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Vita Difficile Una A Difficult Life en
00:00:40	Partisans!
00:01:08	Take the typewriter!
00:01:13	- My God! Careful, Silvio!
00:02:19	Do you remember it now, mrs. Pavinato,
00:02:23	- Say the Tisico sent you.
00:02:27	Careful, the Germans are there.
00:02:34	Not there, the hotel is on the other side.
00:03:11	Attention, Germans coming.
00:03:18	- Heil, Hitler.
00:04:05	Are you the landlady of the hotel?
00:04:08	Mother.
00:04:14	Mother.
00:04:33	- Mrs. Pavinato?
00:04:36	The Tisico sent me. You have a flour mill,
00:04:40	- Why? - We are five,
00:04:45	- Who are you? - I am Silvio,
00:04:49	writing for "La Scintilla".
00:04:52	Move on! I don't want
00:04:56	- You have stolen salami from me.
00:05:00	I am no thief, I am an officer
00:05:04	I look like this because
00:05:08	I don't want to have anything to do with you.
00:05:10	For three nights I've been sleeping in a
00:05:15	If it does not give the keys to me,
00:05:17	I fight against the Germans
00:05:20	Is that the German?
00:05:22	Hands up!
00:05:26	- What's that?
00:05:32	- You're a partisan!
00:05:39	Madam, you speak German.
00:06:06	You cannot kill me just like that,
00:06:08	You don't deserve a legal process,
00:06:12	- You've been firing at my German comrades.
00:06:21	Oh.
00:06:33	You killed him with an iron?
00:06:46	Where are you going?
00:06:58	- Murderer, what have you done?
00:07:09	What's going on?
00:07:12	In my room there is NO hot water.
00:07:15	Quick,
00:07:20	- Leave now.
00:07:24	Come with me. Run!
00:07:42	- Are the Germans there?
00:07:53	Where are you running? Here.
00:08:10	- What are you doing?
00:08:12	- Whose house is it? - My grandfather's
00:08:17	- The Germans will not find you here.
00:08:21	Quick.
00:08:30	- Let's hide the machine gun.
00:08:35	We'll put it here.
00:08:40	It's beautiful here, I like it.
00:08:45	- Thanks, you have saved my life.
00:08:51	What's up, do I scare you?
00:08:55	Are you a servant?
00:08:59	What do you mean, servant.
00:09:03	- You, who are you? What you do in life?
00:09:09	- Southerner?
00:09:13	- You're a Roman?
00:09:16	- How did you end up here?
00:09:20	Then came the 8th of september,
00:09:27	You're shaking. Are you cold? Afraid?
00:09:31	No, I have a neuralgia swelling
00:09:37	I have many pains because of
00:09:43	- You have bronchitis?
00:09:49	Do you have lice?
00:09:51	No, I'm clean,
00:09:55	This fabric is itching me,
00:09:58	- Let's go.
00:10:00	- Let's go. - Where?
00:10:11	You can rest here, then tonight
00:10:15	- Whose bed is it?
00:10:19	- I haven't slept in a bed for four months.
00:10:23	Where we printed the newspapers,
00:10:27	Every night we changed places,
00:10:31	Let me make the bed.
00:10:34	I'm distressed, because for three nights
00:10:39	- in a tomb, next to a dead man.
00:10:43	- Here, put yourself to bed.
00:10:50	- Where will you go? - I'll catch up with
00:10:55	I write the newspaper,
00:10:59	They are brave, but illiterate.
00:11:02	- Go to sleep now.
00:11:04	Afterwards I'll get you hot milk and an aspirin.
00:11:08	- Also get me a cigarette.
00:11:12	- What is your name?
00:11:15	- And you?
00:11:18	Thanks, Elena, I will be grateful
00:11:22	- What are you doing?
00:11:27	- No, I'm going to the hotel.
00:11:33	I'll sleep now, and tomorrow
00:11:38	- Good bye.
00:11:53	Radio newscast. From the Don
00:12:00	Also in the Three-Power Pact nations,
00:12:04	The Führer has assured it will be
00:12:08	Victory is sure.
00:12:17	- What a beautiful beard you have!
00:12:22	My grandparents slept
00:12:26	- 40 years, always together?
00:12:31	Give me a cigarette.
00:12:41	Your mother, what does she say?
00:12:47	- No, she believes you are dead.
00:12:51	Everyone thinks you're dead,
00:12:55	You've kept me here for three months.
00:12:59	It would be worse if I were dead.
00:13:03	- Do you hear steps? - Is it your mother?
00:13:14	- Who is it?
00:13:18	- Look at that! Pippo, Lepre, the Vampiro.
00:13:22	Look. All of my companions
00:13:25	- Where?
00:13:28	- You said you would leave tomorrow.
00:13:33	- I want to call out to them.
00:13:37	Pinza, Pedro, Aquila!
00:13:41	- Close it, or you will catch bronchitis.
00:13:44	How cold!
00:13:49	- You will go to bed. - To bed?
00:14:01	- I should have gone with them.
00:14:06	No, I'm fine.
00:14:12	It's a shepherd's house,
00:14:16	How is your house is Rome?
00:14:19	It is big, and has large window
00:14:22	- Shall we go and live there?
00:14:29	- What will you do after the war?
00:14:32	I will write. I already have a novel in mind.
00:14:39	Did you hear? Shooting.
00:14:41	They are my friends! It's Barbetta!
00:14:48	They blew up the central.
00:14:51	And I'm here, in bed with you!
00:15:07	- Hey, Vampiro!
00:15:09	- Silvio.
00:15:12	I've been sick, with
00:15:15	but an old woman has nursed and rescued me.
00:15:21	She's been like a mother to me.
00:15:27	If the old one awakens, she won't let me leave.
00:15:32	Flour! Let's go.
00:15:35	- How cold!
00:16:13	- Who has typeset "The Americans out of Rome"?
00:16:16	- Who gave you the order?
00:16:21	- The article was "The Americans in Rome".
00:16:26	- Let me decide! - You have already twice
00:16:30	Simonini, don't worry about it,
00:16:35	Yes? Speak, director.
00:16:38	You've read the article?
