Find Movie

Vertigo en
00:04:18	Give me your hand!
00:04:24	Give me your hand.
00:04:53	- I thought you said no more aches or pains.
00:04:58	No three-way stretch? How very un-chic.
00:05:02	You know the police department doctors.
00:05:06	Anyway, tomorrow will be the day.
00:05:09	What's tomorrow?
00:05:10	The corset comes off tomorrow.
00:05:13	I'll be able to scratch myself tomorrow.
00:05:16	I'll throw this miserable thing
00:05:22	Midge, do you suppose
00:05:25	- More than you think.
00:05:27	Do you know that
00:05:30	Please.
00:05:32	- What happens after tomorrow?
00:05:35	What are you going to do
00:05:40	- You sound so disapproving, Midge.
00:05:43	You were the bright, young lawyer
00:05:45	...he was going to be
00:05:48	- I had to quit.
00:05:51	Because of this fear of heights I have,
00:05:54	I wake up at night seeing that man fall
00:05:57	...and I try to reach out to him and...
00:06:00	- It wasn't your fault.
00:06:03	- Johnny, the doctors explained to you...
00:06:07	I have acrophobia,
00:06:12	What a moment to find out I had it.
00:06:14	You've got it, and there's no losing it.
00:06:19	You mean, and sit behind a desk,
00:06:22	- Where you belong.
00:06:25	Suppose I'm sitting in this chair,
00:06:29	A pencil falls from the desk
00:06:31	...and I reach down to pick it up,
00:06:37	What'll you do?
00:06:39	I'm not gonna do anything for a while.
00:06:42	Don't forget, I'm a man
00:06:46	Fairly independent.
00:06:49	Why don't you go away for a while?
00:06:51	You mean, to forget?
00:06:56	I'm not gonna crack up.
00:06:57	- Have you had any dizzy spells this week?
00:07:02	Midge, the music.
00:07:08	What's this doohickey?
00:07:12	It's a brassiere.
00:07:14	You know about those things.
00:07:17	I've never run across one like that.
00:07:20	It's brand-new. Revolutionary uplift.
00:07:23	No shoulder straps, no back straps,
00:07:27	Works on the principle
00:07:30	It does?
00:07:32	An aircraft engineer
00:07:35	He worked it out in his spare time.
00:07:37	Kind of a hobby.
00:07:41	A do-it-yourself type of thing.
00:07:45	How's your love life, Midge?
00:07:48	That's following a train of thought.
00:07:50	Well?
00:07:52	Normal.
00:07:54	Aren't you ever gonna get married?
00:07:56	You know there's only one man
00:07:59	You mean me.
00:08:04	- Three whole weeks.
00:08:08	But you were the one that called off
00:08:11	I'm still available. Available Ferguson.
00:08:15	Midge, do you remember a fellow
00:08:19	- Gavin Elster?
00:08:22	You'd think I would? No.
00:08:26	I got a call from Gavin today.
00:08:29	Somebody said he went East.
00:08:32	- It's a Mission number.
00:08:36	Could be.
00:08:37	He's probably on the bum and wants
00:08:41	Well, I'm on the bum. I'll buy him
00:08:45	Not tonight. How about you and me
00:08:48	Sorry, old man. Work.
00:08:50	Then, I think I'll go home.
00:08:55	Midge, what'd you mean,
00:08:59	What?
00:09:01	The acrophobia.
00:09:03	I asked my doctor.
00:09:05	He said that only another emotional shock
00:09:09	You're not gonna go diving off
00:09:12	- I think I can lick it.
00:09:14	I have a theory.
00:09:16	I think if I can get used to heights
00:09:21	...just a little, like that,
00:09:24	I'll show you what I mean. Here.
00:09:28	I'll show you what I mean.
00:09:30	- We'll start with this.
00:09:32	What do you want me to start with,
00:09:35	Watch this. Here we go.
00:09:39	There.
00:09:42	Now, I look up, I look down.
00:09:47	- You're kidding. Wait a minute.
00:09:51	- Here.
00:09:54	I'll use that. Put it right there.
00:09:58	All right, here's the first step.
00:10:03	Okay, now step number two.
00:10:06	Step number two coming up.
00:10:11	There we are.
00:10:12	See? I look up, I look down, I look up...
00:10:16	I'm going right out to buy myself
00:10:18	- Take it easy now.
00:10:22	No problem.
00:10:29	Why, this is a cinch.
00:10:33	I look up, I look down.
00:11:03	How did you get in
00:11:06	I married into it.
00:11:09	Very interesting business.
00:11:12	To be honest, I find it dull.
00:11:14	You don't have to do it for a living.
00:11:16	No, but one assumes responsibilities.
00:11:19	My wife's family is all gone.
00:11:21	Someone has to look after her interests.
00:11:24	Her father's partner runs the company yard
00:11:29	So I decided, as long as I had to work at it,
00:11:33	- I've always liked it here.
00:11:37	Almost a year.
00:11:38	You like it?
00:11:40	San Francisco's changed.
00:11:43	The things that spell San Francisco
00:11:50	Like all these.
00:11:51	I should have liked to have lived here then.
00:11:54	Color, excitement, power.
00:11:57	Freedom.
00:11:59	Shouldn't you be sitting down?
00:12:01	No, I'm all right.
00:12:04	I was sorry to read about that thing
00:12:08	- Is it a permanent physical disability?
00:12:12	It just means I can't climb stairs
00:12:17	...like the bar at the Top of the Mark.
00:12:19	There are plenty of street-level bars
00:12:22	Would you like a drink now?
00:12:24	No, I don't think so.
00:12:26	It's a little early in the day for me.
00:12:31	I guess that covers everything, doesn't it?
00:12:34	I never married,
00:12:37	I'm a retired detective
00:12:43	What's on your mind, Gavin?
