Ballet Shoes
|
00:00:21 |
NANA: |
00:00:24 |
I haven't heard of such |
00:00:30 |
Yes? |
00:00:31 |
Forgive my boldness, sir, |
00:00:34 |
you are this child's |
00:00:37 |
Her father named you |
00:00:40 |
Yeah. I don't dispute that. |
00:00:42 |
I merely point out |
00:00:43 |
that this house is a shrine |
00:00:45 |
There's no corner in it for |
00:00:49 |
We require two rooms. |
00:00:50 |
Some of these stones |
00:00:52 |
My fossils? |
00:00:55 |
This has got nothing to do |
00:00:57 |
If you don't want the child, |
00:00:59 |
But she'd be miserable here. |
00:01:01 |
My parents are dead. |
00:01:04 |
I'd be miserable anywhere. |
00:01:09 |
Smilodon Popularis. |
00:01:12 |
Why don't you just stick a knife |
00:01:15 |
They're all magnets for dust, |
00:01:17 |
and that big cat |
00:01:19 |
It's a saber-toothed tiger, |
00:01:24 |
It's lovely. |
00:01:30 |
An armadillo skeleton! |
00:01:36 |
Goodbye! |
00:02:05 |
I keep a pack of women |
00:02:07 |
There isn't one of them about |
00:02:09 |
Oh! Darling Gum! |
00:02:13 |
We weren't expecting you. |
00:02:14 |
Oh, ship sank... iceberg. |
00:02:16 |
If you don't mind me asking, |
00:02:19 |
Ah. A surprise. |
00:02:21 |
Let's hope it's not |
00:02:23 |
The world is full |
00:02:25 |
Not all of them |
00:02:30 |
A baby? |
00:02:31 |
Found it... |
00:02:33 |
Both parents drowned. |
00:02:35 |
A baby? A baby just like that? |
00:02:38 |
Have you no regard for |
00:02:40 |
Well, I-I'll put |
00:02:43 |
"Professor Matthew Brown adopts |
00:02:46 |
-But, Gum... |
00:02:49 |
They like babies that are in |
00:02:52 |
Ah. |
00:02:57 |
And surnames. |
00:03:00 |
Fossil. |
00:03:04 |
It's not as though we've got |
00:03:08 |
You don't mind, do you? |
00:03:10 |
Gum, I came here |
00:03:12 |
That's the spirit. |
00:03:15 |
Where are you actually going? |
00:03:17 |
Siberia. |
00:03:32 |
No. Not another one. |
00:03:34 |
Mm. |
00:03:35 |
Red Cross hospital |
00:03:37 |
Mother died when it was born. |
00:03:39 |
What about the father? |
00:03:40 |
Salt mines... worked to death. |
00:03:42 |
Awful bloody end. |
00:03:44 |
Yeah, they called it Petrova. |
00:03:49 |
It is to be hoped |
00:03:51 |
It's easy to see who's going to |
00:04:04 |
"Dearest niece, |
00:04:05 |
another small Fossil |
00:04:08 |
Daughter of a dancer. |
00:04:10 |
Mother has no money |
00:04:13 |
She sends a pair |
00:04:16 |
He says, " I regret |
00:04:20 |
but I ran into a friend about |
00:04:23 |
There's enough money in the bank |
00:04:27 |
P. S... . Child's name Posy. |
00:04:30 |
Unfortunate but true." |
00:04:33 |
Ballet shoes, indeed. |
00:04:34 |
Change of clothes |
00:04:36 |
Or a feeding bottle. |
00:04:39 |
"To the little Fossils." |
00:04:43 |
"Turquoise for Pauline. |
00:04:45 |
Pearls for Petrova. |
00:04:47 |
Coral for Posy." |
00:04:49 |
Make the most of it. |
00:04:51 |
That'll be the last we hear |
00:04:56 |
I bet Gum had a car. |
00:04:58 |
Only a man with a car |
00:04:59 |
at the far end |
00:05:02 |
Garnie said he used to |
00:05:05 |
I wish we could. |
00:05:06 |
I'd be happy |
00:05:09 |
The professor may have had |
00:05:11 |
Might I remind you, |
00:05:13 |
You three have got |
00:05:14 |
So you can save the penny |
00:05:17 |
The Rockefeller family |
00:05:18 |
At least you get to go |
00:05:21 |
I still have to do lessons |
00:05:22 |
and take an extra walk |
00:05:26 |
If I have to look |
00:05:27 |
in the museum one more time, |
00:05:30 |
That's enough, Miss Madam. |
00:05:31 |
All over my outdoor shoes. |
00:05:33 |
Then I shan't be able |
00:05:41 |
We've had more fuss from |
00:05:44 |
Cromwell House is out |
00:05:47 |
It's not just that I can't send |
00:05:51 |
Give it here! |
00:05:54 |
I'm having to take |
00:05:56 |
I have to give notice to Clara. |
00:05:58 |
There's no money left. |
00:06:00 |
Nothing in the bank at all. |
00:06:04 |
I'm so sorry. |
00:06:05 |
Why are you apologizing? |
00:06:07 |
It's not news. |
00:06:09 |
Isn't it? |
00:06:10 |
Been looking through |
00:06:13 |
I didn't think you'd notice. |
00:06:16 |
I brought you up. |
00:06:18 |
The trouble is, Nana, |
00:06:20 |
unless somebody advertises for |
00:06:23 |
I'm not qualified for anything. |
00:06:26 |
There's a way 'round everything |
00:06:45 |
I finished my fractions. |
00:06:47 |
Already? |
00:06:49 |
They were the hardest |
00:06:50 |
She'll have to sit there quietly |
00:06:52 |
You can't be setting |
00:06:54 |
You've got to go to Selfridges |
00:06:57 |
Petrova, darling, would you go? |
00:06:59 |
You're only reading. |
00:07:04 |
-Good afternoon. |
00:07:07 |
How are you finding |
00:07:10 |
Terrific. Naught to 40 |
00:07:14 |
Is your mother at home? |
00:07:16 |
Oh, we haven't got a mother. |
00:07:18 |
You don't have to say |
00:07:21 |
How do you do? |
00:07:23 |
Oh, do come in. |
00:07:25 |
Forgive me. I was trying |
00:07:31 |
I don't know how long I'd stay. |
00:07:33 |
I've only just got back |
00:07:35 |
Petrova! Have you been... |
00:07:37 |
Well, um... |
00:07:41 |
Nana, |
00:07:42 |
This is nice. |
00:07:48 |
Put photographs on here. |
00:07:55 |
Good afternoon. |
00:07:56 |
Have you come about the rooms? |
00:07:58 |
With particular regard |
00:08:01 |
And smoking. |
00:08:03 |
I'm Dr. Smith. |
00:08:04 |
This is Dr. Jakes. |
00:08:06 |
Do come in. |
00:08:10 |
Rather smart. |
00:08:12 |
Very nice aesthetic. |
00:08:13 |
Come in. |
00:08:16 |
Nana said you might need this. |
00:08:18 |
Oh! How kind. |
00:08:20 |
Thank you, my dear. |
00:08:23 |
Well, we... we both had |
00:08:25 |
It all adds up |
00:08:27 |
Most of them hers. |
00:08:29 |
I specialized in Shakespeare. |
00:08:31 |
Dr. Smith is a mathematician. |
00:08:33 |
Where do you go to school, |
00:08:35 |
We don't. |
00:08:36 |
Garnie, our guardian, |
00:08:38 |
Good God, that must be dull. |
00:08:39 |
Oh, that is quite an adventure, |
00:08:43 |
