|
Walker The
|
| 00:00:52 |
No, not at that time of year. |
| 00:00:55 |
She's nice. |
| 00:00:57 |
To me at least. |
| 00:00:58 |
Well, don't let her fool you. |
| 00:01:00 |
A tiger. |
| 00:01:01 |
She wears white perhaps the way |
| 00:01:05 |
The trophy bride. |
| 00:01:06 |
You got her come up and... |
| 00:01:07 |
Viagra! |
| 00:01:12 |
If all the pricks that have been stuck into her |
| 00:01:18 |
Ugh, Carl. What an image. |
| 00:01:21 |
I saw that. |
| 00:01:23 |
Now wait. |
| 00:01:25 |
I'm not. Come on. |
| 00:01:27 |
I didn't mean the word pejoratively. |
| 00:01:30 |
This is Washington after all. |
| 00:01:31 |
And I happen to be your partner. |
| 00:01:33 |
Yeah. That too. |
| 00:01:35 |
Your turn. |
| 00:01:36 |
She just said no and walked out. |
| 00:01:38 |
Well how much did you offer? |
| 00:01:40 |
400 a week. |
| 00:01:41 |
The rich have such a touching faith |
| 00:01:46 |
Tennessee Williams said that. |
| 00:01:48 |
So did I. |
| 00:01:50 |
That's a beautiful meld you |
| 00:01:53 |
What have you got over there? |
| 00:01:55 |
Nothing. Really. |
| 00:01:58 |
Hey, do you wanna take |
| 00:02:00 |
Is that a legal? |
| 00:02:01 |
Did you notice Candice Howard? |
| 00:02:04 |
Purple is an acceptable color. |
| 00:02:06 |
Just not her color. |
| 00:02:07 |
Not on a dress at least. |
| 00:02:09 |
I told her it was a wonderful fabric |
| 00:02:16 |
Some day her prince will come. |
| 00:02:19 |
Not before she kisses a lot of frogs. |
| 00:02:25 |
The city is asking, |
| 00:02:29 |
Such different women. |
| 00:02:32 |
You, Carl. |
| 00:02:33 |
- Besides that? |
| 00:02:36 |
They know damn well what |
| 00:02:38 |
Them. |
| 00:02:39 |
Wednesday's canasta |
| 00:02:45 |
I don't understand these |
| 00:02:46 |
God forbid a man |
| 00:02:48 |
Have you played? |
| 00:02:49 |
Yes. I will. |
| 00:02:52 |
Yes, you're |
| 00:02:54 |
I mean is that enough |
| 00:02:56 |
You've got to stand in a |
| 00:02:59 |
That's the former First Lady. |
| 00:03:01 |
No politics, girls. Surrounded by a sea |
| 00:03:07 |
Carl Page has crowed. |
| 00:03:09 |
You want that Jack? |
| 00:03:10 |
Well, they make it sound |
| 00:03:12 |
Let them wonder how |
| 00:03:14 |
How much do we know? |
| 00:03:16 |
Everything. |
| 00:03:18 |
All the dirt |
| 00:03:21 |
All the human waste exited by our |
| 00:03:25 |
All of it, sooner or later, |
| 00:03:29 |
This is shit centre, darlings. |
| 00:03:33 |
Lovely. |
| 00:03:33 |
Come on, Carl. |
| 00:03:35 |
- Which story? |
| 00:03:38 |
- And Faye Juliette? |
| 00:03:40 |
Quiet dinner for six in the South |
| 00:03:45 |
'John?', Julia says to her husband. |
| 00:03:47 |
Why is it you |
| 00:03:52 |
Her tone changes. |
| 00:03:54 |
Because when you do, |
| 00:03:58 |
The room quiets. |
| 00:03:59 |
She turns to Jessie, |
| 00:04:05 |
Jessie and her husband freeze. |
| 00:04:08 |
Just as the guests |
| 00:04:12 |
Precious lamb, I never fuck you |
| 00:04:17 |
You're such a little bitty thing |
| 00:04:21 |
Thrilled, Julia had answers, |
| 00:04:27 |
Oh, my goodness. |
| 00:04:28 |
I heard Corring |
| 00:04:31 |
Really? |
| 00:04:32 |
He's straight. Believe me. |
| 00:04:34 |
You're pretty sure? |
| 00:04:35 |
One thing I can tell is whether a |
| 00:04:39 |
Oh, how? |
| 00:04:41 |
I am the gay 'Wether Vain'. |
| 00:04:43 |
Little signals you know. |
| 00:04:47 |
The way his tie's knotted. Or... |
| 00:04:50 |
How hard he gets when |
| 00:04:55 |
It's your turn. |
| 00:04:57 |
Stop. |
| 00:05:14 |
I'll never understand you, Carl. |
| 00:05:17 |
You luxuriate in the |
| 00:05:20 |
You know the damage |
| 00:05:22 |
Their husbands have done |
| 00:05:25 |
I will fuck a congressman |
| 00:05:29 |
Please, Carl. |
| 00:05:30 |
Mr. and Mrs. Stanley, he of the State |
| 00:05:35 |
To see their precious baby daughter |
| 00:05:40 |
Peter Bayhon. |
| 00:05:42 |
Holding up a sign that says |
| 00:05:46 |
I'd be careful. |
| 00:05:49 |
Oh, please. Okay? |
| 00:05:52 |
You still on for the |
| 00:05:55 |
I thought Larry was back. |
| 00:05:56 |
My husband hates high culture. |
| 00:05:59 |
He wasn't born to it. |
| 00:06:01 |
Neither was I. |
| 00:06:02 |
- You transformed yourself. |
| 00:06:08 |
What about next week? |
| 00:06:11 |
Do you mean...? |
| 00:06:14 |
You gotta watch yourself. |
| 00:06:18 |
Whatever ruth there ever was |
| 00:06:22 |
You only get to live once. |
| 00:06:28 |
That my dear is a very |
| 00:06:34 |
Promise me you'll always |
| 00:06:38 |
I promise. |
| 00:06:44 |
Hey, Carl. |
| 00:06:46 |
Please call me back. |
| 00:06:48 |
Please call me. Okay? |
| 00:06:51 |
Carl, are you there? |
| 00:06:53 |
Carl? |
| 00:06:55 |
If you're there pick up. |
| 00:08:37 |
Hallo? |
| 00:08:38 |
Abby. |
| 00:08:39 |
My Sunflower. |
| 00:08:42 |
Carl. |
| 00:08:42 |
So, tell... |
| 00:08:44 |
How was that dinner party? |
| 00:08:47 |
I need a dirt fix. |
| 00:08:49 |
Was it just...? Well... |
| 00:08:51 |
Too much? |
| 00:08:53 |
Oh, God. |
| 00:08:56 |
The Austrian embassador. |
| 00:09:00 |
And the House Speaker. I mean is he |
| 00:09:06 |
He's like one |
| 00:09:10 |
They grow and answer two, |
| 00:09:14 |
- Are you in bed yet? |
| 00:09:17 |
Tuck yourself in. |
| 00:09:18 |
Let me tell you a bedtime story. |
| 00:09:30 |
I went public transport |
| 00:09:35 |
Yes. It's a little pricy. |
| 00:09:41 |
Okay. I'll call you back. |
| 00:09:45 |
Send this out as quick |
| 00:09:46 |
Yes, Sir. |
| 00:09:48 |
Carl, I swear, you are my most |
| 00:09:51 |
Well, I was brought up right. |
| 00:09:53 |
Besides, it's only one day a week. |
| 00:09:55 |
So what's new |
| 00:09:58 |
Embassador Sing still |
| 00:10:02 |
Problem getting foreign affairs minister |
| 00:10:07 |
He's not too smart as it is. |
| 00:10:09 |
The wheel is turning |
| 00:10:14 |
One thing I do hear though. |
| 00:10:16 |
This is interesting. |
| 00:10:20 |
They are overextended. |
| 00:10:23 |
I can list ten buyers |
| 00:10:54 |
Abby, you know what you are? |
| 00:10:56 |
You are the |
| 00:10:59 |
- Keep it coming. |
| 00:11:03 |
I'm glad you could make it. |
| 00:11:05 |
We must support the arts. |
| 00:11:08 |
Where's Larry? |
| 00:11:10 |
- Public policy conference. |
| 00:11:12 |
He'd rather be |
| 00:11:14 |
She exaggerates. |
| 00:11:16 |
