Bandidas
|
00:01:09 |
Please take notes. |
00:01:12 |
No wounds on the body to indicate |
00:01:15 |
The contents of the safe are intact, |
00:01:20 |
The science of fingerprinting |
00:01:22 |
...there are no prints but the victim's |
00:01:26 |
...to indicate anyone else |
00:01:28 |
The window is latched shut |
00:01:30 |
So no one entered or left by that route... |
00:01:32 |
...thus ruling out homicide |
00:01:35 |
There's no indication of whiskey in |
00:01:39 |
No carpet fibers |
00:01:41 |
So she never set foot on the carpet. |
00:01:45 |
...where polish was removed. |
00:01:46 |
There is traces of the same polish |
00:01:50 |
There are traces of flower pollen |
00:01:55 |
I therefore conclude |
00:01:59 |
...that the deceased entered the room |
00:02:02 |
She placed the flowers |
00:02:05 |
She took the vase in one hand, along |
00:02:09 |
...went across the room |
00:02:11 |
...let the flowers get too close |
00:02:13 |
She sneezed, her left foot |
00:02:16 |
...caught the tip of her shoe |
00:02:18 |
...tripped, hit her head on the floor, |
00:02:22 |
In other words, it was not foul play |
00:02:25 |
...but an accident |
00:02:30 |
And, in fact, it is not a woman at all... |
00:02:32 |
...but a man wearing a horse-haired wig. |
00:02:56 |
Oh, Quentin, I'm so proud. |
00:02:58 |
- You know what this means, Clarissa? |
00:03:02 |
It means science has a place |
00:03:05 |
I proved it. I convinced |
00:03:10 |
Now there's only one more person |
00:03:12 |
I'm convinced. |
00:03:15 |
...if we don't own the land |
00:03:18 |
...the railroad will go to other banks |
00:03:22 |
No worries, Mr. Ashe. |
00:03:25 |
In 90 days, we'll be laying track |
00:03:41 |
Go. |
00:03:43 |
That's a good one. |
00:03:48 |
You do better. |
00:03:49 |
How could you sell the mortgage |
00:03:52 |
Pedro, we have no choice. |
00:03:55 |
The big American banks |
00:03:57 |
And through the cash flow, |
00:04:00 |
Don Diego's doing all he can. |
00:04:01 |
I'm sure Don Diego is. |
00:04:03 |
But I've worked my whole life |
00:04:08 |
All she knows is the farm life. |
00:04:11 |
What will become of her? |
00:04:26 |
You cheated. I wasn't concentrating. |
00:04:32 |
Best of three. |
00:04:42 |
- Let me talk to Bernardo. |
00:04:46 |
So, what are we supposed to do, Papa, |
00:04:50 |
Unless some higher authority |
00:04:55 |
Maria, where are you going? |
00:04:57 |
To see the higher authority. |
00:05:30 |
Up. Up. |
00:05:49 |
The spitting image of her mother, |
00:05:52 |
My condolences, Don Diego. |
00:05:54 |
Twenty years she's gone now. |
00:05:56 |
Well, she left you |
00:05:58 |
Who I haven't seen in most of the 10 years |
00:06:03 |
- Left a girl, came home a woman. |
00:06:07 |
My only problem now |
00:06:10 |
She's been home for a week, |
00:06:18 |
- I want to see Don Diego. |
00:06:21 |
Neither can I. And I am. |
00:06:23 |
He is meeting |
00:06:26 |
Don Diego has always said, |
00:06:29 |
This is not a client, Maria. |
00:06:32 |
This is a gentleman |
00:06:36 |
I knew it. |
00:06:42 |
Gotta pay the toll. |
00:06:58 |
May I present Mr. Jackson from |
00:07:01 |
How do you do, Mr. Jackson? |
00:07:03 |
Infinitely better in your presence |
00:07:09 |
Afternoon tea. How civilized. |
00:07:10 |
Are you surprised to find |
00:07:13 |
No, not at all. |
00:07:15 |
No, I find it charming. |
00:07:17 |
Charming? |
00:07:19 |
I presume if you are using |
00:07:21 |
...that you've never experienced |
00:07:25 |
Mr. Jackson's bank has agreed |
00:07:28 |
...with the capital we need |
00:07:31 |
We were just going over the papers. |
00:07:35 |
A big New York bank taking an interest |
00:07:40 |
Why is that, Mr. Jackson? |
00:07:42 |
Well, if you can't help friends |
00:07:46 |
Pardon me, but in Europe |
00:07:49 |
...on the American definition |
00:07:51 |
Forgive my ignorance, señorita, |
00:07:54 |
...on the European perspective. |
00:07:56 |
But I'm always willing to learn. |
00:08:00 |
...if you would enlighten me |
00:08:03 |
Perhaps some other time. |
00:08:05 |
I have a long ride tomorrow. |
00:08:07 |
Checkmate. |
00:08:15 |
Goodbye, Mr. Jackson. |
00:08:16 |
Men. All they have is one thing |
00:08:20 |
And, by the way, that includes you. |
00:08:22 |
Please. I've seen how you look |
00:08:26 |
A little more. |
00:08:28 |
A little more. |
00:08:45 |
Stay here. |
00:08:49 |
Don't talk to anybody. |
00:09:18 |
Excuse me. |
00:09:20 |
Excuse me. |
00:09:22 |
What was that? |
00:09:24 |
For me? No. |
00:09:26 |
For the horse |
00:09:28 |
...with metal every time |
00:09:31 |
...for him, I'm sure it's a problem. |
00:09:33 |
Of course, he's probably |
00:09:36 |
Well, certainly more polite than you. |
00:09:38 |
But, anyway, thank you for your opinion, |
00:09:42 |
Perhaps you can tell me |
00:09:44 |
Oh, so you are the daughter. |
00:09:46 |
- Yes, I am the daughter. And you are? |
