Voyou Le The Crook
|
00:02:33 |
All the evil I'm doing |
00:02:36 |
Will lead me to my ruin |
00:02:39 |
Wait and see |
00:02:41 |
Though my people destroy me |
00:02:44 |
My fame will grow |
00:02:46 |
The world will know |
00:02:49 |
Of Le Voyou |
00:03:26 |
VOYOU: A Parisian expression |
00:03:30 |
LE LITTRE |
00:04:14 |
Want something to drink? |
00:04:16 |
A beer. |
00:04:44 |
Without foam! |
00:04:57 |
Thank you. |
00:05:13 |
Are you hungry? |
00:05:16 |
Yes. |
00:05:39 |
What are you doing here? |
00:05:42 |
Making an omelet. |
00:05:45 |
No, I mean in Paris. |
00:05:50 |
I work as a secretary. And you? |
00:05:58 |
Are you in the habit of yanking |
00:06:01 |
When I don't know the people. |
00:06:26 |
Want some wine? |
00:06:28 |
I wouldn't mind some more beer, |
00:06:39 |
It's nice to know you trust me. |
00:07:00 |
Aren't you eating? |
00:07:02 |
No, I ate before the movies. |
00:07:06 |
Do you go to the movies a lot? |
00:09:09 |
Were you thinking of staying long? |
00:09:16 |
Overnight, at least. |
00:09:33 |
- When do you leave for work? |
00:09:50 |
That's all I can do for you. |
00:10:18 |
Anyone else got a key? |
00:10:21 |
- Just the cleaning woman. |
00:10:24 |
Every other day. |
00:10:31 |
Why are they looking for you? |
00:10:36 |
You got anything to smoke? |
00:10:49 |
- Why are you so nervous? |
00:11:04 |
You don't have many visitors. |
00:11:08 |
Now look, I have a car... |
00:11:10 |
I'm willing to drive you anywhere. |
00:11:17 |
Tomorrow you won't be going to work. |
00:11:21 |
They'll want to know why I'm not there. |
00:11:23 |
And since my telephone doesn't work, |
00:11:27 |
You'll be sick. |
00:11:29 |
- I haven't been sick in 10 years. |
00:11:38 |
Is the cleaning lady coming tomorrow? |
00:11:41 |
Yes. |
00:11:46 |
Tell her you won't be needing her. |
00:11:49 |
Send her to your boss to explain. |
00:11:51 |
- And have her bring the newspapers up. |
00:11:54 |
Because you'll be sick. |
00:12:00 |
Tell me... |
00:12:02 |
do you plan on staying much longer? |
00:12:09 |
You'd better be nice to me |
00:12:16 |
What's the matter with this? |
00:13:27 |
She's very pretty. |
00:13:34 |
So are you. |
00:13:37 |
- May I give her a kiss? |
00:13:51 |
The gentleman wants to give you a kiss. |
00:13:58 |
Thank you. |
00:13:59 |
All right now, go and play with your friend. |
00:14:05 |
- How were you able to find me? |
00:14:11 |
Did the cops question you? |
00:14:13 |
Yes, they have. They came to the house |
00:14:18 |
I said I didn't know anything but the truth. |
00:14:21 |
Your husband? |
00:14:23 |
He took it well. |
00:14:26 |
He was afraid |
00:14:28 |
What does he take me for? |
00:14:31 |
Where have you been for the last 15 days? |
00:14:34 |
With a girl I know. |
00:14:36 |
Do I know her? |
00:14:39 |
No. |
00:14:41 |
The night I escaped, |
00:14:44 |
And she's hiding you. |
00:14:46 |
Yes. |
00:14:47 |
She hid you for 15 days? |
00:14:50 |
At first I forced her, then she cooperated. |
00:14:53 |
- Is she an old friend? |
00:14:58 |
You're sure you're not being followed? |
00:15:01 |
They seem to think that I left the country. |
00:15:07 |
You didn't lose much weight. |
00:15:10 |
The girl I'm staying with cooks up a storm. |
00:15:14 |
I want to kiss you so badly. |
00:15:19 |
Did you hear? |
00:15:23 |
My daughter is very beautiful. |
00:15:28 |
What will you do now? |
00:15:30 |
Now I'm really going to leave the country. |
00:15:34 |
Why didn't you leave before? |
00:15:36 |
I wanted to see her. |
00:15:40 |
Do you need money? |
00:15:42 |
We'll see. |
00:15:45 |
What country will you go to? |
00:15:48 |
I haven't decided yet. |
00:15:51 |
- Do have a car? |
00:15:54 |
Will you give me a lift? |
00:15:57 |
Yes, but I have to take her home first. |
00:16:00 |
Françoise, did you hurt yourself? |
00:16:37 |
How did you get to know him? |
00:16:39 |
We met not long after Françoise was born, |
00:16:44 |
Is he loaded, as they say? |
00:16:47 |
You'd never believe |
00:16:55 |
You told him everything? |
00:16:58 |
After your trial, |
00:17:07 |
- Has he been good with Françoise? |
00:17:18 |
I suppose you're a yogurt fan now? |
00:17:27 |
You know what surprises you most |
00:17:31 |
New clothes... |
00:17:33 |
and the price of movie tickets. |
00:17:43 |
What are you doing, Françoise? |
00:17:52 |
She's only playing. |
00:18:00 |
Is that your place? |
00:18:02 |
It's a bit farther up the street, |
00:18:08 |
Give the nice man a kiss, Françoise. |
00:18:11 |
Goodbye, sweetheart. |
00:18:13 |
You're a good girl. |
00:18:16 |
Come on, darling. |
00:18:18 |
I'll only be a minute. |
00:18:30 |
I like you better that way. |
00:18:33 |
I was angry with you for a long time. |
00:18:37 |
But eventually I saw your side. |
00:18:39 |
I figured you were better off... |
00:18:41 |
married to someone |
00:18:45 |
Is he really honest? |
00:18:50 |
What I'll never quite understand |
00:18:58 |
Do you think she'll say anything? |
00:19:00 |
I'm going to tell him anyhow. |
00:19:05 |
I want you to drive. It's too risky this way. |
00:19:08 |
Don't you want to kiss me? |
00:19:11 |
I'd like you to drive. |
00:19:20 |
- How much is this one? |
00:19:23 |
She's sweet, neat, and reliable. |
00:19:28 |
- And this one? |
00:19:30 |
But the problem is keeping her loaded. |
00:19:35 |
Where are you going? |
00:19:39 |
I want this one. |
00:19:46 |
Nice balance. |
00:19:48 |
How much? |
00:19:50 |
Four bills. |
00:19:52 |
How about throwing in some bullets? |
00:19:58 |
You know, |
00:20:01 |
Well, go on thinking it. |
00:20:06 |
I've got a job if you want. |
00:20:09 |
I only work alone, you know that. |
00:20:15 |
- Have you seen Martine? |
00:20:19 |
If I were you, I wouldn't treat her so nice. |
00:20:22 |
If you were me, but you're not. |
00:20:26 |
What are you going to do with this place? |
00:20:29 |
I thought I'd open up a little club |
00:20:33 |
- I see you've been letting your hair grow. |
00:20:36 |
It's all right. |
00:20:38 |
Well, I'll see you. |
00:20:39 |
I got to put this stuff away. |
00:20:51 |
Which will it be? |
00:20:55 |
That one. |
00:20:57 |
Well, intellectual. |
00:21:02 |
- You still have an official source of supply? |
00:21:05 |
The bastards keep upping the price. |
00:21:08 |
Know what a full set comes to now? |
00:21:10 |
5,000 francs. |
00:21:18 |
- Have you seen Martine? |
00:21:22 |
You know what you're doing. |
00:21:25 |
How's Charles? |
00:21:27 |
- Great, still eats like a horse. |
00:21:32 |
There we are. |
00:21:33 |
What name shall I put down |
00:21:36 |
Edouard Faures. Spelled with an "S." |
00:21:42 |
NAME: FAURE |
00:21:47 |
- Always the name of a big wheel. |
00:21:55 |
With an "S," I said. |
00:21:58 |
I don't want to be hauled in |
00:22:05 |
- You feel like playing poker tonight? |
00:22:09 |
I guess you're right. |
00:22:12 |
How many driver's licenses |
00:22:15 |
Two. One with a mustache and one without. |
00:22:18 |
I threw in a vaccination certificate. |
00:22:20 |
You're vaccinated for everything: |
00:22:24 |
Thanks, doc. |
00:22:26 |
Will you let me borrow your car? |
00:22:27 |
Yes, of course. |
00:22:29 |
In a day or two, |
00:22:33 |
Take care of yourself, Simon. |
00:22:55 |
Your escape was great. |
00:22:58 |
Thanks. |
00:23:08 |
We'll have our coffee now. |
00:23:17 |
Do you know what this is? |