Such a unique name. |
00:08:45 |
Fossil. |
00:08:46 |
I suppose it is. |
00:08:47 |
I always thought Smith |
00:08:50 |
Try doing anything remarkable |
00:08:52 |
And heredity is such a burden. |
00:08:54 |
If I made the name Jakes |
00:08:56 |
people would think it was |
00:08:58 |
Who knows what you three |
00:09:00 |
You ought to try to do something |
00:09:03 |
Fossil would look splendid |
00:09:08 |
What do you think |
00:09:11 |
I'm not sure. |
00:09:12 |
I suppose they meant giving some |
00:09:16 |
We ought to make a vow. |
00:09:20 |
A vow? |
00:09:21 |
To our country? |
00:09:23 |
A promise... to ourselves. |
00:09:25 |
Like this. |
00:09:28 |
Put your hands on mine. |
00:09:32 |
We three Fossils vow to put |
00:09:38 |
because it is uniquely ours |
00:09:40 |
and no one can say it's because |
00:09:44 |
We vow. |
00:09:48 |
We vow. |
00:09:51 |
We vow. |
00:09:52 |
Posy! |
00:09:53 |
Ow! |
00:09:55 |
What's that? |
00:10:02 |
I shall be out every day |
00:10:05 |
I bathe three times a week, |
00:10:11 |
Oh. |
00:10:13 |
Was this a ballroom? |
00:10:15 |
Not while I've been living here. |
00:10:17 |
i> |
00:10:23 |
Do you like to dance, too, dear? |
00:10:28 |
Perfect. |
00:10:32 |
Come on. |
00:10:34 |
Tango! |
00:10:42 |
Come here, little one. |
00:10:44 |
Come on. |
00:10:48 |
Whee! |
00:11:02 |
Well, Miss Brown, I will take |
00:11:07 |
Oh, please. |
00:11:09 |
I've been on the staff |
00:11:11 |
and I cannot recommend |
00:11:13 |
I can't afford the fees, |
00:11:15 |
Madam Fidolia is a refugee |
00:11:17 |
The Revolution completely did it |
00:11:19 |
She'd been such a favorite |
00:11:21 |
She has a history of taking on |
00:11:23 |
She trains them for nothing |
00:11:24 |
and then takes 10% of |
00:11:27 |
They'd be sent out to work? |
00:11:28 |
As soon as they're old enough |
00:11:30 |
But I don't want the children |
00:11:32 |
And I'm quite sure |
00:11:36 |
Whilst I don't care |
00:11:38 |
casting aspersions on this home, |
00:11:40 |
you might say that Posy's |
00:11:42 |
given that she came with |
00:11:44 |
Pauline does nothing |
00:11:47 |
And as for Petrova, |
00:11:48 |
all she thinks about |
00:11:51 |
Been trying to turn her into |
00:11:53 |
and got nowhere. |
00:11:55 |
-So if this Madam Folderoll... |
00:11:57 |
...proves willing to try, |
00:12:03 |
Miss Brown, |
00:12:06 |
Now? |
00:12:07 |
Um, the fact of the matter is, |
00:12:12 |
whether you're qualified |
00:12:15 |
But I'm very well grounded |
00:12:17 |
and I've got |
00:12:20 |
I did consider the school |
00:12:22 |
You can't send them there. |
00:12:24 |
My opinion entirely. |
00:12:26 |
Frightful accents. |
00:12:27 |
Which wouldn't help their |
00:12:30 |
My dear, life can be |
00:12:34 |
as Dr. Smith and I found out. |
00:12:36 |
We both felt |
00:12:39 |
but find that we are unsuited |
00:12:41 |
And more to the point, |
00:12:44 |
We should very much like |
00:12:48 |
All-'round education, |
00:12:49 |
specializing in mathematics |
00:12:51 |
The children will be prepared |
00:12:54 |
and matriculation. |
00:12:56 |
No charge. Ours to suit. |
00:13:03 |
I don't know what to think. |
00:13:04 |
Do you want your charges |
00:13:07 |
And do you want them trained |
00:13:16 |
I want both. |
00:13:19 |
The world isn't kind to girls |
00:13:24 |
Careful! |
00:13:27 |
Come on! |
00:13:30 |
Tsk. |
00:13:40 |
Do they look smart, Nana? |
00:13:42 |
No, but they look neat. |
00:13:46 |
Petrova, will you |
00:13:49 |
I swear the face on that child |
00:13:54 |
And shuffle, shuffle, |
00:13:56 |
There it is. |
00:13:58 |
And up, Muriel! |
00:14:02 |
Should we knock, do you suppose? |
00:14:13 |
Posy. |
00:14:14 |
It's so gloomy. |
00:14:19 |
Ah. |
00:14:21 |
The Fossil sisters. |
00:14:27 |
How do you do? |
00:14:29 |
No. |
00:14:30 |
All my pupils, |
00:14:33 |
before or after class, |
00:14:35 |
they say "Madame" and curtsy. |
00:14:42 |
So... |
00:14:46 |
Madame. |
00:14:50 |
Which is Petrova? |
00:14:57 |
-Me. |
00:15:01 |
Yes. |
00:15:02 |
You speak Russian? |
00:15:07 |
But you feel Russian? |
00:15:09 |
Actually, she's always said |
00:15:16 |
You are the first compatriot |
00:15:21 |
I will make wonderful artist |
00:15:29 |
You must be Posy. |
00:15:31 |
Madame. |
00:15:37 |
5, 6, 7, 8! |
00:15:51 |
And smile! |
00:15:53 |
You don't see Shirley Temple |
00:16:09 |
Moment. |
00:16:10 |
-Madame. |
00:16:18 |
To center, if you please. |
00:16:24 |
I think polka, Mrs. Davis. |
00:16:27 |
i> |
00:16:35 |
"Stockinette vests, buff. |
00:16:38 |
Royal blue cotton rompers. |
00:16:41 |
White tarlatan ballet dresses. |
00:16:44 |
White knickers, all frills. |
00:16:47 |
Two black sateen |
00:16:51 |
How are we going to |
00:16:53 |
I don't care |
00:16:55 |
This is the biggest chance |
00:16:59 |
# Life is just |
00:17:02 |
# So live and laugh at it all # |
00:17:06 |
All the way up |
00:17:08 |
# Laugh at it all # |
00:17:10 |
There's no point making me |
00:17:13 |
I already know |
00:17:15 |
Racing driver? |
00:17:17 |
I want to fly planes, |
00:17:20 |
Very laudable ambition. |
00:17:21 |
It's not because |
00:17:23 |
and in all the magazines. |
00:17:25 |
It's not even |
00:17:27 |
It's... the idea that |
00:17:31 |
ways 'round the world |
00:17:35 |
Roads in the sky. |
00:17:38 |
And until I can do that, |
00:17:41 |
Well, that's good. |
00:17:43 |
'Cause I've just bought |
00:17:46 |
A garage? |
00:17:47 |
It's gonna be tough going |
00:17:49 |
I might need some help |
00:17:55 |
All right. |
00:18:08 |
When you said |
00:18:10 |
I thought you meant |
00:18:11 |
Oh, be a sport. |
00:18:13 |
Look, I've even got a jar |
00:18:16 |
I absolutely promise |
00:18:19 |
This is the way they used to |
00:18:22 |
when I was in |
00:18:24 |
You drank cocktails |
00:18:26 |
Oh, I was practically 19. |
00:18:28 |
Miss Rosebud had to bind |
00:18:31 |
Otherwise they bounced rather |