00:12:45	I asked you to come up here, Scottie,
00:12:50	...but I wondered whether you'd go back
00:12:55	I want you to follow my wife.
00:12:56	No, it's not that.
00:12:59	- Well, then...
00:13:03	- From whom?
00:13:09	Scottie, do you believe
00:13:13	...someone dead, can enter
00:13:18	No.
00:13:20	If I told you I believe this has happened
00:13:24	I'd say take her to the nearest psychiatrist
00:13:28	...or neurologist or...
00:13:33	I'd have him check on you, too.
00:13:36	Then you're of no use to me.
00:13:40	Thanks for coming in, Scottie.
00:13:42	Okay.
00:13:44	I didn't mean to be that rough.
00:13:48	No, it sounds idiotic, I know.
00:13:50	And you're still the hardheaded Scot,
00:13:53	Always were.
00:13:57	No.
00:13:59	I'm not making it up.
00:14:03	She'll be talking to me about something.
00:14:06	Suddenly the words fade into silence.
00:14:09	A cloud comes into her eyes
00:14:14	She's somewhere else, away from me,
00:14:18	I call to her, she doesn't even hear me.
00:14:21	Then, with a long sigh, she's back.
00:14:24	Looks at me brightly.
00:14:28	Can't tell me where or when.
00:14:32	How often does this happen?
00:14:34	More and more in the past few weeks.
00:14:36	And she wanders.
00:14:40	I followed her one day...
00:14:42	...watched her coming out
00:14:47	She even walked a different way.
00:14:50	Got into her car and...
00:14:52	...drove out to Golden Gate Park,
00:14:56	Sat by the lake...
00:14:57	...staring across the water at the pillars
00:15:01	You know, Portals of the Past.
00:15:04	Sat there a long time without moving.
00:15:07	I had to leave, get back to the office.
00:15:09	When I got home that evening,
00:15:13	She said she'd driven
00:15:15	...and sat by the lake, that's all.
00:15:19	Well?
00:15:21	The speedometer on her car showed
00:15:25	Where did she go?
00:15:28	I've got to know where she goes
00:15:31	...before I get involved with doctors.
00:15:33	- Have you discussed this with the doctors?
00:15:36	I want to know more
00:15:40	I'll get you a firm of private eyes
00:15:44	- They're dependable, good boys.
00:15:47	Look, this isn't my line.
00:15:49	Scottie, I need a friend,
00:15:52	I'm in a panic about this.
00:15:54	I'm supposed to be retired. I don't want
00:15:58	Look, we're going to an opening
00:16:01	We're dining at Ernie's first.
00:16:07	Ernie's.
00:26:08	Say, will you tell me something?
00:26:12	Who's the woman in the painting?
00:26:14	That's Carlotta. You'll find it
00:26:19	- May I have this?
00:28:13	Yes?
00:28:20	Is there something I can do for you?
00:28:22	- Yes. You run this hotel?
00:28:24	Would you tell me who has the room
00:28:27	...in the corner, that corner?
00:28:29	I'm afraid we couldn't give out information
00:28:33	Our clients are entitled to their privacy,
00:28:36	And I do believe it's against the law.
00:28:39	Of course, I don't think any of them
00:28:45	Has she done something wrong?
00:28:47	Please answer my question.
00:28:49	- I can't imagine that sweet girl...
00:28:53	- Miss Valdés. Spanish, you know.
00:28:57	Yeah, that's it.
00:28:58	Sweet name, isn't it? Foreign, but sweet.
00:29:01	How long has she had the room?
00:29:02	It must be two weeks.
00:29:06	Does she sleep here ever?
00:29:08	No, she just comes to sit
00:29:12	I don't ask questions, you know,
00:29:16	When she comes down,
00:29:19	But she hasn't been here today.
00:29:21	I just saw her come in five minutes ago.
00:29:23	No, she hasn't been here at all.
00:29:27	I've been right here all the time,
00:29:33	And there.
00:29:34	You see? Her key is on the rack.
00:29:38	- Would you please go up and look?
00:29:41	- That's right.
00:29:45	- But it does seem silly.
00:30:05	Mr. Detective?
00:30:10	Would you like to come and look?
00:30:39	- Her car's gone.
00:31:11	Midge...
00:31:13	...who do you know that's an authority
00:31:17	That's the kind of greeting a girl likes.
00:31:19	None of this:
00:31:22	Just, "Do you know an authority
00:31:24	- Want a drink?
00:31:27	Well, who do you? You know everybody.
00:31:30	Professor Saunders over in Berkeley.
00:31:32	No, I don't mean that kind of history.
00:31:34	I mean the small stuff,
00:31:40	You mean the gay old bohemian days
00:31:44	Juicy stories, like who shot who
00:31:47	...in August, 1879.
00:31:49	- Pop Leibel.
00:31:51	Pop Leibel.
00:31:54	What do you want to know?
00:31:56	I want to know who shot who
00:32:01	Wait a minute. You're not
00:32:04	- You know him well?
00:32:07	- Pop Leibel.
00:32:09	Come on. I want you to introduce me.
00:32:11	- Get your hat.
00:32:16	Johnny, what's it all about?
00:32:23	Wait a minute.
00:32:31	Yes, I remember.
00:32:34	Carlotta.
00:32:36	The beautiful Carlotta.
00:32:39	The sad Carlotta.
00:32:40	What does an old house
00:32:43	...have to do with Carlotta Valdés?
00:32:45	It was hers.
00:32:50	- By whom?
00:32:57	No. The name I do not remember.
00:33:00	A rich man. A powerful man.
00:33:03	- Cigarette?
00:33:05	- Cigarette, miss?
00:33:08	It is not an unusual story.
00:33:11	She came from somewhere small,
00:33:17	Some say from a mission settlement.
00:33:20	Young, yes. Very young.
00:33:23	And she was found dancing and singing
00:33:29	...and he took her...
