Walled In
|
00:00:15 |
(ominous music playing) |
00:00:43 |
Dad. |
00:00:49 |
Dad. |
00:00:53 |
Dad! |
00:00:55 |
Daddy! |
00:00:57 |
Dad! |
00:01:00 |
(doors opening) |
00:01:05 |
(gasps) |
00:01:08 |
(screams) |
00:01:11 |
Dad! Dad! |
00:01:15 |
Dad! |
00:01:17 |
Dad! Daddy! |
00:01:21 |
Dad, help! |
00:01:23 |
Get me out |
00:01:25 |
(screaming) |
00:01:27 |
Dad! Daddy! |
00:01:32 |
Daddy! Daddy. |
00:01:35 |
Daddy! |
00:03:11 |
Woman: The laid-off factory worker |
00:03:14 |
in the Walled In Massacre, |
00:03:18 |
Sullivan has shown |
00:03:19 |
including a prior |
00:03:22 |
The building's architect |
00:03:25 |
is included |
00:03:36 |
Currently there are |
00:03:38 |
in the case |
00:03:55 |
- (indistinct conversations) |
00:04:04 |
(clamoring) |
00:04:07 |
- Woman: Happy birthday! |
00:04:10 |
Man: All right! |
00:04:14 |
I call corner piece! |
00:04:21 |
(blowing) |
00:04:25 |
(cheering) |
00:04:30 |
So, Professor, how effective |
00:04:33 |
Well, I thought |
00:04:35 |
how to build things, |
00:04:37 |
but whatever |
00:04:39 |
Should have known |
00:04:40 |
Sam's a Walczak |
00:04:48 |
Sam, come here. |
00:04:59 |
Incredible... |
00:05:00 |
to be the first Walczak |
00:05:09 |
Think fast. |
00:05:13 |
There's a gift in both, |
00:05:15 |
Dad, come on. |
00:05:16 |
That's not fair. |
00:05:18 |
Nobody said life was fair. |
00:05:25 |
You're 25 now. |
00:05:27 |
I'm offering you a deal. |
00:05:29 |
Your first demolition project |
00:05:32 |
And if you succeed, |
00:05:34 |
you are longer |
00:05:36 |
- You'll be my partner. |
00:05:39 |
Dad, this is really important |
00:05:42 |
Don't you wanna see |
00:05:49 |
For those, |
00:05:51 |
well, I got a little help |
00:05:54 |
Three weeks touring |
00:05:57 |
It's always been |
00:05:59 |
And they're for two. |
00:06:09 |
Sam: |
00:06:12 |
He'll track a deer for miles, |
00:06:14 |
totally quiet, |
00:06:18 |
And if his aim is dead on |
00:06:21 |
he says he gets the biggest rush |
00:06:25 |
That's how I feel |
00:06:28 |
studying blueprints, |
00:06:31 |
drawing up demo plans, |
00:06:37 |
That's all foreplay to me. |
00:06:51 |
Pete, are you jealous? |
00:06:54 |
Pete: Well, lucky for me, |
00:06:56 |
or I would be jealous. |
00:06:58 |
Sam: |
00:07:00 |
- Pete: It should be right there. |
00:07:05 |
People still live there, |
00:07:07 |
Yeah, according to your father. |
00:07:11 |
Here it is. |
00:07:14 |
- Hello. |
00:07:16 |
- Hello. |
00:08:23 |
Can I help you? |
00:08:25 |
Hi, I'm from Walczak, |
00:08:29 |
I wasn't expecting you |
00:08:35 |
Are you alone? |
00:08:36 |
Yeah, for now. |
00:08:42 |
Jimmy! |
00:08:48 |
I'm Mary Sutter. |
00:08:51 |
Did Mr. Collins tell you |
00:08:52 |
the nearest hotel |
00:08:55 |
Yeah, but it might be easier |
00:08:57 |
Oh, good. |
00:09:18 |
Where were you? |
00:09:20 |
Just playing |
00:09:22 |
Don't worry. |
00:09:24 |
This is the lady |
00:09:27 |
Already? |
00:09:29 |
So why don't you show her around, |
00:09:32 |
and set her up |
00:09:39 |
And be polite. |
00:09:49 |
Do you smoke? |
00:09:51 |
- Well, sometimes. |
00:09:53 |
Those are the rules. |
00:09:59 |
So this place is |
00:10:03 |
Yeah, Mom likes |
00:10:06 |
She's kind of crazy. |
00:10:14 |
Can we... |
00:10:23 |
The lights go off |
00:10:25 |
you know, |
00:10:28 |
If you spend a day in the halls, |
00:10:31 |
Oh, and never go |
00:10:35 |
- That's Malestrazza's floor. |
00:10:38 |
That's the only floor |
00:10:41 |
It's in the rules. |
00:10:45 |
Oh, and another rule... |
00:10:48 |
It's too dangerous. |
00:10:54 |
Here it is. |
00:10:55 |
Home sweet home. |
00:11:08 |
What do you think he'll say? |
00:11:11 |
- Sorry. |
00:11:14 |
When he finds out you've come |
00:11:21 |
Hello, Peter. |
00:11:25 |