00:18:39 |
Chin-chin. |
00:18:42 |
The girls will be happy, |
00:18:43 |
Oh, my darling. |
00:18:48 |
# It's just the time |
00:18:52 |
# Tomorrow is your day # |
00:18:56 |
# Go where the music's calling # |
00:19:00 |
# And dance the blues away # |
00:19:05 |
# And all you need to ask for |
00:19:40 |
Hurry up, Pauline! |
00:19:42 |
You'll have to hang on! |
00:19:51 |
Need a hand? |
00:19:54 |
Oh, you are kind. |
00:19:55 |
But they won't take long. |
00:20:03 |
You know, when I was at school, |
00:20:10 |
Matron would say, "Clean them |
00:20:14 |
Give you time to reflect |
00:20:17 |
There was a fire in that room. |
00:20:21 |
Well, Mr. Simpson. |
00:20:24 |
Let's leave that to me. |
00:20:25 |
There's a bit of a knack |
00:20:30 |
I'll, uh, I-I'll... |
00:20:33 |
Thank you. |
00:20:38 |
Do you know sometimes I think |
00:20:40 |
heaven sent those lodgers |
00:20:42 |
Not a moment too soon, |
00:20:44 |
We really need to get |
00:20:48 |
And you're looking very thin. |
00:20:50 |
I've always been thin. |
00:20:52 |
And you're going gray. |
00:20:54 |
I am not. |
00:20:56 |
I just got the odd silver hair. |
00:21:01 |
I'm starting to rehearse |
00:21:04 |
What is a m'audition, anyway? |
00:21:06 |
It's what you have to have |
00:21:09 |
It means "my audition." |
00:21:10 |
But over the years, |
00:21:14 |
Typical academy. |
00:21:16 |
Always got to be a special word |
00:21:19 |
Anyone who goes out |
00:21:21 |
has to sing, dance, and recite. |
00:21:22 |
Doesn't matter |
00:21:24 |
It's what you have to do. |
00:21:26 |
I'm dreading my next birthday. |
00:21:28 |
I'll have to get a license |
00:21:32 |
I don't want to tap-dance |
00:21:36 |
But I think I'd like to act. |
00:21:40 |
How long will it be |
00:22:19 |
Another hole |
00:22:21 |
It's massive. |
00:22:22 |
Right. |
00:22:24 |
Today's French acting class |
00:22:27 |
Anyone involved in the choral |
00:22:29 |
please go and wait |
00:22:32 |
Posy Fossil? |
00:22:33 |
Madame would like a word. |
00:22:35 |
Winifred Bagnall |
00:22:37 |
stay here and speak to me. |
00:22:39 |
You better not be in bother. |
00:22:42 |
Petrova? |
00:22:44 |
Haven't you got anywhere to go? |
00:22:46 |
No, not now. |
00:22:47 |
Well, dear, wait outside while |
00:22:51 |
Yes, Miss Jay. |
00:22:58 |
There's an audition tomorrow. |
00:23:00 |
The Princess Theatre. |
00:23:01 |
You are both to be there |
00:23:07 |
...I want you to style your hair |
00:23:10 |
Is it for "Alice in Wonderland"? |
00:23:11 |
Mm. |
00:23:12 |
Girls going for Alice |
00:23:15 |
Wish it wasn't the Princess, |
00:23:17 |
It's such a mean management. |
00:23:19 |
One ought to get six, |
00:23:22 |
They might squeeze five. |
00:23:24 |
Five what... shillings? |
00:23:26 |
Pounds... per week. |
00:23:30 |
Don't you need any money |
00:23:33 |
You will attend |
00:23:35 |
with your sisters and Miss Dane. |
00:23:38 |
You will no longer study |
00:23:40 |
You will no longer study |
00:23:42 |
You will no longer study |
00:23:45 |
or mime. |
00:23:47 |
In future, |
00:23:48 |
you will receive instruction |
00:23:53 |
And all that instruction |
00:23:58 |
You are the first child |
00:24:02 |
to come entirely |
00:24:07 |
You have the potential to be |
00:24:14 |
As remarkable as you? |
00:24:16 |
Oh, my child. |
00:24:18 |
Much, much more remarkable |
00:24:23 |
But, Sylvia. |
00:24:25 |
She needs an attractive frock |
00:24:27 |
in order to show off her dancing |
00:24:30 |
Can't she just wear |
00:24:31 |
or go in a jersey and skirt? |
00:24:33 |
Oh, darling, are you mad? |
00:24:34 |
She has to look quite perfectly |
00:24:36 |
Otherwise, she simply |
00:24:38 |
Pauline, performance |
00:24:41 |
When I watch you reciting Puck, |
00:24:43 |
I don't see |
00:24:45 |
I see a queer, mercurial |
00:24:49 |
In a jersey and skirt. |
00:24:50 |
Irena, that is unhelpful. |
00:24:51 |
I still don't see what's wrong |
00:24:53 |
From the summer before last! |
00:24:55 |
She's outgrowing them all. |
00:24:57 |
'Round the bust. |
00:24:58 |
-Shut up, Posy! |
00:25:01 |
Less of the bust chat, |
00:25:03 |
Oh, I'll be quiet. |
00:25:04 |
But not until I've said |
00:25:06 |
that in the middle of all |
00:25:09 |
and Pauline's audition, |
00:25:11 |
they're pleased |
00:25:14 |
I can't go looking like this. |
00:25:16 |
Posy, that's an absolutely... |
00:25:30 |
They have a flap on? |
00:25:35 |
It's a flap about money. |
00:25:37 |
And Garnie says we shouldn't |
00:25:41 |
Easily done... |
00:25:43 |
...when there's plenty about. |
00:25:48 |
Have you ever been poor? |
00:25:58 |
Dreadfully poor. |
00:26:02 |
Have you ever been in... |
00:26:06 |
More than once |
00:26:09 |
There's one just off |
00:26:11 |
Nana says people |
00:26:13 |
in exchange for items of value. |
00:26:17 |
She said it's a facility |
00:26:23 |
Are you desperate? |
00:26:25 |
Are things really so bad? |
00:26:31 |
We do have items of value. |
00:26:36 |
What I propose is this. |
00:26:38 |
I will personally advance you |
00:26:42 |
in exchange for custody |
00:26:45 |
And Garnie will not be told |
00:26:48 |
And if she asks any questions, |
00:26:51 |
I'll sign. |
00:26:53 |
Pauline will then use |
00:26:55 |
to purchase |
00:26:59 |
and will then buy the necklaces |
00:27:02 |
always provided |
00:27:04 |
No matter how long |
00:27:06 |
no interest will be charged. |
00:27:16 |
# You can't escape # |
00:27:19 |
# It's in your memory # |
00:27:23 |
# By morning, night, and noon # |
00:27:28 |
# She will leave you # |
00:27:30 |
# And then come back again # |
00:27:35 |
# A pretty girl |
00:27:45 |
She's very good. |
00:27:47 |
She's the best all-'round |
00:28:13 |
I have a hole underneath |
00:28:15 |
I had to change my position |
00:28:17 |
Little fair girl in black. |
00:28:24 |
Pauline Fossil. |
00:28:26 |
Come down to center stage. |
00:28:35 |
Would you like to sing first, |
