|
War And Peace
|
| 00:02:28 |
As the 19th century began... |
| 00:02:30 |
a darkening shadow |
| 00:02:34 |
This shadow was propelled |
| 00:02:38 |
Napoleon Bonaparte. |
| 00:02:39 |
Only Russia and England |
| 00:02:43 |
Over Russia the weather was clear... |
| 00:02:48 |
Napoleon was a thousand miles away... |
| 00:02:50 |
and the streets of Moscow |
| 00:03:31 |
Splendid sight. Splendid men. |
| 00:03:36 |
- For parades. |
| 00:03:39 |
Remember. I've seen |
| 00:03:43 |
Don't tell me they march |
| 00:03:49 |
Led by the greatest man in Europe. |
| 00:03:52 |
Bonaparte? |
| 00:03:55 |
A usurper. A murderer. |
| 00:03:58 |
A colossus. |
| 00:04:00 |
A fresh wind. |
| 00:04:04 |
What does your father say when |
| 00:04:07 |
We don't talk about things |
| 00:04:11 |
How is he? |
| 00:04:14 |
The doctors say |
| 00:04:16 |
Have you been to see him? |
| 00:04:19 |
I'm waiting to be asked. |
| 00:04:21 |
In heaven all things |
| 00:04:25 |
I believe that's the rumor. |
| 00:04:27 |
Remember, Pierre, this is your home |
| 00:04:31 |
and the Rostovs are your family |
| 00:04:37 |
I smoke too much. |
| 00:04:43 |
Isn't it lovely? How can you bear |
| 00:04:47 |
I can bear it. |
| 00:04:49 |
If I were a man, |
| 00:04:51 |
riding a terrible black horse, |
| 00:05:00 |
It's so unfair. |
| 00:05:02 |
Men are the only people |
| 00:05:23 |
What is it, Natasha? |
| 00:05:27 |
All those handsome young men |
| 00:05:32 |
to be killed. |
| 00:05:56 |
Don't be frightened. |
| 00:06:01 |
Nicholas! |
| 00:06:07 |
Well, what's this? |
| 00:06:11 |
You look so dazzling |
| 00:06:14 |
And you're going so far away. |
| 00:06:17 |
Austria is miles. |
| 00:06:19 |
I looked it up... on the map. |
| 00:06:21 |
That brute Napoleon. |
| 00:06:24 |
The Austrians make |
| 00:06:26 |
- I'll bring you back one. |
| 00:06:28 |
- They're wearing them in pairs. |
| 00:06:32 |
Pierre, you remember our cousin Sonya? |
| 00:06:36 |
Of course, although she was considerably |
| 00:06:40 |
Girls grow up, Pierre, |
| 00:06:44 |
Doesn't he look glorious? |
| 00:06:46 |
Who would've thought Mama and Papa |
| 00:06:49 |
Mother, did you hear that? |
| 00:06:51 |
Now attention. |
| 00:06:54 |
Ensign Count Nicholas Rostov... |
| 00:06:56 |
I decorate you |
| 00:06:58 |
absolutely everything. |
| 00:07:02 |
I don't think you ought to laugh at her |
| 00:07:06 |
Oh, well, Petya, women... |
| 00:07:10 |
You do look shiny, Nicholas. |
| 00:07:14 |
- That'll come, Petya. |
| 00:07:17 |
By the time I'm old enough, there won't |
| 00:07:20 |
Don't worry, Petya. There will |
| 00:07:23 |
Good luck. |
| 00:07:25 |
With your views on war, |
| 00:07:28 |
But seriously, Pierre, |
| 00:07:30 |
It's so easy for men. All you have to do |
| 00:07:35 |
If you were a man |
| 00:07:38 |
I'd decide to become |
| 00:07:41 |
I'd become the czar's |
| 00:07:43 |
and he wouldn't dare make a move |
| 00:07:45 |
And you would sit at my right hand |
| 00:07:48 |
Whenever anything was complicated |
| 00:07:51 |
the case would be laid before you |
| 00:07:55 |
Why me? |
| 00:07:57 |
Because your heart is pure |
| 00:08:02 |
Well done, my dear. |
| 00:08:05 |
On that note, |
| 00:08:07 |
What about if you did have |
| 00:08:11 |
I? |
| 00:08:15 |
I would hesitate. |
| 00:08:16 |
Now I really must go. |
| 00:08:18 |
Come again soon. |
| 00:08:21 |
I'll walk you to the door, |
| 00:08:23 |
- Good-bye, Pierre. |
| 00:08:26 |
You will come again soon, |
| 00:08:29 |
Mama and Papa don't show it, but they're |
| 00:08:33 |
- And they do love seeing you. |
| 00:08:36 |
I love this house |
| 00:08:38 |
The whole family? |
| 00:08:42 |
What do you mean by that? |
| 00:08:44 |
Oh, there are currents |
| 00:08:53 |
Now, where are you going? |
| 00:08:57 |
As a matter of fact I am. |
| 00:09:00 |
I hear things, I hear things. |
| 00:09:05 |
Go. Go to your night of disgusting |
| 00:10:33 |
Careful. There's a bet on here. |
| 00:10:35 |
Go on. Bring me |
| 00:10:37 |
And you two, break this up. |
| 00:10:40 |
Now, let's get this straight. |
| 00:10:42 |
Fifty imperials |
| 00:10:46 |
that I will drink a bottle of rum |
| 00:10:49 |
Balancing on the outside ledge and not |
| 00:10:54 |
Want to make it a hundred, Anatole? |
| 00:10:56 |
Fifty's enough for you to lose. |
| 00:10:59 |
Here. Get down from there, |
| 00:11:01 |
Calculus, come on. |
| 00:11:03 |
- Come on. |
| 00:11:37 |
Hail Moscow! |
| 00:11:38 |
Give me that. |
| 00:11:41 |
Don't be crazy, Dolokhov. |
| 00:11:45 |
If you touch me again |
| 00:11:49 |
and that goes for everyone |
| 00:11:51 |
Play, play! |
| 00:11:59 |
Now then, my friends. |
| 00:12:01 |
Remember, without taking |
| 00:12:53 |
Fifty imperials, Anatole. |
| 00:12:55 |
And it's double for anyone else |
| 00:12:59 |
I'll do it for nothing... |
| 00:13:07 |
You get dizzy walking up |
| 00:13:09 |
Get out of my way. |
| 00:13:18 |
Give me a bottle. |
| 00:13:30 |
- Get down from there. |
| 00:13:33 |
- Get down from there, Pierre. |
| 00:13:37 |
Your father's calling for you. |
| 00:13:42 |
Excuse me, gentlemen. |
| 00:13:46 |
I suggest a little |
| 00:13:49 |
I'll wait for you. |
| 00:13:52 |
Prince Andre. |
| 00:13:54 |
Is the old boy |
| 00:13:56 |
The doctors are fairly certain |
| 00:14:02 |
Are my father and sister there? |
| 00:14:04 |
Your father was there and |
| 00:14:07 |
That's good. I don't have to go. |
| 00:14:18 |
Careful, careful. |
| 00:14:21 |
- You disapprove of me? |
| 00:14:23 |
Of course you do. |
| 00:14:25 |
You'd be wrong if you didn't. |
| 00:14:27 |
Arriving at the deathbed |
| 00:14:30 |
stinking of alcohol. |
| 00:14:33 |
He disapproves, too, my father. |
| 00:14:36 |
Well, that's fair enough. |
| 00:14:38 |
I disapprove of many things |
| 00:14:41 |
Chiefly, I disapprove of the fact |
| 00:14:46 |
Perhaps if I was legitimate... |
| 00:14:50 |
I have sinned, Lord, but I have |
| 00:14:55 |
With all that, Andre, |
| 00:14:59 |
You're not being worthy |
| 00:15:02 |
You're not living up to |
| 00:15:04 |
You must be somebody. |
| 00:15:06 |
That's where the puzzle begins. |
| 00:15:09 |
Who am I? |
| 00:15:13 |
Iord of vast estates |
| 00:15:16 |
fiixed responsibilities? |
| 00:15:18 |
Not quite. |
| 00:15:20 |
My father cannot quite acknowledge |
| 00:15:24 |
but he cannot quite acknowledge |
| 00:15:28 |
That makes everybody uncomfortable, |
| 00:15:31 |
Well, you must aim at something, |
| 00:15:33 |
Oh, you're right. |
| 00:15:37 |
Each morning I wake up, |
| 00:15:41 |
with what I did the night before. |
| 00:15:43 |
I tell myself today... |
| 00:15:47 |
If my headache is bad enough, |
| 00:15:49 |
"Pierre, today you must |
| 00:15:55 |
I say, I'll drop in at the club |
| 00:15:58 |
Just order a glass of water... |
| 00:16:00 |
to prove to myself how marvelously |
| 00:16:05 |
Then someone comes along |
| 00:16:07 |
"Just one vodka, Pierre." |
| 00:16:10 |
Next morning my headache is worse, |
| 00:16:14 |
There must be something |
| 00:16:17 |
Of course. |
| 00:16:19 |
- Discover what? |
| 00:16:21 |
I want to discover why I know what's |
| 00:16:26 |
I wanna discover what happiness is... |
| 00:16:29 |
and what value there is |
| 00:16:32 |
I wanna discover |
| 00:16:35 |
and what they really say... |
| 00:16:38 |
deep in their hearts |
| 00:16:41 |
I wanna discover what it is that men |
| 00:16:47 |
You see, there's enough |
| 00:16:52 |
It's hard for you to understand |
| 00:16:56 |
Everything is so clear for you. |
| 00:16:58 |
You always know exactly what |
| 00:17:01 |
- Exactly. |
| 00:17:03 |
You study, you become enlightened. |
| 00:17:05 |
I study, I become confused. |
| 00:17:09 |
You love, you marry. |
| 00:17:12 |
There's a war, you serve. |
| 00:17:14 |
How wonderful it would be if |
| 00:17:17 |
- You do, I tell you. |
| 00:17:20 |
I know you. I'm not wrong. |
| 00:17:22 |
Do you know why |
| 00:17:25 |
You think it's because I think |
| 00:17:28 |
You think I believe that we have any |
| 00:17:31 |
2,000 miles from home? |
| 00:17:33 |
You think that I think Russia will be |
| 00:17:37 |
Then why are you going? |
| 00:17:38 |
Because I'm married to one of |
| 00:17:41 |
and attractive women in Moscow... |
| 00:17:44 |
and I can't stand it. |
| 00:17:47 |
Never, never marry, Pierre. |
| 00:17:49 |
Or if you must marry, marry when |
| 00:17:52 |
Or else everything that is fiine |
| 00:17:55 |
You'll waste yourself on trifles. |
| 00:17:58 |
Yes, yes, don't look at me |
| 00:18:02 |
You talk of Bonaparte |
| 00:18:04 |
If Bonaparte had married |
| 00:18:07 |
he'd still be a half-pay captain |
| 00:18:09 |
going to dinner parties |
| 00:18:12 |
and inviting idiots to his house |
| 00:18:14 |
wanted to be invited |
| 00:19:20 |
Prince Andre. |
| 00:19:22 |
Princess Helene. |
| 00:19:24 |
Didn't you tell my brother |
| 00:19:26 |
- I did. |
| 00:19:28 |
I believe not. |
| 00:19:31 |
Thank you. |
| 00:19:48 |
How is he, Prince Vasili? |
| 00:19:51 |
His confessor is with him. |
| 00:19:53 |
They are giving him |
| 00:19:57 |
He was asking for you. |
| 00:20:00 |
I hope you are in a proper condition |
| 00:20:06 |
Follow me. |
| 00:20:08 |
Go ahead. |
| 00:21:06 |
If you please, Monsieur Pierre. |
| 00:21:11 |
He wishes you to kiss him good-bye. |
| 00:21:44 |
This is for you. |
| 00:21:54 |
Now he would like to sleep. |
| 00:22:24 |
So late. Finally |
| 00:22:27 |
So late. |
| 00:22:30 |
He gave me this. |
| 00:22:37 |
This letter is for the czar... |
| 00:22:40 |
and this one for you, Pierre. |
| 00:22:42 |
Open it. |
| 00:22:54 |
Your father wishes you to know |
| 00:22:56 |
he begs that you be legitimately |
| 00:23:00 |
and the next Count Bezukhov... |
| 00:23:02 |
the sole heir to all his estates. |
| 00:23:17 |
Be worthy, my boy. |
| 00:23:19 |
Be worthy of your great father. |
| 00:23:23 |
How often we sin... |
| 00:23:25 |
how much we deceive, |
| 00:23:27 |
All ends in death. |
| 00:23:30 |
Kiss your cousin Helene. |
| 00:23:32 |
He has been reborn. |
| 00:23:35 |
Wish him well. |
| 00:24:02 |
It's a good thing |
| 00:24:05 |
After three weeks in the country |
| 00:24:09 |
Still, it was a profiitable trip, |
| 00:24:17 |
Very profiitable. |
| 00:24:44 |
I'll see how long we have to wait. |
| 00:24:46 |
There's no hurry. It'll give Papa |
| 00:25:04 |
- Where are you going, to your father's? |
| 00:25:07 |
What have you been up to? |
| 00:25:10 |
No. Prince Vasili is with me |
| 00:25:15 |
We've made a tour of inspection |
| 00:25:17 |
I've never been there before. |
| 00:25:21 |
And now that I'm Count Bezukhov, |
