Vampire in Brooklyn
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A long, long time ago, |
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the race of the vampire, |
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Most fled to the mountains |
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but others of better taste, |
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travelled south through Africa |
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to a beautiful island |
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There we lived for happy centuries |
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until discovered by the hunters |
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Then, the blood that spilled |
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l alone escaped but a vampire alone |
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My only chance was to find |
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that had been born |
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a woman somewhere in this place |
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Family Feud brings you the world's |
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Atlantic City versus Las Vegas. |
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Here's my show! Come on, baby, |
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Name something a playboy |
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Sheets! |
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- She ain't gonna get it. |
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You betting on the Knicks? |
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Call me! l'm gonna take you for |
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Sheets, baby. Sheets! |
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Come on down. |
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S-H-E-E-T. Sheets! |
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- That's what l'm talking about! |
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- The bitch said it! |
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Earthquake! Earthquake! |
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This ain't no earthquake, |
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What was that? |
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- Oh, shit! |
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What the hell happened? |
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ls this how people come, |
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Ain't that a bitch? What...? |
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lt's a bird! |
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Get the hell away from me! Good God, |
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Damn. Look at this ugly thing. |
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Who the hell's piloting this vessel, |
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Must be a DUl. |
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l don't see no people, either. |
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l gotta bounce, Unc, |
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- Julius, bring your ass back here! |
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l run numbers, |
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- Go ahead with your bad self. |
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l'm not supposed to be scared, huh? |
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Ahoy there! Hello! |
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Ahoy, motherfucker! |
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Son of a bitch. |
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Oh, y'all the silent type? |
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Well, somebody's |
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16-inch colour. |
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Ahoy there! You in there, somebody? |
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ls this a joke? |
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Ahoy! |
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Arrogant motherfuckers in here |
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l'm too old for this shit. Ahoy! |
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Hello. |
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Help me! Help me! |
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Oh, help, somebody! Help me! |
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Help me, please. |
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That sure as hell wasn't Lassie. |
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Jesus, Mary and Jo-Jo. |
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Jesus, Mary and Jo-Jo! |
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Get the hell outta here! |
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Don't be bringing |
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- My Adidas! Damn, what'd l do? |
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- Everybody snores! |
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- Piece of trash! |
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Rest this! |
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You'll be beggin' me back tomorrow. |
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- That's Julius. He owes you money? |
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Oh, shit. Pizza Man. |
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- Comin' through! |
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You better run! l'm coming after you! |
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Run, baby. Run! |
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l'm comin' after you, baby! |
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Hey, get off my hood, man! |
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- Mind if l borrow your hat? |
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Thank you. |
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Come on. Hey, man. |
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Ain't as fast as you used to be, |
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- Tony, l didn't know it was you. |
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How many times have l gotta tell you? |
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Oh, yeah, that's Tony. Right. |
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You know. All you gumbas |
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- You got our money? |
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- Oh, shit. l had it a minute ago. |
