |
00:53:57 |
I did try to stop her. |
00:53:58 |
Did you ever try to grab |
00:54:01 |
She called a while ago and said |
00:54:04 |
Asked for you. |
00:54:06 |
She got lonely. |
00:54:08 |
Lonely? What do |
00:54:10 |
She got a problem, |
00:54:12 |
Problem? Everybody's |
00:54:14 |
What kind of a problem? |
00:54:21 |
Yeah? |
00:54:23 |
Wait a minute, honey. |
00:54:28 |
Yeah? |
00:54:30 |
The park, the park. |
00:54:34 |
Where are you? |
00:54:36 |
I got tired |
00:54:38 |
And I went back to my joint |
00:54:42 |
Where are you? |
00:54:43 |
Ace bar. I'll meet you |
00:54:46 |
You stupid little broad, |
00:54:47 |
ahh! |
00:55:13 |
What are you, nuts? |
00:55:15 |
Going back to your house |
00:55:18 |
Oh, now, why don't you |
00:55:22 |
Sober you up. |
00:55:23 |
Come on. |
00:55:24 |
Don't pull me |
00:55:36 |
I know. I'm drunk. |
00:55:39 |
But my brain's okay! |
00:55:44 |
There's ice. |
00:55:47 |
Nobody saw me in that bar. |
00:55:52 |
Sandy told me |
00:55:58 |
I- I once saw |
00:56:01 |
All about revenge. |
00:56:08 |
Very touching. |
00:56:09 |
Close to home, huh? |
00:56:12 |
Only he was smart. |
00:56:15 |
Not like you. |
00:56:17 |
You know why |
00:56:19 |
'Cause the day's gonna come |
00:56:23 |
And the only way you're gonna |
00:56:26 |
Is on a nice, big, cold |
00:56:28 |
Marble slab. |
00:56:31 |
You know how I know? |
00:56:34 |
'Cause I got one |
00:56:37 |
Yeah. |
00:56:41 |
You think Gus was gonna |
00:56:43 |
Just 'cause I didn't |
00:56:47 |
Uh uh. |
00:56:49 |
No. I know too much. |
00:56:52 |
I know names and things. |
00:56:55 |
Like for instance, |
00:56:59 |
I saw Mr. Smith |
00:57:08 |
She was a hustler. |
00:57:10 |
Who was the broad? |
00:57:13 |
You know, Tolly? |
00:57:18 |
And that old Gus, |
00:57:21 |
If it hadn't been for you. |
00:57:27 |
Sandy told me all about |
00:57:32 |
How he was |
00:57:34 |
A real nothin'. |
00:57:36 |
But to you... |
00:57:38 |
he was like |
00:57:40 |
You must have |
00:57:43 |
An awful lot of love in you. |
00:57:49 |
Isn't there a story |
00:57:52 |
All alone, in the desert, |
00:57:57 |
And then he meets an ocean. |
00:58:05 |
I sure like the way you kiss. |
00:58:10 |
What is the name |
00:58:12 |
What broad? |
00:58:14 |
Broad that Smith |
00:58:17 |
Huh? |
00:58:18 |
The broad that Smith |
00:58:20 |
Oh, brother. |
00:58:22 |
I really ran off |
00:58:25 |
Your story's on the level, |
00:58:28 |
Yeah, yeah, it was. |
00:58:30 |
There's a federal man |
00:58:35 |
So he'll get rid |
00:58:37 |
Is he one of the wheels |
00:58:43 |
That's right. |
00:58:44 |
And you want me |
00:58:47 |
So you can even the score? |
00:58:49 |
Mr. Driscoll will protect you |
00:58:54 |
If Im gonna have |
00:58:56 |
It's not gonna be because |
00:59:05 |
The last few years... |
00:59:07 |
seemed like somebody else |
00:59:12 |
Like it was another person. |
00:59:15 |
Oh! |
00:59:20 |
I sure... I sure like |
00:59:27 |
What was the name |
00:59:29 |
He's got a wife |
00:59:33 |
