|
Vicky Cristina Barcelona
|
| 00:02:00 |
Vicky and Cristina decided |
| 00:02:01 |
to spend the summer in Barcelona. |
| 00:02:04 |
Vicky was completing her master's |
| 00:02:05 |
in Catalan Identity... |
| 00:02:06 |
...which she had become |
| 00:02:08 |
her great affection for the |
| 00:02:11 |
Cristina, who spent the |
| 00:02:14 |
directing and acting in... |
| 00:02:15 |
...a 12-minute film which |
| 00:02:17 |
...had just broken up with |
| 00:02:19 |
and longed for a change of scenery. |
| 00:02:22 |
Everything fell into place |
| 00:02:24 |
of Vicky's family |
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...offered to put both girls up |
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The two had been |
| 00:02:32 |
and shared the same tastes |
| 00:02:33 |
and opinions on most matters. |
| 00:02:35 |
Yet when it came |
| 00:02:37 |
it would be hard to find |
| 00:02:38 |
two more dissimilar |
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Vicky had no tolerance for pain |
| 00:02:42 |
and no lust for combat. |
| 00:02:44 |
She was grounded and realistic. |
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Her requirements in a man |
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were seriousness and stability. |
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She had become engaged to |
| 00:02:50 |
Doug because he was decent |
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...and understood the beauty |
| 00:02:56 |
Yeah, I miss you, too. |
| 00:02:59 |
Cristina, on the other hand, |
| 00:03:00 |
expected something very |
| 00:03:03 |
She reluctantly accepted |
| 00:03:05 |
an inevitable component |
| 00:03:07 |
...and was resigned to putting |
| 00:03:08 |
her feelings at risk. |
| 00:03:10 |
If you asked what she was gambling |
| 00:03:13 |
she would have been unable to say. |
| 00:03:15 |
She knew what she didn't want, |
| 00:03:17 |
And that was exactly what Vicky |
| 00:03:30 |
- You're Vicky. |
| 00:03:31 |
You're so grown up. |
| 00:03:33 |
It's been a while. |
| 00:03:35 |
Welcome to Barcelona. |
| 00:03:39 |
This is your room. |
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I put you together. |
| 00:03:43 |
Judy, thank you so much |
| 00:03:45 |
It was so last-minute |
| 00:03:49 |
To include me is so sweet of you. |
| 00:03:52 |
It's so nice to have |
| 00:03:55 |
It's been so quiet since |
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After the girls unpacked |
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got home from the golf course, |
| 00:04:04 |
We have a beautiful home. |
| 00:04:05 |
We've really come |
| 00:04:07 |
He makes friends with anybody a |
| 00:04:09 |
so he was like, "Whee!" |
| 00:04:11 |
You learned just fine. |
| 00:04:13 |
What do you do, Cristina? |
| 00:04:15 |
I am currently at liberty. |
| 00:04:18 |
Come on. |
| 00:04:20 |
- How exciting. |
| 00:04:22 |
What was it about? |
| 00:04:23 |
About? |
| 00:04:24 |
It was about why love is |
| 00:04:29 |
That's a mighty big subject |
| 00:04:34 |
Vicky, you're getting |
| 00:04:37 |
Yeah, my master's |
| 00:04:42 |
What do you plan |
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I don't know. |
| 00:04:48 |
You don't have to do something. |
| 00:04:50 |
She's marrying this |
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and all her conflicts |
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...when he makes her pregnant. |
| 00:04:59 |
Now that Judy's decided |
| 00:05:02 |
To your summer in Barcelona. |
| 00:05:06 |
Salud. |
| 00:05:10 |
In the days that followed, |
| 00:05:11 |
Vicky and Cristina drank |
| 00:05:13 |
treasures of the city. |
| 00:05:15 |
They particularly enjoyed |
| 00:05:31 |
Once, Mark and Judy invited |
| 00:05:33 |
to go sailing with them |
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With Cristina in mind, |
| 00:05:40 |
the son of one |
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...an eligible young man Mark |
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My dream is to accumulate |
| 00:05:46 |
to an island and spend |
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I'm actually |
| 00:05:53 |
Have you ever snorkeled before? |
| 00:05:56 |
Unfortunately, |
| 00:05:58 |
were not a match |
| 00:06:00 |
Vicky, meanwhile, |
| 00:06:02 |
every aspect of Catalan life... |
| 00:06:04 |
...even getting a tour |
| 00:06:05 |
and a local restaurant, |
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On balmy summer nights, |
| 00:06:13 |
go hear Spanish guitar music... |
| 00:06:14 |
...which never failed to move |
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Vicky in some magical way. |
| 00:06:32 |
One evening, |
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to the opening |
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Many local artists |
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of collectors attended. |
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- Do you like them? |
| 00:06:40 |
Thank you for taking us. |
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We buy from this gallery. |
| 00:06:44 |
Mark has commissioned this artist... |
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...to do a series of pictures |
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for his office walls. |
| 00:06:51 |
Is that the artist over there? |
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In the red? |
| 00:06:54 |
No, no. That's not... |
| 00:07:00 |
Alfred is, um... |
| 00:07:01 |
He's the gentleman |
| 00:07:05 |
That's him. |
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I don't know who that is. |
| 00:07:11 |
Mark? Who is the gentleman |
| 00:07:14 |
Who is it? |
| 00:07:18 |
He's a painter. |
| 00:07:21 |
He had that fiery relationship |
| 00:07:23 |
with that beautiful |
| 00:07:25 |
The violent fighting |
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It was in all the newspapers. |
| 00:07:32 |
Oh, my God. |
| 00:07:33 |
His name is |
| 00:07:36 |
...and he had |
| 00:07:39 |
and she tried to kill him. |
| 00:07:40 |
Or he tried to kill her. |
| 00:07:41 |
It was this really |
| 00:07:44 |
I can't remember the details. |
| 00:07:46 |
We don't move |
| 00:07:50 |
so I don't know. |
| 00:07:57 |
Vicky and Cristina |
| 00:07:59 |
and decided |
| 00:08:01 |
They strolled |
| 00:08:03 |
in the wonderful |
| 00:08:05 |
while people celebrated... |
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...finally winding up |
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at a little restaurant. |
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It's nice to be able |
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about if some place |
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Yeah, but we probably should |
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be worrying about our dreams. |
| 00:08:21 |
Who are you looking at? |
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Isn't that the painter |
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we just saw at the gallery? |
| 00:08:27 |
Oh, yeah. |
| 00:08:30 |
...painter with the bad divorce. |
| 00:08:32 |
Mark told us. |
| 00:08:34 |
He keeps looking over here. |
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Because you keep |
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I'm not provoking contact. |
| 00:08:41 |
You've been throwing him little |
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looks all night. |
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I'm just drinking my wine. |
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Yeah, of course you are. |
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You must be doing something |
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because he's coming over. |
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American? |
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I'm Cristina and this |
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What color are your eyes? |
| 00:09:15 |
They're blue. |
| 00:09:18 |
I would like to invite you |
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To come where? |
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To Oviedo. |
| 00:09:25 |
For the weekend. |
| 00:09:28 |
Where is Oviedo? |
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A very short flight. |
| 00:09:31 |
By plane? |
| 00:09:32 |
What's in Oviedo? |
| 00:09:34 |
A sculpture that is |
| 00:09:37 |
A very beautiful sculpture. |
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You'll love it. |
| 00:09:40 |
You're asking us |
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No, we'll spend the weekend. |
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I'll show you around the city. |