00:16:41	The title?
00:16:43	No? More moderate?
00:16:48	I hear you director.
00:16:53	I must "keep my feet on the ground?
00:16:56	At times I can't control myself.
00:17:00	Right away. Simonini,
00:17:04	- Hello? I'm starving already!
00:17:08	No, no. The Dongo gold?
00:17:13	- Very well. I must leave straight away?
00:17:19	I'll take Magnozzi with me.
00:17:21	- No? - I know the places,
00:17:24	- He knows the area,
00:17:28	Very well.
00:17:31	- What did he say?
00:17:33	- When do we leave?
00:17:35	- I said "immediately".
00:17:38	The Americans in Rome, then.
00:17:44	7 months after the end of the war,
00:17:46	we are here, where tragedies of
00:17:50	The search for the famous treasure
00:17:54	and the journalists are returning
00:18:20	Get away! It may blow up!
00:18:23	- Get us water!
00:18:29	On that mountain there is a flour mill
00:18:33	where I spent a wonderful time
00:18:36	See that village? She lives there.
00:18:40	- The one who killed a German with an iron? - Yes.
00:18:43	Over there is her hotel.
00:18:45	- How do we get there?
00:18:49	- Does she have any sisters?
00:18:51	Let's go there, we'll eat, sleep for free
00:18:56	I cannot go to her.
00:19:00	I promised to marry her,
00:19:02	Instead one night I ran away
00:19:05	I have never sent her
00:19:09	Hello? Hotel Leon d' Oro?
00:19:15	- You're not her? - You're her mother?
00:19:19	Hello, Iris? This is Silvio.
00:19:22	Yes, I'm alive.
00:19:24	- Don't get your mother, get Elena.
00:19:27	- She was 13 years. - So now she's
00:19:34	Hello, Elena?
00:19:38	I'm a few kilometres from you.
00:19:42	What are you doing, love, are you crying?
00:19:44	It's too emotional for her, she cannot speak.
00:19:47	- How I like that! - If her sister is
00:19:52	Hello, Elena?
00:19:55	Speak, tell me something!
00:19:58	Two cases of beer? What are you saying?
00:20:03	Her mother is there, she doesn't want her to
00:20:07	- Why I haven't written? Well
00:20:12	- I will explain everything. - We'll be
00:20:16	I wasn't talking to you. I'm not alone here.
00:20:20	You have no idea what has happened!
00:20:25	- We'll be until late.
00:20:28	I never graduated,
00:20:32	I've come from Rome with the purpose of seeing you.
00:20:35	I so much want to see you again, my love.
00:20:38	No, we came by car.
00:20:42	You will see it afterwards.
00:20:45	I'm coming at once. I'm taking the ferry,
00:20:49	- Tell her to bring a friend.
00:20:52	Elena, do you have a friend?
00:20:55	Bring a friend. I'm here
00:21:03	A very likeable one.
00:21:06	If you don't mind we'll go out with him.
00:21:10	We'll go dancing, have a good time.
00:21:13	- And be out until late.
00:21:16	Elena, we'll see each other in a short while.
00:21:23	She said she had married.
00:21:27	- So they're not coming?
00:21:32	- Silvio, look at that mountain dweller.
00:21:37	- And the other one?
00:21:40	- The friend.
00:21:46	Elena!
00:21:48	- You have cut your beard?
00:21:52	It was the only beautiful thing you had.
00:21:57	Good evening, I'm Simonini, a colleague.
00:22:02	- Why, with whom should I have come?
00:22:06	- I wanted us to pass this beautiful evening.
00:22:09	- I have come only to bring you your stuff. - Well.
00:22:14	- The typewriter,
00:22:17	You left it all the flour mill
00:22:21	- I left to do what I had to do.
00:22:27	I hope never to see you again.
00:22:30	- What did I do?
00:22:34	- Hold this.
00:22:36	Elena! Wait!
00:22:41	Why did you do that?
00:22:43	Is it true that you married?
00:22:46	Bastard! You can't do like that!
00:22:49	I killed a man to save your life,
00:22:52	we lived together for three months
00:22:58	I realize I have done wrong.
00:23:02	How many promises you made me,
00:23:07	You even wrote me poems!
00:23:09	You said you couldn't live without me,
00:23:13	that I was more necessary to you
00:23:16	And now you phone me up, two years later,
00:23:21	Here's the beautiful evening!
00:23:25	Elena.
00:23:27	I have been a bastard, but I will not
00:23:32	- Who will stop me?
00:23:35	- It's too late.
00:23:38	- How beautiful you are! Give me a kiss.
00:23:41	Let's go to the flour mill, we'll spend
00:23:46	Then, if you want, you can come to Rome with me.
00:23:49	I won't go to the flour mill,
00:23:53	No, I have come here to tell
00:23:59	If you really love me,
00:24:06	I'm coming with you.
00:24:10	To Rome? When?
00:24:12	At once.
00:24:14	- Will your mother agree with this?
00:24:19	I'll flee. Iris!
00:24:24	I told you he would take
00:24:27	- Here is Elena's suitcase.
00:24:29	- Tell mother we love each other.
00:24:34	- He and his millions can go to hell!
00:24:40	- Bye, lris.
00:24:44	- Good bye, Silvio.
00:24:47	Let's go.
00:24:50	- The boat is leaving!
00:24:58	Silvio, quick!
00:25:04	- What are you doing with that suitcase?
00:25:07	- Are you crazy?
00:25:10	- Are you serious?
00:25:17	What does it matter to you?
00:26:07	I'll take it.
00:26:14	Let's go. Elena.
00:26:20	- Bye.
00:26:22	No, it belongs to the newspaper.
00:26:33	Come.
00:26:37	- Welcome!
00:26:40	Come on, Elena.
00:26:51	Excuse me, my love. Allow me.
00:26:56	Please enter.
00:27:06	Help yourself inside.
00:27:14	Put down the suitcase, make yourself comfortable.
00:27:39	- Where's the kitchen? - There isn't one,
00:28:00	Well, do you like it?
00:28:05	Would you rather return to your mother's house?
00:28:10	No.
