|
Une Femme Mari e Suite De Fragments D un Film Tourn En 1964
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| 00:00:18 |
FRAGMENTS OF A |
| 00:00:32 |
IN BLACK AND WHITE |
| 00:01:02 |
I don't know. |
| 00:01:12 |
You don't know |
| 00:01:16 |
Why do you keep talking? |
| 00:01:21 |
It's so nice like this. |
| 00:01:36 |
What's that there? |
| 00:01:40 |
Oh, that was when |
| 00:01:44 |
Once by the seaside... |
| 00:01:47 |
I fell over. |
| 00:02:05 |
Really, you can't |
| 00:02:08 |
- How do you mean... I don't understand. |
| 00:02:11 |
them, but really you remain outside. |
| 00:02:16 |
But you can melt into |
| 00:02:19 |
Yes, but you are inside |
| 00:02:21 |
when you're not thinking, |
| 00:02:27 |
I love you. |
| 00:02:47 |
You should do like they do in |
| 00:02:52 |
The women don't shave |
| 00:02:54 |
I prefer American films, |
| 00:02:58 |
- They're prettier. |
| 00:03:21 |
- You've got nice eyebrows. |
| 00:03:25 |
Do you know that in Japan |
| 00:03:30 |
Why don't you like |
| 00:03:47 |
I'd like to have |
| 00:03:49 |
I've got one already. |
| 00:03:51 |
- You told me it was by another marriage. |
| 00:03:55 |
Was you husband |
| 00:03:57 |
No his wife left him |
| 00:04:00 |
She went off with the manager |
| 00:04:09 |
Where have all |
| 00:04:14 |
Long time passing. |
| 00:04:20 |
Long, long ago. |
| 00:04:33 |
When are we going to live together? |
| 00:04:36 |
I told you, not until |
| 00:04:38 |
Things don't move |
| 00:04:40 |
- You've spoken to him? |
| 00:04:44 |
I love your teeth. |
| 00:04:58 |
Take it off. |
| 00:04:59 |
No. |
| 00:05:01 |
Yes. |
| 00:05:15 |
- I'm cold. |
| 00:05:38 |
- I love you. |
| 00:05:51 |
- I love you. |
| 00:05:57 |
Do you love me? |
| 00:05:59 |
Yes. |
| 00:06:02 |
Yes. |
| 00:06:06 |
Yes. |
| 00:06:08 |
Yes. |
| 00:06:11 |
Oh, yes. |
| 00:06:16 |
General mobilization on |
| 00:06:19 |
12 million French already |
| 00:06:21 |
fascinated by the sea |
| 00:06:23 |
Two hundred thousand police were |
| 00:06:27 |
for the task of controlling |
| 00:06:29 |
At 2.30... |
| 00:06:31 |
23 people were already |
| 00:06:34 |
So far, these are the total |
| 00:06:37 |
which the traffic experts |
| 00:06:39 |
will have a particularly |
| 00:06:45 |
Who's that? Moliere? |
| 00:06:48 |
Yes. |
| 00:06:50 |
In 1694 Bossuet published his Maxims |
| 00:06:55 |
I believe it's been sufficiently proved that |
| 00:07:01 |
on the stage inclines the viewer to sin, if |
| 00:07:07 |
Moliere replied that the theatre |
| 00:07:10 |
by purifying love. |
| 00:07:13 |
When he was at last alone with Mrs. |
| 00:07:16 |
from crying, he looked at her |
| 00:07:19 |
His rather too large blue eyes, which were |
| 00:07:22 |
had something in them |
| 00:07:25 |
He looked like a small boy who was made |
| 00:07:30 |
Nevertheless, the real child was |
| 00:07:33 |
who had such an innocent air, |
| 00:07:38 |
Well, princess, how do you do? |
| 00:07:41 |
- I must get dressed. |
| 00:07:43 |
No. |
| 00:07:45 |
And besides, I don't |
| 00:07:51 |
Are you going home |
| 00:07:53 |
No but the maid has the day off and |
| 00:07:57 |
- Well, how do you like the apartment? |
| 00:08:01 |
Was it expensive? |
| 00:08:03 |
1300 francs with the furniture. |
| 00:08:06 |
I think that's a lot of money |
| 00:08:11 |
You know, you can get on |
| 00:08:14 |
How do you do that? |
| 00:08:16 |
At the end of the corridor, |
| 00:08:22 |
Charlotte, what the hell |
| 00:08:24 |
You must be nuts going out like that! |
| 00:08:30 |
- Why? Don't you know Fantomas? |
| 00:08:33 |
- I thought you liked me nude? |
| 00:08:37 |
Listen, I've got my husband all day, |
| 00:08:40 |
Get dressed and stop talking |
| 00:08:43 |
- I'm not, you are. |
| 00:08:51 |
And who are those |
| 00:08:54 |
It's Dullin and Louis Jouvet. |
| 00:08:59 |
And from behind... |
| 00:09:09 |
No that's vice. |
| 00:09:12 |
Each time you use my razor, |
| 00:09:15 |
Don't keep telling |
| 00:09:20 |
- I never said that. |
| 00:09:26 |
Not my fault I have to rush off. |
| 00:09:29 |
I was going to rehearsals |
| 00:09:31 |
You don't believe me when I tell |
| 00:09:34 |
I believe you. |
| 00:09:37 |
- Ouch! Careful! |
| 00:09:44 |
What ever is that? |
| 00:09:46 |
It's a French invention, |
| 00:09:48 |
perfected by Swiss specialists. |
| 00:09:51 |
It makes one |
| 00:09:54 |
The mechanism is regulated |
| 00:09:58 |
the slightest pressure exerted on it... |
| 00:10:00 |
by an incorrect posture... |
| 00:10:03 |
sets off an alarm signal. |
| 00:10:05 |
Sounds good. |
| 00:10:06 |
THE INTIMATE DESIRES |
| 00:10:09 |
Yes, I have others. It's from a |
| 00:10:11 |
I get to know many |
| 00:10:16 |
He asked me to demonstrate |
| 00:10:20 |
Isn't there a smaller one? |
| 00:10:22 |
Yes, but this is the |
| 00:10:25 |
May I keep it? |
| 00:10:29 |
It's worth 7000 francs. |
| 00:10:31 |
I'll give it tomorrow. |
| 00:10:34 |
If it makes you walk straight, |
| 00:10:38 |
Oh yes. |
| 00:10:45 |
Now, where did I |
| 00:10:49 |
Kisses, caresses. |
| 00:10:53 |
We stay silent. |
| 00:10:55 |
It was summer. |
| 00:10:57 |
Perhaps he's forgotten. |
| 00:10:59 |
Jealousy. |
| 00:11:02 |
When does he come back? |
| 00:11:04 |
What a pretty dress. |
| 00:11:06 |
I'll tell you. |
| 00:11:09 |
It's dangerous. |