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You don't have to do that to me. |
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- Who'll take care of my kids? |
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l'll start. |
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Don't worry about it, Julius. |
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Do it. |
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l wouldn't do that. |
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You aim between the eyes, |
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- What the hell? |
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l'm Maximillian, a connoisseur |
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No one takes pride in the art, |
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it's so rare you come across |
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You got two seconds to beat it |
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or you're gonna share a coffin |
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- l already have a coffin of my own. |
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- He's no fun. He fell right over. |
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Let's get back to you, Julius. |
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l guess you're |
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No, l kept one special just for you. |
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lnteresting. |
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l've been stabbed |
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and l've been burned, |
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but l've never been shot before. |
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lt kind of itches a little. |
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But next time... |
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put a little heart into it. |
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Oh, shit! |
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Don't go away. |
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He's gonna get it with the gun! |
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Holy shit! |
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He ain't gonna get me! |
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l've seen it all. l'm getting my ass |
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l'm going to the islands, |
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Coney lsland. |
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- Let me light that for you. |
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Hey, yo, l don't know |
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everything is everything, |
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So you jump back |
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cos l ain't really seen you, |
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l got cataracts, l mean contacts. |
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Where you at? See? Where you at? |
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l saw you at the docks. |
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No, that's my brother Miles. |
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Well, that's unfortunate because |
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Hey, easy, bro. You ain't got to |
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lf you're hungry, l'll run you down |
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l already had ltalian. |
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You're going to make me think |
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Wouldn't want to do that, |
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l got nothing but love for you, baby. |
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Hey, what the fuck are you doing? |
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Welcome to the party, Julius. |
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- Oh, shit! |
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Pain is an underrated experience |
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and like it or not, |
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H-hey, bro, why you do that? |
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Because l need your eyes in the day |
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But first l need my coffin. Come! |
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Wait! Where you going? |
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What's up? |
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Why? You're my ghoul now. |
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A woman? You came to the right spot. |
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l'm not interested in your hos. |
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one of my kind, |
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As l've come to her, she'll soon |
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So you're checking for |
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Half vampire |
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The other half sleepwalks |
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but l can cure that if |
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- Here? |
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This night shift is kicking my ass. |
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l've always been |
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This is a good one, listen up now. |
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''Your faith will be tested |
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''Beware the dark stranger |
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''and when all's lost, |
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- l wouldn't wanna be you this week. |
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That's my horoscope? Oh, shit. |
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We have no information |
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but all bodies so far |
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- What the hell is this, Captain? |
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There was 18 that we know of. |
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Aw, jeez. Ship's log? |
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Sort of - half rotten |
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Sent it to NYU |
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- Witnesses? |
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Let him tell you |