00:09:49 |
- Do you work for us, Maria Alvarez? |
00:09:53 |
- Then what are you doing here? |
00:09:58 |
- And what sort of business, may I ask? |
00:10:02 |
Hey. |
00:10:04 |
Hey, stop. Hey. |
00:10:07 |
Maria. |
00:10:09 |
Maria. |
00:10:23 |
I knew it. |
00:10:24 |
You help the gringos steal our land. |
00:10:28 |
How dare you accuse me. |
00:10:30 |
Get her out of here. |
00:10:32 |
Traitor. Thief. |
00:10:36 |
I'm sorry. |
00:10:37 |
They are stealing our land. |
00:10:39 |
Don Diego is a traitor. |
00:10:42 |
Don Diego is a traitor. |
00:10:49 |
- The future. |
00:11:06 |
Are you lost? |
00:11:07 |
Mr. Alvarez, Pedro... |
00:11:09 |
...you're delinquent |
00:11:12 |
How can I pay when the interest |
00:11:16 |
Says in this agreement |
00:11:19 |
...we have the right to foreclose |
00:11:27 |
Over my dead body. |
00:11:29 |
No problem. |
00:11:37 |
There's your receipt, Mr. Alvarez, Pedro. |
00:11:42 |
Burn it. |
00:11:55 |
You should have locked them up, |
00:11:58 |
- They did not break into someone's house. |
00:12:02 |
You want my advice, Maria? |
00:12:05 |
You want my advice, Gustavo? |
00:12:13 |
Eat. |
00:12:20 |
The poultice that will help |
00:12:24 |
Thank you. |
00:12:27 |
Now who's gonna be outside? |
00:12:33 |
Keep an eye on her. |
00:12:38 |
- What are you doing here? |
00:12:42 |
- What's this? |
00:12:44 |
You haven't been making |
00:12:47 |
We have a right to foreclose. |
00:12:48 |
I've given you everything you're gonna |
00:13:32 |
Papa? Papa? |
00:13:36 |
Papa. |
00:13:40 |
Maria. |
00:14:00 |
Papa. Papa? |
00:14:03 |
Papa? |
00:14:04 |
Somebody, please go get a doctor. |
00:14:07 |
- What did you do to him? |
00:14:10 |
- We were finishing the arrangements- |
00:14:14 |
You killed my father. |
00:14:15 |
Señorita, |
00:14:18 |
No. |
00:14:19 |
He was- |
00:14:21 |
He was healthy. |
00:14:23 |
You did something to him. |
00:14:26 |
I know this is a terrible shock for you, |
00:14:31 |
In fact, I think you need to sit down. |
00:14:35 |
Grief is intense, I understand that. |
00:14:37 |
But if you can, |
00:14:40 |
Your father's dead. Everything that |
00:14:43 |
In your mistaken belief |
00:14:46 |
...you've attacked me. |
00:14:49 |
My natural reaction is self-defense. |
00:14:51 |
Before we can stop this, |
00:14:54 |
But it doesn't have to end that way. |
00:14:59 |
Look at that, darling. |
00:15:02 |
It's choosing time. |
00:15:13 |
That's it. |
00:15:19 |
Well, I guess we've got a deal. |
00:15:23 |
If you don't mind, |
00:15:26 |
I must lie down. |
00:15:29 |
This is all too much for me at once. |
00:15:34 |
Yes. |
00:15:36 |
Absolutely. |
00:15:38 |
I understand. |
00:15:43 |
You take all the time you need. |
00:15:49 |
Don't worry about a thing. |
00:15:52 |
I'll make all the arrangements. |
00:16:05 |
Oh, darling? |
00:16:08 |
Would you like your afternoon tea... |
00:16:11 |
...sent up to your room? |
00:16:16 |
That would be very nice. Thank you. |
00:16:40 |
- Hey. Hey. |
00:16:42 |
Come back here, you bitch. |
00:16:44 |
- Come back. |
00:16:53 |
I got you now. |
00:17:30 |
Goddamn it. |
00:17:54 |
- Padre. |
00:17:59 |
They shot him. |
00:18:00 |
I know, my child. I know. |
00:18:25 |
What do you want from me, huh? |
00:18:27 |
I have nothing to give you. Nothing. |
00:18:31 |
You should have eaten |
00:19:16 |
Get out of here. Shoo. |
00:19:44 |
Hands up. |
00:19:46 |
No one- |
00:19:48 |
Move. |
00:19:58 |
What are you doing? |
00:20:00 |
What do you think I'm doing? |
00:20:04 |
- With an unloaded gun? |
00:20:07 |
When a gun doesn't have any bullets- |
00:20:09 |
Doesn't matter. |
00:20:12 |
This is the only bank in town. |
00:20:15 |
And take that raggedy mask off. |
00:20:17 |
It doesn't even match. |
00:20:19 |
Your mask isn't silly? |
00:20:22 |
- "This is my father's bank. " |
00:20:24 |
Get out of my way. |
00:20:26 |
- Señoritas? |
00:20:30 |
Señoritas? |
00:20:32 |
I am not stealing. |
00:20:34 |
I am taking it back from the bastards |
00:20:37 |
- They killed Don Diego? |
00:20:40 |
What? |
00:20:41 |
The first order of business |
00:20:44 |
...and then remove all the deposits. |
00:20:46 |
And then we're gonna instill |
00:20:49 |
I'd like to see the Stars and Stripes |
00:20:52 |
...so things start to look |
00:20:58 |
Señor Manager? |
00:21:01 |
This establishment is now |
00:21:03 |
...of the Capital Bank and Trust |
00:21:06 |
What do you say we open the vault? |
00:21:08 |
Take a look, and see what kind of cash |
00:21:14 |
Excuse me. Where is the vault? |
00:21:17 |
In Don Diego's office. |
00:21:19 |
Well, I guess that would be Señor Jackson's |
00:21:36 |
We did it. We did it. |
00:21:38 |
We did it. We did it. |
00:21:43 |
- We did it. |
00:21:46 |
Look. We're gonna help a lot of people. |
00:21:49 |
To really help... |
00:21:50 |
...you'd have to reverse the massive theft |
00:21:54 |
Listen, do you know how many |