| 00:11:11 |
But you're not listening. |
| 00:11:13 |
Freedom. |
| 00:11:15 |
Pleasure. |
| 00:11:16 |
To see nothing. |
| 00:11:19 |
Why this question? |
| 00:11:21 |
I was afraid to be late. |
| 00:11:24 |
Life in general. |
| 00:11:27 |
What are you thinking? |
| 00:11:29 |
You know... |
| 00:11:32 |
You ought to talk |
| 00:11:36 |
He doesn't believe you. |
| 00:11:40 |
When does he get back? |
| 00:11:42 |
I want what you want. |
| 00:11:45 |
You know that. |
| 00:11:46 |
Well, |
| 00:11:48 |
do it then. |
| 00:11:57 |
Charlotte, what's this? |
| 00:11:59 |
- It's a Volkswagen turning to the right. |
| 00:12:03 |
or perhaps Friday. If he |
| 00:12:06 |
In other words, |
| 00:12:08 |
If you loved me for 3 months, you |
| 00:12:11 |
- Too much powder. |
| 00:12:13 |
Women live only for men, yet |
| 00:12:16 |
Well, I really must go. |
| 00:12:20 |
- Where have you parked? |
| 00:12:24 |
You can't park there. |
| 00:12:27 |
There's always |
| 00:12:28 |
Pierre says it's impossible. |
| 00:12:30 |
Oh yes, there's always a way |
| 00:12:41 |
In the middle |
| 00:12:43 |
...hope. |
| 00:12:45 |
The image of a young girl. |
| 00:12:47 |
Who am I? |
| 00:12:49 |
I've never known |
| 00:12:52 |
The verb to follow, |
| 00:12:54 |
...other reasons. |
| 00:12:56 |
I was once. |
| 00:12:59 |
Not here, a year ago. |
| 00:13:02 |
Only once, wasn't it? |
| 00:13:05 |
It's his fault. |
| 00:13:08 |
Always dream and |
| 00:13:12 |
A bitter satisfaction. |
| 00:13:15 |
I shall come back |
| 00:13:17 |
Friday or Saturday. |
| 00:13:20 |
He was afraid of me. |
| 00:13:22 |
I know he loves me. |
| 00:13:24 |
It's difficult. |
| 00:13:26 |
I'm on holiday. |
| 00:13:28 |
As the days go by. |
| 00:13:31 |
We met by chance. |
| 00:13:34 |
Happiness. I don't know. |
| 00:13:44 |
Are you ashamed to |
| 00:13:46 |
No, why Robert? |
| 00:13:49 |
Well, sit up. |
| 00:13:53 |
I'm very comfortable |
| 00:13:55 |
Anyway, it's the ideal position |
| 00:14:03 |
What are you doing |
| 00:14:06 |
This evening, well... |
| 00:14:11 |
I'll do the dishes, and then |
| 00:14:16 |
Once Nicholas is in bed, |
| 00:14:20 |
We've got a super TV. |
| 00:14:22 |
The technique of refrigeration |
| 00:14:27 |
I'll phone you, if you like? |
| 00:14:29 |
No. |
| 00:14:33 |
You always start to cry on |
| 00:14:43 |
Paris is crying as much |
| 00:14:46 |
Will he please as much |
| 00:14:52 |
Which way are you going? |
| 00:14:54 |
By La Nation. |
| 00:14:55 |
That's great, then you can |
| 00:14:59 |
We don't pass there. |
| 00:15:01 |
There's a Printemps-Nation |
| 00:15:06 |
They've got a |
| 00:15:10 |
- I'll come with you if you like. |
| 00:15:13 |
- It's no bother. I've nothing to do before 5. |
| 00:15:19 |
- Have you never been married before? |
| 00:15:23 |
Why are you always |
| 00:15:26 |
I wonder... |
| 00:15:30 |
you'll stick a private detective on me |
| 00:15:35 |
If all the men you know are jerks, |
| 00:15:42 |
Lost illusions. |
| 00:15:44 |
When I was in |
| 00:15:47 |
it didn't matter. |
| 00:15:51 |
- I'll see you tomorrow at the cinema. |
| 00:15:54 |
Yes? |
| 00:15:56 |
Yes, yes. Yes! |
| 00:16:42 |
Taxi! |
| 00:17:07 |
- Stop here please! |
| 00:17:10 |
- That doesn't matter. Stop! |
| 00:17:11 |
Yes, yes! |
| 00:17:13 |
When I was still |
| 00:17:15 |
you called him. |
| 00:17:18 |
I can't tell a lie. |
| 00:17:20 |
No, it's impossible. |
| 00:17:22 |
Yes, tomorrow, |
| 00:17:26 |
sometimes in the cinema. |
| 00:17:28 |
I find that disagreeable. |
| 00:17:31 |
I like that. |
| 00:17:33 |
Let me kiss you. |
| 00:17:35 |
In any case... |
| 00:18:44 |
Hello, Nicholas. |
| 00:18:49 |
- Hello, darling. |
| 00:18:52 |
- Aren't you going to kiss me? |
| 00:18:57 |
- What's the matter? Are you sulking? |
| 00:19:01 |
We went to Berlin and |
| 00:19:03 |
- Mr. Leenhardt. My wife. |
| 00:19:07 |
- That's your little boy? |
| 00:19:10 |
I was told you made a big detour. |
| 00:19:12 |
Because I asked him to come with me |
| 00:19:16 |
- Have you heard of Auschwitz? |
| 00:19:19 |
Well, not exactly. It's an old story... |
| 00:19:22 |
Ah yes, Hitler! |
| 00:19:45 |
Recently in Germany, |
| 00:19:52 |
they were to kill all the Jews |
| 00:19:56 |
He replied: "Why hairdressers? |
| 00:19:59 |
Well, why the hairdressers? |
| 00:20:01 |
Have you got a car? |
| 00:20:03 |
- I thought of getting a taxi. |
| 00:20:06 |
- You'll come in with us. |
| 00:20:10 |
Thanks. |
| 00:20:22 |
Did you missed me? |
| 00:20:24 |
Yes, a lot. |
| 00:20:29 |
I missed you. |
| 00:20:32 |
Is that true. Pierre? |
| 00:20:37 |
Why do you always ask |
| 00:20:50 |
- You're okay? |
| 00:20:56 |
Did you finally get your |
| 00:20:58 |
No. |
| 00:21:03 |
Well, I hope you didn't hitch any rides. |
| 00:21:06 |
What's that supposed |
| 00:21:09 |
Nothing. |
| 00:21:14 |
No letters. I never know |
| 00:21:17 |
I never know where Im going. |
| 00:21:28 |
What have you done today? |
| 00:21:30 |
Today? Mmm, let me see... |
| 00:21:32 |
I helped Raymonde |
| 00:21:36 |
Then I tidied the |
| 00:21:39 |
What else have I done? |
| 00:21:42 |
I phoned Jeanette |
| 00:21:45 |
Then I went to fetch Nicholas. |
| 00:21:49 |
- Do you want a dollar? |
| 00:21:58 |
Join us with the dinner? |
| 00:22:00 |
I'll have to call at the hotel first. |