00:28:39 |
I'll recite. |
00:28:41 |
Puck, |
00:28:53 |
I am that merry wanderer |
00:28:56 |
I jest to Oberon |
00:29:00 |
When I a fat |
00:29:02 |
neighing in likeness |
00:29:06 |
Sometimes lurk I |
00:29:09 |
in very likeness |
00:29:12 |
And when she drinks, |
00:29:16 |
and on her withered dewlaps |
00:29:24 |
Will all playing cards, dormice, |
00:29:28 |
make your way |
00:29:30 |
Any mock turtles, |
00:29:35 |
Well done. |
00:29:38 |
Now, Pauline is to play Alice. |
00:29:43 |
And Winifred will be engaged |
00:29:45 |
When I finished my dance, |
00:29:48 |
Nobody clapped her! |
00:29:51 |
Dance is important, but Pauline |
00:29:55 |
She looks right for everything! |
00:29:57 |
She always will. |
00:30:00 |
Pretty face. |
00:30:02 |
Blond hair. |
00:30:04 |
It's got nothing whatsoever |
00:30:07 |
and it's so unfair! |
00:30:09 |
Winifred! |
00:30:11 |
Winifred! |
00:30:13 |
I will not take housekeeping |
00:30:16 |
What would the authorities |
00:30:19 |
Thank you. |
00:30:21 |
Making a profit from an orphan? |
00:30:26 |
Besides, the law states |
00:30:29 |
Only one-third of her earnings. |
00:30:31 |
One-third of £ 4 |
00:30:32 |
is 26 shillings and 8 pence. |
00:30:33 |
Even after 8 shillings |
00:30:35 |
that would leave £2, |
00:30:37 |
for the house. |
00:30:38 |
There's no need |
00:30:46 |
Garnie, we know we're poor. |
00:30:50 |
I don't know how they found out. |
00:30:51 |
Listening at doors, I don't |
00:30:53 |
I'm assuming |
00:30:56 |
And if you'll excuse my saying, |
00:30:58 |
I think you ought to take |
00:31:00 |
I wanted Pauline to save |
00:31:02 |
All kinds of things might happen |
00:31:04 |
The professor might come back... |
00:31:08 |
Your health might come back |
00:31:10 |
You inherited that chest |
00:31:12 |
Think of what happened to him. |
00:31:17 |
She'll accept |
00:31:20 |
Now, off upstairs, |
00:31:22 |
Or you'll be feeling |
00:31:28 |
Sylvia, what matters most |
00:31:33 |
And it wouldn't amount to much |
00:31:35 |
Now there's money coming in, |
00:31:37 |
You can go see a specialist, |
00:31:42 |
Petrova. |
00:31:44 |
Petrova. |
00:31:51 |
Do you think I can do it? |
00:31:55 |
Do what? |
00:31:58 |
Play Alice. |
00:32:02 |
Winifred was better than me |
00:32:06 |
And it's a massive part. |
00:32:11 |
You can't lose your nerve. |
00:32:13 |
We need the money. |
00:33:02 |
Stop! |
00:33:07 |
You're nothing |
00:33:09 |
Well done! |
00:33:12 |
Bravo! |
00:33:44 |
We'll see you back at home. |
00:33:47 |
You're wearing the necklaces. |
00:33:49 |
Mr. Simpson brought them down. |
00:33:51 |
He didn't want Garnie |
00:33:53 |
Well done. |
00:33:56 |
What did you really think? |
00:33:58 |
-You were marvelous. |
00:33:59 |
Get that on your way out, |
00:34:01 |
would you, Winifred? |
00:34:02 |
I'll see to it. |
00:34:05 |
Let's button up that gabardine. |
00:34:10 |
I see Pauline left her wrap |
00:34:13 |
Could you remind her to wear it |
00:34:16 |
unless she's actually |
00:34:17 |
Most certainly. |
00:34:22 |
Ahem. |
00:34:29 |
Miss Brown? |
00:34:37 |
She's worn out |
00:34:39 |
Should we, uh, let her sleep? |
00:34:59 |
Shh. |
00:35:04 |
Well done. |
00:35:07 |
I'm not a complete novice. |
00:35:20 |
What happened |
00:35:27 |
There was a... |
00:35:28 |
a typhoid epidemic. |
00:35:30 |
Oh, I'm so sorry. |
00:35:33 |
No. |
00:35:35 |
I sometimes feel that |
00:35:43 |
Then I find it's better |
00:35:50 |
-Good night. |
00:35:57 |
They've announced a month |
00:36:00 |
And next week, |
00:36:02 |
and Princess Margaret Rose |
00:36:04 |
And will they be calling for tea |
00:36:05 |
in your dressing room |
00:36:07 |
Oh, I hope not. |
00:36:11 |
Posy, would you run downstairs |
00:36:14 |
No, I will not. |
00:36:16 |
Is something the matter |
00:36:18 |
No. |
00:36:21 |
It's going to be |
00:36:23 |
when we're all working, |
00:36:25 |
Yes. |
00:36:26 |
All of us |
00:36:28 |
Mm-hmm. |
00:36:29 |
I think you're both being |
00:36:33 |
Ooh, door-slamming. |
00:36:34 |
That's a new one. |
00:36:37 |
And where do you think |
00:36:43 |
Wretched bills. |
00:37:25 |
-Harley Street, please. |
00:37:39 |
Bravo! |
00:37:41 |
Jolly well done! |
00:37:44 |
Thanks for the good show! |
00:37:45 |
Three curtain calls again. |
00:37:46 |
Compliments of Mr. French, |
00:37:48 |
but would Miss Fossil go back |
00:37:50 |
You will keep leaving it |
00:37:51 |
Let Winifred get it! |
00:37:53 |
It's the least she can do, |
00:37:54 |
sitting in my dressing room |
00:37:55 |
If everybody had their right, |
00:37:57 |
in Winifred's dressing room |
00:37:59 |
-How can you even say that?! |
00:38:01 |
What is this |
00:38:03 |
As you know, sir, Pauline left |
00:38:06 |
I have reprimanded her, |
00:38:08 |
Fetch it yourselves |
00:38:09 |
-Pauline! |
00:38:11 |
Rules are not made |
00:38:14 |
What's your name again... |
00:38:17 |
Winifred Bagnall, sir. |
00:38:18 |
-I'm Pauline's understudy. |
00:38:21 |
Well, I think it's high time |
00:38:24 |
From tomorrow, Winifred |
00:38:32 |
Pauline, will you |
00:38:36 |
Can't you just mind |
00:38:37 |
Garnie's been |
00:38:39 |
He asked to see her again. |
00:38:41 |
I found a letter all about it. |
00:38:44 |
I know we shouldn't snoop. |
00:38:47 |
But they never tell us anything! |
00:38:48 |
I-It said... she's got... |
00:38:53 |
inflammation of the lungs, |
00:38:54 |
t-that she should move |
00:38:59 |
But you're working now, |
00:39:01 |
and the extra matinees |
00:39:03 |
We could send her to Bournemouth |
00:39:08 |
Can't we? |
00:39:13 |
I was so selfish. |
00:39:17 |
All I could think about |
00:39:20 |
making everyone see |
00:39:22 |
But you are talented. |
00:39:26 |
I have to be. |
00:39:28 |
You have to be. |
00:39:31 |
Posy is. |
00:39:34 |
Don't you ever worry |
00:39:37 |
that all the three of has |
00:39:40 |
what we are, what we can do... |
00:39:43 |
our talents? |