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We'll eat well, |
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we'll make love. |
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Who exactly is going |
| 00:09:58 |
Hopefully, the three of us. |
| 00:10:01 |
- Oh, my God. |
| 00:10:03 |
This guy doesn't beat |
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Look, senor, maybe |
| 00:10:09 |
Why not? |
| 00:10:12 |
Life is dull. |
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This is a chance |
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Right. |
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I am Juan Antonio. |
| 00:10:23 |
...Vicky, and you are Cristina. |
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Or is it the |
| 00:10:28 |
It could be the |
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...because either of us |
| 00:10:33 |
will do to keep |
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I get it. |
| 00:10:36 |
Well, you are both so |
| 00:10:38 |
Well, thank you, |
| 00:10:39 |
but we do not fly |
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...with whoever invites us |
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to charming little |
| 00:10:46 |
Does she always analyze |
| 00:10:50 |
...until each grain |
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...squeezed out of it? |
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I guess I have to say that... |
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...my eyes are green, |
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I wouldn't call our reluctance... |
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...to leap at your sexual |
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offer being over-analytical. |
| 00:11:14 |
If you would care to join us |
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...recognized form |
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like a drink, |
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...but otherwise, |
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offering to some |
| 00:11:27 |
What offended you about the offer? |
| 00:11:30 |
Surely not that I find you |
| 00:11:31 |
both beautiful and desirable. |
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Offended me? |
| 00:11:35 |
It's very amusing... galling, |
| 00:11:38 |
to be honest, but... |
| 00:11:41 |
Is it my imagination |
| 00:11:43 |
I would love to go to Oviedo. |
| 00:11:46 |
What? Are you kidding? |
| 00:11:47 |
I think it would be so much fun. |
| 00:11:49 |
I think we should go. |
| 00:11:51 |
Can we discuss |
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When I saw you across the room |
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at the art gallery... |
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...I noticed you have... |
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...beautiful lips. |
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Thank you. |
| 00:12:04 |
Okay, okay, look. |
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I can't guarantee |
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because I happen to be very moody. |
| 00:12:11 |
Let's not negotiate |
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I came over here with |
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and presented my best offer. |
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I hope you will discuss |
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the pleasure to take you |
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I have the good fortune |
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to borrow my friend's plane. |
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It's just big enough |
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and I'm a very good pilot. |
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It sounds very safe. |
| 00:12:33 |
Think it over. |
| 00:12:38 |
I hope you're joking about going. |
| 00:12:41 |
Oh, my God, |
| 00:12:43 |
Interesting!? |
| 00:12:43 |
Are you kidding? |
| 00:12:44 |
He wants to get us both into bed. |
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But he'll settle for either. |
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In this case, you. |
| 00:12:49 |
Vicky, I'm a big girl, okay? |
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If I want to sleep with him, |
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If not, I won't. |
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Cristina, |
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This is impulsive, |
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...and if I heard right, |
| 00:13:00 |
he was violent with his wife. |
| 00:13:02 |
At least he's not one |
| 00:13:03 |
of those factory-made zombies, |
| 00:13:06 |
This is a great way |
| 00:13:08 |
No, it's not. |
| 00:13:11 |
...with this charmingly |
| 00:13:13 |
You find his |
| 00:13:16 |
but I don't. |
| 00:13:17 |
And he's certainly |
| 00:13:20 |
I think he's very handsome. |
| 00:13:21 |
He has a great look. |
| 00:13:23 |
I mean, he's really sexy. |
| 00:13:25 |
Well, you would, |
| 00:13:28 |
You have to admire |
| 00:13:30 |
What are you talking about? |
| 00:13:31 |
It's all bullshit. |
| 00:13:34 |
First off, |
| 00:13:36 |
I don't find him winning. |
| 00:13:38 |
Third, even if |
| 00:13:40 |
...and was free |
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of dalliance |
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I wouldn't pick this one. |
| 00:13:45 |
Oh, hi. |
| 00:13:48 |
I'm trying |
| 00:13:51 |
from making a potentially |
| 00:13:54 |
What? No, the usual. |
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I'll call you back. |
| 00:13:59 |
I love you, too. |
| 00:14:00 |
If we go back |
| 00:14:02 |
we can just throw |
| 00:14:03 |
and we'll meet him there. |
| 00:14:05 |
I took an instant liking |
| 00:14:07 |
He's not one of these |
| 00:14:10 |
- He's creative and artistic. |
| 00:14:14 |
Is that what you think |
| 00:14:17 |
Doug? |
| 00:14:19 |
It's ridiculous. |
| 00:14:20 |
You like the way |
| 00:14:22 |
and fly off in an airplane. |
| 00:14:24 |
I know. I don't know |
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unless I'm scared of myself. |
| 00:14:27 |
It's a mistake, Cristina. |
| 00:14:38 |
They predicted a little |
| 00:14:40 |
out of Oviedo, |
| 00:14:42 |
Don't worry, really. |
| 00:14:47 |
There, it's just |
| 00:14:53 |
- Would you like to fly it? |
| 00:14:56 |
It's easy. |
| 00:14:59 |
Try it. |
| 00:15:05 |
By early morning, |
| 00:15:06 |
they had reached |
| 00:15:07 |
...and proceeded to a hotel |
| 00:15:09 |
that Juan Antonio |
| 00:15:13 |
Vicky made sure she and Cristina |
| 00:15:14 |
had their own room |
| 00:15:15 |
and Juan Antonio had his. |
| 00:15:18 |
If he was disappointed, |
| 00:15:22 |
After freshening up, he took them |
| 00:15:23 |
to see the sculpture that was |
| 00:15:25 |
Are you very religious? |
| 00:15:27 |
No. No, I'm not. |
| 00:15:29 |
The trick is to enjoy life, |
| 00:15:31 |
accepting it |
| 00:15:34 |
No meaning? You don't even |
| 00:15:35 |
think that authentic |
| 00:15:38 |
Yes, but love is so transient, |
| 00:15:42 |
I was in love with the most |
| 00:15:47 |
...and in the end... |
| 00:15:52 |
Yes? |
| 00:15:54 |
...she put a knife into me. |
| 00:15:56 |
My God, that's terrible. |
| 00:15:58 |
Maybe you did something |
| 00:16:02 |
Juan Antonio took |
| 00:16:05 |
They discussed art |
| 00:16:07 |
He was full of stories |
| 00:16:09 |
his ex-wife... |
| 00:16:10 |
...whom he both criticized |
| 00:16:14 |
He proved to be a good host, |
| 00:16:17 |
he took them to see |
| 00:16:18 |
...where they enjoyed |
| 00:16:20 |
and took photos. |
| 00:16:31 |
Later, they bought candy and |
| 00:16:34 |
...which were |
| 00:16:41 |
They continued |
| 00:16:43 |
and while Vicky |
| 00:16:45 |
...Cristina had |
| 00:16:54 |
The question |
| 00:16:56 |
did not come up until |
| 00:16:57 |
...and Juan Antonio was |
| 00:17:00 |
You're welcome. |
| 00:17:07 |
Well, now that the day |
| 00:17:11 |
...is it reasonable |
| 00:17:14 |
if you would both join |
| 00:17:16 |
Come on. |
| 00:17:18 |
Vicky's just trying to say |
| 00:17:21 |
Great. Then these are her |
| 00:17:24 |
No. Look, I'm not free. |
| 00:17:26 |
I'm committed. |
| 00:17:27 |
You know what my theory is? |
| 00:17:29 |
When I drink, |
| 00:17:30 |
I... I think that you're still hurting |
| 00:17:33 |
from the failure of your marriage |
| 00:17:37 |
and you're trying to |
| 00:17:40 |
Empty sex? Do you have such |
| 00:17:43 |
a low opinion of yourself? |
| 00:17:45 |
She's just saying it has to |