00:23:19 |
It's a yogurt. |
00:23:22 |
- The world's very first yogurt in a can. |
00:23:31 |
I'll look in on Françoise. Excuse me. |
00:23:35 |
The papers said |
00:23:38 |
It's amazing how wrong they can be. |
00:23:41 |
I saw him this afternoon at the park. |
00:23:43 |
Was Françoise with you? |
00:23:53 |
I set up a lawyer's practice |
00:23:57 |
It's true. |
00:23:58 |
My first client seemed like a nice person... |
00:24:02 |
someone who dropped out of the blue |
00:24:07 |
"I'm known as the Al Capone of France," |
00:24:09 |
"I'm a gangster, |
00:24:12 |
"Now, since you're a young lawyer, |
00:24:18 |
"To hire you by the year. |
00:24:20 |
"You'll be paid quite a lot, |
00:24:23 |
"As soon as I go to prison, |
00:24:26 |
- It's true. What, you don't believe me? |
00:24:30 |
Then he said to me, "You'll be my adviser... |
00:24:33 |
"and each time I decide to set up a deal, |
00:24:38 |
Well, the first job that came up |
00:24:41 |
I couldn't help saying, |
00:24:45 |
- Good evening. |
00:24:47 |
I'd like to speak to Mrs. Zimmer. |
00:24:49 |
Just a second. I'll see if she's in. |
00:24:56 |
There are two gentlemen from the police. |
00:25:04 |
Would you like a little more couscous? |
00:25:07 |
It's good. Don't you like it? |
00:25:13 |
The last time I had it I was in Kiruna, |
00:25:17 |
Now you're making fun of me. |
00:25:28 |
In the papers they call you "the Swiss." |
00:25:36 |
Clockwork precision. |
00:25:40 |
Also because... |
00:25:42 |
I've got a reputation for working alone. |
00:25:46 |
Do you want the television on? |
00:25:49 |
I'm leaving tonight. |
00:26:22 |
Thank you. |
00:26:27 |
I'll get it. |
00:26:43 |
Are you alone? |
00:26:44 |
My wife's here. |
00:26:46 |
Suppose you call her. |
00:26:49 |
Come on, call her. |
00:26:51 |
- Baby doll. |
00:26:55 |
- Yes, what is it? |
00:27:05 |
- Is there anyone else? |
00:27:08 |
Where is she? |
00:27:10 |
- Where? |
00:27:12 |
- Do you have a dog? |
00:27:14 |
Call him. |
00:27:15 |
- Othello. |
00:27:20 |
He's just a little puppy. |
00:27:23 |
Get over to the window. |
00:28:04 |
What is going on? |
00:28:10 |
Turn around and face the curtains. |
00:28:14 |
If anyone moves, I'll shoot. |
00:28:17 |
I said, don't move. |
00:28:19 |
Now sing along with me. |
00:28:21 |
He was a simple little sailor |
00:28:24 |
Let's hear it. Sing or I'll shoot. |
00:28:26 |
He was a simple little sailor |
00:28:29 |
He was a simple little sailor |
00:28:31 |
First one to turn gets plugged. |
00:28:33 |
Who dreamed of ship, shipping off to sea |
00:28:36 |
Who dreamed of ship, shipping off to sea |
00:28:38 |
Away! |
00:28:40 |
He was a simple little |
00:28:43 |
Come on, louder! Let's hear it. |
00:28:44 |
He was a simple little sailor |
00:28:47 |
Who dreamed of ship, shipping off to sea |
00:29:00 |
We are sure your wife |
00:29:03 |
But he's out of the country. |
00:29:04 |
No, he never left the country. |
00:29:06 |
Right, Mrs. Zimmer? |
00:29:08 |
I want you to know, Inspector... |
00:29:10 |
for five years there hasn't been anything |
00:29:13 |
She hasn't even seen him. |
00:29:18 |
I have. |
00:29:28 |
When? |
00:29:30 |
This afternoon. |
00:29:33 |
What did he say? |
00:29:37 |
Nothing. He wanted to see his daughter. |
00:29:41 |
To see his daughter. |
00:29:44 |
That's all. |
00:29:45 |
Where have you hidden him |
00:29:47 |
I don't know where he's been. |
00:29:50 |
He wouldn't have mentioned |
00:29:54 |
Yes. |
00:29:56 |
Where? |
00:30:00 |
Spain. |
00:30:05 |
Why are you being so free |
00:30:08 |
I've nothing to hide. |
00:30:13 |
And how is he going to get to Spain? |
00:30:16 |
I've given him my car. |
00:30:18 |
What kind of car is it? |
00:30:20 |
A gray Peugeot four-door sedan. |
00:30:22 |
License number? |
00:30:23 |
1911 WJ 75. |
00:30:39 |
1 mile BORDER |
00:31:02 |
Have fun in Brussels. |
00:32:53 |
If he's in Spain, |
00:32:56 |
I've been contacted. |
00:33:02 |
Don't worry. |
00:33:05 |
Sure, so long. |
00:33:10 |
Either she's giving us the runaround, |
00:33:14 |
- Nobody's called her? |
00:33:17 |
- Hello? |
00:33:21 |
- Where are you? |
00:33:22 |
Albergo Piccolo in Genoa. Are you alone? |
00:33:26 |
That girl of mine is really beautiful. |
00:33:30 |
Now that I've seen her, |
00:33:33 |
There weren't any problems at the border? |
00:33:36 |
- Hello? |
00:33:39 |
Will you stay there long? |
00:33:41 |
Just two or three days. |
00:33:43 |
- Will you call me again? |
00:33:46 |
- Simon. |
00:33:48 |
I think of you all the time. |
00:33:50 |
So do I. |
00:33:59 |
How long ago was that call made? |
00:34:00 |
Fifteen minutes. |
00:34:02 |
See if you can check on that |
00:34:14 |
There's no one who fits |
00:34:27 |
- Good morning. |
00:34:29 |
But you can walk there. |
00:34:31 |
- I'm tired. |
00:34:42 |
- That should cover it. |
00:34:45 |
- Are you free? Airport, please. |
00:35:02 |
Are you going to tell me where you are? |
00:35:04 |
Switzerland, of course, |
00:35:10 |
You have everything you need? |
00:35:12 |
No, I'd like some of your couscous. |
00:35:16 |
Swiss cooking's nothing to rave about. |
00:35:19 |
You don't know how glad I am you called. |
00:35:22 |
I was so worried about you. |
00:35:25 |
I keep watching the news on TV, |
00:35:27 |
You don't want me to do anything? |
00:35:30 |
No. |
00:35:32 |
You mean you don't need me? |
00:35:34 |
Not right now. |
00:35:36 |
I'll keep in touch with you. |
00:35:39 |
How much will it be? |
00:35:40 |
Ninety francs with the phone call. |
00:35:47 |
You know, this is Brussels. |
00:35:49 |
I was about to say, |
00:35:52 |
- Thank you very much. |
00:35:54 |
- They found the Peugeot. |
00:35:59 |
Thank you. |
00:36:02 |
Get me Brussels. |
00:36:03 |
Hello, Bill. It's me. I'm sure you know who. |
00:36:07 |
Listen carefully |
00:36:10 |
Yesterday, before I talked to you, |
00:36:14 |
That quartet of Beethovens I gave you... |
00:36:16 |
one of the four can't play in tune. |
00:36:18 |
Do you follow me? |
00:36:19 |
Well, it doesn't matter. |
00:36:23 |
Where are you? |
00:36:25 |
London? |
00:36:27 |
When you get starved for some good chow... |
00:36:30 |
I know a place called Willy's. It's in Soho. |
00:36:33 |
Just tell them I sent you. |
00:36:35 |
And don't let Beethoven worry you. |
00:36:37 |
So long, baby. |
00:36:46 |
With any luck he'll turn up |
00:36:50 |
- I hope your information is right. |
00:37:00 |
It seems he called Bill from London. |
00:37:08 |
You see? It doesn't mean |
00:37:50 |
I thought it was the police. |
00:37:52 |
I'm so glad you are here. |
00:37:54 |
How were you able to get back so fast? |
00:37:57 |
There's no place like home. |
00:37:59 |
Good food, bed, perfect hideout. |
00:38:01 |
But did you come back for me, |
00:38:04 |
For a place to hide. |
00:38:10 |
Was it hard to get out of Switzerland? |
00:38:11 |
Very. |
00:38:13 |
Look, I went to Switzerland |
00:38:16 |
Smuggling it out was quite a job. |
00:38:25 |
You have nothing here but hundreds? |
00:38:27 |
Makes it easier to count. |
00:38:37 |
Suspicious? |
00:38:38 |
No, routine precaution. |
00:38:40 |
Mind if I call Paris? |
00:38:41 |
Help yourself, you dial 00, then 31. |
00:38:46 |
- Yes, who is it? |
00:38:48 |
- Speak a bit louder. |
00:38:51 |
- Everything is going as planned? |
00:38:54 |
- No trouble, dear? |
00:38:57 |