00:39:46 |
No. |
00:39:48 |
Don't you think it's true? |
00:39:51 |
I daren't think it's true. |
00:40:20 |
Epaulement, child. |
00:40:21 |
When the right leg |
00:40:23 |
the left shoulder |
00:40:34 |
1, 2, 3, 4. |
00:40:37 |
Pas de bourrée. |
00:40:50 |
Reach, child. |
00:40:52 |
Reach. |
00:41:02 |
Petrova! |
00:41:04 |
Coming. |
00:41:12 |
We three Fossils vow to put |
00:41:15 |
because it is uniquely ours |
00:41:18 |
and no one can say it's because |
00:41:20 |
We also vow to earn some money |
00:41:24 |
and support ourselves |
00:41:27 |
Amen. |
00:41:28 |
Amen? |
00:41:30 |
Amen? |
00:41:32 |
We do the vow every birthday |
00:41:35 |
and we've never said |
00:41:36 |
I haven't had any work |
00:41:39 |
We need help, and I don't care |
00:41:42 |
Well, it looks like amen, then. |
00:41:44 |
Amen. |
00:41:45 |
Yes, amen. |
00:41:47 |
Come on, Petrova! |
00:41:57 |
Give me your worst! |
00:41:59 |
Oh, well done! |
00:42:03 |
Come on, girls. |
00:42:04 |
Mind yourself with that bat. |
00:42:06 |
I was cricket captain. |
00:42:08 |
My sport was lacrosse. |
00:42:13 |
Oh, come on. |
00:42:16 |
She'll be thrilled! |
00:42:17 |
Oh, for heaven's sake! |
00:42:18 |
But you've already given her |
00:42:20 |
And I could have made |
00:42:22 |
You do more than enough already. |
00:42:24 |
Oh, dear, oh, dear. |
00:42:29 |
How old would he be now... |
00:42:34 |
He'd be getting on for, uh... 11. |
00:42:43 |
Come on, birthday girl. |
00:42:49 |
Oh, Sylvia! |
00:42:52 |
Oh, Sylvia! |
00:42:55 |
There's an audition. " Midsummer |
00:42:57 |
Directed by Sir Donald Houghton. |
00:42:58 |
They want to see Pauline |
00:43:00 |
tomorrow morning at 10:00! |
00:43:01 |
Oh! |
00:43:04 |
Shakespeare? |
00:43:05 |
Oh, dear. |
00:43:06 |
Petrova and the iambic |
00:43:11 |
It's no good. |
00:43:13 |
Won't fit either of you. |
00:43:14 |
You've gone the same way |
00:43:16 |
'Round the you-know-what. |
00:43:17 |
That's enough from you. |
00:43:20 |
We need a new dress each. |
00:43:22 |
It'll look good |
00:43:24 |
And Nana can make them both. |
00:43:26 |
Oh, out of what, might I ask... |
00:43:28 |
There's no money, Pauline. |
00:43:31 |
How much does a piece |
00:43:33 |
More than we've got. |
00:43:35 |
Then we just can't go. |
00:43:37 |
We have to go. |
00:43:39 |
We have to get these jobs. |
00:43:42 |
I suppose there's always |
00:43:53 |
We needn't have bothered. |
00:43:55 |
It's only a sty. |
00:43:56 |
When we take the patch off, |
00:43:59 |
There won't even be |
00:44:01 |
Little dark girl |
00:44:05 |
What's your name? |
00:44:08 |
Petrova Fossil. |
00:44:09 |
What part have you come |
00:44:11 |
Mustardseed. |
00:44:16 |
Oh. |
00:44:18 |
Come down to the front |
00:44:29 |
Whenever you're ready. |
00:44:32 |
Do you want me to sing |
00:44:35 |
There's no need to sing. |
00:44:37 |
This isn't a musical. |
00:44:42 |
"Henry V," Act 3, Scene 2. |
00:44:47 |
Oh. |
00:44:50 |
Yes. |
00:44:51 |
Very well. |
00:44:53 |
Go on. |
00:45:00 |
"As young as I am." |
00:45:03 |
As young as I am, |
00:45:05 |
I-I have observed |
00:45:10 |
I am but boy to them |
00:45:12 |
Thank you. |
00:45:14 |
No. |
00:45:15 |
Please. |
00:45:17 |
I said that's enough |
00:45:20 |
She has got the part. |
00:45:23 |
She has a decent accent, and we |
00:45:27 |
And, um, there are no other |
00:45:31 |
No, sir. |
00:45:32 |
Pauline? |
00:45:35 |
Mr. French. |
00:45:37 |
I take it she's your sister. |
00:45:39 |
Yes. |
00:45:40 |
We won't bother hearing you. |
00:45:43 |
You're hired. |
00:45:44 |
Run along and fetch your coats |
00:45:47 |
Thank you. |
00:45:48 |
Thank you. |
00:45:53 |
We got them! |
00:45:54 |
We got them, we got them! |
00:45:55 |
Are we too late?! |
00:45:57 |
We've been to Eastbourne |
00:46:00 |
I didn't get the message |
00:46:02 |
I was being seen |
00:46:05 |
They cast me. |
00:46:06 |
T-They thought nobody else |
00:46:09 |
You could try |
00:46:11 |
after lunch. |
00:46:12 |
Couldn't get into a ballet |
00:46:14 |
looking the way I do today. |
00:46:16 |
My dress has gone underneath |
00:46:19 |
You can borrow my frock |
00:46:22 |
Can't she? |
00:46:24 |
Mm. |
00:46:26 |
The trouble with you, Petrova, |
00:46:27 |
is that you're a martyr |
00:46:29 |
The trouble with you is |
00:46:33 |
Look. This is Winifred |
00:46:37 |
I'm the best all-'round student |
00:46:41 |
Even though I've got |
00:46:43 |
I'm going to spend most of Act 2 |
00:46:45 |
Posy Fossil, |
00:46:49 |
You noticed. |
00:46:52 |
I brought you up. |
00:46:56 |
Right, |
00:46:59 |
which is Oberon's line, |
00:47:01 |
"I am invisible, and I will |
00:47:11 |
Pauline! |
00:47:15 |
Bravo! |
00:47:18 |
Do you still hate |
00:47:20 |
Well, I always wanted to fly. |
00:47:26 |
And I will purge |
00:47:29 |
so that thou shalt like |
00:47:33 |
Peaseblossom, Cobweb, Moth, |
00:47:37 |
Ready. |
00:47:39 |
And I. |
00:47:43 |
And I. |
00:47:50 |
And I. |
00:47:52 |
Give me the line again. |
00:47:55 |
And I. |
00:47:57 |
Again. |
00:48:03 |
And I? |
00:48:04 |
Oh, please. |
00:48:08 |
All I want you to give me |
00:48:09 |
are two sharp, |
00:48:17 |
As soon as you would care |
00:48:25 |
A-And I. |
00:48:32 |
This is not the moment |
00:48:35 |
I'm afraid I have no further |
00:48:38 |
If your work does not improve, |
00:48:52 |
Petrova? |
00:48:55 |
What ever's happened? |
00:48:58 |
I'm going to get the sack. |
00:48:59 |
I'll practice with you. |
00:49:01 |
I'll still get the sack. |
00:49:03 |
Darling, there is nothing |
00:49:05 |
worth getting so upset about. |
00:49:07 |
Yes, there is! |
00:49:09 |
You need a rest |
00:49:18 |
You need a rest and a holiday, |
00:49:20 |
and you can't have one |
00:49:22 |
I don't know where on earth |
00:49:24 |
I can assure you, |
00:49:26 |
that there is nothing whatever |
00:49:28 |
Do you hear me? |
00:49:30 |
I'm not having you upset |
00:49:31 |
I'm going to see Donald |