00:28:25	- Silvio. - Hi, Elena,
00:28:29	- Director, have a look at this title.
00:28:32	- Should we add The king is out? - No,
00:28:36	- Very well. Excuse me, but can you give me
00:28:41	We are two, now.
00:28:43	I know, but you have to think.
00:28:46	The trattoria won't give us any more to eat.
00:28:50	- Our newspaper is not financed
00:28:53	We make do with money from laborers.
00:28:58	But some of us cash in 30,000 liras per month.
00:29:01	- There are those who are worth more, and those less.
00:29:05	No, if things go well,
00:29:09	Very well, give me 5.000.
00:29:11	I can give you this.
00:29:16	- I can give it to the trattoria.
00:29:18	- Thanks. No The king is out then?
00:29:22	- Elena, Let's go for a meal. I have a
00:29:28	Bye.
00:29:32	- The royal family has to leave.
00:29:41	No, it is Badoglio
00:29:44	- Excuse me, where were you
00:29:47	- Where were you on the eight of september?
00:29:51	- Silvio, let's go.
00:29:54	- You're a fascist.
00:29:57	- Don't always argue!
00:30:02	I'm hungry!
00:30:04	- The first results of the referendum!
00:30:13	Let's see.
00:30:15	Hello.
00:30:17	Bologna, Reggio Emilia, Ferrara
00:30:20	- The middle regions? - So so.
00:30:24	- You are already eating?
00:30:28	- How nice.
00:30:30	No, I prefer the beefsteak.
00:30:35	Two fettuccine with gravy and two beefsteaks.
00:30:40	- On mine too.
00:30:42	Ask Giovanni if his father
00:30:45	- You've never had them with red wine?
00:30:50	- Where you have eaten today?
00:30:54	- We've been to bed all day.
00:30:57	- Elena didn't feel so good.
00:31:01	- Haven't they paid you?
00:31:04	- A bill of exchange? - What is it?
00:31:08	- What? - What is it?
00:31:16	Giovanni. How are you?
00:31:19	Mrs. Gina looks good,
00:31:23	- He is fine, but I'm not together with you.
00:31:27	- The bill. - Good?
00:31:30	Today is ours! We are winning,
00:31:35	January and February: 30,000 Liras.
00:31:38	April and May: 20.000.
00:31:42	50,000 liras just to to eat!
00:31:47	Here are 60,000 liras,
00:31:50	- I'm giving you nothing.
00:31:54	- He is hungrier than you!
00:32:01	Excuse me.
00:32:04	- Giovanni does not recognize Franchetti's signature.
00:32:09	No, you owe me even more than he does.
00:32:13	I have already told you,
00:32:16	- In what sense? - You understood me.
00:32:19	I have sent them all out
00:32:22	- Giovanni, what has happened? - Before you
00:32:27	- She's my woman. - That's not important,
00:32:32	- Franco, here we cannot eat anymore.
00:32:37	- Very well, but don't offend him afterwards.
00:32:40	- Come on, I'm joking!
00:32:44	- Silvio, are we eating or leaving?
00:32:49	I'm leaving, but at least give her a beefsteak,
00:32:54	- No! You're not eating!
00:32:58	Go to Assassino at the corner,
00:33:02	Very well.
00:33:11	- Good evening.
00:33:15	- Bye, see you at the the newspaper.
00:33:21	- You exaggerated, they're offended.
00:33:27	The first results of the referendum!
00:33:33	Elena, wait here, I'll call for you.
00:33:40	Good evening, is this the Assassino?
00:34:12	Elena!
00:34:14	- My darling! - Marquis Capperoni,
00:34:19	- Did you know I was living in Rome?
00:34:25	- Did she tell you I ran away from home?
00:34:29	But you did right in
00:34:32	- You love him, right?
00:34:35	- You are married?
00:34:41	- What does he do?
00:34:46	- Fantastic! A promising line of work!
00:34:50	- If you see my mother, tell her we are very happy.
00:34:53	- Simonini told me so.
00:35:00	I'm very pleased to have seen you again.
00:35:05	So many memories! My beloved child!
00:35:09	- Who is this?
00:35:13	- He used to stay at our hotel during holidays.
00:35:16	- Magnozzi.
00:35:20	- Have you eaten already?
00:35:24	- Not, we were going to the trattoria.
00:35:28	- Where?
00:35:30	While we eat, we will know
00:35:34	I don't know We are not dressed well.
00:35:36	You're a writer, you artists have no
00:35:42	- Shall we go. - Is he monarchic?
00:35:47	- Well Rustichelli
00:35:52	- What are the news?
00:35:57	- And Piemonte? Pinerolo?
00:36:02	- Don't worry about it.
00:36:07	- Who is this young man?
00:36:12	Be seated.
00:36:17	Why do you bring people I don't know to the house?
00:36:20	- Mother, we were 13 at the table.
00:36:30	What anxiety!
00:36:35	- They were 13.
00:36:58	What a time for His Majesty!
00:37:03	I will always remember the last time
00:37:08	I was in Pinerolo, about to leave
00:37:13	His Majesty had come to salute us,
00:37:17	and when we were about to leave,
00:37:24	came towards me, took my
00:37:29	Dear Rustichelli,
00:37:34	There was a sincerity in his words,
00:37:37	which brought tears to my eyes.
00:37:40	Even now, honestly,
00:37:44	I get emotional
00:37:47	just talking about it.
00:37:49	- Why? Why?
00:37:53	Why do many people
00:38:04	- They accuse him of having gone to the South.
00:38:10	- No - I said gone, not "run away.
00:38:13	You said gone, but this gesture
00:38:17	It's the same thing. Why didn't he go
00:38:22	But he was 70 years,
00:38:27	- Who speaks of the partisans?
00:38:32	- Bravo!
00:38:36	- Shall we talk seriously about it?
00:38:49	Just one for me.
00:39:01	The lady.
00:39:03	I'll serve him. We're used to that at home.
00:39:17	Fantastic.
00:39:23	- Rolls?
00:39:26	- What are they doing?
00:39:36	I don't want
00:39:50	Thanks.
00:39:58	Attention.
