Unrest
|
00:00:03 |
An Aztec temple. |
00:00:08 |
Aztecs this far south? |
00:00:10 |
Dr. Covas, we must stop. |
00:00:13 |
This could be the biggest |
00:00:15 |
of the 21st century. |
00:00:16 |
But the spirits-- |
00:00:22 |
Keep digging. |
00:00:26 |
Fine, leave. We'll just hire others |
00:00:30 |
Then the curse |
00:00:33 |
Keep digging, digging... |
00:00:36 |
Dr. Covas, we must stop. |
00:00:39 |
The spirits-- |
00:03:20 |
Brazil? |
00:03:22 |
That's where she died. |
00:03:25 |
Hospital said |
00:03:27 |
Jersey girl? Freaky. |
00:03:32 |
Boxed up and shipped off |
00:03:36 |
It's a long way to go just to |
00:03:39 |
I know |
00:03:43 |
Malcolm, |
00:03:45 |
you got your |
00:03:46 |
There was a box you could check |
00:03:49 |
Yeah. |
00:03:50 |
Well, there's another |
00:03:52 |
to donate your |
00:03:56 |
Never check |
00:04:02 |
You got extra cheese |
00:04:04 |
Uh... No. |
00:04:06 |
I think I got extra cheese |
00:04:09 |
I think she might |
00:04:12 |
She's using dairy products |
00:04:15 |
All I'm saying is I got a little |
00:04:18 |
I think, you know, yeah, she might be |
00:04:20 |
What do |
00:04:28 |
Oh-- huh-uh. |
00:04:30 |
Mmm, you got |
00:04:32 |
Prep all these bodies |
00:04:35 |
I don't think so. |
00:04:37 |
Dead bodies never |
00:04:41 |
I know that's right. |
00:04:45 |
Man, that smell just ain't right. |
00:04:49 |
See, that's why |
00:04:51 |
I'd like to go out |
00:04:54 |
A Viking? |
00:04:56 |
Yeah. |
00:04:57 |
See, they build |
00:05:00 |
- float it out to sea... |
00:05:02 |
...and just let |
00:05:04 |
Vikings had a great |
00:05:08 |
Bon voyage, man. |
00:05:12 |
- All right, you ready? |
00:05:21 |
Whoa, we got |
00:05:24 |
She's been butchered. |
00:05:28 |
There's some sick |
00:05:30 |
Yeah, well, |
00:05:31 |
What's she doing |
00:05:33 |
She's too young |
00:05:35 |
some kind of family |
00:05:39 |
I don't know |
00:05:41 |
Best thing about this job-- |
00:05:54 |
Hey, Malcolm? |
00:05:56 |
Remember that girl... |
00:05:57 |
what was her name? |
00:06:00 |
- Angie? |
00:06:05 |
- Oh, yeah. Blonde, right? |
00:06:07 |
- Brain aneurysm? |
00:06:11 |
Yep, boy, oh boy. |
00:06:13 |
What a shame. |
00:06:16 |
I mean, the tits |
00:06:19 |
- Bodacious, right? |
00:06:22 |
Never see anything |
00:06:25 |
Now let's not be |
00:06:27 |
too pessimistic, |
00:06:29 |
There's always hope. |
00:06:38 |
Here we go. |
00:06:57 |
God damn, that's |
00:07:02 |
Malcolm, this might |
00:07:04 |
Not my mother. |
00:07:34 |
Ivan, is that you? |
00:07:42 |
Ivan? |
00:09:48 |
Gowns and gloves, |
00:09:50 |
Gowns and gloves. |
00:09:52 |
Welcome, welcome |
00:10:19 |
Excuse me. |
00:10:23 |
Jesus Christ, it smells |
00:10:27 |
Well, let's just hope she's not |
00:10:30 |
Formaldehyde and death. |
00:10:33 |
Now no doubt most of you have been |
00:10:36 |
since you got your |
00:10:39 |
14,400 people applied |
00:10:43 |
You're the privileged few. |
00:10:46 |
So, don't abuse it. |
00:10:49 |
I would venture |
00:10:50 |
what you learn here-- |
00:10:53 |
but about yourselves-- |
00:10:55 |
will probably be the most valuable |
00:11:00 |
Right, you have access |
00:11:02 |
24 hours a day. |
00:11:04 |
The code to enter is 6-6-6. |
00:11:09 |
Something... |
00:11:11 |
something easy for you |
00:11:15 |
Let's begin. |
00:11:17 |
Groups of four. |
00:11:27 |
- I'm Brian. |
00:11:30 |
Hey, now. Why don't |
00:11:33 |
You'll have the best |
00:11:40 |
How are you doing? |
00:11:41 |
- Hi. Alison. |
00:11:43 |
Hi. |
00:11:44 |
Don't remember seeing you |
00:11:45 |
- Oh, I just got here. |
00:11:49 |
Uh-huh. |
00:11:50 |
When you pull back your sheets |
00:11:53 |
It's all right. |
00:11:55 |
Just take a moment |
