|
Vivement dimanche Confidentially Yours
|
| 00:01:53 |
Oh, it's you? |
| 00:02:56 |
- Going that way? |
| 00:02:58 |
- Too bad! |
| 00:03:10 |
Hello, Mme Vercel. |
| 00:03:11 |
Put Julien on! |
| 00:03:12 |
Your husband's out hunting. |
| 00:03:16 |
Then, you'll do. |
| 00:03:17 |
Go to my bank |
| 00:03:20 |
Mail it to room 813, |
| 00:03:24 |
I can't leave now. |
| 00:03:26 |
And I'd need your signature. |
| 00:03:29 |
Don't quibble with me! |
| 00:03:30 |
Remember, last time |
| 00:03:34 |
he told me to get lost. |
| 00:03:36 |
What nerve! |
| 00:03:38 |
Go ahead. He's on his way in. |
| 00:03:44 |
It's Mme Vercel. Hurry. |
| 00:03:47 |
I hope you can hear her. Sounds |
| 00:03:51 |
And your wife's rather |
| 00:03:54 |
It does sound like trumpets. |
| 00:03:57 |
Marie-Christine? |
| 00:03:59 |
Come on, don't be so uptight. |
| 00:04:03 |
You must stay in Nice? |
| 00:04:05 |
3 more days? |
| 00:04:07 |
I'll send it. |
| 00:04:10 |
to my secretary. |
| 00:04:12 |
Stop saying "that girl". |
| 00:04:17 |
Lost? |
| 00:04:18 |
If she said that, |
| 00:04:19 |
you were right. |
| 00:04:23 |
Why did you insult my wife? |
| 00:04:25 |
You told her to get lost. |
| 00:04:27 |
No, I didn't! |
| 00:04:29 |
She's high-strung, |
| 00:04:32 |
Yes, she did! |
| 00:04:33 |
She got along well |
| 00:04:36 |
Listen, Mr. Vercel, |
| 00:04:38 |
why not let your wife pick |
| 00:04:41 |
My next one |
| 00:04:42 |
will start in a month. |
| 00:04:51 |
"Le Provencal?" |
| 00:04:52 |
The Want Ads section, please. |
| 00:04:55 |
I'm looking for |
| 00:04:59 |
She has to be fluent in English. |
| 00:05:01 |
A month from now. |
| 00:05:03 |
Yes, references required. |
| 00:05:05 |
Marital status? Irrelevant. |
| 00:05:07 |
Get yourself an orphan. |
| 00:05:21 |
Mr. Vercel, please. |
| 00:05:23 |
Inspector Santelli to see you. |
| 00:05:33 |
Detective Jambrau. |
| 00:05:35 |
How was the hunting today? |
| 00:05:37 |
I didn't hit anything. |
| 00:05:39 |
I don't know why I bother. |
| 00:05:42 |
Notice anything unusual? |
| 00:05:44 |
No... |
| 00:05:46 |
I heard two odd shots. |
| 00:05:49 |
The second |
| 00:05:51 |
as if to kill off a duck. |
| 00:05:55 |
There was no duck |
| 00:05:57 |
but there was a hunter |
| 00:06:01 |
Massoulier? |
| 00:06:02 |
- Is he dead? |
| 00:06:05 |
I didn't mention his name. |
| 00:06:08 |
I recognized his car |
| 00:06:10 |
he was a crack shot. |
| 00:06:13 |
Maybe a suicide. |
| 00:06:14 |
He wouldn't commit suicide, chief. |
| 00:06:16 |
His brother's a priest. |
| 00:06:19 |
It doesn't mean anything. |
| 00:06:24 |
Do you mind |
| 00:06:28 |
Even if you mind, I don't care. |
| 00:06:30 |
According to union rules... |
| 00:06:33 |
I can take 2 hours off |
| 00:07:12 |
Vercel real estate! |
| 00:07:13 |
You sound like an angel... |
| 00:07:16 |
but you killed Massoulier. |
| 00:07:56 |
It's me again. |
| 00:07:59 |
Hello. Don't hang up again. |
| 00:08:01 |
No, madame. Wait a minute... |
| 00:08:04 |
Just let me lower the TV. |
| 00:08:10 |
Ok, I'm listening. |
| 00:08:11 |
You're a murderer. |
| 00:08:14 |
because you were jealous. |
| 00:08:15 |
He was your wife's lover, |
| 00:08:17 |
one of many... |
| 00:08:19 |
Madame, I could sue you. |
| 00:08:22 |
It was jealousy. |
| 00:08:23 |
I know all about jealousy. |
| 00:08:27 |
She slept with anyone |
| 00:08:31 |
Ask her about the silver dining set |
| 00:08:36 |
Who are you? |
| 00:08:37 |
If I were you, I'd kill myself. |
| 00:08:48 |
If she's so virtuous, |
| 00:08:50 |
ask her what she did |
| 00:08:54 |
Who are you? |
| 00:08:55 |
If I were you, I'd kill myself. |
| 00:09:03 |
"Me hate him? |
| 00:09:05 |
"Oh no! You're all wrong. |
| 00:09:08 |
"I've admired him all along. |
| 00:09:11 |
"He's a head taller |
| 00:09:14 |
"Brave, yet gentle. |
| 00:09:18 |
"He rides past, |
| 00:09:20 |
"He is charming." |
| 00:09:21 |
"Such a man must be..." |
| 00:09:23 |
"Refined." |
| 00:09:24 |
"His eyes reflect his great heart. |
| 00:09:26 |
"A great heart!" |
| 00:09:27 |
"Tremendous!" |
| 00:09:28 |
- "Gallant!" |
| 00:09:30 |
"And yet, kind!" |
| 00:09:32 |
"Tender." |
| 00:09:34 |
- "Generous!" |
| 00:09:35 |
"I like him!" |
| 00:09:37 |
"His height is extraordinary!" |
| 00:09:39 |
"His brow! His eyes! His nose!" |
| 00:09:41 |
"If she keeps on praising me, |
| 00:09:44 |
Not bad. |
| 00:09:48 |
I'll play the part myself. |
| 00:09:50 |
Let's go on to Blanche |
| 00:09:54 |
- Where's Triboulet? |
| 00:09:56 |
Bertrand's always late. |
| 00:09:57 |
- Where is he? |
| 00:09:59 |
Well, he's your ex-husband. |
| 00:10:03 |
Does he know we're rehearsing? |
| 00:10:04 |
Cut it out! |
| 00:10:06 |
We've been divorced for a year. |
| 00:10:10 |
Why not call his paper? |
| 00:10:12 |
We're wasting time. |
| 00:10:29 |
Hello, Mme Vercel. |
| 00:11:32 |
You'll wake all the neighbors. |
| 00:11:38 |
Come on, |
| 00:11:42 |
I know all about jealousy. |
| 00:11:46 |
She slept with anyone |
| 00:11:51 |
I admit it. |
| 00:11:53 |
I was Massoulier's mistress... |
| 00:11:56 |
but it's ancient history. |
| 00:12:00 |
He's dead and so what? |
| 00:12:03 |
and a lousy lover. |
| 00:12:07 |
Leave me alone! |
| 00:12:10 |
I've nothing to say to you. |
| 00:12:16 |
Open the door. |
| 00:12:19 |
I'm scared of you. |
| 00:12:20 |
Don't be ridiculous! |
| 00:12:23 |
You won't hit me? |
| 00:12:24 |
Have I ever hit you? |
| 00:12:59 |
There's no need |
| 00:13:02 |
You know I never get angry. |
| 00:13:06 |
I don't understand anger. |
| 00:13:08 |
I don't understand arguments. |
| 00:13:11 |
If someone disappoints me, |
| 00:13:12 |
I lower the iron curtain. |
| 00:13:35 |
You're reading the paper? |
| 00:13:38 |
Is it interesting? |
| 00:13:43 |
I'm speaking calmly... |
| 00:13:46 |
and regretfully, but I mean it: |
| 00:13:50 |
We must get a divorce. |
| 00:13:58 |
Nothing to say? |
| 00:14:03 |
I don't hear you. |
| 00:14:08 |
I'm reading it for you. |
| 00:14:12 |
Don't talk. |
| 00:14:14 |
Look at me. |
| 00:14:17 |
Wait... |
| 00:14:18 |
Wait awhile. |
| 00:14:22 |
I'm waiting for you, Julien. |
| 00:14:29 |
Don't tell them I'm here. |
| 00:14:52 |
Inspector Santelli |
| 00:14:55 |
We met today. |
| 00:14:56 |
He wants to see you again. |
| 00:14:58 |
Did you know Massoulier |
| 00:15:01 |
Certainly not. |
| 00:15:03 |
But you recognized his car. |
| 00:15:05 |
I told you I saw it |