Their lives won't be |
00:59:35 |
If Connors finds them. |
00:59:38 |
Everybody on |
00:59:40 |
Trying to locate |
00:59:42 |
If only he'd try |
00:59:47 |
He evidently |
00:59:49 |
That they'd be safer with us |
00:59:52 |
With the murder |
00:59:54 |
It's gonna be impossible for |
01:00:03 |
Yeah? |
01:00:04 |
Let me talk to Driscoll. |
01:00:06 |
Oh, Mr. Driscoll, |
01:00:09 |
Who? |
01:00:11 |
Tolly Devlin. |
01:00:12 |
Tolly who? |
01:00:14 |
Tolly Devlin. |
01:00:17 |
No. |
01:00:19 |
My old man was |
01:00:21 |
In the alley behind Sandys |
01:00:25 |
I think you were with |
01:00:28 |
Yeah. I was the kid who wouldn't fink. |
01:00:30 |
I told you Id get those punksin |
01:00:34 |
Sure. I remember. |
01:00:37 |
You were that kid who jumped |
01:00:39 |
The kid who wouldn't fink. |
01:00:42 |
I've often wondered |
01:00:44 |
Well, Im still around. |
01:00:47 |
You said you were going to find |
01:00:50 |
Yeah, I remember all right. |
01:00:53 |
Did you ever get a lead |
01:00:55 |
Yeah. One of them was Smith, |
01:00:58 |
The big wheel |
01:01:00 |
Give me that again. |
01:01:02 |
Mr. Driscoll... |
01:01:04 |
i know a girl |
01:01:06 |
To Smith knocking off a broad. |
01:01:08 |
Will she testify? |
01:01:10 |
That's why Im calling you. |
01:01:12 |
Well, bring her right over |
01:01:14 |
No, you gotta come here. |
01:01:15 |
Where are you? |
01:01:18 |
Yes, Smith shot Francie twice. |
01:01:21 |
You were |
01:01:23 |
Well, yeah, that's what |
01:01:25 |
What prompted you |
01:01:28 |
You don't think |
01:01:30 |
Just to see |
01:01:34 |
I did it |
01:01:36 |
Will you please sign |
01:01:38 |
Yes, sir. |
01:01:40 |
Get out a murder warrant |
01:01:51 |
Thank you. |
01:01:54 |
Thank you |
01:01:56 |
There aren't many citizens who |
01:01:59 |
Sucker. |
01:02:48 |
I want all of you to send out |
01:02:52 |
Throughout the country. |
01:02:56 |
I want every syndicate |
01:03:00 |
On the lookout |
01:03:04 |
What about those lawyers |
01:03:07 |
Maybe we can reach one. |
01:03:11 |
You can't trust |
01:03:13 |
If there is |
01:03:16 |
We gotta get it. |
01:03:18 |
Even if we have to |
01:03:20 |
Gela's working |
01:03:25 |
Will you get that? |
01:03:32 |
Yeah? |
01:03:34 |
It's Gela. |
01:03:36 |
Maybe he's made |
01:03:40 |
Hello. |
01:03:41 |
I got a man who will crack |
01:03:45 |
Good! |
01:03:46 |
I suggest for the present |
01:03:51 |
Strictly to ourselves. |
01:03:53 |
I agree. |
01:03:58 |
Well, Tolly, |
01:04:01 |
If you come up with |
01:04:04 |
It'll mean an additional |
01:04:07 |
Yeah. |
01:04:09 |
Well, it ain't just |
01:04:11 |
I can get |
01:04:13 |
For crackin' |
01:04:16 |
But Id like a future |
01:04:20 |
I don't know, I always wanted |
01:04:23 |
That's the spirit I like. |
01:04:27 |
Don't let anything |
01:04:30 |
Is he going to tag along? |
01:04:32 |
Nothin' personal to Gus. |
01:04:36 |
When I operate, |
01:04:39 |
Well, that way I can... |
01:04:43 |
concentrate? |
01:04:45 |
That's understandable. |