| 00:25:24 |
I see. That's why you went |
| 00:25:27 |
Well, Prince Vasili helps me |
| 00:25:31 |
Of course. |
| 00:25:32 |
Come say hello to Lise. |
| 00:25:34 |
She's miserable at the idea |
| 00:25:37 |
Helene is different. |
| 00:25:39 |
- It was her idea to come along. |
| 00:25:43 |
- Children, go away. |
| 00:25:47 |
Forever. Months |
| 00:25:51 |
Until after the baby's born. |
| 00:25:53 |
No, thank you. |
| 00:25:55 |
You know Andre's leaving tomorrow? |
| 00:25:57 |
He thought it would be better for me |
| 00:26:00 |
than alone in Moscow. |
| 00:26:01 |
And how do you feel about it? |
| 00:26:04 |
I dread it. |
| 00:26:06 |
And even so, you consented |
| 00:26:09 |
Andre wants me to. |
| 00:26:12 |
I assure you, if it were I, |
| 00:26:16 |
I suppose so, but |
| 00:26:19 |
Yes, indeed we are. |
| 00:26:21 |
Have you asked her |
| 00:26:25 |
Are you going to? |
| 00:26:28 |
I don't know yet. |
| 00:26:31 |
- Do you want some advice? |
| 00:26:34 |
Not on this. |
| 00:26:37 |
All right. |
| 00:26:56 |
We thought you would never come. |
| 00:26:58 |
- Oh, Lise, you look so beautiful. |
| 00:27:02 |
No, I'm just a little |
| 00:27:04 |
Andre, it isn't true what you wrote |
| 00:27:08 |
that you're only staying |
| 00:27:10 |
- I'm afraid it is. |
| 00:27:14 |
- Make him stay. |
| 00:27:16 |
Mary, Lise's very tired. |
| 00:27:20 |
- Yes? |
| 00:27:22 |
He would like you |
| 00:27:24 |
Thank you. No, you'd better |
| 00:27:27 |
You'll see him at dinner. |
| 00:27:30 |
Come. |
| 00:27:38 |
Here is the warrior. |
| 00:27:40 |
Here's the Bolkonsky |
| 00:27:45 |
How are you, my boy? |
| 00:27:49 |
I'm well, Father. |
| 00:27:52 |
Oh, the same, boy. The same. |
| 00:27:55 |
You know me, busy from |
| 00:27:59 |
Little to eat, less to drink. |
| 00:28:02 |
Thank God. |
| 00:28:03 |
God has nothing to do with it. |
| 00:28:14 |
Just a moment, Andre, please. |
| 00:28:16 |
- Don't refuse. |
| 00:28:20 |
Father's father used to take it |
| 00:28:26 |
If it's not too heavy |
| 00:28:28 |
Andre, promise that |
| 00:28:33 |
- Promise? |
| 00:28:41 |
Kiss me here. |
| 00:28:52 |
Thank you, my boy. Thank you. |
| 00:28:55 |
Why do you thank me, Father? |
| 00:28:58 |
For doing your duty. |
| 00:29:00 |
For not allowing yourself to be tied |
| 00:29:05 |
The army before everything. |
| 00:29:11 |
About my wife, Father. |
| 00:29:14 |
Your wife? |
| 00:29:16 |
Well, go on, speak. |
| 00:29:17 |
When her confiinement is due, |
| 00:29:21 |
A doctor? |
| 00:29:22 |
I know that if nature won't |
| 00:29:25 |
But they've been |
| 00:29:27 |
she's had a dream. |
| 00:29:29 |
She's frightened. |
| 00:29:31 |
All right, all right. |
| 00:29:34 |
Give this to Michael Kutuzov. |
| 00:29:37 |
We were at school together. |
| 00:29:39 |
He wasn't exactly a bright lad, |
| 00:29:44 |
I've written to him to tell him |
| 00:29:48 |
They're bad places. |
| 00:29:51 |
Tell him I remember him |
| 00:29:54 |
Now good-bye. |
| 00:30:03 |
Remember this, Prince Andre. |
| 00:30:06 |
If they kill you, |
| 00:30:10 |
But if I hear that you've not behaved |
| 00:30:14 |
it will be worse. |
| 00:30:15 |
I shall be shamed. |
| 00:30:19 |
You needn't have said that |
| 00:30:22 |
L... |
| 00:30:24 |
I also wanted to ask you... |
| 00:30:27 |
if I am killed |
| 00:30:30 |
don't let him be taken |
| 00:30:34 |
Let him grow up... here... |
| 00:30:38 |
with you, please. |
| 00:30:45 |
Well, what are you waiting for? |
| 00:30:59 |
You're leaving already. |
| 00:31:03 |
I won't be able to stand it. |
| 00:31:05 |
I leave you in my family's house, |
| 00:31:08 |
Stay until tomorrow. |
| 00:31:11 |
I can't, Lise. |
| 00:31:14 |
You're delighted to go. |
| 00:31:36 |
Good-bye, Mary. |
| 00:31:43 |
Ketya, go and get |
| 00:31:54 |
Would you please tell your horse |
| 00:31:57 |
I'll never get it this way. |
| 00:32:00 |
You heard the lady. |
| 00:32:05 |
You see, animals are much more |
| 00:32:16 |
Mademoiselle, I wonder if I might |
| 00:32:19 |
to paint my portrait. |
| 00:32:22 |
On one condition. You must make me |
| 00:32:27 |
It's not fair to look at it |
| 00:32:31 |
Very unpromising, isn't it? |
| 00:32:33 |
Yes, it is. |
| 00:32:35 |
You needn't be in such |
| 00:32:38 |
Anyways, it's not meant |
| 00:32:41 |
Papa bought the colt to give to Nicholas |
| 00:32:45 |
And I'm gonna send him the picture |
| 00:32:48 |
Have you fiinished? |
| 00:32:49 |
For the moment. |
| 00:32:55 |
Charge! Come on! |
| 00:33:01 |
Come on! |
| 00:33:05 |
- Have you heard from Nicholas? |
| 00:33:08 |
He hasn't written me or Sonya. |
| 00:33:10 |
Men forget about women immediately |
| 00:33:13 |
Men don't. Boys do. |
| 00:33:15 |
Nicholas would be furious |
| 00:33:18 |
He'd probably challenge you |
| 00:33:20 |
That's better a reason than most |
| 00:33:22 |
Actually, the only reason he wrote |
| 00:33:25 |
He keeps lending money to his captain |
| 00:33:29 |
The captain sounds a lot |
| 00:33:32 |
His name's Denisov. And Nicholas says |
| 00:33:36 |
he lisps and he's the bravest man |
| 00:33:39 |
Nicholas says he's having |
| 00:33:42 |
and we're bound to win the war soon. |
| 00:33:44 |
He's beginning to feel quite sorry |
| 00:33:47 |
Charge! Kill 'em! |
| 00:33:50 |
Come on, men! |
| 00:33:52 |
Take that! |
| 00:33:54 |
Come on! |
| 00:33:58 |
There's no doubt about it. |
| 00:34:02 |
- I must put it on my list. |
| 00:34:05 |
I'm making a list of the greatest |
| 00:34:08 |
in the order of their importance. |
| 00:34:09 |
- I neglected war. |
| 00:34:11 |
in the order of their importance? |
| 00:34:14 |
The opera, eternal friendship, |
| 00:34:16 |
dancing the mazurka, moving to |
| 00:34:19 |
and welcoming soldiers home |
| 00:34:21 |
- Have you any suggestions? |
| 00:34:25 |
To be able to believe in God... |
| 00:34:28 |
to cause happiness, to love. |
| 00:34:30 |
Love? Look at Sonya. |
| 00:34:33 |
and she cries every day between 8:00 |
| 00:34:37 |
- Don't you ever intend to fall in love? |
| 00:34:41 |
I'll keep changing partners |
| 00:34:45 |
When I fiinally say I love you to a man |
| 00:34:48 |
it'll be like a defeated general |
| 00:34:51 |
surrendering and handing his sword |
| 00:34:55 |
You'll change. |
| 00:34:57 |
The hideous thing about being young |
| 00:35:00 |
you'll change. |
| 00:35:04 |
Are you dining with us tonight? |
| 00:35:06 |
I'm afraid I can't. |
| 00:35:09 |
Oh? With whom? |
| 00:35:12 |
My cousin, Princess Helene. |
| 00:35:17 |
I'd like to be like her |
| 00:35:21 |
Of course I'll have to fiill out |
| 00:35:24 |
Tall, proud, beautiful, |
| 00:35:28 |
with regiments of men |
| 00:35:33 |
I'm going to marry her, Natasha. |
| 00:35:38 |
Gently, gently. |
| 00:35:42 |
Who's surrendering his sword, |
| 00:35:49 |
Be happy, dearest Pierre. |
| 00:35:56 |
I order you to be supremely happy. |
| 00:36:21 |
I'll be leaving again directly. |
| 00:36:34 |
I have a message for General Kutuzov |
| 00:36:39 |
There's the general's aide. |
| 00:36:44 |
Sir. I've just come |
| 00:36:47 |
I have a message and it must be |
| 00:36:50 |
His Excellency is in the middle |
| 00:36:52 |
- Give it to me. I'll deliver it. |
| 00:36:56 |
Deliver it to me now. |
| 00:36:59 |
My squadron is on picket duty. |
| 00:37:01 |
This evening we saw the French |
| 00:37:03 |
and we heard sounds in their camp. |
| 00:37:05 |
- The enemy's on the move, sir. |
| 00:37:09 |
Is that all? |
| 00:37:12 |
I would say that you have seen |
| 00:37:21 |
Good luck, my friend. |
| 00:37:23 |
It is quite apparent that the enemy |
| 00:37:27 |
Surely now, Your Excellency |
| 00:37:31 |
the fact that we must change |
| 00:37:33 |
Or rather for today... |
| 00:37:35 |
for it is past midnight. |
| 00:37:38 |
Gentlemen. |
| 00:37:44 |
Gentlemen... |
| 00:37:46 |
the orders for tomorrow... |
| 00:37:49 |
cannot now be ordered. |
| 00:37:53 |
You've heard them... |
| 00:37:56 |
and we shall all do our duty. |
| 00:38:00 |
But before the battle... |
| 00:38:02 |
there is nothing more important... |
| 00:38:07 |
than to have a good sleep. |
| 00:38:12 |
Good night. |
| 00:38:14 |
- Good night, sir. |
| 00:38:31 |
But, sir... |
| 00:38:34 |
if the French are that |
| 00:38:36 |
Plans. |
| 00:38:39 |
Tomorrow after the battle... |
| 00:38:41 |
they will all have a hundred reasons |
| 00:38:44 |
They'll blame everything |
| 00:38:47 |
How do you think it will |
| 00:38:53 |
I think the battle will be lost. |
| 00:39:00 |
We shall not have lost |
| 00:39:03 |
because of this one battle. |
| 00:39:05 |
There will be peace... |
| 00:39:09 |
and then a new war. |
| 00:39:11 |
Men like Napoleon can never stop... |
| 00:39:14 |
until their own ambition |
| 00:39:20 |
The only important battle |
| 00:39:24 |
Good night. |
| 00:39:33 |
Fire! |
| 00:39:43 |
Sir, it looks as if the French |
| 00:39:51 |
Captain, the hussars must charge. |
| 00:40:47 |
- You're wounded. |
| 00:40:53 |
Stop them! |
| 00:40:56 |
Stop those cowards! |
| 00:41:07 |
Forward! Forward! |
| 00:41:12 |
Forward! |
| 00:41:14 |
- Forwards, lads. |
| 00:41:45 |
That... is a fiine death. |
| 00:41:50 |
He's alive. |
| 00:41:53 |
Have this man attended to and take |
| 00:41:57 |
Let my doctor examine his wounds. |
| 00:42:32 |
It's so early in the morning, Pierre. |
| 00:42:34 |
- It's 11:00. |
| 00:42:37 |
Since we decided to go to the country in |
| 00:42:42 |
Oh, Pierre, I'm so tired. |
| 00:42:44 |
It's all right. I'll go this morning |
| 00:42:52 |
- The morning papers, sir. |
| 00:43:02 |
Anything amusing in the Gazette? |
| 00:43:04 |
It's not very amusing. |
| 00:43:08 |
An armistice is going |
| 00:43:12 |
Prisoners wounded on both sides |
| 00:43:16 |
In a word... |
| 00:43:20 |
You sound bitter. |
| 00:43:23 |
Maybe I am. |
| 00:43:24 |
What difference does it make |
| 00:43:27 |
a new prince is established |
| 00:43:30 |
Oh, it's so boring to worry |
| 00:43:34 |
So, no more war. |
| 00:43:36 |
- For the time being. |
| 00:43:41 |
Then the armies |
| 00:43:43 |
Yes, I suppose so. |
| 00:43:44 |
Moscow will be very gay |
| 00:43:48 |
Pierre, why don't we stay here |
| 00:43:52 |
Not this year, at least. |
| 00:43:56 |
I'm not particularly interested |
| 00:43:58 |
Besides, I have so much work to do |
| 00:44:02 |
They will die just as well |
| 00:44:05 |
And they'll learn just as many idiotic |
| 00:44:08 |
I promised those people. |
| 00:44:10 |
Well, I never liked the idea. |
| 00:44:13 |
Pierre, come here. |
| 00:44:18 |
Listen. You know what we can do? |
| 00:44:21 |
You go to the country |