00:11:58 |
But know this-- |
00:12:00 |
I will tolerate no |
00:12:02 |
In lesser schools you may |
00:12:05 |
Here you will find |
00:12:09 |
Right. You many begin your |
00:12:13 |
Um, excuse me. |
00:12:15 |
It's Friday. |
00:12:19 |
I mean, the classes don't |
00:12:25 |
We're not |
00:12:28 |
You're no longer |
00:12:29 |
Here everyone is |
00:12:32 |
The lab is open |
00:12:34 |
You may do |
00:12:36 |
whenever you |
00:12:39 |
I'll be here during |
00:12:42 |
All right. |
00:12:46 |
All right, I need to go change. |
00:12:48 |
in an hour and we'll start |
00:12:49 |
Don't be a wuss, man. |
00:12:50 |
A chance to cut |
00:12:53 |
Spoken like |
00:12:59 |
Oh my God. |
00:13:01 |
I would not want |
00:13:03 |
Norma? |
00:13:06 |
She looks like |
00:13:12 |
Alison? |
00:13:16 |
Dr. Blanchard? |
00:13:18 |
Dr. Blanchard. |
00:13:20 |
You have any illnesses? |
00:13:21 |
You diabetic? |
00:13:24 |
Huh-uh. |
00:13:27 |
Whoa, take it easy. |
00:13:29 |
Easy does it. |
00:13:32 |
Okay, up you go. |
00:13:40 |
It's nothing to be |
00:13:43 |
I threw up half my lunch |
00:13:46 |
Lot messier than that. |
00:13:49 |
You can never tell how |
00:13:53 |
Who is she? |
00:13:54 |
No idea. Jane Doe. |
00:13:58 |
Where did her body |
00:14:00 |
I don't know. |
00:14:02 |
All cadavers have to come |
00:14:04 |
in case somebody |
00:14:08 |
Dr. Blackwell, |
00:14:11 |
Look, it's your first day, right? |
00:14:18 |
Would you mind if I just stayed here |
00:14:21 |
I think it's better |
00:14:23 |
What do you think? |
00:14:42 |
I was this close |
00:14:47 |
Looks like somebody's |
00:14:49 |
Perfect timing. |
00:14:51 |
Saved the best cut |
00:14:59 |
Look, don't worry, |
00:15:08 |
She's too young. |
00:15:13 |
Murder? |
00:15:14 |
I don't think so. |
00:15:16 |
Look at those |
00:15:18 |
Norma was kinky. |
00:15:20 |
Submissive. |
00:15:22 |
- Submissive? What do you mean? |
00:15:25 |
flagellation, cutting. |
00:15:27 |
Come on, this is |
00:15:29 |
Yeah, and probably |
00:15:31 |
They all are. |
00:15:33 |
How many people do you know donate |
00:15:36 |
Homeless maybe, but |
00:15:39 |
Her nipples have |
00:15:41 |
matured from |
00:15:43 |
Okay, can we not |
00:15:45 |
I'm having a hard enough time looking |
00:15:48 |
Too much talking, |
00:15:57 |
She won't feel it. |
00:16:03 |
All right, give me |
00:16:05 |
don't want you |
00:16:07 |
Just give me |
00:16:32 |
Good work. |
00:16:34 |
Now remove the breast |
00:16:40 |
Pressure creates heat. |
00:16:42 |
Heat melts the fat, |
00:16:43 |
which exposes your plane. |
00:17:10 |
I don't know about you guys, |
00:17:12 |
with a serious case |
00:17:14 |
Yep. |
00:19:44 |
All right, |
00:19:45 |
It's called "futbol", cabrón. |
00:19:47 |
No it's not, hombre. |
00:19:49 |
Football is football |
00:19:52 |
Besides, nobody |
00:19:54 |
- I like soccer. |
00:20:02 |
Thought this |
00:20:04 |
You need a cellphone. |
00:20:07 |
Norma didn't want you |
00:20:09 |
Very funny. |
00:20:10 |
At least you didn't |
00:20:13 |
Ready? |
00:20:23 |
You all right? |
00:20:27 |
You got a major problem. |
00:20:29 |
What is it? |
00:20:30 |
It's just my mind |
00:20:43 |
Oh, these |
00:20:46 |
run vertically and then |
00:20:50 |
- So what? |
00:20:53 |
Look, I thought we agreed |
00:20:56 |
All right, can we |
00:20:59 |
You know, wait. |
00:21:07 |
One... two... |
00:21:09 |
Okay, pull it. |
00:21:34 |
I definitely saw that. |
00:21:52 |
Oh, that smells. |
00:21:54 |
Oh great, man. |
00:21:56 |
Can you imagine being stuck |
00:22:00 |
It's hydrogen sulfide from the bacteria |
00:22:03 |
It's disgusting |
00:22:06 |
What the hell |
00:22:31 |
You don't play with a body. |
00:22:33 |
That was awesome, dude. |