| 00:15:09 |
What shot pellets go in this gun? |
| 00:15:11 |
I'd say three. |
| 00:15:13 |
Nowadays no one uses six but me. |
| 00:15:21 |
This is Massoulier's gun: |
| 00:15:25 |
But Massoulier was killed |
| 00:15:29 |
Is that why I'm here? |
| 00:15:31 |
No. |
| 00:15:33 |
It's to show you this. |
| 00:15:35 |
The 6 shot pellets I bought. |
| 00:15:39 |
You also told me |
| 00:15:43 |
You must be kidding! |
| 00:15:45 |
Look here Vercel... |
| 00:15:47 |
I may be younger than you, |
| 00:15:51 |
It's going to be a long night. |
| 00:15:55 |
Then, I'll call my lawyer. |
| 00:15:59 |
I can detain you for 48 hours |
| 00:16:03 |
Who is your lawyer? |
| 00:16:05 |
Mr. Clement. |
| 00:16:07 |
Go ahead, then. |
| 00:16:11 |
I won't answer any question |
| 00:16:15 |
You won't get a peep out of me... |
| 00:16:18 |
not even the right time! |
| 00:16:26 |
Good evening, Mr. Clement. |
| 00:16:28 |
Bring in two chairs |
| 00:16:32 |
Massoulier's been killed. |
| 00:16:34 |
I know. |
| 00:16:35 |
These idiots suspect me. |
| 00:16:39 |
It's their right, but... |
| 00:16:40 |
I think I was denounced. |
| 00:16:43 |
Not exactly, but accused |
| 00:16:48 |
- Did you tell them? |
| 00:16:53 |
What do you want here? |
| 00:16:55 |
One day, |
| 00:16:58 |
We'll see this with Mme Santelli. |
| 00:17:04 |
Listen to me... |
| 00:17:06 |
You two, come here. |
| 00:17:08 |
No conspiracies. |
| 00:17:10 |
Sit down. |
| 00:17:11 |
- Commissaire Santelli? |
| 00:17:14 |
He's an Albanian. |
| 00:17:17 |
They insisted on seeing you. |
| 00:17:21 |
I want to live here, |
| 00:17:26 |
I don't want to be sent back. |
| 00:17:29 |
He wants political asylum here, |
| 00:17:35 |
Political asylum at 11 p.m.! |
| 00:17:37 |
I'll see what I can do. |
| 00:17:45 |
You kept us waiting! |
| 00:17:47 |
I know, I'm sorry. Killings |
| 00:17:52 |
Massoulier died this morning. |
| 00:17:54 |
Neither a suicide nor an accident. |
| 00:17:57 |
He was hot pointblank |
| 00:18:00 |
They've got a prime suspect. |
| 00:18:02 |
When they went to get him... |
| 00:18:04 |
Vercel was about to flee. |
| 00:18:06 |
Julien Vercel. |
| 00:18:07 |
- Is he arrested? |
| 00:18:11 |
Do you feel better? |
| 00:18:13 |
Yes, thanks to you. |
| 00:18:15 |
But why does that cop |
| 00:18:17 |
go on and on |
| 00:18:21 |
That's to overcome his timidity. |
| 00:18:25 |
I doubt the killer |
| 00:18:30 |
What about those phone calls? |
| 00:18:32 |
Just another maniac. |
| 00:18:34 |
Listen Clement, |
| 00:18:36 |
I'm sure my wife |
| 00:18:39 |
You've got no proof. |
| 00:18:42 |
I can't believe it. |
| 00:18:44 |
It's true. |
| 00:18:48 |
No, not now! |
| 00:18:50 |
It would look bad. |
| 00:18:53 |
Have you told your wife? |
| 00:18:55 |
No, she's in Nice. |
| 00:18:58 |
Then wait. |
| 00:19:00 |
You may work things out. |
| 00:19:02 |
The word "divorce" is ugly. |
| 00:19:05 |
Both the word and the act! |
| 00:19:08 |
If things reach that stage... |
| 00:19:10 |
I'd feel wretched... |
| 00:19:18 |
Here we are. |
| 00:19:22 |
Thank you for everything. |
| 00:19:25 |
Come in for a drink. |
| 00:19:27 |
No, thanks. |
| 00:19:28 |
My daughter's feverish. |
| 00:19:32 |
Don't worry. |
| 00:19:33 |
Calm down and get some sleep. |
| 00:19:45 |
"You're so kind, father." |
| 00:19:47 |
"Are you not my own flesh |
| 00:19:50 |
I'm fed up: |
| 00:19:54 |
Old Hugo didn't mind |
| 00:19:57 |
"How can we stage out play... |
| 00:20:01 |
Your attitude isn't professional. |
| 00:20:04 |
We're not professionals. |
| 00:20:07 |
We play for fun and charity. |
| 00:20:09 |
Who decided Bertrand |
| 00:20:12 |
We're wasting time. |
| 00:20:18 |
You come in when you hear: |
| 00:20:22 |
Help me move the door. |
| 00:20:47 |
I've got to leave town. |
| 00:20:51 |
Make up your mind: |
| 00:20:54 |
I'm in trouble. |
| 00:20:57 |
I can't force you to help me. |
| 00:20:58 |
What do you want me to do? |
| 00:21:01 |
I'll explain. |
| 00:21:04 |
"Heavens, |
| 00:21:06 |
"But I hear her footsteps. |
| 00:21:11 |
"Two bells chime." |
| 00:21:14 |
"Heavens, |
| 00:21:17 |
"But I hear her footsteps. |
| 00:21:45 |
Put the lights out. |
| 00:21:46 |
What's wrong? |
| 00:21:49 |
Only because they had to. |
| 00:21:51 |
I must go to Nice... |
| 00:21:53 |
to find out what |
| 00:21:56 |
To find out... |
| 00:21:58 |
whom she was meeting, |
| 00:22:02 |
If there was someone |
| 00:22:05 |
I must tell you something: |
| 00:22:09 |
Massoulier was my wife's lover! |
| 00:22:11 |
I know it, |
| 00:22:13 |
but it's none of my business. |
| 00:22:17 |
Where's the gun that was here? |
| 00:22:18 |
In my pocket. |
| 00:22:20 |
Oh, no! |
| 00:22:22 |
It's crazy for you to run away, |
| 00:22:24 |
but if it's to kill your wife, |
| 00:22:27 |
I'm not going to kill her... |
| 00:22:30 |
What? |
| 00:22:33 |
She was killed |
| 00:22:36 |
but I didn't do it. |
| 00:22:38 |
Do you believe me? |
| 00:22:41 |
It's hard to believe... |
| 00:22:42 |
She came home at 7 p.m. |
| 00:22:45 |
We had a big fight. |
| 00:22:48 |
Santelli's assistant, |
| 00:22:52 |
I was very upset |
| 00:22:53 |
but they allowed my lawyer |
| 00:22:55 |
He drove me home. |
| 00:22:58 |
When he asked when my wife |
| 00:23:02 |
and said she'd be back in 2 days. |
| 00:23:05 |
Because of that stupid lie, |
| 00:23:12 |
My daughter's feverish. |
| 00:23:15 |
Don't worry. |
| 00:23:17 |
Calm down and get some sleep. |
| 00:24:11 |
Do you believe me now? |
| 00:24:13 |
- Would the cops believe me? |
| 00:24:17 |
I have no choice. |
| 00:24:19 |
I must dig |
| 00:24:22 |
I must investigate in Nice |
| 00:24:25 |
I've got to run. |
| 00:24:27 |
No, you can't drive |
| 00:24:30 |
I'll make you some coffee |
| 00:24:33 |
I'm much too keyed up |
| 00:24:40 |
Let me give you my opinion. |
| 00:24:42 |
I think you should turn yourself in |
| 00:24:47 |
"A temporary prisoner!" |
| 00:24:50 |
And I'll go to Nice |
| 00:24:52 |
to investigate for you. |
| 00:24:55 |
I know Nice very well. |
| 00:24:58 |
I went to business school there. |
| 00:25:00 |
It was the best school |
| 00:25:02 |
for the Prevost-Delaunay system. |
| 00:25:08 |
I guess that's not very exciting. |
| 00:25:11 |
Here's the coffee. |
| 00:26:01 |
Damn it! |
| 00:27:02 |
POLICE STATION |
| 00:27:42 |
Is "rue des Entrepreneurs" |
| 00:27:44 |
To the Garibaldi? It's not far. |
| 00:27:47 |
Then, let's go: |