I mean, imagine something |
00:11:27 |
in the middle |
00:11:30 |
Malestrazza was |
00:11:32 |
This building's amazing. |
00:11:34 |
It's like the Bates Motel, |
00:11:38 |
You know, |
00:11:40 |
he talks about Malestrazza |
00:11:43 |
hey, hello? |
00:11:46 |
(beep) |
00:12:06 |
(girl whispering) |
00:12:10 |
(gasps, coughs) |
00:12:24 |
(whirring) |
00:12:33 |
(indistinct voices) |
00:12:57 |
(tapping sound) |
00:13:10 |
(footsteps) |
00:13:18 |
Hello? |
00:13:20 |
- (gasps) |
00:13:22 |
I didn't realize |
00:13:24 |
Do you like red wine? |
00:13:30 |
I also brought some bread |
00:13:32 |
and some pasta, some tea. |
00:13:34 |
It's not much, |
00:13:37 |
Thanks, Miss Sutter. |
00:13:38 |
No, please, call me Mary. |
00:13:42 |
So how many people |
00:13:45 |
Only four. |
00:13:48 |
And this apartment? |
00:13:50 |
I'd offer to move you to another, |
00:13:53 |
- that hasn't been emptied. |
00:13:56 |
It's just the last tenants, |
00:13:59 |
Because no one |
00:14:07 |
Do you know the history |
00:14:09 |
No, why? |
00:14:11 |
Perhaps it's best |
00:14:17 |
Good night. |
00:14:22 |
Sam: |
00:14:24 |
demolition report |
00:14:27 |
Originally designed and constructed |
00:14:31 |
the building contains eight |
00:14:34 |
housing 120 residential units. |
00:14:57 |
(Christmas music playing) |
00:15:05 |
# Silent night # |
00:15:08 |
# Holy night # |
00:15:12 |
# All is calm # |
00:15:16 |
# All is bright # |
00:15:19 |
# Round yon virgin # |
00:15:23 |
# Mother and child # |
00:15:27 |
# Holy infant # |
00:15:30 |
# So tender and mild # |
00:15:34 |
# Sleep in # |
00:15:36 |
# Heavenly peace # |
00:15:43 |
# Sleep in # |
00:15:45 |
# Heavenly peace # |
00:15:58 |
- Morning. |
00:16:00 |
Sleep well? |
00:16:02 |
Yeah, it was very peaceful. |
00:16:08 |
You're a very pretty girl. |
00:16:11 |
Strange job you've chosen. |
00:16:12 |
So I hear constantly. |
00:16:15 |
And will you blow up |
00:16:18 |
No, I'm an engineer. |
00:16:19 |
I analyze the structure, |
00:16:22 |
examine the blueprints, |
00:16:25 |
type of explosives, |
00:16:27 |
then I pass on instructions |
00:16:30 |
Wow, that's quite a big job |
00:16:32 |
- for a young engineer. |
00:16:36 |
Oh, dear. |
00:16:39 |
Howard won't stop fighting |
00:16:42 |
Denise, I need to introduce you |
00:16:45 |
He's dead set |
00:16:47 |
Imagine, |
00:16:49 |
Listen to me. |
00:16:51 |
What eviction notice? |
00:16:53 |
We all have to leave. |
00:16:56 |
Oh, and who are you, miss? |
00:16:59 |
This is what I was trying to tell you. |
00:17:03 |
Not the most graceful girl, |
00:17:06 |
is she? |
00:17:17 |
Sam: To bring down a building, |
00:17:20 |
and gravity |
00:17:24 |
People are shocked to learn |
00:17:27 |
if you understand the building. |
00:17:31 |
Sometimes you'll get a structure |
00:17:33 |
beautifully designed, |
00:17:36 |
could last forever, |
00:17:38 |
and you know when |
00:17:40 |
that you're taking |
00:17:42 |
of people who have |
00:17:45 |
Well, buddy, |
00:17:49 |
The wall's 16 feet closer |
00:17:51 |
- (whimpers) |
00:18:20 |
(wind howling) |
00:19:11 |
- (cat yowls) |
00:19:39 |
Jimmy's voice: |
00:19:42 |
She's finally here, |
00:19:45 |
I watch her work, |
00:19:49 |
Her job is to blow things up. |
00:19:51 |
I'd love for her to show me |
00:19:55 |
And I could tell her the whole story |
00:19:57 |
At least what I want her |
00:20:01 |
She'd believe |
00:20:11 |
Sorry, no credit cards. |
00:20:14 |
Do you have internet? |
00:20:22 |
Sam: |
00:20:32 |
That little liar. |
00:21:04 |
Jimmy: |
00:21:11 |
- Hey, what's up? |
00:21:15 |
Shouldn't you be in school? |
00:21:17 |
No, I do correspondence courses. |
00:21:20 |
Don't you have any friends? |
00:21:21 |
Yeah, I've got one |
00:21:30 |