| 00:22:06 |
Did you think about me? |
| 00:22:12 |
Pierre, do you know what that is? |
| 00:22:17 |
- A Volkswagen turning to the right. |
| 00:22:20 |
No, I thought it out. |
| 00:22:23 |
- Hurry up. Come on. |
| 00:22:27 |
Why not? He's very |
| 00:22:29 |
I didn't say he wasn't intelligent. |
| 00:22:37 |
You needn't have told Madame |
| 00:22:40 |
You need only find |
| 00:22:43 |
You need only |
| 00:22:46 |
You need only go |
| 00:22:53 |
Okay, I'll go. |
| 00:22:56 |
Should I buy leeks? |
| 00:22:58 |
On Radio Luxemburg they say that |
| 00:23:03 |
Right. Leeks. |
| 00:23:06 |
- Oh, new panties. Nicer than the others. |
| 00:23:09 |
Oh no. The others looked like |
| 00:23:12 |
It's the American army now. |
| 00:23:18 |
That actor who was after you. |
| 00:23:22 |
Why do you ask me that? You know well |
| 00:23:27 |
I ask you about it because |
| 00:23:32 |
- Oh, please! |
| 00:23:34 |
Not now. |
| 00:23:36 |
Kiss me. |
| 00:23:42 |
You must know since you've |
| 00:23:47 |
That was three months ago. |
| 00:23:51 |
Even if I had deceived you, |
| 00:23:54 |
It proves you |
| 00:23:57 |
Yes, true. You're right. |
| 00:24:10 |
Goodnight, Nicholas. |
| 00:24:11 |
Oh, daddy. You know |
| 00:24:14 |
I will go to Australia, |
| 00:24:19 |
- to England, to Scotland. |
| 00:24:28 |
Goodnight, Nicholas. |
| 00:24:30 |
Goodnight. Where are you |
| 00:24:33 |
We're going to have dinner with |
| 00:24:37 |
- Sleep well. |
| 00:24:48 |
How to have a |
| 00:24:54 |
Measure yourself with |
| 00:24:56 |
and compare the results with |
| 00:25:00 |
There's an ideal |
| 00:25:03 |
Compare the ideal figure, |
| 00:25:05 |
with that of the |
| 00:25:10 |
from the nipple in a horizontal |
| 00:25:14 |
below the middle |
| 00:25:19 |
Stretch the tape-measure from your |
| 00:25:30 |
Take off a centimeter, divide in two... |
| 00:25:33 |
Madame Celine, go |
| 00:25:36 |
- But I wanted to go to the cinema. |
| 00:25:40 |
That's what your breast measurement |
| 00:25:45 |
Measure the distance from |
| 00:25:49 |
to the tip of your right breast... |
| 00:25:58 |
That should be 20 centimeters. |
| 00:26:02 |
Trace a second imaginary line |
| 00:26:06 |
to the tip of your |
| 00:26:10 |
An imaginary line... |
| 00:26:17 |
20 centimeters. |
| 00:26:20 |
Measure the distance between the tips |
| 00:26:29 |
These three measurements should |
| 00:26:32 |
Pierre, what does 'equilateral' mean? |
| 00:26:35 |
I don't know. |
| 00:26:37 |
Brown or green? |
| 00:26:39 |
Green. |
| 00:26:40 |
- I'll put it in the bedroom. |
| 00:26:51 |
I told you not to use my Philips, you |
| 00:26:55 |
It wasn't me. It was |
| 00:26:57 |
Not true! It was mummy! |
| 00:26:59 |
Not true! It was mummy! |
| 00:27:03 |
Not true! It was mummy! |
| 00:27:06 |
- You see, you're lying. |
| 00:27:10 |
- You do sometimes, and |
| 00:27:12 |
You've no right to say that. |
| 00:27:16 |
You know very well |
| 00:27:19 |
It doesn't seem as though |
| 00:27:23 |
It wasn't very hard. |
| 00:27:26 |
Not at all. I was a slap ahead. |
| 00:27:32 |
- Come here. |
| 00:27:33 |
- I won't hurt you. |
| 00:27:43 |
Where do you begin |
| 00:27:45 |
Where does the image |
| 00:27:47 |
How do I distinguish between the |
| 00:27:52 |
You need only know |
| 00:27:55 |
What is behind your eyes? |
| 00:27:57 |
Each time you come back from a trip, |
| 00:28:02 |
But I love you... |
| 00:28:04 |
and perhaps love |
| 00:28:07 |
I love you too, Pierre. |
| 00:28:10 |
Often not in the way you |
| 00:28:15 |
We've got to go. |
| 00:28:19 |
I didn't imagine your flats |
| 00:28:21 |
It's unexpected, this setting, |
| 00:28:26 |
Places do exist which haven't |
| 00:28:29 |
Living away from the noise |
| 00:28:32 |
Provided you breath in the |
| 00:28:35 |
as it was formed by past ages. |
| 00:28:37 |
Money cannot replace time when |
| 00:28:41 |
It's the 'escape' flat, |
| 00:28:43 |
an expression of the intent to build |
| 00:28:48 |
You'll notice that houses |
| 00:28:52 |
which slope down gently |
| 00:28:55 |
facing the magnificent |
| 00:28:58 |
It's very well suited to |
| 00:29:02 |
We experience exceptional |
| 00:29:06 |
Eight windows opening |
| 00:29:09 |
and a walk in one's |
| 00:29:12 |
That's really the life people |
| 00:29:15 |
Everything here is of |
| 00:29:17 |
From outside, you'll notice the |
| 00:29:19 |
a mixture of blocks of stone, mosaic |
| 00:29:23 |
Then Ill show you |
| 00:29:25 |
In it can be found not only |
| 00:29:30 |
but also a dressing table any |
| 00:29:33 |
- One of two lumps of sugar? |
| 00:29:36 |
Have you seen |
| 00:29:39 |
No, ah! A Tele-Avia. |
| 00:29:42 |
The technique of aviation |
| 00:29:49 |
Do you know I flew from |
| 00:29:51 |
with the automatic pilot? |
| 00:29:53 |
- The new one? |
| 00:29:57 |
What use are you |
| 00:30:00 |
At any rate, it has a better |
| 00:30:05 |
It's fantastic when you think that first |
| 00:30:10 |
To record the past. |
| 00:30:12 |
The past isn't worth the trouble. |
| 00:30:16 |
MEMORY |
| 00:30:22 |
No, for me... |
| 00:30:25 |
memory is one of the |
| 00:30:30 |
But it's so incredible, |
| 00:30:34 |
I was at the Auschwitz |
| 00:30:38 |
Well, |
| 00:30:39 |
there were people |
| 00:30:42 |
having killed thousands |
| 00:30:44 |
And they didn't |