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All right. |
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- Hey, Rita. |
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- How's your new partner holding up? |
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She's had three months already. |
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l know her mother just died in |
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She's a good cop. |
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That's what l'm afraid of. |
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- l got it. |
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- Watch your step, lady. |
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My back is killing me. |
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15 of them left. |
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- Careful there. |
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You need a cast-iron stomach. |
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So you say you saw a...a what? |
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lt was a wolf, goddammit! |
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Motherfucker jumped off the boat, |
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and the son of a bitch turned into |
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Just like a whore l knew |
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l'd go over her house Saturday night, |
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l come through the door, |
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You ever had a motherfucker flip-flop |
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So the wolf you saw |
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The wolf? That's a chihuahua compared |
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You're crazy. You seen a wolf, man? |
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- Yeah. |
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You people belong behind the line! |
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- Hey, B, where's your coffin at? |
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On the boat? Shit, we can't |
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And you people, you people better |
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And so do l. Jump! |
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Killer? |
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- Here...here, boy. |
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Hello. |
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Someone here?! |
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lt's you. |
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Someone there? |
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Shit. Damn! |
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- Chill. lt's just me. |
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- Did you see him? |
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Someone's here. l saw him or it. |
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lt? What the fuck... |
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There's a coffin. |
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ln here, come on. |
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What? l don't see anything. |
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- l-l could've sworn... |
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l'm fine. Absolutely fine! |
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Good, cos that's exactly what l told |
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- Right. |
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Let me out of here. |
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What is that? |
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lt's an ear. |
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A rotted-off human ear. |
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Yeah, but my ear? Look! |
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My fucking ear done fell off! |
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You've another on the other side. |
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Besides, the benefits of |
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What benefits? |
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You put me in the monster union? |
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l meant Blue Shield, brother. |
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l have taken refuge |
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This is a bargain. |
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What the hell |
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Julius, is that you? |
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- lt's me. |
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l ought to whoop your ass |
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- You wouldn't believe what l saw. |
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Nobody believes me. |
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- What the hell's going on?! |
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Who's that? |
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- That's my boss. |
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What do you mean? Of course |
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- He just need a place to lay low. |
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- No, what? |
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- You know you missing an ear? |
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You can't triple the rent. You got... |
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Night started off like shit but... |
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l don't turn nothing down |
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Welcome. Trash man comes on Tuesdays. |
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God loves you, God loves me, bye. |
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Good thing you ran into me. |
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l'll make sure everything we do |
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First, we in Brooklyn now, man. |
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You ever heard of a futon? |
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Lighter, comfortabler, better |
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You gonna scratch your ass |
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A couple of things to know. |
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One, never sit on my coffin. |