| 00:28:06 |
It's a nightclub! |
| 00:28:08 |
It wasn't a beauty salon? |
| 00:28:10 |
It's been |
| 00:28:13 |
If I were you, |
| 00:28:17 |
What do you mean? |
| 00:28:18 |
You may not believe me, |
| 00:28:21 |
I won't wait for you. |
| 00:28:23 |
- Who is she? |
| 00:28:26 |
but I don't want trouble. |
| 00:28:28 |
Make up your mind: |
| 00:28:31 |
or we go on but I'm leaving. |
| 00:28:33 |
Okay, on to the Garibaldi. |
| 00:28:44 |
A room for the night. |
| 00:28:46 |
Have you reserved? |
| 00:28:49 |
Mme Vercel recommended |
| 00:28:53 |
Mme Vercel. |
| 00:28:54 |
She was in room 813, |
| 00:28:58 |
You can have room 811, next door. |
| 00:29:00 |
Fine. |
| 00:29:01 |
Where's your luggage? |
| 00:29:03 |
It'll be here tomorrow. |
| 00:29:06 |
But you wanted a room |
| 00:29:08 |
Yes. My luggage will get here |
| 00:29:14 |
Just a minute, please. |
| 00:29:32 |
Shall I pay in advance? |
| 00:29:34 |
No, it's alright. |
| 00:30:44 |
Germaine! |
| 00:30:49 |
Come here! |
| 00:30:50 |
You must help me out. |
| 00:30:52 |
Right now? |
| 00:30:54 |
It's embarrassing. |
| 00:30:56 |
Don't tell anybody: |
| 00:30:58 |
My trick can only make it... |
| 00:31:00 |
if I'm a maid. |
| 00:31:01 |
Is he the tax man? |
| 00:31:13 |
So you must lend me your apron. |
| 00:31:15 |
- What about me? |
| 00:31:19 |
Leave it on my shelf when you go. |
| 00:31:23 |
May I help? |
| 00:31:25 |
I need a savonette. |
| 00:31:27 |
No problem. Just ask. |
| 00:31:30 |
I've got a hunch |
| 00:31:35 |
Tell me about her. |
| 00:31:37 |
I never saw this dame before. |
| 00:31:43 |
The woman in the panther coat... |
| 00:31:46 |
Was she alone? |
| 00:31:48 |
Yes, always by herself. |
| 00:31:51 |
No visitors? |
| 00:31:52 |
Never... |
| 00:31:54 |
I bet I know: |
| 00:31:55 |
The man with her |
| 00:31:59 |
No, he's my brother. |
| 00:32:12 |
Since room 813 is ready, |
| 00:32:15 |
It's alright with me. |
| 00:32:17 |
I'll just tell the desk. |
| 00:33:43 |
What's going on? |
| 00:33:45 |
It's a mistake. |
| 00:33:46 |
I'm in the wrong room. |
| 00:33:53 |
I won't let you leave! |
| 00:33:55 |
Don't run away! |
| 00:33:57 |
- Who are you? |
| 00:34:00 |
Who are you? |
| 00:34:04 |
What did you do in my room? |
| 00:34:21 |
LABLACHE DETECTIVE AGENCY |
| 00:35:12 |
I was wrong to let Vercel go. |
| 00:35:14 |
I should have kept him here. |
| 00:35:20 |
But you were with him. |
| 00:35:23 |
I left him at his house. |
| 00:35:25 |
He didn't tell me |
| 00:35:27 |
his wife was back. |
| 00:35:28 |
I'm sure |
| 00:35:31 |
Chief, a call from Nice. |
| 00:35:39 |
Nice airport. |
| 00:35:40 |
Nice airport. |
| 00:35:43 |
We've located his car. |
| 00:35:45 |
He's flown the coop! |
| 00:35:58 |
Good morning. |
| 00:36:00 |
He's in conference. |
| 00:36:06 |
Remember, gentlemen: |
| 00:36:10 |
and 90% transpiration. |
| 00:36:18 |
Mr. Lablache? |
| 00:36:19 |
Let me show you something. |
| 00:36:22 |
It's the woman I told you about. |
| 00:36:25 |
Leave us alone. |
| 00:36:36 |
Put this on. |
| 00:36:40 |
They won't recognize you. |
| 00:36:43 |
I'll be frank with you, |
| 00:36:46 |
I know about |
| 00:36:51 |
The man is a beginner here. |
| 00:36:53 |
He's not good at shadowing jobs |
| 00:36:56 |
End of story. |
| 00:36:58 |
- Coffee? |
| 00:36:59 |
We both know |
| 00:37:03 |
have no right to break and enter. |
| 00:37:05 |
If I report this to the police, |
| 00:37:10 |
I have a hunch |
| 00:37:14 |
Don't bet on it! |
| 00:37:16 |
Normally, 9 persons out of 10 |
| 00:37:18 |
would have complained |
| 00:37:20 |
But you came straight here. |
| 00:37:23 |
What do you want? |
| 00:37:26 |
I apologize most sincerely. |
| 00:37:29 |
I direct the most |
| 00:37:32 |
A client requested |
| 00:37:35 |
Yesterday, she was |
| 00:37:39 |
We didn't know |
| 00:37:42 |
I accept your apologies... |
| 00:37:45 |
but I want to know |
| 00:37:49 |
Even if I knew it. No way! |
| 00:37:51 |
But in this case, |
| 00:37:54 |
He calls us when he wants news. |
| 00:37:57 |
Do you think it was one |
| 00:37:59 |
In the past 25 years, |
| 00:38:03 |
It's never the lover who has |
| 00:38:09 |
In that case, |
| 00:38:12 |
the name of the woman |
| 00:38:15 |
I'm sorry, but I can't tell you. |
| 00:38:17 |
It's Marie-Christine Vercel. |
| 00:38:21 |
Now, you've got to help me. |
| 00:38:27 |
The bus to Marseilles? |
| 00:38:29 |
Across the way! |
| 00:38:57 |
"Le Capitaine" is ahead, |
| 00:39:00 |
"Mon amour" a length behind. |
| 00:39:03 |
"Mon Amour", moves up to |
| 00:39:07 |
and wins by a nose. |
| 00:39:19 |
Do you remember |
| 00:39:20 |
Mme Vercel's lover? |
| 00:39:23 |
No, "Le Capitaine" isn't a man, |
| 00:39:27 |
Same thing for "Mon Amour." |
| 00:39:30 |
Horse racing! |
| 00:39:31 |
That's where all her money went. |
| 00:39:35 |
Check into the racing circles! |
| 00:40:08 |
How dirty! |
| 00:40:16 |
Don't you realize? |
| 00:40:18 |
I'm locked in here, |
| 00:40:20 |
gagged out, |
| 00:40:22 |
with the phone ringing all day... |
| 00:40:24 |
and wild rumors spreading |
| 00:40:27 |
You meant well |
| 00:40:31 |
but it was up to me |
| 00:40:33 |
Helpful or not... |
| 00:40:35 |
I wouldn't have lifted a finger |
| 00:40:38 |
if I'd known you were a killer. |
| 00:40:40 |
What do you mean? |
| 00:40:41 |
I know now! |
| 00:40:43 |
3 days ago, you asked a detective |
| 00:40:49 |
I never left town. |
| 00:40:50 |
You did it by phone |
| 00:40:54 |
You were suspicious of her. |
| 00:40:56 |
I might as well tell you: |
| 00:40:59 |
I always knew you were guilty, |
| 00:41:03 |
because I thought it was |
| 00:41:07 |
In reality, |
| 00:41:11 |
and I find it revolting. |
| 00:41:13 |
No Barbara, you're right. |
| 00:41:15 |
You're entitled to the truth. |
| 00:41:18 |
I'm guilty. |
| 00:41:19 |
I'm guilty... |
| 00:41:21 |
just as you said. |
| 00:41:25 |
But please try to understand me. |
| 00:41:30 |
You mustn't think I'm a coward. |
| 00:41:33 |
I'm ready to pay for what I did. |
| 00:41:36 |
Let's go to the cops. |
| 00:41:41 |
You're right, Barbara, |
| 00:41:43 |
about the man |
| 00:41:46 |
When we find him, |
| 00:41:49 |
What's that? |
| 00:41:51 |
Be careful, Barbara. |
| 00:41:55 |
What do you want? |
| 00:42:00 |
I'm just doing my job. |
| 00:42:01 |
No stray dogs here! |
| 00:42:04 |
No dogs... |
| 00:42:05 |
but lots of dead bodies. |
| 00:42:07 |
You're not fussy, are you? |