00:33:32	...and built for her the great house
00:33:37	And...
00:33:40	...there was a child.
00:33:42	Yes, that's it. The child. The child.
00:33:47	I cannot tell you
00:33:51	...or how much happiness there was...
00:33:54	...but then he threw her away.
00:33:57	He had no other children.
00:34:01	So, he kept the child and threw her away.
00:34:06	You know, a man could do that
00:34:09	They had the power and the freedom.
00:34:13	And she became the sad Carlotta.
00:34:17	Alone in the great house...
00:34:19	...walking the streets alone...
00:34:22	...her clothes becoming old
00:34:28	And, the mad Carlotta...
00:34:32	...stopping people in the streets to ask:
00:34:36	"Where is my child?
00:34:39	"Have you seen my child?"
00:34:42	- Poor thing.
00:34:45	- She died.
00:34:48	By her own hand.
00:34:53	There are many such stories.
00:34:55	- Thank you very much.
00:34:57	- I appreciate it. Good-bye.
00:35:00	Wait a minute! Good-bye, Pop.
00:35:10	- Now then, Johnny-O, pay me.
00:35:13	- For bringing you here. Come on, tell.
00:35:17	- You'll tell or be back in that corset.
00:35:31	There we are.
00:35:32	- You haven't told me everything.
00:35:35	- Who's the guy and who's the wife?
00:35:39	I know. The one that phoned.
00:35:42	Midge, out, please.
00:35:43	The idea is the beautiful, mad Carlotta
00:35:47	...and taken possession of Elster's wife.
00:35:50	Johnny, really. Come on.
00:35:52	I'm not telling you what I think,
00:35:55	- What do you think?
00:35:58	- Is she pretty?
00:36:01	Not Carlotta. Elster's wife.
00:36:05	Yes. I guess you'd consider
00:36:09	I think I'll go take a look
00:36:12	- Midge...
00:36:44	You've done well, Scottie.
00:36:47	- That's Carlotta Valdés.
00:36:48	There are things you didn't tell me.
00:36:51	- I didn't know where she'd lead you.
00:36:56	You notice the way she does her hair?
00:37:00	My wife, Madeleine, has several pieces
00:37:04	She inherited them.
00:37:06	Never wore them.
00:37:09	Until now.
00:37:11	Now when she's alone,
00:37:15	...handles them gently, curiously...
00:37:18	...puts them on and stares at herself
00:37:22	...and then goes into that other world,
00:37:26	Carlotta Valdés was what,
00:37:31	Great-grandmother.
00:37:32	The child who was taken from her...
00:37:35	...whose loss drove Carlotta mad and to
00:37:39	And the McKittrick Hotel
00:37:45	I think that explains it.
00:37:47	Anyone could become obsessed
00:37:52	She never heard of Carlotta Valdés.
00:37:55	She knows nothing of a grave out
00:37:57	Or that old house on Eddy Street?
00:38:00	The portrait at
00:38:03	- Nothing.
00:38:06	She's no longer my wife.
00:38:10	How do you know
00:38:12	Her mother told me most of them
00:38:16	I dug out the rest for myself here.
00:38:17	- Why wouldn't she tell her daughter?
00:38:21	Her grandmother went insane,
00:38:25	Her blood is in Madeleine.
00:38:33	Boy, I need this.
00:41:54	Madeleine.
00:41:57	Madeleine!
00:42:58	Yes?
00:43:01	No, it's all right.
00:43:03	Yeah, I'll call you back.
00:43:06	Yes.
00:43:11	You all right?
00:43:17	You'll want this.
00:43:52	You'd better come over here
00:44:00	What am I doing here?
00:44:04	What happened?
00:44:07	Well, you fell into San Francisco Bay.
00:44:12	And I tried to dry your hair as best I could.
00:44:16	Your things are in the kitchen.
00:44:20	Come on over by the fire.
00:44:30	I'll get you some cushions.
00:44:35	There you are.
00:44:44	Would you like to have some coffee?
00:44:49	Here, you'd better have some.
00:44:56	I fell into the Bay and you fished me out?
00:44:59	That's right.
00:45:01	- Thank you.
00:45:05	No, I...
00:45:09	Do you remember where you were?
00:45:13	Yes. Of course I remember that.
00:45:18	But then I must have had a dizzy spell
00:45:22	Where were you?
00:45:24	At Old Fort Point. Out at the Presidio.
00:45:29	Of course I remember. I often go there.
00:45:32	Why? Why do you go there?
00:45:34	Because I love it so. It's beautiful there.
00:45:38	Especially at sunset.
00:45:42	Thank you for the fire.
00:45:44	Where were you before?
00:45:46	- When?
00:45:51	Wandering about.
00:45:52	I know, but where?
00:45:58	Downtown, shopping.
00:46:02	Here, you'd better have some coffee.
00:46:04	I think it's still warm.
00:46:08	You're terribly direct in your questions.
00:46:11	I'm sorry. I didn't mean to be rude.
00:46:15	You're not. You're merely direct.
00:46:21	And what were you doing there,
00:46:25	Just wandering about.
00:46:27	- You like it, too?
00:46:30	And where had you been just before?
00:46:33	I'd been to the Palace of the Legion
00:46:37	Yes, that's a lovely spot, isn't it?
00:46:40	I've never been inside,
00:46:50	It's lucky for me,
00:46:53	Thank you.
00:46:54	I've been a terrible bother to you.
00:46:56	No, you haven't.
00:47:01	When you...
00:47:07	There were some pins in my hair.
00:47:09	The pins, yes. Right in here.
00:47:12	And my purse, please.
00:47:18	- Here you are.
00:47:23	You shouldn't have brought me here.
00:47:26	I didn't know where you lived.
00:47:29	You could have looked in my car.
00:47:33	I knew which one it was.
00:47:36	But I didn't think you wanted
00:47:39	No, you're right.