00:49:33 |
-No! |
00:49:37 |
I just feel so stupid |
00:49:40 |
What do you mean, |
00:49:42 |
I mean I feel like myself. |
00:49:51 |
We have to help her. |
00:49:55 |
So now I actually have to be |
00:49:58 |
meals and lessons... |
00:50:03 |
There's a hole in the exhaust. |
00:50:10 |
The wardrobe mistress would |
00:50:13 |
Has it helped, though? |
00:50:14 |
Well, I don't feel human |
00:50:18 |
I don't know how you stand it. |
00:50:22 |
I stand it |
00:50:24 |
Garnie isn't well. |
00:50:26 |
She's got trouble |
00:50:30 |
Pauline and I want her to have |
00:50:33 |
She likes hotels |
00:50:35 |
but will doubtless have to |
00:50:42 |
You're a very generous girl, |
00:50:45 |
Mustardseed. |
00:50:47 |
You're supposed to call me |
00:50:50 |
So, when do you open... |
00:50:54 |
Tuesday. |
00:50:55 |
Still, at least it will |
00:51:32 |
Thank God that's over. |
00:51:36 |
Sir Donald's doing |
00:51:40 |
He hasn't cast |
00:51:43 |
Do you think I should write to |
00:51:49 |
Don't even think of doing that |
00:51:52 |
I wouldn't be doing anything |
00:51:54 |
We'd both be doing something |
00:51:57 |
This has nothing to do |
00:51:59 |
We've got enough money |
00:52:01 |
This is all about you... |
00:52:05 |
Do you think you're the only one |
00:52:07 |
You're going to have to forget |
00:52:09 |
There aren't |
00:52:13 |
Pauline, you can make me sing, |
00:52:18 |
You can shove me out |
00:52:20 |
and not care that I'm useless |
00:52:23 |
I put up with it because |
00:52:26 |
But if you keep pushing me, |
00:52:42 |
Theo, is everything all right? |
00:52:45 |
Just a minute! |
00:52:47 |
Nana can smell |
00:52:50 |
Oh. Must be my new perfume, |
00:52:53 |
Isn't it divine? |
00:52:54 |
No, it's another stench |
00:52:56 |
something more |
00:53:00 |
Oh, I'm sorry. |
00:53:03 |
It's me. |
00:53:06 |
I've been giving myself |
00:53:10 |
Nana, fetch soft soap and the |
00:53:17 |
It's stopped breaking off now. |
00:53:20 |
It's just a bit... short. |
00:53:25 |
Oh, Lord. |
00:53:33 |
Serves me right for trying |
00:53:36 |
Why do you want to turn |
00:53:38 |
I've got to the point where |
00:53:42 |
You know what it's like. |
00:53:44 |
One enters the room and makes |
00:53:48 |
I suppose so. |
00:53:50 |
It was all so different |
00:53:54 |
I mean, there weren't many men |
00:54:00 |
Some of them |
00:54:03 |
Those that were intact |
00:54:05 |
But they would wait for one |
00:54:08 |
or ask one out for drinks. |
00:54:11 |
And when one appeared, |
00:54:12 |
there'd be such a lightening |
00:54:14 |
as though they had |
00:54:18 |
I used to feel it, too. |
00:54:21 |
Don't you anymore? |
00:54:26 |
I had to start telling myself |
00:54:27 |
that there was no shame |
00:54:34 |
Well, anyway. |
00:54:36 |
The other day I had the first |
00:54:40 |
And next thing I knew, |
00:54:42 |
with my hand around a bottle |
00:54:45 |
-Where did it come from? |
00:54:47 |
No, no. |
00:54:49 |
Oh. |
00:54:52 |
It's a chap. |
00:54:54 |
I've known him for ages. |
00:54:57 |
He's awfully quiet, but he has |
00:55:00 |
And he just looked at me, |
00:55:04 |
that maybe he was |
00:55:06 |
Good luck! |
00:55:11 |
The record-breaking |
00:55:14 |
finally touched down |
00:55:16 |
after her triumphant flight |
00:55:19 |
With clouds and wind adding |
00:55:21 |
Amy has proven once again |
00:55:22 |
that by sheer skill |
00:55:24 |
there's no difficulty |
00:55:26 |
Petrova. |
00:55:28 |
What do you think of Theo? |
00:55:31 |
-Theo Dane? |
00:55:34 |
Would you say |
00:55:36 |
Is she kind? |
00:55:37 |
Well, she wears |
00:55:41 |
Coty Chypre. |
00:55:45 |
I could probably bear that. |
00:55:48 |
Well, goodbye, Amy. |
00:55:50 |
Thanks very much. |
00:55:58 |
Come on! |
00:56:00 |
Come on. |
00:56:02 |
No! |
00:56:05 |
What are you doing? |
00:56:06 |
We're going to tie Posy |
00:56:09 |
No! |
00:56:10 |
Hello? |
00:56:14 |
I, uh, parked in the lane. |
00:56:17 |
Awfully sorry to surprise you, |
00:56:21 |
It's all right. |
00:56:24 |
Don't kick! |
00:56:25 |
Help me! |
00:56:26 |
I can't believe |
00:56:29 |
I don't know anything about |
00:56:33 |
I don't even know |
00:56:35 |
Well, let's just hope |
00:56:37 |
Rat. |
00:56:39 |
Come on, now. |
00:56:40 |
Take the dishes down to |
00:56:51 |
Bags I dry. |
00:56:52 |
You always dry. |
00:56:56 |
May I smoke? |
00:56:57 |
Of course. |
00:57:04 |
Mr. Simpson, would you mind |
00:57:08 |
Sorry. |
00:57:10 |
Oh, I don't. |
00:57:12 |
At least I never have before. |
00:57:14 |
I suppose, |
00:57:16 |
I don't really get to go |
00:57:21 |
Thank you. |
00:57:23 |
Nana did wonder |
00:57:26 |
She thinks that it helps |
00:57:30 |
But honestly, |
00:57:31 |
the thought of sitting alone |
00:57:35 |
dragging away |
00:57:38 |
It's such a tragic picture, |
00:57:53 |
Oh, Lord. |
00:57:55 |
Quick, take it away |
00:58:02 |
What time do we need to |
00:58:05 |
9:00 should do it. |
00:58:06 |
We'll be at Shepperton by noon. |
00:58:12 |
We could perhaps |
00:58:14 |
on the way back to London. |
00:58:18 |
I'm afraid I must be home |
00:58:22 |
I have an appointment |
00:58:27 |
Oh. |
00:58:30 |
Well, we can't let you be late. |
00:58:32 |
This will get you wet. |
00:58:35 |
That's cold! |
00:58:38 |
Pauline Fossil. |
00:58:41 |
Mr. Sholsky. |
00:58:43 |
So, Pauline Fossil. |
00:58:47 |
I'm nearly 16. |
00:58:50 |
Do you want to be in movies? |
00:58:52 |
I don't know. |
00:58:55 |
But you want to be an actress. |
00:58:57 |
No, I need to be an actress. |
00:59:01 |
Hold it. |
00:59:16 |
Theo just asked for tea in her |
00:59:19 |
Just leave it outside! |
00:59:21 |
There you are. |
00:59:23 |
You've earned this. |
00:59:27 |
Yes. |
00:59:29 |
Earl's Court, 4-2-8. |
00:59:35 |
That's simply wonderful. |
00:59:39 |
Oh, I'm sorry. |
00:59:42 |
Don't move, Pauline. |
00:59:47 |
Okay, people. |
00:59:49 |
Clear the set, please. |