00:21:58 |
We can feed 500 people. |
00:22:04 |
Why were you robbing the bank? |
00:22:06 |
Revenge. |
00:22:07 |
Not to help the people? |
00:22:09 |
No. |
00:22:16 |
What? |
00:22:19 |
Stop looking at me that way, |
00:22:21 |
My life is not here. |
00:22:24 |
- What are you doing? |
00:22:26 |
Taking the money. |
00:22:30 |
You're joking. |
00:22:31 |
All right, you can take half. I don't care. |
00:22:34 |
You can even keep the dog as a bonus. |
00:22:38 |
If you want to go, go. |
00:22:40 |
But the money stays. All of it. |
00:22:42 |
- No, it doesn't. |
00:22:44 |
No, it doesn't. |
00:23:58 |
We were just debating |
00:24:03 |
...of wealth distribution. |
00:24:05 |
Yes. Yes, we were. |
00:24:08 |
That's good. |
00:24:09 |
But before you reach |
00:24:13 |
...let me show you something. |
00:25:07 |
What? |
00:25:09 |
Rice and beans |
00:25:11 |
I just can't eat when I see |
00:25:15 |
At least tonight they can eat. |
00:25:19 |
We have to find a way |
00:25:22 |
We must come up with a plan. |
00:25:24 |
Something that will benefit the people... |
00:25:26 |
...and destroy these murderers. |
00:25:31 |
I think we should rob more banks. |
00:25:34 |
Yeah. |
00:25:42 |
Let's go. |
00:25:44 |
- Let's go where? |
00:25:47 |
We can't just go right now |
00:25:51 |
Fine. Finish brushing. |
00:25:53 |
That's not it. We're not ready. |
00:25:56 |
- Yes, we are. We just did it. |
00:25:58 |
We cannot rely on luck. |
00:26:02 |
We need to consider the implications, |
00:26:06 |
- Why are you so complicated? |
00:26:09 |
This is a noble cause |
00:26:15 |
But if you keep fighting like cats and dogs, |
00:26:21 |
My daughters, you know... |
00:26:25 |
...when Columbus proposed his journey |
00:26:29 |
...everybody said that was... |
00:26:31 |
...unrealistic. |
00:26:33 |
But he succeeded. |
00:26:34 |
Because he had the king and queen |
00:26:38 |
Who do we have to help us? |
00:26:41 |
I think I might know someone |
00:26:50 |
Can I help you? |
00:26:51 |
We're looking for these two. |
00:26:54 |
What's a pair of señoritas like that |
00:26:57 |
We found this snagged on a cactus |
00:27:00 |
Well, you find any more of that, |
00:27:05 |
Now, do you mind getting your foot |
00:27:07 |
- And if I don't? |
00:27:10 |
Now get your sorry ass off this porch. |
00:27:12 |
You too. |
00:27:18 |
Come on. |
00:27:35 |
Hey, does this belong to you? |
00:27:37 |
Thank you. |
00:27:39 |
Excuse me. |
00:27:40 |
Mr. - |
00:27:44 |
- Where are you going? |
00:27:46 |
Toughs like that tend to come back |
00:27:50 |
- But you said you would help us. |
00:27:53 |
No, no. Padre Pablo said |
00:27:56 |
Well, where did he get that idea? |
00:27:57 |
He said that's what you used to do. |
00:27:59 |
That you robbed 37 banks in Texas |
00:28:02 |
Thirty-seven. |
00:28:05 |
Listen, high-minded ideals is one thing, |
00:28:10 |
And to tell you the truth, |
00:28:13 |
- We're well aware of that. At least I am. |
00:28:17 |
To learn. |
00:28:18 |
Well, to learn, you gotta have resources. |
00:28:20 |
So far the only thing you've shown me... |
00:28:22 |
...is a talent for bringing trouble |
00:28:25 |
Buena suerte, ladies. |
00:28:29 |
Mr. Buck. |
00:28:34 |
You're not going anywhere... |
00:28:35 |
...until you tell us |
00:28:38 |
First, if you pull the trigger |
00:28:40 |
...the way you're pointed, |
00:28:43 |
- Well, haven't you fired a pistol before? |
00:28:45 |
But you didn't kill anybody. |
00:28:47 |
There's always a first time. |
00:28:48 |
That's true. But this ain't it. |
00:28:55 |
Hey. |
00:28:59 |
What are you doing? |
00:29:04 |
Come on. Go on. |
00:29:06 |
What the heck? Go on. |
00:29:18 |
Git. |
00:29:22 |
Go, git. |
00:29:24 |
Come on. |
00:29:34 |
Hey, what have you done to this horse? |
00:29:36 |
- Please, Mr. Buck, they killed my father. |
00:29:45 |
You're breaking my heart. |
00:29:47 |
All right, look, no whining, no complaining, |
00:29:51 |
I never whine. |
00:29:53 |
- Oh, please. |
00:29:56 |
- Don't. Don't hit. |
00:29:59 |
- Don't hit me. |
00:30:00 |
Ladies. Hey. |
00:30:02 |
What's it gonna be? |
00:30:08 |
- Deal. |
00:30:13 |
All right, you first. |
00:30:22 |
That's pretty good. |
00:30:25 |
- How many you got left? |
00:30:31 |
You need to know. |
00:30:32 |
Many a man's been left to die |
00:30:36 |
She's not very good with numbers. |
00:30:38 |
Your turn. |
00:30:50 |
I can't do this. |
00:30:52 |
When I get nervous, I get the hiccups. |
00:30:55 |
Guns make you nervous? |
00:30:56 |
What the hell are you gonna use |
00:30:58 |
My education. |
00:31:01 |
- "My education. " |
00:31:03 |
- To rob banks. Rob a bank. |
00:31:07 |
You wish you had one, |
00:31:10 |
Fort Granger, Oklahoma, U.S. Cavalry. |
00:31:16 |
Hey. Hey. Hey. |
00:31:20 |
No one moves. |
00:31:23 |
Get on the floor. |
00:31:25 |
How are they gonna get on the floor? |
00:31:29 |