00:22:36 |
- Carlos, take your skirt off. |
00:22:38 |
- Yeah. |
00:22:41 |
You don't play |
00:22:42 |
Come here. Do you want a hug? |
00:22:44 |
- You know, you're a jackass. |
00:22:46 |
Doesn't mean you're gay, dude. |
00:22:51 |
If you guys think I'm going in the |
00:22:55 |
I feel like those dead bodies |
00:22:57 |
Well, they are-- their souls at least. |
00:23:00 |
Bodies and souls |
00:23:03 |
until they are |
00:23:05 |
Forget the spirits, man. |
00:23:07 |
- It's a proven fact. |
00:23:10 |
The spirit is a human invention |
00:23:13 |
Life is really just a series |
00:23:16 |
that begin at ejaculation |
00:23:19 |
Agnostic? |
00:23:21 |
Something like that. |
00:23:24 |
Enough with the philosophical |
00:23:26 |
Can we please just go |
00:23:28 |
Carlos, I'll get you water, milk-- |
00:23:42 |
You guys feel that? |
00:23:45 |
Feel what? |
00:23:48 |
Sense of doom. |
00:23:50 |
We all do. |
00:23:55 |
- I just thought coming here... |
00:23:57 |
Hey, don't worry |
00:24:02 |
Maybe I should have stayed |
00:24:04 |
Maybe, huh? |
00:24:07 |
Maybe you should |
00:24:09 |
I hate you, |
00:24:19 |
Oh, very funny, |
00:24:22 |
Oh man, nice. |
00:24:30 |
It wasn't me. |
00:24:32 |
I don't know |
00:24:37 |
Hi, is Rick O'Connor here? |
00:24:39 |
- Hey. |
00:24:41 |
What are you |
00:24:44 |
I just thought I would |
00:24:45 |
- How are you? |
00:24:47 |
Guys, this is |
00:24:50 |
- Jennifer, this is everybody. |
00:24:52 |
Nice to meet you guys. |
00:24:53 |
- Oh, what is that smell? |
00:24:56 |
That's our cadavers. |
00:24:58 |
Get used to it because |
00:25:00 |
The whole thing sounds |
00:25:02 |
That's why they |
00:25:04 |
Well, I want to see. |
00:25:06 |
Some other time. |
00:25:07 |
You're kidding |
00:25:09 |
You can't just show her. |
00:25:11 |
You can't disrespect |
00:25:14 |
- Dude... |
00:25:16 |
Spirits see everything. |
00:25:18 |
The dead aren't |
00:25:20 |
All right? |
00:25:24 |
you enrage the soul. |
00:25:28 |
- What's with this guy? |
00:25:30 |
Okay, well, I smell |
00:25:34 |
I'm going to go upstairs |
00:25:36 |
Upstairs? You mean, |
00:25:38 |
Well, yeah, just until my financial aid |
00:25:42 |
You could stay |
00:25:44 |
I'm in the |
00:25:48 |
- Nice to meet you, Jennifer. |
00:26:09 |
She's over here. |
00:26:10 |
Oh my God. |
00:26:15 |
- You ready? |
00:26:17 |
- Sure? |
00:26:21 |
Ta-Da. |
00:26:26 |
Nice, right? |
00:26:31 |
Why is she |
00:26:32 |
Because this one here |
00:26:39 |
Whoa... |
00:26:40 |
Okay, enough. |
00:26:42 |
Maybe this wasn't |
00:26:45 |
Come on, Rick, you haven't |
00:26:50 |
Fine. |
00:26:52 |
All right. |
00:26:54 |
This is the liver, |
00:26:56 |
and this is |
00:26:58 |
- and the stomach... |
00:27:01 |
No no, that's her lungs. |
00:27:04 |
And that's the other-- |
00:27:08 |
It feels |
00:27:10 |
That's impossible. |
00:27:19 |
Holy shit. Oh my God! |
00:27:21 |
Jennifer... |
00:27:24 |
Jennifer. |
00:27:27 |
Hey hey hey hey. |
00:27:29 |
Jesus Christ, Rick. |
00:27:31 |
She didn't breath. |
00:27:33 |
That is a dead body. Just because |
00:27:36 |
- doesn't mean I want to see that. |
00:27:39 |
Okay, fine, you're right. |
00:27:41 |
Okay, we'll leave. Come here, |
00:27:45 |
Let me just go back in and put |
00:27:48 |
All right? |
00:28:17 |
Good night, Norma. |
00:28:25 |
Jennifer? |
00:28:28 |
Jen? |
00:28:32 |
Oh, Jesus Christ. |
00:28:39 |
Help me! |
00:28:41 |
Somebody please |
00:29:22 |
- Hello? |
00:29:25 |
What? |
00:29:27 |
Yeah. |
00:29:30 |
I can't stop |
00:29:32 |
Her? |
00:29:35 |
Norma. |
00:29:37 |
Leave it alone, Alison. |
00:29:39 |
It doesn't concern you. |
00:29:43 |
Is this your cell? |
00:29:46 |
No, my dungeon line. |
00:29:48 |