| 00:30:48 |
Well, perhaps that was |
| 00:30:52 |
it was a defense |
| 00:30:54 |
but with some of them one had the |
| 00:31:06 |
Speaking of memory, |
| 00:31:08 |
remember when I was in |
| 00:31:11 |
Well, |
| 00:31:12 |
he told me a story. |
| 00:31:15 |
For him, it was really |
| 00:31:20 |
One day on the |
| 00:31:24 |
he saw a procession |
| 00:31:27 |
You know, |
| 00:31:29 |
men who had |
| 00:31:32 |
old camp uniforms, |
| 00:31:36 |
This was ten years later. |
| 00:31:40 |
Obviously they weren't as |
| 00:31:43 |
they came out of Dachau, |
| 00:31:48 |
or Mauthausen. |
| 00:31:51 |
They had been eating, |
| 00:31:54 |
living a normal life, |
| 00:31:58 |
It just didn't look |
| 00:32:01 |
Mr. Rossellini thought it was really |
| 00:32:07 |
remembered all wrong. They didn't |
| 00:32:21 |
Me, |
| 00:32:24 |
I can't forget, |
| 00:32:29 |
I remember everything. |
| 00:32:32 |
I can remember |
| 00:32:36 |
or my holidays |
| 00:32:39 |
The first time I met |
| 00:32:42 |
I can remember everything, |
| 00:32:48 |
Of course, there are things |
| 00:32:52 |
Memory, all that, is no |
| 00:32:56 |
It's more... |
| 00:32:58 |
present is more exiting. |
| 00:33:01 |
I like music. I like |
| 00:33:04 |
- I like flowers, I like... |
| 00:33:06 |
Love... |
| 00:33:09 |
Love. You have to live it. |
| 00:33:15 |
Because if there |
| 00:33:19 |
it can't live, it dies. |
| 00:33:31 |
The most important |
| 00:33:34 |
is to understand |
| 00:33:41 |
Well, to understand |
| 00:33:48 |
and to try to... |
| 00:33:50 |
compare it to... |
| 00:33:53 |
everything that Ive known, |
| 00:33:57 |
Its' difficult, difficult in the present. |
| 00:34:02 |
during the present, I have no |
| 00:34:08 |
Pardon? |
| 00:34:13 |
No, I can't understand. |
| 00:34:16 |
I can't understand |
| 00:34:20 |
it's stronger than me. |
| 00:34:28 |
Of course, the thing I love, |
| 00:34:32 |
is this... |
| 00:34:33 |
is this element that escapes me, |
| 00:34:38 |
That's what I |
| 00:34:44 |
I'd like to control it. Because I can't |
| 00:34:50 |
Sometimes, Im sorry |
| 00:34:53 |
They're so natural, their movements... |
| 00:35:01 |
But we're supposed |
| 00:35:10 |
Well, am I happy? |
| 00:35:16 |
No, Im not |
| 00:35:18 |
because, |
| 00:35:20 |
precisely because I have |
| 00:35:23 |
Because, |
| 00:35:24 |
Im quite clear |
| 00:35:29 |
Im not surprised by anything |
| 00:35:37 |
Yes, yes, they're lots of |
| 00:35:40 |
Precisely because, |
| 00:35:42 |
when they happened, |
| 00:35:45 |
I wasn't... |
| 00:35:48 |
I wasn't able to |
| 00:35:59 |
And I was ashamed |
| 00:36:01 |
I was ashamed because I couldn't |
| 00:36:06 |
But while it was happening, no. |
| 00:36:09 |
Because in the present, |
| 00:36:11 |
I can't, it escapes me... |
| 00:36:14 |
I don't know |
| 00:36:16 |
The present keeps |
| 00:36:20 |
INTELLIGENCE |
| 00:36:21 |
It's curious how |
| 00:36:24 |
that had no importance when |
| 00:36:29 |
after a certain time, an almost |
| 00:36:35 |
something a friend |
| 00:36:38 |
25 years ago, in 1940, |
| 00:36:41 |
during the collapse, |
| 00:36:44 |
He was a man of |
| 00:36:47 |
witty, one of the first |
| 00:36:50 |
But before taking sides, he wanted |
| 00:36:55 |
"You see" he told me, |
| 00:36:57 |
"I am a man who likes to |
| 00:37:01 |
This man, who had a beautiful |
| 00:37:05 |
was not like me at all. |
| 00:37:08 |
has become a sort of personal motto |
| 00:37:14 |
but which, I believe, is the most |
| 00:37:20 |
Intelligence is to understand |
| 00:37:24 |
It means one seeks to |
| 00:37:27 |
to find its limits, to find its opposite, |
| 00:37:32 |
To seek out a little path between "for" |
| 00:37:37 |
I know, not everybody finds |
| 00:37:40 |
sympathetic, especially |
| 00:37:43 |
when people like primary colors and find |
| 00:37:48 |
black and white, but I must confess, |
| 00:37:52 |
who are the boring ones, one always |
| 00:37:57 |
On the contrary, people who |
| 00:37:59 |
as fond of paradoxes are amusing, |
| 00:38:03 |
to look for the opposite in the face |
| 00:38:06 |
And then today, we also need |
| 00:38:11 |
one of the most beautiful and |
| 00:38:15 |
It has become a pejorative word, |
| 00:38:18 |
But for myself, I am |
| 00:38:22 |
thinking that one has to seek for |
| 00:38:27 |
that the world's not that |
| 00:38:32 |
It's precisely the role of intelligence |
| 00:38:37 |
a bit of reason |
| 00:38:40 |
Do you know Madame, that despite |
| 00:38:45 |
me of a beautiful redhead. 'La Jolie |
| 00:38:50 |
'Sun, the time has come for |
| 00:38:54 |
Well, that flaming reason |
| 00:38:58 |
when it appears, takes the |
| 00:39:03 |
That's what can be seen |
| 00:39:06 |
the presence of intellectual awareness |
| 00:39:11 |
Feminine beauty becomes something |
| 00:39:16 |
I believe, that all the great ideas in |
| 00:39:22 |
That there are statues called 'La Vertu', |
| 00:39:28 |
I see it's ridiculous to make this little |
| 00:39:33 |
but I do ask you to believe, firstly, |
| 00:39:38 |
not because Im growing old that I make |
| 00:39:45 |
On the contrary, when I was 20, |
| 00:39:50 |
and it's now that at 60, one wants to |
| 00:39:54 |
that humanism becomes a heavy burden |
| 00:39:58 |
I don't know Ill manage to do it, but |
| 00:40:02 |