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Two, l want to find the girl tonight! |
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Sounds good, yeah. ls there a three? |
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l don't like mirrors! |
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Got it. |
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Maybe l am going crazy. |
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What's happening to me? |
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Justice, it's not just the bodies |
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You got a feeling about everything |
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''Everything by the book.'' |
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But if it ain't in the book, |
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All l'm saying is |
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We've got a development |
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A couple of stiffs on Bates Street. |
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- What about the other guy? |
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- except he's missing a heart. |
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- Very good. |
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The university couldn't make sense |
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Zeko. |
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- Zeko. What's the address? |
00:25:42 |
That's a tough neighbourhood. |
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l don't know, |
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- Let's check it out. |
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Take it with you. Go. Come on. |
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Captain, here's |
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Zeko's, huh? Yeah, l got me the 41 1 . |
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l got the info and a Happy Meal. |
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Good! |
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Things were progressing well. |
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Rita's vision of herself |
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was a certain sign |
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Even my ghoul was performing well |
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when the cursed sun drives a vampire |
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ln return, he would enjoy |
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maybe someday make vampire himself, |
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Shit! What... |
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What are you... |
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- You got the dropsies, l think. |
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So, tell me, uh...tell me |
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l say lucky it's an automatic |
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to shift and drive |
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- A wedding? |
00:27:29 |
- Very nice touch. |
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l used to look like that in '62. |
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Stop harassing the man. |
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lf l was you, |
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lt's all there. lt's all there. |
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Thank God for small favours, |
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See that? |
00:27:57 |
Young punk. |
00:27:59 |
Max, why didn't you bite this bitch |
00:28:04 |
She has to give herself to me |
00:28:07 |
Hey, this is Brooklyn, baby. |
00:28:09 |
Don't nobody give up shit unless you |
00:28:14 |
ln this case, l know more about her |
00:28:18 |
One dance with me, one dance, |
00:28:21 |
Yeah, yeah, yeah. |
00:28:25 |
l bet you dance that Hammer shit. |
00:28:30 |
when you get in there. |
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Show me that old Hammer shit you |
00:28:37 |
Am l gonna be able to disappear |
00:28:44 |
l'm warning you. Drive the limo |
00:28:48 |
- Shut up! |
00:28:52 |
- Shut the fuck up! |
00:28:54 |
- Goddammit! |
00:29:00 |
You put somebody eye out! |
00:29:04 |
l had the lab do a check on that |
00:29:09 |
Seems that type only grows |
00:29:13 |
Caribbean? |
00:29:17 |
My mother did her studies down there |
00:29:21 |
How come you don't talk about |
00:29:23 |
The paper said she was incredible. |
00:29:26 |
There's nothing to talk about. |
00:29:30 |
She flipped. They stuck her in |
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- How'd your father handle it? |
00:29:39 |
He was murdered down in the islands |
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l wish l had known him, |
00:29:48 |
- Wait a minute. |
00:29:52 |
- lf we're right, that's Dr Zeko's. |
00:30:10 |
- So where is this guy? |
00:30:13 |
- Closer than you think. |
00:30:16 |
l know who you are |
00:30:23 |
You know where this ship came from? |
00:30:26 |
Any one of 100 isles |
00:30:29 |
in an area you call |
00:30:32 |
- Sit down. |
00:30:35 |
Dr Zeko, what does the log say? |
00:30:38 |
lt spoke of a voyage |
00:30:42 |
- They believed an evil was aboard. |
00:30:46 |
l thought they killed |
00:30:49 |
but these men warn us from beyond - |
00:30:53 |
He? |
00:30:57 |
Nosferatu. The undead. The vampire. |
00:31:03 |
Look, nothing personal, my man, |
00:31:05 |
but this is a murder investigation, |
00:31:09 |
Now, that boat's crew are sleeping |
00:31:13 |
cruising the boulevard sucking necks. |
00:31:18 |
The world is full of false notions, |
00:31:21 |
Vampires are a race, not a club |
00:31:25 |
Yeah, yeah, a race, not a club. |
00:31:29 |
- Of course(!) |
00:31:31 |
This is more deadly |
00:31:36 |
A vampire has no mercy, no regrets. |
00:31:40 |
He could be sitting next to us now |
00:31:44 |
Yeah, well, l would know it. |
00:31:49 |
All right. |
00:31:55 |
Dr Zeko, how do you know so much |
00:31:59 |
On my island... |
00:32:02 |
l faced one over a woman. |
00:32:06 |
l lost. She was taken. |
00:32:12 |
Here's my best advice |
00:32:16 |
Keep your faith, Rita. |
00:32:22 |
you'll need it. |
00:32:49 |
Do you have a problem, pal? |
00:32:52 |
- There's a killer on the loose. |
00:32:57 |
And what might you know about him? |
00:33:00 |
Well, he's very smart, very quick |
00:33:03 |
- and quite deadly. |
00:33:06 |
He's right behind you. |
00:33:13 |
- lt's all right. |
00:33:17 |
No, not quite yet. |
00:33:20 |
They're very much like us, you see... |
00:33:25 |
misunderstood. |
00:33:31 |
Sorry. This never happened before. |