How can you stay there? |
00:29:50 |
That place creeps me out. |
00:29:52 |
It should. |
00:29:58 |
So, I take it you don't |
00:30:01 |
Well, as appealing |
00:30:05 |
Later, Brian. |
00:30:07 |
Hello? |
00:31:36 |
Yes. |
00:31:38 |
I need to track down |
00:31:41 |
067-88-88977. |
00:31:44 |
That number doesn't |
00:31:47 |
That's all I have. |
00:31:50 |
Well, then you're up |
00:31:56 |
It's off my cadaver. |
00:32:00 |
Cadaver's are shipped |
00:32:03 |
No way to track them. |
00:32:05 |
Any number is meaningless |
00:32:08 |
Where can I get that? |
00:32:10 |
The morgue where the |
00:32:12 |
Okay, thank you. |
00:32:19 |
What do you |
00:32:25 |
Where did you |
00:32:26 |
Blackwell's filing |
00:32:28 |
Alison, you could get kicked |
00:32:31 |
Yeah, I know. |
00:32:34 |
Stop. You can't |
00:32:36 |
I mean, you're not |
00:32:41 |
Have you tried |
00:32:42 |
Yeah. It's just an internal code |
00:32:47 |
You're not going to be able |
00:32:51 |
Something's wrong. What? |
00:32:54 |
Her family's looking for her? |
00:32:58 |
I just-- |
00:33:00 |
Well, |
00:33:05 |
What are you studying? |
00:33:08 |
- Nothing. |
00:33:14 |
"Ooh ooh ooh |
00:33:16 |
a girl's vagina |
00:33:19 |
Olfactory, optic, oculomotor, |
00:33:23 |
look it's a mnemonic |
00:33:25 |
- I get it. |
00:33:27 |
Great, associating the vagina |
00:33:30 |
This really is |
00:33:33 |
You know, not yet. |
00:33:38 |
You know, maybe we |
00:33:44 |
Brian Cross, |
00:33:47 |
I can't go out |
00:33:48 |
I mean, you're an atheist. |
00:33:51 |
Oh. |
00:33:52 |
It's okay, though. |
00:33:55 |
But we'll have |
00:33:57 |
Oh Brian, I don't hide. |
00:34:00 |
Well, that's easy to say |
00:34:03 |
I believe in me. |
00:34:05 |
Worship no false gods. |
00:34:07 |
Well, we are gods. |
00:34:08 |
I mean, at least, as doctors, |
00:34:11 |
God, Buddha... whatever. |
00:34:14 |
It's all semantics. |
00:34:16 |
We had to come |
00:34:17 |
The human mind is too primitive |
00:34:24 |
So, you buying me dinner, |
00:34:26 |
Buying? |
00:34:29 |
Sure. I know |
00:34:33 |
Brian, I'm not cheap. |
00:34:36 |
Professor |
00:34:38 |
- Yes? |
00:34:41 |
they're not really |
00:34:42 |
Yes, they really are |
00:34:46 |
Right. While you continue |
00:34:49 |
I want you to pay particular |
00:34:51 |
And the insertions |
00:34:55 |
For the body is ultimately |
00:34:58 |
pulleys... |
00:35:02 |
and cables. |
00:35:08 |
As far as the soul, |
00:35:11 |
as enigmatic as ever. |
00:35:19 |
I'm afraid Rick is |
00:35:21 |
You three will have |
00:35:23 |
- He dropped out? That was quick. |
00:35:26 |
Personal reasons. |
00:35:31 |
Dr. Blackwell, why? |
00:35:36 |
His fiancée died |
00:35:41 |
Carry on. |
00:35:47 |
Hello? |
00:35:50 |
Rick, are you here? |
00:35:57 |
Oh my God. |
00:36:06 |
I'm so sorry. |
00:36:15 |
You want |
00:36:26 |
She... she bled out. |
00:36:32 |
She just bled out. |
00:36:43 |
We were |
00:36:48 |
I tried to help her. |
00:36:51 |
I couldn't |
00:36:58 |
Do you believe in spirits? |
00:37:04 |
It's not important |
00:37:07 |
Do you? |
00:37:10 |
No. |
00:37:14 |
Are you sure? |
00:37:18 |
Look, I... |
00:37:20 |
I sense things. |
00:37:22 |
Spirits? |
00:37:27 |
I have feelings... |
00:37:31 |
And I know. |
00:37:34 |
You know? |
00:37:37 |
I know. |
00:37:39 |
Alison, I don't understand |
00:37:43 |
Something is wrong |
00:37:47 |
and I can't get |
00:37:49 |
Look, it doesn't make any sense, |
00:37:54 |
Every once in a while |
00:37:56 |
I get a feeling |
00:37:58 |
And when I do |
00:38:00 |
I'm always right. |
00:38:05 |
I look at her body and I feel |
00:38:12 |
Alison, what you're |
00:38:19 |
Normal? |
00:38:21 |
You're sensing |
00:38:24 |
It's common |
00:38:26 |