We don't see |
| 00:11:17 |
Let's get together. |
| 00:11:19 |
Why don't you call the |
| 00:11:21 |
Be my pleasure. |
| 00:11:24 |
Your father was a great man. |
| 00:11:26 |
He was so proud of you. |
| 00:11:28 |
Yes, he was. |
| 00:11:30 |
Hey, Al! |
| 00:11:36 |
Fuck him. |
| 00:11:38 |
He knows exactly |
| 00:11:40 |
He hates my guts. |
| 00:11:42 |
Mine too. |
| 00:11:43 |
Why people marry whom |
| 00:11:46 |
Darling, don't |
| 00:11:49 |
U.S. Attorney |
| 00:11:50 |
Do you know Mungo Tenant? |
| 00:11:53 |
Not really. |
| 00:11:55 |
I was just being polite. |
| 00:12:03 |
Will you excuse me for a moment? |
| 00:12:06 |
I'll be right back. |
| 00:12:11 |
Carter? Lynn? |
| 00:12:14 |
Peachy. |
| 00:12:15 |
Peachy? |
| 00:12:16 |
That's the word. |
| 00:12:19 |
How are you? |
| 00:12:20 |
I'm fine, Robbie. |
| 00:12:22 |
How are things |
| 00:12:24 |
Any more investment tips? |
| 00:12:27 |
Carl? You're not still sorry |
| 00:12:29 |
Let's get together. |
| 00:12:32 |
I don't wanna be scolding twice. |
| 00:12:36 |
How about next week? |
| 00:12:38 |
Here we go. |
| 00:12:40 |
I'll see you then. |
| 00:12:42 |
Will you excuse me? |
| 00:12:56 |
Come la notte i furti |
| 00:12:59 |
What? |
| 00:13:00 |
It's from tonight's performance. |
| 00:13:04 |
How the night |
| 00:13:08 |
You're so smart. |
| 00:13:55 |
Hey, Emek. |
| 00:13:57 |
Hey, Carl. |
| 00:13:59 |
I tried to call you. |
| 00:14:02 |
Not very hard, you didn't. |
| 00:14:04 |
Don't be like that. |
| 00:14:07 |
How should I be? |
| 00:14:11 |
So what is it? |
| 00:14:12 |
What? Now? |
| 00:14:13 |
Yes, now. |
| 00:14:17 |
We've had this |
| 00:14:20 |
Don't be such a kid. |
| 00:14:27 |
Do you wanna talk? |
| 00:14:31 |
I got a date. |
| 00:14:33 |
With who? |
| 00:14:37 |
Fun Barry. |
| 00:14:39 |
Don't quote Oscar Wilde to me. |
| 00:14:41 |
Anybody, but Wilde. |
| 00:14:45 |
Say good night, Carl. |
| 00:14:50 |
We talk tomorrow. |
| 00:14:54 |
I'm very sorry |
| 00:14:55 |
Do you want another drink |
| 00:14:57 |
That's okay. |
| 00:15:18 |
He sees himself as |
| 00:15:21 |
But when she's done with him, |
| 00:15:25 |
What about you? |
| 00:15:27 |
You talk about everyone else. |
| 00:15:31 |
I'm not that interesting. |
| 00:15:36 |
I mean you do have a private life. |
| 00:15:40 |
I let you in on a little secret. |
| 00:15:42 |
I've invented my own sex. |
| 00:15:49 |
See how they hushed? |
| 00:15:50 |
Absolutely hushed |
| 00:15:53 |
All those big ears wondering |
| 00:15:58 |
You haven't |
| 00:16:00 |
In fact, I remember a young |
| 00:16:05 |
I believe... |
| 00:16:07 |
Attempted to ask me out. |
| 00:16:10 |
The seventies |
| 00:16:13 |
A lot of things were blurred. |
| 00:16:17 |
Still that was |
| 00:16:21 |
You wanna |
| 00:16:24 |
Okay, I tell you a personal story. |
| 00:16:27 |
About my grandfather, |
| 00:16:33 |
This is before he started devilling |
| 00:16:37 |
19 years old. |
| 00:16:41 |
He had fallen in love with a photograph of |
| 00:16:49 |
For a year |
| 00:16:52 |
My grandfather looking |
| 00:16:56 |
I honestly hope... |
| 00:16:58 |
The day another Christmas |
| 00:17:01 |
Our longings will have |
| 00:17:06 |
My grandfather always talked like a |
| 00:17:12 |
He boarded the |
| 00:17:15 |
That night they went |
| 00:17:18 |
And in a mission he got up... |
| 00:17:20 |
Returned home to Coldville, |
| 00:17:24 |
The two pen pals, Carl and Johanna, |
| 00:17:30 |
When my grandfather and grandmother |
| 00:17:43 |
And that's it? |
| 00:17:45 |
That's the story? |
| 00:17:47 |
That's all I ever heard. |
| 00:17:51 |
I'd give my right |
| 00:18:08 |
Don't say it. |
| 00:18:12 |
I mean is it so important? |
| 00:18:15 |
And that stuff you're breathing, |
| 00:18:19 |
You must get pretty lonely up |
| 00:18:24 |
I appreciate it. |
| 00:18:29 |
Oh, yes. |
| 00:18:31 |
- I bet you do. |
| 00:19:47 |
He's... |
| 00:19:50 |
- He's dead. |
| 00:19:54 |
Oh, no. |
| 00:19:59 |
He is all... He is stabbed over. |
| 00:20:03 |
Robbie is dead? |
| 00:20:04 |
With a knife. |
| 00:20:09 |
I called him this morning. |
| 00:20:19 |
You're gonna call the police? |
| 00:20:23 |
Yeah. We should. |
| 00:20:29 |
Carl? |
| 00:20:35 |
It would destroy everything. |
| 00:20:45 |
It would destroy Larry. |
| 00:20:49 |
The media. |
| 00:20:55 |
It would destroy me. |
| 00:21:06 |
Carl? |
| 00:21:10 |
What did you touch? |
| 00:21:12 |
Nothing. |
| 00:21:14 |
The doorknob |
| 00:21:16 |
Is the door still open? |
| 00:21:22 |
Let's get you home. |
| 00:21:25 |
If anybody asks just... |
| 00:21:27 |
Tell them we went for a drive, talked |
| 00:21:39 |
Lynn? |
| 00:21:41 |
Is there something you're |
| 00:21:44 |
No. |
| 00:21:48 |
No. Honest, Carl. |
| 00:21:51 |
There were no fights. No. |
| 00:21:53 |
Not anything. |
| 00:21:54 |
You must believe me. |
| 00:21:56 |
I do. |
| 00:22:02 |
He was all blood. |
| 00:22:19 |
Thank you. |
| 00:25:00 |
There's been a murder. |
| 00:25:02 |
Please send the police |
| 00:25:08 |
943, 25th Street, North West. |
| 00:25:13 |
Carter Page III. |
| 00:25:17 |
Yes. I'll be here. |
| 00:25:40 |
Check out the |
| 00:25:49 |
So... |
| 00:25:51 |
...what did your friend do? |
| 00:25:54 |
He was a lobbyist. |
| 00:25:58 |
Who will get Lancelot? |
| 00:26:00 |
The cat. |
| 00:26:02 |
They'll take it to a shelter. |
| 00:26:04 |
No. |
| 00:26:08 |
How long did you |
| 00:26:11 |
20 years. |
| 00:26:13 |
We were gonna meet |
| 00:26:16 |
I got here and |
| 00:26:23 |
What do you think? |
| 00:26:26 |
I don't know. |
| 00:26:28 |
Robbery, perhaps. |
| 00:26:31 |
A bit violent for that. |
| 00:26:32 |
And... |
| 00:26:34 |
Who'd steal...? |
| 00:26:35 |
A computer tower? |
| 00:26:39 |
He have a laptop as well? |
| 00:26:43 |
I think so, yes. |
| 00:26:48 |
You were close? |
| 00:26:51 |
I didn't say we were close. |
| 00:27:00 |
Yes. |
| 00:27:01 |
Senator Lockner? |
| 00:27:03 |
Carter. |
| 00:27:05 |
Yes. |
| 00:27:06 |
When it comes to crime, |
| 00:27:10 |
Lynn said that he was |
| 00:27:13 |
Would you like |
| 00:27:15 |
Please. |
| 00:27:22 |
Carl? |
| 00:27:23 |
How are you holding up? |
| 00:27:26 |
Fine. |
| 00:27:27 |
Can you talk? |
| 00:27:31 |
I just called to say |
| 00:27:33 |
It's an ongoing |
| 00:27:38 |
Carl. |