| 00:44:24 |
Do there what you have to do. |
| 00:44:28 |
Then I'll join you |
| 00:44:31 |
The country's so dreary |
| 00:44:34 |
Please don't force it on me, Pierre. |
| 00:44:37 |
If you must stay, stay, but I'll |
| 00:44:41 |
Nonsense. |
| 00:44:43 |
It will be good |
| 00:44:45 |
And you will appreciate me so much more |
| 00:44:50 |
I couldn't |
| 00:44:56 |
If you only knew how many things |
| 00:44:59 |
There's a dozen dresses |
| 00:45:01 |
and lots of shoes and things... |
| 00:45:05 |
Why are you looking at me |
| 00:45:08 |
Why? |
| 00:45:12 |
What does it mean? |
| 00:45:14 |
Nothing, my dear. |
| 00:45:32 |
They lost. They were defeated. |
| 00:45:35 |
Because they fought, |
| 00:45:37 |
because they've come home. |
| 00:45:54 |
Vaska, I hope nothing's happened. |
| 00:45:56 |
Gracious heavens. |
| 00:45:59 |
- Can it possibly be? |
| 00:46:03 |
The Lord be thanked, yes. |
| 00:46:06 |
Good. |
| 00:46:13 |
You're back! |
| 00:46:15 |
It's you! |
| 00:46:16 |
Oh, dear! |
| 00:46:32 |
Papa! |
| 00:46:48 |
Mama. |
| 00:46:58 |
- And you must be... |
| 00:47:01 |
I know. Nicholas wrote to us. |
| 00:47:04 |
Darling. Welcome. |
| 00:47:09 |
Welcome. |
| 00:47:11 |
Isn't it wonderful? |
| 00:47:12 |
Nicholas, you haven't said hello |
| 00:47:19 |
What's the sense of coming home from |
| 00:47:36 |
- Good morning. |
| 00:47:38 |
Gwishka, my pipe. |
| 00:47:41 |
Rostov, wake up. |
| 00:47:44 |
- Why? Is it late? |
| 00:47:47 |
- What? |
| 00:47:49 |
Directly. |
| 00:47:54 |
Is this your saber |
| 00:47:56 |
Take that, you Frenchman! |
| 00:48:01 |
- Here I come! |
| 00:48:07 |
Why did you stay in bed so long? |
| 00:48:12 |
You're quite a man, aren't you? |
| 00:48:15 |
I'm awfully glad you're my brother. |
| 00:48:19 |
I want to know what men are like. |
| 00:48:21 |
Are you the same as all of them? |
| 00:48:26 |
Sonya is so young. |
| 00:48:28 |
You know, Sonya's my dearest friend. |
| 00:48:31 |
If she loves someone, |
| 00:48:33 |
And she loves you and me |
| 00:48:35 |
You remember before you went away? |
| 00:48:38 |
Well, she told me |
| 00:48:40 |
She said, "I will love him always, |
| 00:48:45 |
Isn't that lovely and noble? |
| 00:48:47 |
- Isn't it? |
| 00:48:50 |
We knew you'd say that, |
| 00:48:53 |
Because if you marry her just because |
| 00:48:57 |
it'll seem as if you're marrying her |
| 00:49:01 |
It wouldn't be right, Nicholas. |
| 00:49:03 |
We'll talk it over later. |
| 00:49:05 |
Oh, I'm so glad I have you. |
| 00:49:09 |
Tell me, are you still true |
| 00:49:11 |
Don't be silly. |
| 00:49:14 |
- I'll be a dancer. I'll never marry. |
| 00:49:17 |
- But don't tell anyone. |
| 00:49:20 |
Go and get dressed and |
| 00:49:37 |
Did you get my letter? |
| 00:49:39 |
- We met the doctor at the last relay. |
| 00:49:42 |
- Is he in time? |
| 00:49:45 |
- She's longed for you. |
| 00:50:09 |
My darling. God is merciful. |
| 00:50:11 |
I love you. |
| 00:50:13 |
I love you all. |
| 00:50:15 |
I've never done any harm to anyone. |
| 00:50:19 |
Why must I suffer so? |
| 00:50:21 |
Andre, please help me. |
| 00:50:23 |
My boy, you'll have to leave now. |
| 00:50:32 |
There, there, my dear. |
| 00:52:35 |
Upon my word, Rostov, |
| 00:52:40 |
I'd wager I might wind up |
| 00:52:44 |
But I do like the intermissions. |
| 00:52:49 |
I say, Rostov... |
| 00:52:51 |
that one there. |
| 00:52:53 |
- Yes? |
| 00:52:59 |
But wait. Well. |
| 00:53:02 |
Where's the husband? |
| 00:53:05 |
He spends most of his time |
| 00:53:12 |
If I were the husband... |
| 00:53:14 |
I'd come up |
| 00:54:01 |
So, listen. So we took the bear |
| 00:54:06 |
and when the police tried to arrest us, |
| 00:54:09 |
tied him on the back of the bear |
| 00:54:10 |
Tied him on the back of the bear |
| 00:54:14 |
What happened to him? |
| 00:54:15 |
There they were, swimming, |
| 00:54:19 |
Hey, Hercules. Wake up. |
| 00:54:22 |
Don't be rough with him. |
| 00:54:24 |
One should always be polite |
| 00:54:26 |
That's right. |
| 00:54:27 |
Let's drink to the health |
| 00:54:31 |
Yes, to the health |
| 00:54:36 |
And to their lovers. |
| 00:54:43 |
Look at this. It's a new song |
| 00:54:51 |
- That interests me. |
| 00:54:53 |
I said that interests me. |
| 00:55:22 |
Then allow me to express your regrets |
| 00:55:25 |
What is there to talk about? |
| 00:55:28 |
- No apologies. |
| 00:55:33 |
It's very simple. You cock it. |
| 00:55:36 |
Oh, yes. I know. |
| 00:55:41 |
No apologies, none whatever. |
| 00:55:51 |
On the count of three, |
| 00:55:58 |
One... |
| 00:56:00 |
two, three. |
| 00:56:19 |
Get away from here! |
| 00:56:21 |
It's not over. |
| 00:56:32 |
To your barrier! |
| 00:56:38 |
Cover yourself, you fool! |
| 00:57:18 |
Well now, the hero. |
| 00:57:22 |
My protector. Thank you so much |
| 00:57:26 |
You were told that Dolokhov |
| 00:57:29 |
Well, what did you prove? |
| 00:57:31 |
That you are a fool, |
| 00:57:34 |
Now I will be the laughingstock |
| 00:57:37 |
Everyone will say that you were drunk, |
| 00:57:39 |
Challenging a man that |
| 00:57:43 |
A man that is a better man |
| 00:57:49 |
- We had better separate. |
| 00:57:53 |
That's a charming idea. |
| 00:57:57 |
It's the best idea you've had |
| 00:58:00 |
Good. By all means we'll separate, |
| 00:58:04 |
You'll give me a fortune for it. |
| 00:58:11 |
Get out! |
| 00:58:21 |
The count is waiting for you |
| 00:58:43 |
- What have you heard? |
| 00:58:47 |
Thank God. |
| 00:58:51 |
It's only easier to kill good men. |
| 00:58:54 |
Men like Dolokhov |
| 00:58:58 |
In between wars, they ought |
| 00:59:01 |
Here. |
| 00:59:04 |
I'd like to leave Moscow. |
| 00:59:06 |
I wanna get away from these people |
| 00:59:09 |
who are scornful of a man |
| 00:59:14 |
At the banquet, |
| 00:59:18 |
I looked across at him |
| 00:59:21 |
I was convinced of the guilt |
| 00:59:24 |
Well, is that a reason to kill? |
| 00:59:25 |
- Look, my dear fellow... |
| 00:59:28 |
In his place, I might have done |
| 00:59:31 |
Maybe it's even certain |
| 00:59:34 |
There we were in the snow |
| 00:59:40 |
You know who's the guilty one? |
| 00:59:43 |
Pierre, don't be silly. |
| 00:59:46 |
And you know why? Because |
| 00:59:50 |
I wanted her. I had to have her, |
| 00:59:54 |
I lied when I said to her, |
| 00:59:58 |
And because of that... |
| 01:00:01 |
there's Dolokhov stretched in pain, |
| 01:00:05 |
Because of my weakness, my lie. |
| 01:00:10 |
Pierre, you must stop |
| 01:00:12 |
It'll become an obsession, |
| 01:00:16 |
Look, if you'll agree... |
| 01:00:18 |
we'll all take a fiine trip |
| 01:00:21 |
It'll do us all good, and Nicholas |
| 01:00:25 |
We'll start tonight, |
| 01:00:27 |
Of course you'll come with us. |
| 01:00:36 |
Hurry! We'll start |
| 01:00:39 |
Why didn't you tell me Pierre |
| 01:00:43 |
We must start while the moon |
| 01:00:45 |
Of course Pierre will go. |
| 01:00:47 |
What has happened, Ilya? |
| 01:00:51 |
Is there more than one, my pet? |
| 01:00:54 |
Oh, how long must we wait |
| 01:00:56 |
I'm so happy you made up your mind. |
| 01:00:58 |
I was just saying, "One more day |
| 01:01:01 |
Thank you. |
| 01:01:06 |
- Order the troikas. |
| 01:01:08 |
We're off! |
| 01:01:10 |
Hurry up, Nicholas. You're delaying |
| 01:01:13 |
The country? |
| 01:01:14 |
You said you wanted to go |
| 01:01:17 |
- Come, hurry. |
| 01:01:19 |
I was just beginning |
| 01:01:26 |
Faster, faster! |
| 01:01:30 |
Faster, Nitka! |
| 01:01:35 |
As we ride in the troika |
| 01:01:38 |
Stars are twinkling |
| 01:01:40 |
Strains of sweet balalaika |
| 01:01:43 |
Sleigh bells |
| 01:01:48 |
Whoa, careful! |
| 01:02:06 |
Come on. It's your turn. |
| 01:02:14 |
Hold me close |
| 01:02:16 |
Let's be happy and gay, hey |
| 01:03:09 |
Ever since Nicholas joined the army, |
| 01:03:13 |
Hardly seems to be my own son. |
| 01:03:15 |
- I quite agree with you. |
| 01:03:20 |
I believe that's my friend |
| 01:03:23 |
- May I ask him to join us? |
| 01:03:26 |
Do ask him. |
| 01:03:33 |
Come on, Natasha. |
| 01:03:40 |
Greetings. |
| 01:03:43 |
I didn't know |
| 01:03:45 |
The Rostovs invite you |
| 01:03:48 |
For the time being, I'm afraid |
| 01:03:50 |
would give me more pain |
| 01:03:57 |
Prince Andre, may I present |
| 01:04:00 |
and her brother Petya Rostov. |
| 01:04:03 |
I do hope Pierre has convinced |
| 01:04:05 |
It promises to be one of |
| 01:04:08 |
And the huntsman swears he knows |
| 01:04:10 |
And the ground's just perfect. |
| 01:04:15 |
What I mean is, |
| 01:04:18 |
Perhaps I'll join you later, |
| 01:04:21 |
- And stay to dinner? |
| 01:04:24 |
- But you just said... |
| 01:04:27 |
Wonderful! |
| 01:05:32 |
- I'm glad you stayed tonight. |
| 01:05:36 |
- Aren't the Rostovs charming? |
| 01:05:39 |
It's wonderful |
| 01:05:41 |
They're like a special race... |
| 01:05:43 |
gay, thoughtless animals. |
| 01:05:45 |
Thoughtless? |
| 01:05:47 |
That's the most charming |
| 01:05:49 |
- All of them, you think? |
| 01:05:51 |
No, within a year or two, the girl, |
| 01:05:57 |
That will make her even more |
| 01:06:00 |
- You follow me? |
| 01:06:08 |
I think it's bad for you... |
| 01:06:11 |
year after year, brooding, |
| 01:06:14 |
living the life of a hermit. |
| 01:06:16 |
Bad? Wrong? |
| 01:06:19 |
There are only two things in this |
| 01:06:23 |
Remorse and illness. |
| 01:06:26 |
When I've recovered from the both, |
| 01:06:29 |
Remorse? What have you got |
| 01:06:33 |
I was too late. |
| 01:06:36 |
I let Lise die |
| 01:06:39 |
I was too busy |
| 01:06:41 |
to take the time |
| 01:06:46 |
Well, I found glory. |
| 01:06:49 |
I stopped the retreat |
| 01:06:52 |
I was left for dead on |
| 01:06:58 |
I'll stop being a hermit... |
| 01:06:59 |
when something happens to make me |
| 01:07:05 |
Well, I think I'd better |
| 01:07:09 |
Good night, Pierre. |
| 01:07:15 |
Thank you again. |
| 01:07:18 |
Good night, Andre. |
| 01:07:32 |
Natasha, come to bed. |
| 01:07:35 |
I won't. I can't sleep. |
| 01:07:38 |
After a day like this, |
| 01:07:40 |
How can anyone sleep? |
| 01:07:42 |
Do just come and see what a moon. |
| 01:07:49 |
Yes? |
| 01:07:51 |
Do you think |
| 01:07:53 |
- Of course he does. |
| 01:07:56 |
He keeps sitting there as though |
| 00:00:06 |
I'm a little frightened, |
| 00:00:09 |
I wanted to go up to him |
| 00:00:12 |
Iook in his eyes |
| 00:00:15 |
Poor man. He'd never come |
| 00:00:20 |
Did you notice |
| 00:00:25 |
While I was singing, I turned |
| 00:00:29 |
He was smiling then. |
| 00:00:32 |
And I felt... |
| 00:00:34 |