I'm leaving Geneva tonight. |
00:38:59 |
Remember to get the cigars you like. |
00:39:01 |
You know, the ones you like best, Habanas. |
00:39:04 |
I won't forget. Goodbye, sweetheart. |
00:39:06 |
- Goodbye, dear. I love you. |
00:39:14 |
You did that perfectly. |
00:39:18 |
You're a real Mata Hari. |
00:39:21 |
Good work. |
00:39:34 |
The food's not much in Switzerland, huh? |
00:39:36 |
Don't believe it. |
00:39:37 |
When you know the place, it's really great. |
00:39:42 |
The name was Charles, wasn't it? |
00:39:44 |
Charlie. No foam on it. |
00:39:51 |
Didn't you eat on the plane? |
00:39:53 |
Sure, it was great. |
00:39:57 |
Tell me, is she okay? |
00:40:03 |
Great, this lobster dish, perfect. |
00:40:07 |
Wait till you sample her couscous. |
00:40:13 |
By the way, there's one thing |
00:40:17 |
The bread. |
00:40:20 |
Because I like her too much. |
00:40:23 |
It was the only way to protect her. |
00:40:30 |
Everything all right? You got everything? |
00:40:32 |
- Just great. |
00:40:35 |
The Swiss account number. |
00:40:40 |
How's business these days? |
00:40:42 |
Rough, very rough. |
00:40:43 |
Since the anti-gang unit got involved |
00:40:46 |
we had to adjust, change everything, |
00:40:48 |
The bars, hideouts, rackets... |
00:40:52 |
you wouldn't recognize them. |
00:40:56 |
Did you find a place? |
00:40:57 |
Yeah, can't be beat, real cool. |
00:41:00 |
Soundproof, isolated. |
00:41:20 |
- How's your ulcer? |
00:41:22 |
- Have any trouble finding it? |
00:41:31 |
- What's his name? |
00:41:34 |
Here, I'll give you a hand. |
00:41:37 |
- Have you been here very long? |
00:41:39 |
Okay, we've got |
00:41:52 |
Here, Charlie. |
00:41:55 |
This is the mike. |
00:41:58 |
You speak directly into it. |
00:41:59 |
Not this way or this way. |
00:42:04 |
On the left, you've got applause, |
00:42:09 |
First button, applause. |
00:42:14 |
Mix the two. |
00:42:40 |
The timer will automatically connect you. |
00:42:43 |
You've got from 10:00 till 10:05, precisely. |
00:42:47 |
Your watch? |
00:42:50 |
Haven't you got a watch? |
00:42:56 |
Here, the text to be read. |
00:42:59 |
You have five minutes. |
00:43:01 |
- To say all that? |
00:43:06 |
I tried it. That's all it takes. |
00:43:48 |
Hello, Longchamp 45-85? |
00:43:51 |
Yes. |
00:43:52 |
Good evening to you. |
00:43:54 |
Your number is Longchamp 45-85? |
00:43:56 |
Yes. |
00:43:57 |
Hold the line, please, |
00:44:07 |
Well, madam, |
00:44:09 |
Yes, that's my number. |
00:44:10 |
- And if you're married... |
00:44:14 |
- And if you have children... |
00:44:16 |
You have a son, fine. |
00:44:17 |
You're the winning family in our contest |
00:44:22 |
"A Date with Lady Luck." |
00:44:26 |
- What is she talking about? |
00:44:29 |
- Hello? |
00:44:31 |
Now as quickly as possible, |
00:44:34 |
We are broadcasting |
00:44:36 |
with the star of tonight's show, |
00:44:39 |
Sacha Distel, yes. |
00:44:40 |
Your number, Longchamp 45-85... |
00:44:43 |
was chosen in tonight's drawing. |
00:44:44 |
And thanks to Lady Luck, |
00:44:46 |
have won a new Simca station wagon. |
00:44:49 |
And for your son we have a superb |
00:44:53 |
Oh, it's marvelous! |
00:44:55 |
Hello? |
00:44:57 |
Hello, miss? |
00:44:58 |
There's just one more thing. |
00:45:00 |
You have a half-hour to bring your family |
00:45:03 |
and pick up your gifts, courtesy of Simca. |
00:45:13 |
- There must be a catch. |
00:45:15 |
In two minutes, we'll present |
00:45:18 |
You absolutely must not miss |
00:45:22 |
because you'll be asked a question |
00:45:30 |
And finally, will you bring |
00:45:32 |
to prove your number is |
00:45:35 |
And you must come to |
00:45:39 |
You'll take a Simca taxi, right? |
00:45:41 |
We'll never find a Simca cab. |
00:45:42 |
A gentleman will meet you there |
00:45:45 |
You'll be ushered to your seats... |
00:45:47 |
where you'll wait for the grand finale. |
00:45:49 |
Give your son the telephone bill |
00:45:54 |
After the show is over, |
00:45:56 |
and collect his Matra junior from Lady Luck. |
00:46:00 |
- Hello? |
00:46:03 |
Hello? What about us? |
00:46:06 |
Just one last reminder, |
00:46:08 |
to get to the Olympia Music Hall |
00:46:11 |
Are you serious? |
00:46:12 |
The audience here at the Olympia |
00:46:15 |
"Thank you, Simca." |
00:46:17 |
- Thank you, Simca. |
00:46:19 |
Is your son there? |
00:46:21 |
How about him saying, "Thank you, Simca"? |
00:46:23 |
Oh, yes, he's right here. |
00:46:26 |
Hurry! |
00:46:28 |
Hold on just a second, |
00:46:32 |
Loud and clear. Say, "Thank you, Simca." |
00:46:35 |
Fantastic. |
00:46:38 |
Thank you, Simca. |
00:46:40 |
Well done. What a fabulous family. |
00:46:42 |
I'm delighted you're the ones |
00:46:45 |
May we hear all three together? |
00:46:47 |
Thank you, Simca! |
00:46:48 |
Wonderful, madam. |
00:46:53 |
Hurry. If you have a transistor, |
00:46:56 |
of Sacha Distel's show, |
00:46:59 |
until your arrival at the Olympia. |
00:47:02 |
Always tune in to Europe Number One. |
00:47:05 |
Goodbye, madam. |
00:47:13 |
Are we going or not? |
00:47:28 |
I hope this whole thing isn't a joke. |
00:47:30 |
You never think it will happen to you. |
00:47:31 |
- Got the bill? |
00:47:43 |
I'll run down to the cabstand. |
00:47:48 |
He's not bad. |
00:47:50 |
- Yes. |
00:47:53 |
Can't hear him? Here. |
00:47:57 |
Oh, the good life |
00:48:00 |
Taxi. Charles! |
00:48:04 |
- The Olympia Music Hall. |
00:48:06 |
Please, you've got to help us. |
00:48:09 |
- You are driving a Simca? |
00:48:11 |
What a break. |
00:48:15 |
- The Olympia. |
00:48:23 |
The good life |
00:48:25 |
Full of fun, seems to be the ideal |
00:48:30 |
Yes, the good life |
00:48:31 |
Lets you hide all the sadness |
00:48:34 |
you feel |
00:48:37 |
Please remember I still love you |
00:48:40 |
And in case you didn't know |
00:48:44 |
Well, just wake up |
00:48:45 |
Kiss the good life hello |
00:48:53 |
- Are you Longchamp 45-85? |
00:48:55 |
- Here, I'll take care of it. |
00:48:56 |
I work in the public relations |
00:49:00 |
Here, thank you, keep the change. |
00:49:02 |
- It sure is a pleasure. |
00:49:04 |
- Is this your little boy? |
00:49:05 |
- Good evening, young man. |
00:49:07 |
- Good evening, madam. |
00:49:09 |
Did they explain everything on the phone? |
00:49:11 |
Pretty much. |
00:49:12 |
Well, I'll go over it once more. |
00:49:14 |
I've got two tickets for you. |
00:49:15 |
An usher will seat you. |
00:49:16 |
We go in right away? |
00:49:18 |
Yes. You're in the front row. |
00:49:19 |
When the performance ends, |
00:49:24 |
and I will ask him a couple of questions. |
00:49:25 |
I'll introduce you, and you'll be asked |
00:49:28 |
- You do have a car, don't you? |
00:49:30 |
- I see, but not a Simca? |
00:49:33 |
No? That's too bad, but it doesn't matter. |
00:49:35 |
So what happens? |
00:49:36 |
I'll ask you to come up on stage... |
00:49:38 |
and I'll ask you a few simple questions. |
00:49:40 |
We might make it humorous, |
00:49:42 |
- "Thank you, Simca." |
00:49:44 |
- You don't mind, do you? |
00:49:46 |
- By the way, what's his name? |
00:49:48 |
- You gave him the bill, didn't you? |
00:49:53 |
Here, Daniel. |
00:49:54 |
There you are. Keep that in your pocket. |
00:49:56 |
When I ask you for it, |
00:49:59 |
You do just what the man tells you. |
00:50:01 |
- Will we see you after the show? |
00:50:03 |