01:04:48 |
Leave him alone. |
01:04:51 |
Thank you, |
01:04:53 |
But stick close to him. |
01:05:32 |
I arranged for the guards |
01:05:37 |
All except one man. |
01:05:39 |
Was your friend Gus |
01:05:41 |
No, no. |
01:05:44 |
You didn't make much sense |
01:05:46 |
When you phoned me tonight |
01:05:48 |
Did you say Gela hired you |
01:05:51 |
Yeah, that's right. |
01:05:54 |
Listen, I been thinkin' |
01:05:55 |
I got an idea. |
01:05:57 |
You remember what |
01:05:59 |
About gettin'... |
01:06:01 |
Yeah, cuddles. The broad |
01:06:04 |
You said something to her about |
01:06:06 |
Between the bosses. |
01:06:08 |
Yeah. |
01:06:09 |
What about givin' me a bone |
01:06:14 |
You mean |
01:06:16 |
Why not? |
01:06:21 |
Joseph... |
01:06:23 |
Wilhelm Gunther. |
01:06:33 |
Facts to be turned over |
01:06:38 |
To committee, Monday. |
01:06:48 |
When you turn these reports |
01:06:51 |
I'm counting on |
01:06:53 |
Against Gunther |
01:06:56 |
U.S. District attorney report. |
01:07:03 |
Thursday, 11 P.M. |
01:07:04 |
Gunther agrees to deliver |
01:07:07 |
In exchange for |
01:07:09 |
Facts to be turned over |
01:07:12 |
That's the day after tomorrow. |
01:07:13 |
I still can't |
01:07:15 |
I thought you got |
01:07:17 |
I have. But he must |
01:07:24 |
Mr. Gunther, please. |
01:07:26 |
Yes, Ill hold on. |
01:07:29 |
Your man, what's his name? |
01:07:32 |
Did a good job. |
01:07:35 |
Tolly. |
01:07:40 |
Put this back |
01:07:42 |
Take Guss car. |
01:07:43 |
Yes, sir. |
01:07:45 |
You come with me. |
01:07:52 |
Gunther? Connors. |
01:07:54 |
Come over to my house, |
01:07:56 |
You work with a man |
01:07:59 |
You know him |
01:08:00 |
It doesn't mean |
01:08:02 |
My closest sidekick |
01:08:16 |
What happened? |
01:08:18 |
Why the S.O.S. This time |
01:08:22 |
If I hadn't seen the proof |
01:08:25 |
I'd never have |
01:08:26 |
What proof? What are you |
01:08:28 |
I'm talking about |
01:08:31 |
Of double-Crossing blubber |
01:08:34 |
To save his own |
01:08:36 |
You must be crazy! |
01:08:58 |
Give me a light. |
01:09:13 |
Come here. |
01:09:18 |
Turn around. |
01:09:20 |
Sit over there. |
01:09:25 |
Well? |
01:09:28 |
I'm gonna set you up |
01:09:37 |
Why? |
01:09:39 |
'Cause you stuck your neck out |
01:09:44 |
I wouldn't be |
01:09:46 |
If you gave me |
01:09:48 |
Wait a minute, honey. |
01:09:50 |
I don't mean walk the streets |
01:09:53 |
I'm talkin' about |
01:09:55 |
I want to set you up... |
01:09:57 |
you know what you can do with |
01:10:02 |
You are a mixed-Up broad. |
01:10:05 |
All right. |
01:10:07 |
I'm a mixed-Up broad. |
01:10:09 |
So what? |
01:10:11 |
When somebody's tryin' |
01:10:13 |
Do something for me! |
01:10:14 |
You don't have to con me. |
01:10:16 |
I made my pitch, |
01:10:18 |
How do you know |
01:10:20 |
'Cause I know |
01:10:28 |
And I don't care. |
01:10:30 |
Did you hear me? |
01:10:34 |
I know, the day'll come |
01:10:38 |
When you won't get your kicks |
01:10:41 |
And you want to go out |