00:33:38 |
That's unbelievable. |
00:33:41 |
- Thank God you were here. |
00:33:44 |
- l'm Max. |
00:33:56 |
l think... |
00:34:09 |
You know, l know |
00:34:12 |
but l really feel like l've seen you |
00:34:17 |
- Do you believe in the supernatural? |
00:34:23 |
Well, l had this dream... |
00:34:26 |
What kind of dream? |
00:34:30 |
There was a beautiful woman... |
00:34:32 |
a woman with a smile so lovely |
00:34:38 |
But she was trapped. |
00:34:41 |
She was trapped in a prison |
00:34:45 |
She couldn't escape |
00:34:49 |
And then l came and l set her free. |
00:34:55 |
Did you? |
00:34:57 |
The woman was you, Rita. |
00:35:04 |
Well... |
00:35:08 |
How did you set me free? |
00:35:12 |
l set you free with a dance. |
00:35:17 |
Let me show you. |
00:35:21 |
Come. |
00:35:34 |
What am l thinking? l can't. |
00:35:38 |
On duty? Sounds like a personal |
00:35:43 |
This ain't Nick Ashford, |
00:35:47 |
This mofo's got a pussy surplus. |
00:35:52 |
All right, fuck it, then. |
00:35:56 |
So just be nice and show my man some |
00:36:00 |
- She's straightened out, boss. |
00:36:04 |
No. Who knew you were so popular? |
00:36:09 |
cos l wouldn't dance with you |
00:36:12 |
- You ready? |
00:36:17 |
- l'll see you again, Rita. |
00:36:22 |
- She's one of a kind. |
00:36:31 |
Fuck them. l got these two... |
00:36:37 |
This tongue of yours |
00:36:41 |
lf it happens again, |
00:36:46 |
l'll have to take drastic measures, |
00:36:49 |
Hey, you the boss... |
00:36:56 |
Gimme a break. You saying some kind |
00:37:01 |
- What if l am, huh? You want cream? |
00:37:03 |
Dewey heard you, |
00:37:07 |
Sometimes l feel things, all right? |
00:37:10 |
Now, l didn't ask for it, |
00:37:13 |
but you can't explain it all |
00:37:15 |
You finally get a man back here |
00:37:19 |
lnteresting approach. |
00:37:22 |
Uh, Justice, |
00:37:26 |
Nikki, my partner, Justice. |
00:37:29 |
From the way y'all was arguing, |
00:37:33 |
- No. |
00:37:35 |
Look, l'm gonna go on |
00:37:38 |
- it's getting a little late and... |
00:37:41 |
- You don't want the coffee? |
00:37:46 |
l've had my fill of superstition. |
00:37:51 |
Next we'll be seeing |
00:37:54 |
Right. Sure, whatever, OK. |
00:38:04 |
You sure you don't want coffee? |
00:38:06 |
No, l'm breaking out. |
00:38:11 |
That's Rita's. |
00:38:16 |
She paints things |
00:38:19 |
Rita's got weird taste in art |
00:38:24 |
lt's real late. Gotta go. |
00:38:27 |
Bye. |
00:38:42 |
Freud would say that if you leave |
00:38:48 |
it means you really don't want to go. |
00:38:54 |
Two words - cold shower. |
00:38:58 |
Thank you. |
00:39:11 |
Now, he's obviously |
00:39:18 |
My sentiments exactly. |
00:39:23 |
You sure ain't from around here. |
00:39:26 |
Yes, you could say |
00:39:31 |
Mine's upstairs. Would you like |
00:39:36 |
some other refreshment? |
00:39:43 |
But l wouldn't want to keep you up. |
00:40:23 |
Oh! Fuck me! Fuck me! |
00:40:27 |
Oh, baby. Say my name, baby. |
00:40:34 |
Keep it coming! |
00:40:37 |
l feel...l feel like... |
00:40:44 |
Damn you, Justice. |
00:40:48 |
- Goddamn you. |
00:40:52 |
- l'm coming! |
00:41:04 |
Let me see your face. |
00:42:16 |
This part of the seduction |
00:42:20 |
Just take away everything she has, |
00:42:25 |
Rita. Girl, l finally found a man |
00:42:30 |
Moving out |
00:42:32 |
cos we're gonna need the room |
00:42:38 |
Right. |
00:42:41 |
Oh yeah, you, like, |
00:42:45 |
and then fuck her head up with it? |
00:42:47 |
ln a manner of speaking, yes. |
00:42:52 |
But church. |
00:42:56 |
My pops said the quickest way to a |
00:43:01 |
lt's through the rib cage |
00:43:04 |
No, there are much more |
00:43:08 |
Through her fears, for instance, |
00:43:14 |
- Excuse me. |
00:43:22 |
Preacher...Pauley? |
00:43:23 |
And if you've been misbehavin', |
00:43:28 |
Well... |
00:43:30 |
l think that l'm beyond saving. |
00:43:37 |
- Going to church? |
00:43:41 |
is he still in the parking lot? |
00:43:52 |
Preacher. l'm Preacher Pauley. |
00:43:56 |
Yes, how are you tonight? Rita Veder, |
00:44:01 |
l've been tossing |
00:44:04 |
- Tossin', right. |
00:44:07 |
really strange feelings. |
00:44:10 |
l felt l needed to talk to someone |
00:44:15 |
You come to the right place. |
00:44:19 |
- And then l heard the voices. |
00:44:23 |
- Yes, like they were inside my head. |
00:44:27 |
Really. Does this make sense? |
00:44:30 |
You'd be surprised what's possible. |
00:44:33 |
l'm just afraid of ending up like |
00:44:38 |
Afraid you're going crazy, that's |
00:44:43 |
You fear you're going crazy, |
00:44:47 |
- l get it out in my paintings. |
00:44:50 |
- Yes. |
00:44:53 |
You know, when l was young, |
00:44:56 |
Preacher Pauley! |
00:44:59 |
- l don't know if right now's... |
00:45:02 |
The Lord waits for no one. |
00:45:06 |
Right now is not a good time! |
00:45:15 |
Goddamn! |
00:45:21 |
What did he say? |
00:45:22 |
God damns anybody |
00:45:26 |
lt's a hell of a night outside. |
00:45:31 |
Come on, sister. Goddamn! |
00:45:41 |
Can we bring it down just a little, |
00:45:44 |
Brothers and sisters, |
00:45:49 |
We come here time after time and |
00:45:53 |
Hey, quiet down. |
00:45:56 |
- We talk about Jesus. |
00:45:59 |
Jesus said and Jesus wept. |
00:46:02 |
Jesus heard and Jesus walked over. |
00:46:09 |
l don't wanna talk about Jesus. |
00:46:12 |
Cos as the big man teaches us, |
00:46:18 |
Not one but two. |
00:46:21 |
A story has duality. |
00:46:27 |
Which brings to mind the phrase |
00:46:31 |
l know many of you |
00:46:35 |
''That don't even make no sense to me. |
00:46:37 |
''Can't be no such thing as |
00:46:41 |
''That don't match. That's plaids |
00:46:45 |
You see, because without bad, |
00:46:51 |
Without light, there is no dark, |
00:46:55 |
You hear what l'm saying? |
00:46:57 |
lf every day is a sunny day, |
00:47:02 |
Well, the bottom line, |
00:47:07 |
is that evil...eeeevil... |
00:47:11 |
Evil is necessary, thereby, |
00:47:16 |
- Evil... |
00:47:19 |
Evil is good. |
00:47:24 |
That's what l think. |
00:47:27 |
- Let me hear y'all say it... |
00:47:31 |
Evil is good. Take Brother Brown, |
00:47:35 |
pillar of stability. |
00:47:37 |
Brother Brown was on Bushwick Avenue |
00:47:42 |
- l didn't know she was no whore! |
00:47:45 |
- you said you was at your mother's. |
00:47:49 |
When you tell your wife, |
00:47:52 |
then you go get you |
00:47:55 |
But Brother Brown had a good time |
00:47:59 |
You can push a two-dollar ho |
00:48:03 |
Evil and good walk hand in hand. |
00:48:05 |
- Evil is as evil does. |
00:48:10 |
- What are you doing here? |
00:48:14 |
info on those stiffs in the dumpster. |
00:48:17 |
- Remember Nikki. |
00:48:22 |
We got us another one! |
00:48:27 |
- Fucked who? |
00:48:31 |
- You know damn well! |
00:48:33 |
Nikki! The whore of Babylon. |
00:48:37 |
- The whore of Babylon. |
00:48:40 |
Then you should change |
00:48:43 |
- Her lipstick's on your collar! |
00:48:47 |