There used to be a lot more |
00:21:33 |
but most of them |
00:21:35 |
When the factory closed, |
00:21:38 |
This is all that's left. |
00:21:45 |
Well, you really know how |
00:21:50 |
You know, I know |
00:21:53 |
You don't know anything. |
00:21:55 |
I know Malestrazza was killed. |
00:21:58 |
And I know |
00:22:00 |
And you told me he was living |
00:22:03 |
Why did you lie to me? |
00:22:05 |
I tell stories. |
00:22:07 |
You lied when you said it was |
00:22:09 |
Why? Did you go? |
00:22:19 |
Listen, tonight, |
00:22:23 |
We can visit |
00:22:25 |
We'll see if I'm a liar or not. |
00:22:30 |
Okay, we'll see. |
00:22:34 |
- It's funny. |
00:22:37 |
You dress like a guy |
00:22:40 |
Guys do? |
00:22:43 |
You're a dyke, aren't you? |
00:22:46 |
Well, you get straight |
00:22:48 |
I'm just curious. |
00:22:50 |
Why are you in the closet? |
00:22:52 |
Ashamed? |
00:22:53 |
No, and I'm not a dyke. |
00:22:59 |
Well, that's a relief. |
00:23:06 |
- What did you tell her? |
00:23:10 |
I said, |
00:23:31 |
Just don't go anywhere |
00:23:40 |
I love you, you know? |
00:23:52 |
She can never take care |
00:24:04 |
(indie rock playing) |
00:24:32 |
- What's wrong? Y'all need any help? |
00:24:35 |
It'll go faster this way. |
00:24:38 |
For you it's a job. |
00:24:41 |
For us it's our lives. |
00:24:46 |
Never forget that. |
00:24:59 |
Did somebody knock? |
00:25:03 |
Howard Carter, |
00:25:06 |
Sit, please. |
00:25:09 |
And make yourself at home. |
00:25:16 |
So how are you enjoying |
00:25:20 |
It's lively. |
00:25:26 |
You must really love reading. |
00:25:28 |
There are exactly 2,301 books |
00:25:31 |
on those shelves. |
00:25:45 |
(teapot whistling) |
00:25:56 |
Here we are. |
00:26:01 |
Sugar? |
00:26:03 |
One, please. |
00:26:06 |
Yes... |
00:26:08 |
he was a very |
00:26:11 |
I've heard. |
00:26:13 |
But the murders... |
00:26:15 |
weren't you scared, too? |
00:26:16 |
Well, at the time |
00:26:20 |
I lived here alone |
00:26:24 |
Do you want to know why? |
00:26:27 |
Because I'm a good person. |
00:26:33 |
Are you a good person, |
00:27:01 |
"It was believed |
00:27:03 |
could be imprinted |
00:27:08 |
Fear and death were considered |
00:27:10 |
to be the most powerful elements |
00:27:14 |
The Egyptians practiced this |
00:27:16 |
by immuring |
00:27:22 |
(knock on door) |
00:27:27 |
Ready for our little trip? |
00:27:32 |
Malestrazza was a sort of |
00:27:35 |
He didn't work for money. |
00:27:38 |
Really secretive too. Never let anyone |
00:27:41 |
How do you know so much? |
00:27:44 |
- I was born here. |
00:27:46 |
I read things, |
00:27:48 |
and I stole some books |
00:27:51 |
Oh, yeah? Me too. |
00:27:53 |
Which ones? |
00:27:55 |
"Primitive Beliefs |
00:27:58 |
Interesting. |
00:27:59 |
I know. |
00:28:02 |
he could have built |
00:28:04 |
(chuckles) |
00:28:06 |
there used to be a tenant |
00:28:08 |
who worked at the factory. |
00:28:10 |
One day he got fired |
00:28:13 |
about a prior rape conviction. |
00:28:15 |
That was enough |
00:28:17 |
So the tenants |
00:28:19 |
but when they came |
00:28:21 |
he was gone |
00:28:23 |
No blood, |
00:28:25 |
nothing. |
00:28:28 |
Rumors were going around |
00:28:30 |
was using secret passages, |
00:28:32 |
that the mirrors |
00:28:35 |
The tenants were terrified, |
00:28:37 |
and the disappearances |
00:28:40 |
Always mysterious. |
00:28:43 |
This is it. |
00:28:45 |
Malestrazza's... where they found |
00:28:49 |
and maybe even where his ghost |
00:28:52 |
No one could ever accuse you |
00:28:58 |
And they wouldn't have found anything |
00:29:02 |
Oh, yeah, |
00:29:04 |
He kidnapped |
00:29:07 |
Julie. |
00:29:09 |
Wait. Not the little girl |
00:29:13 |
Jimmy: What he didn't know |
00:29:15 |
just got her a puppy. |