00:47:40	I'm glad you didn't take me home.
00:47:45	Thank you. But I don't know you
00:47:49	- My name is Madeleine Elster.
00:47:52	Good, strong name.
00:47:56	John, mostly.
00:47:58	Old friends call me John.
00:48:02	I shall call you Mr. Ferguson.
00:48:04	Gee whiz, I wouldn't like that.
00:48:07	After what happened this afternoon,
00:48:11	Maybe even John.
00:48:13	I prefer John.
00:48:18	There, that's done.
00:48:22	I wander about.
00:48:24	That's a good occupation.
00:48:29	- One shouldn't live alone.
00:48:34	No, it's wrong.
00:48:38	I'm married, you know.
00:48:44	Will you tell me something?
00:48:49	What?
00:48:51	Falling into San Francisco Bay.
00:48:56	No, it's never happened before.
00:48:58	I've fallen into lakes, out of rowboats,
00:49:02	I even fell into the river once
00:49:07	But I've never fallen
00:49:11	Have you ever before?
00:49:13	No, it's the first time for me, too.
00:49:18	I'll get you some more coffee.
00:49:34	- Hello?
00:49:37	She's all right. She's still here.
00:49:41	- What happened?
00:49:46	- Hello? Hello?
00:49:49	No, she'll be fine.
00:49:51	But she doesn't know. Do you understand?
00:49:54	She doesn't know what happened.
00:49:59	Scottie, Madeleine is 26.
00:50:03	Carlotta Valdés committed suicide
00:50:07	Just hold on a minute, Gavin.
00:50:38	Well now, Johnny-O. Was it a ghost?
00:50:41	Was it fun?
00:53:06	That letter for me?
00:53:13	- Yes. Hello.
00:53:16	I worried about you last night.
00:53:20	Well, I suddenly felt such a fool.
00:53:22	I wanted to drive you home.
00:53:24	Yes, I'm fine. No aftereffects.
00:53:29	As I remember now,
00:53:31	- It sure was.
00:53:35	You were so kind.
00:53:38	It's a formal thank-you note
00:53:41	- You've nothing to apologize for.
00:53:44	The whole thing must have been
00:53:47	Not at all. I enjoyed...
00:53:50	...talking to you.
00:53:54	I enjoyed talking to you.
00:54:00	I'll get my mail.
00:54:03	- Would you like to have a cup of coffee?
00:54:09	I couldn't mail it. I didn't know
00:54:13	I remembered Coit Tower.
00:54:15	That's the first time
00:54:23	- I hope we will too.
00:54:25	- Meet again sometime.
00:54:31	Good-bye.
00:54:48	Where are you going?
00:54:50	I don't know.
00:54:51	- Shopping?
00:54:53	Anywhere in particular?
00:54:56	I just thought that I'd wander.
00:54:59	That's what I was going to do.
00:55:02	That's right. I forgot.
00:55:07	Don't you think it's a waste
00:55:09	To wander separately?
00:55:12	But only one is a wanderer.
00:55:14	Two together are always
00:55:16	I don't think that's necessarily true.
00:55:19	- You left your door open.
00:56:05	How old?
00:56:06	Some 2,000 years or more.
00:56:09	- The oldest living things.
00:56:12	- You've never been here before?
00:56:15	What are you thinking?
00:56:17	Of all the people who've been born
00:56:20	...while the trees went on living.
00:56:22	Their true name is Sequoia sempervirens.
00:56:26	- I don't like them.
00:56:29	Knowing I have to die.
00:56:46	Here's a cross section of one
00:57:16	Somewhere in here I was born...
00:57:20	...and there I died.
00:57:23	It was only a moment for you.
00:57:26	You took no notice.
00:57:37	Madeleine.
00:58:24	Madeleine, where are you now?
00:58:27	- Here with you.
00:58:30	- The tall trees...
00:58:33	- Yes.
00:58:36	When were you born?
00:58:39	- Long ago.
00:58:41	When? Tell me.
00:58:43	- Madeleine, tell me.
00:58:45	- Where do you go? What takes you away?
00:58:48	When you jumped into the Bay,
00:58:51	- I didn't jump. You told me I fell.
00:58:54	- I can't tell you.
00:58:58	- Please.
00:59:00	Please, don't ask me.
00:59:03	Take me away from here.
00:59:06	Shall I take you home?
00:59:09	Somewhere in the light.
00:59:12	Promise you won't ask me again.
00:59:48	Why did you run?
00:59:50	I'm responsible for you now.
00:59:53	The Chinese say
00:59:56	...you're responsible for it forever,
00:59:59	I have to know.
01:00:02	There's so little that I know.
01:00:08	It's as though I were walking
01:00:14	...that once was mirrored, and fragments
01:00:19	...and when I come to the end
01:00:22	...there's nothing but darkness.
01:00:26	And I know that
01:00:31	...that I'll die.
01:00:34	I've never come to the end.
01:00:39	- Except once.
01:00:42	And you didn't know what happened
01:00:46	You didn't know where you were.
01:00:48	But the small scenes, the fragments
01:00:51	- Vaguely.
01:00:53	There's a room...
01:00:56	...and I sit there alone.
01:00:58	- Always alone.
01:01:01	- A grave.
01:01:03	I don't know. It's an open grave and...
01:01:08	...I stand by the gravestone
01:01:11	- It's my grave.
01:01:13	- I know.
01:01:18	No.
01:01:19	No, it's new and clean and waiting.
01:01:24	What else?
01:01:26	This part is a dream, I think.
01:01:30	There's a tower and a bell,
01:01:35	It seems to be in Spain...
01:01:38	...a village in Spain.
01:01:40	It clicks off and it's gone.
01:01:43	Well, a portrait?
01:01:45	- Do you see a portrait?
01:01:47	If I could just find the key, the beginning...
01:01:50	...and put it together, I...
01:01:52	And so explain it away?