Hope you enjoy it. |
00:50:05 |
It's been a pleasure to meet you both. |
00:50:08 |
Be a good boy, Daniel. |
00:50:26 |
When you write your first song by yourself, |
00:50:30 |
You're always anxious to find out... |
00:50:32 |
and the best way to find out is |
00:50:38 |
Well, I'm glad you finally got here. |
00:50:39 |
Any later and you'd have |
00:50:44 |
Did you miss your subway? |
00:50:48 |
- What's that? |
00:50:52 |
- What is it? |
00:50:54 |
- It's a puppy! |
00:50:56 |
- Are you giving him to me? |
00:50:58 |
- You're fooling me. |
00:51:02 |
But you cry |
00:51:08 |
Too bad for you |
00:51:12 |
That'll teach you... |
00:51:14 |
You're going to get your car |
00:51:16 |
- No. |
00:51:17 |
- Santa Claus? |
00:51:19 |
- Oh, no. |
00:51:21 |
- Santa Claus? |
00:51:22 |
It's another month, |
00:51:25 |
No, it's tonight. |
00:51:27 |
Tonight, Santa Claus is giving you your car. |
00:51:32 |
Raindrops keep falling on my head |
00:51:36 |
But that doesn't mean my eyes will |
00:51:40 |
Crying's not for me |
00:51:42 |
'Cause I'm never gonna stop the rain |
00:51:47 |
Because I'm free |
00:51:52 |
- He's a good driver, isn't he? |
00:52:14 |
This is fun. |
00:52:15 |
- A compliment |
00:52:17 |
- Two compliments |
00:52:18 |
- My affection |
00:52:20 |
- That's fine |
00:52:24 |
8:30, a martini |
00:52:28 |
- Two martinis |
00:52:30 |
That's fine |
00:52:49 |
Daniel, meet Santa Claus. |
00:52:51 |
- Hello, Daniel. |
00:54:01 |
Excuse me, miss. |
00:54:02 |
The Europe Number One contest, |
00:54:05 |
That's not on tonight, sir. |
00:54:06 |
There's no contest tonight? |
00:54:08 |
No, it was the live broadcast tonight. |
00:54:10 |
The Europe contest is on Thursday. |
00:54:12 |
- That's all for tonight? It's over? |
00:54:30 |
My wife answered the phone. |
00:54:33 |
At first, we thought it was a joke. |
00:54:38 |
A lot of music, and a man's voice. |
00:54:40 |
There was a man's voice |
00:54:42 |
- There were two voices? |
00:54:45 |
There was a man's voice |
00:54:47 |
and there was a lot of music. |
00:54:48 |
And they said, "Hold on, please." |
00:54:51 |
And I figured it was some kind of joke. |
00:54:52 |
And then after that... |
00:54:55 |
they asked us, "Is this your phone number? |
00:54:58 |
"Because if this is your telephone number, |
00:55:01 |
"You're the lucky winners, |
00:55:04 |
You've just won a brand new car. |
00:55:06 |
And we only had half an hour. |
00:55:08 |
We were supposed to be there |
00:55:11 |
- We were supposed to take a taxi. |
00:55:13 |
- With the thing. |
00:55:15 |
With the thing, |
00:55:18 |
With the receipt. |
00:55:19 |
The inspector would like |
00:55:21 |
See what he wants. |
00:55:24 |
Why did they want the receipt? |
00:55:25 |
Because they picked our telephone number. |
00:55:27 |
They had your number, |
00:55:29 |
Because we won. |
00:55:31 |
I suppose it was to show it was us. |
00:55:33 |
Because we won. We... |
00:55:36 |
Because it was our telephone. |
00:55:39 |
The kid, too. They had a car for him. |
00:55:41 |
I see. A sort of lottery? |
00:55:42 |
That's right, that's what it was. A lottery. |
00:55:45 |
It's a lottery. They even made us say, |
00:55:49 |
"Hooray for Simca." |
00:55:52 |
Yes, all three of us. |
00:55:54 |
And because we had to hurry, |
00:55:56 |
and took a taxi to the Olympia. |
00:55:58 |
And when we arrived at the Olympia... |
00:56:00 |
we even brought my portable radio |
00:56:03 |
The Sacha Distel show. |
00:56:05 |
We were listening to it in the taxi. |
00:56:07 |
Why Sacha Distel? |
00:56:08 |
Because Sacha Distel |
00:56:11 |
He was the one who was on. |
00:56:12 |
But who told you it was Sacha Distel? |
00:56:14 |
Was it the voice on the telephone? |
00:56:17 |
But we told you. |
00:56:19 |
I'm not making myself clear. |
00:56:23 |
And when we got there, |
00:56:25 |
At the Olympia, Sacha Distel. |
00:56:28 |
And afterwards... |
00:56:30 |
And after we got there... |
00:56:31 |
They said we'd be on Europe Number One. |
00:56:34 |
It would be after the show. |
00:56:36 |
Then these two voices told you |
00:56:38 |
that Europe Number One was organizing... |
00:56:40 |
a contest at the end of a show? |
00:56:43 |
- Yes, the Sacha Distel concert. |
00:56:46 |
- No, we took the kid. |
00:56:49 |
- We had to take him along. |
00:56:51 |
Yes, we did. |
00:56:53 |
Why did you have to take the child? |
00:56:55 |
So they could give him a car, too. |
00:56:57 |
I see, because he won a car in the contest. |
00:56:59 |
- They had a car for him, too. |
00:57:01 |
- He's five. |
00:57:04 |
Yes, it's clear we're dealing |
00:57:08 |
They telephoned you and got you |
00:57:11 |
- What on earth for? |
00:57:13 |
If we don't pay, what'll they do to our son? |
00:57:16 |
- You have private means? |
00:57:19 |
I'm a working man. |
00:57:21 |
- Where do you work? |
00:57:24 |
How much do you make a month, |
00:57:27 |
I get 150,000 francs a month. |
00:57:28 |
I mean, 150,000 old francs. |
00:57:33 |
Do you have any wealthy relatives? |
00:57:35 |
No. |
00:57:36 |
- Do you? |
00:57:38 |
No possible inheritance? |
00:57:39 |
No. |
00:57:43 |
Do you have any enemies? |
00:57:46 |
No. |
00:57:49 |
Enemies who would kidnap... |
00:57:53 |
It's our duty to consider |
00:57:56 |
As difficult as this must be for you, |
00:58:00 |
It can't be for money! |
00:58:01 |
No question, it's money they want. |
00:58:03 |
But we don't have money. |
00:58:05 |
It can't be for money. It just isn't possible. |
00:58:07 |
Are you involved in politics? |
00:58:09 |
- Of course not. |
00:58:11 |
And besides, even if we were... |
00:58:17 |
Here we go, a kidnapping. |
00:58:18 |
Clear the way, stand back. |
00:58:20 |
Get back, do you hear? |
00:58:21 |
Let them through. Clear the way. |
00:58:23 |
Stand back. Let them through. |
00:58:26 |
Have you got a message for the kidnappers? |
00:58:28 |
Move along. |
00:58:30 |
How old is the child? Boy or girl? |
00:58:32 |
This is for television. |
00:58:33 |
Boy or girl? |
00:58:34 |
Right this way, please. |
00:58:36 |
Are you the father? |
00:58:37 |
If you have a message for the kidnappers, |
00:58:40 |
All right, I want to tell the kidnappers... |
00:58:43 |
that we don't want any harm |
00:58:47 |
that we'll give them all we've got... |
00:58:49 |
that the police will not prosecute them... |
00:58:53 |
and that they should give him back to us. |
00:58:56 |
And please don't harm the boy. |
00:58:57 |
- That's enough. |
00:58:59 |
Did you get a good look at the kidnappers? |
00:59:01 |
At what time did it happen? |
00:59:04 |
The car! Get a close-up. |
00:59:16 |
All right, I want to tell the kidnappers... |
00:59:20 |
that we don't want any harm |
00:59:24 |
that we'll give them all we've got... |
00:59:25 |
that the police will not prosecute them... |
00:59:29 |
and that they should give him back to us. |
00:59:32 |
And please don't harm the boy. |
00:59:33 |
- That's enough. |
00:59:35 |
Did you get a good look at the kidnappers? |
00:59:37 |
At what time did it happen? |
00:59:39 |
The car! Get a close-up. |
01:00:17 |
What a drag. |
01:00:18 |
You watch him, will you? |
01:00:24 |
Hey, Martine. |
01:00:26 |
Yes? |
01:00:31 |
You know something? |
01:00:34 |
He's a nice kid, |
01:00:36 |
Getting old, Grandpa. |
01:00:39 |
That's the first and last time I kidnap a kid. |