00:29:18 |
Smart little dog. |
00:29:20 |
- (barking) |
00:29:24 |
Yep, and when the cops |
00:29:29 |
The dog ran in |
00:29:31 |
And? |
00:29:34 |
And we follow the dog. |
00:29:41 |
(barking) |
00:29:49 |
Stay close |
00:29:51 |
It's a real maze in here. |
00:29:56 |
Malestrazza didn't have |
00:30:00 |
He lived like a monk. |
00:30:10 |
Watch your step. |
00:30:15 |
(barking) |
00:30:21 |
This is where they found Julie. |
00:30:23 |
Sam: My God. |
00:30:26 |
(dog growls) |
00:30:32 |
That's where they found |
00:30:34 |
His face was almost ripped off |
00:30:36 |
My mom was the one |
00:30:38 |
Mary? Why? |
00:30:42 |
She knew him well, |
00:30:44 |
The cops found 16 bodies |
00:30:47 |
but I'm sure there was more. |
00:30:49 |
Has to be. |
00:30:59 |
That's where they found my dad. |
00:31:07 |
Mom was there |
00:31:10 |
She was pregnant |
00:31:13 |
They say she hasn't |
00:31:15 |
(barks) |
00:31:17 |
Shut up! Wait outside! |
00:31:19 |
Go! |
00:31:24 |
Jimmy, I'm sorry. |
00:31:27 |
Why? |
00:31:29 |
'Cause I lost my mom |
00:31:31 |
I know how it feels. |
00:31:33 |
- Oh, yeah? |
00:31:37 |
So what did Malestrazza |
00:31:39 |
- You'll see. |
00:31:50 |
- Shit! |
00:31:52 |
No, nothing. |
00:31:55 |
It's a drawing. |
00:31:58 |
Told you you'd meet him. |
00:32:00 |
It's Malestrazza. |
00:32:02 |
Maybe his spirit never left, |
00:32:04 |
and he's hiding |
00:32:06 |
Very funny. |
00:32:09 |
Hey, come here! |
00:32:11 |
Jimmy! Cut it out. |
00:32:15 |
(screams) |
00:32:16 |
Who is it? |
00:32:20 |
Jimmy! |
00:32:23 |
Who are you? |
00:32:45 |
(distant screaming) |
00:32:57 |
No, no, come on. |
00:33:03 |
No, come on. |
00:33:07 |
Don't do this. Shit! |
00:33:12 |
Jimmy: |
00:33:14 |
Jimmy! |
00:33:17 |
Where are you? |
00:33:23 |
Jimmy? |
00:33:26 |
Jimmy! |
00:33:28 |
Jimmy! |
00:33:30 |
- Girl: Samantha! |
00:33:33 |
Jimmy, where are you? |
00:33:35 |
Girl: |
00:33:37 |
# He's coming for you # |
00:33:40 |
# Three, four, |
00:33:43 |
- Jimmy! |
00:33:47 |
# Seven, eight # |
00:33:49 |
# You're too late... # |
00:33:51 |
- What do you want? |
00:33:53 |
# He'll wall you in. # |
00:33:59 |
Sam, it's me. |
00:34:02 |
Where were you? |
00:34:05 |
Follow me. |
00:34:06 |
Come on, hurry up. |
00:34:10 |
Come on. |
00:34:14 |
(crying) |
00:34:27 |
It's okay. |
00:34:38 |
I'm losing my mind, |
00:34:41 |
I'm hearing voices. |
00:34:52 |
Show me your knee. |
00:34:55 |
I'm fine. |
00:34:58 |
Come on. |
00:35:00 |
It's my fault you fell. |
00:35:16 |
(winces) |
00:35:27 |
(winces) |
00:35:31 |
Is that better? |
00:35:42 |
You look even prettier |
00:35:45 |
You should keep your hair down |
00:36:17 |
Jimmy. |
00:36:21 |
What are you doing? |
00:36:47 |
What do you want from me? |
00:36:52 |
Poor girl. |
00:37:11 |
(rattling) |
00:37:56 |
(gasping) |
00:38:00 |
(screaming) |
00:38:12 |
Girl: |
00:38:14 |
You're our savior. |
00:38:24 |
Help! Help! |
00:38:27 |
Help! |
00:38:29 |
Help me! |
00:38:31 |
Somebody, help! |
00:38:34 |
Help! |
00:38:36 |
Let me out of here! |
00:38:38 |
(screaming) |
00:38:45 |
(panting) |
00:39:04 |
(banging sound) |
00:39:59 |
(screams) |
00:40:00 |
- Hey. |
00:40:04 |
You didn't think you could |
00:40:06 |
- Did you do that? |
00:40:09 |
That? No. |
00:40:11 |
Look, you shouldn't leave |
00:40:14 |
Mr. Burnett, open up. |
00:40:19 |
Listen, there's no use |
00:40:26 |
How can I help you? |
00:40:27 |
Did you have fun last night |
00:40:29 |
in Malestrazza's apartment? |
00:40:33 |
(labored breathing) |
00:40:37 |
Trying to scare Jimmy and me |
00:40:41 |
Burnett: Jimmy... |
00:40:42 |
interesting kid. |
00:40:45 |
You think I scare Jimmy? |
00:40:48 |
(coughs) |
00:40:50 |
The government ordered |
00:40:53 |
There's nothing anyone |
00:40:54 |