01:01:55	There is a way to explain it, you see.
01:01:59	If I'm mad, then that would explain it,
01:02:05	Madeleine!
01:02:10	Scottie!
01:02:12	I'm not mad! I'm not mad!
01:02:16	There's someone within me,
01:02:19	Scottie, don't let me go.
01:02:22	I'm here. I've got you.
01:02:25	I'm so afraid.
01:02:36	Don't leave me.
01:02:38	- Stay with me.
01:03:06	- Hi, Johnny.
01:03:09	- Did you get my message?
01:03:13	I'll get you a drink.
01:03:15	Okay.
01:03:16	Since when do you go around
01:03:20	Since I stopped being able to get them
01:03:23	For a man who has nothing to do,
01:03:26	Where do you go these days?
01:03:28	Just wandering.
01:03:31	- Where?
01:03:39	What was this desperate urge to see me?
01:03:41	All I said in my note was:
01:03:44	Doesn't sound very desperate to me.
01:03:47	I detected a little undercurrent.
01:03:50	I just thought that if I gave you a drink
01:03:54	...you'd be so grateful
01:03:56	That's fair enough.
01:04:01	This and that.
01:04:03	What I've been doing?
01:04:06	If you want to.
01:04:07	We won't talk about anything
01:04:10	Naturally.
01:04:14	What have you been doing?
01:04:18	Wandering.
01:04:21	What have you been doing?
01:04:24	I've been having a wonderful time.
01:04:26	- I've gone back to my first love: painting.
01:04:30	I always said you were wasting your time
01:04:34	It's a living.
01:04:37	What is it? A still life?
01:04:39	No, not exactly.
01:04:43	You want to see?
01:04:45	I thought I might give it to you.
01:05:02	It's not funny, Midge.
01:05:07	I just thought...
01:05:13	Let's make that movie some other night.
01:05:28	Marjorie Wood, you fool!
01:05:31	Idiot!
01:05:41	Stupid! Stupid!
01:06:20	Madeleine! What's the matter?
01:06:22	I should have phoned,
01:06:26	- Why? What's happened?
01:06:28	- The dream came back again.
01:06:32	It'll be all right. I'll get you some brandy.
01:06:36	Drink this down.
01:06:38	Just like medicine.
01:06:41	There now.
01:06:43	It was a dream. You're awake.
01:06:48	Now, can you tell me?
01:06:50	It was the tower again,
01:06:54	- Yes?
01:06:58	Tell me.
01:07:00	It was a village square
01:07:02	...and an old whitewashed
01:07:06	Across the green,
01:07:09	...with a porch and a balcony
01:07:11	...and next to it a livery stable
01:07:15	Go on.
01:07:16	At the end of the green,
01:07:20	...with a lovely pepper tree at the corner.
01:07:22	And an old wooden hotel
01:07:25	And a saloon? Dark, low ceilings,
01:07:30	- Yes.
01:07:33	It's no dream.
01:07:37	You've been there before. You've seen it.
01:07:41	No, never.
01:07:42	A hundred miles south of San Francisco,
01:07:46	...San Juan Bautista it's called
01:07:49	...exactly as it was 100 years ago
01:07:52	Think hard, darling. Think hard.
01:07:55	- You've been there before. You've seen it.
01:07:59	- What is it? I've never been there.
01:08:01	Go on about your dream.
01:08:04	I stood alone on the green
01:08:08	...and then I started to walk to the church...
01:08:11	...but then the darkness closed in
01:08:16	...being pulled into the darkness,
01:08:21	You're going to be all right now.
01:08:23	You've given me
01:08:26	I'll take you to that mission this afternoon.
01:08:28	When you see it,
01:08:31	It'll finish your dream.
01:08:35	All right?
01:08:38	- Come on, now. I'll take you home.
01:08:43	You'll come back here around noon.
01:10:00	Madeleine, where are you now?
01:10:06	- Here with you.
01:10:08	It's not merely as it was 100 years ago...
01:10:11	...or a year ago or six months ago or
01:10:15	Now, Madeleine,
01:10:20	There were not so many carriages then.
01:10:24	There were horses in the stalls...
01:10:27	...a bay, two black and a gray.
01:10:32	It was our favorite place...
01:10:35	...but we were forbidden to play here.
01:10:38	And Sister Teresa would scold us.
01:10:45	Look at this. Here's your gray horse.
01:10:50	Have a little trouble getting in and out
01:10:54	You see? There's an answer
01:11:01	Madeleine, try.
01:11:09	Try for me.
01:11:30	- I love you, Madeleine.
01:11:33	- Too late. Too late.
01:11:36	No, it's too late.
01:11:38	No. There's nothing you must do.
01:11:41	There's nothing you must do.
01:11:46	No one possesses you.
01:11:55	No. It's too late.
01:12:08	It's not fair. It's too late.
01:12:12	It had to happen. We're in love.
01:12:15	- Please let me go!
01:12:23	- You believe I love you?
01:12:27	And if you lose me, then you'll know...
01:12:29	...I loved you and wanted
01:12:32	I won't lose you.
01:12:36	- Let me go into the church, alone.
01:13:00	Madeleine!
01:15:19	Mr. Elster, suspecting all was not well
01:15:25	...took the preliminary precaution
01:15:30	...lest any harm befall her.
01:15:32	And you've heard
01:15:34	...to take his wife to an institution...
01:15:37	...where her mental health would've been
01:15:42	Mr. Ferguson, being an ex-detective,
01:15:45	...the proper choice for the role
01:15:49	As you have learned,
01:15:52	However, I think you'll agree that no blame
01:15:55	His delay in putting his wife
01:15:58	...was due only to the need
01:16:02	...which he expected to get
01:16:04	He had taken every precaution
01:16:07	He could not have anticipated
01:16:10	...his fear of heights...
01:16:12	...would make him powerless
01:16:15	As to Mr. Ferguson...