| 00:17:48 |
I mean, the city is romantic. |
| 00:17:51 |
The night is warm and balmy. |
| 00:17:53 |
We are alive. |
| 00:17:56 |
I just came along to |
| 00:17:58 |
I'm engaged to be married. |
| 00:18:00 |
I have a handsome, |
| 00:18:01 |
lovely fiance |
| 00:18:04 |
...who also holds a |
| 00:18:06 |
very real place in my heart. |
| 00:18:08 |
And to be perfectly frank, |
| 00:18:10 |
...if I were the type |
| 00:18:12 |
I don't think it's |
| 00:18:14 |
So, I'm tired. |
| 00:18:16 |
I haven't slept |
| 00:18:19 |
...and that is exactly |
| 00:18:24 |
And you? |
| 00:18:26 |
I'll go to your room, |
| 00:18:27 |
but you have to seduce me. |
| 00:18:34 |
Hello. |
| 00:18:35 |
Hello. |
| 00:18:38 |
I am just here to have |
| 00:18:43 |
...to say thank you, |
| 00:18:43 |
then I'm going back to my room. |
| 00:18:49 |
Did you act in the |
| 00:18:51 |
Did I act? |
| 00:18:54 |
I hope you were more convincing |
| 00:18:55 |
than you are pretending |
| 00:18:57 |
for one quick drink. |
| 00:19:01 |
I am here to go |
| 00:19:03 |
You're right. |
| 00:19:06 |
So you're pretty much home free, |
| 00:19:10 |
...blow it. |
| 00:19:12 |
Yeah. |
| 00:19:13 |
Blow it. |
| 00:19:14 |
You mean ruin the moment? |
| 00:19:16 |
Yeah. |
| 00:19:17 |
And how would |
| 00:19:21 |
I don't know. |
| 00:19:24 |
...some inane comment to... |
| 00:19:27 |
...wearing the wrong kind |
| 00:19:30 |
Although... somehow, |
| 00:19:33 |
...I think you're wearing |
| 00:19:36 |
You're very hard to please. |
| 00:19:38 |
Yeah, well... I am famous |
| 00:19:46 |
And what do you |
| 00:19:48 |
besides a man with the |
| 00:19:54 |
I don't know. |
| 00:19:57 |
I know I'm not going |
| 00:20:00 |
I find what I'm looking for. |
| 00:20:02 |
Which is what? |
| 00:20:09 |
Something... else. |
| 00:20:13 |
Something more. |
| 00:20:15 |
Some sort of... |
| 00:20:22 |
Meaning? |
| 00:20:25 |
Meaning, um... |
| 00:20:28 |
I don't know. |
| 00:20:31 |
I don't know what I want. |
| 00:20:33 |
I only know |
| 00:20:35 |
If you don't start |
| 00:20:37 |
this is going to turn |
| 00:20:57 |
Are you okay? |
| 00:20:59 |
Yeah, I'm fine. |
| 00:21:02 |
What's wrong? |
| 00:21:05 |
No, |
| 00:21:09 |
- What happened? |
| 00:21:13 |
It's her ulcer and perhaps |
| 00:21:16 |
Maybe both. |
| 00:21:17 |
God, both. |
| 00:21:18 |
- She must just rest. Not eat. |
| 00:21:20 |
Yeah, rest, rest. |
| 00:21:22 |
With Cristina stuck in bed, |
| 00:21:24 |
Vicky was anxious to get back |
| 00:21:25 |
to Barcelona |
| 00:21:29 |
When he gets out of his meeting, |
| 00:21:31 |
can you get him |
| 00:21:33 |
Yeah, I'm still stuck in Oviedo. |
| 00:21:36 |
But sightsee is what they did. |
| 00:21:39 |
I feel very sorry about Cristina. |
| 00:21:41 |
Oh, come on. |
| 00:21:45 |
I'm sure you kept |
| 00:21:48 |
...as you did to both of us |
| 00:21:51 |
But I can hold my liquor. |
| 00:21:53 |
- She never mentioned her ulcer. |
| 00:21:55 |
No, because she's |
| 00:21:59 |
...and being romantic, |
| 00:22:03 |
So for a brief moment |
| 00:22:06 |
...she completely abandons |
| 00:22:12 |
After lunch, |
| 00:22:14 |
to see the old |
| 00:22:16 |
...which she found very beautiful. |
| 00:22:20 |
I was born near here. |
| 00:22:22 |
It would be a sin |
| 00:22:25 |
paying a visit to my father. |
| 00:22:27 |
Would that be boring to you? |
| 00:22:29 |
No. |
| 00:22:30 |
No, I think that would |
| 00:22:34 |
interesting proposition |
| 00:22:36 |
I would love to see your |
| 00:22:58 |
My father, Julio. |
| 00:23:05 |
Oh, you know, if we carry on, |
| 00:23:07 |
That's fine. |
| 00:23:09 |
He speaks no English. |
| 00:23:15 |
I'm sure my Spanish |
| 00:23:17 |
He refuses to speak |
| 00:23:19 |
That's an important point |
| 00:23:22 |
Really? Why? |
| 00:23:23 |
Because he's a poet |
| 00:23:26 |
beautiful sentences |
| 00:23:28 |
...but he doesn't |
| 00:23:31 |
...should pollute his words |
| 00:23:35 |
- No, it... |
| 00:23:36 |
...no, it makes sense, I understand, |
| 00:23:39 |
...and the things |
| 00:23:41 |
I took some Spanish. |
| 00:23:43 |
Of course, |
| 00:23:46 |
I read it much |
| 00:23:49 |
Maybe I could |
| 00:23:51 |
No, he doesn't publish. |
| 00:23:54 |
Well, why not? |
| 00:23:56 |
I'll explain later. |
| 00:23:57 |
Do you want some Cognac? |
| 00:23:59 |
Yes, thank you. |
| 00:24:01 |
Just a very, very, |
| 00:24:04 |
You look good... |
| 00:24:07 |
Yes, and you, too, |
| 00:24:10 |
What do you hear |
| 00:24:12 |
She's still living |
| 00:24:17 |
That woman was the best. |
| 00:24:19 |
I still have erotic dreams |
| 00:24:22 |
She also loved |
| 00:24:24 |
What a shame... |
| 00:24:35 |
This was my favorite place |
| 00:24:38 |
And, yes, I wanted |
| 00:24:42 |
Painting came later. |
| 00:24:44 |
And I wanted |
| 00:24:46 |
I mean, all I knew is |
| 00:24:49 |
I don't know... |
| 00:24:50 |
- real emotion, |
| 00:24:51 |
and I had to find |
| 00:24:54 |
Cristina says |
| 00:24:56 |
Cristina is a |
| 00:24:58 |
Want to sit? |
| 00:24:59 |
Yeah. |
| 00:25:01 |
So... |
| 00:25:03 |
...tell me, why won't your |
| 00:25:04 |
father publish his poems? |
| 00:25:08 |
Because he hates the world... |
| 00:25:11 |
...and that's his way |
| 00:25:14 |
To create beautiful |
| 00:25:18 |
...deny them to the public, |
| 00:25:21 |
My God. |
| 00:25:23 |
Well, what makes him |
| 00:25:24 |
so angry toward |
| 00:25:27 |
Because after thousands of |
| 00:25:31 |
...they still haven't |
| 00:25:35 |
They returned to the hotel. |
| 00:25:37 |
Cristina was feeling better, |
| 00:25:38 |
but far too shaky |
| 00:25:42 |
Vicky and Juan Antonio |
| 00:25:44 |
at a lovely |
| 00:25:46 |
She was more relaxed |
| 00:25:48 |
and had just finished |
| 00:25:50 |
This time she was enjoying |
| 00:25:53 |
...no place on earth. |
| 00:25:54 |
My father used |
| 00:26:03 |
Hello? |
| 00:26:04 |
Hey. Did I get you at |
| 00:26:07 |
No, I'm just about to eat. |
| 00:26:09 |
Can I call you back? |
| 00:26:11 |
Let me just say one thing. |
| 00:26:12 |
Paul and Maryanne |
| 00:26:14 |
...that they like even better |
| 00:26:17 |
Oh, yeah? |
| 00:26:22 |
How...? Babe? |
| 00:26:24 |
but this house has a pool |
| 00:26:26 |
We could both take lessons |
| 00:26:27 |
from Paul's instructor. |
| 00:26:30 |
Okay, I'll call you back. |
| 00:26:31 |
I can't hear you. |
| 00:26:33 |
I love you. |
| 00:26:37 |
God. |
| 00:26:48 |
- What is this wine? It's delicious. |
| 00:26:52 |
Was that your fiance? |
| 00:26:54 |
Uh, yes, yes. |
| 00:26:57 |
Why were you so nervous |
| 00:27:00 |
Was I nervous? |
| 00:27:02 |
Yes, you turned red. |
| 00:27:04 |
Well, |
| 00:27:08 |
Would he be upset |
| 00:27:09 |
if he knew |
| 00:27:11 |
No, not at all! |
| 00:27:13 |
I mean, I don't think |
| 00:27:17 |
...of me sitting with a man |
| 00:27:21 |
...but he'd quickly realize there was |
| 00:27:26 |
Would you ever withhold your work |
| 00:27:30 |
No-no-no. |
| 00:27:32 |
No, I told you... |
| 00:27:33 |
...I affirm life, |
| 00:27:38 |
Right, right. |
| 00:27:39 |
Well. I'd be curious |
| 00:27:45 |
Really? |
| 00:27:47 |
Why? I mean, you are |
| 00:27:52 |
Well, I've gotten |
| 00:27:55 |
It'd be interesting, |
| 00:27:58 |
you are a Catalan painter |
| 00:27:59 |
and that's my subject. |
| 00:28:00 |
What gave you such |
| 00:28:03 |
I fell in love with Gaudi's church |
| 00:28:08 |
...and one thing led to another. |
| 00:28:13 |
You also admire Spanish guitar, |
| 00:28:17 |
Yes, yes. I love the guitar. |
| 00:28:20 |
Would you like to go hear |
| 00:28:21 |
some wonderful guitar tonight? |
| 00:28:24 |
Tonight? |
| 00:28:26 |
Well, it's a little late, |
| 00:28:30 |
...l'm a little wobbly |
| 00:28:33 |
You said |
| 00:28:36 |
Besides, |
| 00:28:41 |
Okay, sure. |
| 00:28:43 |
Great. |
| 00:29:42 |
That was unbelievable. |
| 00:29:45 |
Thank you, thank you. |
| 00:29:46 |
I was looking at your face |
| 00:29:49 |
Yes, yes. |
| 00:29:50 |
A few times, I saw a look like that. |
| 00:29:53 |
Right. |
| 00:29:55 |
Well, yes, maybe on Maria Elena. |
| 00:29:57 |
If she saw... |
| 00:29:59 |
...or heard something |
| 00:30:03 |
You're still |
| 00:30:06 |
No, I'm not, |
| 00:30:10 |
That confirms it. |
| 00:30:11 |
No, she will always |
| 00:30:15 |
She's an important |
| 00:30:17 |
...but for the two of us, |
| 00:30:18 |
something was not working. |
| 00:30:23 |
What element? |
| 00:30:25 |
We never found out. |
| 00:30:31 |
You, um... you said you were |
| 00:30:38 |
Why? |
| 00:30:39 |
Why were you |
| 00:30:41 |
Was I? |
| 00:30:43 |
You probably saw my tears. |
| 00:30:44 |
Yeah... I'm a little out |
| 00:30:50 |
I was looking at your face |
| 00:30:51 |
because I find it very beautiful. |
| 00:30:54 |
- You do? |
| 00:30:58 |
Of course I do. |
| 00:30:59 |
You know I do. |
| 00:31:33 |
On the trip home, Vicky, |
| 00:31:34 |
who had mentioned nothing |