00:59:50 |
Clear the set. |
00:59:53 |
Shh, shh, shh. |
00:59:54 |
And... |
00:59:56 |
Scene 84. Take 1. |
01:00:01 |
Action. |
01:00:03 |
Write to me while I am gone. |
01:00:06 |
I will try. |
01:00:08 |
Not "I will try," but "I will." |
01:00:12 |
I will. |
01:00:13 |
Cut. Cut. |
01:00:16 |
You will what, Pauline? |
01:00:18 |
Bake him a cake? |
01:00:19 |
Knit him a sweater? |
01:00:21 |
Look, your brother here |
01:00:22 |
is... is asking |
01:00:26 |
That's great. |
01:00:27 |
Can we take it again? |
01:00:29 |
Scene 84. Take 2. |
01:00:31 |
Not "I will try," but "I will." |
01:00:35 |
I will. |
01:00:36 |
Cut, cut, cut. |
01:00:38 |
Take 3. |
01:00:39 |
I will. |
01:00:41 |
Cut! |
01:00:43 |
Can we... Can we talk? |
01:00:45 |
Excuse me. |
01:00:47 |
You've got 10 days |
01:00:49 |
This is your seventh, |
01:00:50 |
and you've yet to show me |
01:00:53 |
We do too many takes. |
01:00:56 |
I can build myself up to it |
01:00:58 |
I can be a character. |
01:00:59 |
Honey... Honey, this is |
01:01:02 |
Look, you've got |
01:01:04 |
and that's... that's fine. |
01:01:05 |
But you've got to give me |
01:01:09 |
What's real to you, Pauline? |
01:01:10 |
What matters most to you |
01:01:13 |
Acting. |
01:01:16 |
If that is a truthful |
01:01:23 |
Scene 84. Take 4. |
01:01:26 |
Action. |
01:01:28 |
Write to me while I'm gone. |
01:01:33 |
I will try. |
01:01:35 |
Not "I will try," but "I will." |
01:01:40 |
I will. |
01:01:42 |
And cut. |
01:01:44 |
Print. |
01:01:45 |
Fantastic. |
01:01:47 |
I just thought about my sisters. |
01:01:49 |
How awful it must be |
01:01:51 |
That was wonderful. |
01:01:53 |
Okay. |
01:03:01 |
Coty Chypre? |
01:03:14 |
Come on. |
01:03:30 |
Have you never wanted anything? |
01:03:34 |
Well, when the war broke out, |
01:03:37 |
I thought I'd like to drive |
01:03:39 |
But of course, |
01:03:42 |
I had you. |
01:03:47 |
Madame, please, |
01:03:50 |
before we start my enchaînement? |
01:03:52 |
These were my mother's. |
01:03:54 |
They fit me now. |
01:03:59 |
Small bones. |
01:04:03 |
High arches. |
01:04:06 |
Like you. |
01:04:07 |
She was just like me. |
01:04:09 |
She loved ballet |
01:04:12 |
I know that because |
01:04:44 |
Excellent. |
01:04:46 |
1, 2, 3, 4, 5, 6, 7. |
01:04:50 |
And second. |
01:04:52 |
Energy, Petrova, energy! |
01:04:55 |
Arabesque! |
01:05:02 |
Number 3 for you, Pauline. |
01:05:03 |
You're in with Dandini. |
01:05:05 |
Can't I share with Petrova? |
01:05:07 |
She's on the fourth floor |
01:05:10 |
Off you pop. |
01:05:11 |
The 3 was going back that way, |
01:05:17 |
Please report to the stage |
01:05:21 |
as soon as possible. |
01:05:25 |
Hello, Petrova. |
01:05:27 |
Hello, Winifred. |
01:05:28 |
Soon a gown of shimmering tulle |
01:05:31 |
and cape of silk |
01:05:35 |
Hollywood never |
01:05:37 |
The film |
01:05:40 |
A pumpkin coach we will create. |
01:05:42 |
Has Hollywood called for you? |
01:05:44 |
It's not all gloom. |
01:05:45 |
I've got an audition for |
01:05:49 |
But first, |
01:05:51 |
I call upon the jumping beans! |
01:06:03 |
"A King in Exile," |
01:06:06 |
Cue for gigantic panic |
01:06:11 |
-What do you think of that? |
01:06:14 |
What can you see Pauline in, |
01:06:17 |
Uh, that shiny stuff |
01:06:19 |
Uh, taffeta? |
01:06:20 |
I'm too old for a party dress. |
01:06:22 |
I see her in powder-blue velvet. |
01:06:24 |
With a lace bolero! |
01:06:25 |
Lace bolero? |
01:06:28 |
Beautiful. |
01:06:29 |
I'll get my rifle |
01:06:32 |
I shall be needing a new dress |
01:06:34 |
What for? |
01:06:36 |
The Marmara Ballet's |
01:06:38 |
for the first time ever |
01:06:40 |
and Madame Fidolia |
01:06:43 |
You don't need something new |
01:06:44 |
She's booked us a box |
01:07:04 |
# All is calm # |
01:07:09 |
# All is bright # |
01:07:11 |
I couldn't sleep. |
01:07:14 |
I thought it would be |
01:07:20 |
We've had such lovely |
01:07:26 |
It was even Christmas |
01:07:30 |
I think about it |
01:07:36 |
Why can't you sleep? |
01:07:38 |
Is it your cough? |
01:07:41 |
Not really. |
01:07:46 |
Can you keep a secret? |
01:07:52 |
I wanted to get you |
01:07:54 |
but I'll tear open |
01:07:59 |
We can't afford |
01:08:03 |
But what about Pauline's wages |
01:08:07 |
and... and the money we're |
01:08:09 |
This house eats money. |
01:08:14 |
Even with the boarders? |
01:08:17 |
Yes. |
01:08:20 |
And so I'm selling it. |
01:08:23 |
No. |
01:08:23 |
We'll soon be living |
01:08:26 |
There'll be no need for Clara, |
01:08:30 |
You can't do that! |
01:08:33 |
The house belongs to Gum. |
01:08:35 |
He's been gone for 12 years, |
01:08:38 |
I spoke to the solicitors, |
01:08:51 |
Remember, Posy, |
01:08:52 |
when Valentin Manoff |
01:08:56 |
he rescued not just a company, |
01:08:59 |
but a system of training |
01:09:04 |
I've brought you here to show |
01:09:07 |
if you are strong enough. |
01:09:10 |
If you have the courage |
01:09:22 |
Stand still. |
01:09:26 |
Oh, darling. |
01:09:28 |
You look... grown up. |
01:09:31 |
That's the first and last time |
01:09:35 |
No one made you do it! |
01:09:37 |
Pauline. |
01:09:39 |
Why don't you make me go |
01:09:49 |
I feel a complete fraud, |
01:09:53 |
I'm terrible in that film. |
01:09:56 |
Tomorrow night my face |
01:09:58 |
as big as a house. |
01:10:02 |
Everyone's gonna find me out. |
01:10:25 |
I will dance like that, Madame. |
01:10:27 |
I don't care how long |
01:10:32 |
Madame? |
01:10:34 |
Madame? |
01:10:39 |
Help. |
01:10:40 |
Someone help! |
01:10:49 |
Posy? |
01:10:50 |
Posy, is that you? |
01:10:55 |
What's happened? |
01:10:57 |
Madame's had a stroke. |
01:10:59 |
A stroke? |
01:11:03 |
They took her to the hospital, |
01:11:05 |
and she can't move |
01:11:08 |
Oh, no. |
01:11:10 |
-Poor lady. |
01:11:12 |
I'm crying about me! |
01:11:14 |
My training |
01:11:22 |
You are a selfish |
01:11:24 |
We did not bring you up |
01:11:26 |