There's no point |
00:41:00 |
He gave that to you? |
00:41:01 |
Burnett: Little souvenir. |
00:41:03 |
He offered me |
00:41:06 |
the day he learned |
00:41:10 |
how shitty my |
00:41:14 |
So did you live here |
00:41:17 |
The cops thought |
00:41:19 |
I did two months' time |
00:41:21 |
because of my good looks. |
00:41:23 |
I was the perfect suspect. |
00:41:28 |
Leave me alone. |
00:41:36 |
Why's he still here? |
00:41:38 |
Maybe he doesn't have |
00:41:41 |
Huh. Well, let's go check out |
00:41:44 |
- You a fan of his? |
00:41:46 |
I haven't decided. |
00:42:13 |
He's growing up so fast, |
00:42:17 |
reads everything |
00:42:20 |
So full of stories. |
00:42:23 |
He gets his temper from me, |
00:42:25 |
but I understand. |
00:42:28 |
He's lonely. |
00:42:31 |
But soon he'll be free of this. |
00:42:37 |
We all will. |
00:42:39 |
Then you'll have peace... |
00:42:44 |
just like I promised. |
00:43:13 |
- That was close. |
00:43:17 |
- (metal clanking) |
00:43:20 |
Mary! |
00:43:28 |
(knock on door) |
00:43:32 |
So you're the legend. |
00:43:34 |
Sam: Find anything? |
00:43:36 |
Like a secret passage? |
00:43:56 |
You gotta be kidding me. |
00:44:04 |
Sam: Jesus, this was definitely not |
00:44:07 |
Pete: Should we climb down? |
00:44:09 |
Sam: Beats spending |
00:44:18 |
Be careful, Sam. |
00:44:34 |
Sam: I can't believe it. |
00:44:36 |
The little shit. |
00:44:39 |
He's been watching me |
00:44:43 |
You all right? |
00:45:07 |
- Look. |
00:45:30 |
(gasps) |
00:45:40 |
Okay, let's get out of here. |
00:45:43 |
(screaming) |
00:45:48 |
Is going through |
00:45:50 |
of your job description? |
00:45:55 |
It was the dog's fault. |
00:45:56 |
I threw him his ball |
00:45:58 |
and he hit the switch |
00:46:00 |
That's how I found the passage. |
00:46:02 |
You were watching me |
00:46:07 |
And you were in on it with Burnett |
00:46:14 |
We'll deal with this later. |
00:46:33 |
Sam: |
00:46:35 |
Yes. |
00:46:37 |
He was a writer. |
00:46:39 |
Malestrazza offered us this place |
00:46:45 |
He said there's nowhere |
00:46:49 |
He was right. |
00:46:50 |
Sam: Forgive me for being |
00:46:53 |
but why did you stay? |
00:46:55 |
Most tenants left. |
00:46:57 |
A few stayed 'cause they had |
00:47:00 |
It's better here for us. |
00:47:03 |
Close to your husband? |
00:47:05 |
But part of me |
00:47:08 |
and it's better for Jimmy. |
00:47:10 |
The spirit of his father |
00:47:12 |
I took the caretaker's job |
00:47:15 |
just to be around him. |
00:47:17 |
Malestrazza thought |
00:47:22 |
Probably would have. |
00:47:26 |
You're our savior, Sam. |
00:47:30 |
In a few days, |
00:47:35 |
Not even a headstone. |
00:48:06 |
Pete: Look, I do know |
00:48:09 |
and things are really crazy, |
00:48:11 |
but there's one way |
00:48:13 |
Let's take the trip. |
00:48:15 |
Now we could go tomorrow. |
00:48:19 |
You need to get out |
00:48:26 |
(sighs) |
00:48:30 |
Sweetheart. |
00:48:33 |
- Okay? |
00:49:02 |
(loud bang) |
00:49:07 |
(panting) |
00:49:16 |
(panting continues) |
00:49:25 |
What? |
00:49:28 |
Nothing. |
00:49:30 |
Shh. |
00:50:07 |
(gasps) |
00:50:23 |
(electricity crackling) |
00:50:32 |
(screams) |
00:50:41 |
It's probably Jimmy. |
00:50:44 |
- Why would he do that? |
00:50:57 |
Knew him my whole life. |
00:51:01 |
Jimmy, did you do this? |
00:51:04 |
- Do you really mean that? |
00:51:06 |
What difference |
00:51:08 |
My only friend is dead, |
00:51:11 |
You're just gonna leave |
00:51:14 |
It's okay. We're used |
00:51:17 |
Listen, I'm not gonna forget |
00:51:19 |
You don't give a shit about me. |
00:51:22 |
No, you're not. |
00:51:24 |
Prove it. |
00:51:30 |
Sam: " The building is vulnerable |
00:51:33 |
Suggested volume |
00:51:35 |
600kg of TNT |
00:51:38 |