But there is no |
00:38:30 |
for how I can |
00:38:32 |
There doesn't always |
00:38:36 |
Well, doesn't it |
00:38:39 |
Fact is the human mind's |
00:38:43 |
to understand the answers |
00:39:05 |
Alison, these are |
00:39:08 |
I know. |
00:39:12 |
And you're sensing |
00:40:24 |
- What is wrong? |
00:40:29 |
For a second I thought... |
00:40:32 |
Well, you're here |
00:40:35 |
Do you know where |
00:40:37 |
I have no idea. |
00:40:39 |
Can you trace the numbers |
00:40:43 |
What Polaroids? |
00:40:45 |
Please? |
00:40:46 |
No. |
00:40:49 |
It's all up here. |
00:40:51 |
Table number six-- |
00:40:54 |
We import our cadavers |
00:40:56 |
No. She was an American |
00:41:00 |
I guess she didn't have any |
00:41:05 |
- What's this all about? |
00:41:08 |
Not till you tell me |
00:41:13 |
It's about |
00:41:17 |
This woman was either |
00:41:20 |
Uh-huh. |
00:41:21 |
She's a cadaver. |
00:41:24 |
Is there anyone else who would |
00:41:26 |
Just Malcolm. |
00:41:29 |
Where can I find him? |
00:41:30 |
You can't. He hasn't been here |
00:41:36 |
You know this really isn't your |
00:41:51 |
We never |
00:41:53 |
Jumpy. |
00:41:56 |
I don't believe this. |
00:41:59 |
I can't. |
00:42:03 |
So what do you got? |
00:42:05 |
Thank you, but I don't want to |
00:42:08 |
I feel like somebody's |
00:42:11 |
I want to be |
00:42:15 |
- I got nothing. |
00:42:17 |
No, really, |
00:42:47 |
The body came from |
00:42:49 |
The airlines |
00:42:50 |
I checked already. |
00:42:52 |
It's like their cash cow. |
00:42:54 |
Every flight has at least |
00:42:58 |
There's dead bodies |
00:43:00 |
Yeah, that bother you? |
00:43:02 |
Yes. I'm not the one |
00:43:07 |
Multiply three times |
00:43:10 |
and length of time Norma |
00:43:13 |
- It's too much. |
00:43:38 |
You think |
00:43:41 |
Killed his fiancée? |
00:43:44 |
Why not? |
00:43:48 |
Why? |
00:43:51 |
Close your eyes. |
00:43:56 |
Come on. |
00:43:59 |
Try to feel the sensations |
00:44:27 |
I'm not liking this. |
00:44:33 |
Welcome to my world. |
00:44:41 |
What are you doing? |
00:44:42 |
Something's |
00:44:50 |
Help me lock |
00:45:08 |
- Oh God. |
00:45:10 |
Oh. |
00:45:11 |
Can you hand |
00:45:25 |
Ugh. Grody. |
00:45:27 |
It's a cadaver tank. |
00:45:29 |
- They keep the bodies in the lab? |
00:45:41 |
Oh crap. |
00:45:43 |
What? What? |
00:45:44 |
- I think it's stuck. |
00:45:47 |
Oh, come on, come on, |
00:45:50 |
Okay okay. |
00:45:53 |
Whoa, wait. |
00:45:55 |
We've got to get |
00:45:57 |
No way. No flipping way. |
00:45:59 |
What, and run the risk of getting kicked |
00:46:03 |
Yeah! |
00:46:06 |
We're so busted. |
00:46:07 |
Oh God, it's freezing. |
00:46:11 |
Oh... |
00:46:17 |
I still can't reach it. |
00:46:26 |
What are you doing? |
00:46:28 |
The way I see it, |
00:46:29 |
one, we tell Blackwell; |
00:46:33 |
two, we get this pole |
00:46:36 |
and forget what |
00:46:38 |
I'm for number two. |
00:46:47 |
Oh, I think I got a head. |
00:46:51 |
Oh, don't pull |
00:46:53 |
- What else am I supposed to do? |
00:46:57 |
Brian, |
00:46:59 |
- Huh? |
00:47:00 |
No wait, I almost got it. |
00:47:02 |
Brian, a clothed body-- |
00:47:05 |
Oh God, don't touch |
00:47:08 |
Hey, our prints |
00:47:10 |
Oh crap. |
00:47:15 |
Ugh, eww. |
00:47:24 |
Oh my God. |
00:47:26 |
I know him. |
00:47:30 |
His name's Ivan Verbukh. |
00:47:33 |
They have |
00:47:35 |
They? |
00:47:38 |
A classmate's fiancé |
00:47:41 |
- Is that true? |
00:47:44 |
That girl had |
00:47:46 |
Nothing to do with this. |
00:47:49 |
- Who was the student? |
00:47:52 |
The main vessel coming out |
00:47:54 |
She bled to death. |
00:47:58 |
Still, pretty big |
00:48:04 |
Take their prints. |
00:48:06 |
Yes, straight to my office. |
00:48:11 |
