|
Bandolera
|
| 00:00:35 |
Quiet on set, please. Quiet down. |
| 00:00:37 |
Here we go. Pulsara Mágica |
| 00:00:41 |
- 14. |
| 00:00:43 |
And 3, 2... |
| 00:00:46 |
Two years ago, |
| 00:00:50 |
when suddenly... |
| 00:00:52 |
I fell. |
| 00:00:53 |
I hit the floor and hurt my back. |
| 00:00:57 |
I couldn't find work. |
| 00:01:01 |
But thank God |
| 00:01:03 |
I found The Magic Bracelet. |
| 00:01:06 |
And since then... |
| 00:01:08 |
- my life has changed... |
| 00:01:14 |
We're not selling used cars. |
| 00:01:17 |
We sell hope. |
| 00:01:19 |
I repeat: Hope. |
| 00:01:22 |
Do it again. |
| 00:01:24 |
I don't understand. |
| 00:01:27 |
What don't you understand, |
| 00:01:30 |
How do you sell hope? |
| 00:01:34 |
How do I sell hope? |
| 00:01:38 |
Watch me. |
| 00:01:45 |
If I didn't believe that this bracelet... |
| 00:01:50 |
worked miracles, |
| 00:01:51 |
that this bracelet cured arthritis, |
| 00:01:54 |
I wouldn't use it. |
| 00:01:57 |
Now you understand? |
| 00:01:59 |
The folks need to believe |
| 00:02:02 |
That the bracelet is real. |
| 00:02:04 |
Act. |
| 00:02:07 |
- You sure you got it? |
| 00:02:09 |
- Sure? |
| 00:02:11 |
But can you explain one thing? |
| 00:02:14 |
What's that? |
| 00:02:16 |
How does this bracelet work? |
| 00:02:19 |
The script says it's going to send |
| 00:02:25 |
Truth is I feel nothing. |
| 00:02:27 |
And me, as a Method actor... |
| 00:02:31 |
- I need to know what I'm feeling... |
| 00:02:35 |
A Method actor? |
| 00:02:37 |
What's your problem? |
| 00:02:39 |
Can't you just say |
| 00:02:41 |
You think I'm an idiot, or what? |
| 00:02:51 |
Sorry. My nerves. |
| 00:02:55 |
You're fired. |
| 00:02:57 |
Let's give this Method actor |
| 00:03:06 |
Get out before I pummel you. |
| 00:03:10 |
You! |
| 00:03:13 |
You. The one cleaning. |
| 00:03:16 |
How long have you been |
| 00:03:18 |
Two weeks? Three? |
| 00:03:19 |
Get this man a script. |
| 00:03:22 |
Pelocine... |
| 00:03:26 |
You can be 80. Look 40. And have |
| 00:03:39 |
"TO ROB A THIEF" |
| 00:03:46 |
Who has time to exercise nowadays? |
| 00:03:51 |
Lose weight the easy way. |
| 00:03:56 |
Apply Kema Krema and wipe away |
| 00:04:19 |
A natural cream that helps circulate |
| 00:04:24 |
Which means you'll be thicker |
| 00:04:31 |
And you girls will enjoy him |
| 00:04:34 |
Thoughts? |
| 00:04:36 |
It's sensational. |
| 00:04:38 |
Because size does matter. |
| 00:05:08 |
Days, months, years |
| 00:05:21 |
Wowl 25º/º growth? |
| 00:05:24 |
It's the most effective |
| 00:05:27 |
Scientists have developed... |
| 00:05:31 |
Lose weight the easy way. |
| 00:05:34 |
Apply Kema Krema all over your body... |
| 00:05:38 |
Ladies care about the size |
| 00:05:41 |
What's the solution? |
| 00:05:51 |
As soon as I put it on, I, um... |
| 00:05:55 |
I saw the difference, and I got better. |
| 00:05:58 |
For instant relief |
| 00:06:03 |
try The Magic Bracelet, |
| 00:06:04 |
the bracelet with magical powers |
| 00:06:08 |
Well, two years ago... |
| 00:06:11 |
I was working on my roof, |
| 00:06:17 |
When I fell, I hurt my back. |
| 00:06:22 |
Sit down. |
| 00:06:25 |
I wanted to stretch my legs. |
| 00:06:33 |
It's just, we've been |
| 00:06:41 |
When someone comes to pay for you, |
| 00:06:57 |
Yeah? |
| 00:06:59 |
Which one? |
| 00:07:02 |
Wait here. |
| 00:07:10 |
You. Nappy-locks. Get out. |
| 00:07:17 |
Reinforced with titanium steel |
| 00:07:26 |
Thank you. |
| 00:07:27 |
You've been so kind. God bless you. |
| 00:07:29 |
What's the matter with you, |
| 00:07:32 |
Go on! Get out! |
| 00:07:33 |
Sorry. |
| 00:07:38 |
Frickin' homo. |
| 00:07:44 |
I hate this country. |
| 00:07:59 |
Bro. |
| 00:08:00 |
How ostentatious. |
| 00:08:02 |
You like it? |
| 00:08:03 |
Drug money? |
| 00:08:05 |
What a racist comment. |
| 00:08:07 |
Just because I'm a well-dressed |
| 00:08:10 |
doesn't mean I'm a drug dealer. |
| 00:08:12 |
Since we last spoke, |