and mad old ones. |
| 00:40:06 |
CHILDHOOD |
| 00:40:10 |
For the job. First, |
| 00:40:14 |
Second, you calculate. |
| 00:40:19 |
Fourth, you do it. |
| 00:40:25 |
you buy the paint. |
| 00:40:28 |
you check everything. |
| 00:40:32 |
Eighth, you recheck |
| 00:40:34 |
Ninth, you add the |
| 00:40:38 |
Tenth, you set |
| 00:40:46 |
What are this records? |
| 00:40:48 |
A chap at West Berlin gave them for |
| 00:41:06 |
- I'd like to hear that one. |
| 00:41:43 |
- Charlotte, no! |
| 00:41:47 |
Listen! |
| 00:42:48 |
I'm thirsty. |
| 00:43:58 |
- I want to put on another. |
| 00:44:02 |
Yes! |
| 00:44:04 |
I told you, they aren't ours. |
| 00:44:16 |
- or Ill rape you. |
| 00:44:19 |
- No, you're very beautiful. |
| 00:44:22 |
You'll run for your money! |
| 00:44:55 |
- You're crazy! |
| 00:45:05 |
Who's that? |
| 00:45:07 |
That? I don't know. |
| 00:45:11 |
Can I put it on? |
| 00:45:13 |
- Yes, if you're nice. |
| 00:46:18 |
You know I don't like that. |
| 00:46:21 |
Did you miss me? |
| 00:46:24 |
I'm sorry... |
| 00:46:26 |
in the darkness. |
| 00:46:29 |
Why? |
| 00:46:31 |
Gently... |
| 00:46:32 |
It's too complicated... |
| 00:46:34 |
I'm afraid. My love... |
| 00:46:38 |
I'm sad. |
| 00:46:40 |
The water is cold. |
| 00:46:42 |
I shut my eyes. |
| 00:46:44 |
Because... |
| 00:46:46 |
Yes, I remember it. |
| 00:46:48 |
Always like that. |
| 00:46:50 |
He looked into |
| 00:46:53 |
Besides, it's not |
| 00:46:55 |
There's one little thing. |
| 00:46:58 |
I bought myself |
| 00:47:00 |
He doesn't talk. |
| 00:47:02 |
A week afterwards. |
| 00:47:52 |
With lassitude. |
| 00:47:54 |
Our legs and |
| 00:47:58 |
It doesn't matter. |
| 00:48:00 |
All these awful scenes. |
| 00:48:02 |
Don't be like that. |
| 00:48:04 |
I have loved you. |
| 00:48:06 |
Weakness. |
| 00:48:08 |
Truth. |
| 00:48:10 |
I want to know. |
| 00:48:12 |
I'll explain to you. |
| 00:48:14 |
He left quickly. |
| 00:48:17 |
On the contrary. |
| 00:48:19 |
There. |
| 00:48:20 |
I promised you. |
| 00:48:23 |
Once again. |
| 00:48:25 |
Like before. |
| 00:48:27 |
To regret. |
| 00:48:29 |
On that evening. |
| 00:48:31 |
On that evening. |
| 00:48:33 |
Nothing had ever... |
| 00:48:35 |
Love... |
| 00:48:37 |
Of infinite sadness, |
| 00:48:40 |
Love is like the day. |
| 00:48:44 |
It fades, fades away, |
| 00:48:48 |
Love is like the day. |
| 00:48:51 |
Of infinite tenderness, |
| 00:48:54 |
Love is like the day. |
| 00:48:58 |
It comes back, |
| 00:49:03 |
Love is like the day. |
| 00:49:10 |
- Are we going on holiday this year? |
| 00:49:17 |
Did I tell you, last Tuesday I met the guy |
| 00:49:21 |
- A Canadian? |
| 00:49:23 |
Yes, he was a creep. |
| 00:49:26 |
He was after you. |
| 00:49:29 |
You knew that when I met you, |
| 00:49:36 |
You seem upset. |
| 00:49:41 |
No, that's alright. |
| 00:49:45 |
It's odd, men will allow for themselves |
| 00:49:58 |
It was a silly thing to do, |
| 00:50:03 |
It's not the way to make |
| 00:50:05 |
I'm sorry. |
| 00:50:08 |
You're always saying that, but |
| 00:50:13 |
I do sometimes. |
| 00:50:16 |
You can go fast in your plane... |
| 00:50:19 |
- Emotions aren't like that. |
| 00:50:21 |
- Don't exaggerate. |
| 00:50:38 |
If I asked you what your faults |
| 00:50:41 |
Why? I'd rather tell you my qualities. |
| 00:50:45 |
No. |
| 00:50:46 |
It's your faults that |
| 00:50:50 |
Pride. |
| 00:50:52 |
Impatience. |
| 00:50:56 |
My love for you. |
| 00:50:59 |
For me, it's laziness, |
| 00:51:03 |
untruthfulness, |
| 00:51:05 |
no, not so much laziness. |
| 00:51:09 |
But I haven't any |
| 00:51:17 |
Take off your nightie. |
| 00:51:20 |
No, Ill be cold. |
| 00:51:25 |
You said that |
| 00:51:42 |
Why can't I peek |
| 00:51:50 |
What does "peek" |
| 00:52:00 |
I don't know, "peak" maybe, |
| 00:52:06 |
If it's high, then it |
| 00:52:19 |
You're sad all |
| 00:52:22 |
Yes. |
| 00:52:24 |
- Because of me? |
| 00:52:28 |
Because of people. |
| 00:52:31 |
What do you mean? |
| 00:52:34 |
I don't know. Everybody. |
| 00:52:38 |
Everybody on the street. |
| 00:52:41 |
I'd like to get to |
| 00:52:45 |
That one, that one... |
| 00:52:47 |
...that one. |
| 00:52:50 |
That one may |
| 00:52:51 |
He's waiting for a telephone |
| 00:52:56 |
But no one calls, |
| 00:52:59 |
so he kills himself. |
| 00:53:03 |
We're all guilty. |
| 00:53:06 |
I'll always be here. |
| 00:53:16 |
What film was it in? |
| 00:53:17 |
There was a sailor |
| 00:53:21 |
He took her in his arms, and |
| 00:53:25 |
it was done very, |
| 00:53:28 |
Oh yes, in slow motion. |
| 00:53:30 |
I don't know. |
| 00:53:34 |
How do they do that? |
| 00:53:36 |
I don't know. |
| 00:53:50 |
When are we going |
| 00:53:54 |
You've already got one. |
| 00:53:57 |
But Id like to have |
| 00:54:01 |
Have you been thinking |
| 00:54:05 |
Ever since Ive |
| 00:54:10 |
I'm happy, Im happy, |
| 00:54:15 |
I'm happy, Im happy... |
| 00:54:41 |
I said you weren't to |
| 00:54:46 |
At Marseilles! What will you |
| 00:54:53 |
Berenice. |
| 00:54:57 |
There's no cinema at Orly. |
| 00:55:02 |
Alright, 4:45-5:00 o'clock |
| 00:55:07 |
Seat no 12, okey. |
| 00:55:11 |
I kiss you, too. |
| 00:55:28 |
Hello, is that Dr. Deotot? |
| 00:55:30 |
Good morning, doctor. This is |
| 00:55:34 |
I wanted to ask you, could I come |