Just need your prints |
00:48:13 |
My prints are |
00:48:15 |
We're going |
00:48:17 |
When do I get |
00:48:19 |
Prints will be processed |
00:48:20 |
The rest-- |
00:48:34 |
You know, I'd like to think |
00:48:36 |
intelligent, responsible |
00:48:38 |
And I was hoping that maybe |
00:48:42 |
We found the body, |
00:48:45 |
I'm not worried about |
00:48:47 |
I'm concerned about why |
00:48:52 |
I feel a strange |
00:48:55 |
Look, I know |
00:49:01 |
I knew something |
00:49:04 |
something it wanted me |
00:49:06 |
"It"? |
00:49:09 |
- Her cadaver. |
00:49:13 |
Yeah. |
00:49:14 |
You know, thousands |
00:49:17 |
doctors used to drill |
00:49:19 |
to exorcise |
00:49:22 |
Kinda crazy, huh? |
00:49:23 |
I know |
00:49:25 |
but I know there are |
00:49:27 |
Enough is enough. We are |
00:49:30 |
Got it? |
00:49:34 |
Look, I'm not asking you |
00:49:37 |
I don't even |
00:49:39 |
Where did you get this? |
00:49:52 |
You're not helping yourself. |
00:49:56 |
Nobody's going to buy |
00:50:04 |
Your professor says |
00:50:06 |
So, I have to wonder, |
00:50:09 |
enough to make murder |
00:50:16 |
Why'd you do it? |
00:50:21 |
Why'd you kill him, Rick? |
00:50:28 |
Did he see something |
00:51:03 |
Hey, the hospital |
00:51:08 |
Still not enough to get the smell off. |
00:51:15 |
Hold on. |
00:51:17 |
All right already. |
00:51:24 |
Nice abs. |
00:51:36 |
I can't believe you're |
00:51:41 |
I'm locking myself in |
00:51:45 |
Five minutes. |
00:52:15 |
This place sucks. |
00:52:23 |
Oh, what now? |
00:52:28 |
Ugh. |
00:52:46 |
- Who is it? |
00:52:50 |
Hi. |
00:53:01 |
Okay. |
00:53:19 |
A penny for 'em. |
00:53:25 |
You're thinking, |
00:53:27 |
"will she let me |
00:53:31 |
No, actually, |
00:53:33 |
Well, I was thinking that |
00:53:37 |
- Oh. |
00:53:38 |
- Oh. |
00:53:40 |
So, that's not |
00:53:42 |
Well, no I... |
00:53:45 |
No. |
00:53:52 |
I'm not going into |
00:53:59 |
You better change. |
00:54:01 |
Here? |
00:54:03 |
Uh-huh. |
00:54:05 |
- You're gonna see me. |
00:54:12 |
- Don't look. |
00:54:14 |
I'm not looking. |
00:54:18 |
No peeking. |
00:54:19 |
- What are you waiting for? |
00:54:26 |
Nice. |
00:54:43 |
I think you planned |
00:54:47 |
Yeah, well, |
00:54:50 |
would be the best way |
00:54:57 |
Oh, and the rubber |
00:55:01 |
If I plead guilty, can I throw |
00:55:04 |
Maybe. |
00:55:08 |
Come guard the bathroom. |
00:55:10 |
It's two feet away. |
00:55:13 |
Men... |
00:55:15 |
You get what you want and then |
00:56:08 |
Brian... |
00:56:10 |
Turn it off. I'm trying to pee. |
00:56:16 |
Brian. |
00:56:26 |
Brian? |
00:56:38 |
Brian? |
00:56:45 |
Brian! |
00:56:47 |
Brian! Brian! |
00:56:48 |
Brian, I can't |
00:56:50 |
I can't get out, Brian. |
00:56:52 |
Help me! Help! |
00:57:13 |
What do you want? |
00:57:21 |
What do you want? |
00:57:26 |
Alison! |
00:57:29 |
Oh my God. |
00:57:32 |
It's all right. |
00:57:34 |
Hey, it's okay. |
00:57:38 |
Look at it. |
00:57:43 |
She's trying |
00:57:45 |
If she wanted me dead don't you think |
00:57:48 |
I want to discuss this |
00:57:50 |
Why? So he can think |
00:57:52 |
Huh-uh, no way. |
00:57:54 |
He's not as understanding |
00:57:57 |
Give him more |
00:57:59 |
A professor of anatomy, |
00:58:02 |
Maybe he can offer us |
00:58:06 |
I'll give you |
00:58:08 |
My cadaver wants something |
00:58:11 |
what it is before |
00:58:14 |
Alison, I believe |
00:58:18 |
but I do not believe |
00:58:21 |
Someone's responsible. |
00:58:23 |
Well, that someone |
00:58:29 |
I need your permission. |
00:58:33 |
Fine, |
00:58:37 |
but I'm coming |
00:58:40 |
You have three bodies, |
00:58:42 |
I'd think you'd be open |
00:58:45 |
Help, yes. |
00:58:46 |
Not this supernatural mumbo jumbo |