Right. |
00:31:31 |
So get on the floor and no one move. |
00:31:36 |
Sara. Sara. |
00:31:39 |
- I have to tell you something. |
00:31:41 |
Why are we doing this? |
00:31:44 |
Robbing banks is easy. |
00:31:46 |
It's getting away |
00:31:48 |
- Sara. |
00:31:52 |
- As long as it takes. |
00:31:54 |
What? |
00:31:55 |
I don't think I can hold any longer. |
00:31:58 |
So drop off and swim to the shore. |
00:32:00 |
I can't swim. |
00:32:13 |
Sara. |
00:32:18 |
Sara. |
00:32:34 |
Hold on to the rock. |
00:33:05 |
Thank you. |
00:33:06 |
- For what? |
00:33:09 |
You noticed this time. |
00:33:12 |
Good. |
00:33:17 |
- Sara. |
00:33:19 |
I guess- |
00:33:23 |
I don't know about friends. |
00:33:27 |
But partners... |
00:33:32 |
Definitely partners. |
00:33:44 |
Single file. |
00:33:47 |
You gotta aim. Aim the gun. |
00:33:49 |
Aim it. |
00:33:51 |
Go on, higher. Higher. Higher. |
00:33:54 |
Stinky, I'm sorry. |
00:33:58 |
Come on, go. Faster, faster. |
00:34:19 |
Before you kill your dog, |
00:34:22 |
Just take that. |
00:34:36 |
See, I knew she had talent. |
00:34:39 |
Two hundred and forty-four, 245, 246... |
00:34:44 |
...247, 248, 24- |
00:35:47 |
That's the expert? |
00:35:55 |
Mr. Cooke... |
00:35:57 |
...welcome to Mexico. |
00:36:00 |
Well, clearly, they're a pair of amateurs. |
00:36:03 |
Robbing a bank in less than a minute |
00:36:05 |
I'd say they could pass as professionals. |
00:36:11 |
That's odd. |
00:36:15 |
Who would sell a farm for one peso? |
00:36:17 |
Mr. Cooke... |
00:36:18 |
...the claim is that you're an expert |
00:36:21 |
- Yes. |
00:36:25 |
So why don't we both just focus on |
00:36:30 |
Time's slipping away here. |
00:36:35 |
All right, what's the first rule |
00:36:38 |
- No one gets killed. |
00:36:40 |
Don't take more than you can carry |
00:36:42 |
- And the third? |
00:36:45 |
Perfect. |
00:36:47 |
So do you think we're ready? |
00:36:49 |
Well, you really only needed |
00:36:52 |
...and you learned that back in the river. |
00:36:54 |
Trust your partner with your life. |
00:36:58 |
Why did you make us go through |
00:37:02 |
Well... |
00:37:03 |
...I kind of liked having you two around. |
00:37:10 |
Now go rob me some banks. |
00:37:44 |
Everybody, hands up. |
00:38:18 |
Are you sure the room |
00:38:20 |
- ... since the death? |
00:38:23 |
- You've worked here for a long time? |
00:38:29 |
Do you know if he took any medication |
00:38:32 |
Don Diego was healthy as a horse. |
00:38:36 |
He was never sick a day in his life. |
00:38:39 |
Thank you. |
00:38:41 |
If you'll excuse me. |
00:39:11 |
This should cover the mortgage |
00:39:14 |
I was thinking, you know, |
00:39:17 |
Maybe we should stop |
00:39:20 |
Padre, they took 10 banks, |
00:39:23 |
- Right. We still have five to go. |
00:39:27 |
That's what I said. Four. |
00:39:28 |
But one of my parishioners |
00:39:32 |
- ... they brought in. |
00:39:36 |
- For us? |
00:39:39 |
A detective from New York. |
00:39:42 |
Let him come. |
00:39:54 |
Are you Padre Pablo? |
00:39:56 |
Yes. |
00:39:59 |
- May I come in? |
00:40:02 |
I thought the house of God was open |
00:40:06 |
It is. But God is not at home right now. |
00:40:11 |
He is down the road at the orphanage... |
00:40:14 |
...where I was just going. |
00:40:18 |
I'm Quentin Cooke. |
00:40:21 |
I know who you are, Mr. Cooke. |
00:40:24 |
Oh, you do? |
00:40:25 |
It's my job to know |
00:40:29 |
Okay. Well, then maybe you can help me. |
00:40:33 |
This girl. |
00:40:34 |
- I was wondering if you could tell me- |
00:40:38 |
I didn't finish the question. |
00:40:40 |
You want to know if I have seen her. |
00:40:43 |
No, I'm sure you haven't seen her. |
00:40:45 |
I was wondering if you could tell me |
00:40:48 |
- ... with her father. |
00:40:51 |
Why does he ask such a question? |
00:40:53 |
She loved her father. |
00:40:55 |
Why do you ask such a question? |
00:40:58 |
Just the way he died. |
00:41:00 |
Anyway... |
00:41:03 |
I'm staying at the hotel... |
00:41:05 |
...in Santa Rita |
00:41:15 |
What did he mean |
00:41:17 |
You heard what I heard. |
00:41:20 |
If you want to know any more, |
00:41:29 |
Come on. Come. |
00:41:49 |
We can take him right here. |
00:41:52 |
- What? |
00:41:53 |
- And how do we get the information? |
00:41:56 |
Our picture's all over the town. |
00:42:03 |
So what? We wear bandannas. |
00:42:05 |
I have a better plan. |
00:42:08 |
Hello, mister. Do you want company? |
00:00:09 |
Yes? |
00:00:18 |
Wrong room. |
00:00:20 |
No. We're compliments |
00:00:24 |
- She's new. |
00:00:28 |
...but I have a fiancée. |
00:00:29 |
- And we have some questions. |
00:00:33 |
- Down. |
00:00:35 |
- Down. |
00:00:36 |
- Down. |
00:00:40 |
- What? You've never seen one before? |
00:00:43 |
Up. |
00:00:45 |
- My wallet's over there. |
00:00:48 |
Oh, my God. |
00:00:50 |
- You're them. |
00:00:53 |
Well, you're not getting any answers |