| 00:31:37 |
Cristina, on the other hand, |
| 00:31:40 |
I must apologize to both of you |
| 00:31:44 |
I'm completely mortified! |
| 00:31:45 |
I'm humiliated. |
| 00:31:47 |
I don't know if it was the wine, |
| 00:31:50 |
Because I have this ulcer. |
| 00:31:52 |
I just thank God |
| 00:31:55 |
to keep Vicky occupied. |
| 00:31:57 |
I had these horrible nightmares |
| 00:31:58 |
that you two would be |
| 00:32:00 |
...hating every minute |
| 00:32:03 |
I just couldn't move. |
| 00:32:07 |
Vicky buried herself |
| 00:32:10 |
She put foolish ideas out |
| 00:32:12 |
and concentrated on her thesis. |
| 00:32:14 |
But she found her thoughts |
| 00:32:19 |
Cristina, searching for a means |
| 00:32:22 |
...wandered the streets of Barcelona, |
| 00:32:25 |
experimented with her latest passion, |
| 00:32:26 |
photography... |
| 00:32:28 |
...and believed that she had |
| 00:32:30 |
...exactly at the moment |
| 00:32:34 |
And then, 48 hours later, |
| 00:32:36 |
Cristina came to Vicky |
| 00:32:38 |
Vicky, he called! |
| 00:32:40 |
What? Who? |
| 00:32:41 |
Juan Antonio. |
| 00:32:44 |
Juan Antonio called you? |
| 00:32:46 |
Yeah, he wants to |
| 00:32:49 |
...some wine tasting or something. |
| 00:32:50 |
I said, "Absolutely." |
| 00:32:52 |
A wine tasting. |
| 00:32:54 |
But what about your ulcer? |
| 00:32:57 |
No, it's fine. |
| 00:32:58 |
A little wine's |
| 00:32:59 |
The point is that he wants to see me! |
| 00:33:02 |
Isn't that great? |
| 00:33:03 |
Yeah, yeah. |
| 00:33:04 |
I can't believe it. |
| 00:33:07 |
That's great. I'm happy for you. |
| 00:33:12 |
That night, the two women |
| 00:33:15 |
Cristina sat in the kitchen, drinking |
| 00:33:23 |
Vicky, too, was lost in memories |
| 00:33:25 |
that now seemed more |
| 00:33:42 |
Hello. |
| 00:33:43 |
Hey, babe. |
| 00:33:44 |
Did I wake you? |
| 00:33:47 |
No, no... |
| 00:33:48 |
I was just going to sleep. |
| 00:33:51 |
I'm sorry I called so late. |
| 00:33:52 |
I had to get out of the office. |
| 00:33:53 |
Get some air, get some coffee, |
| 00:33:57 |
Check this out. |
| 00:33:59 |
Dad has contacts in |
| 00:34:01 |
I thought I'd come early, |
| 00:34:04 |
and we could get married |
| 00:34:07 |
You said it was |
| 00:34:08 |
We'll just do a quick |
| 00:34:10 |
Of course, we'll do |
| 00:34:12 |
and you know, and have a huge |
| 00:34:14 |
but I thought it'd be fun. |
| 00:34:16 |
What? To get married here? |
| 00:34:19 |
Why not? |
| 00:34:20 |
It'd be great to tell our kids |
| 00:34:22 |
...and Dad's friends would |
| 00:34:26 |
I don't know what to say. |
| 00:34:30 |
You don't sound bowled over. |
| 00:34:32 |
No, it's, uh... |
| 00:34:35 |
...it's just a surprise. |
| 00:34:37 |
So, w-, eh, look, we're gonna |
| 00:34:39 |
and we're gonna do that, too. |
| 00:34:41 |
Yeah, so what's the point? |
| 00:34:44 |
The point is, it's different, |
| 00:34:46 |
I told Ken and Alice. |
| 00:34:47 |
I called them earlier and |
| 00:34:50 |
I mean, London in their case, |
| 00:34:54 |
Well, I, uh... |
| 00:34:57 |
You sound a bit reluctant. |
| 00:35:01 |
Me? No. Why would I be? |
| 00:35:06 |
No, I... |
| 00:35:09 |
...I think it's a fine idea. |
| 00:35:12 |
I think it's great. |
| 00:35:12 |
It's a great idea. |
| 00:35:14 |
Yeah, I think it's |
| 00:35:16 |
I'll call you tomorrow. |
| 00:35:18 |
I know I woke you. |
| 00:35:19 |
I'll give you more |
| 00:35:20 |
I love you so much. |
| 00:35:57 |
Juan Antonio took Cristina |
| 00:36:00 |
After, he took her back to his house, |
| 00:36:04 |
from another painter |
| 00:36:05 |
...and which served as his home |
| 00:36:09 |
He showed her his work, |
| 00:36:11 |
She loved the |
| 00:36:13 |
emotional way he applied |
| 00:36:16 |
From there, it was only one floor |
| 00:36:20 |
He told her of his marriage |
| 00:36:23 |
and their deep love... |
| 00:36:24 |
...and their terrible fights. |
| 00:36:26 |
He told her he had not wanted |
| 00:36:28 |
in the bedroom they shared... |
| 00:36:31 |
This time, |
| 00:37:26 |
Juan took Cristina out |
| 00:37:29 |
They went to see a new sculpture |
| 00:37:35 |
He showed her some |
| 00:37:36 |
of the city, |
| 00:37:40 |
Juan Antonio was friendly |
| 00:37:42 |
and thought they would |
| 00:37:52 |
He encouraged Cristina's work, |
| 00:37:54 |
she was always too |
| 00:37:58 |
He took her to lunch |
| 00:38:00 |
who were poets and |
| 00:38:03 |
Cristina held her |
| 00:38:08 |
Meanwhile, one day, going to study |
| 00:38:12 |
...which Gaudi had designed |
| 00:38:13 |
and which figured prominently |
| 00:38:15 |
...Vicky had a chance encounter. |
| 00:38:24 |
Vicky. |
| 00:38:25 |
- Hello |
| 00:38:27 |
My goodness, |
| 00:38:30 |
Nothing. |
| 00:38:32 |
Oh, right. |
| 00:38:34 |
Well, I didn't mean |
| 00:38:37 |
Disturb me, no. |
| 00:38:38 |
How could you disturb me? |
| 00:38:40 |
We never had a chance |
| 00:38:41 |
to say a proper good-bye. |
| 00:38:45 |
Well, you could have called me. |
| 00:38:48 |
I... Yeah, I debated it. |
| 00:38:52 |
But I didn't think |
| 00:38:55 |
But you never phoned, |
| 00:39:00 |
"Thank you. It was fun." |
| 00:39:01 |
You don't make love |
| 00:39:03 |
to someone and then |
| 00:39:05 |
...unless you were |
| 00:39:07 |
Quite the opposite. |
| 00:39:09 |
But... |
| 00:39:11 |
...you have plans to marry... |
| 00:39:13 |
...and I thought it best |
| 00:39:15 |
before it led to a bad situation |
| 00:39:18 |
I'm only saying that we made love |
| 00:39:20 |
and you seemed to drop off |
| 00:39:22 |
I mean, I realize these |
| 00:39:27 |
To pursue matters would have |
| 00:39:31 |
for me, |
| 00:39:33 |
I had the ability |
| 00:39:35 |
to hurt you after one night? |
| 00:39:40 |
Maria Elena used to say that... |
| 00:39:43 |
...only unfulfilled |
| 00:39:48 |
Right. Okay. |
| 00:39:52 |
Well, the truth is, you're |
| 00:39:57 |
I've grown very fond |
| 00:40:01 |
So, I'm very happy for you |
| 00:40:07 |
And I... |
| 00:40:09 |
...for you and Cristina. |
| 00:40:14 |
- Bye. |
| 00:40:19 |
And so the morning came |
| 00:40:20 |
when Vicky's husband-to-be |
| 00:40:31 |
Juan Antonio, |
| 00:40:34 |
needed always |
| 00:40:36 |
...and had invited Cristina to move |
| 00:41:01 |
So you're with Global Enterprises? |
| 00:41:02 |
Tom Sutter's an old friend of mine. |
| 00:41:03 |
You know Tom Sutter? We play golf! |
| 00:41:06 |
You do? Well, I got some stories. |
| 00:41:07 |
Tom has never beaten me. |
| 00:41:08 |
Well, he's not the greatest |
| 00:41:26 |
My God. |
| 00:41:28 |
You're a whole different person here. |
| 00:41:30 |
Yeah? What does that mean? |
| 00:41:32 |
You were so into it. |
| 00:41:35 |
Well, am I not usually? |
| 00:41:38 |
Yeah, of course you are. |
| 00:41:41 |
I'm giving you a compliment. |
| 00:41:46 |
Maybe it's the Barcelona air. |
| 00:41:49 |
Come here, hold me. Hold me. |
| 00:41:55 |
You okay? |
| 00:41:56 |
Yeah. |
| 00:41:59 |
How's Cristina doing? |
| 00:42:01 |
She's already moved |
| 00:42:04 |
That was quick. |
| 00:42:05 |
Don't tell me he's a bullfighter. |
| 00:42:06 |
No. |
| 00:42:07 |
Writer? Composer? |
| 00:42:08 |
Tortured pseudo- intellectual |
| 00:42:11 |
Yeah, I know. |
| 00:42:12 |
Sometimes she gets on my nerves |
| 00:42:13 |
with her crackpot love affairs. |
| 00:42:16 |
Look, I love her because |
| 00:42:19 |
...but I've warned you about her. |
| 00:42:21 |
She's an unhappy person. |
| 00:42:24 |
She can't part with |
| 00:42:25 |
of the oh-so-special woman... |
| 00:42:27 |
...the artist trying to find herself. |
| 00:42:29 |
I find her contempt for |
| 00:42:33 |
It's a boring cliche. |
| 00:42:35 |
Well, men like her. |
| 00:42:36 |
She's pretty. |
| 00:42:38 |
And not exactly difficult |
| 00:42:41 |
Now you, on the other hand, |
| 00:42:49 |
But it was worth the struggle. |
| 00:42:50 |
- Yeah? |
| 00:42:56 |
Juan Antonio wants to take me |
| 00:42:57 |
to this old amusement park |
| 00:43:00 |
I thought we could get lunch, |
| 00:43:04 |
...then we could |
| 00:43:07 |
What, tomorrow for lunch? |
| 00:43:09 |
We can't. We have plans. |
| 00:43:11 |
No, we can always go boating |
| 00:43:14 |
I'd like to go with Cristina |
| 00:43:16 |
- and Juan Antonio. |
| 00:43:18 |
Yeah, that would be great. |
| 00:43:20 |
Tomorrow. |
| 00:43:21 |
Okay. |
| 00:43:25 |
The couples met for lunch |
| 00:43:27 |
course of conversation, |
| 00:43:31 |
Juan Antonio, having warm |
| 00:43:34 |
tried to brush his foot... |
| 00:43:35 |
...against hers under the table, |
| 00:43:46 |
The amusement park was everything |
| 00:43:49 |
It was antique and charming, |
| 00:44:14 |
I see why you love your fiance. |
| 00:44:15 |
He's very charming. |
| 00:44:17 |
Yes, he's lovely. |
| 00:44:19 |
And very well suited to you. |
| 00:44:22 |
I don't think I like |
| 00:44:24 |
I only mean you make a |
| 00:44:28 |
You don't understand. |
| 00:44:29 |