| 00:27:39 |
I know. |
| 00:27:41 |
Don't worry. |
| 00:27:49 |
Darling, you kill me. |
| 00:27:51 |
And it's true. |
| 00:27:58 |
I like this. |
| 00:28:00 |
I bet it's a hell of a lot less |
| 00:28:02 |
Than a stroller |
| 00:28:04 |
Mrs. Delorean, Mr. Page. |
| 00:28:08 |
I like this. |
| 00:28:10 |
Oh, yeah. I've sworn off Europeans |
| 00:28:16 |
I know what you mean, Sir. |
| 00:28:19 |
If you have any questions, |
| 00:28:24 |
Oh, look. |
| 00:28:25 |
This is the material that Louise de Vilmorin |
| 00:28:31 |
I hope it's made of stronger stuff. |
| 00:28:33 |
Louise's couldn't have lasted long, |
| 00:28:37 |
Oh, my God. |
| 00:28:38 |
There is a more handsome man. |
| 00:28:42 |
Carl, you are outrageous. |
| 00:28:45 |
But you are gorgeous. |
| 00:28:47 |
Thank you. |
| 00:28:50 |
I didn't know |
| 00:28:53 |
I didn't know you were close. |
| 00:28:59 |
Yes. |
| 00:29:03 |
Jack knew him. |
| 00:29:07 |
He hates me. |
| 00:29:08 |
No, he doesn't. |
| 00:29:11 |
One day everything is fine. The next |
| 00:29:17 |
Who's the woman? |
| 00:29:21 |
What? |
| 00:29:22 |
Isn't there a woman |
| 00:29:28 |
Are you gonna get this fabric? |
| 00:29:30 |
It will make the carpet rig |
| 00:29:33 |
I think it's a real find. |
| 00:29:35 |
Carl, you're absolutely right. |
| 00:29:37 |
Write this up. |
| 00:29:41 |
What would I do without you? |
| 00:29:42 |
That we won't even |
| 00:29:45 |
We could deliver in |
| 00:29:47 |
Or if you like, we could send |
| 00:29:50 |
To get around |
| 00:29:52 |
Please. |
| 00:29:54 |
God. He makes |
| 00:30:00 |
Detective Dixon. |
| 00:30:02 |
What a coincidence. |
| 00:30:04 |
Oh, I was told |
| 00:30:07 |
Detective Dixon. |
| 00:30:08 |
Abigail Delorean. |
| 00:30:10 |
How do you do? |
| 00:30:12 |
I need to speak with Mr. Page. |
| 00:30:14 |
Shall I wait? |
| 00:30:15 |
No. No. You go on. |
| 00:30:19 |
Step into my office. |
| 00:30:24 |
So what? |
| 00:30:26 |
Any progress |
| 00:30:29 |
Why did you |
| 00:30:32 |
We've been over this. |
| 00:30:35 |
And the door was open? |
| 00:30:36 |
Yes. That's what |
| 00:30:40 |
Have you contacted your lawyer? |
| 00:30:42 |
Should I? |
| 00:30:44 |
We'll need a DNA swab. |
| 00:30:46 |
And Mungo Tenant |
| 00:30:49 |
Why would the |
| 00:30:52 |
He's made it his business. |
| 00:30:55 |
A passer, a d'essayer. |
| 00:30:58 |
From the possible to the real. |
| 00:31:01 |
That is the motto of Woodberry Forest, |
| 00:31:05 |
I looked that up. |
| 00:31:07 |
I'm one of Woodberry's |
| 00:31:10 |
Myself, I went to Cumberland. |
| 00:31:16 |
Woodberry was for the sons |
| 00:31:19 |
I didn't fit in. |
| 00:31:21 |
No, I don't |
| 00:31:22 |
Mungo, Carter has answered |
| 00:31:25 |
What's the point? |
| 00:31:29 |
What was the relationship between |
| 00:31:34 |
Were acquaintances. |
| 00:31:37 |
In fact the last time I saw Robbie |
| 00:31:43 |
That was the extent of their |
| 00:31:45 |
To my knowledge. |
| 00:31:46 |
Have you asked Lynn? |
| 00:31:48 |
What if we found evidence of Lynn's |
| 00:31:53 |
Wouldn't surprise me. |
| 00:31:54 |
Robbie did a lot of |
| 00:31:56 |
You had a business |
| 00:31:59 |
He advised me to |
| 00:32:03 |
I made money for a while. |
| 00:32:06 |
A lot. |
| 00:32:07 |
Considerable. |
| 00:32:08 |
Because of Robbie. |
| 00:32:10 |
I have only myself to blame. |
| 00:32:17 |
If you're holding anything back about |
| 00:32:21 |
If you are going to press charges, do so. |
| 00:32:23 |
Otherwise we're leaving. |
| 00:32:28 |
Carter. |
| 00:32:31 |
Every year your father would come to Cumberland |
| 00:32:39 |
He was an inspiration. |
| 00:32:42 |
A great American. |
| 00:32:45 |
Like his father before him. |
| 00:32:47 |
It was because of him, |
| 00:32:52 |
When I heard him at the Watergate hearings |
| 00:32:59 |
What are you? |
| 00:33:01 |
What have you contributed to |
| 00:33:06 |
Is there a name for |
| 00:33:11 |
I believe... |
| 00:33:14 |
He's called the walker, Sir. |
| 00:33:17 |
He walks rich women from |
| 00:33:26 |
Carl, is there any |
| 00:33:30 |
Tell me now. |
| 00:33:35 |
And don't fuck with offense. |
| 00:33:37 |
After 9-11 they took |
| 00:33:39 |
They do whatever they want. |
| 00:33:41 |
Do you want something? |
| 00:33:43 |
No. |
| 00:33:46 |
It'll all work out. |
| 00:33:49 |
Don't be naive. |
| 00:33:51 |
I'm not naive. |
| 00:33:54 |
I'm superficial. |
| 00:33:58 |
Mungo Tenant |
| 00:34:02 |
Somebody's leaking information |
| 00:34:05 |
How did you |
| 00:34:10 |
You'll listen to real music. |
| 00:34:12 |
This is real music. |
| 00:34:17 |
Lynn finds a body, |
| 00:34:21 |
I find a body? Awkward. |
| 00:34:23 |
But I didn't think |
| 00:34:26 |
But now it is. |
| 00:34:28 |
This is a mean crowd, |
| 00:34:32 |
I ain't never seen anything like it. |
| 00:34:36 |
It's a cultural revenge. |
| 00:34:38 |
They want to revenge you? |
| 00:34:41 |
No. That's just coincidence. |
| 00:34:44 |
Lynn almost got pulled in. |
| 00:34:47 |
Robbie's death has been |
| 00:34:51 |
Oh, can I...? |
| 00:34:53 |
Can I mention |
| 00:34:55 |
Can you put down that |
| 00:34:58 |
Just kidding. |
| 00:34:59 |
Just don't know how much longer |
| 00:35:02 |
Scarlet. Look this way. |
| 00:35:07 |
Is this an...? |
| 00:35:10 |
Is it a new suit? |
| 00:35:12 |
This whole thing. |
| 00:35:14 |
Do you like it? |
| 00:35:22 |
Looks a little bit like a... |
| 00:35:24 |
Medieval suit of armor. |
| 00:35:27 |
Thank you. |
| 00:35:28 |
Welcome. |
| 00:35:31 |
I've got to figure out |
| 00:35:35 |
D.C. and Salt Lake. |
| 00:35:38 |
These are the last two cities where |
| 00:35:43 |
Lots of hypocrites. |
| 00:35:46 |
Good American family men. |
| 00:35:49 |
You can squeeze them. |
| 00:35:53 |
That's crazy. |
| 00:35:55 |
You do that for me? |
| 00:35:57 |
Yeah. |
| 00:35:59 |
Why? |
| 00:36:02 |
L.O.V.E. |
| 00:36:04 |
Love. |
| 00:36:07 |
It's normal. |
| 00:36:13 |
My first spelling lesson. |
| 00:36:17 |
No, thanks. |
| 00:36:19 |
Oh, I think I'll sit this one out. |
| 00:36:21 |
Chrissie, it's your turn. |
| 00:36:24 |
Ma'am? |
| 00:36:25 |
I'm thinking |
| 00:36:27 |
It's been proven. |
| 00:36:31 |
To dear departed friends. |
| 00:36:34 |
Here. |
| 00:36:40 |
All right, girls. |
| 00:36:41 |
Theories? |
| 00:36:44 |