But it's almost |
| 00:00:36 |
I felt as if |
| 00:00:39 |
the most enormous, |
| 00:00:42 |
Come to bed, Natasha. |
| 00:00:45 |
Oh, you try to spoil everything. |
| 00:00:48 |
A night like this, |
| 00:00:51 |
and straining tight as possible |
| 00:00:55 |
- Take care! You'll fall out! |
| 00:00:57 |
But it is a shame to go in |
| 00:01:01 |
It's as though you can hear |
| 00:01:03 |
and you just know that the next |
| 00:01:07 |
will be the most beautiful thing |
| 00:01:10 |
And being pulled away |
| 00:01:18 |
Forever. |
| 00:01:23 |
All right. |
| 00:01:50 |
- The expression on my face. |
| 00:01:52 |
- Do I look disdainful? |
| 00:01:55 |
You're impossible. |
| 00:01:58 |
What do you want to look |
| 00:02:00 |
I thought if I looked bored |
| 00:02:02 |
nobody would notice that this is |
| 00:02:08 |
- How's this? Better? |
| 00:02:12 |
Good. |
| 00:02:25 |
- You must promise me one thing. |
| 00:02:28 |
- Not to dance with me... |
| 00:02:30 |
No matter if I just stand |
| 00:02:32 |
and nobody comes over |
| 00:02:35 |
No matter how much I seem |
| 00:02:37 |
you must absolutely promise me |
| 00:02:40 |
- Why not? |
| 00:02:42 |
for the world to see the only |
| 00:02:45 |
is my brother... out of pity. |
| 00:02:49 |
- Promise? |
| 00:03:10 |
What now? |
| 00:03:11 |
- Is everybody looking at me? |
| 00:03:14 |
Not without changing |
| 00:03:18 |
Natasha, you know, there's |
| 00:03:21 |
Tell it to me! |
| 00:03:24 |
No girl I'll ever meet will ever |
| 00:03:28 |
Don't talk like that. |
| 00:03:32 |
Excuse me, my dear. |
| 00:03:35 |
- You all right, Mother? |
| 00:04:18 |
What a horrible mistake. |
| 00:04:21 |
I shouldn't have come. |
| 00:04:23 |
Nothing is going to happen. |
| 00:04:26 |
The night is going to be one |
| 00:04:29 |
degrading zero. |
| 00:04:34 |
Aw, Count Denilov, |
| 00:04:37 |
Madame Maria Peronskaya. |
| 00:04:39 |
You know my wife. My niece Sonya. |
| 00:04:44 |
- How do you do? |
| 00:05:00 |
Oh, dear. |
| 00:05:09 |
Perhaps I shall be |
| 00:05:12 |
Have no fear. |
| 00:05:20 |
Denilov is our hostess' |
| 00:05:23 |
- Supposed to be worth millions. |
| 00:05:26 |
Ah, there's the French |
| 00:05:29 |
He looks as if he were a king. |
| 00:05:32 |
You're rather late, you know. |
| 00:05:51 |
Why must I keep thinking |
| 00:05:55 |
Am I so much in love with him... |
| 00:05:57 |
that all others seem ridiculous? |
| 00:06:01 |
We saw so little of each other... |
| 00:06:03 |
and yet I remember every moment. |
| 00:06:08 |
Oh, if only he could have |
| 00:06:12 |
Why doesn't he like the city? |
| 00:06:14 |
It isn't right for a man |
| 00:06:16 |
for months and months |
| 00:06:18 |
I am so delighted |
| 00:06:28 |
Will you honor me with this dance? |
| 00:06:32 |
- Pierre, nice to see you again. |
| 00:06:36 |
Will you honor me with this dance? |
| 00:07:45 |
Don't you just love dances? |
| 00:07:48 |
Not ordinarily. |
| 00:07:50 |
This is the fiirst one I've come to |
| 00:07:52 |
I'm so glad you did come. |
| 00:07:55 |
I mean, after the night |
| 00:07:57 |
Mama and Papa said how nice it was |
| 00:07:59 |
and they hoped you'd come again. |
| 00:08:03 |
I hope you tell Mama and Papa |
| 00:08:07 |
Very often, if they will permit me. |
| 00:08:09 |
- I certainly shall tell them. |
| 00:08:13 |
do you still want to hold yourself |
| 00:08:17 |
How do you know? |
| 00:08:20 |
I couldn't help overhearing. |
| 00:08:26 |
What a disaster. |
| 00:08:29 |
No. You disappeared too soon. |
| 00:08:36 |
You must think |
| 00:08:38 |
No. I don't think |
| 00:08:42 |
- I think... |
| 00:08:44 |
May I have the pleasure |
| 00:08:51 |
Thank you. |
| 00:09:12 |
What a joy it is |
| 00:09:15 |
Like holding springtime |
| 00:09:18 |
Like holding a branch of lilac |
| 00:09:22 |
Look at her now. |
| 00:09:30 |
If she looks back at me |
| 00:09:34 |
she'll be my wife. |
| 00:10:06 |
Guide us with thy infiinite wisdom. |
| 00:10:10 |
Teach us to abide in thy mercy. |
| 00:10:15 |
And if it be thy will, |
| 00:10:20 |
Mama, I must talk to you |
| 00:10:23 |
Well, well. |
| 00:10:25 |
It's about Prince Andre, |
| 00:10:31 |
Thursday, Friday, |
| 00:10:35 |
Five days that he hasn't |
| 00:10:38 |
First he comes and sees me |
| 00:10:40 |
and quite turns my head, then |
| 00:10:44 |
Now, let me tell you about myself |
| 00:10:48 |
I had a cousin. |
| 00:10:52 |
Yes, really handsome. |
| 00:10:54 |
I know... Cyril Nutvich. |
| 00:10:58 |
But must everything, as |
| 00:11:00 |
Now you're being impulsive, |
| 00:11:03 |
You must be patient, |
| 00:11:06 |
You must wait till a proper |
| 00:11:10 |
- He'll show up. |
| 00:11:13 |
he had it right here on the tip |
| 00:11:16 |
And he seemed so in love. |
| 00:11:18 |
I'm always a little afraid |
| 00:11:22 |
What does it mean? |
| 00:11:26 |
- Mama, are you asleep? |
| 00:11:30 |
I'm a little frightened myself. |
| 00:11:34 |
Oh, it's not fair. |
| 00:11:37 |
Mommy, such a thing |
| 00:11:41 |
Could we ever have thought it when |
| 00:11:44 |
that we should meet at the ball? |
| 00:11:46 |
Well, it must be fate. |
| 00:11:48 |
Clearly it must be fate |
| 00:11:53 |
Mama, need one be ashamed |
| 00:11:56 |
No, darling. Pray to God. |
| 00:12:02 |
Mama, how I love you. |
| 00:12:08 |
Little countess, |
| 00:12:13 |
Yes, dear, I'm asleep. |
| 00:12:20 |
Marry. Marry? |
| 00:12:23 |
As though life were not |
| 00:12:27 |
And in such a hurry. |
| 00:12:30 |
You thought you knew |
| 00:12:32 |
- Do you remember? |
| 00:12:35 |
- It's always completely different. |
| 00:12:38 |
life was sad... |
| 00:12:39 |
meaningless, hopeless. |
| 00:12:42 |
You're over 30. |
| 00:12:46 |
life should be sad, |
| 00:12:48 |
- Father. |
| 00:12:51 |
Let's be reasonable. |
| 00:12:54 |
- Her family is nothing. |
| 00:12:57 |
Nothing compared |
| 00:13:00 |
Her father is well known |
| 00:13:04 |
every woman in Moscow |
| 00:13:07 |
without success. |
| 00:13:09 |
Now that he's grown older... |
| 00:13:12 |
he's well known as a man |
| 00:13:14 |
in Moscow and St. Petersburg, |
| 00:13:18 |
They're a happy |
| 00:13:21 |
That's a success too. |
| 00:13:26 |
But do you think you're |
| 00:13:30 |
You're much older than she. |
| 00:13:32 |
You have a son to bring up. |
| 00:13:34 |
Who's going to take |
| 00:13:36 |
A little chit of a girl? |
| 00:13:40 |
I beg of you, |
| 00:13:45 |
and go abroad. |
| 00:13:46 |
There's this peace mission |
| 00:13:49 |
The czar and the emperor Napoleon. |
| 00:13:51 |
They'll be signing |
| 00:13:54 |
I know you wanted to go |
| 00:13:57 |
Now, after one year, |
| 00:14:00 |
or obstinacy, passion, whatever |
| 00:14:04 |
That is my last word |
| 00:14:06 |
It's my last word. |
| 00:14:21 |
Is it possible |
| 00:14:24 |
am to be the wife of this strange, |
| 00:14:28 |
whom even my father looks up to? |
| 00:14:31 |
Can it be true? |
| 00:14:33 |
Can it be true that there can be |
| 00:14:36 |
that now I am grown up, |
| 00:14:39 |
the responsibility |
| 00:14:55 |
I have loved you |
| 00:15:05 |
- Do you love me? |
| 00:15:25 |
What is it? |
| 00:15:30 |
I'm so happy. |
| 00:15:43 |
Did your mother tell you |
| 00:15:45 |
There's nothing to explain. |
| 00:15:47 |
Did she tell you |
| 00:15:49 |
Forgive me, but you're so young. |
| 00:15:53 |
I am sure. |
| 00:15:55 |
One year isn't too terribly long, |
| 00:15:58 |
If within that year |
| 00:16:01 |
or if you come to love |
| 00:16:03 |
Don't say that. You must never |
| 00:16:09 |
Ayear? Am I going |
| 00:16:12 |
Of course. I have to go to Poland, |
| 00:16:16 |
Well, can't it be helped? |
| 00:16:18 |
It's awful! I'll die waiting |
| 00:16:24 |
No, I'll do anything. |
| 00:16:27 |
Oh, I'm so happy. |
| 00:16:35 |
At Tilsit, in Prussia, |
| 00:16:40 |
Napoleon met with |
| 00:16:43 |
for the purpose of discussing |
| 00:17:08 |
They can't help liking me. |
| 00:17:10 |
I'm so willing |
| 00:17:14 |
so ready to be fond of him... |
| 00:17:17 |
for being his father. |
| 00:17:25 |
- I am Mary Bolkonsky. |
| 00:17:28 |
- And this is my daughter Natasha. |
| 00:17:31 |
Good afternoon. |
| 00:17:33 |
Please excuse my father. |
| 00:17:37 |
He asked me to welcome you |
| 00:17:45 |
- Will you have some tea? |
| 00:17:48 |
No, thank you. |
| 00:17:50 |
No, thank you. |
| 00:17:59 |
I suppose you've heard |
| 00:18:02 |
Yes. |
| 00:18:06 |
Father! |
| 00:18:08 |
Ah, you're the young |
| 00:18:11 |
I didn't know you were paying me |
| 00:18:15 |
You must excuse my costume. |
| 00:18:19 |
Why wasn't I told? |
| 00:18:21 |
Count Rostov. Oh, yes, |
| 00:18:25 |
A great deal about you. |
| 00:18:28 |
As the Lord is my witness, |
| 00:18:33 |
This house... |
| 00:18:36 |
People coming and going, |
| 00:18:39 |
Even the papers in my desk. |
| 00:18:41 |
You must excuse me. |
| 00:18:44 |
As you see, |
| 00:18:46 |
I can't stand Moscow anyhow! |
| 00:18:50 |
I wouldn't be here |
| 00:18:53 |
I'm forced to be here. |
| 00:18:59 |
Well, I think we'd better |
| 00:19:06 |
Wait. I must talk to you. |
| 00:19:09 |
Dear Natasha, |
| 00:19:11 |
that I'm certain my brother |
| 00:19:15 |
Princess, I think it is not |
| 00:19:38 |
Isn't it wonderful? |
| 00:19:40 |
Aren't you glad you decided to come |
| 00:19:44 |
I don't know. |
| 00:19:46 |
I can't be glad about anything. |
| 00:19:48 |
Well, it's only a few weeks. |
| 00:19:53 |
Yes. What about him? |
| 00:19:55 |
When we passed him, |
| 00:19:57 |
"That's the Countess Rostov, the |
| 00:20:01 |
Lucky man." |
| 00:20:03 |
- He said, "Lucky man?" |
| 00:20:09 |
I must write that to Andre. |
| 00:20:11 |
He can pass it on |
| 00:20:19 |
- Countess Bezukhov has arrived. |
| 00:20:22 |
One of my favorites. |
| 00:20:26 |
Countess Bezukhov! |
| 00:20:28 |
I'm delighted to see you. The city |
| 00:20:34 |
I've brought my two girls |
| 00:20:46 |
Magnifiicent woman. |
| 00:20:48 |
Yes. You can understand how men |
| 00:20:54 |
Dolokhov, see the girl |
| 00:20:57 |
Yes. She's lovely, but... |
| 00:21:03 |
For you? Anatole, |
| 00:22:39 |
Count Rostov, may I borrow |
| 00:22:41 |
to sit with me |
| 00:22:44 |
Oh, Countess, how charming. |
| 00:22:47 |
- Isn't it exciting? |
| 00:22:57 |
Enchanting. You mustn't |
| 00:23:01 |
Oh, you're too kind. |
| 00:23:06 |
Now we can tear |
| 00:23:13 |
You realize that everyone in |
| 00:23:17 |
how lovely you are and |
| 00:23:20 |
- You know about that? |
| 00:23:24 |
Prince Andre Bolkonsky? |
| 00:23:26 |
Why, every woman here tonight |
| 00:23:31 |
Why, Anatole! |
| 00:23:34 |
May I present my brother? |
| 00:23:40 |