I can't do anything about it now. |
| 00:44:31 |
I'm not saying the thought |
| 00:44:35 |
Vicky, please. |
| 00:44:36 |
We must not get into this |
| 00:44:39 |
Things have moved on |
| 00:44:40 |
and I've developed real |
| 00:44:43 |
Then what? |
| 00:44:45 |
Why did you rub your foot |
| 00:44:48 |
- I didn't. |
| 00:44:51 |
- I didn't. |
| 00:44:53 |
No. If I did, it was a mistake. |
| 00:44:55 |
My intention was to touch Cristina. |
| 00:45:00 |
Okay, I'm sorry. |
| 00:45:03 |
I apologize for my mistake. |
| 00:45:05 |
I'm sorry, it was my mistake, |
| 00:45:07 |
Listen... you are all set to enter |
| 00:45:09 |
a completely different life. |
| 00:45:12 |
A life you always wanted |
| 00:45:13 |
Yes, goddamn it, |
| 00:45:16 |
...and we had this ridiculously |
| 00:45:19 |
and now I don't know where I am. |
| 00:45:22 |
Please. |
| 00:45:23 |
I'm with Cristina and you're |
| 00:45:28 |
I know. I know. |
| 00:45:31 |
Cristina loves you. |
| 00:45:34 |
I would never... |
| 00:45:35 |
Yes, and Cristina |
| 00:45:38 |
She speaks my language. |
| 00:45:40 |
You and l... |
| 00:45:41 |
- we'd be at each other's |
| 00:45:45 |
All right? |
| 00:45:45 |
Yeah. |
| 00:45:46 |
Look. Maybe our paths will |
| 00:45:49 |
under different circumstances. |
| 00:45:50 |
Who knows about life? |
| 00:45:54 |
Yeah. You're right. |
| 00:45:54 |
You're right, I'm an idiot. |
| 00:45:56 |
I don't know what |
| 00:46:01 |
And so the wedding day came |
| 00:46:04 |
Cristina was there. |
| 00:46:06 |
She did not bring Juan Antonio, |
| 00:46:11 |
Following the ceremony, |
| 00:46:12 |
the bride and groom left for |
| 00:46:23 |
Meanwhile, Cristina began to |
| 00:46:24 |
sense the possibility of |
| 00:46:26 |
she had always sought... |
| 00:46:27 |
...but in the past had eluded her. |
| 00:46:31 |
She was the lover of an exciting man, |
| 00:46:36 |
She was already thinking of herself |
| 00:46:39 |
...not smothered by what she |
| 00:46:42 |
and materialistic culture... |
| 00:46:44 |
...which she had little |
| 00:46:47 |
She saw herself more a European soul, |
| 00:46:50 |
in tune with the |
| 00:46:51 |
...she felt expressed |
| 00:46:54 |
freethinking view of life. |
| 00:47:09 |
With Juan Antonio's circle of friends, |
| 00:47:11 |
she hobnobbed with |
| 00:47:14 |
She loved their company |
| 00:47:15 |
and continued to experiment |
| 00:47:36 |
- You have a good time? |
| 00:47:40 |
We ran into some friends from New York, |
| 00:47:41 |
got to spend some time with them, |
| 00:47:44 |
Uh, yeah, a-a-a little too much time. |
| 00:47:45 |
You're just angry because they beat |
| 00:47:48 |
- I don't like bridge. |
| 00:47:49 |
- What is this? |
| 00:47:53 |
Cristina and Juan Antonio |
| 00:47:55 |
When I found out she was seriously |
| 00:47:57 |
I couldn't believe it. |
| 00:47:59 |
Just what we need... |
| 00:48:03 |
I don't think I like it. |
| 00:48:04 |
We'll buy you one of Alejandro's. |
| 00:48:57 |
What? |
| 00:48:58 |
Maria Elena is... |
| 00:48:59 |
she tried to kill herself. |
| 00:49:01 |
What? |
| 00:49:03 |
Is she okay? |
| 00:49:07 |
Yes. Yes, I think so. |
| 00:49:09 |
I don't know. I have to go. |
| 00:49:10 |
Where are you going? |
| 00:49:13 |
I'm going to the hospital. |
| 00:49:16 |
Should I come with you? |
| 00:49:18 |
I don't think that would be |
| 00:49:21 |
She's a mess. |
| 00:49:22 |
Well, all right, well, |
| 00:49:25 |
- Okay, of course. |
| 00:49:26 |
Of course. |
| 00:49:28 |
Juan Antonio hurried out |
| 00:49:36 |
Cristina tried |
| 00:49:38 |
but had an uneasy feeling. |
| 00:49:40 |
She dozed restively, |
| 00:49:54 |
I'm just up here making coffee! |
| 00:49:56 |
Is everything okay? |
| 00:49:59 |
Cristina, this is Maria Elena. |
| 00:50:08 |
I feel like such a fool. |
| 00:50:09 |
Here you have to speak English. |
| 00:50:12 |
Please. |
| 00:50:12 |
I'm embarrassed. |
| 00:50:14 |
Oh, no. |
| 00:50:16 |
Please, don't feel embarrassed. |
| 00:50:18 |
Can I get you anything at all? |
| 00:50:20 |
Vodka. |
| 00:50:21 |
Vodka? |
| 00:50:25 |
With all those pills you took? |
| 00:50:28 |
Are you crazy, or what? |
| 00:50:30 |
I want to take a shower, |
| 00:50:31 |
I want to get rid of these clothes. |
| 00:50:32 |
In English. In English. |
| 00:50:34 |
When you are here, |
| 00:50:37 |
You want to take a shower, |
| 00:50:41 |
So now I'm a guest in my own house? |
| 00:50:43 |
Yes. You are a guest. |
| 00:50:46 |
Go on, Maria Elena, please. Go on. |
| 00:50:50 |
There. You know where the room is. |
| 00:50:54 |
So... what's going on? |
| 00:50:56 |
- Nothing. |
| 00:51:00 |
I think she's okay, yeah. |
| 00:51:03 |
I mean... |
| 00:51:06 |
...things didn't work out |
| 00:51:12 |
...she came back on the bus tonight, |
| 00:51:17 |
Her whole world looked black |
| 00:51:19 |
and all her plans had come |
| 00:51:23 |
...she overdosed in the |
| 00:51:25 |
Oh, my God, that's terrible. |
| 00:51:26 |
Yea. She has to stay with us. |
| 00:51:28 |
What? She's gonna stay with us? |
| 00:51:30 |
She has to stay with us. |
| 00:51:32 |
She has no one capable |
| 00:51:36 |
I, I always... |
| 00:51:40 |
I was always her |
| 00:51:43 |
I understand, but, I mean, |
| 00:51:48 |
You know, I think... |
| 00:51:50 |
...she can't be trusted |
| 00:51:52 |
That's the problem. |
| 00:51:53 |
I mean, even if... |
| 00:51:55 |
let me think... even if I... |
| 00:51:58 |
...if a place could |
| 00:52:00 |
Maybe she needs |
| 00:52:03 |
No. She's always had bad |
| 00:52:05 |
I understand, |
| 00:52:08 |
In there. |
| 00:52:11 |
Well, how long is |
| 00:52:14 |
Cristina, I know... |
| 00:52:17 |
...this is not what you had in mind, |
| 00:52:20 |
- I understand. |
| 00:52:22 |
I understand. |
| 00:52:24 |
A few months at most. |
| 00:52:26 |
She's staying for a few months? |
| 00:52:28 |
Listen, I've been |
| 00:52:31 |
So... I mean, if... |
| 00:52:34 |
Shit. |
| 00:52:38 |
If you had only known |
| 00:52:41 |
I mean, her beauty... |
| 00:52:45 |
- Yes, I know. |
| 00:52:48 |
...she was so sensual. |
| 00:52:49 |
She chose me from a hundred men |
| 00:52:55 |
We were both sure that... |
| 00:52:57 |
...our relation was perfect, |
| 00:53:00 |
You know, love requires |
| 00:53:04 |
It's like the human body. |
| 00:53:05 |
It may turn out that you have |
| 00:53:08 |
all the vitamins and minerals, |
| 00:53:10 |
...if there is a single, |
| 00:53:15 |
...missing, like, like... |
| 00:53:23 |
Salt? |
| 00:53:26 |
Who is she? |
| 00:53:29 |
She is the woman I live with. |
| 00:53:33 |
You have to speak English around her. |
| 00:53:36 |
Please. |
| 00:53:37 |
Why? For her sake? |
| 00:53:38 |
Yes, exactly. Out of courtesy. |
| 00:53:42 |
I don't trust her, Juan Antonio. |
| 00:53:44 |
Her eyes are not one color. |
| 00:53:47 |
You always had paranoid ideas |
| 00:53:53 |
She's pretty. |
| 00:53:55 |
Do you think she'll |
| 00:53:57 |
Well, she's quite intelligent |
| 00:54:02 |
Like me? |
| 00:54:03 |
Yes. |
| 00:54:05 |
You're still searching |
| 00:54:07 |
That is not true, Maria Elena. |
| 00:54:08 |
I was in Oviedo some weeks |
| 00:54:11 |
who was the antithesis of you... |
| 00:54:13 |
...an American, and something |
| 00:54:16 |
beautiful happened with her. |
| 00:54:19 |
So you're mistaken. |
| 00:54:20 |
You'll always see to duplicate |
| 00:54:22 |
In this house, speak English. |
| 00:54:25 |
That's all I ask. All right? |
| 00:54:26 |
Don't talk to me like that. |
| 00:54:27 |
Why are you getting |
| 00:54:31 |
Listen. Why were you thinking |
| 00:54:34 |
What a stupid idea did |
| 00:54:38 |
I mean, to try to kill yourself, |
| 00:54:41 |
Stay here until you get |
| 00:54:43 |
...and then I beg you, please, |
| 00:54:48 |
We came so close to perfection, |
| 00:54:50 |
- You're too damaged. |
| 00:54:54 |
You've always liked my mood swings. |
| 00:54:59 |
But what was missing, Juan Antonio? |
| 00:55:02 |
What was missing? |
| 00:55:03 |
Speak English! |
| 00:55:06 |
I don't like her for you! |
| 00:55:07 |
I don't trust her. |
| 00:55:08 |
And you know I always |
| 00:55:12 |
Not when you tried to kill me. |
| 00:55:15 |
- Oh, that. |
| 00:55:18 |
I mean, you... are suspicious of her |
| 00:55:24 |
It's so obvious. |
| 00:55:26 |
No, no. I see you so lost, |
| 00:55:32 |
For all your talk of swearing off |
| 00:55:35 |
...to end up losing your head... |
| 00:55:37 |
...not for one, but two... |
| 00:55:57 |
More coffee? |
| 00:55:59 |
Yes, please. |
| 00:56:03 |
I'm sorry. |
| 00:56:06 |
Here's sugar. |
| 00:56:07 |
No, thank you. |
| 00:56:12 |
I thought we could go for a ride |
| 00:56:15 |
I mean, the weather is beautiful. |
| 00:56:19 |
It's definitely going to rain later. |
| 00:56:22 |
In English. |
| 00:56:23 |
No, it's fine. |
| 00:56:26 |
You speak no Spanish? |
| 00:56:28 |
No. I studied Chinese. |
| 00:56:32 |
Chinese? |
| 00:56:36 |
Why? |