| 00:42:09 |
Working for a killer. |
| 00:42:11 |
I feel concerned. |
| 00:42:13 |
I'm worried. |
| 00:42:16 |
Do you have a picture |
| 00:42:18 |
Is that all? |
| 00:42:22 |
Go on, get lost! |
| 00:42:23 |
Everybody knows |
| 00:42:28 |
You creep! |
| 00:42:50 |
The coffee's warm. |
| 00:43:07 |
It's hot, right? |
| 00:43:08 |
Yes, very. |
| 00:43:11 |
Is it too hot? |
| 00:43:13 |
No, it's better when it's hot. |
| 00:43:20 |
I'll pick it up there. |
| 00:43:23 |
We'll lift the receiver together. |
| 00:43:27 |
After the next ring. |
| 00:43:35 |
Vercel Agency. |
| 00:43:36 |
So it's true? |
| 00:43:39 |
Who is this? |
| 00:43:40 |
You tramp... |
| 00:43:43 |
working for a killer. |
| 00:43:44 |
I didn't know |
| 00:43:47 |
Don't be a smart ass! |
| 00:43:49 |
I'm sure you know |
| 00:43:51 |
Why don't you join him, you slut? |
| 00:43:58 |
You think it's the same woman? |
| 00:44:00 |
I think I know her. Don't you? |
| 00:44:02 |
I've no idea. |
| 00:44:05 |
Watch out! |
| 00:44:13 |
I'd like to see Mr. Vercel. |
| 00:44:14 |
He's not here. Can I help you? |
| 00:44:18 |
I wanted to talk |
| 00:44:24 |
A chateau... |
| 00:44:25 |
for a summer camp. |
| 00:44:27 |
Do you want to rent it, or buy it? |
| 00:44:30 |
Perhaps an annuity purchase. |
| 00:44:33 |
It's risky... |
| 00:44:34 |
You must wait |
| 00:44:38 |
But our camp's only open |
| 00:44:41 |
Even so, |
| 00:44:43 |
They're generally elderly. |
| 00:44:45 |
My vacation camp |
| 00:44:48 |
It's rarely for senior citizens! |
| 00:44:50 |
Think it over. |
| 00:44:52 |
I'd like to get going |
| 00:44:54 |
by next year. |
| 00:44:57 |
something high up. |
| 00:44:58 |
We have some nice properties, |
| 00:45:03 |
The ads say |
| 00:45:06 |
Do you want the mountains |
| 00:45:08 |
You seem a little confused. |
| 00:45:11 |
Isn't this Mr. Vercel's agency? |
| 00:45:14 |
Can't I speak to him? |
| 00:45:16 |
He's away at a convention... |
| 00:45:20 |
the real estate convention. |
| 00:45:22 |
You deal in real estate? |
| 00:45:25 |
Does this look like |
| 00:45:28 |
I've got work to do. |
| 00:45:30 |
Why don't you think things over. |
| 00:45:33 |
Come back some other time. |
| 00:45:36 |
Alright, I'll be back. |
| 00:45:38 |
I'll surely be back. |
| 00:45:45 |
If all our customers |
| 00:45:48 |
What a creep! |
| 00:46:04 |
A telex. |
| 00:46:08 |
"Report from Lablache to Vercel. |
| 00:46:11 |
"Marie-Christine Beauty Salon |
| 00:46:14 |
"Mme Vercel |
| 00:46:18 |
"Married Julien Vercel |
| 00:46:22 |
"Real identity: Josiane Kerbel. |
| 00:46:24 |
"Worked several years as |
| 00:46:27 |
"so-called "beautician," |
| 00:46:30 |
"surveillance by Vice Squad. |
| 00:46:33 |
"Kerbel's murder yesterday |
| 00:46:37 |
"Signed: Lablache." |
| 00:46:40 |
Take it to Clement, |
| 00:46:44 |
Why worry about him? |
| 00:46:46 |
After all, he's your lawyer. |
| 00:46:48 |
Give me my raincoat. |
| 00:46:51 |
Just look! |
| 00:46:53 |
Can I run around this way? |
| 00:46:56 |
Now, I'll lock up and remember: |
| 00:46:58 |
don't answer the phone. |
| 00:47:00 |
Unless you call. |
| 00:47:02 |
How will you know? |
| 00:47:04 |
We'll make up a code: |
| 00:47:05 |
let it ring once and hang up. |
| 00:47:08 |
When you ring again, |
| 00:47:10 |
Good idea. So long. |
| 00:47:44 |
Mr. Clement, please. |
| 00:47:45 |
He's busy. Would you wait? |
| 00:47:52 |
There's someone in. |
| 00:47:54 |
Have a seat. |
| 00:47:57 |
It won't be long. |
| 00:48:05 |
If you won't... |
| 00:48:07 |
I'll go to the police! |
| 00:48:10 |
It's a scandal! |
| 00:48:17 |
They were all jealous of him! |
| 00:48:23 |
My life is over now! |
| 00:48:27 |
It's all over! |
| 00:48:31 |
I meant to call you. Come in. |
| 00:48:41 |
My life is over! |
| 00:48:47 |
Take a deep breath. |
| 00:48:52 |
It's awful: |
| 00:48:54 |
The more you love a person, |
| 00:48:57 |
the less helpful you are. |
| 00:48:59 |
Wasn't Mr. Vercel with you |
| 00:49:01 |
I drove him home |
| 00:49:04 |
And you know, |
| 00:49:06 |
I wanted to ask him |
| 00:49:09 |
but I was embarrassed to. |
| 00:49:12 |
I didn't. |
| 00:49:14 |
But Mme Vercel was already dead! |
| 00:49:16 |
Who knows? |
| 00:49:18 |
He told me she was still in Nice... |
| 00:49:21 |
and yet the police officer |
| 00:49:25 |
one hour earlier in the salon. |
| 00:49:27 |
Why did Julien lie? |
| 00:49:29 |
You talk as if he was guilty. |
| 00:49:33 |
No, but to believe |
| 00:49:36 |
is not the question. |
| 00:49:39 |
In a novel, |
| 00:49:42 |
By running away, Vercel is acting |
| 00:49:46 |
What would you do in his place? |
| 00:49:48 |
If he asked me, |
| 00:49:51 |
No reason to worry. |
| 00:49:53 |
Thank God, |
| 00:49:56 |
allow for crimes of passion. |
| 00:50:02 |
Meanwhile, tell me... |
| 00:50:04 |
what can I do for you? |
| 00:50:06 |
I want your advice. |
| 00:50:09 |
If you know where Vercel is, |
| 00:50:12 |
can you ask him... |
| 00:50:14 |
for instructions. |
| 00:50:15 |
I've kept the agency open |
| 00:50:19 |
Unfortunately... |
| 00:50:20 |
I don't know where he is. |
| 00:50:22 |
If I did, |
| 00:50:25 |
Only then can I really help him. |
| 00:50:29 |
If he contacts you, tell him that |
| 00:50:32 |
and ask him to call me at once. |
| 00:50:43 |
Come along, please. |
| 00:50:44 |
What for? |
| 00:50:46 |
The chief wants to see you. |
| 00:50:55 |
What were you doing |
| 00:50:58 |
None of your business! |
| 00:51:00 |
Is that so? |
| 00:51:01 |
I already know |
| 00:51:04 |
you insisted on having room 813, |
| 00:51:07 |
the very one Mme Vercel |
| 00:51:11 |
Mr. Vercel... |
| 00:51:13 |
asked me for some information |
| 00:51:15 |
on his wife's trip to Nice. |
| 00:51:17 |
But we both thought she was alive. |
| 00:51:20 |
At least, I thought so. |
| 00:51:23 |
I gather you also know |
| 00:51:26 |
the Lablache agency |
| 00:51:29 |
to check Mme Vercel's past. |
| 00:51:31 |
When you're about to kill someone, |
| 00:51:35 |
Why not try to find out |
| 00:51:37 |
who called the agency in Nice? |
| 00:51:40 |
I'd be on top of things... |
| 00:51:43 |
if I'd kept your boss locked up. |
| 00:51:46 |
I had the right to detain him. |
| 00:51:58 |
Don't leave town |
| 00:51:59 |
without my permission. |
| 00:52:01 |
We're in charge. |
| 00:52:04 |
He's innocent! |
| 00:52:05 |
You're really stubborn! |
| 00:52:07 |
How can I convince you we're dealing |