00:40:02	of the results of the public referendum
00:40:06	What are you doing, eating?
00:40:08	No?
00:40:11	Monarchy:
00:40:17	- Good.
00:40:20	Very good!
00:40:25	Republic:
00:40:31	As of today, Italy is a republic.
00:40:35	- My God!
00:40:39	Come.
00:40:41	Let's go, general.
00:40:52	Let's go, Massimiliano.
00:40:55	Don't cry, dad.
00:40:59	There is also someone laughing!
00:41:03	- Who has the courage to laugh?
00:41:09	- Gangsters.
00:41:19	What do we do, should we leave?
00:41:22	- Let's eat first, and then leave.
00:41:50	- Thanks.
00:41:57	- To your health.
00:42:09	Tasty!
00:42:52	- Also the greyhounds, Mrs.?
00:43:03	- I have an appointment with the Commander.
00:43:12	I'm happy to make your aquaintance,
00:43:16	- Good morning. - My lawyer.
00:43:20	Happy to make your aquaintance.
00:43:27	I thought you were older.
00:43:29	- I have your article here. It ends
00:43:36	Do you want a Cinzano?
00:43:38	In the next article we will give names
00:43:42	who because of political elections,
00:43:45	have covertly sent tens
00:43:49	I would like to know if my name is one of them.
00:43:51	Since you have made me come here,
00:43:56	Do you believe you have proof of
00:44:01	Since I have decided to involve you,
00:44:07	I can say I'm sure of what I'm doing.
00:44:11	- Magnozzi, I dont fear you.
00:44:17	I have made you come to avoid
00:44:21	I don't like scandals, and I want
00:44:27	- We should be able to find an agreement.
00:44:30	You're an intellectual, a bourgeois like me,
00:44:39	- How much are you paid for these articles?
00:44:43	We will not be able to find an agreement,
00:44:48	I'm not offering you 50,000 liras,
00:44:59	- How much are you paid per month?
00:45:02	- Your wage.
00:45:05	- How can you live on 30.000 Liras?
00:45:09	I offer you 300,000 liras.
00:45:11	You cannot refuse, besides the industry
00:45:16	With me, you can have a shining and secure future.
00:45:22	- Are you married?
00:45:26	- Any children?
00:45:30	- One is coming though.
00:45:34	Then I offer you two hectares of commercial building ground, registered to your son's name.
00:45:41	In ten years the property will be worth a lot, and your son will be rich.
00:45:47	Magnozzi!
00:46:02	We interrupt this silence, this
00:46:08	- Do you want cars, apartments,
00:46:13	For three years I have worn the same cork shoes.
00:46:16	Be sincere with me.
00:46:20	- But I want to know what you think.
00:46:25	You still haven't understood?
00:46:31	Be careful, remember
00:46:34	Now they escape to Switzerland,
00:46:37	they will return and seek revenge.
00:46:43	You're irresponsible! Have you forgotten
00:46:50	The child! You are giving me
00:46:56	Before making a decision,
00:47:00	I love children, but if a child forces me
00:47:05	to commit actions contrary to my ideas,
00:47:08	then I don't want it.
00:47:12	- What are you saying? - If you were
00:47:17	you would know that there are countries
00:47:21	where if a woman who cannot take
00:47:26	She can choose not to have it.
00:47:31	If you continue with these speeches,
00:47:36	- You haven't understood.
00:47:39	If you want to ruin mine and my child's life,
00:47:47	- Elena!
00:48:26	Silvio! What are you doing?
00:48:32	I've been thinking all night,
00:48:37	I have called the newspaper,
00:48:41	They will remember it
00:48:47	Silvio Magnozzi is sentenced
00:48:52	for libel.
00:48:54	Not having a criminal record,
00:49:00	- Thanks, lawyer.
00:49:05	My love.
00:49:09	Thanks, colleagues.
00:49:13	The witnesses have betrayed me
00:49:18	In the name of the law I declare you
00:49:30	- We were in for five minutes, and now we're man and wife.
00:49:36	- Are you leaving right away?
00:49:39	We're traveling up north.
00:49:41	- You're meeting your mother-in-law?
00:49:46	- What's that?
00:49:50	What has happened?
00:49:52	What is it?
00:49:54	- Where are you running?
00:49:59	- It's the revolution. Run!
00:50:03	- Come here! - Elena,
00:50:26	Cignetti Enrico is sentenced
00:50:30	for public disturbance.
00:50:32	Magnozzi Silvio, for having participated in riots,
00:50:36	for having attempted to occupy a radio station,
00:50:40	is sentenced to 1 year and 3 months of confinement.
00:50:43	In accordance with article 168 of the Penal Code,
00:50:47	of a suspended sentence from the previous sentence,
00:50:49	therefore the defendant will serve
00:50:55	- Silvio.
00:51:40	- Hello, Elena!
00:51:43	- There is mother.
00:51:48	Mother!
00:51:52	What a shame,
00:51:57	- Hello, Elena.
00:52:00	Let's go home, we're not entertaining people.
00:52:05	Don't lose hope.
00:52:10	Jail will do good for your Silvio.
00:52:14	I'm sure it will put his head in place.
00:52:27	Oh! Oh! Oh! Oh!
00:52:32	Hush!
00:52:34	The director wants to hear
00:52:37	If he finds them reasonable,
00:52:41	- Who are your representatives?
00:52:48	- You organized the uprising?
00:52:53	- What is your name?
00:52:56	- I'm a journalist and political prisoner.
00:53:00	Grisaglia Gino, called Ragana,
00:53:04	- Are you also political?
00:53:06	- What are your demands?
00:53:11	A study room with new books,
00:53:19	Respect for prison regulations,
00:53:24	Then we ask
00:53:27	Dear wife, the prisoners have
00:53:32	and I am in solitary confinement, on bread
00:53:37	I have started writing the novel,
00:53:42	Dear Silvio,
00:53:47	Weight 3 kilos, and everyone says he looks like you.
00:53:50	I will call him Paulo, after my grandfather,
00:53:56	I'm certain your novel
00:53:58	but mother says you should
00:54:03	Here on the mountains it's been
00:54:07	Dear Elena, you have christened
00:54:12	I am not against it, but you could
00:54:17	Yesterday a minister paid visit to us.