What kind of man are you? |
00:48:50 |
- lt didn't happen like that. |
00:48:53 |
Don't be ashamed of yourself, boy. |
00:48:56 |
Don't be ashamed cos you went out |
00:49:00 |
- Ass is good! |
00:49:02 |
l know many of y'all may be saying, |
00:49:06 |
How y'all think y'all got here? |
00:49:08 |
Ass is good! |
00:49:12 |
And if you get you |
00:49:16 |
Rita, where are you going? |
00:49:19 |
- This is ridiculous! |
00:49:23 |
No. l left after you went to bed! |
00:49:25 |
- You don't have to explain. |
00:49:29 |
l was at the station. |
00:49:32 |
Hey, she borrows |
00:49:35 |
Of yours? |
00:49:39 |
Did you say yours? |
00:49:43 |
- That came out wrong. |
00:49:46 |
Forget it. You got your own rules, |
00:49:52 |
Rita, you and l, we see things |
00:49:56 |
but that don't have to be |
00:49:58 |
it just means we have a lot to learn |
00:50:03 |
Now, look, l came here because |
00:50:09 |
- Guess what? |
00:50:12 |
They worked for Kitty Caprisi. |
00:50:16 |
- The mob boss? |
00:50:19 |
Now, it's getting ready to rain. |
00:50:36 |
Heads up, y'all. Hallelujah! |
00:50:47 |
Get out of here, you piece of shit! |
00:50:49 |
- You ain't got the balls, Guido. |
00:50:53 |
l could be a good stick-up man, Bear. |
00:50:57 |
- Here's a hot piece of ass. |
00:51:01 |
l didn't know she was with somebody, |
00:51:04 |
- Sorry for the trouble. |
00:51:07 |
Andrew, could you do me a favour? |
00:51:09 |
- Get the fuck out of here. |
00:51:13 |
Bravo! You should get a Oscar |
00:51:19 |
One minute you's you, then bam! |
00:51:23 |
- Like taking candy from a child. |
00:51:26 |
lt takes a master vampire |
00:51:31 |
especially to absorb their thoughts - |
00:51:36 |
Boss? l got an idea. Change into her |
00:51:42 |
There must first |
00:51:45 |
l've yet to discover such a thing |
00:51:48 |
Frankly, it's beginning to annoy me. |
00:51:51 |
- Me, too. |
00:51:54 |
Perfetto. |
00:51:58 |
he must know |
00:52:01 |
- She's in there with that cop! |
00:52:07 |
That's what l'm talking about! |
00:52:10 |
Rip off his head |
00:52:13 |
- Act like a vampire! |
00:52:16 |
Bloomingdale's. l broke the window |
00:52:20 |
l can use it more than he can. Look. |
00:52:23 |
You're improvising. Very good. |
00:52:25 |
You're turning into |
00:52:28 |
Get your fuckin' hands up, Sambo! |
00:52:31 |
- Move your ass! |
00:52:34 |
Shove it up your ass, Meadowlark. |
00:52:38 |
- Give me your fucking wallet. |
00:52:42 |
- Come on! |
00:52:46 |
Jesus Christ. Oh, you fucking...! |
00:52:48 |
- Holy shit! |
00:52:52 |
They was making a pick-up on, let's |
00:52:58 |
- A pick-up from who? |
00:53:00 |
name of Julius something or other. |
00:53:03 |
l seen his girlfriend kick |
00:53:07 |
lt's some big broad named Eva. |
00:53:10 |
So you think this Julius |
00:53:14 |
- lced our boys? |
00:53:17 |
He's almost as big a chickenshit |
00:53:23 |
Drop your shit on the floor. |
00:53:26 |
Put your fuckin' guns on the floor! |
00:53:31 |
Empty the cash register right now! |
00:53:34 |
OK, here we go. |
00:53:36 |
Hey, there's a lot of fuckin' love |
00:53:39 |
Speaking of which, do you believe in |
00:53:42 |
- Get the hell away from me. |
00:53:45 |
Lemme work on you. Watch it, Shaft, |
00:53:49 |
You're gonna be my new girlfriend. |
00:53:54 |
What's with this shit? |
00:53:58 |
Garlic bread, signore? |
00:54:01 |
The next person to offer a garlic |
00:54:07 |
Tell that fuckin' cat to |
00:54:11 |
Easy, Sugar. |
00:54:13 |
l'm starvin'. You want take-out? |
00:54:17 |
- Fusilli. |
00:54:20 |
Garlic boy, get us some fusilli, |
00:54:23 |
- Move your ass! |
00:54:26 |
Fuckin' music is making my ears |
00:54:30 |
- Red. |
00:54:33 |
This place is making me itch. |
00:54:38 |
Sugar! |
00:54:40 |
The fuckin' cat had it coming, |
00:54:49 |
- Mama mia! |
00:54:52 |
- l like cats. |
00:54:58 |
Not so tight, Mr Tibbs. |
00:55:00 |
- Hey, lover, you're coming with me. |
00:55:05 |
- Bear, who's got the balls now, huh? |
00:55:17 |
- You always gotta be the hero. |
00:55:21 |
This guy had a .38 to your head, |
00:55:24 |
- lt was a .45. l resent that. |
00:55:27 |
Hey, l know you. Didn't l see you at |
00:55:32 |
- Shut up! |
00:55:35 |
- Why can't you give me that? |
00:55:38 |
- Shut up! |
00:55:41 |
and you know damn well |
00:55:44 |
She don't need you, Soul Train. |
00:55:47 |
Shut up! Look, l was at the right |
00:55:52 |
The city of Brooklyn shall be judged |
00:55:56 |
lt says here, ''She bears a golden cup |
00:56:02 |
''and the filth of her fornications.'' |
00:56:06 |
We are supposed to be partners, |
00:56:09 |
- but you just don't get it, do you? |
00:56:14 |
l care about you |
00:56:20 |
but l can't help that. |
00:56:28 |
Nikki! That's where l know you from! |
00:56:31 |
Nikki from Bed-Stuy told me some cop |
00:56:35 |
- You're the beast that fucked Nikki! |
00:56:39 |
lt was you. You beast-fucked her. |
00:56:42 |
l don't know what he's talking about. |
00:56:49 |
- Veder, in my office right now. |
00:56:54 |
He deserved every piece of palm |
00:56:57 |
Hey, take it easy. |
00:57:00 |
- Hey, police brutality! |
00:57:04 |
Soul Train, |
00:57:07 |
You been informed of your rights? |
00:57:10 |
- Two days' suspension! |
00:57:12 |
Yes, l've been informed |
00:57:16 |
Another nutcase. All right, move it. |
00:57:23 |
Try and kill the cop. |
00:57:27 |
Sinner! Sinner! |
00:57:34 |
What is wrong with...? |
00:57:37 |
He went that way. |
00:57:40 |
Why don't you guys do a job, huh? |
00:57:43 |
What are we doing on the floor? |
00:58:16 |
Watch it! |
00:58:19 |
- ldiot! |
00:58:25 |
Yeah, thanks. |
00:58:27 |
Aw, jeez. Sunday drivers. |
00:58:33 |
- Hey, you're... |
00:58:37 |
But my friends call me Max. |
00:58:40 |
- Well, l'm... |
00:58:43 |
l was just going by |
00:58:46 |
You're bleeding. |
00:59:00 |
You know, that's twice l owe you. |
00:59:04 |
l just happened to be in |
00:59:08 |
it's really no big deal. |
00:59:12 |
Look, the bar thing... |
00:59:15 |
- Oh, that was my fault. |
00:59:17 |
l apologise. |
00:59:20 |
lt was, really, it was |
00:59:24 |
Kinda like today. |
00:59:26 |
l understand. |
00:59:30 |
Really? So am l. |
00:59:41 |
l'd better get going. |
00:59:50 |
- Thanks. Good night. |
00:59:57 |
Do you like ltalian? |
01:00:03 |
l make an excellent fusilli. |
01:00:08 |
Actually, that's my favourite |
01:00:10 |
but l really think l ought |
01:00:15 |
Oh. There's someone else. |
01:00:25 |
Not any more. |
01:00:27 |
lf there's no one else, then |
01:00:44 |
Look here. l'm a cop. |
01:00:46 |
- The police. |
01:00:50 |
Which means if you try |
01:00:56 |
Do l look like l would bite you? |
01:00:59 |
You better not. |
01:01:03 |
Can l send my car to pick you up |
01:01:08 |
Your car. |
01:01:13 |
l'll see you then. |
01:01:48 |
Look, Rita, |
01:01:53 |
cos this is |
01:01:56 |
l never said nothing |
01:02:00 |
Look, l'm the man |
01:02:02 |
and l got a few things |
01:02:05 |
You're gonna do what l say do! |