00:00:56 |
I will not dishonor my profession. |
00:01:00 |
Hey. |
00:01:07 |
- Hey, what are you doing? |
00:01:10 |
Is this the fiancée? |
00:01:13 |
Not bad. |
00:01:14 |
- What are you doing? |
00:01:22 |
- Ready? |
00:01:31 |
Beautiful. |
00:01:34 |
Unless you tell us everything |
00:01:37 |
...these pictures will show up in every |
00:01:42 |
With a special set going to your fiancée. |
00:01:45 |
Then you won't have to worry |
00:01:49 |
Because you won't have one. |
00:01:53 |
Now tell me about my father. |
00:01:57 |
I won't tell you anything. |
00:01:58 |
- This is a waste of time. |
00:02:00 |
Excuse my partner. |
00:02:03 |
Mr. Cooke, I am asking you |
00:02:14 |
- Did your father drink wine? |
00:02:16 |
I don't think he died of a heart attack. |
00:02:21 |
- How do you know that? |
00:02:23 |
It doesn't give you the right |
00:02:26 |
Those are Mexican banks. |
00:02:27 |
Those banks are owned by |
00:02:30 |
...and are under the protection |
00:02:33 |
Interesting how your country |
00:02:36 |
...interfering in other people's affairs. |
00:02:39 |
You're still breaking the law. |
00:02:41 |
- You're the one breaking the law. |
00:02:43 |
By helping them rob our people. |
00:02:46 |
Help. Hel- |
00:02:54 |
Enough with the hat. The hat belongs... |
00:02:57 |
...on this man. And that... |
00:02:59 |
That's nothing to be ashamed of. |
00:03:01 |
Who said I was ashamed? |
00:03:04 |
- Have you ever even been with a man? |
00:03:07 |
- Of course. |
00:03:09 |
- Yes, I have. |
00:03:13 |
Do you want me to produce |
00:03:16 |
- No, kiss him. |
00:03:17 |
- What? |
00:03:20 |
...if you kiss a man right, |
00:03:22 |
If you kiss him wrong, |
00:03:25 |
If you have made love to a man... |
00:03:27 |
...you know this. |
00:03:30 |
So that's the proof. Kiss him. |
00:03:35 |
I ca- |
00:03:40 |
I have a fian- |
00:03:44 |
- cée. |
00:03:48 |
If you kiss a man like that, you'll be |
00:03:51 |
- Is that what you want? |
00:03:54 |
Watch. |
00:03:58 |
I don't- |
00:04:00 |
I don't think that- |
00:04:11 |
- That's a kiss. |
00:04:14 |
Now you try it. |
00:04:17 |
Come on. |
00:04:19 |
Think of the sweetest summer fruit. |
00:04:27 |
Open. |
00:04:40 |
- How was that? |
00:04:43 |
- I thought that was pretty good. |
00:04:47 |
But now... |
00:04:50 |
...you have to capture the nuance. |
00:05:00 |
- Sara. |
00:05:02 |
It's 10 to 3. |
00:05:05 |
- Sara. |
00:05:07 |
- The bank closes at 3. |
00:05:13 |
- Where are you taking me? |
00:05:27 |
- You already took all the money. |
00:05:31 |
Here's your proof. |
00:05:34 |
Who sells a farm for one peso? |
00:05:37 |
Who'd sell a farm for one peso? |
00:05:39 |
Here... |
00:05:40 |
...check the deeds against the railroad map, |
00:06:45 |
Señoritas, I think there is something |
00:06:51 |
- Please tell me you have a plan. |
00:07:06 |
We have two choices. Run or fight. |
00:07:09 |
Right. Die now or die later. |
00:07:11 |
- Well, do you have a better idea? |
00:07:17 |
- Put your guns down or we'll kill him. |
00:07:21 |
I said, put them down. Now. |
00:07:23 |
He's the boss' son-in-law. |
00:07:31 |
Never mind. |
00:07:45 |
The expert from New York City... |
00:07:47 |
...he was kidnapped by the bandidas, sir. |
00:07:49 |
- Excuse me? What? |
00:07:53 |
How exactly did that happen? |
00:07:55 |
He was in the bank, |
00:07:58 |
...when these two she-monsters |
00:08:01 |
They took him by force. |
00:08:02 |
Oh, my God. My poor darling. |
00:08:05 |
Don't tell me they killed him. |
00:08:12 |
Now, I'm out of time here, |
00:08:17 |
And I would dearly like to see |
00:08:26 |
Follow me. |
00:08:29 |
- Get in there. |
00:08:45 |
What is this? |
00:08:48 |
- It's fingerprint powder. |
00:08:54 |
You see these swirls on your finger? |
00:08:57 |
If you touch something at a crime scene, |
00:09:01 |
...and then I can see your fingerprint. |
00:09:04 |
How do you know it's mine? |
00:09:05 |
Because no two people |
00:09:10 |
- Have you checked everyone in the world? |
00:09:14 |
But it's proven by science. |
00:09:17 |
Doesn't sound very scientific to me. |
00:09:20 |
- And what is this? |
00:09:24 |
It... |
00:09:26 |
...helps you see things |
00:09:31 |
Like a thought? |
00:09:32 |
Yeah, sort of. |
00:09:49 |
I don't see anything. |
00:09:51 |
Think harder. |
00:09:55 |
- Sara, what's wrong? |
00:09:58 |
Jackson's brought in reinforcements, |
00:10:01 |
Every bank is guarded now. |
00:10:04 |
They're hunting us like animals, |
00:10:08 |
I don't wanna disappoint these people, |
00:10:11 |
- I think you can. |
00:10:15 |
I was raised to be a spoiled lady, |
00:10:19 |
One minute I think I have |
00:10:22 |
...I am crying for a manicure. |
00:10:26 |
Or maybe I'm just lost. |
00:10:29 |
My mother is gone. My father is gone. |
00:10:34 |
I have no place in the world. |
00:10:35 |
Maybe out here is where you belong. |