01:00:43 |
After he packs all that away, |
01:00:46 |
- What's he doing? |
01:00:48 |
Parents tricked into giving child |
01:00:56 |
No, thanks. |
01:01:13 |
Hello? Yes. |
01:01:18 |
No, nothing new yet. |
01:01:22 |
Hold on, will you? |
01:01:25 |
It was just delivered! |
01:01:26 |
They just delivered a letter. |
01:01:28 |
Leave them alone! |
01:01:29 |
Look at that. |
01:01:32 |
Only a minute ago. |
01:01:34 |
Hold on, we may have something. |
01:02:08 |
Is it the first contact they've made with you? |
01:02:10 |
Look, it's hard enough, leave us alone. |
01:02:12 |
How much do they want? |
01:02:14 |
Do they want to be paid in dollars? |
01:02:15 |
Can you tell us the contents of the letter? |
01:02:18 |
We just received a letter. |
01:02:20 |
Yes. |
01:02:21 |
No, it was delivered. |
01:02:24 |
Wait, I'll read it to you. |
01:02:26 |
"Madam, your little boy, Daniel, |
01:02:31 |
"No harm whatsoever has come to him. |
01:02:32 |
"He's receiving the best care." |
01:02:34 |
"Madam, your little boy, Daniel, |
01:02:37 |
"No harm whatsoever has come to him. |
01:02:40 |
"He's receiving the best care. |
01:02:42 |
"We have only one reason |
01:02:44 |
"To demand a ransom. |
01:02:46 |
"We have set the amount |
01:02:51 |
"We know very well |
01:02:53 |
"are not in a position |
01:02:56 |
"but your husband is an employee |
01:03:00 |
"and it is this bank you will ask |
01:03:04 |
"A period of 24 hours will be allowed... |
01:03:06 |
"in which the European Bank of Credit |
01:03:10 |
"with regard to the money in question. |
01:03:12 |
"By the end of this grace period, you will |
01:03:16 |
"concerning the manner in which |
01:03:20 |
"and how your son will be returned to you. |
01:03:23 |
"Should the bank refuse |
01:03:26 |
"you would not have the slightest hope |
01:03:30 |
"The bank would thus be |
01:03:33 |
"for the death of your son. |
01:03:36 |
"No police investigation |
01:03:39 |
"during this period of 24 hours. |
01:03:42 |
"Otherwise we will have no choice... |
01:03:44 |
"but to put the boy to death." |
01:03:47 |
Naturally there's no signature. |
01:03:49 |
And if you hadn't noticed, the letter |
01:03:52 |
I believe it's called a Demo. |
01:03:57 |
Gentleman, let's get down to work. |
01:03:59 |
You must be aware that we can't afford |
01:04:02 |
until we've made our decision. |
01:04:04 |
Since time is short, we have to act fast. |
01:04:08 |
Mr. President, surely you can't be serious. |
01:04:11 |
Do you know of any bank |
01:04:14 |
I'm absolutely opposed to it. |
01:04:19 |
A child's life hangs in the balance. |
01:04:21 |
If we were to give in to their demands, |
01:04:25 |
Before long, no one would be safe. |
01:04:27 |
Up till now, these kidnappings, |
01:04:29 |
have plagued only the children of the rich. |
01:04:31 |
Soon they'll be kidnapping anybody. |
01:04:33 |
May I call your attention to just |
01:04:36 |
"Should the bank refuse |
01:04:38 |
"you would not have the slightest hope |
01:04:41 |
"The bank would thus be |
01:04:44 |
"for the death of your son." |
01:04:46 |
The bank. |
01:04:48 |
The stockholders will meet |
01:04:50 |
Why don't we put the question to a vote? |
01:04:53 |
Mr. Alexandre, |
01:04:56 |
The ransom has to be paid today. Tonight. |
01:04:59 |
Jacques, you are jeopardizing your position. |
01:05:01 |
It's not my position which is in jeopardy. |
01:05:04 |
I'd be curious to see your face tomorrow. |
01:05:09 |
What if they don't pay? |
01:05:10 |
Do you have a bank account? |
01:05:12 |
Yeah, First National. |
01:05:16 |
Imagine the First National |
01:05:20 |
The bank won't pay. The boy is killed. |
01:05:23 |
Change banks. |
01:05:24 |
They won't like it if you change banks. |
01:05:27 |
Our problem is 50 million French people, |
01:05:32 |
Come in. |
01:05:35 |
And among these 50 million French people |
01:05:39 |
- The afternoon paper, sir. |
01:05:53 |
I'd say that the afternoon paper |
01:05:57 |
"The European Bank of Credit |
01:06:02 |
"Daniel's father earns |
01:06:09 |
"Ransom of 5 million old francs demanded." |
01:06:15 |
"The life of a child in the hands of a bank." |
01:06:24 |
And as the secretary's trying to deal |
01:06:28 |
and a hopelessly snarled switchboard. |
01:06:30 |
The board of directors |
01:06:32 |
to decide what course of action to take. |
01:06:34 |
Neither the president of the |
01:06:37 |
nor his board members needed reminder |
01:06:41 |
by the mass withdrawal of their deposits |
01:06:45 |
The bank's president |
01:06:47 |
of the board's decision to us |
01:06:49 |
In a voice choked with emotion, |
01:06:52 |
that in a spontaneous |
01:06:54 |
the bank would meet the $1 million demand. |
01:06:56 |
He declined to elaborate further... |
01:06:58 |
and concluded the interview |
01:07:00 |
"It is our sincere hope that Daniel |
01:07:03 |
And it is our hope to have good news... |
01:07:05 |
of his safe return on our 11:00 broadcast. |
01:07:56 |
- Go into the café and ask for... |
01:07:58 |
Yes. Ask for two orange sodas. |
01:07:59 |
No, two cherry sodas. |
01:08:01 |
Two cherry sodas. |
01:08:03 |
Ask for two straws. |
01:08:04 |
Your father and mother will come for you. |
01:08:07 |
When will they come? |
01:08:08 |
They're gonna come right away. |
01:08:09 |
But I won't have time to give him a drink. |
01:08:12 |
Sure, you'll have time to give him a drink. |
01:08:15 |
Don't worry. |
01:08:17 |
- Goodbye. |
01:08:19 |
- Be good. |
01:08:21 |
So long, little Simca. |
01:08:24 |
Don't forget now... |
01:08:25 |
when his nose is warm, it means he's sick. |
01:08:27 |
You'll have to watch out for him. |
01:08:29 |
- But if his nose is cold... |
01:08:31 |
Tell your mom and dad |
01:09:15 |
Hello, yes? |
01:09:16 |
A little boy just walked into your café. |
01:09:19 |
Do you see him? |
01:09:20 |
Yes. |
01:09:23 |
The boy's name is Daniel Gallois. |
01:09:27 |
Give him a hot chocolate |
01:09:29 |
then phone the boy's parents... |
01:09:31 |
at Longchamp 45-85. |
01:09:38 |
Hello? |
01:09:54 |
What's your name, son? |
01:09:55 |
Daniel Gallois. |
01:13:54 |
Away, away, sailor |
01:14:34 |
Good evening. |
01:14:36 |
How is Daniel? |
01:14:38 |
Happy as he can be. He's all right. |
01:14:41 |
It's been the most fabulous Christmas |
01:14:44 |
Why have you kept me waiting? |
01:14:46 |
Well, you see, I was held up... |
01:14:48 |
by the café owners, the reporters, |
01:14:52 |
What were the police after? |
01:14:54 |
Nothing to worry about. |
01:14:58 |
I gave them the license number, |
01:15:03 |
Okay. |
01:15:06 |
Where's the money? |
01:15:09 |
It's on ice. |
01:15:11 |
What about mine? |
01:15:13 |
Yours is on ice, too. |
01:15:16 |
But we agreed I was to get my share tonight. |
01:15:20 |
I changed my mind. |
01:15:22 |
Why? |
01:15:24 |
Tomorrow they'll print the numbers |
01:15:27 |
It would be suicide to use that money |
01:15:31 |
In a little while, you'll quit the bank... |
01:15:34 |
because of your health, your heart. |
01:15:39 |
You'll quietly slip out of the country. |
01:15:41 |
Only then will you get your money. |
01:15:43 |
What proof do I have that you're not lying? |
01:15:48 |
None. |
01:15:51 |
But you might give me a little advance. |
01:15:55 |
You've been broke for 40 years. |
01:15:58 |
You can wait another six months. |
01:16:00 |
Really? |
01:16:04 |