| 00:56:37 |
I thought it sounded pretty. |
| 00:56:41 |
Say something in Chinese. |
| 00:56:44 |
Me? |
| 00:56:50 |
How are you? |
| 00:56:53 |
You think that sounds pretty? |
| 00:56:56 |
Well, maybe not the way |
| 00:56:58 |
I'm pronouncing it, but... |
| 00:57:01 |
If you ask me, |
| 00:57:04 |
It's like a drill to the head. |
| 00:57:05 |
Speak English, Maria Elena. |
| 00:57:07 |
You ever hear them in the kitchen |
| 00:57:09 |
It's so unpleasant. |
| 00:57:10 |
Maria Elena, enough. |
| 00:57:12 |
Speak English. |
| 00:57:16 |
I'm sorry. I am nervous today. |
| 00:57:17 |
I had bad dreams. |
| 00:57:22 |
Would you like to paint? |
| 00:57:23 |
Do you paint also? |
| 00:57:25 |
Do I paint, she asks. |
| 00:57:27 |
Ask him, ask him. |
| 00:57:30 |
His whole style. |
| 00:57:32 |
She likes to make |
| 00:57:34 |
Your whole way |
| 00:57:37 |
I'm not saying that you |
| 00:57:38 |
Influential? |
| 00:57:39 |
- Influential? |
| 00:57:43 |
Hypocrite, hypocrite, hypocrite. |
| 00:57:44 |
To say I stole your style |
| 00:57:47 |
It's okay. We painted side |
| 00:57:50 |
and you adopted my vision |
| 00:57:52 |
That's a tale you invented |
| 00:57:55 |
But it's not true. |
| 00:57:56 |
She always had |
| 00:57:58 |
I'm not going to get angry. |
| 00:58:00 |
I'm not going to get angry. |
| 00:58:02 |
What did they say in art school? |
| 00:58:04 |
That I was a genius. Right? |
| 00:58:06 |
I always encouraged your talent. |
| 00:58:08 |
I'm not talking about talent. |
| 00:58:09 |
I said genius. |
| 00:58:10 |
Genius. |
| 00:58:13 |
I came close to killing for you. |
| 00:58:14 |
You came close |
| 00:58:17 |
I was defending myself. |
| 00:58:19 |
You had a razor |
| 00:58:22 |
...with a razor and raging! |
| 00:58:23 |
That was jealousy... |
| 00:58:27 |
...you betrayed me... |
| 00:58:28 |
With your eyes! With your eyes! |
| 00:58:32 |
You wanted to kill me |
| 00:58:33 |
I don't want to talk |
| 00:58:37 |
I see you with someone |
| 00:58:40 |
What else do you want? |
| 00:58:57 |
As the days passed, |
| 00:58:58 |
Cristina observed Maria Elena |
| 00:59:01 |
...and found the heart |
| 00:59:15 |
Where were you? Writing? |
| 00:59:17 |
Yeah, I was trying to. |
| 00:59:19 |
I'm so curious. |
| 00:59:21 |
Does she really think |
| 00:59:26 |
Well, I guess I took... |
| 00:59:30 |
...more from her |
| 00:59:33 |
That's why I'm so sensitive |
| 00:59:39 |
I feel kind of sad. |
| 00:59:41 |
Why? |
| 00:59:41 |
Because I feel like |
| 00:59:45 |
...influence you |
| 00:59:48 |
That's not true. |
| 00:59:49 |
It's how I feel. |
| 00:59:50 |
That's not true. |
| 00:59:52 |
I never heard the Scriab, |
| 00:59:56 |
...Piano Sonata until you played |
| 00:59:59 |
and now I can't stop listening to it. |
| 01:00:00 |
No? |
| 01:00:01 |
No! |
| 01:00:02 |
Well, that makes me happy. |
| 01:00:06 |
What? |
| 01:00:08 |
Maybe it's not a good idea here. |
| 01:00:11 |
What? |
| 01:00:13 |
She's been better lately... |
| 01:00:16 |
...and I don't |
| 01:00:20 |
Of course, no. Okay. |
| 01:00:28 |
It was at Vicky's afternoon |
| 01:00:30 |
which she took several days a week... |
| 01:00:32 |
...to improve her Spanish, |
| 01:00:35 |
...a young man who couldn't |
| 01:00:37 |
and started to chat |
| 01:00:41 |
I can't believe they hired me |
| 01:00:43 |
My Spanish is less than perfect, |
| 01:00:46 |
No, I think it's good. |
| 01:00:48 |
It's all right. |
| 01:00:49 |
But are you enjoying |
| 01:00:53 |
I would if I had more friends. |
| 01:00:56 |
Yesterday, I walked |
| 01:00:57 |
to Park Guell in search of Gaudi. |
| 01:01:02 |
You want to see a movie? |
| 01:01:03 |
A movie? |
| 01:01:04 |
Wednesday afternoon? |
| 01:01:08 |
Yeah. |
| 01:01:11 |
The movie was a great |
| 01:01:13 |
to be very good company for Vicky. |
| 01:01:20 |
One afternoon, they ducked into |
| 01:01:22 |
...and when the storekeeper took |
| 01:01:25 |
he couldn't resist taking her hand. |
| 01:01:30 |
No... don't. |
| 01:01:33 |
No? |
| 01:01:34 |
No. |
| 01:01:36 |
You do know that |
| 01:01:39 |
Yeah. |
| 01:01:41 |
I guess I was under |
| 01:01:43 |
...maybe you jumped into it |
| 01:01:46 |
Regret? Have I implied that? |
| 01:01:50 |
Unless I read into it. |
| 01:01:52 |
No. |
| 01:01:52 |
I shouldn't tell you this. |
| 01:01:55 |
I was always someone who thought |
| 01:02:01 |
But you didn't. |
| 01:02:03 |
Well, no. |
| 01:02:07 |
I'm not going to get |
| 01:02:10 |
So, this guy you met? |
| 01:02:12 |
The guy is living |
| 01:02:15 |
What am I talking about? |
| 01:02:17 |
When I hear myself, it's just crazy. |
| 01:02:21 |
I just married the guy I wanted. |
| 01:02:25 |
Did you? |
| 01:02:27 |
I thought so. |
| 01:02:29 |
So? What happened? |
| 01:02:33 |
One goddamned weekend in Oviedo. |
| 01:02:40 |
Cristina, Juan Antonio |
| 01:02:41 |
and Maria Elena went riding |
| 01:02:44 |
Maria Elena had decided they |
| 01:02:47 |
and insisted |
| 01:02:50 |
Wait for me! |
| 01:02:53 |
Gives me vertigo! |
| 01:02:59 |
- This is the perfect spot. |
| 01:03:00 |
- Can you get some... |
| 01:03:03 |
What's wrong? |
| 01:03:05 |
What, what, what? |
| 01:03:08 |
Wait, sit down. |
| 01:03:09 |
Sit, sit, sit, sit. |
| 01:03:12 |
Is it your upper |
| 01:03:15 |
- Here. |
| 01:03:17 |
Hold on. |
| 01:03:21 |
Wait, let me... |
| 01:03:26 |
You want some aspirin? |
| 01:03:27 |
I have aspirin in my bag. |
| 01:03:30 |
Okay. You relax. |
| 01:03:31 |
I'll be right back. |
| 01:03:58 |
It's all in his head. |
| 01:04:00 |
He has so much tension. |
| 01:04:02 |
To the world, he's carefree, |
| 01:04:05 |
life is short, |
| 01:04:07 |
But all his fear |
| 01:04:17 |
Do you know that |
| 01:04:20 |
No... |
| 01:04:22 |
...I didn't. |
| 01:04:23 |
Is that why you have |
| 01:04:25 |
I could have been |
| 01:04:27 |
Yes, you could have. |
| 01:04:28 |
No one plays |
| 01:04:32 |
She understands Scarlatti. |
| 01:04:34 |
Am I right? |
| 01:04:35 |
Do you play music? |
| 01:04:37 |
No. I just have to come |
| 01:04:40 |
...that I am not gifted, you know? |
| 01:04:43 |
I can appreciate art and |
| 01:04:47 |
It's sad, really, |
| 01:04:48 |
because I feel like |
| 01:04:51 |
...but I am not gifted. |
| 01:04:54 |
But you do have talent. |
| 01:04:56 |
- No. |
| 01:04:58 |
What's my talent? |
| 01:05:00 |
You take beautiful photographs. |
| 01:05:02 |
That's true. |
| 01:05:02 |
She always takes pictures that |
| 01:05:06 |
That's because they're nothing. |
| 01:05:09 |
How do you know I take pictures? |
| 01:05:11 |
I found them in your luggage. |
| 01:05:13 |
You went through my luggage? |
| 01:05:16 |
Of course I went through your luggage. |
| 01:05:18 |
First night I was in the house, |
| 01:05:20 |
I didn't believe you were |
| 01:05:23 |
I wanted to know who was really |
| 01:05:27 |
What?! |
| 01:05:29 |
Who knew what I would find? |
| 01:05:30 |
How could I be sure you were |
| 01:05:33 |
After all, I had thoughts |
| 01:05:43 |
So here are a few more. |
| 01:05:47 |
Don't say you like |
| 01:05:50 |
- What are you talking about? |
| 01:05:52 |
- You see? |
| 01:05:55 |
The next day, |
| 01:05:56 |
Maria Elena went out |
| 01:05:58 |
She had a superb eye and knew |
| 01:06:00 |
a lot about the art |
| 01:06:01 |
...and taught Cristina much about |
| 01:06:03 |
the aesthetics and |
| 01:06:05 |
She advised her to get rid |
| 01:06:07 |
and use an old one, |
| 01:06:10 |
She said it was important |
| 01:06:12 |
and she would set one up |
| 01:06:15 |
...and teach her various techniques |
| 01:06:25 |
They photographed everything, |
| 01:06:26 |
from silly-looking dogs |
| 01:06:29 |
But the best subject |
| 01:07:00 |
Shopping one afternoon, |
| 01:07:01 |
Vicky and Doug ran into |
| 01:07:05 |
Adam was in the same business Doug |
| 01:07:06 |
was in and they were friendly... |
| 01:07:07 |
...although in New York, |
| 01:07:08 |
they did not spend a lot |
| 01:07:10 |
Oh, you've got to be kidding me. |
| 01:07:14 |
Any program on TV, |
| 01:07:16 |
you can play back on your computer. |
| 01:07:19 |
So I'm on a flight to Tokyo, |
| 01:07:22 |
...and I am watching the Mets, |
| 01:07:26 |
It's amazing. |
| 01:07:28 |
We'll have the new house wired |
| 01:07:30 |
I'm looking at those new |
| 01:07:33 |
You have to have my guy do |
| 01:07:35 |
He's a genius with computers. |
| 01:07:37 |
I'll get his card. |
| 01:07:38 |
We just did our place in Greenwich. |
| 01:07:40 |
We have this wonderful decorator |
| 01:07:44 |
He's creative, |
| 01:07:47 |
We did it modern, with just |
| 01:07:52 |
I love combining the two, |
| 01:07:54 |
You have any idea what |
| 01:07:58 |
She's right. |
| 01:07:59 |
Actually, there's an old joke. |
| 01:08:01 |
"A hundred thousand |
| 01:08:17 |
Life continued predictably |
| 01:08:19 |
...until one afternoon, |
| 01:08:20 |
when an unpredictable |
| 01:08:36 |
Several days later, |
| 01:08:37 |