00:10:41 |
Besides, you're not alone. |
00:10:43 |
Right. |
00:10:45 |
A gun-happy farm girl, an ugly dog... |
00:10:48 |
...a wet-behind-the-ears cop |
00:10:51 |
What a team. |
00:10:54 |
This may seem odd, |
00:10:59 |
...but I think what you are doing here |
00:11:03 |
And I'd like to help. |
00:11:07 |
How? |
00:11:10 |
They're looking for two women, correct? |
00:11:15 |
I guess this is what it feels like, huh? |
00:11:18 |
- To be married. |
00:11:23 |
- May I ask you a favor? |
00:11:26 |
Can we lose the horse? |
00:11:30 |
Don't distract him. |
00:11:35 |
You know what you have to do. |
00:11:41 |
Okay, here we are. |
00:11:53 |
It'll never work. |
00:11:56 |
Because she's wearing the wrong shoes. |
00:11:58 |
I would have done it myself, but I'd |
00:12:04 |
Good day. Welcome to our bank. |
00:12:08 |
Welcome. |
00:12:10 |
Step in, please. |
00:12:13 |
I assure you, your family jewelry |
00:12:17 |
He takes such good care of me, |
00:12:28 |
The slut. |
00:12:30 |
She can't even get the kiss right. |
00:12:33 |
Come on, we've got work to do. |
00:12:39 |
She's very excited. |
00:12:50 |
The walls are 2 feet of poured cement |
00:12:55 |
...and the safe is bolted into the ground, |
00:13:17 |
- Did you hear that? |
00:13:19 |
It sounded like a horse on the roof. |
00:13:24 |
I'm sorry, I'm gonna have to |
00:13:27 |
- You don't drink before dinner, do you? |
00:13:29 |
I was just wondering. |
00:13:35 |
- Can we see inside the safe? |
00:13:38 |
Unless you are actually ready |
00:13:42 |
How about for withdrawals? |
00:13:50 |
Great. Just great. |
00:13:53 |
I didn't know he was going to faint. |
00:13:56 |
These are like megaphones. |
00:13:58 |
Quiet. |
00:14:01 |
- Are you sure you can open it with that? |
00:14:06 |
Hey. |
00:14:29 |
Can't you go any faster? |
00:14:30 |
I am going as fast as somebody who's |
00:14:42 |
- Come out with your hands up. |
00:14:54 |
I did it. |
00:14:56 |
I did it. I did it. |
00:15:06 |
Open this damn door. |
00:15:13 |
Fire. |
00:15:25 |
You've only got one more chance. |
00:15:28 |
I know. |
00:15:46 |
They blew the safe. |
00:15:58 |
There it is. |
00:16:01 |
Okay, you got it? |
00:16:03 |
- Okay, let's go. |
00:16:05 |
- What? |
00:16:08 |
Perfect. |
00:16:36 |
How the hell? |
00:16:43 |
Come on. |
00:17:04 |
- Anything wrong, Mr. Jackson? |
00:17:09 |
...governor. |
00:17:10 |
To be honest, Mr. Jackson, |
00:17:13 |
...are concerned about the safety |
00:17:17 |
They are suggesting perhaps |
00:17:20 |
...to a bank not owned by your company. |
00:17:22 |
Governor, that gold is as safe as |
00:17:27 |
Judging by the success you have |
00:17:31 |
...you may want to check your pockets. |
00:17:35 |
May I show you something? |
00:17:41 |
Now, governor, this is a prototype... |
00:17:42 |
...of a revolutionary new system |
00:17:45 |
We're installing this as fast as we can |
00:17:48 |
...including the one that holds |
00:17:51 |
You. Step on the floor. |
00:17:56 |
Step-o on-o floor-o. |
00:18:07 |
Cut it off. |
00:18:11 |
That floor is fitted with a system that |
00:18:16 |
Before anyone can reach that safe, |
00:18:22 |
I'm reassured that our gold |
00:18:25 |
- Thank you, governor. |
00:18:27 |
...about our people |
00:18:31 |
Without the new system. |
00:18:32 |
You know, these bandidas can strike |
00:18:35 |
Governor, may I tell you something |
00:18:39 |
Until those new systems are installed, |
00:18:45 |
They'll never get anywhere near it. |
00:18:54 |
I'm so sorry for your loss. |
00:18:56 |
- Her mother was her life. |
00:18:59 |
My daughter is the same way |
00:19:02 |
She would just die |
00:19:06 |
...wasn't in the safest place, |
00:19:11 |
Sweetheart, you understand me... |
00:19:14 |
...so well. |
00:19:28 |
She's very upset. |
00:19:30 |
If I may share a confidence with you. |
00:19:33 |
Today we put in the most advanced |
00:19:37 |
- Can we see it? |
00:19:40 |
No one can see it. |
00:19:59 |
- We can't do it. |
00:20:02 |
Sara, the only space on the floor |
00:20:06 |
...is 1 inch between the seam. |
00:20:08 |
- What would you use to get across? |
00:20:12 |
At least I have one to use. |
00:20:14 |
And what are you gonna use |
00:20:16 |
The key. |
00:20:38 |
- Nice shot. |
00:20:41 |
- What's this? |
00:20:42 |
Those are darts dipped into a compound |
00:20:46 |
The Indians use it to hunt. It doesn't kill |
00:20:50 |
So if you have a problem, you use this. |
00:20:53 |
Okay, go. |
00:20:59 |
I got it. |
00:21:00 |
Okay. Okay. |
00:21:13 |
Go. |
00:21:19 |
- Come on. |
00:22:08 |
Calm down. |
00:22:40 |
Sorry. |
00:23:05 |
Great. |
00:23:10 |
- When's the last time you were on these? |
00:23:13 |
- Oh, great. |
00:23:15 |
Okay. There's no need to rush. |
00:23:18 |
Just stay calm. |
00:23:21 |
- Don't be nervous. |
00:23:23 |
Okay, I'm sorry. Okay, okay. |
00:23:30 |
What's wrong? |
00:23:32 |