I already told you, it's on ice. |
01:16:13 |
But that's not what we agreed. |
01:16:17 |
What we're agreeing to right now |
01:16:22 |
Forget it. |
01:16:28 |
That wasn't what we agreed upon. |
01:16:31 |
What we did agree to |
01:16:34 |
What difference does it make |
01:16:37 |
A big difference. |
01:16:41 |
Get lost, Gallois. |
01:16:44 |
Fast. |
01:17:20 |
Did everything work out? |
01:17:23 |
Yes. |
01:17:28 |
He was too jumpy. |
01:17:37 |
I hope I didn't scare him too much. |
01:17:42 |
- Is there any beer? |
01:17:43 |
No, don't get up, I'll get it. |
01:18:02 |
What are you doing? |
01:18:04 |
I'm checking that you hid it properly. |
01:18:21 |
You know, I have some good news. |
01:18:26 |
- Taking up cooking? |
01:18:31 |
Is it good news for you or for me? |
01:18:34 |
For both of us. |
01:18:36 |
Is it me who'll have to play Santa Claus |
01:18:41 |
Why didn't you tell me before? |
01:18:44 |
Are you happy? |
01:18:45 |
Very. |
01:18:52 |
Really! |
01:18:56 |
"The European Bank of Credit |
01:18:59 |
"Daniel is back home again. |
01:19:02 |
"Little Daniel saved, France salutes |
01:19:07 |
Gentlemen, thanks to you, |
01:19:10 |
has turned out to have a happy ending. |
01:19:11 |
We thank you, gentlemen. |
01:19:15 |
Moreover, the news we've received from |
01:19:20 |
It seems that hundreds |
01:19:22 |
have turned up at our teller windows |
01:19:26 |
Consequently, we might say |
01:19:29 |
which you have made |
01:19:34 |
Now, gentlemen, we've arranged |
01:19:38 |
and who would like to say |
01:19:44 |
Mr. Gallois? |
01:19:49 |
Come right in. |
01:19:52 |
I would like you to meet Charles Gallois... |
01:19:55 |
the happy father who has something |
01:20:01 |
Gentlemen... |
01:20:04 |
I would like, on behalf of my wife... |
01:20:07 |
and my own, of course... |
01:20:11 |
to express my deep appreciation... |
01:20:14 |
our most heartfelt gratitude |
01:20:20 |
for the generous gesture |
01:20:25 |
and for saving our son's life. |
01:20:28 |
Thank you for what you have done. |
01:20:30 |
No need to thank us. It was only natural. |
01:20:33 |
Now, since the best things |
01:20:36 |
we're giving you a promotion. |
01:20:37 |
You have been transferred |
01:20:39 |
Thank you. |
01:20:41 |
Thank you, sir. |
01:20:44 |
Thank you. |
01:20:45 |
Congratulations, Gallois. |
01:20:47 |
Miss, will you show |
01:20:49 |
- Delighted for you. |
01:20:51 |
- Thank you. |
01:20:55 |
Mr. Gallois, would you mind standing |
01:20:59 |
- Where should I stand? |
01:21:01 |
We'd like to have you with the president... |
01:21:03 |
and the members of the board. |
01:21:04 |
Over here? |
01:21:09 |
That's fine. |
01:21:10 |
This must be the happiest day of your life. |
01:21:12 |
Yes, it is. |
01:21:13 |
These gentlemen are |
01:21:15 |
That's right, and Mr. Gallois |
01:21:18 |
for the gesture made by the bank. |
01:21:20 |
Our listeners would be interested |
01:21:23 |
Repeating what? |
01:21:24 |
Your statement to the board, |
01:21:26 |
So we can broadcast it. |
01:21:31 |
Gentlemen, I would like... |
01:21:33 |
Would you speak a little louder? |
01:21:36 |
On behalf of myself and my wife... |
01:21:42 |
I'd like to express my deepest appreciation... |
01:21:47 |
to the directors |
01:21:50 |
for the generous... |
01:21:51 |
very generous gesture which... |
01:21:54 |
which you made... |
01:21:56 |
and for saving our son's life. |
01:21:59 |
And my thanks. |
01:22:00 |
Simon Duroc, known as Simon the Swiss. |
01:22:05 |
Hello? |
01:22:12 |
Come in here, will you? |
01:22:14 |
I have some information |
01:22:22 |
Sit down. |
01:22:26 |
Guess what? |
01:22:29 |
Someone seems to think |
01:22:34 |
- Who? |
01:22:35 |
Bill? |
01:22:37 |
I never knew Bill to be anonymous. |
01:22:42 |
Go look up our friend Simon. |
01:22:47 |
- Do you still need me? |
01:22:49 |
What happened? |
01:22:50 |
- They arrested Simon. |
01:22:52 |
I'll be right back. |
01:22:54 |
- How did they find out? |
01:22:57 |
- Who? |
01:22:59 |
You're crazy to keep the money |
01:23:01 |
The cops would never look there. |
01:23:04 |
Why were they looking for it at your place? |
01:23:06 |
Don't ask me. |
01:23:08 |
SAUNA - GENTLEMEN |
01:23:09 |
Got your house keys? |
01:23:10 |
May I have my keys? |
01:23:11 |
Thanks. Lock up for me tonight, will you? |
01:23:14 |
Come on, move. |
01:23:26 |
Shit. |
01:24:02 |
There he goes! I'll head him off! |
01:25:23 |
Okay, get out. |
01:25:25 |
Get out, or I'll kill you. |
01:25:28 |
He's crazy! |
01:25:30 |
Son of a bitch! |
01:25:34 |
Police! Stop him! |
01:26:06 |
This cab free? |
01:26:07 |
Sure, if you know how to drive. |
01:26:13 |
Are you hurt? |
01:26:16 |
All right. |
01:26:20 |
Any description? |
01:26:23 |
A man and a woman? |
01:26:35 |
Tell me, Swiss. |
01:26:37 |
What about your accomplices? |
01:26:40 |
You know I'm in the habit |
01:26:43 |
If there was any money |
01:26:45 |
somebody pinched it. |
01:26:48 |
You just can't rely on the police |
01:26:53 |
KILLED IN THE LINE OF DUTY |
01:26:56 |
How old is your |
01:26:59 |
It's been a while. |
01:27:01 |
I must admit, |
01:27:04 |
Thanks to you. |
01:27:08 |
You want a beer? |
01:27:10 |
Have you added a bar? |
01:27:20 |
No foam! |
01:27:29 |
They'll be here in 10 minutes. |
01:27:36 |
Ten minutes, Swiss. |
01:27:38 |
I know. He just said that. |
01:27:43 |
So you have no accomplices... |
01:27:45 |
and, of course, you have an alibi. |
01:27:46 |
Yes, of course. |
01:27:48 |
- Would you like to hear what it is? |
01:27:50 |
I spent the evening at home with my fiancée. |
01:27:59 |
If the boy recognizes you, you'll sleep here. |
01:28:03 |
If not, you'll be free |
01:28:11 |
They're here. |
01:28:31 |
Hi, Uncle Simca! |
01:28:34 |
Bastard! |
01:28:39 |
- Do you recognize him, madam? |
01:28:44 |
- And you, sir? |
01:28:58 |
Would you wait in the next room, please? |
01:29:13 |
Uncle Simca. |
01:29:17 |
And my fiancée? |
01:29:19 |
No, not tonight. |
01:29:23 |
Where is the money? |
01:29:26 |
My place. |
01:29:27 |
Where in your place? |
01:29:29 |
Would you believe, the kitchen? |
01:29:31 |
Under the fridge? |
01:29:32 |
Under the fridge. You cops are so smart, |
01:29:34 |
Where the motor should be. |
01:29:37 |
- Is that right? |
01:29:38 |
Not anymore, it isn't. |
01:29:40 |
Not anymore? |
01:29:42 |
What can you expect |
01:29:46 |
Remember the phone call I had earlier? |
01:29:49 |
I was told that a man had just jumped out |
01:29:53 |
And you were too late to stop him, |
01:29:55 |
That's right. |
01:29:57 |
Could he have been your accomplice? |
01:30:00 |
Why not the guy who turned me in? |
01:30:03 |
What do you have to do with all this? |
01:30:27 |
Hello? |
01:30:30 |
Would you be good enough |
01:30:41 |
"Hello, Longchamp 45-85? |
01:30:44 |
"Please stand by, we are broadcasting live |
01:30:48 |
"You and your child are to hurry over |
01:30:54 |
Go on. |
01:30:55 |
"You've won an exciting prize |
01:30:59 |
"Take a taxi and come |
01:31:02 |
It can't be her. |
01:31:06 |
Go on. |
01:31:07 |
"Say, 'Thank you, Simca."' |
01:31:13 |
Do you suppose you could |
01:31:17 |
a little bit louder? |
01:31:18 |
And make it sound more |
01:31:21 |
Would you read the text again |
01:31:24 |
Pretend you're a radio announcer. |
01:31:30 |
"Hello, Longchamp 45-85? |
01:31:32 |
"Please stand by, we are broadcasting live |