00:54:19	There was some noise, and I am
00:54:23	The novel is proceeding well,
00:54:28	What do you think of it?
00:54:30	I desire your mouth,
00:54:34	I dream of you all through the nights.
00:54:36	Silvio, I know you desire me,
00:54:41	because my mother reads them,
00:54:44	I have sent you books
00:54:47	Let the novel rest, and study.
00:54:49	If you graduate, mother has found a position
00:54:54	Yesterday the child got his first tooth.
00:54:57	Here by the lake it continues to pour down.
00:55:06	- Here I am!
00:55:17	< Goodbye and thanks.
00:55:20	There is daddy. Do you see?
00:55:23	Is it Paolino?
00:55:25	My son! Look at him!
00:55:28	You've become a man! So beautiful!
00:55:32	- Do you look like me? You look like your daddy!
00:55:36	My Elena!
00:55:43	- See who it is. - It's Simonini.
00:55:46	Silvio! Elena! How been?
00:55:51	Such a beautiful child!
00:55:56	Give uncle a kiss.
00:55:58	- Are you angry with me?
00:56:02	The last time was in the City Hall.
00:56:05	We had to occupy the RAI.
00:56:08	- They arrested me. Where were you?
00:56:12	- There is a revolution and go for
00:56:16	It wasn't like that.
00:56:19	That's not necessary, you left the workers
00:56:24	The same bosses who sent me to jail.
00:56:28	He took all that I refused.
00:56:32	- And there's the dancer from Macario.
00:56:35	- It's Nadia, right?
00:56:38	- But - You must understand,
00:56:41	- I want you well, I want to help you.
00:56:45	- I'm going to my newspaper.
00:56:49	Elena is not a Macario dancer,
00:56:55	- Come and have lunch with me.
00:57:02	Don't pull! The child!
00:57:04	Elena doesn't need to go in a car,
00:57:06	- she's from the mountains,
00:57:10	Yes, I walk.
00:57:15	- Watch out.
00:57:22	I spend two years in jail for serving
00:57:28	and you tell me I no longer have a job here?
00:57:30	Unfortunately, things haven't gone too well,
00:57:34	your job doesn't exist anymore.
00:57:37	Director, dear colleagues,
00:57:44	Even worse for me is, I have always believed in us.
00:57:46	I'm sorry, but since you react
00:57:50	- Which is?
00:57:56	- not to take you back at the newspaper.
00:57:59	Now you have a son, and the wage
00:58:03	- Then what should I do?
00:58:08	With a degree you will have a less
00:58:15	Thanks, is that the reason?
00:58:18	Then tomorrow at 8, I will be at my desk.
00:58:25	I'm the lady on the floor below.
00:58:27	Please, make your son turn off that music.
00:58:34	My husband is studying,
00:58:38	At least make him change that record.
00:58:53	What you want? Get out!
00:58:59	Paolino, leave dad alone.
00:59:04	< Your father must study!
00:59:08	- Don't do that to your mother!
00:59:13	Elena! Don't hit the child!
00:59:18	- How can I study like this?
00:59:22	Don't cry, you know your dad
00:59:31	- My love! Elena, he's ill!
00:59:36	- He's burning, that is why he cried.
00:59:50	They said on the radio that Stalin is dead.
00:59:53	- Can I take out the thermometer?
01:00:07	- 37,4.
01:00:10	- His fever is gone. - The crisis
01:00:14	You are well!
01:00:17	- Don't inject him.
01:00:20	- He has made it through.
01:00:24	- We won't torture him any more.
01:00:26	- Sister, who is dead?
01:00:31	- He is much better.
01:00:35	- Mama's love.
01:00:39	He's through the crisis.
01:00:43	Yes. Mother is here.
01:00:49	Granny's child. How are you?
01:00:54	You gave me a real scare.
01:00:59	Are you happy grandmother has come?
01:01:09	- Silvio.
01:01:12	Give me a kiss.
01:01:15	Dear mother!
01:01:17	The historians will say he was a cruel dictator,
01:01:21	but an epoch is closely tied
01:01:24	and nobody can yet say which
01:01:29	The radio newscast is finished.
01:01:37	< ...always thinking about the newspapers,
01:01:42	< it will never change. - As soon as he finishes
01:01:47	< You will move to Cantù Cermenate,
01:01:50	and your priest uncle will consider
01:01:55	< One day you will come out to the
01:02:00	< Everyone will see, my daughter
01:02:06	- You were eavesdropping? - Yes.
01:02:09	Do you agree with my plans?
01:02:14	Because of my love for Elena,
01:02:20	- but where do you want me to live?
01:02:24	- I'm supposed to go from Rome to Cantù
01:02:28	- You romans make mistakes.
01:02:32	- Don't be so arrogant.
01:02:36	Attention. The examinations continue
01:02:42	- Magnozzi Silvio.
01:02:46	- Don't be nervous.
01:02:52	- We'll wait here for you.
01:02:55	In the mouth of the wolf.
01:02:59	In what mood are the professors?
01:03:11	Good morning, professors.
01:03:18	Why aren't you shaved?
01:03:21	I have studied all night.
01:03:23	It is not necessary with a beard to
01:03:28	Such excuses will not
01:03:31	Excuse me, but it's been 12 years
01:03:38	We'll start with an easy question.
01:03:44	What is the safety coefficient
01:04:05	0.245.
01:04:12	145.
01:04:20	Safety coefficient for precompressed concrete.
01:04:27	There is a 5.
01:04:31	I'm sure there is.
01:04:35	- There is?
01:04:42	- Sit down.
01:04:47	Maybe I'll think better. Thanks.
01:05:05	So?
01:05:13	I don't know.
01:05:15	- If it don't answer these questions
01:05:20	- That is a simple question.
01:05:31	They made me drink a marsala.
01:05:36	I feel numb.
01:05:39	I don't remember anything.
01:05:41	- How old are you?
01:05:45	How come you are this delayed?
01:05:47	I've been in the war, in the resistance,
01:05:51	After that I was in journalism,
01:05:53	passionately engaged in social
01:05:58	also I was a follower of the fighing peasants.