01:11:07 |
that was kind of a low blow. |
01:11:10 |
You like your way |
01:11:13 |
I was wrong needlin' you. |
01:11:19 |
No, no. |
01:11:23 |
You're right. |
01:11:28 |
All my life it's been |
01:11:33 |
Until I... met you. |
01:11:39 |
You're... you're more |
01:11:42 |
Now I... I know something |
01:11:45 |
I never thought Id know. |
01:11:58 |
We got a right to climb |
01:12:02 |
And live like |
01:12:03 |
We could start |
01:12:06 |
Make every minute |
01:12:09 |
For the one we lost. |
01:12:17 |
I want your kids. |
01:12:28 |
What? |
01:12:33 |
We could quit our way |
01:12:38 |
I want your kids, Tolly. |
01:12:44 |
I want you for my... |
01:12:49 |
my husband. |
01:12:54 |
You must be |
01:13:00 |
Marry you? |
01:13:04 |
Marry you? |
01:13:32 |
No woman can tell |
01:13:34 |
About herself to a man, |
01:13:36 |
What is this |
01:13:39 |
Are you kiddin'? |
01:13:42 |
Aw, c'mon... |
01:13:43 |
why don't you take |
01:13:46 |
Sandy, don't start. |
01:13:48 |
A doctor? A scientist? |
01:13:52 |
You see a scarfaced ex-Con. |
01:13:56 |
A petty thief |
01:13:58 |
When he really made |
01:14:00 |
Where do you come off |
01:14:02 |
No matter what she's been, |
01:14:05 |
She's a giant, and you want to |
01:14:09 |
Because she sees something |
01:14:11 |
If only one-Tenth |
01:14:14 |
Of all the good in her |
01:14:16 |
You'd be a giant too. |
01:14:17 |
But you're a midget! |
01:14:19 |
In your head, in your heart, |
01:14:22 |
You're a midget! |
01:14:32 |
I never felt like this before. |
01:14:37 |
How do you feel? |
01:14:40 |
Well... |
01:14:44 |
some women, |
01:14:46 |
When they kiss, blush. |
01:14:49 |
Some call the cops. |
01:14:53 |
swear, some bite, |
01:14:57 |
Me... |
01:15:00 |
I die. |
01:15:03 |
Tolly, I die inside |
01:15:51 |
Connors wants me to deliver |
01:15:54 |
Not to let Gela know. |
01:15:55 |
Good. |
01:15:57 |
Now there's no one |
01:16:00 |
Are they ready? |
01:16:03 |
The next few nights, |
01:16:04 |
Tell him you found |
01:16:07 |
What? |
01:16:10 |
Yeah, but we ought to get Gela |
01:16:12 |
We'll get him, |
01:16:15 |
I gotta figure out |
01:16:19 |
Repeating the same |
01:16:22 |
Might make him suspicious. |
01:16:23 |
You see what I mean? |
01:16:25 |
Yeah. |
01:16:28 |
Leave it to Uncle Sam. |
01:17:22 |
Meeting... |
01:17:25 |
meeting with uh... Gela. |
01:17:29 |
Yeah, meeting with Gela. |
01:17:36 |
Confidential from Driscoll. |
01:17:39 |
Wednesday, 2 A.M. Meeting |
01:17:41 |
Saturday, 10 P.M. Meeting |
01:17:44 |
Sunday, 4 P.M. Meeting |
01:17:47 |
Monday, meeting with Gela. |
01:17:56 |
You brought this report |
01:17:59 |
Yes, sir. |
01:18:02 |
You say your name is Tolly? |
01:18:07 |
That's right. |
01:18:09 |
Tolly Devlin, sir. |
01:18:12 |
Good work, Tolly. |
01:18:18 |
Put this back |
01:18:34 |
Tell barney to tail Gela |
01:18:39 |
And make sure |
01:18:42 |
An hour to hour |
01:19:16 |
Well... |
01:19:18 |
maybe he was too drunk |
01:19:21 |
What'd he say? |
01:19:25 |