01:31:35 |
"You and... |
01:31:37 |
"You and your child are to hurry over |
01:31:41 |
"You've won an exciting prize |
01:31:44 |
"Take a taxi and come |
01:31:47 |
"Say, 'Thank you, Simca."' |
01:31:48 |
No. "Say, 'Thank you, Simca!"' |
01:31:55 |
- No, I'm sure it wasn't that voice. |
01:32:13 |
Sir, madam... |
01:32:15 |
have you ever seen this woman before? |
01:32:18 |
No. |
01:32:21 |
Have you? |
01:32:23 |
No. |
01:32:25 |
How about you, young fella? |
01:32:28 |
When you were in that house |
01:32:32 |
- Do you remember? |
01:32:34 |
Was this lady with you? |
01:32:35 |
No, it was Santa Claus. |
01:32:41 |
- Ask the boy to tell you his name. |
01:32:44 |
- What's your name? |
01:32:47 |
Did Santa Claus have a voice like that? |
01:32:51 |
No. |
01:32:52 |
Why not? |
01:32:53 |
Because he had a long white beard. |
01:32:56 |
- You mean Santa couldn't talk? |
01:32:59 |
I want you to look at this lady. |
01:33:01 |
No, never. |
01:33:15 |
Twenty years. |
01:33:33 |
Okay, Aldo, let's see if you have any class. |
01:33:39 |
Not class. Style. |
01:33:58 |
How do you do? I'm the mayor. |
01:34:00 |
- I will be officiating the ceremony. |
01:34:03 |
No Italian. |
01:34:05 |
We're waiting for the witnesses. |
01:34:06 |
As soon as they arrive, |
01:34:09 |
Do you have the rings, miss? |
01:34:12 |
You shouldn't put them on before. |
01:34:25 |
Simon, they're ready. |
01:34:29 |
After serving five years in the penitentiary... |
01:34:31 |
in relative seclusion... |
01:34:33 |
Simon the Swiss seems suddenly |
01:34:37 |
and to see his name |
01:34:43 |
Afternoon. |
01:34:45 |
With style, huh? |
01:34:46 |
Not style. With class. |
01:34:49 |
- Miss. Mr. Mayor. |
01:34:53 |
Maria, Simon. |
01:34:59 |
- No Italian. |
01:35:04 |
Would you tell the warden that |
01:35:07 |
WARDEN |
01:35:08 |
Come in. |
01:35:09 |
- Warden, they're ready. |
01:35:19 |
- How are you? |
01:35:22 |
We should get going, |
01:35:24 |
- How's your wife? |
01:35:25 |
- Feeling better? |
01:35:26 |
First, I'd like to ask the best man |
01:35:29 |
on my right, as is customary. |
01:35:31 |
Right next to the warden. |
01:35:32 |
You are the best man, I believe? |
01:35:34 |
Yes, Mr. Mayor. |
01:35:36 |
"Article 212: |
01:35:39 |
"fidelity, succor, and assistance. |
01:35:42 |
"Article 213: |
01:35:44 |
"He is responsible for the mutual welfare |
01:35:49 |
"Article 215: |
01:35:51 |
"shall be determined by the husband. |
01:35:53 |
"The wife shall be obliged to live with him, |
01:35:58 |
Do you, Mr. Aldo Ferrari, |
01:36:02 |
Miss Maria Castillo, here present? |
01:36:06 |
Yes. |
01:36:07 |
Do you, Miss Maria Castillo, |
01:36:10 |
Mr. Aldo Ferrari, here present? |
01:36:13 |
Then, in accordance |
01:36:16 |
you are hereby united in marriage. |
01:36:18 |
Finally, I must ask you to sign the registry, |
01:36:24 |
Thank you very much. |
01:36:30 |
And now you, sir. Below, there. |
01:36:38 |
Sign here. |
01:36:40 |
Very good. Thank you very much. |
01:36:42 |
Let me read it to you. |
01:36:43 |
On the sixth day of May, 1970, at 3:30 p. M... |
01:36:46 |
in the presence of... |
01:36:50 |
Make the slightest move and I shoot! |
01:36:52 |
All of you, stand over there. |
01:36:54 |
I said, stand over there! |
01:36:56 |
Aldo! |
01:36:58 |
Maria, the door! |
01:37:05 |
Tell them to open the door, Warden. |
01:37:08 |
I'll count up to three. |
01:37:10 |
One, two... |
01:37:13 |
Open it. |
01:37:17 |
Now, get going. |
01:37:21 |
After you, Warden. |
01:37:24 |
One, two... |
01:37:28 |
Move! |
01:37:49 |
- Anything I can do for you, Warden? |
01:37:56 |
Come on. Quickly. Let's go. |
01:38:58 |
Simon the Swiss is back in the news again. |
01:39:01 |
He has staged a sensational jailbreak... |
01:39:03 |
taking as a hostage the warden |
01:39:07 |
The daring escape was carried out |
01:39:10 |
of fellow inmate Aldo Ferrari... |
01:39:12 |
who was convicted on a charge |
01:39:15 |
Naturally, during our next news bulletin, |
01:39:19 |
we will keep you informed... |
01:39:21 |
of further developments |
01:39:25 |
Thank you, and please stay tuned |
01:39:32 |
Tickets, money, instructions, all in the pot. |
01:39:35 |
- Is our marriage valid? |
01:39:39 |
- Then why did you send for me? |
01:39:43 |
He engineered this, he's the brain. |
01:39:50 |
Okay, it's valid, get in. |
01:39:58 |
It's 6:00, and now for the news. |
01:40:00 |
The spectacular escape |
01:40:02 |
is now reluctantly acknowledged |
01:40:05 |
All attempts to track them down have failed. |
01:40:08 |
Although the area has been sealed off... |
01:40:09 |
there has been no sign |
01:40:12 |
They seem to have vanished into thin air. |
01:40:14 |
However, their hostage has materialized. |
01:40:16 |
The warden was picked up |
01:40:19 |
on a country road, where he was |
01:40:22 |
Is it usually on time? |
01:40:24 |
It was on time for four days straight. |
01:40:31 |
Why would you dress up like that? |
01:40:34 |
Sporty. |
01:41:26 |
The arrest warrant issued |
01:41:28 |
therefore officially confirms |
01:41:31 |
Ports, airports, highways, and railway |
01:41:35 |
and it appears impossible |
01:41:38 |
will be able to escape police. |
01:41:41 |
Oddly enough, prison authorities |
01:41:44 |
He was even being considered |
01:41:47 |
Evidently, he felt the wheels |
01:41:50 |
and took matters into his own hands. |
01:41:54 |
Originally sentenced to 20 years |
01:41:57 |
Simon Duroc, alias Simon the Swiss... |
01:42:00 |
was the only member |
01:42:03 |
The identity of his accomplices |
01:42:05 |
However, the police are confident |
01:42:08 |
will eventually lead them |
01:42:11 |
Far from being disheartened... |
01:42:13 |
it seems law enforcement officials |
01:42:34 |
At 6:35 p.m., just moments ago, |
01:42:38 |
that Simon the Swiss was spotted |
01:42:41 |
getting off a train which had just pulled in. |
01:42:44 |
He managed to shake off his pursuers... |
01:42:46 |
who chased him into the streets. |
01:42:47 |
They lost him in a crowd |
01:42:50 |
He is believed to have slipped |
01:42:52 |
If so, Simon the Swiss has |
01:42:55 |
The Confession and The Gangster. |
01:42:56 |
Simon would be true to form |
01:42:59 |
the new musical based on the high jinks |
01:43:02 |
I hope he saw The Confession, |
01:43:07 |
And to capture Simon the Swiss... |
01:43:08 |
police must follow better clues |
01:43:15 |
Orchestra. |
01:43:16 |
THE GANGSTER - ORCHESTRA - BALCONY |
01:43:18 |
Thank you. |
01:43:28 |
All the evil I'm doing |
01:43:31 |
Police. Has anyone out of breath |
01:43:33 |
- Wearing a dark coat? |
01:43:35 |
This way, please. |
01:43:37 |
Though my people destroy me |
01:43:39 |
My fame will grow |
01:43:42 |
The world will know |
01:43:44 |
Of Le Voyou |
01:44:00 |
What's the problem? |
01:44:01 |
No problem. |
01:44:02 |
What time is it? |
01:44:04 |
Tell me, Charlie. |
01:44:07 |
You're sure about the place? |
01:44:09 |
Quiet. Isolated. Just great. |
01:44:18 |
Your toothbrush is to the right of the sink. |
01:44:42 |
- Did you sleep well? |
01:44:44 |
- Want some coffee? |
01:44:48 |
Charles, tea or coffee? |
01:44:51 |
Tea. |
01:44:52 |
- Lemon? |
01:45:33 |
What are you doing here? |
01:45:46 |
I sure was glad when I heard you escaped. |
01:45:49 |
I figured I'd get my share of the money. |
01:45:52 |
Funny, you didn't sound glad a minute ago. |