| 00:55:38 |
because Im working today and I don't |
| 00:55:42 |
Good, thank you. |
| 00:55:45 |
Have you got the results? |
| 00:55:48 |
Thank you, doctor, |
| 00:56:00 |
Not to be... |
| 00:56:18 |
It's for you! |
| 00:56:21 |
Tell them Ive already |
| 00:56:25 |
It's your husband. |
| 00:56:27 |
What does he want? |
| 00:56:32 |
He says he's waking |
| 00:56:34 |
He wants to know if you're |
| 00:56:37 |
He says it'll be difficult, |
| 00:56:41 |
Right, tell him Ill come and fetch him |
| 00:57:27 |
Madame, what does |
| 00:57:29 |
Raymonde, how many times have I told |
| 00:57:32 |
And how many times have I told you to |
| 00:58:15 |
If Madame Leroy calls, tell her Im going |
| 00:58:20 |
Madame, what does |
| 00:58:24 |
Why? |
| 00:58:26 |
Are you interested? |
| 00:58:32 |
- But you've nice breasts. |
| 00:58:38 |
- What's that? |
| 00:58:52 |
Exclusive. How to double |
| 00:58:57 |
The answer is the |
| 00:58:59 |
The secret of beautiful breasts |
| 00:59:03 |
Peruvian doctors were the originators |
| 00:59:07 |
Thanks to Peruvian Serum, |
| 00:59:08 |
You'll notice rapid results, regardless |
| 00:59:12 |
an overwhelming increase |
| 00:59:18 |
Give your husband |
| 00:59:26 |
And your husband, |
| 00:59:32 |
What a bout! |
| 00:59:36 |
Oh yes, the blokes want |
| 00:59:41 |
They shout, they bawl... |
| 00:59:45 |
The dirty brutes... |
| 00:59:50 |
So I lie with him |
| 00:59:57 |
he is so fat! |
| 01:00:04 |
I'm in my favourite position. |
| 01:00:08 |
He sweeps me down |
| 01:00:15 |
I feel a shock running |
| 01:00:23 |
I want to get free. |
| 01:00:25 |
I wriggle, I kick, |
| 01:00:30 |
I crawl over my |
| 01:00:33 |
My tits are pulverized. |
| 01:00:44 |
I can't find a place |
| 01:00:48 |
I collapse under his kisses. |
| 01:00:52 |
My ass... |
| 01:00:55 |
Spasms... |
| 01:00:59 |
I push my tongue |
| 01:01:04 |
as far it'll go, to stop |
| 01:01:08 |
I push my fingers |
| 01:01:13 |
I use all my energy, |
| 01:01:21 |
but he's got me |
| 01:01:25 |
So I let myself go, |
| 01:01:32 |
His great swollen hands |
| 01:01:37 |
I want to tie him up so that |
| 01:01:41 |
Then, it's over. |
| 01:01:44 |
Marvelous. |
| 01:01:46 |
I'm just one solid |
| 01:01:54 |
Oh, love! |
| 01:01:56 |
The only true |
| 01:01:59 |
The only deliverance, |
| 01:02:02 |
the only truth. |
| 01:02:06 |
Oh, harmony! |
| 01:02:07 |
DEATH ON THE |
| 01:02:09 |
To find harmony! |
| 01:02:25 |
Like at the cinema. |
| 01:02:28 |
The sky is blue. |
| 01:02:30 |
Abolish the past. |
| 01:02:32 |
Put on lipstick. |
| 01:02:34 |
What are you thinking? |
| 01:02:36 |
I'm hesitating. |
| 01:02:37 |
The day after. |
| 01:02:39 |
He didn't know. |
| 01:02:41 |
In the clouds. |
| 01:02:43 |
Get undressed. |
| 01:02:45 |
If I were you, |
| 01:02:47 |
The evening of |
| 01:02:50 |
Tuesday afternoon. |
| 01:02:52 |
Very rapidly. |
| 01:02:54 |
For several days. |
| 01:02:56 |
In January 1964. |
| 01:02:59 |
I think it's fun. |
| 01:03:01 |
It's alive. |
| 01:03:02 |
Freed from that hope. |
| 01:03:05 |
Nothing had changed. |
| 01:03:08 |
One last time. |
| 01:03:10 |
The new apartment. |
| 01:03:13 |
The phone rings. |
| 01:03:15 |
It's lovely weather. |
| 01:03:18 |
Not to him, |
| 01:03:21 |
Why should I? |
| 01:03:23 |
We'll go where you like. |
| 01:03:25 |
It had stopped raining. |
| 01:03:28 |
We heard nothing. |
| 01:03:30 |
One must choose. |
| 01:03:33 |
At first I said nothing. |
| 01:03:35 |
What's the matter? |
| 01:03:38 |
Tenderness. |
| 01:03:40 |
Obviously. |
| 01:03:43 |
All imaginable suffering. |
| 01:03:45 |
A face bathed in tears. |
| 01:03:48 |
Stroking my hair. |
| 01:03:51 |
I remained silent. |
| 01:03:54 |
To look around one. |
| 01:04:14 |
- Will you drop me at Trocadero? |
| 01:04:18 |
Ok, Ill wait for |
| 01:04:29 |
The sun, Uranus and Saturn will help you |
| 01:04:33 |
Be careful with someone who may |
| 01:04:37 |
Adopt a passive attitude, the situation |
| 01:04:42 |
It's vital to overcome your anxiety |
| 01:04:45 |
Do not let yourself give way to |
| 01:04:50 |
Will you lend it to me? |
| 01:04:53 |
Thanks. |
| 01:04:55 |
- Have you seen this girl with a 'monokini'? |
| 01:04:58 |
Those swimming suits with |
| 01:05:02 |
She must feel hot |
| 01:05:04 |
- They are nice. Wouldn't you wear one? |
| 01:05:07 |
But why not wear it, |
| 01:05:10 |
You've seen how |
| 01:05:12 |
Yes, they also put |
| 01:05:16 |
- Topless, just on the navel? |
| 01:05:20 |
Instead of a bra, they just put a |
| 01:05:24 |
as if it were the top of a swim suit. |
| 01:05:29 |
You'll see, Im sure in a few years |
| 01:05:32 |
No, I don't think |
| 01:05:35 |
- When is your vacation? |
| 01:05:39 |
- Where are you going? |
| 01:05:41 |
Who with? |
| 01:05:43 |
My parents can't go |
| 01:05:46 |
They gave me my freedom, I can |
| 01:05:49 |
With Patrick? |
| 01:05:50 |
Yes, we're going by car, after he |
| 01:05:55 |
I'm going with my parents. |
| 01:05:57 |
Parents are ok, but you can't |
| 01:06:00 |
I'll have my freedom and |
| 01:06:03 |
But I do go out during the day |
| 01:06:06 |
But it's after 10 that |
| 01:06:09 |
But a boy is too much to put |
| 01:06:14 |
There's a party at Rouch's this evening. |
| 01:06:17 |
No, Ive to go to a friend's. |
| 01:06:19 |