Judy asked Vicky to |
| 01:08:38 |
away from the house, |
| 01:08:42 |
What happened the other day. |
| 01:08:43 |
I... don't want you to get |
| 01:08:47 |
It's really none of my business. |
| 01:08:48 |
I'm not having an affair |
| 01:08:51 |
I'm not. |
| 01:08:53 |
No, I didn't think you were. |
| 01:08:57 |
Not that I haven't had fantasies of... |
| 01:08:59 |
...someone coming along and |
| 01:09:04 |
But the fantasies are not Jay Lewis. |
| 01:09:08 |
Even though he would like that. |
| 01:09:12 |
Taking you out of your situation? |
| 01:09:17 |
I haven't been in love with Mark... |
| 01:09:21 |
...for years. |
| 01:09:22 |
I love him, |
| 01:09:27 |
I'm sorry to hear that. |
| 01:09:30 |
It's funny. I just made... |
| 01:09:34 |
...I just made the same speech |
| 01:09:39 |
Well, what does your shrink say? |
| 01:09:42 |
He says... |
| 01:09:45 |
...that I'm too frightened |
| 01:09:49 |
...l'm looking for some kind |
| 01:09:51 |
...which is unrealistic. |
| 01:09:54 |
And an affair is not the answer. |
| 01:09:58 |
I'm sorry to be laying all |
| 01:10:01 |
...but I was so humiliated |
| 01:10:04 |
I'm just... |
| 01:10:06 |
Look, you mustn't feel that |
| 01:10:07 |
you have to |
| 01:10:13 |
Mark is great. |
| 01:10:18 |
I'm sure any... |
| 01:10:21 |
...any dissatisfaction I have |
| 01:10:25 |
I'm just... |
| 01:10:29 |
I can't leave him and I know |
| 01:10:36 |
Why not? |
| 01:10:39 |
I just... I can't. |
| 01:10:41 |
I'm too scared. |
| 01:10:45 |
The moment's passed. |
| 01:11:05 |
It's so apparent to me that you |
| 01:11:07 |
and Juan Antonio |
| 01:11:09 |
...when I see you together. |
| 01:11:10 |
Our love will last forever. |
| 01:11:13 |
It's forever, |
| 01:11:16 |
That's why it will always |
| 01:11:18 |
because it cannot be complete. |
| 01:11:20 |
Well, maybe it can't be |
| 01:11:23 |
you know, I'm getting in the way or, |
| 01:11:26 |
- No. Before you... |
| 01:11:28 |
...before you, we used to |
| 01:11:31 |
so much suffering. |
| 01:11:32 |
Without you, all this would |
| 01:11:35 |
You know why? |
| 01:11:36 |
Because you are |
| 01:11:38 |
You are like the tint that, |
| 01:11:41 |
makes the color beautiful. |
| 01:11:43 |
Aren't you and Juan Antonio |
| 01:11:47 |
I feel like... I don't know. |
| 01:11:50 |
At the end of our marriage, |
| 01:11:53 |
But I have to say those feelings |
| 01:11:56 |
thanks to you... |
| 01:11:57 |
...in a new and deeper way. |
| 01:12:00 |
I wouldn't be upset about it. |
| 01:12:02 |
I'd never want to get in the way. |
| 01:12:03 |
It wouldn't upset me at all. |
| 01:12:05 |
I know you wouldn't be upset. |
| 01:12:07 |
The same way |
| 01:12:10 |
...when I hear you both locked |
| 01:12:13 |
I listen, and I'm happy. |
| 01:12:18 |
Was Cristina okay with |
| 01:12:20 |
and Juan Antonio made |
| 01:12:23 |
Beforehand, she gave them |
| 01:12:24 |
but then had mixed feelings. |
| 01:12:27 |
She was not as open-minded |
| 01:12:28 |
as she had always |
| 01:12:30 |
...and the thought of the |
| 01:12:31 |
and inevitably full of intensity, |
| 01:12:35 |
In the end, she gradually relaxed... |
| 01:12:37 |
...and let herself go |
| 01:12:39 |
a tolerance she was proud of. |
| 01:12:43 |
At first it did bother me, |
| 01:12:44 |
but then I started to think about all |
| 01:12:47 |
What's right, what's wrong, |
| 01:12:49 |
what's appropriate according to |
| 01:12:53 |
You see how screwed up most |
| 01:12:55 |
So what you're saying |
| 01:12:57 |
You're like a Mormon wife. |
| 01:12:59 |
I know it sounds strange, |
| 01:13:01 |
but we all contribute to |
| 01:13:03 |
and we're really nourished by it. |
| 01:13:04 |
But if everyone did that, |
| 01:13:06 |
Oh, come on! |
| 01:13:07 |
Let's not get into one |
| 01:13:09 |
categorical imperative arguments. |
| 01:13:11 |
- Maria Elena says there are |
| 01:13:13 |
many truths in life not just one. |
| 01:13:14 |
I don't know. I mean... |
| 01:13:17 |
Well, I've never had Cristina's... |
| 01:13:20 |
- What? Her lack of structure? |
| 01:13:24 |
Her courage. I never had her courage. |
| 01:13:26 |
Her courage? |
| 01:13:27 |
Next thing, she'll be going to |
| 01:13:30 |
...and glorifying it as some kind of |
| 01:13:34 |
I have gone to bed with her. |
| 01:13:37 |
- No! |
| 01:13:38 |
When? |
| 01:13:39 |
Well, Juan Antonio |
| 01:13:42 |
made this darkroom for me. |
| 01:13:44 |
They're pushing me |
| 01:13:45 |
and I'm getting pretty good. |
| 01:13:48 |
Believe it or not, |
| 01:13:48 |
I'm getting much more confident. |
| 01:13:51 |
And we were down there |
| 01:13:53 |
And I was working on some |
| 01:13:58 |
...I wouldn't have done if |
| 01:15:05 |
And it happened very naturally |
| 01:15:09 |
You weren't nervous? |
| 01:15:11 |
No, it was very |
| 01:15:15 |
- Did you enjoy it? |
| 01:15:20 |
It was just the one time? |
| 01:15:22 |
Yeah. I mean, it just happened, |
| 01:15:25 |
I'm not planning on making |
| 01:15:31 |
But if you enjoyed it... |
| 01:15:33 |
I did, I did at the time. |
| 01:15:35 |
- Did you tell Juan Antonio? |
| 01:15:37 |
There's nothing to hide. |
| 01:15:39 |
Would you say, then, you are |
| 01:15:41 |
No... I see no reason |
| 01:15:43 |
I'm me! You know. |
| 01:15:45 |
I've slept with |
| 01:15:47 |
and enjoyed that |
| 01:15:49 |
It's a great story. |
| 01:15:53 |
Yea. That's a... great story. |
| 01:15:57 |
Look, I don't set myself up |
| 01:16:05 |
What are you thinking? |
| 01:16:08 |
Oh, I don't know. |
| 01:16:10 |
How quickly time passes. |
| 01:16:13 |
Summer's almost over. |
| 01:16:16 |
We're going home soon. |
| 01:16:20 |
I thought you were |
| 01:16:22 |
...your friend's little tale |
| 01:16:24 |
of lust in the darkroom. |
| 01:16:28 |
And speaking of darkrooms... |
| 01:16:59 |
Over the next weeks, |
| 01:17:00 |
Cristina became more and more sure |
| 01:17:03 |
Both Juan Antonio and |
| 01:17:06 |
and support when |
| 01:17:08 |
Thanks to their encouragement, |
| 01:17:10 |
photography was becoming |
| 01:17:10 |
a productive interest in her life. |
| 01:17:13 |
By now, she and Juan Antonio |
| 01:17:15 |
and Maria Elena had become lovers. |
| 01:17:31 |
Everything seemed perfectly balanced, |
| 01:17:34 |
Maria Elena was calm and relaxed. |
| 01:17:37 |
Juan Antonio was |
| 01:17:39 |
creative period with his painting. |
| 01:17:42 |
It was only Cristina, |
| 01:17:43 |
as the last days |
| 01:17:46 |
...who began to experience an old, |
| 01:17:49 |
...a growing restlessness |
| 01:17:51 |
but recognized only too well. |
| 01:17:54 |
Suddenly, thoughts started |
| 01:17:58 |
Thoughts and questions |
| 01:18:00 |
And, as much as she tried |
| 01:18:03 |
she could not get them |
| 01:18:05 |
Finally summoning her resolve... |
| 01:18:07 |
...one evening after dinner, |
| 01:18:09 |
she made an announcement |
| 01:18:11 |
I don't want what |
| 01:18:13 |
I don't want |
| 01:18:15 |
I know that. |
| 01:18:16 |
But I know I can't |
| 01:18:20 |
Did I tell you or not? |
| 01:18:21 |
Okay. |
| 01:18:23 |
- What do you want? |
| 01:18:27 |
What? |
| 01:18:28 |
I don't know. |
| 01:18:31 |
There is no answer, |
| 01:18:33 |
Don't you understand? |
| 01:18:34 |
She's gotten what she wanted. |
| 01:18:35 |
She wants something else. |
| 01:18:38 |
This isn't enough for her. |
| 01:18:39 |
Nothing will ever be enough |
| 01:18:40 |
Don't get so upset please. |
| 01:18:43 |
I can't understand you. |
| 01:18:44 |
This girl will never |
| 01:18:47 |
Speak English |
| 01:18:49 |
I knew you would use us. |
| 01:18:50 |
I knew you would use us. |
| 01:18:52 |
I knew it. |
| 01:18:54 |
I knew it! I knew it. |
| 01:18:56 |
Enough. |
| 01:18:57 |
Speak English, please, |
| 01:19:01 |
Enough. |
| 01:19:03 |
Chronic dissatisfaction, |
| 01:19:06 |
Chronic dissatisfaction. |
| 01:19:09 |
Big sickness. |
| 01:19:10 |
Big sickness. |
| 01:19:12 |
That's not it, Maria Elena. |
| 01:19:14 |
That's not it. |
| 01:19:14 |
- It's simply that... |
| 01:19:16 |
Do you know how much we love you? |
| 01:19:18 |
Yeah. And I love you both. |
| 01:19:20 |
- No, you don't! |
| 01:19:23 |
You spoiled little shit. |
| 01:19:24 |
Spoiled little shit. |
| 01:19:26 |
I knew it. I knew it. |
| 01:19:31 |
Shut up now, please. |
| 01:19:32 |
Shut up now. |
| 01:19:33 |
It's simply that she hasn't |
| 01:19:35 |
When she does find the right person |
| 01:19:38 |
...this whole thing |
| 01:19:42 |
and happiness will pass. |
| 01:19:44 |
- That's not it. |
| 01:19:49 |
Where will you go, Cristina? |
| 01:19:51 |
I just have to get out |
| 01:19:55 |
I'm, just got to clear my head. |
| 01:19:57 |
It's not... This is all my... problem. |
| 01:20:02 |
Come here. |
| 01:20:09 |
Let's be... |
| 01:20:12 |
...thankful for all the good times |
| 01:20:16 |
And remember each other |
| 01:20:23 |
...and love and affection. |
| 01:20:33 |
Cristina told all that |