00:58:49 |
Our cadaver's spirit |
00:58:52 |
Oh, please. |
00:58:54 |
Look, I'm not |
00:58:56 |
It's just this is totally |
00:58:59 |
I know it's irrational, |
00:59:00 |
but its impact |
00:59:03 |
Well, maybe she's just not |
00:59:07 |
I'm not going along with your |
00:59:09 |
There's a positive I.D. by the police |
00:59:13 |
One Alita Covas. She's an |
00:59:19 |
Our cadaver |
00:59:22 |
Oh God, |
00:59:25 |
Just get rid of it. |
00:59:30 |
Does anybody speak English? |
00:59:32 |
You don't have |
00:59:33 |
Medical Records |
00:59:35 |
Oh, I'm first year. |
00:59:38 |
Oh, you can use mine. |
00:59:55 |
Great, 30 pages in Portuguese. |
01:00:01 |
You think Carlos |
01:00:04 |
No. |
01:00:08 |
We need your help. |
01:00:10 |
Look, I already told you, |
01:00:12 |
You're already |
01:00:15 |
Look, I can't look at these, |
01:00:17 |
We've got a test |
01:00:19 |
Look, three people who have |
01:00:22 |
If we don't figure this out, |
01:00:32 |
Come on, you guys |
01:00:34 |
You know Brazilians |
01:00:37 |
Well, your Spanish |
01:00:43 |
I'll look at them |
01:00:45 |
I'm not going to promise |
01:00:47 |
All right. |
01:01:29 |
Dr. Blanchard, you've |
01:01:32 |
Let's get back |
01:01:36 |
- Thank you. |
01:01:47 |
We got a new body. |
01:01:49 |
Thank God. Alita Covas |
01:01:53 |
What? |
01:01:54 |
She lures her victims |
01:01:57 |
What does she have |
01:02:00 |
She is Norma. |
01:02:04 |
Dr. Covas... |
01:02:08 |
Dr. Covas? |
01:02:09 |
Why do you keep |
01:02:15 |
Why do you keep |
01:02:17 |
So I won't cut others. |
01:02:22 |
What does the saying, |
01:02:24 |
shouldn't throw stones" |
01:02:27 |
- What does the saying, "people that... |
01:02:31 |
She's six months pregnant here. |
01:02:34 |
It means if you throw stones |
01:02:40 |
Does it have |
01:02:41 |
It means I'm going |
01:02:45 |
Now this tape was before that. |
01:02:48 |
She was a prostitute who was |
01:02:51 |
What are your sins, |
01:02:53 |
She claims |
01:02:55 |
This is not about me. |
01:02:58 |
This is not a game. |
01:03:06 |
You don't like games? |
01:03:13 |
And this tape-- this is |
01:03:24 |
Do you believe in spirits? |
01:03:28 |
It's not important |
01:03:33 |
No. |
01:03:39 |
But I sense things. |
01:03:43 |
They have feelings. |
01:03:48 |
And I know. |
01:03:50 |
You know? |
01:03:52 |
Yeah, I know. |
01:03:57 |
Her first visit she was |
01:04:00 |
and by the end she thought |
01:04:03 |
In my 15 years |
01:04:06 |
I have treated |
01:04:10 |
Abe Lincolns, |
01:04:12 |
George Washingtons, |
01:04:14 |
and countless |
01:04:16 |
That's what |
01:04:19 |
She sensed things... |
01:04:22 |
like I do. |
01:04:23 |
But she's not you. |
01:04:29 |
You know, |
01:04:32 |
And yet I'm trying to convince you |
01:04:41 |
How's he doing? |
01:04:44 |
Not as well as I am. |
01:04:49 |
Hey, get rid of the stethoscope |
01:04:55 |
Rick? |
01:05:01 |
- Rick, it's Alison. |
01:05:03 |
What did you and Jennifer |
01:05:09 |
I need to know. |
01:05:12 |
Something happened |
01:05:16 |
and we are |
01:05:23 |
Get him off of me! |
01:05:30 |
Don't you need |
01:05:42 |
You should go |
01:05:43 |
Just do it. |
01:05:45 |
It'll scar. |
01:05:48 |
It'll be something for me |
01:05:51 |
I'm not |
01:06:04 |
Do you know anything |
01:06:06 |
Oh, from non-believer |
01:06:10 |
You've come a long way. |
01:06:12 |
It was not Rick |
01:06:18 |
...or you could |
01:06:21 |
I need my privacy. |
01:06:24 |
Oh, really? |
01:06:35 |
- So, you want some more practice? |
01:08:19 |
Brian, don't open |
01:08:26 |
Brian, don't open it. |
01:08:38 |
Excuse me. |
01:08:40 |
Who's got their cellphone? |
01:08:43 |
Oh my God. |
01:08:44 |
- Call 911. |
01:08:48 |