01:06:01	The Resistance does not have any value here.
01:06:06	The Resistance does not have value?
01:06:10	What the others did in 1944?
01:06:13	Wear the uniform
01:06:15	and get my degree by aiming
01:06:18	Don't make these gestures and don't raise
01:06:24	Outside, my wife and my
01:06:27	And then?
01:06:32	Please, don't let me make such a bad impression.
01:06:39	- Be seated.
01:06:48	Do you see that drawing?
01:06:50	Calculate at point A the momentary
01:06:56	with a moving overload
01:07:02	I have understood.
01:07:10	How did it go?
01:07:31	- Marenghi Elvira.
01:07:41	What time is it?
01:07:47	3 o'clock.
01:07:55	- Hello?
01:07:58	- I know. Where are you?
01:08:02	- What is that?
01:08:06	Ignorant! It's my friend Ragana's night club.
01:08:11	What I'm doing?
01:08:18	- He's drunk.
01:08:21	- Darling, I flunked. - That's not important,
01:08:27	I'm not coming home. I am happy,
01:08:31	You wanted to send me to Cantù Cermenate,
01:08:35	I'm staying in Rome,
01:08:37	They flunked me,
01:08:44	- He stays there.
01:08:49	It is a nightspot.
01:09:06	Wait her, I'll be back soon.
01:09:22	Over there.
01:09:23	You're a black person
01:09:27	but you have fine feelings
01:09:31	Yet your ancestors were cannibals.
01:09:34	I have spoken to you about politics, art
01:09:38	- Sure. - And my wife, who is more
01:09:41	she has never understood me.
01:09:46	About what can you speak
01:09:48	- I don't know.
01:09:51	- No, I'm tired. - Come on
01:09:57	Do you know from where we know eachother?
01:10:02	From prison?
01:10:06	How funny!
01:10:26	Do you know what time it is? Nearly 4.
01:10:29	Do you know my friend Peter Sister?
01:10:33	He was in prison with me.
01:10:36	But who are you? Who do you know?
01:10:39	What do you want from me?
01:10:43	- Did your mother send you?
01:10:47	- Leave, I don't want to see you anymore.
01:10:55	You made me lose my job at the newspaper,
01:11:00	Made me burn my novel, because you
01:11:03	- and sent me to school like a deficient child.
01:11:08	No, you convinced me. And now that
01:11:13	I have the entire novel in memory,
01:11:17	- even if it will take me two years of work.
01:11:20	Bread and water like in jail.
01:11:26	Unadventurous woman,
01:11:29	Really? I gave you all
01:11:35	and you say I have ruined your life!
01:11:38	Shall we examine our wedding?
01:11:42	Who are we? Are we relatives? No.
01:11:45	You're a stranger I met in a flour mill.
01:11:50	Stranger?
01:11:52	I ran away because we had
01:11:56	To live together we must
01:11:59	- What do we have in common?
01:12:02	Leave the child out of it,
01:12:06	I'm a journalist and you don't
01:12:10	I read you a novel,
01:12:14	I love politics, and despite what
01:12:19	that is the base of life and all things.
01:12:22	You don't care, because you think you're clever.
01:12:26	But you're not clever, you're ignorant.
01:12:30	If the atom bomb drops,
01:12:35	Because of this, we are two strangers.
01:12:39	If we have nothing in common, tell me what
01:12:45	The feelings.
01:12:47	- What?
01:12:51	- You have lived with me, like you would
01:12:55	- I didn't say that.
01:13:00	I saved your life, I have loved you,
01:13:07	Now that you're drunk,
01:13:12	- I don't want to see you anymore.
01:13:17	I'm leaving forever, and don't
01:13:22	And never again seek love and
01:13:27	How can I find love and understanding
01:13:30	in a woman who cracks the head
01:13:37	I have made a single error.
01:13:44	- And not that German!
01:13:49	I'm leaving you alone with
01:13:53	Find yourself another! I want to see
01:13:59	- Bye bye!
01:14:03	You will mourn having abandoned me!
01:14:11	One day you will want to talk
01:14:18	Elena, turn back!
01:14:23	Bastard.
01:14:24	She has really done it.
01:14:28	Now I'm free and single.
01:14:32	- Lucky man! Tell me shepherd, are you happy?
01:14:55	It was in the days
01:14:58	I still wore my second lieutenant's uniform
01:15:01	and I roamed the countryside
01:15:03	Through a clearing in the fog,
01:15:08	He was old, but tall and sturdy, and
01:15:15	When the friar came closer to me,
01:15:20	Is that you, mr. general? Yes, he said to me.
01:15:26	Why are you dressed like a friar?
01:15:29	Against who shall I fight?
01:15:34	- From that time on, I had to make my own decisions.
01:15:39	- One more page, Commander.
01:15:43	- We have read your novel. - For 6 months
01:15:49	My shoes are wearing out.
01:15:54	but nobody wants to publish it. Why?
01:15:57	- Can I tell you my sincere opinion, Magnozzi?
01:16:01	Your novel is, from an artistic point of view,
01:16:05	mediocre, uninteresting.
01:16:11	Nevermind style and form,
01:16:15	There is a generation ignoring
01:16:20	even though they must know them.
01:16:22	- Each and every page is a bomb.
01:16:29	This is an invite to desertion,
01:16:33	- offenses against the Army
01:16:35	Offenses against the magistracy,
01:16:39	and offenses against religion.
01:16:44	- I am ready to take the risk. Are you?
01:16:49	- Then it is useless to talk to you.
01:16:52	Ten years of my life is in this book!
01:16:57	- Try it on the movies. - Movies?
01:16:59	You will find allies there,
01:17:09	Get moving! Improvise!
01:17:14	Mr. Gassman, two words for RAI please.
01:17:16	- What are your thoughts about the crisis in cinema?
01:17:30	Thanks.
01:17:33	Mrs., the cigarettes.
01:17:36	Good morning, mrs. Mangano.
01:17:40	- I know, the one with the novel.