My brother is the center |
| 00:23:43 |
That means that he eats |
| 00:23:45 |
and plays for too high stakes. |
| 00:23:47 |
He also sees the worst |
| 00:23:50 |
You simply must get him to tell you |
| 00:23:54 |
- Countess! |
| 00:23:57 |
- I was convinced you were dead. |
| 00:23:58 |
- I was convinced you were dead. |
| 00:23:59 |
When I saw you |
| 00:24:01 |
When was it, |
| 00:24:03 |
I thought, "What a pretty girl." |
| 00:24:07 |
But tonight... |
| 00:24:14 |
- I felt... |
| 00:24:17 |
Don't look guilty. |
| 00:24:23 |
Are you enjoying the opera? |
| 00:24:28 |
Oh, is it? |
| 00:24:31 |
I haven't looked |
| 00:24:34 |
I must see you again. |
| 00:24:37 |
You must come to my sister's |
| 00:24:42 |
I think... |
| 00:24:46 |
I think my mother's in the country. |
| 00:24:51 |
She's enchanting. |
| 00:25:05 |
Go away, Anatole. |
| 00:25:09 |
All right. |
| 00:25:11 |
You'll come. |
| 00:25:14 |
I'll take this as a pledge. |
| 00:25:22 |
My brother is very amusing, |
| 00:26:11 |
How lovely she is. |
| 00:26:13 |
I don't think so... |
| 00:26:16 |
Natasha, come. |
| 00:26:30 |
You're enchanting. |
| 00:26:32 |
From the moment I saw you, |
| 00:26:39 |
I do hope you don't think us |
| 00:26:42 |
Oh, Countess! |
| 00:26:58 |
I'm madly in love with you. |
| 00:27:06 |
The success was triumphant. |
| 00:27:09 |
- Papa, we must leave. |
| 00:27:13 |
It was like one big heart, |
| 00:27:18 |
His Majesty the king |
| 00:27:21 |
that tears |
| 00:27:28 |
My cloak, please. |
| 00:27:59 |
I can't. |
| 00:28:54 |
"Dearest Natasha... |
| 00:28:56 |
My fate has been sealed... |
| 00:28:59 |
I know your parents |
| 00:29:01 |
for secret reasons |
| 00:29:04 |
But if you love me, you need |
| 00:29:07 |
and no human power can hinder us. |
| 00:29:09 |
Anatole." |
| 00:29:18 |
You're back. |
| 00:29:22 |
How was your evening? |
| 00:29:25 |
Yes. I made excuses for you. |
| 00:29:30 |
I was worried about you. |
| 00:29:34 |
- Sonya, you read that letter. |
| 00:29:37 |
I'm glad you read it. I couldn't |
| 00:29:43 |
- You know we love one another. |
| 00:29:46 |
- If only you knew how happy I am. |
| 00:29:49 |
- You don't know what love is. |
| 00:29:52 |
You don't understand anything. |
| 00:29:55 |
How is it that you loved a man |
| 00:29:58 |
Why? You've only seen |
| 00:30:02 |
I've never loved anyone before. |
| 00:30:07 |
I've heard it's happened that way. |
| 00:30:10 |
It's only now I feel such love. |
| 00:30:12 |
As soon as I saw him, |
| 00:30:16 |
and I his slave, |
| 00:30:20 |
Yes, his slave! |
| 00:30:23 |
- What can I do, Sonya? |
| 00:30:26 |
why doesn't he come honestly |
| 00:30:29 |
ask for your engagement |
| 00:30:31 |
- Why all this secrecy? |
| 00:30:35 |
Whatever his reasons, |
| 00:30:38 |
I told you I have no will. |
| 00:30:40 |
Then I won't let it come to that. |
| 00:30:44 |
Sonya, what do you mean? |
| 00:30:48 |
Don't torture me! |
| 00:30:50 |
Natasha, what are you saying? |
| 00:30:55 |
I don't love anyone but him. |
| 00:30:59 |
Go, Sonya. |
| 00:31:01 |
I don't want to quarrel |
| 00:31:13 |
Anatole, where |
| 00:31:17 |
Her family will fiind out about that |
| 00:31:20 |
- If you're caught, it'll mean jail. |
| 00:31:24 |
even if it is for one month |
| 00:31:29 |
There are some things in life |
| 00:31:35 |
- The driver you sent for, Prince. |
| 00:31:39 |
- You've got to drive far and fast. |
| 00:31:42 |
- Tell her to bring the cloak. |
| 00:31:45 |
- Elopement. |
| 00:31:48 |
Youth, romance, excitement! |
| 00:31:50 |
There's a priest of a sort |
| 00:31:52 |
Run down anyone |
| 00:31:54 |
There is a man for you! |
| 00:31:59 |
- You want me? |
| 00:32:03 |
Listen to me. I know |
| 00:32:05 |
You fiind the girl shivering |
| 00:32:09 |
You wrap her up, for the minute |
| 00:32:12 |
there will be a stampede |
| 00:32:15 |
Papa awakened, Mama screaming, |
| 00:32:18 |
challenges, etcetera. |
| 00:32:21 |
Always keep a young girl |
| 00:32:24 |
Now, up with the collar! |
| 00:32:31 |
- Take it. |
| 00:32:33 |
- But my cloak. |
| 00:32:35 |
- But when? |
| 00:32:39 |
Now, comrade |
| 00:32:42 |
we've had our fling, |
| 00:32:44 |
Yeah. Now let's... farewell. |
| 00:32:47 |
- To your health. |
| 00:32:54 |
- How sad it is. |
| 00:32:57 |
Anatole! I still think |
| 00:33:00 |
So do I. |
| 00:33:39 |
No, I won't open it. |
| 00:33:45 |
I'll hate you forever for this! |
| 00:33:48 |
No, I won't open it. |
| 00:34:11 |
What's the matter with you? |
| 00:34:13 |
Your sister is not famous |
| 00:34:16 |
things that are good subjects |
| 00:34:18 |
What are you talking about? |
| 00:34:20 |
I know all about the money |
| 00:34:26 |
It's not true. |
| 00:34:28 |
You must leave Moscow. |
| 00:34:30 |
You must never breathe |
| 00:34:32 |
You must understand that |
| 00:34:34 |
there's such a thing |
| 00:34:37 |
You're willing to ruin a whole life |
| 00:34:40 |
Well, amuse yourself with women |
| 00:34:44 |
They're armed against you |
| 00:34:46 |
As a man of honor, |
| 00:34:50 |
- Is it satisfaction you want? |
| 00:34:54 |
I take it back. |
| 00:34:59 |
Drive this gentleman |
| 00:35:28 |
He's gone. |
| 00:35:31 |
She's in her room. |
| 00:35:46 |
What are you doing here? |
| 00:35:50 |
I came to stop you. |
| 00:35:53 |
Nothing is going to stop me |
| 00:35:56 |
What do you plan to tell Andre |
| 00:35:58 |
I'm never going to see Andre again. |
| 00:36:00 |
Did you? |
| 00:36:03 |
No, you've got to go crawling |
| 00:36:06 |
the most notorious |
| 00:36:09 |
I'm going to him, I tell you. |
| 00:36:11 |
Whatever he's told you, he's lying. |
| 00:36:18 |
It isn't true. |
| 00:36:20 |
Look at me, Natasha. |
| 00:36:23 |
Could I purposely deceive you? |
| 00:37:05 |
- The rumor's all over Moscow. |
| 00:37:08 |
And now Prince Andre |
| 00:37:11 |
That's bad. |
| 00:37:13 |
She's been quite ill. |
| 00:37:17 |
But when she knew you were coming, |
| 00:37:20 |
She's dressed now |
| 00:37:28 |
Now, mind you, |
| 00:37:31 |
One hasn't the heart to scold her. |
| 00:38:04 |
I hear he's in Moscow now. |
| 00:38:10 |
Ask him... |
| 00:38:14 |
Ask him to forgive me. |
| 00:38:17 |
Yes, I will tell him, |
| 00:38:19 |
I know that can never be. |
| 00:38:22 |
All is over. |
| 00:38:24 |
Only I'm so tormented |
| 00:38:31 |
Tell him... |
| 00:38:34 |
Tell him I beg him to forgive... |
| 00:38:37 |
forgive me for everything. |
| 00:38:45 |
I will tell him everything. |
| 00:38:47 |
But one thing I beg of you... |
| 00:38:50 |
If you want help, advice or simply |
| 00:38:54 |
not now, but when your mind |
| 00:38:59 |
I shall be happy, |
| 00:39:01 |
Don't speak to me like that. |
| 00:39:03 |
Don't talk like that. |
| 00:39:06 |
Ahead of me? No. |
| 00:39:09 |
Nonsense, Natasha. |
| 00:39:11 |
Listen to me. Look. |
| 00:39:13 |
If I were not myself, |
| 00:39:17 |
best man in the world, |
| 00:39:21 |
I would not hesitate for one moment |
| 00:39:23 |
for your hand and your love. |
| 00:40:07 |
- It's not cold, Mishka. |
| 00:40:10 |
- I think it must be well below zero. |
| 00:40:13 |
- Where to now, sir? |
| 00:40:16 |
- Are you looking at the comet? |
| 00:40:19 |
They say it means bad. |
| 00:40:21 |
They say it means war |
| 00:40:24 |
- All sorts of woes. |
| 00:40:26 |
That comet's beautiful. |
| 00:40:28 |
- Go, Mishka! |
| 00:40:31 |
- No. |
| 00:40:32 |
No. Go. |
| 00:40:56 |
"If Your Majesty wishes to avoid |
| 00:40:59 |
for a mere misunderstanding... |
| 00:41:01 |
and consents to the withdrawal |
| 00:41:06 |
I, on my side, |
| 00:41:09 |
and agreement between us |
| 00:41:11 |
Otherwise, Your Majesty... |
| 00:41:13 |
I shall be forced |
| 00:41:16 |
that has been |
| 00:41:20 |
The decision whether |
| 00:41:22 |
from the disasters of another war... |
| 00:41:25 |
lies in Your Majesty's hands." |
| 00:41:28 |
"I am," et cetera, "Alexander." |
| 00:41:33 |
So, this letter is very polite, |
| 00:41:37 |
and it is full of |
| 00:41:39 |
of devotion and love |
| 00:41:43 |
Sentiments which, I assure you... |
| 00:41:45 |
are reciprocated by me. |
| 00:41:48 |
However, in essence, Colonel... |
| 00:41:51 |
- Bolkonsky. |
| 00:41:53 |
What would you say |
| 00:41:56 |
It is not for me, sire, |
| 00:41:59 |
to express the wishes |
| 00:42:03 |
Come, come, my dear fellow. |
| 00:42:07 |
What... |
| 00:42:12 |
Where have we met before? |
| 00:42:16 |
Your face is familiar to me. |
| 00:42:19 |
On the fiield at Austerlitz, sire. |
| 00:42:23 |
Austerlitz, Austerlitz. |
| 00:42:27 |
Yes, I do remember. |
| 00:42:31 |
You were lying |
| 00:42:35 |
Yes, sire. |
| 00:42:37 |
I thought you were dead. |
| 00:42:40 |
Well, well, here you are again. |
| 00:42:45 |
Now, Colonel, this letter... |
| 00:42:51 |
I think it can only represent, sire... |
| 00:42:53 |
the sincere wish of His Majesty |
| 00:42:56 |
and to prevent the shedding |
| 00:43:01 |
A praiseworthy aim, |
| 00:43:05 |
However, what else? |
| 00:43:07 |
What else would you say |
| 00:43:11 |
Since you press me, sire, |
| 00:43:15 |
I would say that it contained |
| 00:43:18 |
of Your Majesty's troops |
| 00:43:21 |
A personal opinion. |
| 00:43:22 |
So that's how the tsar |
| 00:43:26 |
You personally say "withdrawal," |
| 00:43:28 |
Say "retreat!" |
| 00:43:30 |
I am a soldier, |
| 00:43:32 |
I am not a fool! |
| 00:43:34 |
I have been asked |
| 00:43:36 |
while my enemies |
| 00:43:40 |
Sire, it is not |
| 00:43:44 |
when I say that the tsar |
| 00:43:46 |
and that he is |
| 00:43:51 |
If you'll read |
| 00:43:59 |
I will read the letter |
| 00:44:03 |
and send the tsar |
| 00:44:07 |
Good night to you, Colonel. |
| 00:44:23 |
Gentlemen, tomorrow at dawn... |
| 00:44:25 |
we cross the Niemen into Russia. |
| 00:44:28 |
We'll talk of peace... |
| 00:44:30 |
in Moscow! |
| 00:44:38 |
And on the 12th ofjune, 1812... |
| 00:44:41 |
Napoleon Bonaparte, at the head |
| 00:44:45 |
crossed the river Niemen |
| 00:44:48 |
To combat this aggressive invasion |
| 00:44:51 |
the Russian peasant |
| 00:44:54 |
with nothing more than |
| 00:44:57 |
a widely desolated land. |
| 00:45:07 |
Looting, burning. |
| 00:45:10 |
As soon as Napoleon |
| 00:45:12 |
the peasants and serfs run off with |
| 00:45:16 |
What they can't take away with them, |
| 00:45:19 |
If we don't put a stop |
| 00:45:22 |
we're going to leave |
| 00:45:24 |
a scorched earth. |
| 00:45:27 |
We must fiight. |
| 00:45:29 |
The army demands it, |
| 00:45:32 |
and the people demand it. |
| 00:45:37 |
What does the army want... |
| 00:45:41 |
to be destroyed? |