Nana is right. |
01:11:28 |
She's ambitious, that's all. |
01:11:30 |
Once upon a time, I thought |
01:11:33 |
I thought it would help you |
01:11:35 |
and help you make the most |
01:11:37 |
But if it kills off everything |
01:11:39 |
then I am not going to have |
01:11:41 |
Meaning what? |
01:11:43 |
Meaning that |
01:11:45 |
any of you working on the stage. |
01:11:47 |
You can't do that! |
01:11:48 |
Oh, yes, I can. |
01:11:50 |
We will never be rich. |
01:11:52 |
But now the house is sold, |
01:11:54 |
there's no more need for you |
01:11:56 |
You can't stop me. |
01:11:58 |
You can't stop me |
01:11:59 |
We can stop you from going |
01:12:02 |
You can stay at home tonight... |
01:12:38 |
Good luck. |
01:12:44 |
Your name is really small, |
01:12:46 |
Almost as small as the author's. |
01:12:48 |
Maybe no one will realize |
01:13:01 |
You were fantastic! |
01:13:09 |
Let's get you through the back. |
01:13:11 |
Come on, Pauline. |
01:13:12 |
I wish I was you! |
01:13:14 |
She was good, Nana. |
01:13:19 |
-Is she with you? |
01:13:21 |
Miss Posy. |
01:13:22 |
I went to check on her, |
01:13:25 |
Little maniac. |
01:13:30 |
It's the thought of her alone |
01:13:34 |
How cold she must be. |
01:13:37 |
How afraid. |
01:13:38 |
Posy's not afraid of anything. |
01:13:40 |
That's what frightens me. |
01:15:13 |
-Miss Brown? |
01:15:15 |
This is Miss Brown. |
01:15:16 |
Good morning. |
01:15:19 |
I'm the London representative |
01:15:27 |
So, you don't speak Russian. |
01:15:29 |
-I dance Russian. |
01:15:36 |
And who did you learn that from? |
01:15:39 |
Michel Fokine? |
01:15:40 |
Agrippina Vaganova? |
01:15:42 |
No. |
01:15:46 |
I see. |
01:15:47 |
Do you? |
01:15:48 |
You won't see anything at all |
01:15:53 |
Mm. |
01:16:04 |
No sign of her? |
01:16:12 |
I've been offered a contract |
01:16:17 |
In Hollywood? |
01:16:20 |
You ought to be smiling. |
01:16:24 |
I'd have to go for five years. |
01:16:28 |
That's five years |
01:16:30 |
and not learning all the things |
01:16:34 |
-Hello? |
01:16:38 |
-Where have you been? |
01:16:40 |
He's offered to train me |
01:16:42 |
What? |
01:16:44 |
I made him watch me |
01:16:45 |
"Come to my academy in Prague, |
01:16:47 |
and I shall make you |
01:16:49 |
So I said my guardian |
01:16:51 |
and I came straight home. |
01:16:53 |
You can't go |
01:16:55 |
There's no money. |
01:16:58 |
My mother gave me away |
01:17:01 |
At least your parents drowned |
01:17:02 |
and had the kindness |
01:17:05 |
I didn't get a life belt, |
01:17:13 |
Garnie, is Mr. Montague |
01:17:17 |
He's packing up his bag. |
01:17:19 |
I said you needed time to think. |
01:17:21 |
I don't. |
01:17:25 |
I'll sign. |
01:17:28 |
Sign what? |
01:17:30 |
Something that means |
01:17:32 |
And Garnie can go to California, |
01:17:35 |
and get her health back. |
01:17:37 |
Pauline... |
01:17:38 |
I can't live in Hollywood |
01:17:40 |
and Nana must go to Prague |
01:17:43 |
Otherwise, she's going to get |
01:17:49 |
Where will I go? |
01:17:51 |
Excuse me! |
01:17:56 |
Who sold my house?! |
01:17:58 |
Huh? |
01:18:01 |
Are you... Gum? |
01:18:04 |
Of course, I'm bloody Gum. |
01:18:07 |
What I want to know is this. |
01:18:11 |
Who are all these women? |
01:18:14 |
Pauline. |
01:18:16 |
Petrova. |
01:18:18 |
Posy. |
01:18:20 |
I-I brought entrancements home. |
01:18:22 |
I-I brought babies. |
01:18:24 |
Babies grow up, Gum. |
01:18:28 |
Yes, I can see that. |
01:18:31 |
So, a film star |
01:18:34 |
Well, that's you |
01:18:37 |
I never thought I'd be going |
01:18:40 |
Abroad will get used to it. |
01:18:43 |
So that just leaves you and me |
01:18:45 |
Now, what would you like to do? |
01:18:46 |
She wants to be |
01:18:48 |
Oh, Amy Johnson. |
01:18:50 |
-I know her. |
01:18:52 |
Well, I ran into her |
01:18:54 |
She taught me how to fly. |
01:18:57 |
Well, we'd better get you |
01:19:18 |
Mixed feelings? |
01:19:23 |
I'm not telling. |
01:19:29 |
Theo? |
01:19:31 |
Theo. |
01:19:36 |
I, uh, I need |
01:19:41 |
Can I borrow your gramophone? |
01:19:55 |
Theo's been giving me lessons. |
01:20:02 |
I wanted to take you out... |
01:20:06 |
...to a hotel. |
01:20:10 |
I wanted to dance with you, |
01:20:15 |
And I didn't know how. |
01:20:20 |
I thought this... |
01:20:24 |
...this song, it... |
01:20:28 |
...might tell you things. |
01:20:34 |
# The very thought of you # |
01:20:39 |
# And I forget to do # |
01:20:44 |
# The little ordinary things # |
01:20:48 |
# That everyone ought to do # |
01:20:54 |
# I'm living in |
01:20:59 |
# I'm happy as a king # |
01:21:04 |
# And foolish |
01:21:09 |
# To me, that's everything # |
01:21:14 |
This was the first room I ever |
01:21:19 |
It was full of stone feathers |
01:21:24 |
# You'll never know how slow # |
01:21:27 |
Not anymore. |
01:21:30 |
No. |
01:21:32 |
It's full of things we made. |
01:21:34 |
# I see your face |
01:21:39 |
# Your eyes in stars above # |
01:21:44 |
# It's just the thought of you # |
01:21:47 |
# The very thought of you # |
01:21:50 |
# My love # |
01:21:58 |
Hello. |
01:22:01 |
Miss Brown is otherwise engaged. |
01:22:03 |
I haven't come to see |
01:22:05 |
I've, uh, I've come to see you. |
01:22:09 |
You don't remember me, do you? |
01:22:12 |
Little Theodora, star of |
01:22:18 |
We used to meet at the stage |
01:22:24 |
During the war? |
01:22:25 |
I knew you at once, |
01:22:31 |
Do you know who I am |
01:22:34 |
Yes. |
01:22:37 |
We two Fossils vow, since |
01:22:41 |
it is unlikely |
01:22:43 |
in the history books, |
01:22:46 |
to get our sister's name, |
01:22:51 |
Because she is ours |
01:22:55 |
And when she finds |
01:22:58 |
no one can ever say it's because |
01:23:01 |
We vow. |
01:23:03 |
We vow. |
01:23:05 |
We vow. |
01:23:13 |
-Amen. |
01:23:27 |
There she is! |
01:23:31 |
Petrova! |
01:23:34 |
Hi! |
01:23:43 |
Full throttle, Petrova! |
01:24:18 |
Subtitles by LeapinLar |