01:17:43	You phoned me at 3 in the morning,
01:17:48	- But I don't answer even
01:17:52	but I've been trying to speak to you for
01:17:56	- I don't decide, director Blasetti does.
01:18:03	- I'll speak with Blasetti, and phone you afterwards.
01:18:08	- Run!
01:18:19	- Mr. Gassman. - See you later.
01:18:24	Legionaries!
01:18:31	Mr. Gassman, will you allow me?
01:18:41	- Good morning, Blasetti.
01:18:43	- I'm Silvio Magnozzi, remember me?
01:18:48	Did you read my novel A difficult life?
01:18:52	Ah, A difficult life! Beautiful!
01:18:56	If you agree to direct the film,
01:19:01	Oh! The horses!
01:19:04	Perhaps you could give me
01:19:07	I wouldn't mind making
01:19:11	- but you're forgetting the censorship.
01:19:16	Please come down Blasetti,
01:19:20	- Wait for me at the bar, I have to work.
01:19:26	I'll wait here for you to finish.
01:19:29	No, the chariots must pass here.
01:19:32	- I'll go to the bar then.
01:19:46	- Get away, the chariots are coming!
01:19:52	- Get away!
01:20:02	Before I was in the tribunal,
01:20:06	and now I must play the role of the apostle.
01:20:11	This food is cold, I'll risk a constipation.
01:20:15	- What do you have in your bag, a roast?
01:20:18	- I have chicken with bell peppers.
01:20:40	Magnozzi!
01:20:42	- Magnozzi!
01:20:45	I'm San Matteo!
01:20:47	Marquis Capperoni.
01:20:53	- the night in which the king
01:20:56	How are you?
01:20:58	- Why are you dressed like that?
01:21:03	- It pays 30,000 liras per day.
01:21:08	- What are you doing?
01:21:13	If I sign this contract,
01:21:17	- Good. - Who is he?
01:21:20	Magnozzi, without ceremony.
01:21:26	- Take it as it is. - No
01:21:29	I saw Elena last week.
01:21:34	- Elena? - Yes.
01:21:38	In Viareggio. She works in a fashion store.
01:21:41	- I haven't seen her for two years.
01:21:47	- Did she speak about me?
01:21:51	She spoke.
01:21:54	Do you think she wants to come back to me?
01:22:06	What do you advise me to do, marquis?
01:22:09	Forget her.
01:22:12	Why? Another man?
01:22:16	Magnozzi, try to understand.
01:22:20	> The apostles!
01:22:25	Can you lend me 50,000 liras?
01:22:31	- How do I look?
01:22:35	- You will have lots of success.
01:22:41	Now I can only give you 25.
01:22:46	But you listen to my advise,
01:22:49	- I'll pay you back when I return
01:24:20	Hello, Elena.
01:24:26	Who is that beautiful man?
01:24:32	- It's my husband.
01:24:39	What's he doing in Viareggio?
01:24:43	- I don't know. - He didn't even
01:24:49	Excuse me. Hello, Elena.
01:24:52	Hello, Silvio.
01:24:55	- What do you want?
01:24:59	Can see my son, or is that forbidden?
01:25:02	It's your right.
01:25:04	Where I can find him?
01:25:06	- I have brought him a gift.
01:25:10	Via Garibaldi 10. If it's closed,
01:25:13	- You cannot accompany me?
01:25:16	- What?
01:25:21	- And if the maid does not trust me?
01:25:27	I'll take the child out for lunch,
01:25:33	because I have lots of job engagements.
01:25:35	- He must be back home before supper.
01:25:41	- Bye, Elena.
01:25:42	Should you come to Rome, call me.
01:25:44	Everything will be at your disposal.
01:25:56	Paolino, we're going to eat
01:26:03	Here comes daddy.
01:26:16	- Paolino, does your mother ever talk about me?
01:26:21	- What does she say?
01:26:26	Your mother is a great woman,
01:26:32	but she reasons like a woman.
01:26:35	I just haven't found luck yet.
01:26:39	- Are you listening?
01:26:42	I haven't found my luck yet.
01:26:46	Yes. No.
01:26:51	One day they offered
01:26:55	houses, automobiles, motorboats.
01:27:01	- He refused it all.
01:27:06	Because to accept all those millions,
01:27:11	It's like if you had to betray
01:27:16	- No.
01:27:19	Your mother didn't understand me.
01:27:22	Today you would have been rich, if
01:27:28	- What did you say instead?
01:27:42	Paolino, what are you and your
01:27:47	I watch television,
01:27:50	- She goes out all evenings?
01:27:56	- Where does she go?
01:28:02	Do you know the gentleman who
01:28:07	Yes, he's from Lucca. He has a
01:29:49	- Who is it?
01:29:56	Let's go.
01:30:55	- Mister, that is 4,600 liras.
01:31:00	Wait, mister!
01:31:07	- Do you not trust me?
01:31:12	- I would like him to pay me.
01:31:17	- Is this 5.000?
01:31:20	This is 5.000.
01:31:23	- Thanks a lot.
01:31:29	I'm searching a relative.
01:32:24	Why run away?
01:32:40	Double Whisky.
01:32:53	- Pardon.
01:33:18	- Carlo, let's leave.
01:33:27	Give me a cigarette.
01:33:38	- Do you want to dance?
01:33:53	- Giovanna, go with me. - If you want I can
01:33:57	- I can stay at your place.
01:34:17	Excuse me Elena, why did you
01:34:21	Do you think I will hurt you?
01:34:26	I have never hurt anyone.
01:34:29	- Then tell me what you want?
01:34:34	I have a right to speak for
01:34:38	We have nothing to speak about.
01:34:41	Can't you see I'm in company?
01:34:48	I'm also fed up with this situation,
01:34:55	Excuse me for speaking about
01:35:02	Valeria, let's go for a dance.
01:35:13	I've made some investigations, and have found
01:35:17	But I know I'm in danger.
01:35:22	- I'm here to help you.
01:35:27	Smoking too much.
01:35:33	- Today I have spoken for a long time
01:35:37	- He's very intelligent, he understands everything.
01:35:44	Shall we think seriously
01:35:49	Silvio, you think about yourself,
01:36:04	Elena, who is that man?