| 00:52:15 |
Impressive, aren't they? |
| 00:52:17 |
Mme Vercel... |
| 00:52:21 |
Massoulier's car as we found it. |
| 00:52:26 |
Look at the door. |
| 00:52:29 |
Now see these fingerprints, |
| 00:52:30 |
the fingers of Vercel's right hand. |
| 00:52:34 |
It's very simple. |
| 00:52:36 |
As I was leaving, |
| 00:52:39 |
To be helpful, I put them out |
| 00:52:43 |
with my hand like this. |
| 00:52:45 |
It would be a miracle |
| 00:52:48 |
Did you tell them that? |
| 00:52:50 |
I couldn't... I didn't know. |
| 00:52:51 |
When Santelli showed me |
| 00:52:55 |
Because you're a ninny! |
| 00:52:56 |
Besides, why go to the cops? |
| 00:53:00 |
You're all mixed up. |
| 00:53:02 |
You keep on getting me in deeper. |
| 00:53:05 |
I'm going to call my lawyer. |
| 00:53:15 |
Let me tell you something first. |
| 00:53:18 |
Your dear lawyer thinks |
| 00:53:22 |
Did he say so? |
| 00:53:23 |
He almost did. |
| 00:53:26 |
"My best friend... |
| 00:53:30 |
But what he really craves |
| 00:53:31 |
is a chance to display his eloquence |
| 00:53:36 |
He said: |
| 00:53:40 |
"I'll get Julien Vercel acquitted." |
| 00:53:43 |
You still want to call him? |
| 00:53:53 |
Look! |
| 00:53:55 |
Between your lawyer... |
| 00:53:58 |
and Santelli: |
| 00:54:01 |
The summer camp? |
| 00:54:02 |
I'm sure of it. |
| 00:54:05 |
He's snooping around. |
| 00:54:06 |
First, he's there |
| 00:54:09 |
Then, he just happens |
| 00:54:12 |
It's not a coincidence. |
| 00:54:13 |
Stop scratching your ear: |
| 00:54:16 |
But it helps me to think. |
| 00:54:24 |
Dial the number |
| 00:54:26 |
You want to see a movie? |
| 00:54:28 |
No, I want to speak |
| 00:54:30 |
Massoulier owned it, |
| 00:54:33 |
She might know |
| 00:54:40 |
The Eden: Next show at 8:30. |
| 00:54:43 |
Good morning, |
| 00:54:44 |
I'd like to speak to the manager. |
| 00:54:48 |
There is no manager. |
| 00:54:50 |
Do you know this voice? |
| 00:54:52 |
I'm not sure. |
| 00:54:53 |
She's the nut |
| 00:54:56 |
To be sure... |
| 00:54:58 |
I'll call back and keep her talking. |
| 00:55:07 |
I just want to know... |
| 00:55:09 |
if "Paths of Glory" |
| 00:55:12 |
It's a war film |
| 00:55:13 |
between the French and Germans. |
| 00:55:16 |
Canons and soldiers. |
| 00:55:20 |
The soldiers carry photos |
| 00:55:22 |
So, it's a love story? |
| 00:55:24 |
There's love, battles, songs, |
| 00:55:26 |
emotions and tutti quanti. |
| 00:55:58 |
Orchestra or balcony? |
| 00:56:02 |
It's about Mr. Massoulier. |
| 00:56:04 |
The film is half over |
| 00:56:06 |
but it's up to you. |
| 00:56:07 |
Do you know who he met last? |
| 00:56:09 |
I know who sent you. |
| 00:56:11 |
If he had any decency, |
| 00:56:14 |
You're all wrong. |
| 00:56:18 |
Don't be indecent! |
| 00:56:25 |
He wasn't the only one. |
| 00:56:28 |
Many men were drooling |
| 00:56:30 |
It turned ugly |
| 00:56:33 |
Yes, she was a slut! |
| 00:56:35 |
Go away! |
| 00:56:36 |
Listen to me! |
| 00:56:38 |
I too want to know the truth. |
| 00:56:41 |
Go away! |
| 00:57:02 |
Either go in, or go out. |
| 00:57:04 |
I'm just looking at the posters. |
| 00:57:08 |
This is the lobby... |
| 00:57:09 |
you're in the way. |
| 00:57:11 |
I'm asking you to leave. |
| 00:58:39 |
- How much? |
| 00:58:41 |
How much is it? |
| 00:58:42 |
It's past 7:35. P.m. |
| 00:58:57 |
So, you saw Barbara? |
| 00:58:59 |
I couldn't get a word out of her, |
| 00:59:01 |
but I'm sure she knows a lot: |
| 00:59:04 |
I saw her |
| 00:59:07 |
She was hysterical. |
| 00:59:08 |
She just went into a brand new |
| 00:59:13 |
I thought that was in Nice. |
| 00:59:14 |
It's the same name. |
| 00:59:18 |
There's a restaurant name... |
| 00:59:20 |
- "Thi Loan." |
| 00:59:23 |
We sold the property, |
| 00:59:24 |
it's in our files. |
| 00:59:27 |
She just came out. |
| 00:59:29 |
What's her name? |
| 00:59:30 |
I can't just walk up |
| 00:59:34 |
She's leaving. I'll follow her. |
| 00:59:37 |
Barbara, wait. Be careful! |
| 01:00:33 |
You're late, sir. |
| 01:00:36 |
You're late and you're losing |
| 01:00:40 |
Has the rehearsal started? |
| 01:00:42 |
Are we friends again? |
| 01:00:44 |
You're a lunatic! |
| 01:00:46 |
Why? Because I want |
| 01:00:49 |
Do divorced couples make love? |
| 01:00:51 |
It happens every day. |
| 01:00:53 |
What about Genevieve? |
| 01:00:54 |
She left me because of you. |
| 01:00:58 |
I said your name |
| 01:01:05 |
Yes, I know, |
| 01:01:08 |
I miss one rehearsal out of two |
| 01:01:10 |
next Sunday. |
| 01:01:13 |
So, either you trust me |
| 01:01:16 |
or else, replace me... |
| 01:01:18 |
Is this alright? |
| 01:01:26 |
You've got some nerve! |
| 01:01:29 |
No, she looks just fine. |
| 01:01:31 |
Very pretty. |
| 01:01:32 |
Go on! |
| 01:01:34 |
Don't mind me. |
| 01:01:36 |
Go ahead. |
| 01:01:37 |
"Me hate him? Oh no! |
| 01:01:40 |
"you're all wrong. |
| 01:01:43 |
"I've admired him all along." |
| 01:01:59 |
"Berard! He rides past, |
| 01:02:04 |
I'll run along. |
| 01:02:12 |
"You obviously prefer |
| 01:02:14 |
"To our amateur efforts |
| 01:02:21 |
I know the cashier's name: |
| 01:02:25 |
That's a big help. |
| 01:02:27 |
What about the "Red Angel" file? |
| 01:02:29 |
Nothing of interest. |
| 01:02:31 |
"Mme Loan sold |
| 01:02:34 |
"as follows: |
| 01:02:38 |
Look! |
| 01:02:39 |
Delbeque! |
| 01:02:42 |
I can't figure it out. |
| 01:02:45 |
Why would the major stockholder |
| 01:02:50 |
work as a cashier |
| 01:02:53 |
It's vital that I talk to her. |
| 01:02:56 |
Don't be crazy! |
| 01:02:58 |
All the cops have your picture. |
| 01:03:01 |
You can't handle it. |
| 01:03:04 |
She won't see me. |
| 01:03:08 |
If they used her as a cover, |
| 01:03:10 |
she's got files. I'll find them. |
| 01:03:14 |
Don't you think I can? |
| 01:03:16 |
Cut it out? |
| 01:03:19 |
I get all the dirty work and... |
| 01:03:21 |
Stop yelling! |
| 01:03:25 |
Who can that be? |
| 01:03:30 |
Don't answer it. |
| 01:03:35 |
I won't. I've got to leave. |
| 01:03:38 |
You're stubborn, but so am I. |
| 01:03:41 |
We're both whispering since |
| 01:03:45 |
I borrowed |
| 01:03:47 |
It's final: I'm telling you... |
| 01:03:49 |
What? That I'm fired? |
| 01:04:31 |
Don't be afraid, it's me. |
| 01:04:32 |
If this is risky, |
| 01:04:36 |
It's really unfair: |
| 01:04:38 |
if a boss can fire me, |
| 01:04:42 |
Keep out of sight. |
| 01:04:48 |
We're at the Eden. |