I'm at the pool, right? |
01:19:28 |
Gela's in the pool |
01:19:31 |
You got the picture? |
01:19:32 |
Gela's in the pool |
01:19:34 |
No, he's not in the pool. |
01:19:35 |
He's too drunk |
01:19:37 |
But he's at the pool. |
01:19:39 |
I hear him say |
01:19:41 |
That if he thought |
01:19:43 |
He'd make a deal with you |
01:19:45 |
He did the singin'. |
01:19:46 |
Gela said that? |
01:20:18 |
Call off your cannibals. |
01:20:21 |
Not here. |
01:20:25 |
Relax, Danny. |
01:20:28 |
What are you prowlin' |
01:20:31 |
I wanted you |
01:20:34 |
I understand |
01:20:39 |
Now get outta here. |
01:21:01 |
I've got to be sure. |
01:21:03 |
When I drove past him, |
01:21:05 |
My lights picked up |
01:21:07 |
It was big as life, |
01:21:09 |
That guy was Driscoll, |
01:21:18 |
Find Gus |
01:21:22 |
You want me to keep |
01:21:25 |
No. |
01:21:27 |
It won't be necessary. |
01:21:42 |
I just got your note. |
01:21:44 |
Phone Gela at home, |
01:21:46 |
Tell him you got some reports |
01:21:48 |
He'll ask you to bring |
01:21:51 |
It's about 11:00 now. |
01:21:56 |
Only you won't be there. |
01:21:58 |
I'll be there for you. |
01:22:16 |
Yeah? |
01:22:18 |
Mr. Gela, this is Tolly. |
01:22:20 |
Oh, hello, Tolly. |
01:22:25 |
Good, good. |
01:22:28 |
Take you about a half hour. |
01:22:59 |
Got the reports |
01:23:01 |
Mr. Gela... |
01:23:02 |
when I was a kid, |
01:23:05 |
I seen four shadows on a wall |
01:23:08 |
You know, I never could |
01:23:11 |
'Cause the guy was my old man. |
01:23:13 |
Huh? |
01:23:16 |
That's right. |
01:23:18 |
You know, it took me 20 years |
01:23:21 |
To find the faces |
01:23:23 |
But I found 'em. |
01:23:27 |
The first guy... |
01:23:29 |
he conked out in a hospital |
01:23:31 |
To forgive him. |
01:23:33 |
Vic Farrar. |
01:24:00 |
The second one... |
01:24:02 |
he's gettin' the chair. |
01:24:04 |
Smith. |
01:24:19 |
The third one... |
01:24:21 |
he got barbecued. |
01:24:23 |
Gunther. |
01:24:36 |
There's one punk left, |
01:24:39 |
That's you. |
01:24:42 |
You wrap up |
01:24:51 |
That's Gus. |
01:24:54 |
I set you up |
01:24:56 |
That's the only way |
01:25:39 |
What's the matter? |
01:25:40 |
Don't you pay the light bills |
01:26:05 |
How you doin'? |
01:26:11 |
You're not the only one |
01:26:14 |
I got ideas too. |
01:26:15 |
You made your point. |
01:26:19 |
Quittin' our way |
01:26:22 |
But I don't buy it alone. |
01:26:26 |
Like sandy said, |
01:26:30 |
Is between |
01:26:34 |
What are you |
01:26:39 |
Well, I want you |
01:26:42 |
And all... |
01:26:46 |
everything |
01:27:13 |
There's a man outside |
01:27:16 |
His name is Tolly Devlin. |
01:27:18 |
He's here? |
01:27:19 |
He wants to see you alone. |
01:27:21 |
Well, tell him |
01:27:24 |
All right, everybody, |
01:27:26 |
Let's take |
01:27:40 |
Hello, Mr. Driscoll. |
01:27:43 |
I stopped by your house, |
01:27:45 |
They told me you were |
01:27:47 |
Are you crazy? |
01:27:52 |
Gela's dead. |
01:27:56 |
Did you kill him? |
01:27:58 |
Naw. |
01:28:00 |