- I need to be calm. |
00:23:42 |
- Okay, I'm calm now. |
00:23:51 |
How was my kiss? |
00:23:54 |
- It was perfect. |
00:24:09 |
Sara. |
00:24:11 |
- Do you really have to sing? |
00:24:14 |
- It puts me in the mood. |
00:24:40 |
Bravo. Bravo. |
00:24:47 |
Santa Maria. |
00:24:49 |
Oh, my G- |
00:24:53 |
I'm gonna go check the vault. |
00:24:54 |
- Right. |
00:24:57 |
I ain't got none of that. |
00:25:04 |
Hey, what's the matter with you? |
00:25:07 |
You all right? |
00:25:29 |
Tequila must be pretty good down here. |
00:25:35 |
Sara. |
00:25:37 |
Come on, hurry up. |
00:25:39 |
I'm doing my best. |
00:25:46 |
- Everything calm? |
00:25:58 |
- What are you doing? |
00:26:02 |
If I'm going to rob a bank, |
00:26:07 |
Damn idiot, |
00:26:09 |
Don't you call me a damn idiot. |
00:26:16 |
Okay, slow, slow, slow. |
00:26:18 |
- Who are you calling a damn idiot? |
00:26:26 |
Come on. Okay. Come on. |
00:26:30 |
- Shut up. |
00:26:44 |
Oh, God. |
00:26:48 |
Quentin. |
00:26:53 |
Hold it. |
00:26:55 |
Wake up. |
00:26:57 |
Hold it. |
00:27:02 |
Hold it. |
00:27:04 |
Quentin. Sara. |
00:27:08 |
Come on, let's go. |
00:27:18 |
No, no. Other way. Other way. |
00:27:30 |
Party's over. |
00:27:35 |
Looks like we're about to start the party. |
00:27:38 |
You might wanna get ready |
00:27:40 |
...or whatever it is you all do. |
00:27:47 |
I can't believe you can't even do |
00:27:52 |
- You were supposed to be looking out. |
00:27:55 |
If you were, we wouldn't be sitting here. |
00:27:57 |
If you weren't greedy, |
00:28:00 |
You are inefficient and unprofessional. |
00:28:02 |
Think I didn't see you sneaking kisses? |
00:28:04 |
I was a bride. That's what we do. |
00:28:06 |
And don't play innocent with me. |
00:28:08 |
I saw you sticking your tongue |
00:28:10 |
What kind of a bride smells like a horse |
00:28:14 |
I was a sad widow in need of comfort. |
00:28:16 |
Well, for your information, |
00:28:19 |
For your information, he said- |
00:28:21 |
For your information, |
00:28:24 |
...when the future |
00:28:27 |
How did I ever fall for this? |
00:28:30 |
You're silly girls playing |
00:28:33 |
A spoiled brat and a farm hand. |
00:28:35 |
You think people are gonna follow you? |
00:28:39 |
What was I thinking? |
00:28:40 |
Throwing away my life and my career. |
00:28:45 |
You know the saddest part? |
00:28:47 |
No one will care, |
00:28:49 |
...because we're gonna be hanged! |
00:29:18 |
I might not know who I am... |
00:29:20 |
...but I know who I'm not. |
00:29:23 |
And I'm not someone |
00:29:36 |
Governor, I have good news, |
00:29:38 |
Now, the good news is that my people |
00:29:42 |
We even had both bandidas in custody. |
00:29:46 |
The bad news is your people freed them. |
00:29:52 |
Mr. Jackson, I must apologize to you. |
00:29:55 |
I never expected the situation |
00:29:59 |
Your help has been invaluable. |
00:30:01 |
But now I don't know what to do. |
00:30:05 |
You can rest assured, the Capital Bank |
00:30:09 |
He said they're moving |
00:30:12 |
What does it mean? |
00:30:14 |
It means it's over. He figured it out. |
00:30:17 |
- Figured what out? |
00:30:20 |
He's not beating us, we're beating him. |
00:30:22 |
Now we are strong enough |
00:30:25 |
So let him have the gold. |
00:30:27 |
We'll have all the money. |
00:30:30 |
Maria, the money is just paper. |
00:30:32 |
It represents the value of the gold. |
00:30:35 |
It's what the entire monetary system |
00:30:37 |
Without the gold, the paper has no value. |
00:30:42 |
Then we should rob the gold. |
00:30:47 |
Did I say something wrong? |
00:30:54 |
- Shut that and lock it. |
00:31:05 |
You know... |
00:31:07 |
...this might be the last time |
00:31:10 |
Don't say that. It's bad luck. |
00:31:12 |
I'm a superstitious peasant, remember? |
00:31:16 |
No, you're a lot more than that. |
00:31:20 |
You always know what you want, |
00:31:27 |
I admire you, Maria. |
00:31:32 |
You admire me? |
00:31:35 |
All I know about is horses and chickens. |
00:31:39 |
Well... |
00:31:40 |
...now I also know |
00:31:51 |
It's been good to have you as a partner. |
00:31:59 |
It's been good to have you as a friend. |
00:32:03 |
You've taught me a lot |
00:32:16 |
And you were a- |
00:32:18 |
You were a beautiful widow. |
00:32:20 |
Well, black, it's always a flattering color. |
00:32:22 |
There's one more thing |
00:32:27 |
This bloody corset. |
00:32:29 |
It's been squeezing my gut |
00:32:48 |
Thank you so much for making the effort. |
00:32:51 |
Mr. Governor, it's not an effort, |
00:32:54 |
You wanted me here |
00:32:57 |
Here I am. |
00:32:59 |
Señorita Clarissa... |
00:33:01 |
...thank you for gracing our journey |
00:33:04 |
I wish I could be better company, |
00:33:08 |
- Is there any word? |
00:33:11 |
I wouldn't be surprised if, by the end of |
00:33:15 |
- Really? |
00:33:17 |
Now if you'll excuse us, miss. |
00:33:20 |