| 00:45:43 |
Because that will be |
| 00:45:47 |
What does the tsar want... |
| 00:45:51 |
Because that would be |
| 00:45:55 |
What do the people want... |
| 00:45:58 |
to be the subjects of Napoleon? |
| 00:46:00 |
Because that would be |
| 00:46:06 |
Gentlemen, |
| 00:46:10 |
to give the army, |
| 00:46:12 |
what they really want. |
| 00:46:14 |
And what they really want |
| 00:46:18 |
from the soil of Russia! |
| 00:46:21 |
And that I propose to do |
| 00:46:26 |
But the looting |
| 00:46:28 |
Let it continue! |
| 00:46:31 |
Let it increase! |
| 00:46:49 |
- Soon they will be at our gates! |
| 00:46:51 |
We will stop it! |
| 00:47:01 |
- Why doesn't he replace him? |
| 00:47:03 |
how Russia rises |
| 00:47:06 |
Napoleon will not enter Moscow! |
| 00:47:19 |
Lord God, |
| 00:47:25 |
Strengthen with thy might |
| 00:47:28 |
Emperor Alexander Pavlovich... |
| 00:47:31 |
and give him victory |
| 00:47:33 |
even as thou gavest Moses |
| 00:47:37 |
Gideon over Midian, |
| 00:47:40 |
Smite down our enemies |
| 00:47:44 |
beneath the feet... |
| 00:47:46 |
of thy faithful servants. |
| 00:47:49 |
Preserve our army. |
| 00:47:50 |
Put a bow of brass |
| 00:47:53 |
who have armed themselves |
| 00:47:56 |
and gird their loins |
| 00:48:00 |
Take up the spear and shield |
| 00:48:03 |
Confound and put to shame those |
| 00:48:08 |
May they be before the faces |
| 00:48:12 |
as dust before the wind... |
| 00:48:14 |
and may thy mighty angel |
| 00:48:19 |
Let them fall |
| 00:48:23 |
and be laid low by our host. |
| 00:48:26 |
I came to say good-bye. |
| 00:48:28 |
- I'm leaving Moscow today. |
| 00:48:31 |
To the army. They hope to make |
| 00:48:35 |
You're going to join up yourself, |
| 00:48:38 |
I don't know. |
| 00:48:40 |
I'm going to see... |
| 00:48:43 |
what it means for myself. |
| 00:48:46 |
Prince Andre |
| 00:48:48 |
I'm gonna try to fiind him |
| 00:48:50 |
When did you decide to do this? |
| 00:48:52 |
I've been thinking about it |
| 00:48:54 |
Even you, Pierre? |
| 00:48:56 |
- You will stay to dinner, won't you? |
| 00:48:59 |
- By all means. |
| 00:49:01 |
That's good. |
| 00:49:04 |
Lots of my school friends are going, |
| 00:49:06 |
- Nonsense. |
| 00:49:08 |
It's not nonsense. |
| 00:49:11 |
Every man, not every infant. |
| 00:49:14 |
Besides, I can't study now |
| 00:49:17 |
Petya, be quiet! |
| 00:49:19 |
You heard from Andre? |
| 00:49:21 |
Yes. One letter. |
| 00:49:23 |
Did he... |
| 00:49:26 |
How is he? |
| 00:49:28 |
Well enough, but sad. |
| 00:49:31 |
Yes, I know. |
| 00:49:33 |
And although his father |
| 00:49:37 |
He was the fiirst person |
| 00:49:39 |
to disapprove of me, Pierre. |
| 00:49:41 |
I suppose you're not really grown up |
| 00:49:45 |
Did Andre say anything about me |
| 00:49:49 |
No, Natasha. |
| 00:49:51 |
Do you think he'll ever forgive me? |
| 00:49:54 |
He has nothing to forgive. |
| 00:50:01 |
Pierre, you must |
| 00:50:04 |
Yes? |
| 00:50:05 |
Don't let anything happen to you. |
| 00:50:09 |
If it did, I'd... |
| 00:50:22 |
Did you hear me, Pierre? |
| 00:50:25 |
Yes, I heard you. |
| 00:50:27 |
I promise. |
| 00:50:38 |
- And Pierre? |
| 00:50:41 |
If you do see Andre, |
| 00:50:48 |
tell him I prayed |
| 00:51:02 |
Can you tell me where |
| 00:51:43 |
Colonel, this gentleman's |
| 00:51:53 |
- At last. |
| 00:51:56 |
It's a little hard to say. |
| 00:51:58 |
I came to see the battle. |
| 00:52:00 |
Why? |
| 00:52:04 |
It's hard to explain, Andre. |
| 00:52:06 |
It's such an enormous event. |
| 00:52:09 |
All our lives |
| 00:52:11 |
because of what's going |
| 00:52:19 |
I'm sorry about |
| 00:52:21 |
He was an old man. |
| 00:52:23 |
He couldn't live with the thought |
| 00:52:28 |
How are they taking it in Moscow? |
| 00:52:32 |
You know that Mary |
| 00:52:35 |
It was Nicholas Rostov who got her |
| 00:52:38 |
Nicholas? |
| 00:52:46 |
So Anatole Kuragine did not honor |
| 00:52:51 |
He couldn't. |
| 00:52:55 |
Well, it was all very long ago. |
| 00:52:57 |
to forget her disappointment. |
| 00:53:03 |
You remember one of |
| 00:53:06 |
I said that a fallen woman |
| 00:53:09 |
But I didn't say I could forgive her, |
| 00:53:11 |
But you can't compare Natasha |
| 00:53:16 |
What romantic dreams I had. |
| 00:53:20 |
You mean ask for her hand again? |
| 00:53:23 |
Yes, that would be very noble, but... |
| 00:53:32 |
I'm sorry. |
| 00:53:34 |
How are you, Andre? |
| 00:53:38 |
The fiirst thing you must learn |
| 00:53:41 |
on the night before it is fought, |
| 00:53:43 |
are likely to seem a little disturbed. |
| 00:53:46 |
No. It's more than that. |
| 00:53:48 |
Perhaps it is. |
| 00:53:56 |
I've been in many battles, |
| 00:53:59 |
but for the fiirst time I feel |
| 00:54:02 |
Nonsense. Why? |
| 00:54:04 |
I just feel it. |
| 00:54:07 |
Why are you really here, Pierre? |
| 00:54:09 |
Why, when you hate |
| 00:54:11 |
did you decide to do this? |
| 00:54:16 |
I don't know. |
| 00:54:19 |
Because I've fiinally realized |
| 00:54:21 |
you've never known |
| 00:54:26 |
How do you think the battle will go? |
| 00:54:29 |
Success never depends on positions... |
| 00:54:31 |
orders, plans, |
| 00:54:36 |
The battle is won by men |
| 00:54:38 |
and despite those men at headquarters |
| 00:54:42 |
War is the most |
| 00:54:45 |
If it were in my power, |
| 00:54:48 |
The French are my enemies! |
| 00:54:50 |
They destroyed my home, |
| 00:54:52 |
exiled my sister and my child. |
| 00:54:55 |
Now they hope to destroy Moscow. |
| 00:54:57 |
Why take prisoners? |
| 00:55:00 |
Take no prisoners! |
| 00:55:03 |
Kill and be killed! If there were |
| 00:55:06 |
we would go to war only when it was |
| 00:55:08 |
as now. |
| 00:55:13 |
I'm sorry. |
| 00:55:15 |
Why should I burden you |
| 00:55:19 |
If we're both alive tomorrow night, |
| 00:55:21 |
and we'll laugh at everything |
| 00:55:23 |
Forgive me. |
| 00:55:26 |
- It's time for me to sleep too. |
| 00:55:31 |
Go! I have no time for you now! |
| 00:55:35 |
are the men who are gonna |
| 00:55:50 |
Good-bye. |
| 00:55:52 |
Whether we meet again or not. |
| 00:56:14 |
Take down a proclamation |
| 00:56:19 |
Soldiers... |
| 00:56:21 |
this is the battle |
| 00:56:25 |
Victory depends on you. |
| 00:56:27 |
comfortable quarters... |
| 00:56:29 |
and a speedy return |
| 00:56:32 |
Act as you did at Austerlitz... |
| 00:56:35 |
Friedland, Vitebsk and Smolensk! |
| 00:56:39 |
Let posterity say with pride |
| 00:56:44 |
"He was in the great battle |
| 00:56:49 |
Well, de Beausset, |
| 00:56:52 |
All Paris regrets your absence. |
| 00:56:54 |
I should say they do. |
| 00:56:57 |
- A surprise, Your Majesty. |
| 00:57:00 |
A present from the empress |
| 00:57:12 |
My son. |
| 00:57:17 |
The king of Rome. |
| 00:57:23 |
Admirable. |
| 00:57:31 |
Take him away, de Beausset. |
| 00:57:34 |
It is too soon |
| 00:57:42 |
Follow me, de Beausset. |
| 00:57:48 |
You must not leave, de Beausset. |
| 00:57:50 |
Stay, and we'll give you |
| 01:01:34 |
There's a lot of wind out there, |
| 01:01:36 |
But it happens to be made of iron! |
| 01:01:41 |
Better get down from there, mate... |
| 01:01:43 |
or the next time it won't |
| 01:01:46 |
- It'll be your head! |
| 01:01:49 |
Number three, you're too slow! |
| 01:01:52 |
Ready! Fire! |
| 01:01:56 |
Sir, you can't stand here. |
| 01:01:58 |
Sorry. |
| 01:02:00 |
I'll try to keep out |
| 01:02:03 |
Up with your sights there, |
| 01:02:07 |
Number fiive, |
| 01:02:15 |
- How is it you're not afraid, sir? |
| 01:02:18 |
They have no mercy, you know, |
| 01:02:21 |
Heaven help us. |
| 01:02:29 |
Ready! |
| 01:02:31 |
Fire! |
| 01:02:35 |
Having a pleasant morning, sir? |
| 01:02:37 |
- Interesting morning. |
| 01:02:40 |
You hear that, mates? |
| 01:02:47 |
Here comes a live one! |
| 01:02:49 |
Hey, don't come this way. |
| 01:02:53 |
Found you a friend, eh? |
| 01:03:01 |
Sir, beyond the trees, |
| 01:03:18 |
Hold your fiire! |
| 01:04:11 |
Lower your sights and wait |
| 01:05:34 |
Fire! |
| 01:06:12 |
Sire, I must report more infantry |
| 01:06:16 |
and they're retreating |
| 01:06:18 |
The horse cavalry should have |
| 01:06:22 |
Send them now. |
| 01:06:28 |
There's only enough ammunition |
| 01:06:30 |
Run to the reserves |
| 01:06:32 |
I'll go too. |
| 00:00:09 |
Take me to a dressing station. |
| 00:00:12 |
Help me. |
| 00:00:41 |
Doctor, this boy needs help. |
| 00:00:46 |
- How far have you carried him? |
| 00:00:53 |
You should have |
| 00:00:55 |
He is dead. |
| 00:01:51 |
Damn you, Napoleon. |
| 00:01:54 |
Damn you to hell! |
| 00:02:01 |
Well, we've stood our ground. |
| 00:02:03 |
We've taken the worst |
| 00:02:07 |
We must attack tomorrow morning. |
| 00:02:10 |
Do you agree, sir? |
| 00:02:12 |
Yes, I agree, theoretically. |
| 00:02:15 |
According to all the rules that |
| 00:02:20 |
we must attack tomorrow morning. |
| 00:02:23 |
But we cannot attack! |
| 00:02:25 |
We are too exhausted to attack! |
| 00:02:27 |
But, sire, if we retreat now... |
| 00:02:30 |
We leave the ground to the enemy. |
| 00:02:33 |
But he has paid |
| 00:02:36 |
Finally, he will bleed to death |
| 00:02:39 |
But it will be impossible |
| 00:02:42 |
Yes, General, you are right. |
| 00:02:44 |
Do you mean to abandon Russia's |
| 00:02:48 |
Russia's ancient and sacred capital? |
| 00:02:51 |
Allow me to tell you, |
| 00:02:53 |
that that question |
| 00:02:56 |
Such a question cannot be put. |
| 00:03:00 |
The question I've asked you |
| 00:03:02 |
to meet to discuss |
| 00:03:05 |
The question is of saving Russia! |
| 00:03:08 |
Is it better to give up Moscow |
| 00:03:11 |
or by accepting battle |
| 00:03:19 |
Well, gentlemen, |
| 00:03:23 |
who has to pay |
| 00:03:26 |
Gentlemen, I've heard your views. |
| 00:03:30 |
Some of you |
| 00:03:32 |
but I, by the authority |
| 00:03:35 |
by my sovereign and my country... |
| 00:03:40 |
order a retreat. |
| 00:03:52 |
No, faster! Faster! |
| 00:03:55 |
before we're ready to leave, |
| 00:03:57 |
Now, come on. |
| 00:04:10 |
Put all the glass things |
| 00:04:13 |
And the books. |
| 00:04:15 |
Put them in the low wagon. |
| 00:04:17 |
- Here, take this. And this. |
| 00:04:21 |
And these gloves. |
| 00:04:23 |
Thank you. |
| 00:05:14 |
They are the wounded from Borodino. |
| 00:05:26 |
Hurry! |
| 00:05:30 |
Vera, come! |
| 00:05:32 |
Give me some water. |
| 00:05:38 |
- Papa, have you seen the wounded men? |
| 00:05:40 |
I've given permission for them to |
| 00:06:39 |
Someone badly wounded? |
| 00:06:42 |
Just about alive. |
| 00:06:44 |