I have one word Altimed. |
| 00:36:46 |
Kononsberg plumped for them |
| 00:36:49 |
Everybody took donations. |
| 00:36:52 |
Even Larry. |
| 00:36:53 |
No. He's investigating. |
| 00:36:56 |
The whole thing collapses. |
| 00:36:58 |
Biggest scandal |
| 00:37:00 |
And nobody cares. |
| 00:37:01 |
It's a lack of moral values. |
| 00:37:03 |
No. It's a wrack. |
| 00:37:04 |
A wrack turns everything. |
| 00:37:06 |
No water, please. |
| 00:37:09 |
Wasn't Robbie supposed to testify |
| 00:37:12 |
I don't think so. |
| 00:37:15 |
Thug villain. |
| 00:37:16 |
Chercher la femme. |
| 00:37:18 |
Abby thinks there |
| 00:37:20 |
Isn't there always? |
| 00:37:22 |
It could be just a robbery. |
| 00:37:23 |
No. |
| 00:37:24 |
Well, how about you, Carl? |
| 00:37:26 |
It's uncharacteristic of you to be so |
| 00:37:32 |
Well, a friend is murdered and I'm told |
| 00:37:36 |
Perhaps I am a suspect. |
| 00:37:38 |
Well, who thinks that? |
| 00:37:40 |
Mungo Tenant. |
| 00:37:41 |
How could anyone suspect you? |
| 00:37:43 |
They go with what they have. |
| 00:37:46 |
Tenant's an absolute botcher. |
| 00:37:49 |
He's ambitious. |
| 00:37:52 |
I heard that Robbie |
| 00:37:55 |
Define. |
| 00:37:56 |
Overextended, as in... |
| 00:37:58 |
His financial means couldn't |
| 00:38:03 |
Where did you hear this? |
| 00:38:04 |
Where do you ever hear |
| 00:38:06 |
Robbie would never |
| 00:38:08 |
Not where |
| 00:38:10 |
It's always about money. |
| 00:38:13 |
People say it's sex. |
| 00:38:15 |
But it's money. |
| 00:38:17 |
That's very |
| 00:38:21 |
Speaking of money... |
| 00:38:24 |
Did you know that Josh Milford wrote a |
| 00:38:29 |
...Al Smith vs. Herbert Hoover, 1928? |
| 00:38:36 |
You've seen |
| 00:38:39 |
Better days are on the way. |
| 00:38:41 |
Money will fall from blue skies. |
| 00:38:46 |
Oh, darling. |
| 00:38:48 |
So say goodbye to Herbert. |
| 00:38:50 |
And say hello to Al. |
| 00:38:56 |
And say hello to Al. |
| 00:38:59 |
Hello, Al. |
| 00:39:02 |
A year later |
| 00:39:04 |
I remember. |
| 00:39:07 |
But you were just a young slip of a girl then, |
| 00:39:15 |
Cut the shit. |
| 00:39:16 |
Oh, cut the cards. |
| 00:39:34 |
Thank you, Sir. |
| 00:39:35 |
Ma'am. |
| 00:40:11 |
Tenant called you? |
| 00:40:15 |
Yeah. |
| 00:40:16 |
What did you say? |
| 00:40:18 |
Last time I saw Robbie |
| 00:40:25 |
There is an informant. |
| 00:40:27 |
Somebody is telling Tenant that |
| 00:40:35 |
What did you tell Larry? |
| 00:40:38 |
Same thing I told Tenant. |
| 00:40:44 |
What would he do if you were |
| 00:40:47 |
He'd resign. |
| 00:40:52 |
How did I get in this? |
| 00:40:55 |
Is that what you're |
| 00:40:59 |
Never. |
| 00:41:01 |
I was thinking about you. |
| 00:41:06 |
Tenant is a baby sleaze |
| 00:41:10 |
Nail a star, become a star. |
| 00:41:12 |
It's how these |
| 00:41:16 |
A liberal star. |
| 00:41:17 |
Two liberal stars. Even better. |
| 00:41:19 |
I don't just |
| 00:41:22 |
Sorry. |
| 00:41:24 |
How come |
| 00:41:29 |
It was my |
| 00:41:32 |
Now it's mine. |
| 00:41:38 |
We had a fight. |
| 00:41:39 |
Robbie and me. |
| 00:41:43 |
Somebody could have |
| 00:41:49 |
He had a lot of anger in him. |
| 00:41:53 |
He said people have been treating him |
| 00:41:57 |
Why didn't you |
| 00:42:01 |
I didn't think it was important. |
| 00:42:07 |
And you saw |
| 00:42:14 |
I have been such a fool. |
| 00:42:22 |
You do care for me, |
| 00:42:31 |
Yes. |
| 00:42:32 |
I always have. |
| 00:42:47 |
There's something |
| 00:42:50 |
What? |
| 00:42:52 |
How do you survive |
| 00:42:57 |
Oh, I think about |
| 00:43:02 |
That, dear, is the most practical |
| 00:43:18 |
Kononsberg was |
| 00:43:20 |
Then two weeks later he |
| 00:43:23 |
So he had money. |
| 00:43:25 |
Two hundred thousand dollars |
| 00:43:31 |
Well, if you could have found this out |
| 00:43:35 |
I would imagine so. |
| 00:43:42 |
Carl. |
| 00:43:45 |
You asked me to |
| 00:43:48 |
Now I wanna ask you a favor. |
| 00:43:49 |
Of course. |
| 00:43:51 |
Don't drag me any |
| 00:44:25 |
I guess if it isn't offensive, |
| 00:44:30 |
Look. |
| 00:44:33 |
These are Robbie Kononsberg's |
| 00:44:36 |
How did you get these? |
| 00:44:38 |
Well, I know people, too. You know? |
| 00:44:40 |
There is this guy who used to work |
| 00:44:43 |
- You got these from him? |
| 00:44:45 |
That was someone else. |
| 00:44:48 |
He said... |
| 00:44:49 |
The night after the murder Tenant's at |
| 00:44:53 |
He's up and he's gone. |
| 00:44:55 |
And next Monday he comes up with |
| 00:45:00 |
Who'd he talked to? |
| 00:45:01 |
I'm working on it. But look... |
| 00:45:03 |
One number starts popping up the last |
| 00:45:06 |
One is for Jack Delorean's office |
| 00:45:12 |
Abby's husband. |
| 00:45:14 |
The old lion. |
| 00:45:16 |
You know what |
| 00:45:19 |
He never ran for office 'cause |
| 00:45:27 |
Oh, God. |
| 00:45:37 |
Hey, the...? |
| 00:45:38 |
The other thing? |
| 00:45:41 |
Have you thought about it? |
| 00:45:44 |
Is this really the |
| 00:45:46 |
I think it's a perfect time. |
| 00:45:48 |
You want me to help you get |
| 00:45:51 |
I have discretely inquired. |
| 00:45:54 |
Yeah, discretely. That's exactly the word |
| 00:45:57 |
Be realistic. |
| 00:45:59 |
Look at this stuff. |
| 00:46:01 |
Not exactly subtle. It's... |
| 00:46:03 |
Agitprop. |
| 00:46:09 |
I guess that means you haven't. |
| 00:46:11 |
I just don't wanna feel used. |
| 00:46:16 |
If you don't wanna |
| 00:46:20 |
Why are you |
| 00:46:36 |
This embassy used |
| 00:46:40 |
Supporting us in Iraq is the only |
| 00:46:46 |
Natalie. |
| 00:46:48 |
Oh, Jack. |
| 00:46:51 |
Lovely. Thank you. |
| 00:46:54 |
- Carl! |
| 00:46:58 |
Yeah. |
| 00:47:00 |
Look at her. |
| 00:47:02 |
Who? |
| 00:47:05 |
People think marrying |
| 00:47:09 |
Not true. |
| 00:47:10 |
I'm living proof. |
| 00:47:12 |
Marrying for money is the |
| 00:47:16 |
You don't get the money. |
| 00:47:18 |
You just get to look at it. |
| 00:47:20 |
She's just discovering that. |
| 00:47:23 |
Have you heard from Lynn? |
| 00:47:26 |
No. |
| 00:47:27 |
I haven't been able |
| 00:47:29 |
Oh. Perhaps that's best. |
| 00:47:34 |
Here I am. |
| 00:47:37 |
Seating can make or |
| 00:47:41 |
It's probably not a good time to get |
| 00:47:47 |
Which problems? |