To the cinema? |
| 01:06:21 |
No, to his house. |
| 01:06:22 |
- Do you graduate next year? |
| 01:06:25 |
- Which school do you go to? |
| 01:06:28 |
Moliere. |
| 01:06:30 |
WHAT |
| 01:06:31 |
EVERY |
| 01:06:33 |
WOMEN |
| 01:06:35 |
SHOULD |
| 01:06:36 |
KNOW |
| 01:06:42 |
SHE KNOWS IT |
| 01:06:53 |
SHE DOESN'T KNOW |
| 01:07:04 |
I sleep with a boy. |
| 01:07:10 |
I don't know what to do. |
| 01:07:16 |
He will embrace you. |
| 01:07:22 |
He will caress you. |
| 01:07:28 |
Switch off the light. |
| 01:07:34 |
I shall have to undress. |
| 01:07:40 |
He will be naked. |
| 01:07:46 |
I will be naked. |
| 01:07:52 |
In the darkness. |
| 01:07:59 |
No time. |
| 01:08:04 |
To stop thinking. |
| 01:08:10 |
Atmosphere. |
| 01:08:16 |
Always afraid. |
| 01:08:23 |
He will see my breasts. |
| 01:08:33 |
He said he had to work, so |
| 01:08:41 |
And just as the news |
| 01:08:49 |
I saw my darling and |
| 01:08:58 |
Though I was sitting there, |
| 01:09:07 |
So they sat right down in front of me. |
| 01:09:16 |
And when he kissed her |
| 01:09:23 |
And in the middle of the color |
| 01:09:32 |
Sad movies always |
| 01:09:46 |
I know but this evening I want |
| 01:09:49 |
forget all about the details |
| 01:09:53 |
So I got up and slowly |
| 01:10:01 |
Mama saw the tears |
| 01:10:09 |
Don't be jealous. You can have the young, |
| 01:10:14 |
Wear Eloquence, the new |
| 01:10:17 |
Not to tell her a lie, I just said |
| 01:11:25 |
How far a woman |
| 01:11:39 |
HOW |
| 01:11:42 |
- The doctor is coming. |
| 01:12:07 |
- Good day, Madame. |
| 01:12:10 |
Your fears are |
| 01:12:13 |
The results of the laboratory |
| 01:12:15 |
You are 3 months pregnant. |
| 01:12:18 |
You'll probably have |
| 01:12:23 |
You don't seem completely |
| 01:12:31 |
Doctor, Im worried, |
| 01:12:34 |
frightened. |
| 01:12:36 |
- Can you give me painless birth? |
| 01:12:40 |
PLEASURE AND SCIENCE |
| 01:12:44 |
Painless birth is a method of |
| 01:12:47 |
the mind of the expectant mother... |
| 01:12:51 |
for this important event, |
| 01:12:55 |
which is often tainted by... |
| 01:13:00 |
gruesome old-wives' tales... |
| 01:13:02 |
in popular belief. |
| 01:13:11 |
There's one question Ive |
| 01:13:14 |
What do you think about |
| 01:13:18 |
Well, that's a most important |
| 01:13:22 |
One which is receiving a |
| 01:13:30 |
It's a most obvious |
| 01:13:33 |
when we're at the point of |
| 01:13:38 |
we still conceive, on |
| 01:13:41 |
as our ancestors |
| 01:13:45 |
Quite often, |
| 01:13:46 |
conception occurs |
| 01:13:50 |
in the worst possible |
| 01:13:55 |
In the case of animals |
| 01:13:58 |
thanks to scientific |
| 01:14:03 |
we go about things |
| 01:14:06 |
We take the |
| 01:14:09 |
we plant under the most propitious |
| 01:14:15 |
When it comes to human race, |
| 01:14:19 |
It'll be necessary, |
| 01:14:21 |
to control and direct... |
| 01:14:24 |
human conception. |
| 01:14:30 |
I've a problem. |
| 01:14:32 |
I'm hesitating between |
| 01:14:35 |
and now that |
| 01:14:37 |
I don't know which |
| 01:14:39 |
Is physical pleasure a proof? |
| 01:14:45 |
I really can't go along |
| 01:14:49 |
In fact, |
| 01:14:51 |
in certain specific cases, |
| 01:14:55 |
we resort to, |
| 01:14:57 |
for instance, artificial |
| 01:15:02 |
In which case the patient, |
| 01:15:05 |
experiences none of the physical |
| 01:15:10 |
she simply receives |
| 01:15:17 |
But... |
| 01:15:21 |
pleasure and love, is |
| 01:15:25 |
Pleasure and love are phys... |
| 01:15:29 |
pleasure... |
| 01:15:43 |
Is physical pleasure wrong? |
| 01:15:47 |
Physical pleasure is not bad, |
| 01:15:51 |
since it... |
| 01:15:53 |
normally results in conception, |
| 01:16:00 |
I'm afraid. |
| 01:16:12 |
DREAMS |
| 01:16:32 |
WHAT WILL BE |
| 01:16:49 |
TAKE SIDES! |
| 01:19:09 |
Even a peaceful countryside, |
| 01:19:13 |
even a meadow with flights of |
| 01:19:30 |
Even a road with cars, peasants |
| 01:19:36 |
Even a holiday village with a fair and a |
| 01:19:43 |
Stuthof, Oranienburg, |
| 01:19:46 |
Neuengamme, Belsen, |
| 01:21:09 |
TAKE SIDES! |
| 01:22:14 |
To find a solution. |
| 01:22:16 |
Men are all the same. |
| 01:22:18 |
Very blue eyes. |
| 01:22:21 |
For the sake of |
| 01:22:24 |
Modern life. |
| 01:22:26 |
To forget everything. |
| 01:23:14 |
MADAME, IF YOU LOVE |
| 01:23:16 |
Why does one do what one does? |
| 01:23:20 |
but to make sure |
| 01:23:23 |
- How soon are you going? |
| 01:23:28 |
- Are you insured? |
| 01:23:31 |
An hour is long enough to have an |
| 01:23:36 |
It's ok to die in a plane crash. |
| 01:23:40 |
- What did you tell you'd act at Marseilles? |
| 01:23:44 |
Yes, it's a modern death. |
| 01:23:48 |
- When Im divorced, will you marry me? |
| 01:23:52 |
And if Ive a child, will you |
| 01:23:57 |
Yes, it'll be mine. |
| 01:24:00 |
We've discussed it |
| 01:24:03 |
- I think you have a funny voice. |
| 01:24:06 |
No, all the time. |
| 01:24:08 |
I have the average male |
| 01:24:11 |
You don't have normal, you |
| 01:24:19 |
- What's going on? |
| 01:24:22 |
I'm an idiot. |
| 01:24:23 |
Why do I love you? |
| 01:24:26 |
- Are you getting undressed? |
| 01:24:29 |
Only my trousers. My Caravelle |
| 01:24:32 |
What did you do last night? |
| 01:24:34 |
Nothing. I watched TV. |
| 01:24:42 |