| 01:20:36 |
...and said she was going to France |
| 01:20:39 |
She would return to pick her up, |
| 01:20:40 |
so they could go back to |
| 01:20:50 |
So it's been Juan Antonio |
| 01:20:52 |
I'm not going to do anything. |
| 01:20:54 |
Forget I said... |
| 01:20:55 |
I just needed to tell someone |
| 01:20:58 |
- Why don't you act on it? |
| 01:21:01 |
What, break up with Doug, |
| 01:21:06 |
...who married me in good faith, |
| 01:21:08 |
For a bohemian Spanish painter |
| 01:21:13 |
...to an ex-wife who probably |
| 01:21:16 |
if he ever did? |
| 01:21:17 |
So... Oh, God, who am I kidding? |
| 01:21:22 |
If I were you, |
| 01:21:25 |
I'd get on it. |
| 01:21:26 |
Get on what? |
| 01:21:27 |
You're in love with him. |
| 01:21:30 |
Do something, |
| 01:21:32 |
and you will be sorry, Vicky. |
| 01:21:34 |
No, no. What are you saying? |
| 01:21:36 |
I, eh, look, eh, |
| 01:21:39 |
If, if Juan Antonio had never existed, |
| 01:21:44 |
- Just, you'd... Just fine? Just fine? |
| 01:21:48 |
How, how blunt do you want me to be? |
| 01:21:49 |
When I look at Doug, I see Mark. |
| 01:21:53 |
You're using me to rewrite |
| 01:21:57 |
Despite Vicky's protestations... |
| 01:21:59 |
...Judy was possessed |
| 01:22:01 |
to bring her and |
| 01:22:03 |
...and prevailed upon her friend, |
| 01:22:04 |
Gabriella, who was a figure |
| 01:22:07 |
...to throw a party and |
| 01:22:11 |
Meanwhile, as predicted, |
| 01:22:14 |
...the relationship |
| 01:22:16 |
and Maria Elena had gone back to |
| 01:22:18 |
I devote all my time |
| 01:22:21 |
nursing your tics and phobias. |
| 01:22:23 |
My work suffers. |
| 01:22:24 |
It's not my fault. |
| 01:22:26 |
It's not my fault that your |
| 01:22:27 |
work has gone to shit and |
| 01:22:30 |
Do you know what it is like |
| 01:22:33 |
...that you will never |
| 01:22:36 |
Leave me alone. |
| 01:22:39 |
As had happened before |
| 01:22:41 |
Maria Elena packed her things... |
| 01:22:43 |
...and moved out of |
| 01:23:00 |
I think he's sweet. |
| 01:23:03 |
He gets in very close. |
| 01:23:05 |
He's a close talker. |
| 01:23:07 |
He's a close talker. |
| 01:23:09 |
That's probably |
| 01:23:12 |
I was telling her in the car |
| 01:23:16 |
I think he'll be a great |
| 01:23:18 |
I'm going to check out the food. |
| 01:23:20 |
Does anyone want anything? |
| 01:23:24 |
He gets in your face. |
| 01:23:25 |
He'll get a little close, but not... |
| 01:23:34 |
Hello. |
| 01:23:39 |
Oh. Hello. |
| 01:23:42 |
I'm surprised to see you. |
| 01:23:46 |
As am I to see you. |
| 01:23:50 |
Gabriella insisted |
| 01:23:55 |
You know that Cristina and |
| 01:23:58 |
Yes. |
| 01:24:00 |
So now you're |
| 01:24:02 |
No, Maria Elena is gone as well. |
| 01:24:05 |
For now. |
| 01:24:07 |
It's funny. Maria Elena and I... |
| 01:24:11 |
...are meant for each other and |
| 01:24:14 |
It's a contradiction. |
| 01:24:16 |
In order to understand it, |
| 01:24:20 |
Because I don't. |
| 01:24:26 |
How about you? |
| 01:24:27 |
All goes well with your husband? |
| 01:24:29 |
Oh, yes, he's wonderful. |
| 01:24:32 |
He's terrific. |
| 01:24:33 |
I'm quite delighted with |
| 01:24:37 |
Why don't I believe you? |
| 01:24:41 |
Don't become flirtatious. |
| 01:24:45 |
I realize your bed is empty now... |
| 01:24:47 |
...and you always had |
| 01:24:49 |
but we're preparing to leave |
| 01:24:52 |
Meet me for lunch. |
| 01:24:56 |
I'm too scared. |
| 01:25:03 |
What? |
| 01:25:04 |
You're breaking up, Tom. |
| 01:25:07 |
You're breaking up. |
| 01:25:09 |
Where are you? |
| 01:25:11 |
Okay. That's better. |
| 01:25:13 |
That's better. |
| 01:25:13 |
Just try to stand still. |
| 01:25:16 |
Can you hear me? |
| 01:25:18 |
We have to get |
| 01:25:22 |
No. We can't get them a bird. |
| 01:25:23 |
- Why not? |
| 01:25:25 |
They're beautiful. |
| 01:25:26 |
I always wanted a bird. |
| 01:25:28 |
You know, when we get home, |
| 01:25:29 |
I'd love to get a bird |
| 01:25:32 |
Yeah? |
| 01:25:33 |
Yeah. And I'm leaning towards |
| 01:25:37 |
What do you think? |
| 01:25:37 |
Yeah, yeah. |
| 01:25:40 |
Hold on. |
| 01:25:43 |
Hello. |
| 01:25:44 |
Spend tomorrow afternoon with me. |
| 01:25:48 |
No. It's not possible. |
| 01:25:49 |
We're preparing to |
| 01:25:52 |
Be on the corner of |
| 01:25:55 |
And... I'll drive by and pick |
| 01:26:00 |
No. I... You're wasting your time. |
| 01:26:02 |
I can't talk now. |
| 01:26:04 |
Look... I'm not the kind of man |
| 01:26:06 |
who would try to come between |
| 01:26:10 |
But Judy Nash called me |
| 01:26:14 |
That you are actually more in love |
| 01:26:18 |
I can't talk. |
| 01:26:32 |
Hey, babe. What do you think? |
| 01:26:35 |
Who was that? |
| 01:26:37 |
On the phone. |
| 01:26:38 |
Oh, it was my, uh, language teacher. |
| 01:26:45 |
He wants me to have |
| 01:26:45 |
a good-bye lunch with |
| 01:26:49 |
That's perfect. |
| 01:26:50 |
I'm going to play golf with |
| 01:28:03 |
Well, this is... |
| 01:28:07 |
I've been working |
| 01:28:14 |
They're very overwhelming. Oh, my God. |
| 01:28:17 |
It's very hard to explain a painting. |
| 01:28:19 |
You don't have to. It's fascinating. |
| 01:28:22 |
This one, actually, |
| 01:28:29 |
No, I like it very much. |
| 01:28:31 |
Can I... |
| 01:28:35 |
Yeah. |
| 01:28:35 |
This one. It's... |
| 01:28:39 |
There's something |
| 01:28:42 |
That one is Maria Elena's. |
| 01:28:44 |
Well, that explains it. |
| 01:28:48 |
Erratic, almost. But... |
| 01:28:51 |
Oh, God, what am I doing here? |
| 01:28:54 |
I don't know what I expect to happen. |
| 01:28:56 |
It's been a long time since |
| 01:29:01 |
I've thought about it many, many times. |
| 01:29:03 |
I'm sure you weren't thinking about it |
| 01:29:04 |
when you were making love to |
| 01:29:07 |
Well, I never lied to you. |
| 01:29:09 |
I told you from the first moment |
| 01:29:11 |
that I was attracted to |
| 01:29:13 |
I, I can't just go to bed with you. |
| 01:29:20 |
- But you weren't nervous that night. |
| 01:29:23 |
You were about to be. |
| 01:29:25 |
Yeah, you're right. |
| 01:29:27 |
But what am I supposed to do? |
| 01:29:29 |
Make love with you and then go |
| 01:29:31 |
on with my marriage |
| 01:29:34 |
Or, just terminate it? |
| 01:29:35 |
Judy Nash says you are heading |
| 01:29:38 |
Yeah, well, she's talking |
| 01:29:42 |
Maybe you will understand |
| 01:29:44 |
more about your own feelings |
| 01:29:46 |
Yeah, or less. |
| 01:29:47 |
Look, I'm not saying |
| 01:29:50 |
...but it would require |
| 01:29:54 |
and from a practical point of view, |
| 01:29:57 |
to plan a future with. |
| 01:30:04 |
What are you doing?! |
| 01:30:06 |
You're goin' to kill yourself! |
| 01:30:08 |
I don't want to live. |
| 01:30:09 |
I don't want to live, damn it! |
| 01:30:16 |
Let it go. Now, now, now. |
| 01:30:25 |
Don't you understand that |
| 01:30:29 |
that I can't live like this. |
| 01:30:34 |
I can't take this anymore. |
| 01:30:35 |
I can't take it anymore. |
| 01:30:38 |
Give me the gun. |
| 01:30:39 |
Give me the gun. Damn it! |
| 01:30:44 |
Listen to me, please, my love. |
| 01:30:47 |
My love, listen to me. |
| 01:30:49 |
Come. Give me your hand. |
| 01:30:51 |
Come. It's okay. |
| 01:30:57 |
Oh, my God. |
| 01:30:57 |
Oh, my God, I'm so sorry! |
| 01:31:02 |
Oh, my God, you're both crazy! |
| 01:31:04 |
Both of you are completely insane! |
| 01:31:08 |
How the hell am I going to |
| 01:31:10 |
I can't live like this! |
| 01:31:12 |
This is not my life! |
| 01:31:14 |
I just can't do it! |
| 01:31:20 |
I still don't understand |
| 01:31:23 |
I told you. |
| 01:31:24 |
He collects antique firearms. |
| 01:31:26 |
- He was showing me his favorite one |
| 01:31:29 |
- and it went off. |
| 01:31:31 |
No, it's not that bad, honestly. |
| 01:31:34 |
What if something happened to you? |
| 01:31:36 |
What? What are you saying? |
| 01:31:39 |
I love you so much. |
| 01:31:41 |
Doug never found out the real story. |
| 01:31:46 |
Judy knew the secret and, |
| 01:31:48 |
that Vicky had not been hurt worse, |
| 01:31:52 |
With Vicky leaving to |
| 01:31:54 |
Judy's plans to rescue Vicky... |
| 01:31:56 |
...from her own fate were |
| 01:32:02 |
When Cristina returned from Antibes, |
| 01:32:06 |
and Cristina thought it was sad |
| 01:32:07 |
how much Vicky |
| 01:32:09 |
...and was unable to say or |
| 01:32:12 |
I would have stepped aside. |
| 01:32:13 |
Look, I knew you had feelings |
| 01:32:15 |
for Juan Antonio |
| 01:32:18 |
But if I knew what had happened, |
| 01:32:21 |
Look, it was a... |
| 01:32:23 |
...a passing thing. |
| 01:32:27 |
Now it's over. |
| 01:32:56 |
Vicky went home to have her |
| 01:32:59 |
...to the house they both |
| 01:33:02 |
...and to lead the life |
| 01:33:04 |
for herself before the |
| 01:33:08 |
Cristina continued searching... |
| 01:33:10 |
...certain only of |
| 01:35:40 |
Subtitles by LeapinLar |