at the preset rupture points. |
00:51:40 |
Your very truly, |
00:51:52 |
Finished? |
00:51:59 |
I don't know. |
00:52:02 |
The blueprints are wrong. |
00:52:04 |
I mean, nothing corresponds. |
00:52:06 |
Okay, look, |
00:52:08 |
I find this place as fascinating |
00:52:11 |
but waking up with a dead dog |
00:52:14 |
makes me think |
00:52:22 |
(knock on door) |
00:52:27 |
- Hey. |
00:52:30 |
I wanted to apologize |
00:52:33 |
and all the other stuff I did. |
00:52:37 |
Don't worry about it. |
00:52:41 |
Pete: Hi, Jimmy. |
00:52:43 |
Sorry about your dog. |
00:52:48 |
For you. |
00:52:52 |
I stole it from Denise's place. |
00:52:54 |
To tell you the truth, |
00:52:57 |
Thought you'd might want it. |
00:53:06 |
Is this what I think it is? |
00:53:08 |
Handwritten |
00:53:09 |
There's everything |
00:53:11 |
his theories, |
00:53:14 |
Check out the drawings. |
00:53:24 |
No wonder the blueprints |
00:53:27 |
There's so much space |
00:53:29 |
Of course. |
00:53:33 |
Of course. |
00:53:36 |
Malestrazza was inspired |
00:53:39 |
(panting) His apartment |
00:53:44 |
and the basement |
00:53:45 |
Do you think we'll find |
00:53:48 |
'Cause if it's like the pyramids, |
00:53:50 |
then there has |
00:53:52 |
Which would make sense |
00:53:54 |
(grunts) The Egyptians |
00:53:57 |
that sunlight could |
00:54:00 |
So there's gotta be some sort |
00:54:04 |
if it exists. |
00:54:06 |
I'll go look. |
00:54:16 |
Look, I don't trust that kid. |
00:54:18 |
Jimmy. Jimmy! |
00:54:26 |
Sure he came up here? |
00:54:47 |
He knew about it all along. |
00:54:49 |
Okay, come on. |
00:54:52 |
Jimmy: |
00:54:54 |
Jimmy. |
00:54:57 |
- Jimmy! |
00:55:00 |
- Shit |
00:55:01 |
I think I broke my leg. |
00:55:04 |
Hold on, we're coming. |
00:55:07 |
Okay, I'm gonna go down. |
00:55:10 |
- Okay. |
00:55:13 |
- I'm bleeding. |
00:55:16 |
- Good? |
00:55:18 |
No no, wait. I'm not gonna be able |
00:55:22 |
Shit. |
00:55:23 |
- I'll go down. |
00:55:27 |
- Jimmy: Sam. |
00:55:29 |
Come on, it's the only way. |
00:55:33 |
- Good? |
00:55:40 |
You okay? |
00:56:22 |
(scraping sound) |
00:56:32 |
(screams) No! |
00:56:40 |
No! |
00:56:50 |
(screams) No! |
00:56:57 |
(Sam whimpers) |
00:56:59 |
(grunting) |
00:57:02 |
(panting) |
00:57:22 |
Peter? |
00:57:34 |
Who are you? |
00:57:38 |
Man: I think you know |
00:57:41 |
Sam: Malestrazza? |
00:57:44 |
But you're supposed |
00:57:47 |
Man: |
00:57:50 |
just got a little bit nicer. |
00:57:53 |
Sam: |
00:57:55 |
Answer me! |
00:57:58 |
Jimmy: |
00:58:01 |
- (sound of tape rewinding) |
00:58:03 |
Jimmy: |
00:58:55 |
Sam: Where's Peter? |
00:59:02 |
Sam: |
00:59:43 |
Jimmy: " Dear Sam, I love you |
00:59:46 |
You'll have to live |
00:59:49 |
but don't worry, |
00:59:52 |
He won't hurt you |
00:59:54 |
If not, I'll kill you, |
00:59:56 |
just like my best friend. |
00:59:59 |
I'll teach you how to love me. |
01:00:05 |
Jimmy! |
01:00:07 |
No. |
01:00:10 |
Jimmy, come back! |
01:00:14 |
Jimmy! |
01:00:23 |
Mary: |
01:00:29 |
He will suffer. |
01:00:31 |
I promise. |
01:02:05 |
Where's Peter? |
01:02:08 |
Please tell me |
01:02:27 |
One for every soul. |
01:02:52 |
Do you really think |
01:02:56 |
could have orchestrated |
01:02:58 |
those deaths? |
01:03:10 |
Jimmy! |
01:03:12 |
Jimmy, |
01:03:14 |
Now! |
01:03:30 |
(classical music playing) |
01:03:35 |
This can't be real. |
01:03:40 |
This can't be real. |
01:03:42 |
It's really quite simple. |
01:03:44 |
The boy gives us an order |
01:03:47 |
If not, he'll make sure |
01:03:50 |
He has a lot of imagination. |
01:03:53 |
I want you to dance, |
01:04:04 |
(classical music continuing) |
01:04:19 |
- Now kiss! |
01:04:21 |
- I wanna see how you kiss, Sam. |
01:04:35 |
Stop. |
01:04:38 |
Enough. |
01:04:43 |
(sobs) |