| 00:47:49 |
Oh, Carl. |
| 00:47:51 |
Let me give you a piece of |
| 00:47:55 |
Never stand between |
| 00:48:00 |
And there you are. |
| 00:48:04 |
And between us... |
| 00:48:07 |
The sub-head of the |
| 00:48:11 |
Man couldn't find |
| 00:48:14 |
Natalie, I need to ask |
| 00:48:18 |
What might that be? |
| 00:48:19 |
Do you know why...? |
| 00:48:21 |
Robbie Kononsberg and Jack Delorean were |
| 00:48:27 |
Carl. |
| 00:48:28 |
I believe you've mistaken |
| 00:48:32 |
Natalie Van Miter, P.I. |
| 00:49:09 |
You follow basketball? |
| 00:49:13 |
Yeah, some. |
| 00:49:15 |
Were you a Michael Jordan fan? |
| 00:49:18 |
But I liked the team better |
| 00:49:23 |
Let's go over there. |
| 00:49:25 |
We can talk. |
| 00:49:29 |
Who did you work for? |
| 00:49:30 |
You know, some asshole in |
| 00:49:40 |
You live by your eyes, |
| 00:49:42 |
Stop and you |
| 00:49:44 |
Who are you gonna tell? |
| 00:49:45 |
Already fret? |
| 00:49:46 |
What do you want? |
| 00:49:48 |
Stop playing the detective |
| 00:49:51 |
And tell your friend that, too. |
| 00:49:53 |
Tell him to do the right thing. |
| 00:49:54 |
Got it, sand nigger? |
| 00:50:21 |
Do you know Mark Hoban? |
| 00:50:23 |
Of Grandel, Klein & Hoban? |
| 00:50:25 |
He's Lockner's lawyer. |
| 00:50:27 |
He came to see me. |
| 00:50:29 |
Our firms have a |
| 00:50:32 |
Hoban's firm has offered to |
| 00:50:37 |
Why would they do that? |
| 00:50:39 |
I didn't ask. |
| 00:50:41 |
Loyalty need not be dictated by financial |
| 00:50:48 |
Do you remember Susan McDougal? |
| 00:50:50 |
Two years in jail because |
| 00:50:54 |
Sounds like another era. |
| 00:50:56 |
It was. |
| 00:50:59 |
Excuse me |
| 00:51:04 |
Yes? |
| 00:51:08 |
What happened? |
| 00:51:15 |
Where are you? |
| 00:51:27 |
- Who is it? |
| 00:51:31 |
Step forward. |
| 00:51:32 |
Put it in the camera. |
| 00:51:39 |
Radley's from the gym. |
| 00:51:42 |
Thank you. |
| 00:51:45 |
How is he? |
| 00:51:47 |
Oh, he needs |
| 00:51:49 |
And should have an X-ray. |
| 00:51:50 |
Just to be safe. |
| 00:51:52 |
You can stay here? |
| 00:51:53 |
No I'm fine to go home. |
| 00:51:54 |
You got to stop this. |
| 00:51:58 |
Putting yourself in danger. |
| 00:52:05 |
Or else what? |
| 00:52:08 |
You're not going to |
| 00:52:12 |
This is not a joke. |
| 00:52:14 |
Listen. |
| 00:52:15 |
He said to tell you to stop. |
| 00:52:18 |
And do the right thing. |
| 00:52:22 |
Would you recognize him? |
| 00:52:26 |
Yeah, I would recognize him. |
| 00:52:32 |
Who were you talking to? |
| 00:52:37 |
Sorry. |
| 00:52:39 |
What were you |
| 00:52:43 |
Robbie's connection to Delorean. |
| 00:52:46 |
Now this guy was supposed |
| 00:52:49 |
Right? And he would tell me |
| 00:52:56 |
That pal was right. |
| 00:52:59 |
So what Lynn say |
| 00:53:07 |
Did you ask her? |
| 00:53:10 |
I didn't have the chance. |
| 00:53:12 |
What do you mean |
| 00:53:15 |
What has she |
| 00:53:18 |
Why are you trying |
| 00:53:20 |
It's not that simple. |
| 00:53:49 |
That's all right officer. |
| 00:53:51 |
It's his apartment. |
| 00:54:03 |
What's going on? |
| 00:54:04 |
We have a |
| 00:54:07 |
Am I under arrest? |
| 00:54:09 |
Not if you come in voluntarily. |
| 00:54:13 |
Nice apartment. |
| 00:54:22 |
Don't touch that. |
| 00:54:24 |
It's Detective, Mr. Page. |
| 00:54:27 |
Do you recognize these? |
| 00:54:29 |
No. |
| 00:54:32 |
Is this Kononsberg's |
| 00:54:35 |
Kononsberg has no money... |
| 00:54:38 |
Then suddenly he has money. |
| 00:54:42 |
Doesn't that seem like a legitimate |
| 00:54:46 |
More relevant than, say, |
| 00:54:51 |
You'll have to ask |
| 00:54:53 |
I thought this |
| 00:54:55 |
It is. |
| 00:54:57 |
Things aren't always |
| 00:55:00 |
You have the right to |
| 00:55:03 |
Anything you say |
| 00:55:04 |
Mungo you've kept my client |
| 00:55:08 |
I'm not sure you understand |
| 00:55:11 |
Possession |
| 00:55:13 |
Who told you it was stolen? |
| 00:55:15 |
Same person who |
| 00:55:17 |
You're saying he |
| 00:55:18 |
I have no idea how it came |
| 00:55:21 |
There's no crime here. |
| 00:55:25 |
I believe you're lying about the circumstances |
| 00:55:39 |
I wanna know why |
| 00:55:41 |
Why we've found a Zip disk from |
| 00:55:44 |
My computer doesn't even |
| 00:55:47 |
Zips are twentieth-century... |
| 00:55:49 |
We know Lynn Lockner |
| 00:55:54 |
So bring her in. |
| 00:55:55 |
She's not available. |
| 00:56:00 |
Where did she go? |
| 00:56:01 |
Palm Beach. |
| 00:56:04 |
Don't you think |
| 00:56:05 |
For you? Yes. |
| 00:56:07 |
If you brought her in, |
| 00:56:12 |
Assuming you are |
| 00:56:18 |
Carter Page. |
| 00:56:20 |
Carter Page, the turd. |
| 00:56:24 |
Mr. Withal. |
| 00:56:26 |
You should make it clear |
| 00:56:31 |
I believe he is aware of that. |
| 00:56:34 |
Ethan and I spoke earlier. |
| 00:56:38 |
Out of respect for your fatherI'm gonna recommend |
| 00:56:43 |
That'll give you time to |
| 00:56:48 |
In my experience... |
| 00:56:49 |
It's perjury that catches people out |
| 00:56:54 |
Not so much the deed itself. |
| 00:56:59 |
If you decide to cooperate... |
| 00:57:01 |
There're certain things |
| 00:57:05 |
You contact Ethan. |
| 00:57:07 |
Since you invoked my father's memory, |
| 00:57:12 |
If alive, he would regret ever inspiring a |
| 00:57:19 |
Carl. |
| 00:57:21 |
Shut up. |
| 00:57:27 |
Essentially he is giving you |
| 00:57:30 |
There was nothing |
| 00:57:32 |
Does Mungo just hate me, |
| 00:57:36 |
Or is he determined |
| 00:57:38 |
Or is it just plain |
| 00:57:42 |
Perhaps it's a |
| 00:57:46 |
What do you know |
| 00:57:48 |
I tried to reach her. |
| 00:57:51 |
- And? |
| 00:57:53 |
They've started a |
| 00:57:56 |
The bright-eyed little |
| 00:58:01 |
Lynn and Robbie |
| 00:58:03 |
Lynn having something |
| 00:58:05 |
And Lockner |
| 00:58:07 |
The press |
| 00:58:09 |
At certain point |
| 00:58:11 |
Whispering campaign itself |
| 00:58:14 |
I need to see Lockner. |
| 00:58:16 |
What makes you think |
| 00:58:18 |
Just contact him discreetly. |
| 00:58:23 |
It's wrong direction |
| 00:58:25 |
What do you suggest? |
| 00:58:28 |
Love yourself, Carl. |
| 00:58:30 |
You may think you've got friends |
| 00:58:33 |
Decide what's |
| 00:58:36 |
Then act upon it. |
| 00:58:54 |
Carl. |
| 00:58:55 |
I know. |