There's so much blood. Ooh. |
01:09:05 |
"One year ago, Alita Covas |
01:09:08 |
uncovered a gravesite |
01:09:10 |
a sacrificial site |
01:09:14 |
Tlazolteotl, the god |
01:09:20 |
Oh my God, she sacrificed |
01:09:26 |
She was crazy. |
01:09:28 |
You disturb the body, |
01:09:32 |
She enraged 50,000 |
01:09:45 |
Thank you. |
01:09:49 |
Wait. |
01:09:54 |
I want to thank you |
01:09:59 |
You're welcome. |
01:10:05 |
Come here. |
01:10:12 |
Closer. Come here. |
01:10:17 |
Closer. |
01:10:25 |
Give this to |
01:10:28 |
Go now. |
01:10:31 |
Go. |
01:10:34 |
Your work here |
01:10:45 |
Dr. Blanchard to psychiatry. |
01:10:56 |
- Oh my God. |
01:10:58 |
- Yeah. |
01:11:08 |
Wait, you have to stay here with me. |
01:11:11 |
Alison, calm down. |
01:11:14 |
We gotta get out of here. |
01:11:16 |
Blackwell got rid of the body. |
01:11:22 |
Until it's put |
01:11:25 |
Alison! |
01:11:29 |
You said you got rid |
01:11:31 |
- I dealt with it. |
01:11:33 |
- I said I dealt with it. |
01:11:36 |
if you keep up this nonsense |
01:11:39 |
I've lost four people |
01:11:41 |
two assistants, |
01:11:43 |
These murders are real. |
01:11:45 |
She's still here, |
01:11:47 |
You didn't get rid |
01:11:50 |
Rubbish. |
01:11:59 |
If you're |
01:12:01 |
I recommend this |
01:12:07 |
Damn it. |
01:12:12 |
This will do it. |
01:12:14 |
Look out. |
01:12:19 |
Let me get it. |
01:12:22 |
Here, look out. |
01:12:27 |
Here, I got it. |
01:12:33 |
Guess there |
01:12:51 |
What do we do |
01:12:54 |
Right now, nothing. |
01:13:00 |
Stupid bastard. |
01:13:07 |
- Do you see her? |
01:13:14 |
Come on. |
01:13:17 |
What the hell? |
01:13:20 |
- Want to draw straws? |
01:13:27 |
Wait, I'll go in. |
01:13:28 |
I'm the man. |
01:13:31 |
Okay. |
01:14:17 |
- Oh shit, it's in my eyes. |
01:14:22 |
Brian, please hurry. |
01:14:25 |
Come on, come on, come on. |
01:14:28 |
Come on, come on. |
01:14:41 |
Brian! |
01:16:16 |
Brian, Brian... |
01:16:19 |
Come on, come on. |
01:16:21 |
Wake up, wake up. |
01:16:28 |
Hey. |
01:16:34 |
Oh my God. |
01:16:36 |
- Are you okay? |
01:16:38 |
Come on, look at me. |
01:16:40 |
You okay? |
01:17:16 |
Help me. |
01:17:25 |
Help me! |
01:17:27 |
Jesus Christ, |
01:17:29 |
God damn it, |
01:17:36 |
Maybe you should tell me |
01:17:38 |
I already have. |
01:17:42 |
Help me. |
01:17:47 |
Help us! |
01:17:50 |
Please! |
01:17:51 |
Somebody help us! |
01:17:53 |
Help! |
01:18:10 |
Take him to the O.R. |
01:18:12 |
Okay, go. Hurry. |
01:18:59 |
Dr. Blackwell. |
01:20:48 |
Rest in peace, bitch. |
01:21:10 |
- University Hospital. |
01:21:13 |
How may I direct your call? |
01:21:22 |
Hello? |
01:21:44 |
- Hi. |
01:21:49 |
How do you feel? |
01:21:54 |
I can't feel my face. |
01:21:58 |
Well, I brought you |
01:22:00 |
- Yeah? |
01:22:01 |
What color are they? |
01:22:06 |
You know, your scars |
01:22:14 |
Okay, so you want the good news |
01:22:19 |
Good. |
01:22:22 |
Well, I'm no longer a part |
01:22:28 |
No, it was my choice. |
01:22:32 |
I thought if I could |
01:22:35 |
I could somehow understand |
01:22:44 |
What's the bad news? |
01:22:48 |
We're going to Brazil. |
01:22:52 |
We still have to put |
01:22:54 |
That's good news. |
01:22:57 |
I need a vacation. |
01:23:08 |
Ow. |
01:23:31 |
No way. |
01:23:32 |
We are not |
01:23:38 |
- I'll go. |
01:23:45 |
Now what? |
01:23:52 |
I don't know. |
01:24:20 |
Is that it? |
01:24:24 |
All life ends |
01:24:26 |
and the soul can pass on. |
01:24:34 |
But you burned the body, |
01:24:41 |
Hopefully... here? |
01:24:46 |
Or it's in the lab... |
01:24:49 |
with the rest |
01:24:56 |
Gowns and gloves, ladies and |
01:25:00 |
Welcome to Gross Anatomy. |
01:25:03 |
Hurry along now. |
01:25:08 |
That's the ticket. |