01:45:55 |
Yeah, not at all. |
01:45:56 |
That's because I didn't expect this. |
01:45:58 |
Where are we going? |
01:46:02 |
This is as far as we go. |
01:46:06 |
Well, what are you going to do? |
01:46:08 |
We thought we'd have some fun. |
01:46:11 |
Flip a coin. |
01:46:12 |
If it's heads, I'll pull the trigger. |
01:46:15 |
And if it lands on the edge, we'll let you go. |
01:46:17 |
- Oh? And why is that? |
01:46:23 |
Better luck next time. |
01:46:41 |
It's stupid to kill him. |
01:46:42 |
He's already dead. |
01:46:43 |
If he's already dead, |
01:46:46 |
Sit down. |
01:46:48 |
Sit down, Gallois. |
01:46:57 |
Do you know how to write? |
01:47:02 |
I'll dictate. |
01:47:04 |
"I, the undersigned... |
01:47:07 |
"Charles Gallois... |
01:47:10 |
"head of the investment division... |
01:47:14 |
"of the European Bank of Credit... |
01:47:16 |
"hereby declare |
01:47:19 |
"of the kidnapping of my son..." |
01:47:22 |
Write, Gallois. |
01:47:24 |
"...that I alone was the instigator |
01:47:29 |
"perpetrated on May 22, 1965, in Paris..." |
01:47:34 |
You're going too fast. |
01:47:37 |
It's too fast. |
01:47:39 |
"...that I alone was the instigator |
01:47:45 |
"perpetrated on May 22, 1965, in Paris... |
01:47:52 |
"and for which... |
01:47:54 |
"Simon Duroc, alias the Swiss... |
01:47:57 |
"was unjustly imprisoned." |
01:48:02 |
Underline the word "unjustly." |
01:48:04 |
Good, yeah, great. |
01:48:06 |
"The idea was mine... |
01:48:08 |
"and mine alone..." |
01:48:11 |
"...mine and mine alone... |
01:48:15 |
"to kidnap my son in order to obtain... |
01:48:18 |
"from the bank where I'm employed..." |
01:48:23 |
Write, Gallois, and write fast. |
01:48:27 |
"The idea was mine and mine alone... |
01:48:29 |
"to kidnap my son... |
01:48:32 |
"in order to obtain |
01:48:35 |
"the sum of $1 million." |
01:48:37 |
Period. New paragraph. |
01:48:40 |
"I swear... |
01:48:42 |
"to have acted... |
01:48:45 |
"without the knowledge of my wife... |
01:48:48 |
"and furthermore... |
01:48:51 |
"that this letter... |
01:48:53 |
"was written under no threat whatsoever." |
01:48:56 |
No. |
01:48:57 |
Write it, I say! |
01:49:00 |
Because, in any case, I didn't have a chance. |
01:49:03 |
No matter how the coin landed, I'd be killed. |
01:49:06 |
Well, it's obvious. |
01:49:08 |
They made it obvious. |
01:49:09 |
- They did? |
01:49:11 |
- By tossing... |
01:49:12 |
Right, if it was head, tails, no matter how. |
01:49:15 |
When I saw they weren't joking, |
01:49:18 |
Given the circumstance, I understand. |
01:49:20 |
- That's right. |
01:49:21 |
- I'm sorry. |
01:49:23 |
As soon as the guy flipped it... |
01:49:25 |
the other one took his revolver out... |
01:49:29 |
because the Swiss already had a revolver. |
01:49:32 |
I tried to escape, but there was no way out, |
01:49:36 |
They used blanks, or they missed, |
01:49:38 |
So they must have used blanks. |
01:49:40 |
Blank cartridges, that is. |
01:49:41 |
Right, they're called blanks. |
01:49:43 |
You're well acquainted with ballistic terms. |
01:49:44 |
- No, but I've heard the word. |
01:49:47 |
They aimed and fired, |
01:49:50 |
Of course not. |
01:49:51 |
The worst was not knowing |
01:49:53 |
I kept wondering if it was a dream. |
01:49:56 |
And they made me sit down, |
01:50:00 |
- Because they'd cornered you. |
01:50:02 |
You were frightened. |
01:50:03 |
Yes, I was frightened, scared to death. |
01:50:05 |
What sort of things did they ask you? |
01:50:07 |
They didn't ask me anything. |
01:50:08 |
- No questions? |
01:50:10 |
- Did you ask them anything? |
01:50:13 |
Why what? |
01:50:15 |
"Just tell me why," I said. |
01:50:16 |
- And they answered... |
01:50:20 |
And after, they made you sit down. |
01:50:21 |
That's right. |
01:50:24 |
You see, they made me write. |
01:50:25 |
That's why I'm here, so you would know. |
01:50:27 |
That I was forced. |
01:50:28 |
Because of what I wrote. |
01:50:30 |
You must have the letter. |
01:50:33 |
You should have received it by now. |
01:50:35 |
If you didn't, you will any minute. |
01:50:36 |
From you? |
01:50:37 |
From me, but they forced me to write it. |
01:50:39 |
They told me what to write. |
01:50:42 |
Can you remember what you wrote? |
01:50:43 |
Very well. |
01:50:45 |
They made me say |
01:50:47 |
You were the one? |
01:50:48 |
I planned the whole thing. |
01:50:51 |
The Swiss, innocent. |
01:50:52 |
Mr. Gallois, you're behaving very strangely. |
01:50:54 |
I'm sorry, I'm a bit upset. |
01:50:56 |
- Perhaps it's a defense mechanism. |
01:50:58 |
Inspector, may I see you |
01:51:01 |
No, not right now, I'm busy. |
01:51:03 |
That must be it, the special delivery. |
01:51:06 |
It's the special delivery. |
01:51:08 |
I'll be right there. |
01:51:09 |
Excuse me, I won't be long. |
01:51:11 |
You'll see that I was telling you the truth. |
01:51:13 |
Relax, I'll be right back. |
01:51:15 |
Yes, sir. |
01:51:18 |
Well, Mr. Gallois, |
01:51:20 |
Is that it? |
01:51:21 |
Yes, that's it. |
01:51:23 |
Of course, it doesn't mean anything. |
01:51:26 |
It was obviously written under threat. |
01:51:30 |
After all, Mr. Gallois, |
01:51:33 |
in the word of a man who works in a bank... |
01:51:35 |
than the word of a man who holds up banks. |
01:51:40 |
Go home, give little Daniel a big kiss, |
01:51:43 |
Better yet. |
01:51:45 |
There. Over with. |
01:51:46 |
What's over with? |
01:51:47 |
It's over with. |
01:51:49 |
It can't be. These guys are still on the loose. |
01:51:51 |
- But you're with us. |
01:51:52 |
But you're with us. We've been warned. |
01:51:54 |
Even if you've been warned... |
01:51:55 |
They'll never try to pull |
01:51:58 |
- You can relax. |
01:52:01 |
Beer, a Coke? |
01:52:03 |
A Coke it is. |
01:52:06 |
- Would you like a drink? |
01:52:08 |
There you are, Mr. Gallois. |
01:52:12 |
- You're sure? |
01:52:15 |
To your health. |
01:52:18 |
Do you like music? |
01:52:20 |
It depends on what. |
01:52:26 |
Where's the money? |
01:52:28 |
It's on ice. |
01:52:31 |
What about mine? |
01:52:33 |
Your share's on ice, too. |
01:52:38 |
But we agreed I was to get my share tonight. |
01:52:43 |
I changed my mind. |
01:52:48 |
They never gave me a cent. |
01:52:51 |
Not a cent. |
01:52:53 |
They kept it all. |
01:52:54 |
DEVELOPMENTS IN THE GALLOIS CASE |
01:52:56 |
Daniel's father confesses: |
01:53:04 |
We are scheduled to land |
01:53:07 |
at 6:00 p.m. Local time. |
01:53:11 |
Excuse me, sir. |
01:53:12 |
What did you tell Martine? |
01:53:14 |
I told her I was going to Montreal. |
01:53:16 |
And the cook? |
01:53:18 |
Let's see, what did I tell the cook? |
01:53:20 |
Excuse me, gentlemen, |
01:53:23 |
Yes, a beer. |
01:53:24 |
- And you sir? |
01:53:26 |
I told her Montreal, too. |
01:53:28 |
No foam on it, please. |
01:53:30 |
Not smart. |
01:53:31 |
Ladies and gentlemen, we'd like |
01:53:39 |
Excuse me, sir. |
01:53:47 |
Pity, I saw it. |
01:53:49 |
How was it? |
01:53:51 |
When I saw it, I had a lot on my mind. |
01:54:11 |
All the evil I'm doing |
01:54:14 |
Will lead me to my ruin |
01:54:17 |
Wait and see |
01:54:19 |
Ladies and gentlemen, |
01:54:22 |
We're moving into a heavy fog bank... |
01:54:24 |
which has moved in over New York |
01:54:27 |
We'll be landing instead in Montreal. |
01:54:30 |
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