It is a miracle His Excellency |
| 00:06:47 |
- His Excellency? |
| 00:07:02 |
Miss Sonya! |
| 00:07:04 |
Mavra, don't tell anyone about this. |
| 00:07:06 |
Not yet. Promise me. |
| 00:07:27 |
Aunt! Prince Andre is here. |
| 00:07:30 |
Among the wounded. |
| 00:07:32 |
- Andre? |
| 00:07:34 |
He is unconscious. |
| 00:07:37 |
- Natasha. |
| 00:07:39 |
- She mustn't know. |
| 00:07:42 |
Natasha must not know. |
| 00:07:48 |
All right! |
| 00:07:50 |
Pull them up ahead |
| 00:07:52 |
You, in the back, pull ahead! |
| 00:07:56 |
- Offiicer? |
| 00:07:58 |
After we've left and the wounded men |
| 00:08:01 |
I'm afraid I don't know. |
| 00:08:04 |
My orders are to get back quickly |
| 00:08:07 |
They're to be left here deserted |
| 00:08:11 |
To be taken prisoner? |
| 00:08:13 |
I'm afraid that's in other hands |
| 00:08:15 |
- If you will permit me... |
| 00:08:19 |
That's enough. |
| 00:08:21 |
- Come along. |
| 00:08:23 |
What do you mean? |
| 00:08:26 |
If you left that here, those three men |
| 00:08:28 |
- and become prisoners of the French! |
| 00:08:32 |
But of course! |
| 00:08:35 |
If we leave the settee behind, I don't |
| 00:08:38 |
- I'll speak to mother. |
| 00:08:41 |
You three are to come with us |
| 00:08:51 |
Sir, your men must make themselves |
| 00:08:54 |
Count, please help us. |
| 00:08:55 |
Is there no room in one of your carts |
| 00:08:58 |
Of course. |
| 00:09:22 |
Hurry. Hurry. |
| 00:09:24 |
- Oh, my. |
| 00:09:26 |
I know. |
| 00:09:29 |
- Still, in a war... |
| 00:09:32 |
Papa, we're going |
| 00:09:34 |
and take every man |
| 00:09:38 |
You're right. |
| 00:09:42 |
Take those back. |
| 00:09:46 |
Vasilich, unload all the carts. |
| 00:09:47 |
- Unload? |
| 00:09:49 |
You can tell your men |
| 00:09:51 |
Thank you, sir. |
| 00:09:53 |
- Papa! |
| 00:09:57 |
Take this off. |
| 00:09:59 |
Unload the carts. |
| 00:10:02 |
Unload this cart completely. |
| 00:10:04 |
- Overboard with that. |
| 00:10:06 |
You, come here. |
| 00:10:08 |
Take down that terrible table. |
| 00:10:12 |
Empty the cart straightaway. |
| 00:10:13 |
All of this out. |
| 00:10:17 |
Ilya, what is this? |
| 00:10:22 |
To make room for the wounded, |
| 00:10:24 |
But these are our things. |
| 00:10:26 |
Things, things. |
| 00:10:29 |
Think what it means to be |
| 00:10:32 |
It isn't fair. The government |
| 00:10:35 |
Mama, you can't object. |
| 00:10:39 |
You'd leave them behind to save |
| 00:10:43 |
Mama, suppose Nicholas |
| 00:10:46 |
or Petya? |
| 00:10:52 |
Of course you are right, darling. |
| 00:10:56 |
I'm sorry, Ilya. |
| 00:11:00 |
The chicks are teaching the hen. |
| 00:11:02 |
Ten more minutes! |
| 00:11:17 |
I'm ready now, Ilya. |
| 00:11:20 |
Now come along, girls. |
| 00:11:29 |
In God's name, off! |
| 00:12:22 |
Dear Moscow, |
| 00:12:32 |
Look! |
| 00:12:35 |
- Who is it? I can't see. |
| 00:12:38 |
Over here, Pierre! |
| 00:12:43 |
Over here, Pierre! |
| 00:12:49 |
You're safe. You promised |
| 00:12:53 |
You mustn't stay, Pierre. |
| 00:12:55 |
Did you see the battle, Pierre? |
| 00:12:58 |
Yes, I saw it. |
| 00:13:01 |
- Come with us, Pierre. |
| 00:13:02 |
I must stay in the city. |
| 00:13:05 |
- Stop the coach. |
| 00:13:10 |
Go on. |
| 00:13:13 |
Remember me. |
| 00:13:23 |
Why wouldn't he come with us? |
| 00:13:27 |
I don't understand. |
| 00:13:35 |
You're crying. |
| 00:13:39 |
For us because we're leaving? |
| 00:13:43 |
I have to tell her. |
| 00:13:45 |
There's someone among the wounded... |
| 00:13:54 |
He's traveling with us now. |
| 00:13:59 |
Well, is he badly hurt? |
| 00:14:03 |
I didn't know how to tell you. |
| 00:14:07 |
He told you not to tell me. |
| 00:14:12 |
He's asleep or unconscious. |
| 00:14:23 |
He didn't speak? |
| 00:15:19 |
Moscow. |
| 00:15:22 |
Asiatic city |
| 00:15:25 |
Lots of them. |
| 00:15:28 |
Moscow the holy... |
| 00:15:30 |
here at my feet... |
| 00:15:32 |
at last. |
| 00:15:34 |
On the ancient monuments |
| 00:15:38 |
I shall inscribe |
| 00:15:42 |
and mercy. |
| 00:15:59 |
What a splendid reign |
| 00:16:07 |
Now, I'm ready to accept |
| 00:16:11 |
Now. |
| 00:16:19 |
Well, where are the boyards? |
| 00:16:26 |
There is no one, sire. |
| 00:16:30 |
The city is empty, |
| 00:16:35 |
There is no government... |
| 00:16:38 |
no one to surrender to you. |
| 00:16:45 |
That's impossible. |
| 00:16:48 |
Impossible... and ridiculous! |
| 00:16:55 |
There must be a surrender. |
| 00:17:05 |
This is an insult! |
| 00:17:09 |
They're going to pay for this. |
| 00:17:21 |
- The skyline! Look! |
| 00:17:28 |
- It could be Magdagachi. |
| 00:17:33 |
- Moscow is on fiire. |
| 00:17:38 |
- God have mercy. |
| 00:17:42 |
Oh, it is Moscow. |
| 00:17:48 |
Natasha, Sonya, come and look. |
| 00:17:50 |
Moscow's on fiire. |
| 00:17:54 |
- Moscow? |
| 00:17:58 |
How terrible. |
| 00:18:04 |
Let's go back to bed. |
| 00:18:06 |
- Papa, I must talk to you. |
| 00:18:11 |
You must give me your permission |
| 00:18:13 |
You already know it. |
| 00:18:16 |
I must go where I can do |
| 00:18:22 |
Your duty now |
| 00:18:24 |
Your duty is to stay with us |
| 00:18:28 |
I'm sorry, Papa. |
| 00:18:49 |
Natasha, do look. |
| 00:18:53 |
You can see it from the window. |
| 00:18:59 |
- You didn't even look. |
| 00:19:03 |
Go back to sleep. |
| 00:19:08 |
And you too, Natasha darling. |
| 00:20:32 |
- Venture we were burning the city. |
| 00:20:38 |
Please. |
| 00:20:40 |
Your offiicers... |
| 00:20:42 |
Offiicers, miss? |
| 00:20:44 |
I don't know. |
| 00:21:51 |
Forgive me. |
| 00:21:55 |
I love you. |
| 00:21:59 |
Forgive me. |
| 00:22:01 |
Forgive what? |
| 00:22:03 |
For everything I have done. |
| 00:22:08 |
I love you more... |
| 00:22:11 |
better than before. |
| 00:24:13 |
I want all these fiires put out. |
| 00:24:16 |
Yes, sire. |
| 00:24:57 |
No! Let me go! |
| 00:25:01 |
Let me go! |
| 00:25:07 |
Let me go. |
| 00:25:20 |
Take that. |
| 00:25:24 |
- Where did he come from? |
| 00:25:26 |
Take him over there. |
| 00:25:35 |
Ready! |
| 00:25:40 |
Aim! |
| 00:25:43 |
Fire! |
| 00:25:46 |
Cut 'em down. |
| 00:25:54 |
Two others. |
| 00:25:55 |
No! Help me! |
| 00:25:57 |
Help me, please! |
| 00:26:00 |
Hurry up. |
| 00:26:05 |
Please. No! |
| 00:26:13 |
No, please! |
| 00:26:16 |
No, please, no! |
| 00:26:19 |
Ready! |
| 00:26:22 |
Aim! |
| 00:26:28 |
Cut them down. |
| 00:26:41 |
No, that's all. |
| 00:26:43 |
The orders were to shoot |
| 00:26:47 |
Take them back to prison. |
| 00:26:49 |
Forward, march! |
| 00:27:06 |
Don't brood, sir. |
| 00:27:08 |
That's not for us to judge |
| 00:27:12 |
Finally, in the world to come God will |
| 00:27:15 |
and then it'll all be clear. |
| 00:27:25 |
Here you are, Grey. |
| 00:27:28 |
You found me again. |
| 00:27:31 |
That's right. |
| 00:27:34 |
Be a good boy. |
| 00:27:37 |
Do you like cold potatoes? |
| 00:27:39 |
We had soup for dinner, |
| 00:27:48 |
Here you are, boy. |
| 00:27:52 |
Perhaps you'd like some salt. |
| 00:28:03 |
Ah, that's better now, huh? |
| 00:28:06 |
I'm all right. |
| 00:28:08 |
Why did they shoot those poor fellows? |
| 00:28:12 |
Ah, what a sin, what a sin. |
| 00:28:15 |
Well, where's there's law, |
| 00:28:18 |
Come on, boy, get up. |
| 00:28:20 |
The maggot eats the cabbage, |
| 00:28:24 |
What did you say? |
| 00:28:25 |
I say things happen not as we plan, |
| 00:28:30 |
Have you got a family estate, sir, |
| 00:28:34 |
Your old parents... |
| 00:28:38 |
Perhaps you've got |
| 00:28:42 |
Never mind, dear lad. |
| 00:28:43 |
You're young folks yet, |
| 00:28:47 |
The great thing is |
| 00:28:50 |
Well, dear lad... |
| 00:28:52 |
I was still living at home. |
| 00:28:54 |
We had a well-to-do homestead, |
| 00:28:58 |
and a house |
| 00:29:01 |
When Father and we went a-mowin', |
| 00:29:03 |
We were real peasants. |
| 00:29:06 |
Well, one day l... |
| 00:29:09 |
I went into someone else's forest |
| 00:29:12 |
But a keeper found me. |
| 00:29:14 |
I was taken before a judge |
| 00:29:16 |
flogged and sent |
| 00:29:19 |
Well, lad, we thought |
| 00:29:23 |
but that turned out |
| 00:29:25 |
You see, if it hadn't been |
| 00:29:28 |
my brother would've gone instead |
| 00:29:32 |
Whereas I only had |
| 00:29:35 |
We had a little girl, but God took her |
| 00:29:41 |
You've had hard luck. |
| 00:29:43 |
We can make it into misery |
| 00:29:46 |
Our luck's like |
| 00:29:49 |
You pull at it, |
| 00:29:51 |
But when you've drawn it out, |
| 00:29:54 |
That's how it is, dear boy. |
| 00:29:57 |
Well, now I think |
| 00:30:05 |
Lord Jesus Christ, |
| 00:30:08 |
Lord Jesus Christ, |
| 00:30:13 |
That's the way. |
| 00:30:15 |
Lay me down like a stone, O God, |
| 00:30:19 |
What prayer was that |
| 00:30:22 |
I was praying. |
| 00:30:24 |
Yes, I do. But what did you say... |
| 00:30:27 |
Ah, the horse's saints. |
| 00:30:29 |
One must pity the animals too. |
| 00:30:31 |
Come on, Grey. |
| 00:30:34 |
You get warm and lie down. |
| 00:30:37 |
That's right. |
| 00:31:10 |
I thought you were asleep. |
| 00:31:12 |
No, I was lying here |
| 00:31:15 |
enjoying you, |
| 00:31:19 |
Sleep, my dearest. |
| 00:31:21 |
No, not yet. |
| 00:31:23 |
I want to keep my eyes open. |
| 00:31:25 |
I want to look at you. |
| 00:31:28 |
You know... |
| 00:31:30 |
you're not the girl I saw |
| 00:31:34 |
the girl who whispered |
| 00:31:38 |
You're something much better. |
| 00:31:41 |
How serene you are. |
| 00:31:44 |
How valuable. |
| 00:31:47 |
I love you so much. |
| 00:31:50 |
It's a terrible thing. |
| 00:31:53 |
Only at a moment like this |
| 00:31:56 |
Until now, I knew |
| 00:31:59 |
I was a great hater, Natasha. |
| 00:32:02 |
I hated so many things, |
| 00:32:07 |
You had every right. |
| 00:32:10 |
I love you more than I've ever |
| 00:32:15 |
Maybe this place has something |
| 00:32:19 |
Maybe the monks |
| 00:32:23 |
Now I'm beginning |
| 00:32:27 |
Maybe death |
| 00:32:56 |
Where is he? |
| 00:32:57 |
- Can I see him? |
| 00:32:59 |
But a moment, my dear. |
| 00:33:02 |
- Yes. |
| 00:33:03 |
- Kolja. |
| 00:33:07 |
- Where is he? |
| 00:33:09 |
We've sent to ask. |
| 00:33:11 |
I think you must be tired, |
| 00:33:13 |
We've prepared rooms for you. |
| 00:33:16 |
- And where is Petya? |
| 00:33:19 |
We simply couldn't control him |
| 00:33:22 |
He kept on and on |
| 00:33:25 |
until we just had to |
| 00:33:27 |
Don't worry. The war will probably |
| 00:33:31 |
- Did you receive my letter? |
| 00:33:33 |
Thanks be to God. |
| 00:33:35 |
That was a good piece of news. |
| 00:33:37 |
You and Princess Mary. |