01:16:17	...you have heard his former superior...
01:16:20	...Detective Captain Hansen,
01:16:24	...testify as to his character and ability.
01:16:26	Captain Hansen was most enthusiastic.
01:16:29	The fact that once before,
01:16:32	...Mr. Ferguson allowed a police colleague
01:16:36	...Captain Hansen dismissed
01:16:42	Of course, Mr. Ferguson
01:16:44	...on having once saved the woman's life...
01:16:47	...when, in a previous fit of aberration,
01:16:52	It is a pity that,
01:16:56	...he did not make a greater effort
01:17:01	But we are not here to pass judgment
01:17:06	He did nothing...
01:17:07	...and the law has little to say
01:17:11	Nor does his strange behavior
01:17:17	...have any bearing on your verdict.
01:17:20	He did not remain at the scene
01:17:24	He claims he suffered a mental blackout
01:17:28	...until he found himself back in his own
01:17:32	You may accept that, or not.
01:17:36	Or you may believe that, having once again
01:17:41	...he could not face the tragic result
01:17:44	...and ran away.
01:17:48	That has nothing to do with your verdict.
01:17:51	It is a matter between him
01:17:56	From the evidence of the state of mind
01:18:00	...from the manner of her death and
01:18:04	...showing the actual cause of her death...
01:18:06	...you should have no difficulty
01:18:09	Gentlemen, you may retire if you wish.
01:18:14	Hold it, Mr. Jones.
01:18:37	- We've reached a verdict.
01:18:43	"The jury finds that Madeleine Elster
01:18:46	"...while of unsound mind."
01:18:49	Your verdict will be so recorded.
01:18:57	- Scottie, let's go.
01:19:00	Go ahead.
01:19:08	Sorry, Scottie. That was rough.
01:19:10	He had no right to speak to you like that.
01:19:13	It was my responsibility.
01:19:17	No, there's nothing you have to say to me.
01:19:20	I'm getting out, Scottie, for good.
01:19:22	I can't stay here.
01:19:24	I'm going to wind up her affairs,
01:19:28	...get away as far as I can.
01:19:30	Europe, perhaps.
01:19:33	And I probably never will come back.
01:19:36	Good-bye, Scottie.
01:19:39	If there's anything I can do for you
01:19:44	There's no way for them to understand.
01:19:47	You and I know who killed Madeleine.
01:19:57	Come on, Scottie. Let's get out of here.
01:22:02	It's Mozart, Wolfgang Amadeus.
01:22:07	I had a long talk with that lady
01:22:10	...and she says
01:22:13	...the broom that sweeps
01:22:18	It's what the lady said.
01:22:23	It's wonderful how
01:22:26	They have music for dipsomaniacs,
01:22:30	...and music for hypochondriacs.
01:22:33	I wonder what would happen
01:22:47	I brought a lot of other things,
01:22:51	It shuts off automatically.
01:23:01	Johnny, please try.
01:23:03	Try, Johnny.
01:23:05	You're not lost. Mother is here.
01:23:12	Time?
01:23:17	I'll be in again, John.
01:23:19	You want me to shut that off?
01:23:43	You don't even know I'm here, do you?
01:23:49	But I'm here.
01:24:05	Nurse, could I see the doctor
01:24:08	Doctor, Miss Wood.
01:24:12	Won't you go in, please?
01:24:14	Yes, Miss Wood?
01:24:16	Doctor, how long is it going to take you
01:24:20	It's hard to say. At least six months.
01:24:24	It really could depend on him.
01:24:25	- He won't talk.
01:24:28	He's suffering from acute melancholia...
01:24:31	...together with a guilt complex.
01:24:32	He blames himself
01:24:35	We know little of what went on before.
01:24:38	I can give you one thing:
01:24:42	That does complicate the problem,
01:24:45	I can give you another complication:
01:24:49	And you want to know something?
01:24:51	I don't think Mozart's going to help at all.
01:26:20	- Where'd you get this car?
01:26:24	I bought it from a man who used to live
01:26:26	Mr. Gavin Elster.
01:26:30	You knew him and his wife!
01:26:33	The poor thing. I didn't know her.
01:26:35	- Is it true that she really...
01:26:59	- Good evening.
01:27:26	Give me a scotch and soda.
01:30:00	- What is it?
01:30:04	- What for? Who are you?
01:30:07	Is this some kind of Gallup Poll?
01:30:10	- There are some things I'd like to ask.
01:30:13	No. I happened to see you
01:30:15	Yeah, I thought so. A pickup.
01:30:17	You've got a nerve, following me
01:30:21	- Now, you beat it.
01:30:25	I'm gonna yell in a minute.
01:30:27	I'm not gonna hurt you. Honest.
01:30:30	Please. Just let me talk to you.
01:30:33	- What about?
01:30:35	- Why?
01:30:39	I heard that one before, too.
01:30:42	I remind you of someone
01:30:45	...but then she ditched you
01:30:47	...and you've been carrying a torch
01:30:50	Then you saw me and something clicked.
01:30:53	You're not far wrong.
01:30:55	- It's not gonna work, so go.
01:31:00	You can leave the door open.
01:31:06	Well, I warn you, I can yell awful loud.
01:31:09	You won't have to.
01:31:12	You don't look much like Jack the Ripper.
01:31:17	- I want to know your name.
01:31:19	- Who you are.
01:31:22	- How do you happen to be living here?
01:31:26	- But you haven't lived here long?
01:31:29	- Where did you live before?
01:31:33	Listen, what is this? What do you want?
01:31:36	- I just want to know who you are.
01:31:41	My name is Judy Barton.
01:31:44	I work at Magnin's and I live here.
01:31:49	My gosh, do I have to prove it?
01:31:56	All right, mister,
01:31:59	"Judy Barton, number Z296794.
01:32:03	"425 Maple Avenue, Salina, Kansas."