01:04:50 |
Nice show, |
01:04:52 |
but don't touch her again |
01:05:00 |
Jimmy, Jimmy, |
01:05:02 |
You can't leave me |
01:05:05 |
Of course I can. |
01:05:08 |
I'll leave the trapdoor open |
01:05:11 |
you'll think of me. |
01:05:13 |
Keep the walkie on |
01:05:15 |
I'll check in on you soon. |
01:05:22 |
How do I get out of here? |
01:05:44 |
Wait, is the garbage room |
01:06:24 |
- Mom. |
01:06:28 |
Can I talk to you |
01:06:30 |
Sure. |
01:06:32 |
What? |
01:06:36 |
How do you know |
01:06:44 |
That girl really had |
01:06:47 |
Tell me. |
01:06:51 |
When you're willing to sacrifice |
01:06:57 |
There's no great love |
01:06:59 |
Do you love me? |
01:07:02 |
Of course. |
01:07:04 |
Then why did you sacrifice me |
01:07:28 |
(static hisses) |
01:07:31 |
Jimmy, can you hear me? |
01:07:37 |
Sam: Talk to me. |
01:07:42 |
I'm hurt, Jimmy. |
01:07:45 |
My ankle's really swollen. |
01:07:48 |
I need a doctor |
01:07:50 |
or at least medicine. |
01:07:52 |
Please. |
01:07:54 |
I know there's some ether |
01:07:56 |
and rubbing alcohol |
01:07:58 |
in my medicine cabinet. |
01:08:00 |
Please, Jimmy, I'm in pain. |
01:08:02 |
Remember the other night |
01:08:06 |
when you bandaged my knee? |
01:08:08 |
That was great. |
01:08:09 |
I loved it. |
01:08:11 |
You took really good care |
01:08:14 |
You know, |
01:08:17 |
I could give you |
01:08:19 |
Do you wanna know |
01:08:24 |
Okay. |
01:08:39 |
Jimmy, |
01:09:06 |
- (thunder crashing) |
01:10:07 |
(crying) |
01:10:09 |
(wailing) |
01:10:32 |
(thunder crashing) |
01:11:04 |
Do you feel guilty? |
01:11:08 |
He came here for you. |
01:11:16 |
Your wall has finished drying. |
01:11:23 |
5,106 days |
01:11:26 |
I've been trapped here |
01:11:28 |
since the day the police arrived |
01:11:31 |
and everything was ruined. |
01:11:37 |
Three weeks |
01:11:39 |
I discovered my only means |
01:11:44 |
It was Mary. |
01:11:50 |
She found me out. |
01:11:52 |
Mary fooled everybody. |
01:11:55 |
She got to Sullivan's body |
01:11:57 |
and exchanged |
01:12:00 |
Put my ring on him |
01:12:02 |
so the silly police |
01:12:05 |
and I was dead... |
01:12:08 |
But here I am, |
01:12:14 |
That won't work. |
01:12:16 |
When you finally accept |
01:12:19 |
you're trapped here |
01:12:23 |
we can progress |
01:12:25 |
to a solution. |
01:12:50 |
- Come on! |
01:12:55 |
What was that? |
01:12:57 |
Sounds like the pipes. |
01:13:00 |
No, it sounded |
01:13:02 |
It's the pipes. |
01:13:05 |
Jimmy. |
01:13:07 |
(coughs) |
01:13:13 |
Help. |
01:13:14 |
The Lighthouse |
01:13:16 |
the Temple of Artemis |
01:13:18 |
Gardens of Babylon, |
01:13:20 |
the Colossus of Rhodes |
01:13:23 |
The Seven Wonders |
01:13:25 |
burned, all except |
01:13:29 |
and my buildings. |
01:13:35 |
Because both |
01:13:37 |
immured human beings |
01:13:40 |
- Jimmy? |
01:13:43 |
The world found its light |
01:13:45 |
only through the birth pains |
01:13:48 |
Suffering |
01:13:52 |
and death is the midwife |
01:13:55 |
to eternal existence. |
01:13:56 |
You're completely insane. |
01:13:59 |
Would you like |
01:14:02 |
Samantha? |
01:14:09 |
Eternal. |
01:14:14 |
You've made a big mistake |
01:14:16 |
a big one. |
01:14:19 |
No more water, |
01:14:22 |
You can think better |
01:14:26 |
Jimmy, |
01:14:29 |
what's going on? |
01:14:36 |
Mary, Mary, |
01:14:38 |
get me out of here! |
01:14:41 |
Mary! |
01:14:43 |
Please. |
01:14:45 |
No! Please. |
01:14:49 |
Mary, please! |
01:15:00 |
(yells) |
01:15:03 |
Do you realize |
01:15:06 |
What were you thinking |
01:15:08 |
Do you want me to go to jail |
01:15:12 |
Is that what you want? |
01:15:14 |
Jimmy! |
01:15:18 |
What were you thinking? |
01:15:22 |
All those lives. |
01:15:27 |
All those lives. |
01:15:32 |
This was for them. |