| 00:33:39 |
- I'm worried about Sonya. |
| 00:33:41 |
I told her immediately. |
| 00:33:43 |
But, Mother, I wanted to |
| 00:33:50 |
Mary. |
| 00:33:52 |
There, now. You're going |
| 00:33:55 |
Come, my dear. |
| 00:34:04 |
- Come, little darling. |
| 00:34:09 |
Nicholas, you come along. |
| 00:34:13 |
Nicholas, |
| 00:34:16 |
I know. |
| 00:34:17 |
She's a fiine woman, isn't she? |
| 00:34:21 |
If you want to, Nicholas, |
| 00:34:25 |
Forgive me, Sonya. |
| 00:34:30 |
No one will tell me |
| 00:34:32 |
How is his wound, |
| 00:34:35 |
What do the doctors say? |
| 00:34:37 |
Is he worse? |
| 00:35:04 |
Andre. |
| 00:35:05 |
Hello, Mary. |
| 00:35:08 |
How did you manage to get here? |
| 00:35:13 |
How are you now? |
| 00:35:14 |
That, my dear, |
| 00:35:18 |
There, you see how strangely |
| 00:35:22 |
She looks after me |
| 00:35:24 |
- Mary came from Ryazan. |
| 00:35:29 |
So you've met |
| 00:35:31 |
Yes. |
| 00:35:32 |
He wrote that he took |
| 00:35:35 |
If you like him too, it would be |
| 00:35:38 |
Why talk of me, Andre? |
| 00:35:42 |
Would you like to see |
| 00:35:44 |
He's outside. |
| 00:35:47 |
I'd be very glad to see him. |
| 00:35:59 |
Is it too much for you, |
| 00:36:02 |
No. It's worse for Mary. |
| 00:36:04 |
I want to tell her so many things, |
| 00:36:19 |
Kiss him, Kolja. |
| 00:36:21 |
Kiss your father. |
| 00:36:33 |
No one is permitted to cry |
| 00:36:37 |
Not children... |
| 00:36:38 |
and not grownups either. |
| 00:36:45 |
I think you'd better |
| 00:36:56 |
He's a handsome little boy. |
| 00:37:01 |
What is it, Mary? |
| 00:37:05 |
You know the Gospel. |
| 00:37:09 |
"The fowls of the air sow not, |
| 00:37:12 |
yet your Father feedeth them." |
| 00:37:15 |
That's why you mustn't cry. |
| 00:37:20 |
Come sit beside me. |
| 00:37:29 |
The hardest thing is |
| 00:37:50 |
I had a wonderful dream. |
| 00:37:53 |
I saw a door. |
| 00:37:56 |
I could see beyond it. |
| 00:37:59 |
I dreamt that I died... |
| 00:38:02 |
and as I died, I awoke. |
| 00:38:06 |
Yes... |
| 00:38:08 |
death is an awakening. |
| 00:38:11 |
You see? |
| 00:38:13 |
It's all so simple. |
| 00:38:24 |
Is it over? |
| 00:38:38 |
Where is he now? |
| 00:38:40 |
Where has he gone? |
| 00:38:48 |
What is this? |
| 00:38:50 |
What is this? |
| 00:38:53 |
Here we are... |
| 00:38:54 |
the masters of the capital |
| 00:38:58 |
We don't have a single civilian to feed, |
| 00:39:03 |
"The stocks are dwindling. |
| 00:39:05 |
Ammunition is on fiire. |
| 00:39:09 |
Who writes out these reports? |
| 00:39:12 |
Who is taking steps |
| 00:39:18 |
I brought the greatest army |
| 00:39:23 |
What do I see around me now? |
| 00:39:27 |
They are not soldiers anymore. |
| 00:39:30 |
They are ragpickers. |
| 00:39:33 |
Junk men! |
| 00:39:40 |
I am sure Kutuzov |
| 00:39:44 |
to ask for |
| 00:39:47 |
What happened? Were they detained |
| 00:39:51 |
Sire, I myself have given |
| 00:39:55 |
to all the commanders |
| 00:39:58 |
There have been no emissaries... |
| 00:40:00 |
from the Russian |
| 00:40:12 |
The city's burning down |
| 00:40:15 |
house by house. |
| 00:40:17 |
I have given strictest orders |
| 00:40:20 |
and even here, in my own headquarters, |
| 00:40:24 |
you cannot get the stink of smoke |
| 00:40:28 |
Gentlemen, take hold. |
| 00:40:30 |
Take hold, or I promise you, |
| 00:40:34 |
With all your titles... |
| 00:40:36 |
with all your decorations |
| 00:40:39 |
I'll go out into the streets and pick |
| 00:40:42 |
who are not drunk... |
| 00:40:45 |
and put them in your place! |
| 00:40:54 |
I warn you, gentlemen... |
| 00:40:55 |
I cannot sit here |
| 00:40:59 |
watching my army... |
| 00:41:01 |
decay. |
| 00:41:07 |
Close the window, someone. |
| 00:41:33 |
Already the wild geese |
| 00:41:36 |
What if we are trapped here |
| 00:41:40 |
Time and patience. |
| 00:41:42 |
Patience and time. |
| 00:41:45 |
The grand army's wounded. |
| 00:41:48 |
But is it mortally wounded? |
| 00:41:52 |
An apple... |
| 00:41:54 |
should not be plucked |
| 00:41:58 |
Patience and time. |
| 00:42:06 |
Yeah? Who is it? |
| 00:42:08 |
Come in! |
| 00:42:09 |
A special courier, |
| 00:42:18 |
Excellency, the French |
| 00:42:26 |
Come closer. |
| 00:42:58 |
Excellency, |
| 00:43:32 |
O Lord... |
| 00:43:34 |
my creator... |
| 00:43:37 |
thou hast heard our prayer. |
| 00:43:41 |
Russia is saved. |
| 00:43:44 |
I thank thee, O Lord. |
| 00:44:09 |
Russian women. |
| 00:44:12 |
They're the lice that live |
| 00:44:15 |
They have to leave with them |
| 00:45:02 |
Attack! |
| 00:45:05 |
The word "attack" |
| 00:45:09 |
Gentlemen... |
| 00:45:11 |
they came into our country |
| 00:45:14 |
leaving nothing behind... |
| 00:45:19 |
Now they're going back |
| 00:45:22 |
through the desolation |
| 00:45:25 |
A cold, hungry army... |
| 00:45:27 |
two thousand miles from home... |
| 00:45:30 |
doing what every Russian wants... |
| 00:45:33 |
leaving our country |
| 00:45:38 |
The country is destroying them. |
| 00:45:41 |
And the Russian army? |
| 00:45:43 |
Since Borodino, the Russian army |
| 00:45:46 |
Now it must attack. |
| 00:45:48 |
For what? |
| 00:45:50 |
I wouldn't give |
| 00:45:53 |
for ten Frenchmen! |
| 00:45:56 |
Those retreats... |
| 00:45:59 |
have brought about the destruction |
| 00:46:03 |
and will bring about |
| 00:46:08 |
The animal is running. |
| 00:46:11 |
We will follow it... |
| 00:46:14 |
and flick its haunches |
| 00:46:17 |
to encourage it to keep moving. |
| 00:46:21 |
We will follow it |
| 00:46:25 |
We will offer the French |
| 00:46:30 |
to the west. |
| 00:50:14 |
Get moving there! |
| 00:50:17 |
All stragglers will be shot. |
| 00:50:20 |
Get up. |
| 00:50:22 |
Get up! Keep moving! |
| 00:50:25 |
Get up! |
| 00:50:27 |
Come on! |
| 00:50:28 |
Get into line! |
| 00:50:31 |
Get up. Come on, get up! |
| 00:50:33 |
I can't. |
| 00:50:35 |
Get up! Now! |
| 00:50:38 |
Oh, please. |
| 00:50:42 |
All right. |
| 00:53:15 |
971... |
| 00:53:16 |
972... |
| 00:53:18 |
73, 74... |
| 00:53:22 |
75, 76. |
| 00:53:27 |
Get up! |
| 00:53:29 |
Get moving! |
| 00:53:33 |
- One, two... |
| 00:53:35 |
- Out of the way! |
| 00:53:38 |
Clear the road there. |
| 00:53:40 |
Out of the way. |
| 00:53:57 |
Move on! |
| 00:53:58 |
Move on! Keep moving! |
| 00:54:02 |
- Move on! Move on! |
| 00:54:05 |
two, three. |
| 00:54:08 |
What are you... |
| 00:54:12 |
I count to a thousand and start |
| 00:54:16 |
- My feet are numb. |
| 00:54:19 |
Have you? |
| 00:54:21 |
Gentlemen ride in carriages |
| 00:54:25 |
I've lived my whole life on foot... |
| 00:54:27 |
yet you'll outlast me. |
| 00:54:30 |
Start again. One, two. |
| 00:55:00 |
Four... |
| 00:55:02 |
fiive, six. |
| 00:55:07 |
Get up! |
| 00:55:09 |
Come on. Keep moving. |
| 00:55:28 |
Are you afraid too, friend? |
| 00:56:16 |
One, two... |
| 00:56:19 |
three, four... |
| 00:56:22 |
fiive. |
| 00:56:28 |
Halt! |
| 00:56:32 |
- Who are you? |
| 00:56:33 |
Iooking for |
| 00:56:35 |
I have a dispatch |
| 00:56:38 |
Come, then. |
| 00:56:40 |
How did you fiind us? |
| 00:56:42 |
Some peasants in the village |
| 00:56:51 |
- Dragoons? |
| 00:56:54 |
How many infantrymen? |
| 00:56:56 |
- Maybe a hundred. |
| 00:56:59 |
Yes, sir. Perhaps 200. |
| 00:57:02 |
Perhaps! Perhaps! Get out of here |
| 00:57:05 |
Out! |
| 00:57:20 |
When was he captured? |
| 00:57:21 |
Last night, |
| 00:57:25 |
I usually do not take prisoners. |
| 00:57:31 |
- What is this dispatch? |
| 00:57:36 |
- Who are you? |
| 00:57:39 |
Rostov. Do you have |
| 00:57:41 |
- Yes, sir. Do you know him? |
| 00:57:48 |
"All patrols are to pull back |
| 00:57:53 |
and prepare for a general attack... |
| 00:57:56 |
when the French attempt to cross |
| 00:58:10 |
Rostov, you didn't |
| 00:58:13 |
You didn't fiind me |
| 00:58:16 |
Why, sir? |
| 00:58:17 |
That French column of stragglers. |
| 00:58:20 |
I'm going to attack them |
| 00:58:22 |
- One last fiight. |
| 00:58:25 |
I'll say I didn't fiind you tonight |
| 00:58:28 |
- I'll make you a bargain. |
| 00:58:30 |
Yes, sir. Let me come. |
| 00:58:32 |
It's a bargain, |
| 00:58:35 |
or you will make trouble |
| 00:58:37 |
Thank you. Thank you. |
| 00:58:39 |
Go and eat something. |
| 00:58:43 |
Now, I will move in |
| 00:58:46 |
You take your men around to the other |
| 00:58:50 |
Be ready to attack at my signal. |
| 00:58:53 |
- Right. Any reserves? |
| 00:58:56 |
This is our last fiight... |
| 00:58:58 |
and we're not going to |
| 00:59:03 |
Ensign, you want some? |
| 00:59:05 |
Thank you. |
| 00:59:25 |
Hungry? |
| 00:59:27 |
Have this. |
| 00:59:29 |
Thank you very much. |
| 00:59:48 |
Remember, stay behind me |
| 00:59:51 |
Charge! |
| 01:00:01 |
- Cossacks! |
| 01:01:14 |
You must have wished often you |
| 01:01:19 |
You probably haven't heard |
| 01:01:23 |
Finally, I want to ask you |
| 01:01:27 |
for the harm I did you. |
| 01:01:42 |
Halt! |
| 01:01:48 |
Take them away. |
| 01:02:03 |
He wouldn't stay behind. |
| 01:02:05 |
It was a game for him. |
| 01:02:08 |
His saber was a toy. |
| 01:02:15 |
I never take prisoners. |
| 01:03:10 |
Stand by your guns! |
| 01:03:13 |
Stand by your guns! |
| 01:03:15 |
Stand by your guns! |
| 01:03:33 |
Fire! Fire! |
| 01:05:14 |
Yes, burn them. |
| 01:06:10 |
Hooray, lads! |
| 01:06:12 |
Hoorah! |
| 01:06:19 |
I thank you all for your hard... |
| 01:06:22 |
and faithful service. |
| 01:06:25 |
The victory is complete... |
| 01:06:27 |
and Russia will not forget you! |
| 01:06:30 |
Honor to you forever! |
| 01:07:48 |
Well... |
| 01:07:49 |
shall we see what's happened |
| 01:07:53 |
Come on, Mary. |
| 01:08:00 |
Sonya, why don't you see |
| 01:08:03 |
- Yes, surely. |
| 01:08:06 |
Yes, miss. |
| 01:08:07 |
Will you look in the cellar, |
| 01:08:09 |
Very well. |
| 01:08:20 |
Mama! Papa! |
| 01:08:22 |
The north wing is just as it was. |
| 01:08:26 |
We have a house... |
| 01:08:29 |
Isn't it wonderful? |
| 01:08:31 |
Mama, you can come and rest. |
| 01:08:37 |
Dunyasha, |
| 01:08:40 |
and, oh, take this footstool. |
| 01:08:43 |
She always liked that. |
| 01:08:45 |
The baby can go in my room. |
| 01:08:48 |
Up you go. There. |
| 01:08:52 |
Oh, I do hope Vasilich |
| 01:08:55 |
You see, Mary? You're going to have |
| 01:09:28 |
I have loved you |
| 01:09:39 |
Hurry up, Nicholas! |
| 01:09:41 |
You're delaying the trip |
| 01:10:07 |
Pierre. |
| 01:10:12 |
We were so worried when we heard |
| 01:10:18 |
But you've come back. |
| 01:10:35 |
You are like this house. |
| 01:10:38 |
You suffer, |
| 01:10:41 |
but you stand. |