01:32:09	See the address on this one?
01:32:13	A California license issued May 25, 1954.
01:32:19	You want to check my thumbprints?
01:32:23	Whether you're satisfied or not,
01:32:31	You have got it bad, haven't you?
01:32:36	Do I really look like her?
01:32:43	She's dead, isn't she?
01:32:49	I'm sorry, and I'm sorry I yelled at you.
01:32:59	Yes, that's me with my mother.
01:33:03	And that's my father.
01:33:05	He's dead. My mother married again,
01:33:09	...so I decided I'd see what it's like
01:33:13	I've been here three years.
01:33:16	Honest.
01:33:27	- Will you have dinner with me?
01:33:30	- I feel I owe you something after all this.
01:33:34	- Then will you? For me?
01:33:37	- Just dinner.
01:33:41	Because I'd like to have dinner with you.
01:33:48	I've been on blind dates before.
01:33:50	Matter of fact, to be honest,
01:33:55	Okay.
01:33:56	I'll get my car. I'll be back in half an hour.
01:33:59	- Give me time to change and get fixed up.
01:34:04	Okay.
01:35:55	Dearest Scottie:
01:35:57	And so you found me.
01:35:59	This is the moment
01:36:02	... wondering what I would say and do
01:36:05	I wanted so to see you again, just once.
01:36:08	Now I'll go,
01:36:11	I want you to have peace of mind.
01:36:15	You were the victim.
01:36:17	I was the tool and you the victim
01:36:22	He chose me to play the part because
01:36:26	He was quite safe because she lived
01:36:30	He chose you to be the witness
01:36:34	The Carlotta story was part real,
01:36:37	... to make you testify
01:36:41	He knew of your illness. He knew
01:36:45	He planned it so well.
01:36:49	I made the mistake. I fell in love.
01:36:52	That wasn't part of the plan.
01:36:55	I'm still in love with you,
01:36:59	If I had the nerve, I'd stay and lie...
01:37:01	... hoping that I could
01:37:04	... as I am, for myself...
01:37:07	... and so forget the other
01:37:12	... I don't know whether
01:39:25	Here. I'll do it.
01:39:29	- There you are.
01:39:32	Can I see you tomorrow?
01:39:34	- Tomorrow night? Well...
01:39:41	But I have to go to work. I've got a job.
01:39:43	- Don't go to your job.
01:39:47	Let me take care of you, Judy.
01:39:51	Thanks very much, but no, thanks.
01:39:55	- No, Judy, you don't understand.
01:39:58	I've been understanding since I was 17.
01:40:01	- And the next step is?
01:40:04	No? Then what?
01:40:06	We could just...
01:40:08	...see a lot of each other...
01:40:11	Why?
01:40:13	'Cause I remind you of her?
01:40:20	It's not very complimentary.
01:40:24	And nothing else?
01:40:28	No.
01:40:29	That's not very complimentary either.
01:40:31	I just want to be with you
01:40:46	Well...
01:40:49	...I guess I could phone the store
01:40:54	...and make some excuse.
01:42:00	There you are.
01:42:03	I like that one.
01:42:05	- Like that?
01:42:07	- That's very nice.
01:42:11	There we are.
01:42:13	We'll get this,
01:42:15	- Honest?
01:42:18	- Nothing but the best. How much?
01:42:21	- Thank you.
01:42:23	I want to.
01:42:46	- No, that's not it. Nothing like it.
01:42:50	I just want an ordinary, simple gray suit.
01:42:53	- But I like that one, Scottie.
01:42:57	The gentleman seems to know
01:43:01	All right. We'll find it.
01:43:10	- What are you doing?
01:43:14	But I love the second one she wore.
01:43:17	- And this one, it's beautiful.
01:43:21	I think I know the suit you mean.
01:43:24	Let me see. We may still have that model.
01:43:27	Thank you.
01:43:30	You're looking for the suit
01:43:33	- You want me to dress like her.
01:43:36	- I know what suit would look well on you.
01:43:43	Judy.
01:43:45	It can't make a difference to you.
01:43:48	I don't want any clothes.
01:43:51	- Do this for me.
01:43:54	- Yes, that's it.
01:43:57	- I don't like it.
01:43:59	Will the thing fit?
01:44:01	It might need some slight alterations,
01:44:05	We'll have it for you to try on in a moment.
01:44:08	- How long will the alterations take?
01:44:11	- May we have it by tonight?
01:44:14	Yes, it is. Now, we'd like to look
01:44:17	...short, black, with long sleeves
01:44:21	- Scottie!
01:44:24	You certainly do know what you want, sir.
01:44:36	- That's it. Do you have them in brown?
01:44:39	Fine.
01:44:48	Here, Judy. Drink this straight down,
01:44:52	Why are you doing this?
01:44:55	I don't know.
01:44:57	No good, I guess. I don't know.
01:45:03	I wish you'd leave me alone.
01:45:07	You can, you know.
01:45:11	No. You wouldn't let me.
01:45:15	And I don't want to go.
01:45:19	Judy, I tell you this.
01:45:22	These past few days are
01:45:26	I know because...
01:45:29	Because I remind you of her.
01:45:32	And not even that very much.
01:45:35	No.
01:45:37	No, Judy. It's you, too.
01:45:40	There's something in you that...
01:45:47	- You don't even want to touch me.
01:45:52	Couldn't you like me,
01:45:57	When we first started out, it was so good.
01:46:03	And then you started in on the clothes.
01:46:07	I'll wear the darned clothes
01:46:10	...if you'll just like me.
01:46:18	The color of your hair.
01:46:26	Judy, please. It can't matter to you.
01:46:39	If I let you change me, will that do it?
01:46:42	If I do what you tell me...
01:46:46	...will you love me?
01:46:47	Yes.
01:46:50	- Yes.
01:46:53	All right, then, I'll do it.