| 01:04:50 |
I'm slowing down. |
| 01:04:53 |
Do you recognize the cashier? |
| 01:04:55 |
I certainly do. |
| 01:04:57 |
She was Massoulier's mistress |
| 01:05:01 |
I assure you she still loves him. |
| 01:05:04 |
She's stuck there |
| 01:05:08 |
One hour to search her apartment, |
| 01:05:13 |
It's there, on the 4th floor. |
| 01:05:22 |
I'll go up and you watch. |
| 01:05:24 |
No way! |
| 01:05:25 |
Don't argue. |
| 01:05:27 |
As you like. |
| 01:07:26 |
What are you doing here? |
| 01:07:47 |
I didn't kill him? |
| 01:07:49 |
He's not dead? |
| 01:07:51 |
He's breathing. |
| 01:07:53 |
If we don't stop him, |
| 01:07:56 |
We must do something. |
| 01:08:02 |
You know... |
| 01:08:03 |
this guy... |
| 01:08:07 |
Not necessarily. |
| 01:08:09 |
I'm positive, it's him. |
| 01:08:11 |
I'd say there are |
| 01:08:19 |
Tying up an unconscious man |
| 01:08:23 |
We're no heroes! |
| 01:08:29 |
The police? |
| 01:08:30 |
How about some protection? |
| 01:08:32 |
Robberies night after night! |
| 01:08:34 |
57, rue des Recollets, |
| 01:08:36 |
there's a customer for you. |
| 01:08:38 |
What did you do that for? |
| 01:08:41 |
To accelerate your release. |
| 01:09:00 |
What are you waiting for? |
| 01:09:02 |
Can you start it? |
| 01:09:11 |
I'll handle it. |
| 01:09:13 |
Look, it's flooded. |
| 01:09:36 |
What got into you? |
| 01:09:38 |
I saw it in a movie. |
| 01:09:40 |
Let's wait to see how it winds up. |
| 01:09:43 |
We'll find out |
| 01:10:22 |
I feel dizzy. |
| 01:10:28 |
You're O.K.? |
| 01:10:29 |
It's the first time |
| 01:10:32 |
By the twelfth, |
| 01:10:36 |
With all what's happened |
| 01:10:40 |
it's only now I realize |
| 01:10:44 |
I lived with a stranger |
| 01:10:47 |
I sensed there was something |
| 01:10:52 |
I wonder why she came here. |
| 01:10:55 |
- Was she your client at first? |
| 01:11:00 |
She closed her beauty salon |
| 01:11:04 |
She claimed she wanted |
| 01:11:08 |
I liked her, I really did... |
| 01:11:12 |
you can't understand. |
| 01:11:14 |
In that case, |
| 01:11:20 |
Death is a strange thing. |
| 01:11:23 |
When people die of illness... |
| 01:11:25 |
it's cruel and unfair, |
| 01:11:28 |
When it's a crime, |
| 01:11:31 |
death becomes abstract... |
| 01:11:34 |
as if the solution |
| 01:11:38 |
It's like reading a thriller. |
| 01:11:41 |
And yet Marie-Christine is dead... |
| 01:11:44 |
and so is Massoulier. |
| 01:11:48 |
From here, our town looks lovely. |
| 01:11:54 |
When I started in business, |
| 01:11:56 |
whenever a customer hesitated... |
| 01:11:59 |
to convince him. |
| 01:12:00 |
Behind those little lights, |
| 01:12:04 |
watching TV, night shifts, |
| 01:12:06 |
sleeping children... |
| 01:12:08 |
and our killer, |
| 01:12:10 |
who'll be sore as hell |
| 01:12:17 |
No, let me drive. |
| 01:12:21 |
Why did you kiss me? |
| 01:12:23 |
There are no cops around. |
| 01:12:25 |
Who knows! |
| 01:12:26 |
Another riddle. |
| 01:12:53 |
Just browsing? |
| 01:12:55 |
I'll pay, but it's not worth it. |
| 01:13:00 |
What do they say? |
| 01:13:01 |
Almost nothing. |
| 01:13:03 |
"Inquest in double murder |
| 01:13:06 |
It's awful! |
| 01:13:07 |
We didn't dream it. |
| 01:13:09 |
There's another possibility: |
| 01:13:11 |
the guy we slugged is a big shot |
| 01:13:13 |
and the cops want |
| 01:13:17 |
What's that? |
| 01:13:18 |
It's for Massoulier's funeral. |
| 01:13:20 |
For today? |
| 01:13:23 |
We can't afford to neglect a lead. |
| 01:14:35 |
Not this! |
| 01:14:38 |
Take that wreath away! |
| 01:14:43 |
We are gathered |
| 01:14:45 |
to accompany Jacques Massoulier |
| 01:14:47 |
to his last home. |
| 01:14:50 |
The mass for his eternal soul |
| 01:14:53 |
by his brother, |
| 01:14:59 |
"May the peace of Our Lord |
| 01:15:01 |
be with one and all |
| 01:15:05 |
forever and ever." |
| 01:15:09 |
I wonder who invented you! |
| 01:15:12 |
Who said the priest looked |
| 01:15:15 |
He was investigating on his own. |
| 01:15:19 |
We're doing the same thing! |
| 01:15:20 |
I was wrong to go by looks. |
| 01:15:22 |
To go by looks! |
| 01:15:24 |
Even while I was fighting him, |
| 01:15:28 |
I thought he looked like |
| 01:15:31 |
Naturally, |
| 01:15:33 |
you figure the real killer |
| 01:15:42 |
I'm here for the secretarial job. |
| 01:15:45 |
Oh, the ad! Well, |
| 01:15:49 |
You got someone? |
| 01:15:50 |
No, the job is open. |
| 01:15:52 |
Well, it should be. |
| 01:15:54 |
May I see the director? |
| 01:15:57 |
Mr. Vercel is out of town. |
| 01:16:00 |
For how long? |
| 01:16:03 |
Don't you read the papers? |
| 01:16:04 |
No, the ink smears. |
| 01:16:08 |
Are you a secretary? |
| 01:16:09 |
I do what I'm told. |
| 01:16:11 |
You take stenography? |
| 01:16:13 |
Those pencil notes? |
| 01:16:15 |
Is it really necessary? |
| 01:16:17 |
It comes in handy. |
| 01:16:20 |
How fast? |
| 01:16:21 |
I type, but I'm no speed demon. |
| 01:16:24 |
I type with one finger. |
| 01:16:27 |
Only one finger? |
| 01:16:29 |
This one. |
| 01:16:30 |
It's enough. |
| 01:16:31 |
Let me show you. |
| 01:16:44 |
Fantastic! |
| 01:16:47 |
And you're a blonde. |
| 01:16:48 |
Yes, I am. So what? |
| 01:16:50 |
It's an asset. |
| 01:16:51 |
Mr. Vercel hates brunettes. |
| 01:16:53 |
In fact, he fired me. |
| 01:16:55 |
I'm leaving. |
| 01:16:56 |
Maybe he has other reasons. |
| 01:17:00 |
He may want |
| 01:17:04 |
Thanks, I feel better. |
| 01:17:07 |
It's a pity Mr. Vercel's away. |
| 01:17:10 |
He'd be very interested in you. |
| 01:17:13 |
I'll leave you my phone number. |
| 01:17:15 |
He can call me. |
| 01:17:16 |
Almost 4 p.m. |
| 01:17:28 |
A bill, another one... |
| 01:17:30 |
publicity... Ah! |
| 01:17:32 |
What is it? |
| 01:17:33 |
Nothing. An anonymous letter. |
| 01:17:36 |
Let's see. |
| 01:17:37 |
- It's for me. |
| 01:17:43 |
"You little intriguer, why don't |
| 01:17:48 |
See, "little intriguer". |
| 01:17:50 |
When I say it, |
| 01:17:58 |
We're not getting anywhere. |
| 01:18:01 |
All we've done in 3 days |
| 01:18:04 |
and to get anonymous filth. |
| 01:18:06 |
Do you want to turn yourself in? |
| 01:18:09 |
Never! I'd rather die. |
| 01:18:12 |
But we've got no more leads. |
| 01:18:15 |
I've got a lead. |
| 01:18:17 |
It's the "Red Angel." |
| 01:18:20 |
First... |
| 01:18:21 |
The Eden is |
| 01:18:24 |
that conceals a chain of cabarets. |
| 01:18:27 |
Second... |
| 01:18:28 |