| 00:58:56 |
I'm just picking |
| 00:58:59 |
How do you |
| 00:59:01 |
Oh, you were gonna... |
| 00:59:03 |
Tell me that because of market uncertainties |
| 00:59:07 |
And I should take... What...? |
| 00:59:10 |
A leave? |
| 00:59:12 |
Well, yeah. |
| 00:59:15 |
I don't blame you, John. |
| 00:59:17 |
There won't |
| 01:00:09 |
Hello. |
| 01:00:11 |
Sunflower. |
| 01:00:12 |
Carl? Is that you? |
| 01:00:14 |
No. It's a ravishing young |
| 01:00:18 |
How are you Abigail. |
| 01:00:21 |
How are you? |
| 01:00:22 |
Isn't it terrible? |
| 01:00:24 |
What they're |
| 01:00:26 |
What who's trying to |
| 01:00:28 |
You know who. |
| 01:00:31 |
They're trying to ruin |
| 01:00:34 |
These are cruel times. |
| 01:00:36 |
In former days men caught lying |
| 01:00:41 |
Today they get a TV show. |
| 01:00:45 |
Did you just make that up |
| 01:00:47 |
I was saving in. For you. |
| 01:00:51 |
Let's have a lunch. |
| 01:00:52 |
We need a laugh. |
| 01:00:54 |
Jack is meeting |
| 01:00:56 |
His relatives are here. |
| 01:00:58 |
It's keeping me busy. |
| 01:01:01 |
I'll see you at |
| 01:01:03 |
Okay. |
| 01:01:05 |
Okay. Bye-bye, dear. |
| 01:01:13 |
Hear that, Lancelot? |
| 01:01:15 |
It's the sound of doors closing |
| 01:01:49 |
Carter? Hop in. |
| 01:01:56 |
Senator Lockner. |
| 01:01:58 |
Larry! |
| 01:02:00 |
Thanks for the offer, the |
| 01:02:02 |
What are you talking about? |
| 01:02:07 |
How is Lynn? |
| 01:02:08 |
She's fine. |
| 01:02:09 |
She went to visit her mother. |
| 01:02:12 |
Her mother's health is failing. |
| 01:02:16 |
How much do you know? |
| 01:02:19 |
About Lynn? |
| 01:02:23 |
I just know what Lynn told me. |
| 01:02:26 |
She and Robbie |
| 01:02:28 |
Nothing more. |
| 01:02:32 |
But... |
| 01:02:34 |
Kononsberg was a |
| 01:02:37 |
Your committee |
| 01:02:39 |
We were investigating. |
| 01:02:43 |
It's not my committee anymore. |
| 01:02:45 |
You would have liked |
| 01:02:47 |
Yes, but I won't mind |
| 01:02:50 |
The V.P.? |
| 01:02:52 |
Why? |
| 01:02:55 |
Just the same line. |
| 01:03:00 |
Lynn is afraid you'll resign |
| 01:03:04 |
I'm sure you must have |
| 01:03:06 |
No. That's not gonna happen. |
| 01:03:09 |
How do the rich get |
| 01:03:11 |
They scare them. |
| 01:03:14 |
- Under no circumstances am I stepping down. |
| 01:03:18 |
Lynn has an exaggerated notion of her |
| 01:03:31 |
Why are we meeting? |
| 01:03:35 |
I'm trying to decide what to do. |
| 01:03:38 |
On the one hand I'm disloyal. |
| 01:03:41 |
On the other... |
| 01:03:43 |
Dishonest. |
| 01:03:45 |
It's never easy. |
| 01:03:49 |
Look at the big picture. |
| 01:04:01 |
Hey, listen to this. |
| 01:04:04 |
Mungo Tenant. William and Mary |
| 01:04:09 |
First intern then partner in |
| 01:04:13 |
A firm originally founded |
| 01:04:16 |
And senior partner, the |
| 01:04:20 |
What are you doing? |
| 01:04:22 |
What? |
| 01:04:23 |
Are you still |
| 01:04:26 |
Only a little bit |
| 01:04:29 |
Just stop. |
| 01:04:32 |
I'm trying to help you. |
| 01:04:34 |
I don't want your help. |
| 01:04:42 |
Don't you see |
| 01:04:45 |
They got you on a railroad. |
| 01:04:47 |
And they're |
| 01:04:49 |
And you just... |
| 01:04:50 |
You just let it happen to you. |
| 01:04:54 |
You're gonna end up in jail. |
| 01:04:57 |
I can take care of myself. |
| 01:05:00 |
No, you can't. |
| 01:05:01 |
Anytime anything unpleasant happens, |
| 01:05:08 |
You know what? |
| 01:05:11 |
You should be |
| 01:05:19 |
He stood up. |
| 01:05:21 |
He wasn't afraid of scandals. |
| 01:05:25 |
He wasn't even afraid |
| 01:05:27 |
You're a paparazzi. |
| 01:05:29 |
You make your money |
| 01:05:32 |
You have no idea |
| 01:05:36 |
How it destroys people. |
| 01:05:40 |
And then what comes after. |
| 01:05:42 |
We move to New York. |
| 01:05:45 |
Buy a brownstone. |
| 01:05:48 |
Walk arm in arm around the village |
| 01:05:54 |
Why fucking not? |
| 01:05:55 |
It's ridiculous. |
| 01:05:58 |
It's normal. |
| 01:05:59 |
We're ridiculous. |
| 01:06:07 |
Okay. |
| 01:06:11 |
Okay! |
| 01:06:13 |
You know I've... |
| 01:06:15 |
I've stayed here only for you. |
| 01:06:19 |
I don't know why. |
| 01:06:28 |
I don't wanna lose you. |
| 01:06:35 |
God, I always thought ringing |
| 01:06:44 |
I thought you could change. |
| 01:06:48 |
Carter Page III. |
| 01:06:55 |
You'll never |
| 01:07:40 |
They say I bend over. |
| 01:07:43 |
You should |
| 01:07:46 |
That was a man who |
| 01:07:49 |
Carter Page II. |
| 01:07:54 |
The Watergate hearings' |
| 01:07:58 |
Every day someone comes |
| 01:08:01 |
Your father was a |
| 01:08:03 |
And I smile and say, |
| 01:08:08 |
He left Congress twenty times |
| 01:08:13 |
What does that tell you? |
| 01:08:15 |
He was a crook. |
| 01:08:16 |
A fraud. |
| 01:08:21 |
He was deeply shame to me. |
| 01:08:26 |
But he's dead now. |
| 01:08:29 |
Don't judge the dead. |
| 01:08:32 |
Why not? |
| 01:08:34 |
They judge us |
| 01:09:57 |
Well, I was going |
| 01:09:59 |
But I understand |
| 01:10:06 |
Well, well, well. |
| 01:10:10 |
I was wondering if you'd got |
| 01:10:13 |
It's Wednesday, isn't it? |
| 01:10:15 |
And you're ready to play? |
| 01:10:18 |
Yes. |
| 01:10:20 |
Looks like |
| 01:10:22 |
Canasta is not ideally a |
| 01:10:28 |
Carl. |
| 01:10:31 |
I love your nerve. |
| 01:10:34 |
How about a drink then? |
| 01:10:37 |
Why not? |
| 01:10:40 |
You look wonderful, Nat. |
| 01:10:42 |
I thank you. |
| 01:10:44 |
Henry, I'll have a Seabreeze. |
| 01:10:46 |
A vodka and tonic, please. |
| 01:10:48 |
Certainly, ma'am. |
| 01:10:49 |
We'll drink |
| 01:10:52 |
Oh, don't talk to me |
| 01:10:55 |
Memory is a |
| 01:10:58 |
Trust me, Carl. |
| 01:11:00 |
It's right up there |
| 01:11:05 |
There's something |
| 01:11:08 |
I thought of it last night |
| 01:11:13 |
Which actor portrayed |
| 01:11:19 |
Oh, you. |
| 01:11:23 |
Henry Fonda? |
| 01:11:24 |
No. Actual presidents. |
| 01:11:26 |
He played Lincoln, but in 'Fail-Safe' |
| 01:11:31 |
I don't know. |
| 01:11:33 |
Charlton Heston? |
| 01:11:35 |
Close. But only two. |
| 01:11:37 |
No. |
| 01:11:38 |
It was Rip Torn. |
| 01:11:40 |
He played Grant, Lyndon Johnson |
| 01:11:45 |
L.B.J. and Nixon amazing. |
| 01:11:48 |
Your drinks, Mr. Page. |
| 01:11:58 |
Don't let |
| 01:12:06 |
I have had some |