- Did you hear that, Daddy? |
00:33:23 |
It's a sad state of affairs |
00:33:26 |
...must be protected |
00:33:28 |
Sir, let me assure you, you are acting |
00:33:31 |
Governor, if you don't mind, I'd like |
00:33:35 |
- Of course. Excuse me. |
00:33:39 |
Mr. Jackson, was my trip down here |
00:33:43 |
Mr. Ashe... |
00:33:45 |
...to get that gold released |
00:33:48 |
...the governor needed |
00:33:51 |
In order to catch those two |
00:33:53 |
...I need that gold onboard. |
00:33:55 |
Catch them? |
00:33:57 |
The walls have ears down here in Mexico, |
00:34:01 |
That gold is my bait. |
00:34:03 |
And the fish are onboard, |
00:34:05 |
- Good God, man. |
00:34:07 |
...is keep this train rolling up into Texas. |
00:34:09 |
That's where our law will take effect. |
00:34:13 |
Hanging somebody without a fair trial |
00:34:17 |
Oh, it will be. |
00:34:32 |
There is no security out here, |
00:34:36 |
Oh, but quite to the contrary, governor. |
00:34:39 |
Indeed, there is. |
00:34:40 |
Security for my old age. |
00:34:43 |
Your gold. |
00:34:46 |
- I'm not following. |
00:34:53 |
- What is that? |
00:34:55 |
You'll probably end up |
00:34:57 |
- Thank you for the vote of confidence. |
00:35:00 |
You, realistic? Please, that's a first. |
00:35:03 |
- You shooting a gun, that's a first. |
00:35:06 |
Can we just stick |
00:35:14 |
Well, if it don't smell like supper in here, |
00:35:20 |
Oh, my, my. Is those black beans? |
00:36:02 |
- Where's the governor? |
00:36:05 |
What do you mean, stretching his legs? |
00:36:06 |
- Well, I guess he fell off the train. |
00:36:09 |
- What's going on here? |
00:36:11 |
We had 60 days |
00:36:13 |
When I saw that, because of the problems |
00:36:17 |
...we were gonna lose |
00:36:20 |
...why not take advantage of the situation |
00:36:24 |
- You're stealing the gold. |
00:36:28 |
- You stop this train right now. |
00:36:31 |
I am not in the thieving business. |
00:36:35 |
I don't believe that any part of this |
00:36:39 |
- God. |
00:36:41 |
- Hands up. |
00:36:42 |
Don't move. |
00:36:45 |
Turn around. |
00:36:47 |
- Are you okay? |
00:36:49 |
I said, turn around. |
00:36:51 |
You, drop the gun. |
00:36:54 |
Boy, you two are sure playing |
00:36:57 |
I got men all over this goddamn train. |
00:36:59 |
Guess again. |
00:37:03 |
- You won't get away with this. |
00:37:06 |
Killing and robbing our people |
00:37:09 |
- What is she talking about? |
00:37:12 |
You ain't got no proof of that. |
00:37:14 |
We have fingerprints, |
00:37:16 |
We have a microscope. |
00:37:18 |
What are you two going on about? |
00:37:20 |
The scientific method. |
00:37:22 |
Quentin? |
00:37:25 |
- Quentin. |
00:37:29 |
What the hell are you doing here? |
00:38:22 |
Get out of my way. |
00:38:26 |
- Quentin. |
00:38:28 |
He shot you. |
00:38:45 |
No hablo Spanish. |
00:39:00 |
Goddamn it. |
00:39:33 |
Hey, where are you going? |
00:39:49 |
- You think he's dead? |
00:39:52 |
- Maybe we should hold him for the law. |
00:39:56 |
I know. |
00:39:57 |
I wanna kill him, I dream of killing him. |
00:40:01 |
But if I do, |
00:40:06 |
Maria... |
00:40:10 |
...I don't think I can kill a man. |
00:40:15 |
Me neither. |
00:40:20 |
- But I'm going to anyway. |
00:40:25 |
Think this is gonna give me |
00:40:27 |
- Shooting people? |
00:40:30 |
...I think it would just add |
00:40:33 |
I have a legend? |
00:40:36 |
Of course we do. |
00:40:47 |
Always count your bullets. |
00:41:17 |
He was enlisted to help us uncover |
00:41:20 |
- He helped fix our country. |
00:41:24 |
...for bravery above and beyond |
00:41:27 |
...and for the service he has done |
00:41:30 |
And for helping to bring |
00:41:34 |
I'm gonna miss you. |
00:41:41 |
I'm going to miss you. |
00:41:53 |
Quentin, I, too, wish to express |
00:41:58 |
...get on the train. |
00:42:03 |
I... |
00:42:05 |
...better go. |
00:42:19 |
Oh, Quentin. |
00:42:22 |
I'm so happy. |
00:42:43 |
She's not a very good kisser. |
00:42:46 |
Well, she is. |
00:42:48 |
But you're much better. Much better. |
00:42:57 |
I can't believe the way |
00:43:00 |
So insincere, such a liar. |
00:43:03 |
Telling me my kiss was perfect, |
00:43:07 |
I'm sure he's telling her the same thing. |
00:43:09 |
What do you think? |
00:43:12 |
- Sara. |
00:43:14 |
Don't you think it's obvious |
00:43:17 |
Is that why you woke me up? |
00:43:20 |
I was finally having such a nice sleep. |
00:43:22 |
At least you can sleep. I never |
00:43:26 |
Now I can't stop thinking. |
00:43:28 |
You should be very grateful |
00:43:32 |
Would you please be quiet |
00:43:36 |
You've never seen a sunset before? |
00:43:38 |
It's just that this sunset reminds me... |
00:43:40 |
...of a particularly beautiful one |
00:43:44 |
- Where is that? |
00:43:48 |
In Europe. |
00:43:50 |
- Can I ask you one more thing? |
00:43:55 |
How are the banks in Europe? |
00:44:03 |
Bigger. |