01:47:06	Come on. We'll sit by the fire.
01:47:28	I'm afraid it's going to take several hours.
01:47:30	The young lady thought you'd like to go
01:47:34	No. Tell her I'll go to her hotel
01:47:38	- You're sure about the color of the hair?
01:47:42	- All the rest of...
01:47:44	Thank you.
01:49:25	Well?
01:49:26	It should be back from your face
01:49:30	I told you that.
01:49:32	We tried it. It just didn't seem to suit me.
01:49:41	Please, Judy.
01:52:40	- Where shall we go for dinner?
01:52:43	- Ernie's?
01:52:47	After all, it's our place.
01:52:53	Hello, my love. Like me?
01:52:57	- Is that the best you can do?
01:53:00	No. You'll muss me.
01:53:02	That's what I had in mind. Come here.
01:53:05	It's too late. I got my face on.
01:53:07	I'm suddenly hungry.
01:53:09	- Would you rather go somewhere else?
01:53:16	I'm gonna have one
01:53:20	Let me see. To start I think I'll...
01:53:24	Help me with this, will you?
01:53:29	I have it.
01:53:32	- How do you work this thing?
01:53:35	- Now, there you are.
01:53:40	All I've gotta do is find my lipstick.
01:53:43	Where did I put it? I had it a minute ago.
01:53:57	I wonder if it's here. Here it is.
01:54:02	There, I'm ready.
01:54:06	But first, muss me a little?
01:54:12	Scottie, I do have you now, don't I?
01:54:17	How would you like to go someplace
01:54:21	- Maybe we could drive down the peninsula.
01:54:42	We're going awfully far.
01:54:44	I just feel like driving.
01:54:48	No, it's all right.
01:55:09	Where are you going?
01:55:15	One final thing I have to do...
01:55:20	...and then I'll be free of the past.
01:55:41	Scottie, why are we here?
01:55:44	I told you.
01:55:48	I have to go back into the past once more.
01:55:50	Just once more, for the last time.
01:55:54	Why? Why here?
01:55:56	Madeleine died here, Judy.
01:56:00	- I don't wanna go. I'd rather wait...
01:56:04	Why?
01:56:06	I need you to be Madeleine for a while.
01:56:09	And when it's done, we'll both be free.
01:56:13	- I'm scared.
01:56:17	Right there.
01:56:19	We stood there,
01:56:22	She said, "If you lose me,
01:56:25	"...and wanted to keep loving you."
01:56:27	And I said, "I won't lose you." But I did.
01:56:31	And then she turned...
01:56:35	...and ran into the church.
01:56:49	When I followed her, it was too late.
01:56:56	I don't want to go in there!
01:56:57	It was too late.
01:57:06	I couldn't find her,
01:57:11	She was running up the tower.
01:57:13	Right here.
01:57:15	See? She was running up the stairs...
01:57:17	...and through the trapdoor
01:57:20	I tried to follow her,
01:57:23	I tried, but I couldn't get to the top.
01:57:26	One doesn't often get a second chance.
01:57:28	I want to stop being haunted.
01:57:31	You're my second chance, Judy.
01:57:34	Take me away!
01:57:36	You look like Madeleine now.
01:57:40	- No!
01:57:44	Go up the stairs, Judy...
01:57:48	...and I'll follow.
01:58:46	This was as far as I could get,
01:58:51	Remember?
01:58:53	The necklace, Madeleine.
01:58:57	I remembered the necklace.
01:58:58	- Let me go!
01:59:01	You can't! You're afraid!
01:59:04	We'll see. We'll see.
01:59:07	Please!
01:59:08	You knew that day
01:59:11	- Who was up there? Elster and his wife?
01:59:14	And she was the one who died.
01:59:17	You were the counterfeit, weren't you?
01:59:20	- Was she dead or alive...
01:59:23	He'd broken her neck.
01:59:26	When you got up there, he pushed her off,
01:59:29	- Why did you scream?
01:59:33	Stop it? Why did you scream,
01:59:38	You played the wife very well, Judy.
01:59:42	He made you over just like
01:59:45	Not only the clothes and the hair,
01:59:49	...and those beautiful phony trances.
01:59:51	And you jumped into the Bay, didn't you?
01:59:53	I'll bet you're a wonderful swimmer,
01:59:56	- Aren't you?
01:59:58	Then what did he do? Did he train you?
02:00:03	Did he tell you exactly what to do,
02:00:06	You were a very apt pupil, too,
02:00:10	Why did you pick on me? Why me?
02:00:12	Your accident!
02:00:14	The accident!
02:00:16	I was the setup, wasn't I?
02:00:18	I was a made-to-order witness.
02:00:28	I made it.
02:00:31	- I made it.
02:00:36	We're going up and look
02:00:39	Come on, Judy.
02:00:52	This is where it happened.
02:00:56	The two of you hid there
02:00:59	...then you sneaked down
02:01:02	And then? You were his girl?
02:01:05	What happened to you?
02:01:08	Did he ditch you?
02:01:11	With all of his wife's money...
02:01:13	...and all that freedom and power,
02:01:17	But he knew he was safe.
02:01:19	- Did he give you anything?
02:01:22	And the necklace, Carlotta's necklace.
02:01:26	There was where you made
02:01:29	You shouldn't keep souvenirs of a killing.
02:01:36	You shouldn't have been that sentimental.
02:01:42	I loved you so, Madeleine.
02:01:48	I was safe when you found me.
02:01:50	There was nothing that you could prove.
02:01:52	But when I saw you again,
02:01:57	I walked into danger
02:01:59	...because I loved you and I wanted you.
02:02:04	Scottie, please. You loved me.
02:02:06	- Keep me safe. Please!
02:02:09	It's too late. There's no bringing her back.
02:02:12	Please.
02:02:25	I heard voices.
02:02:30	God have mercy.

Vertigo