01:02:10 |
l must be crazy... |
01:02:20 |
So what are you doing here? |
01:02:22 |
l was just... |
01:02:26 |
- Where are you going? |
01:02:29 |
Dinner? Dressed like that? |
01:02:35 |
- Who you going with? |
01:02:38 |
A girlfriend? l'm just saying, |
01:02:43 |
Can l give you a ride or something? |
01:02:47 |
- l've got one, thanks. |
01:02:54 |
- Miss Rita, good evening. |
01:03:01 |
Gotta go. |
01:03:03 |
Oh, did you want something? |
01:03:06 |
l... l was just gonna get |
01:03:12 |
- Just have a good time, that's all. |
01:03:16 |
- Enjoy your dinner. |
01:03:26 |
You thought you was gonna |
01:03:29 |
Take your ass to Blockbuster, |
01:03:33 |
Pizza place. |
01:03:35 |
Ain't no pizza place around here, |
01:03:41 |
See ya. Need to lighten up, |
01:03:45 |
Get your lyin' ass out of the street! |
01:03:51 |
- Are you sure this is it? |
01:03:55 |
Right down that hall to the right. |
01:03:58 |
A minute earlier, she'd have |
01:04:03 |
on Julius's pigsty of an apartment |
01:04:05 |
but by the time she arrived |
01:04:09 |
if l do say so myself. |
01:04:25 |
Please excuse my building, |
01:04:28 |
- This is incredible. |
01:04:32 |
Thank you. l don't get to dress up |
01:04:35 |
That should change. |
01:04:37 |
- Yes. lt's the only one l drink. |
01:04:46 |
Van Gogh. |
01:04:50 |
Have a closer look. |
01:04:54 |
ls that the original? |
01:04:57 |
Yes. He's my favourite, as well, |
01:05:00 |
so torn by visions that no one |
01:05:04 |
l'm strangely drawn to his art. |
01:05:10 |
l know what you mean. |
01:05:14 |
- lt's beautiful. |
01:05:20 |
To the beauty...of the night. |
01:05:30 |
Right here, l got it for you. |
01:05:33 |
- Go away! |
01:05:35 |
Just wanna ask you |
01:05:39 |
What are you trying to do, |
01:05:42 |
Show me your shield, |
01:05:45 |
Just wanna ask about a friend, |
01:05:49 |
- numbers runner for Kitty Caprisi. |
01:05:55 |
l feel as if you know me. |
01:05:57 |
We do have a lot in common, don't we? |
01:06:00 |
Some things, yes, |
01:06:05 |
you've seen so much, |
01:06:09 |
You might say that l've had several. |
01:06:16 |
Sometimes l wonder what's out there, |
01:06:23 |
past everything l've ever known. |
01:06:25 |
- There's no place you can't go. |
01:06:31 |
But what about your dreams, Rita? |
01:06:36 |
And another world? Another you? |
01:06:41 |
Everyone has those dreams. |
01:06:45 |
You've a hunger never satisfied |
01:06:54 |
God only knows what l need. |
01:06:57 |
And l know. |
01:07:01 |
and give me your hand... |
01:07:03 |
- and come dance with me. |
01:07:06 |
- l'm not a good dancer. |
01:07:10 |
Come, come. |
01:07:11 |
Oh, Max. This is crazy. |
01:07:17 |
There's nothing wrong with being |
01:07:44 |
l've never danced like this before. |
01:07:48 |
And now, you'll never stop. |
01:08:01 |
l haven't felt like this since... |
01:08:06 |
How would you like to feel like this |
01:08:10 |
ls that a trick question? |
01:08:15 |
To go to places you've never been? |
01:08:19 |
- Yes. |
01:08:26 |
l can give it to you, Rita. |
01:08:30 |
A world where no one laughs at you |
01:08:34 |
what you see, what you are. |
01:08:40 |
All you have to do is just... |
01:08:44 |
say... |
01:08:51 |
say the word, say it. |
01:09:32 |
- Looking for the girl? |
01:09:38 |
You're a cop, |
01:09:43 |
The night watchman down at the dock? |
01:09:45 |
Right. l'm also the proud landlord |
01:09:50 |
so l do know who comes |
01:09:53 |
l'm looking for a brother |
01:09:57 |
Jones, Jones... |
01:10:01 |
Called her Mrs Butterworth cos |
01:10:04 |
l haven't seen her around lately |
01:10:08 |
yes l have. |
01:10:12 |
You seen my partner? |
01:10:14 |
Musta done some serious bumpin' |
01:10:18 |
- What cat? |
01:10:22 |
New tenant. He's been |
01:10:27 |
l'm talking bang-bang-bang! |
01:10:29 |
When she walked out this morning, |
01:10:33 |
- So you know where she went? |
01:10:38 |
Course, she didn't get none |
01:10:42 |
1 3 Fox, come in, over. |
01:10:45 |
- Shit. |
01:10:52 |
- 1 3 Fox, what's up? |
01:10:56 |
Female, late twenties, |
01:11:06 |
- Hey, Connie. |
01:11:09 |
God knows who or what |
01:11:13 |
Let me see that thing. |
01:11:19 |
Looks like a bed sheet |
01:11:24 |
Shit! |
01:11:29 |
Damn. Nikki. |
01:11:34 |
lf there's one thing |
01:11:38 |
especially with those |
01:11:42 |
But even that, in time, runs out |
01:11:47 |
blood will prove thicker |
01:12:05 |
Rita, wake up! Rita, wake up! |
01:12:13 |
Damn, girl! l musta called here |
01:12:19 |
l'm thirsty. What's going on? |
01:12:26 |
lt's about Nikki. |
01:12:30 |
- Whatever happened between you... |
01:12:38 |
- What? |
01:12:44 |
The way she was hanging |
01:12:53 |
- No, it was just a dream. |
01:13:00 |
Everything that you believed in |
01:13:05 |
Justice, you saw her? |
01:13:17 |
- Then somehow l'm not crazy. |
01:13:22 |
No crazier than the rest of us. |
01:13:26 |
Why me? Why is this happening to me? |
01:13:29 |
l don't know... |
01:13:32 |
but we'll figure this out, together. |
01:13:38 |
Now, we make mistakes |
01:13:45 |
that's OK, |
01:14:22 |
- You know what you're doin'? |
01:14:28 |
l'll make it up as l go. |
01:14:45 |
l want this but... |
01:14:49 |
Damn! Oh, damn! |
01:16:00 |
ldiot! |
01:16:11 |
Easy. Honey lamb, now ain't |
01:16:18 |
- Oh, shit, he got you too? |
01:16:21 |
l'll be in the kitchen. |
01:16:23 |
- Want a cappuccino? |
01:16:26 |
Do you still take red? |
01:16:27 |
After last night, you'll want |
01:16:32 |
- What have you done to me? |
01:16:35 |
- l didn't ask for this! |
01:16:39 |
You needed it and now |
01:16:42 |
You feel more alive than you've |
01:16:46 |
- Death becomes you. |
01:16:49 |
All the murders, |
01:16:55 |
lt's a gift but you have it too, |
01:17:00 |
- Gift?! Of what, death? |
01:17:05 |
- l have given you eternal life! |
01:17:10 |
lt's happening as we speak. |
01:17:13 |
Come here! Listen. Listen to me! |
01:17:16 |
Do you hear that? Do you hear it? |
01:17:21 |
and it's calling. |
01:17:23 |
Not to me. Not to me! |
01:17:34 |
Women. |
01:17:45 |
Frightening, isn't it? |
01:17:49 |
Yes, you are. |
01:17:53 |
l meant freedom |
01:17:56 |
to do anything you want, |
01:18:00 |
l know it's terrifying at first. |
01:18:03 |
l passed terrified |
01:18:09 |
All your life you wondered why you |
01:18:14 |
why you never caught a cold, |
01:18:19 |
This is just a dream, right? |
01:18:23 |
And l will be there. |
01:18:30 |
l'm not going to be alone again. |
01:18:36 |
l gotta go back, go back to my life, |
01:18:42 |
you can't stop me. |
01:18:47 |
Then go. Go back to |
01:18:51 |
filled with those empty dreams. |
01:18:54 |
Go back to church |
01:18:57 |
the preacher's whisky is running low. |
01:18:59 |
Go back to your job! |
01:19:03 |
Or you face the truth - |
01:19:07 |
that you have |
01:19:13 |
What do you know about truth? |
01:19:20 |
- Your father sent me to you. |
01:19:23 |
That's the truth. Your father. |
01:19:27 |
lf l had told you that |