The cabarets conceal |
| 01:18:32 |
When a hooker |
| 01:18:33 |
is arrested, |
| 01:18:39 |
Because her working card says |
| 01:18:42 |
she's a hostess |
| 01:18:45 |
Thanks to Louison... |
| 01:18:46 |
I'll bore from within. |
| 01:18:48 |
What does Louison do? |
| 01:18:51 |
The oldest profession in the world. |
| 01:18:54 |
You know her? |
| 01:18:55 |
Almost. |
| 01:18:57 |
But thanks to her... |
| 01:19:00 |
we'll find out what |
| 01:19:06 |
Do I look plausible? |
| 01:19:10 |
Plausible as what? |
| 01:19:15 |
That's all I wanted to know. |
| 01:19:41 |
Got a light? |
| 01:19:43 |
Do you wear pantyhose? |
| 01:19:46 |
No, stockings. |
| 01:19:47 |
Then, let's go up. |
| 01:19:48 |
No way! |
| 01:19:50 |
Why not? |
| 01:19:51 |
It's your mustache. |
| 01:19:54 |
Try another girl. |
| 01:20:02 |
Who is she? |
| 01:20:04 |
She turned me down. |
| 01:20:05 |
Hear that? |
| 01:20:06 |
The new one picks her johns. |
| 01:20:10 |
I'll handle her. |
| 01:20:19 |
This is our beat. |
| 01:20:21 |
Louison told me to work here. |
| 01:20:23 |
Let's find out. |
| 01:20:25 |
Right, let's go ask Louison. |
| 01:20:27 |
Let's go. |
| 01:20:41 |
What do you plan to do |
| 01:20:45 |
You getting cold feet? |
| 01:20:48 |
Because customers... |
| 01:20:50 |
Excuse me. |
| 01:20:53 |
What are you doing here? |
| 01:20:55 |
You're not supposed |
| 01:20:58 |
There's a mix-up. |
| 01:21:01 |
We'd never hire a brunette. |
| 01:21:04 |
They don't make enough |
| 01:21:07 |
She says Louison hired her. |
| 01:21:09 |
You know Louison? |
| 01:21:11 |
Yes, I know her. |
| 01:21:12 |
You know her? |
| 01:21:13 |
I know her and she knows me. |
| 01:21:16 |
Where did you meet? |
| 01:21:17 |
In Nice. I worked there. |
| 01:21:19 |
She suggested I come... |
| 01:21:25 |
Louison said that? |
| 01:21:26 |
Yes, she did. |
| 01:21:29 |
Louison, a visitor! |
| 01:21:37 |
What is it? |
| 01:21:40 |
This broad says you hired her. |
| 01:21:43 |
Have we met? |
| 01:21:50 |
I didn't hire her. |
| 01:21:52 |
I don't know you. |
| 01:21:53 |
And she thought |
| 01:21:57 |
Me, a dame? |
| 01:22:05 |
I've been called |
| 01:22:07 |
lots of things, but till now... |
| 01:22:09 |
no one's ever called me a dame! |
| 01:22:12 |
The things you hear... |
| 01:22:14 |
"DELBEQUE-MASSOULIER, INC." |
| 01:22:17 |
Do you have a cigarette? |
| 01:22:19 |
You want me to puff it for you? |
| 01:22:30 |
Wait till we're alone. |
| 01:22:33 |
Hey, you! |
| 01:22:35 |
You can't hang around here. |
| 01:22:37 |
On your way! |
| 01:22:39 |
Go on to Marseilles. |
| 01:22:49 |
...And the platform goes down. |
| 01:22:50 |
The platform goes down |
| 01:23:14 |
You feel better? |
| 01:23:17 |
No, you were right. |
| 01:23:18 |
I was wrong. |
| 01:23:21 |
But I'm scarred... |
| 01:23:25 |
That's less income... |
| 01:23:27 |
so you'll have to work more. |
| 01:23:35 |
Thank you. |
| 01:23:38 |
Since when are you so virtuous? |
| 01:23:58 |
Get me Louison. |
| 01:24:00 |
I'll get my brother. |
| 01:24:02 |
It's Paula! |
| 01:24:04 |
Coming. |
| 01:24:08 |
He's coming to see you. |
| 01:24:10 |
No kidding! |
| 01:24:11 |
Are you sure? |
| 01:24:13 |
Yes. |
| 01:24:15 |
Let me take this call upstairs. |
| 01:24:19 |
OK. |
| 01:24:36 |
I've got the letters. |
| 01:24:39 |
- What will you do? |
| 01:24:42 |
I won't mention you. |
| 01:24:44 |
It'll soon be over. |
| 01:24:50 |
Oh, it's you? Come in. |
| 01:24:57 |
They were well hidden. |
| 01:25:00 |
I looked all over. |
| 01:25:01 |
You can stop worrying. |
| 01:25:03 |
You know where I found them? |
| 01:25:05 |
They were in a shoe box! |
| 01:25:09 |
How about a bonus? |
| 01:25:11 |
I kept a few. |
| 01:25:37 |
Who was it? |
| 01:25:38 |
Tell me his name. |
| 01:25:41 |
Warn Paula... |
| 01:25:44 |
Hurry! |
| 01:26:23 |
I must see Mr. Clement. |
| 01:26:25 |
He's usually here at this time, |
| 01:26:29 |
It's strange, he didn't call. |
| 01:26:53 |
BEAUTY SALON TO RENT |
| 01:26:55 |
I'll wait in his office. |
| 01:27:02 |
Is the boss back? |
| 01:27:03 |
It's the dame from |
| 01:27:07 |
She crashed his office. |
| 01:27:08 |
- You let her? |
| 01:28:19 |
Hello? |
| 01:28:31 |
What happened? |
| 01:28:47 |
One: Massoulier. |
| 01:28:49 |
Three: The Eden cashier. |
| 01:28:53 |
Make up your mind. |
| 01:28:55 |
Are you with us or against us? |
| 01:29:10 |
And now, a third murder. |
| 01:29:12 |
Following the shooting |
| 01:29:16 |
and the killing |
| 01:29:20 |
the latest victim is |
| 01:29:24 |
stabbed to death an hour ago |
| 01:29:28 |
The circumstantial evidence |
| 01:29:33 |
who disappeared 3 days ago. |
| 01:29:35 |
A city-wide search |
| 01:29:39 |
The police blocked |
| 01:29:41 |
The killer's arrest is imminent. |
| 01:29:51 |
- Mr. Clement, please. |
| 01:29:54 |
I've got to see you right away. |
| 01:30:20 |
Did you hear the radio? |
| 01:30:22 |
This is goodbye. |
| 01:30:25 |
You did your best. |
| 01:30:29 |
I've got to go now. |
| 01:30:32 |
To the police? |
| 01:30:33 |
No, I'm going to see my lawyer. |
| 01:30:36 |
You're made! |
| 01:30:39 |
I'll go by the sea. |
| 01:30:43 |
Please, |
| 01:30:45 |
listen to me... |
| 01:30:47 |
don't leave. |
| 01:30:49 |
I know what I'm doing. |
| 01:30:52 |
or take me with you. |
| 01:30:54 |
Impossible. |
| 01:30:56 |
Because you despise me? |
| 01:30:58 |
I don't despise you. |
| 01:31:00 |
Well, I despise you... |
| 01:31:02 |
and moreover... |
| 01:31:05 |
I love you. |
| 01:31:07 |
A blind man could see that! |
| 01:31:10 |
You've never looked |
| 01:31:12 |
Since I'm not a platinum blonde |
| 01:31:15 |
I haven't got a chance! |
| 01:32:09 |
Ask me the question |
| 01:32:13 |
I'm asking you. |
| 01:32:14 |
The answer is yes. |
| 01:32:16 |
You're taking me? |
| 01:32:17 |
No, I need 24 hours. |
| 01:32:21 |
and you'll join me. |
| 01:32:24 |
I feel like a complete idiot. |
| 01:32:29 |
I've felt that way |
| 01:32:36 |
I can't wait. |
| 01:32:38 |
Wait for what? |
| 01:32:41 |
Wait for next Sunday. |
| 01:32:54 |
Hear that? |
| 01:32:55 |
I hear nothing. |
| 01:32:59 |
It's not normal. |
| 01:33:02 |
Take a look. |
| 01:33:14 |
It's quiet. |
| 01:33:16 |
Everything's alright. |
| 01:33:21 |
It's been two minutes |
| 01:33:27 |
I know who the killer is. |
| 01:33:39 |
Good work! |
| 01:33:42 |
You've been despicable |
| 01:34:00 |
I didn't kill Massoulier, |
| 01:34:04 |