- Brought 7000 francs for the gadget? |
| 01:24:46 |
Look, here they are. |
| 01:24:51 |
I suddenly realized it's the first |
| 01:24:54 |
Yes, this is the |
| 01:24:58 |
- out of Paris. |
| 01:25:02 |
Remember in the |
| 01:25:05 |
You said you always keep |
| 01:25:08 |
Like that girl... What's she called? |
| 01:25:12 |
You know, in the American novel. |
| 01:25:14 |
- Scarlet O'hara? |
| 01:25:19 |
I'll be terribly unhappy. |
| 01:25:29 |
What about you? |
| 01:25:32 |
Me too, because |
| 01:25:38 |
But in any case, |
| 01:25:40 |
I shall find out... |
| 01:25:45 |
THE THEATRE AND LOVE |
| 01:25:48 |
I've often wondered, Robert... |
| 01:25:50 |
who you really are. |
| 01:25:53 |
That's a funny question. |
| 01:25:56 |
I don't really |
| 01:25:59 |
I'm a fellow |
| 01:26:02 |
Like others, with |
| 01:26:07 |
- Tell me, you say you're an actor. |
| 01:26:10 |
Why? |
| 01:26:12 |
What's an actor? |
| 01:26:17 |
An actor is a man who gets |
| 01:26:21 |
who attempts to |
| 01:26:26 |
to draw, to create a character, |
| 01:26:31 |
one's own feelings |
| 01:26:35 |
Isn't that so? |
| 01:26:43 |
And at this moment? You're taking |
| 01:26:49 |
Yes, at this moment... |
| 01:26:55 |
I'm standing up for... |
| 01:26:58 |
my job as an actor and... |
| 01:27:01 |
my place as a man. |
| 01:27:04 |
It's not so easy. |
| 01:27:07 |
Not so easy. |
| 01:27:08 |
How can you tell the difference |
| 01:27:11 |
Oh, in my opinion, |
| 01:27:16 |
I don't feel at all as |
| 01:27:20 |
Some men seem to be acting |
| 01:27:26 |
But I don't think I do. |
| 01:27:29 |
- I may be wrong. |
| 01:27:36 |
Or are you just |
| 01:27:39 |
Well, I think... |
| 01:27:41 |
It's a difficult question to answer. |
| 01:27:44 |
It's undeniable that |
| 01:27:47 |
I'm a vehicle to |
| 01:27:52 |
If it's both, it's |
| 01:27:55 |
- There's no difference between them? |
| 01:27:58 |
You're asking me |
| 01:28:02 |
- and Im saying what comes to my mind. |
| 01:28:07 |
No, not at all. |
| 01:28:10 |
The theatre is |
| 01:28:13 |
There is text, the play. |
| 01:28:16 |
to bring alive something |
| 01:28:19 |
Whereas now you ask questions |
| 01:28:22 |
But it's my own text. I'm acting |
| 01:28:25 |
which is quite different from |
| 01:28:28 |
You can't say Im |
| 01:28:32 |
- When you make love, is that acting? |
| 01:28:36 |
No, not at all. |
| 01:28:38 |
Absolutely, no. |
| 01:28:41 |
You don't like it, then. |
| 01:28:43 |
- It's not a pleasure for you. |
| 01:28:46 |
- Why? |
| 01:28:49 |
You can like acting, and |
| 01:28:53 |
One doesn't exclude |
| 01:28:56 |
They are absolutely two different things. |
| 01:28:59 |
- If you had to, which would you choose? |
| 01:29:05 |
Making love. |
| 01:29:08 |
It's funny, Im always |
| 01:29:11 |
No! Look, I promise you. |
| 01:29:14 |
You know I love you, and |
| 01:29:17 |
Im completely sincere, |
| 01:29:20 |
But how can I know you're sincere, |
| 01:29:26 |
But Ive proved my love for you, |
| 01:29:31 |
which exists between |
| 01:29:36 |
outside the question |
| 01:29:38 |
What does 'love' |
| 01:29:43 |
- Love is what I feel for you. |
| 01:29:49 |
Love is... |
| 01:29:52 |
I promise you that... |
| 01:29:55 |
Think what it really |
| 01:30:00 |
Really, love is... |
| 01:30:03 |
that's what I feel, |
| 01:30:07 |
everything that exists |
| 01:30:11 |
- That's love. Really love. |
| 01:30:15 |
But how can I? |
| 01:30:17 |
Talking about love is talking about |
| 01:30:22 |
Love is... oneself in |
| 01:30:25 |
It's oneself in relation to... |
| 01:31:01 |
If I asked your good qualities, |
| 01:31:04 |
Qualities? Why |
| 01:31:06 |
- It's your good qualities Im interested in. |
| 01:31:12 |
- Distrustfulness. |
| 01:31:14 |
- Yes. |
| 01:31:17 |
Sincerity... |
| 01:31:19 |
What about loving me? |
| 01:31:22 |
That, too. |
| 01:31:24 |
What would you |
| 01:31:33 |
Never to think twice |
| 01:31:45 |
You know, Pierre rang |
| 01:31:48 |
He's coming this evening. |
| 01:31:50 |
Will you sleep with him? |
| 01:31:53 |
I don't know, if he asks me, |
| 01:31:56 |
perhaps... |
| 01:31:57 |
What do you mean "perhaps"? |
| 01:32:04 |
Could you kiss two girls at |
| 01:32:08 |
I'd have to choose, too. |
| 01:32:40 |
Spare me, Madame, unfortunate |
| 01:32:43 |
And let us not give in |
| 01:32:48 |
Too late I tried to flee, |
| 01:32:50 |
These cruel meetings that |
| 01:32:55 |
It was my wish to bear |
| 01:32:58 |
- No more I bear, now I bid you goodbye. |
| 01:33:03 |
I flee from the eyes turned to |
| 01:33:07 |
Goodbye... |
| 01:33:09 |
Go, my mind is too |
| 01:33:12 |
To wait for death |
| 01:33:16 |
Above all, |
| 01:33:19 |
Don't fear, that Ill be so blinded by grief, |
| 01:33:24 |
Madame... |
| 01:33:26 |
The only thing to remind |
| 01:33:30 |
Will be the report of my death, |
| 01:33:34 |
For ever, oh my lord, |
| 01:33:38 |
How terrible this cruel |
| 01:33:42 |
How can we bear... |
| 01:33:44 |
for a year, for a day, my lord, the |
| 01:33:48 |
When the day begins, |
| 01:33:51 |
Will Titus be far from |
| 01:34:10 |
Are you crying? |
| 01:34:13 |
No, Im not. |
| 01:34:19 |
What makes you |
| 01:34:22 |
You've got tears |
| 01:34:31 |
Yes, Im crying. |
| 01:34:37 |
Over now? I must go. |
| 01:34:42 |
Yes... |
| 01:34:47 |
Yes, it's over. |