01:19:30 |
if l had told you what you were, |
01:19:33 |
would you believe me |
01:19:35 |
if l told you that you were |
01:19:42 |
- You're lying! |
01:19:46 |
Your mother did |
01:19:49 |
Who? Who killed him? Who? |
01:19:54 |
Humans! Humans fear what they don't |
01:19:59 |
He sacrificed himself so your mother |
01:20:07 |
But what if l don't want this? |
01:20:17 |
What if you do? |
01:20:32 |
What if you do? |
01:21:05 |
Who's there? |
01:21:10 |
Step into the light. |
01:21:16 |
- Detective Justice. |
01:21:22 |
You or the dark one, |
01:21:25 |
- Personally, l'm glad it's you. |
01:21:31 |
- Things have changed. Sit down. |
01:21:37 |
She's seeing things in her dreams. |
01:21:43 |
- Now she's missing. |
01:21:46 |
Nightmares. She paints them. |
01:21:49 |
A girl was murdered and it was |
01:21:54 |
And then...then l saw this. |
01:21:59 |
This is the last one she did. |
01:22:02 |
Then it's true there was a child. |
01:22:05 |
l knew Rita's mother. |
01:22:09 |
She studied the vampires |
01:22:15 |
l saw her succumb to the powers |
01:22:19 |
is the result. |
01:22:23 |
lt's like, just clean my house, |
01:22:27 |
- Please don't. |
01:22:32 |
We must feed, Rita, or we die. |
01:22:36 |
- Well, here's my shortcut. |
01:22:42 |
This one is the last. |
01:22:45 |
He needs her. |
01:22:49 |
- l'll kill him if he hurts her. |
01:22:52 |
To save her, you must kill him before |
01:22:56 |
Much as she is human, |
01:23:15 |
What's a nice girl like you |
01:23:19 |
l have pepper spray and l'll use it! |
01:23:23 |
But l want you to know |
01:23:26 |
You've been chained by the oppression |
01:23:30 |
Yes, well... |
01:23:54 |
Your turn, Rita. Taste her. |
01:24:02 |
- l won't do it! |
01:24:05 |
No deposit, no return, no going back. |
01:24:13 |
Help me. |
01:24:17 |
l'm not going forward! |
01:24:20 |
You can't run from your hunger! |
01:24:52 |
Forgive us our trespasses |
01:24:54 |
as we forgive those |
01:24:56 |
And lead us not into temptation |
01:25:01 |
Help me! |
01:25:14 |
- Where are you taking me? |
01:25:17 |
We have a long journey ahead. |
01:25:19 |
- Where we going, boss? |
01:25:23 |
We try to leave by dawn. |
01:25:26 |
- Can l talk to you about my head? |
01:25:43 |
Ready my coffin. |
01:25:44 |
She don't look ready, she need a nap. |
01:25:47 |
l'm readyin' the coffin |
01:25:51 |
Rita...my sweet. |
01:25:54 |
- You must feed or you'll die. |
01:26:01 |
l won't let you. |
01:26:04 |
Hey, hey, the Knicks won! |
01:26:10 |
Good God, he's a bad motherfucker. |
01:26:13 |
Julius, where's my $50? |
01:26:18 |
You ain't Julius. |
01:26:22 |
What's wrong, baby? You look sick. |
01:26:27 |
Want some cod liver oil? |
01:26:30 |
What she needs... |
01:26:33 |
- is some fresh blood. |
01:26:36 |
l'll go to the Red Cross, |
01:26:39 |
- Shut up! |
01:26:44 |
- The idea is dinner. |
01:26:48 |
- You. |
01:26:51 |
- You don't have to resist. Do it! |
01:26:56 |
High as the motherfuckin' moon! |
01:27:01 |
- Police! Police! |
01:27:06 |
- Police! |
01:27:10 |
- Hey, coffin's all ready, B. |
01:27:14 |
l got him. All right, Supercop, |
01:27:19 |
or l'm gonna put this shit |
01:27:25 |
- You better shut up. |
01:27:33 |
That's my fuckin' eye! |
01:27:36 |
Come back here. Shit. |
01:27:40 |
You're quite a bulldog |
01:27:43 |
Motherfuck you, man. |
01:27:46 |
Shit. |
01:27:59 |
The heart. This is my stomach. |
01:28:03 |
This is my heart, this is my stomach. |
01:28:06 |
You should know the rules, Zeko. |
01:28:14 |
Not him. |
01:28:35 |
Are you OK? |
01:28:37 |
My leg! l think he broke my leg! |
01:28:40 |
Fuck your leg, have you seen my eye? |
01:28:44 |
- Your eye? |
01:28:47 |
Oh, damn! Watch yo' step, nigger! |
01:28:53 |
- Coast clear? |
01:28:56 |
l gotta find a eye doctor. |
01:28:58 |
l want y'all to get outta here |
01:29:03 |
- l'm not leaving without Rita. |
01:29:06 |
lf she joins with him, |
01:29:10 |
Let her go. Bitch tried to suck me |
01:29:17 |
- Kill him. |
01:29:21 |
God is with you. |
01:29:23 |
- l'll keep that in mind. |
01:29:26 |
Come on. |
01:29:29 |
l ain't going. |
01:29:33 |
Have you seen yourself lately? |
01:29:37 |
- Don't rip my shirt. |
01:29:40 |
That my arm! |
01:29:42 |
- You put that back on! |
01:29:46 |
You put that back on! |
01:29:48 |
l need this! You can't just snatch |
01:30:17 |
Right through your black heart! |
01:30:22 |
You shouldn't have come. |
01:30:26 |
lt's too late for me. |
01:30:34 |
Rita, we... Oh, shit! Look at you! |
01:30:36 |
- Now it's too late for you. |
01:30:42 |
l'm taking Rita. |
01:30:45 |
You should be worried about yourself. |
01:30:50 |
- Hey, bitch. |
01:30:56 |
l can give her everything! |
01:30:59 |
She doesn't belong with you! |
01:31:02 |
- lt's in her blood! |
01:31:07 |
- Are you sure? |
01:31:16 |
Come, you bastard. |
01:31:32 |
That's it! Goddammit! ldiot! |
01:31:39 |
Get the fuck away from the knife. |
01:31:42 |
Not in her heart, you say? |
01:31:47 |
l'm hungry. |
01:31:52 |
- Tell him. ls his blood good enough? |
01:31:59 |
Forget it, Justice. Time's up. |
01:32:02 |
lt's too late. lt's much too late. |
01:32:11 |
This is your destiny. |
01:32:15 |
And yours. |
01:32:20 |
- Take him. |
01:32:40 |
but that part of me must die. |
01:32:45 |
lt must die. |
01:33:11 |
l told you that you were... |
01:33:16 |
a killer. |
01:33:54 |
Come on, Rita, let's go. Come on! |
01:34:05 |
Let's go! |
01:34:10 |
We'll be OK! |
01:34:40 |
Where did all...? |
01:34:48 |
You did good, Rita. You OK? |
01:34:54 |
Cross my heart... |
01:34:57 |
and hope to die. |
01:35:15 |
- Come on, let's go. |
01:35:17 |
l gotta find myself a safer job. |
01:35:20 |
Hey, Unc, |
01:35:23 |
Well, thank you. |
01:35:25 |
And at least you got your... |
01:35:28 |
well, you know, you got... |
01:35:32 |
- you got a limo. |
01:35:38 |
l got the front seat, now. |
01:35:40 |
No more drivin' the limo for me. |
01:35:51 |
Unc, talk to me. |
01:35:53 |
Cruise control, power steering, |
01:35:57 |
power seats |
01:36:00 |
Let's see what we got here. |
01:36:03 |
Look at... Hey! |
01:36:08 |
Oh, shit. No. |
01:36:13 |
Max ain't gonna need this, |
01:36:17 |
l'm gonna wear this |
01:36:21 |
We gotta represent |
01:36:24 |
- Hey, check it out. GQ or what? |
01:36:33 |
Jesus, Mary, Little Bo Peep's Mom, |
01:36:44 |
Ain't no smoking in the limo, Julius. |
01:36:50 |
Good God Almighty. |
01:36:54 |
Shit! Unc! l got my shit back, man. |
01:36:57 |
l got my hand back, |
01:36:59 |
l got jewels out the ass, |
01:37:02 |
Look at these fly shoes, man! |
01:37:06 |
What? |
01:37:08 |
Max said being a ghoul had benefits |
01:37:13 |
l ain't no ghoul! |
01:37:15 |
Welcome to the party. |
01:37:21 |
- Well, you the boss. |
01:37:25 |
There's a new vampire in Brooklyn |
01:37:33 |
l ever tell you |
01:37:36 |
l beat a man called AJ Fittipaldi. |
01:37:40 |
Yes, l used to |
01:37:42 |
- They called me Pretty Willie. |
01:37:47 |
Oh, goddamn, man. |