Who did? |
01:28:03 |
How do you know |
01:28:05 |
He's dead. |
01:28:07 |
And you set him up, |
01:28:10 |
What difference |
01:28:12 |
Mr. Driscoll, it's been |
01:28:15 |
But with Gela on ice, |
01:28:17 |
That wraps it up |
01:28:19 |
Come on. |
01:28:20 |
Our job isn't finished yet. Mine is. |
01:28:23 |
Tolly, you've got a |
01:28:26 |
Connors? What do I care |
01:28:28 |
That's your headache. |
01:28:29 |
Well, what are you |
01:28:31 |
I'm gonna get married. |
01:28:33 |
I'm gonna get married, |
01:28:39 |
What about Connors? |
01:28:42 |
I'm gonna dump him too. |
01:28:45 |
I want to start |
01:28:47 |
Me and my broad. |
01:28:51 |
what? |
01:28:53 |
Don't you think I can |
01:28:55 |
Of course you can, and |
01:28:58 |
But right now, |
01:29:01 |
Until we get Connors. |
01:29:03 |
You got cops, |
01:29:05 |
You can't quit him, |
01:29:07 |
Not while he's top butcher, |
01:29:09 |
I know one thing, |
01:29:10 |
he'll never buy it. |
01:29:12 |
Tolly, you'll never be able |
01:29:14 |
Unless you help us |
01:29:17 |
He'll buy it. |
01:29:22 |
I'll tell him Im hot, |
01:29:24 |
He'll tell me to get lost. |
01:29:26 |
Then tell your bride |
01:29:39 |
Yeah? |
01:29:41 |
Come over here! |
01:29:43 |
And please, please, hurry. |
01:29:45 |
Yeah, right after |
01:29:48 |
Listen to me. |
01:29:49 |
The best time to check out |
01:29:52 |
He's always relaxed |
01:29:55 |
You gotta listen to me. |
01:29:56 |
Love you, doll. |
01:29:59 |
Tolly. |
01:30:13 |
What's up? |
01:30:16 |
Here, that's for you. |
01:30:22 |
What's this for? |
01:30:24 |
Remember that bookkeeper Menken |
01:30:28 |
Yeah. |
01:30:29 |
His kid was killed |
01:30:31 |
Yeah, I read about it. |
01:30:34 |
I ran her down. |
01:30:40 |
I just found out |
01:30:43 |
So what's the gun for? |
01:30:45 |
Connors wants me |
01:30:48 |
See how you operate. |
01:30:50 |
We're going to wipe out Menken, |
01:30:56 |
Oh, and cuddles. |
01:30:59 |
Mr. Connors tells me |
01:31:01 |
That sung on Smith. |
01:31:04 |
Yeah. |
01:31:05 |
Driscoll's got her |
01:31:07 |
But she'll get it |
01:31:09 |
Like Gela got it. |
01:31:10 |
Man like Connors, |
01:31:13 |
After these hits, |
01:31:15 |
A rubber lip left in the |
01:31:18 |
And if you show any |
01:31:23 |
Mr. Connors may give you |
01:31:27 |
Who knows? |
01:31:29 |
Let's go. |
01:33:20 |
That's Connors' car. |
01:33:22 |
And Guss car |
01:33:25 |
We're crazy to be |
01:33:32 |
Hello, Tolly. |
01:33:35 |
Hello, barney. |
01:33:59 |
Hello, Mr. Connors. |
01:34:01 |
Hi, Tolly. |
01:34:02 |
Didn't Gus reach you? |
01:34:08 |
What's the matter with you? |
01:34:11 |
Barney! |
01:35:41 |
Maybe he's already |
01:36:02 |
Tolly! Tolly! |
01:36:04 |
Tolly, Tolly! |
01:37:22 |
Tolly! |
01:37:26 |
If they find you here, |
01:37:30 |
You've got a job to do. |
01:37:32 |
You gotta sing on Smith. |
01:37:34 |
I don't care about Smith. |
01:37:38 |
You've got to finish the job, |
01:37:41 |
Or he died for nothing. |
01:37:54 |
Come on. |