01:15:36 |
Not you. |
01:15:57 |
Jimmy. |
01:16:02 |
I know you're there. |
01:16:04 |
Talk to me. |
01:16:12 |
Jimmy: Would you sacrifice |
01:16:18 |
Sam: |
01:16:21 |
Jimmy: |
01:16:23 |
Sam: |
01:16:25 |
I'll sacrifice everything... |
01:16:32 |
everything |
01:16:36 |
Because if I die, |
01:16:37 |
then we'll never get |
01:16:41 |
I'll be gone forever. |
01:16:45 |
I'll just be a ghost, |
01:16:47 |
a ghost that'll haunt |
01:16:51 |
every single dream you have. |
01:16:53 |
When you wake up, |
01:16:55 |
next to you |
01:16:57 |
The one |
01:16:59 |
of anyone is you, Jimmy. |
01:17:04 |
If I'm gonna learn |
01:17:06 |
you have to let me live. |
01:17:13 |
It's too late. |
01:17:20 |
Trust me. |
01:17:26 |
They already think |
01:17:29 |
that it was only |
01:17:36 |
It's your choice, Jimmy. |
01:17:42 |
- (static hissing) |
01:17:46 |
Can you hear me? |
01:17:49 |
If you wanna keep |
01:17:52 |
Well, what about Sam? |
01:17:53 |
You should have thought |
01:17:57 |
We can't just leave her. |
01:17:59 |
Oh, yes, we absolutely can. |
01:18:01 |
We can't let her out now. |
01:18:10 |
That girl doesn't care |
01:18:14 |
and you know that. |
01:18:18 |
I hope you know |
01:18:33 |
This building's alive. |
01:18:35 |
It has its own arteries, |
01:18:37 |
its own blood supply. |
01:18:40 |
Just like you. |
01:18:42 |
All that's missing is a soul. |
01:18:46 |
Mary: I don't know. |
01:18:48 |
She left in quite a hurry |
01:18:50 |
Man: Peter was gonna surprise her |
01:18:52 |
on the trip she got |
01:18:53 |
Still, you think she would |
01:18:55 |
Too bad she's gonna miss |
01:19:35 |
We'll be fine, ma'am. |
01:19:43 |
Help! |
01:19:48 |
Save your energy, |
01:19:50 |
I still need you. |
01:20:02 |
Help! |
01:20:04 |
Patrick, Vincent! |
01:20:07 |
One must always |
01:20:10 |
- No! |
01:20:13 |
for the victim to suffer. |
01:20:54 |
Flesh and foundation |
01:21:01 |
The creator must fuse |
01:21:05 |
with his creation. |
01:21:13 |
(loud rumbling) |
01:22:11 |
I won't let you kill me! |
01:22:14 |
No, child, |
01:22:18 |
this is my tomb. |
01:22:21 |
You're supposed |
01:22:27 |
Now what are you waiting for? |
01:22:30 |
Do it yourself. |
01:22:34 |
You don't understand |
01:22:36 |
what we need you |
01:22:39 |
not some... |
01:22:42 |
worker's suicide. |
01:22:44 |
You're the one I chose to kill me. |
01:22:46 |
- I've waited so long. |
01:22:49 |
- Kill me. |
01:22:51 |
Listen to the anger, |
01:22:55 |
Killing me is the only way |
01:22:58 |
- Kill me, Samantha. |
01:23:00 |
- Come, child, do it. |
01:23:04 |
- Kill me. Go free. |
01:23:06 |
- Go free. |
01:23:10 |
(screaming) |
01:24:00 |
Thank you, Samantha. |
01:24:26 |
Please, where are you taking me? |
01:24:29 |
- Ma'am, calm down. |
01:24:31 |
Building is evacuated. |
01:24:39 |
(siren wailing) |
01:24:42 |
Detonation begins |
01:25:08 |
Jimmy. |
01:25:13 |
Jimmy, it's all right. |
01:25:19 |
Please. |
01:25:26 |
Please. |
01:25:31 |
- Sam. |
01:25:34 |
Stop everything. Sam! |
01:25:37 |
Jimmy! |
01:25:39 |
- Sam? |
01:25:41 |
Stop the countdown! |
01:25:48 |
(shouting) |
01:25:58 |
(wailing) |
01:26:00 |
Jimmy! |
01:26:04 |
No! |
01:26:08 |
No! |
01:26:17 |
Jimmy. |
01:26:26 |
I'm sorry. |
01:26:29 |
What's happening here? |
01:26:35 |
Oh my God! |
01:26:38 |
What did you do to her? |
01:26:40 |
Sam, Sam! |
01:26:46 |
What did you do to her? |
01:26:49 |
Man: Sam! |
01:26:56 |
I'm sorry. |
01:27:10 |
Jimmy: |
01:27:16 |
I'm sorry. |
01:27:24 |
Jimmy: |
01:27:36 |
(mechanical whirring) |
01:27:56 |
(siren wailing) |
01:28:02 |
Sam: In his lifetime, |
01:28:04 |
Malestrazza |
01:28:07 |
all of which |
01:28:10 |
This one he called |
01:28:13 |
There are no current plans |
01:28:26 |
(musical score playing) |