| 01:12:10 |
We all have. |
| 01:12:13 |
I thought we weren't an |
| 01:12:15 |
And I thought there was a |
| 01:12:19 |
Hell, I even thought that |
| 01:12:25 |
You know, Carl. |
| 01:12:29 |
You think you're a |
| 01:12:31 |
You're not |
| 01:12:35 |
Do you remember the question you asked |
| 01:12:39 |
Yeah. I apologize. |
| 01:12:44 |
Your friend, Robbie, |
| 01:12:46 |
Always follow the money. |
| 01:12:49 |
Sometimes it's oil. |
| 01:12:53 |
I think it's time you and Lynn |
| 01:12:56 |
I tried to reach her. |
| 01:12:58 |
She left town. |
| 01:13:03 |
Do you have |
| 01:13:09 |
A pen? Even better. |
| 01:13:12 |
You can be so naive. |
| 01:13:19 |
Now you |
| 01:13:23 |
Don't be so goddamn polite. |
| 01:13:29 |
Now... |
| 01:13:30 |
What were we talking about? |
| 01:13:33 |
Rip Torn. |
| 01:13:35 |
No. |
| 01:13:36 |
We were talking about your wanting |
| 01:13:41 |
In the end... |
| 01:13:42 |
All you have is your breeding. |
| 01:13:45 |
It's all that separates |
| 01:13:48 |
Breeding? |
| 01:13:51 |
My great grandfather got |
| 01:13:55 |
And when the Yankees took that away, |
| 01:14:02 |
I don't have any breeding. |
| 01:14:05 |
If your great grandfather |
| 01:14:08 |
He'd fit right in. |
| 01:14:49 |
Who is it? |
| 01:14:51 |
FedEx package. |
| 01:14:52 |
I'm not expecting any FedEx. |
| 01:14:55 |
Lynn, it's Carl. Open up. |
| 01:15:04 |
FedEx? |
| 01:15:05 |
That was lame. |
| 01:15:10 |
Jesus. |
| 01:15:12 |
What's going on? |
| 01:15:14 |
How did you find me? |
| 01:15:16 |
I did some checking. |
| 01:15:18 |
Oh, your friend |
| 01:15:21 |
Maybe I should move. |
| 01:15:23 |
Who are you afraid of? |
| 01:15:28 |
May I sit? |
| 01:15:30 |
Forgive me. |
| 01:15:32 |
Would you like some water? |
| 01:15:45 |
I left Larry. |
| 01:15:50 |
Does he know where |
| 01:15:51 |
No. |
| 01:15:54 |
Palm Beach. |
| 01:15:57 |
My mother has |
| 01:16:00 |
Out with it. |
| 01:16:03 |
I've been getting a lot of |
| 01:16:05 |
Let me give you some advice. |
| 01:16:11 |
Are you threatening me? |
| 01:16:12 |
Yes. |
| 01:16:16 |
Now, what was the deal |
| 01:16:22 |
You don't know what it's like. |
| 01:16:25 |
Think you do? |
| 01:16:28 |
You act as if it's awesome. |
| 01:16:32 |
I hate it. |
| 01:16:35 |
I'm not special. |
| 01:16:37 |
I just want what other women |
| 01:16:40 |
A husband. A marriage. |
| 01:16:44 |
There is no such thing |
| 01:16:47 |
They talk about it. |
| 01:16:49 |
They don't need women. |
| 01:16:53 |
And Robbie was different. |
| 01:17:02 |
I was gonna leave Larry. |
| 01:17:07 |
Robbie was making |
| 01:17:09 |
Abby said he was broke. |
| 01:17:11 |
He had money coming in. |
| 01:17:18 |
Now let's go real slow. |
| 01:17:22 |
He was gonna testify |
| 01:17:27 |
But he backed out. |
| 01:17:29 |
Why? |
| 01:17:30 |
He said why give away |
| 01:17:34 |
I said he was crazy, |
| 01:17:38 |
I was crazy, too. |
| 01:17:42 |
I'd go back to |
| 01:17:45 |
What did you see when |
| 01:17:51 |
What did Robbie know? |
| 01:17:54 |
He was expecting someone |
| 01:18:00 |
What did he have |
| 01:18:02 |
A computer disk? |
| 01:18:10 |
What was Robbie thinking? |
| 01:18:13 |
What was he doing with |
| 01:18:22 |
He was dead when I came in. |
| 01:18:25 |
The crouch came after |
| 01:18:29 |
It was an afterthought. |
| 01:18:32 |
He took something. |
| 01:18:35 |
What do you mean? |
| 01:18:37 |
The killer took something off Robbie. |
| 01:18:42 |
It wasn't explicit. But it was... |
| 01:18:46 |
Affectionate. |
| 01:18:51 |
That's sad, isn't it? |
| 01:18:56 |
That's how I got pulled into this. |
| 01:19:01 |
Oh, Robbie. |
| 01:19:03 |
Robbie, you fool. |
| 01:19:10 |
I loved him. |
| 01:19:13 |
What am I gonna do? |
| 01:19:21 |
Hallo? |
| 01:19:23 |
Carl, is that you? |
| 01:19:25 |
I missed you |
| 01:19:27 |
It was like Christmas |
| 01:19:32 |
There was something |
| 01:19:34 |
Robbie's murder... |
| 01:19:36 |
I was just going over it in my head |
| 01:19:40 |
He was blackmailing the |
| 01:19:43 |
That's crazy. |
| 01:19:44 |
Think about it. |
| 01:19:46 |
Robbie being tight for money. |
| 01:19:48 |
His involvement with the |
| 01:19:54 |
On the phone he said |
| 01:19:56 |
He said things were finally |
| 01:20:00 |
He couldn't be that stupid. |
| 01:20:03 |
I think he was. |
| 01:20:05 |
- Carter? |
| 01:20:07 |
Elvis is dead. |
| 01:20:09 |
Yeah. |
| 01:20:12 |
Did the fabric arrive yet? |
| 01:20:15 |
Yesterday. |
| 01:20:16 |
How does it look? |
| 01:20:18 |
We'll get together. |
| 01:20:21 |
Choose the day. |
| 01:20:23 |
Good night then. |
| 01:20:25 |
Good night, Sunflower. |
| 01:20:32 |
Well, Lancelot. |
| 01:20:34 |
Let's see what comes of that. |
| 01:21:08 |
What's it called? |
| 01:21:10 |
The kiss. |
| 01:21:11 |
Appropriate. |
| 01:21:15 |
I'm going back to my place |
| 01:21:18 |
I should come along? |
| 01:21:20 |
I thought you had that |
| 01:21:22 |
Premiere. |
| 01:21:24 |
And it's a good story. |
| 01:21:26 |
The daughter of a liberal black congressman |
| 01:21:31 |
And they run off and |
| 01:21:36 |
It all ends up in Disney World |
| 01:21:40 |
They all understand |
| 01:21:44 |
That sounds terrific. |
| 01:21:47 |
I'll see you later. |
| 01:22:15 |
Hey. |
| 01:22:21 |
Hey! |
| 01:22:27 |
Miss Page. |
| 01:22:30 |
I just want to talk. |
| 01:22:36 |
Hey. It was only a warning. |
| 01:23:23 |
Hey, motherfucker. |
| 01:23:45 |
Come on. |
| 01:23:49 |
Let's go. |
| 01:23:50 |
Do you have a phone? |
| 01:23:52 |
Call 911. |
| 01:23:55 |
Come on. Let's go. |
| 01:23:57 |
Wait. |
| 01:23:58 |
There's been an accident. |
| 01:24:00 |
He's badly injured. |
| 01:24:02 |
Let's go. |
| 01:24:08 |
Let's go! Sicked it is. |
| 01:24:12 |
Come on. |
| 01:24:14 |
Is that his ID? |
| 01:24:22 |
It took some |
| 01:24:25 |
Kononsberg, I mean. |
| 01:24:27 |
He blackmailed the |
| 01:24:30 |
Desperate men |
| 01:24:33 |
Stupid men do stupid things. |
| 01:24:39 |
Yeah. That's it. Right there. |
| 01:24:40 |
Over here? |
| 01:25:22 |
What are |
| 01:25:23 |
Abigail, my Sunflower. |
| 01:25:25 |
I need to see Jack. |
| 01:25:27 |
Is he expecting you? |
| 01:25:29 |
No. |
| 01:25:30 |
What's going on? |
| 01:25:32 |
Is Jack in his office? |
| 01:25:33 |
He does not like to be disturbed, Carter. |