01:36:08	He's a person who wants to arrange
01:36:13	You don't think about it.
01:36:18	Look at me.
01:36:21	Do you love him?
01:36:24	Love isn't important for me anymore.
01:36:27	It's nothing but an arrangement.
01:36:31	If one seeks only an arrangement, it is very easy.
01:36:37	I can give you
01:36:43	Whistle, and I will give you all you desire.
01:36:54	It's easy to make money
01:36:59	Lower your voice!
01:37:02	What is more difficult, write an ugly novel,
01:37:07	Or to live by exploitation, like
01:37:12	While the calabrian peasants
01:37:16	to stop their hunger!
01:37:19	Your friends have beautiful cars,
01:37:26	Careful, behind the wheel of
01:37:30	- I'm leaving.
01:37:35	Then control yourself,
01:37:38	- I'll be good, we'll talk about our situation.
01:37:47	Elena, I love you.
01:37:51	No! You know your hair is beautifully done?
01:37:56	You're beautiful, tanned.
01:38:01	- I have never wanted you
01:38:06	Come back with me,
01:38:09	- I'm not the way I was.
01:38:13	You drink, you're as pale as a dead man
01:38:18	- How will you end up?
01:38:22	I will do whatever you say.
01:38:26	- Do you need money?
01:38:32	- Get it out of your head!
01:38:36	- We're leaving.
01:38:49	- Who are you? > What are you doing?
01:38:54	- Gangster!
01:38:57	- Gangster!
01:39:02	I'm taking off my jacket,
01:39:07	- I don't fear him!
01:39:10	Did he hurt you badly?
01:39:12	- You're hitting a drunk man?
01:39:15	- Leave!
01:39:18	I never want to see you again!
01:39:27	Elena.
01:39:40	You're a waiter, and I respect you,
01:39:46	Elena! Elena!
01:39:50	Let me go,
01:39:54	She's leaving!
01:40:02	Carlo, stop!
01:40:04	He left alone.
01:40:08	Better like that.
01:40:12	- My God, look!
01:40:18	Ouch! I hurt my hand.
01:40:23	The jacket, mister.
01:40:28	Wimp.
01:41:05	Unter, mitten...
01:41:11	Why do you come here?
01:41:14	Everyone here is a bastard.
01:41:24	Tiè!
01:44:24	Look.
01:44:28	Poor mother.
01:44:33	She always wanted me to come driving in a big car.
01:44:36	- Isn't that a bit exaggerated?
01:44:41	Now she watches us from above, laughing.
01:44:46	- How come you've got that car?
01:44:50	I don't drink anymore,
01:44:54	I have modified my ideas.
01:44:59	The way you wanted.
01:45:02	Let's start over.
01:45:06	You have said that many times,
01:45:11	Poor mother.
01:45:31	Elena.
01:45:34	Our flour mill.
01:45:59	Good evening, Excellence.
01:46:03	Good evening.
01:46:09	Orazio, this is His Excellency.
01:46:12	- Elena! How are you?
01:46:16	- What a beutiful hairstyle.
01:46:21	- He's the best in Rome.
01:46:25	Ippolito, take the car to the garage.
01:46:28	- Good evening.
01:46:31	Yes. My Giulietta is at the mechanic,
01:46:35	The Commander is possessive about his cars.
01:46:40	Please excuse me, my wife
01:46:45	- and the Commander. May I introduce you to her?
01:46:54	- That was the Commander's wife.
01:46:59	- How's the Commander's mood?
01:47:00	- he won 150 million at the casino.
01:47:05	What luck!
01:47:09	- I don't play to win.
01:47:13	Do you allow me, Commander?
01:47:18	I asked you a favor,
01:47:23	You know I'm always
01:47:27	- Let me introduce my wife.
01:47:31	I wanted to meet you,
01:47:36	- My compliments, she is very pretty.
01:47:41	From nothing, he has become one of
01:47:47	- Magnozzi, don't flatter me.
01:47:50	Your success covers all fields.
01:47:54	- cinema, reviews
01:47:58	Firstly you court me, and then you
01:48:02	Now amuse yourselves,
01:48:04	Thanks.
01:48:07	- Nice, isn't he.
01:48:10	- Any desire can be satisfied here.
01:48:15	- Do you want a little caviar?
01:48:17	- Anchovies?
01:48:21	Silvio
01:48:24	- Where did he go?
01:48:28	Here I am. My homages, prince.
01:48:31	Who gave the order to publish
01:48:34	There has been bloodshed in Calabria.
01:48:37	You were not in Rome, and I phoned
01:48:40	You remove a page of princes,
01:48:44	I think people today are tired
01:48:49	in newspapers.
01:48:51	- Who told you this? - Nobody.
01:48:57	You were a journalist. Now you're one
01:49:04	You're also an idiot.
01:49:10	- Why?
01:49:15	photos of princes, not of labourers!
01:49:19	Forget being a journalist,
01:49:25	Very well, commander.
01:49:27	- Is there champagne for everybody?
01:49:33	- Did you phone my dentist?
01:49:36	- Did you send a transport for his Eminence?
01:49:40	- Then go and receive him. - At once.
01:49:45	Elena, there is hot profiterole.
01:49:49	- Excuse, Elena.
01:49:58	Fernando.
01:50:05	Eminence.
01:50:24	- How many people! - Sit down, your Eminence.
01:50:30	Please.
01:50:33	- What can I offer you? - A glass
01:50:37	- And you, reverend?
01:50:45	These devices never work.
01:50:48	- You don't know how to pour seltzer.
01:50:53	Can you see that it works?
01:50:56	After work, me and my collaborators
01:51:00	Let's go to the garden, your Eminence.
01:51:03	Magnozzi.
01:51:30	The commander spilled a little seltzer on me.
01:51:33	- It was a mistake.
01:51:40	Is this the job you do?
01:52:10	Here around the swimmingpool, I organize
01:52:15	- Over there is a small moonlight park
01:52:29	- Silvio!
01:52:38	Elena, let's leave.
01:52:55	- The car?
01:52:58	We're going to have a nice breath of air.

Vita Difficile Una A Difficult Life