I didn't kill the Eden cashier. |
| 01:34:07 |
Is that your story? |
| 01:34:09 |
We could write |
| 01:34:14 |
Did you know she married you |
| 01:34:18 |
You're real funny. |
| 01:34:19 |
It's no laughing matter. |
| 01:34:22 |
Your marriage isn't valid... |
| 01:34:24 |
because under her real name |
| 01:34:27 |
was married |
| 01:34:31 |
He went to jail for doping a horse. |
| 01:34:35 |
He always claimed she did it. |
| 01:34:38 |
Meanwhile, she was living it up. |
| 01:34:40 |
An ex-lover was blackmailing her, |
| 01:34:44 |
She got drunk |
| 01:34:48 |
She drove off |
| 01:34:51 |
So aside from Interpol, |
| 01:34:53 |
insurance companies |
| 01:34:58 |
We've got your client... |
| 01:35:01 |
and all your legal |
| 01:35:04 |
Let me go on |
| 01:35:07 |
It's very interesting. |
| 01:35:10 |
We'll skip the rubber checks. |
| 01:35:12 |
She lands in Nice |
| 01:35:17 |
When you married her, |
| 01:35:20 |
She needed to lie low at that time. |
| 01:35:25 |
It's still funny. |
| 01:35:26 |
Yes, she needed time... |
| 01:35:28 |
but with Massoulier around, |
| 01:35:31 |
I never speak ill of the dead... |
| 01:35:35 |
but if it wasn't for Massoulier, |
| 01:35:42 |
Little boys play with toy railroads, |
| 01:35:45 |
stations, houses, cars, garages. |
| 01:35:48 |
Later on, they find out they can't |
| 01:35:52 |
They learn to share, |
| 01:35:56 |
Massoulier had remained |
| 01:35:59 |
He wanted the beauty salon, |
| 01:36:01 |
the cinema, the cabaret, |
| 01:36:05 |
Damn it! I remind you that 3 persons |
| 01:36:10 |
So there's another little boy |
| 01:36:18 |
I must see Mr. Santelli! |
| 01:36:20 |
Excuse me for interrupting... |
| 01:36:23 |
but I've got some information. |
| 01:36:25 |
Busybody! |
| 01:36:26 |
Let her talk. |
| 01:36:28 |
All leads are useful at that point. |
| 01:36:34 |
A detective agency |
| 01:36:38 |
to investigate on |
| 01:36:41 |
It was a phone request |
| 01:36:44 |
Yes, it's in the file. |
| 01:36:46 |
Well, I decided to call |
| 01:36:50 |
and I learned that the client... |
| 01:36:52 |
sent them a picture |
| 01:36:55 |
in a typed envelope. |
| 01:36:57 |
Do you have the envelope? |
| 01:36:59 |
If I get it, |
| 01:37:01 |
In 3 days, I can trace |
| 01:37:05 |
Wait... |
| 01:37:08 |
The detective has just left home. |
| 01:37:09 |
By now, |
| 01:37:12 |
searching for the envelope. |
| 01:37:14 |
As soon as he does, |
| 01:37:17 |
I gave him your phone number. |
| 01:37:21 |
Thank you for your cooperation. |
| 01:37:25 |
You may go now. |
| 01:37:32 |
May I read |
| 01:37:36 |
Certainly. |
| 01:37:41 |
It's short and sweet: |
| 01:37:44 |
"I didn't kill Massoulier, |
| 01:37:47 |
"I didn't kill Louison, |
| 01:37:51 |
It's not much help. |
| 01:38:02 |
Santelli speaking. |
| 01:38:05 |
I don't know. I'm busy. |
| 01:38:07 |
I'm tied up here |
| 01:38:08 |
for at least an hour. |
| 01:38:10 |
It's very simple, honey. |
| 01:38:14 |
Use the potatoes while they're hot. |
| 01:38:16 |
You may burn your fingers, |
| 01:38:19 |
I get it, darling. |
| 01:38:20 |
Then, you pour the white wine |
| 01:38:22 |
on the potatoes, |
| 01:38:24 |
but slice them thin. Got it? |
| 01:38:26 |
Yes, but hurry because |
| 01:38:30 |
The table's set and we're waiting. |
| 01:38:32 |
Cut it out... |
| 01:38:33 |
I need the line |
| 01:38:35 |
for an important call. |
| 01:38:40 |
It was my old lady. |
| 01:38:48 |
What are you doing? |
| 01:38:52 |
Your conversation made me hungry. |
| 01:38:55 |
I'll just hop out for a sandwich. |
| 01:38:58 |
They can send someone for it. |
| 01:39:00 |
I prefer to take a walk. |
| 01:39:06 |
Come with me. |
| 01:39:09 |
- Don't lose him. |
| 01:39:14 |
Is Lablache still on the line? |
| 01:39:16 |
He's on hold. |
| 01:39:19 |
It looks as if my lawyer will be |
| 01:39:22 |
Hold on, Mr. Lablache, |
| 01:39:27 |
Lablache? Santelli speaking. |
| 01:39:29 |
I'm still here. |
| 01:39:31 |
It's working as planned. |
| 01:39:35 |
Tell me what I should say. |
| 01:39:38 |
Just keep him talking |
| 01:39:41 |
I'll hang up. |
| 01:39:43 |
Fine. We'll both hang up! |
| 01:39:46 |
Come down, Miss-know-it-all! |
| 01:39:49 |
She did well in the role of my wife. |
| 01:39:52 |
We had to needle the lawyer. |
| 01:39:54 |
Did you see him |
| 01:39:57 |
I planned to nail him... |
| 01:40:00 |
while he was helping me run away. |
| 01:40:02 |
- He could've killed you. |
| 01:40:05 |
When did you suspect him? |
| 01:40:08 |
I never trusted him |
| 01:40:11 |
I had to slap him down. |
| 01:40:13 |
What for? |
| 01:40:15 |
To make him |
| 01:40:18 |
A groping hand doesn't |
| 01:40:22 |
Or else, |
| 01:40:25 |
OK, |
| 01:40:27 |
but while I was waiting |
| 01:40:31 |
I noticed something suspicious. |
| 01:40:50 |
I leaned against the wall. |
| 01:41:10 |
It led to Marie-Christine's |
| 01:41:14 |
A fantastic gimmick |
| 01:41:18 |
in a small town. |
| 01:41:20 |
I also noticed a card |
| 01:41:27 |
and a picture of Marie-Christine |
| 01:41:30 |
It all added up. |
| 01:41:34 |
He's just gone |
| 01:41:41 |
Lablache speaking. |
| 01:41:42 |
Last week, |
| 01:41:46 |
I mailed you a picture |
| 01:41:49 |
I see. |
| 01:41:51 |
I don't know if it's still here. |
| 01:41:53 |
I'm pretty sure |
| 01:41:56 |
Mr. Lablache, |
| 01:41:58 |
When the odds are good. |
| 01:42:00 |
I'll bet a handsome amount |
| 01:42:04 |
What do you mean |
| 01:42:08 |
15,000 Frs. |
| 01:42:09 |
But destroying evidence... |
| 01:42:11 |
Who says it's evidence? |
| 01:42:13 |
You simply won't find... |
| 01:42:14 |
an envelope that was discarded |
| 01:42:17 |
in a wastebasket 3 days ago. |
| 01:42:20 |
I'm willing to bet 30,000 Frs. |
| 01:42:22 |
It's my final price. |
| 01:42:34 |
Forget all I said. |
| 01:42:37 |
You were putting me on. |
| 01:42:39 |
The die is cast! |
| 01:42:42 |
Give the envelope to the cops... |
| 01:42:43 |
but keep Marie-Christine's picture. |
| 01:42:47 |
I killed her |
| 01:42:49 |
Massoulier |
| 01:42:51 |
I killed Paula |
| 01:42:53 |
and Louison |
| 01:42:56 |
I was about to kill Vercel. |
| 01:42:59 |
I don't belong |
| 01:43:03 |
Everything |
| 01:43:05 |
I like to look at them |
| 01:43:09 |
I enjoy giving them pleasure. |
| 01:43:13 |
Women are magic, |
| 01:43:17 |
In one minute, |
| 01:43:23 |
I see them approaching. |
| 01:43:26 |
Sorry to let you down, |
| 01:43:28 |
you've just lost 30,000 Frs. |