| 01:25:36 |
Well, I'm gonna |
| 01:25:37 |
This is my friend Emek. |
| 01:25:39 |
Coffee? Diet Coke? |
| 01:25:41 |
Abby will take you in the kitchen |
| 01:25:44 |
While you're in there make sure |
| 01:25:46 |
Doesn't make |
| 01:25:47 |
I am gonna talk to him now. |
| 01:25:51 |
Jack does not like |
| 01:25:53 |
Don't worry about it. He will be fine, |
| 01:25:56 |
What the hell is it now? |
| 01:26:00 |
I'll call you right back. |
| 01:26:03 |
I need to talk to you. |
| 01:26:05 |
Call and make an appointment. |
| 01:26:08 |
Now will you please get |
| 01:26:14 |
His name's Edgar Comensky. |
| 01:26:16 |
Ex-Marine Corps. |
| 01:26:19 |
His last known employment was |
| 01:26:23 |
He also worked for you. |
| 01:26:26 |
No need to track him down. |
| 01:26:28 |
This photo was taken about |
| 01:26:33 |
It's criminal act to |
| 01:26:36 |
Call the cops. |
| 01:26:39 |
You what I think? |
| 01:26:40 |
I think Comensky was |
| 01:26:43 |
Worked for you. Found out about Lynn |
| 01:26:50 |
Pretty good guess. |
| 01:26:54 |
Sit. |
| 01:27:01 |
What do you want? |
| 01:27:04 |
You wanna get Tenant |
| 01:27:07 |
That would be good. |
| 01:27:10 |
That man is an asshole. |
| 01:27:13 |
Where did he |
| 01:27:15 |
I believe it's British. |
| 01:27:20 |
I'll do what I can. |
| 01:27:21 |
Lynn Lockner's as well. |
| 01:27:24 |
Have you talked |
| 01:27:27 |
Did he tell you that..? |
| 01:27:28 |
'This is a war. ' |
| 01:27:31 |
He likes to talk like that. |
| 01:27:33 |
Well, this little war is over. |
| 01:27:36 |
He lost. |
| 01:27:38 |
You lost. |
| 01:27:39 |
I wasn't a combatant. |
| 01:27:42 |
Sometimes we don't |
| 01:27:44 |
Listen, Carl. It's not personal. |
| 01:27:47 |
I like you. |
| 01:27:50 |
But you're on the |
| 01:27:53 |
People don't want your |
| 01:28:01 |
People want a story. |
| 01:28:05 |
A good American story. |
| 01:28:08 |
And maybe a murder story. |
| 01:28:10 |
One that you wrote. |
| 01:28:12 |
Me? |
| 01:28:14 |
Of course not. |
| 01:28:17 |
People think I have |
| 01:28:21 |
I don't. |
| 01:28:23 |
I'm not even elected. |
| 01:28:26 |
I'm just an old man. |
| 01:28:28 |
Has lot of old friends. |
| 01:28:31 |
I'm an old man that |
| 01:28:36 |
And Robbie's death. |
| 01:28:39 |
The cemeteries |
| 01:28:42 |
He was a criminal. |
| 01:28:44 |
He was involved in a |
| 01:28:45 |
And he met |
| 01:28:49 |
As for the opportunists... |
| 01:28:51 |
Like Attorney Tenant. |
| 01:28:54 |
Who try to exploit the |
| 01:28:59 |
They were on |
| 01:29:03 |
And they will get their due. |
| 01:29:07 |
It's time to move on. |
| 01:29:10 |
Lynn, to get back to her life. |
| 01:29:14 |
You did the right thing, Carl. |
| 01:29:17 |
So how I was forgotten? |
| 01:29:20 |
Nothing to remember. |
| 01:29:22 |
Whoever knows what |
| 01:29:26 |
I know. |
| 01:29:31 |
Well... Bully for you! |
| 01:29:33 |
Are we finished? |
| 01:29:36 |
Good. |
| 01:29:47 |
How did you get past Abby? |
| 01:29:49 |
How did she |
| 01:29:52 |
She is more interested |
| 01:29:56 |
Antiques Roadshow. |
| 01:29:58 |
Figures. |
| 01:30:01 |
Good-bye, Carl. |
| 01:30:04 |
Bye. |
| 01:30:18 |
So do you still feel comfortable staying |
| 01:30:22 |
Maybe we should look |
| 01:30:33 |
Ah, shit. |
| 01:30:36 |
We're speeding? |
| 01:30:39 |
Put your seatbelt on. |
| 01:30:46 |
All right. Just relax. |
| 01:31:00 |
Emek Yoglu? |
| 01:31:02 |
Please step outside |
| 01:31:04 |
Both of you. |
| 01:31:08 |
Turn around. |
| 01:31:10 |
Get your feet apart. |
| 01:31:11 |
Hands on top of |
| 01:31:15 |
Place your hands up |
| 01:31:19 |
You're under arrest |
| 01:31:21 |
Said Delorean |
| 01:31:23 |
I doubt he knows. |
| 01:31:31 |
Any additional charges? |
| 01:31:33 |
That's what we'll find out. |
| 01:31:36 |
Here. |
| 01:31:37 |
Emek, put that on. |
| 01:31:40 |
Mungo is putting on a |
| 01:31:42 |
It's called the 'Perp Lock'. |
| 01:31:44 |
It's a little |
| 01:31:46 |
Cameras, reporters... |
| 01:31:48 |
But a different jewelry. |
| 01:31:51 |
In all the years I've known you Ethan, |
| 01:32:00 |
Here's what. |
| 01:32:41 |
- How are you? |
| 01:32:44 |
Considering... |
| 01:32:46 |
There is a refreshing lack |
| 01:32:53 |
I've spoken to your attorney. |
| 01:32:55 |
We're gonna keep you till the morning |
| 01:33:00 |
And the search |
| 01:33:03 |
That would be Mr. Cominsky, |
| 01:33:07 |
He left some blood |
| 01:33:08 |
We have a DNA match. |
| 01:33:11 |
And Mungo Tenant? |
| 01:33:16 |
Attorney Tenant has |
| 01:33:21 |
I don't think |
| 01:33:24 |
Sorry about the publicity and everything. |
| 01:33:29 |
But it's all worked out. |
| 01:33:31 |
Yeah. |
| 01:33:50 |
Do you remember what I was telling you about |
| 01:33:57 |
It came through. |
| 01:34:01 |
Notoriety has |
| 01:34:04 |
They'll explode the headlines. |
| 01:34:09 |
Listen. |
| 01:34:11 |
I want you to come |
| 01:34:16 |
Let me think about it. |
| 01:34:25 |
See you in New York. |
| 01:34:30 |
Not for long. |
| 01:34:33 |
He said it was |
| 01:34:34 |
Oh, he wasn't asking |
| 01:34:37 |
No, I said... |
| 01:34:38 |
Don't start pulling on that string or the |
| 01:34:48 |
Knock-knock. |
| 01:34:52 |
Carl? |
| 01:34:56 |
We're trying to play. |
| 01:35:00 |
Don't worry I'm not staying. |
| 01:35:05 |
You're welcome to stay. |
| 01:35:08 |
Yes, please stay. |
| 01:35:26 |
Lynn. |
| 01:35:32 |
Excuse me. |
| 01:35:42 |
Congratulations. |
| 01:35:43 |
For what? |
| 01:35:44 |
I hear the happy couple, |
| 01:35:50 |
There is a |
| 01:35:52 |
We'll be there together |
| 01:35:54 |
Consort with the enemy. |
| 01:35:58 |
You have something for me? |
| 01:36:02 |
I didn't want you to |
| 01:36:04 |
Where this might be. |
| 01:36:08 |
Thank you. |
| 01:36:13 |
Why did you stand by me? |
| 01:36:16 |
You thought |
| 01:36:20 |
Of course not. |
| 01:36:22 |
Not even a little? |
| 01:36:26 |
Maybe a little. |
| 01:36:28 |
But after everything you |
| 01:36:31 |
You stood by me. Why? |
| 01:36:34 |
I spent my life without any |
| 01:36:40 |
I thought Robbie's |
| 01:36:42 |
That's not a mystery. |
| 01:36:45 |
One's own life. |
| 01:36:50 |
A grown man acting |
| 01:36:54 |
Trying to impress |
| 01:36:58 |
Now that's a mystery. |
| 01:37:03 |
Strange how things work out. |
| 01:37:08 |
Bye, Lynn. |