| 00:08:16 |
Check it out. |
| 00:08:21 |
I saw this one. Good movie. |
| 00:08:24 |
I personally did the artwork. |
| 00:08:27 |
I think you misspelled Crash. |
| 00:08:32 |
Business is good, then? |
| 00:08:34 |
Good enough to get you here. |
| 00:08:40 |
I owe you for what? |
| 00:08:42 |
For getting you across the border. |
| 00:08:46 |
Take what you need from here. |
| 00:08:50 |
Where'd you get this? |
| 00:08:55 |
From him. |
| 00:09:00 |
Hand it over. |
| 00:09:01 |
I wouldn't give it to him. |
| 00:09:02 |
The gun's pointed at my head. |
| 00:09:04 |
Still, I wouldn't give it to him. |
| 00:09:05 |
Of course... |
| 00:09:07 |
because the gun isn't at your head. |
| 00:09:08 |
Enough chitchat. Give me the wallet. |
| 00:09:31 |
If I were you guys, |
| 00:09:33 |
Improve your life. Call nowl |
| 00:09:55 |
This job's not going to be easy. |
| 00:09:58 |
I didn't expect otherwise. |
| 00:10:01 |
"ENTREPRENEUR" |
| 00:10:02 |
- He's doing very well for himself. |
| 00:10:06 |
How far is his office from here? |
| 00:10:10 |
Ten minutes. |
| 00:10:20 |
So these immigrants are here |
| 00:10:23 |
Yep. Every day. |
| 00:10:25 |
Good. You and Castillo go in |
| 00:10:29 |
So when do we hook up with Castillo? |
| 00:10:31 |
Never. Castillo got married. |
| 00:10:36 |
Let's get you out of those rags. |
| 00:10:41 |
- What about Guzman? |
| 00:10:44 |
I thought he was here. |
| 00:10:46 |
He was, until he got deported. |
| 00:10:48 |
Got picked up at a bus stop |
| 00:10:52 |
What about Rodriguez, then? |
| 00:10:53 |
Please don't tell me he fell in love |
| 00:11:00 |
No, Rodriguez is still here. |
| 00:11:04 |
What? |
| 00:11:05 |
But he didn't like the 50/50 cut |
| 00:11:09 |
Greedy friggin' bastard... |
| 00:11:14 |
He's not alone. |
| 00:11:17 |
Nobody understands |
| 00:11:20 |
when we've always split |
| 00:11:24 |
You and I both know this job is different. |
| 00:11:28 |
This one's personal. |
| 00:11:31 |
Besides, we're going after one man, |
| 00:11:35 |
Son of a bitch! Is there |
| 00:11:38 |
Aside from you and me? |
| 00:11:42 |
What am I doing here? |
| 00:11:46 |
It is. |
| 00:11:47 |
No, it's not set up. |
| 00:11:48 |
For this job, we need a crew. |
| 00:11:52 |
We can't do this one alone. |
| 00:11:56 |
What if I told you I had a crew |
| 00:12:02 |
Better yet, a crew that nobody knows. |
| 00:12:06 |
Civilians? |
| 00:12:09 |
Good. Because you know |
| 00:12:16 |
Immigrants. |
| 00:12:19 |
To hell with this. |
| 00:12:21 |
Wait, Emilio! |
| 00:12:22 |
I've scouted a few guys, |
| 00:12:26 |
We need professionals... |
| 00:12:28 |
- They are professionals... |
| 00:12:31 |
We'll train them. |
| 00:12:32 |
In two weeks? |
| 00:12:33 |
Please! Please! |
| 00:12:35 |
This was your plan anyway! |
| 00:12:37 |
You said it. People here don't |
| 00:12:42 |
Remember? |
| 00:12:44 |
They're practically invisible: |
| 00:12:46 |
The maid, the chauffeur, the gardener. |
| 00:12:48 |
Moving in and out |
| 00:12:50 |
I know what I said. |
| 00:12:53 |
- They go virtually unchecked! |
| 00:12:55 |
We were using professional thieves |
| 00:13:00 |
Except now we're using real immigrants. |
| 00:13:07 |
We really don't have much of a choice, |
| 00:13:10 |
calling it off. |
| 00:13:24 |
So, Alejandro? Is the chapel |
| 00:13:30 |
It's your call, Emilio. |
| 00:13:32 |
Do we donate to the parish |
| 00:13:39 |
Donate. |
| 00:13:42 |
The chapel's perfect, Father. |
| 00:13:46 |
Tell me about these immigrants. |
| 00:13:50 |
For all our technical needs, |
| 00:13:54 |
His name is Julio Miranda, and he can fix |
| 00:14:00 |
Julio, is my camera ready? |
| 00:14:05 |
What? |
| 00:14:06 |
I said yes! Yes, bro! It's over there! |
| 00:14:09 |
And he can mumble |
| 00:14:14 |
And for transportation, |
| 00:14:20 |
Shut up, Fifi. |
| 00:14:27 |
What's up, Alex? |
| 00:14:31 |
- Is that Rafa? |
| 00:14:38 |
That's him. |
| 00:14:47 |
Alejandro. What are you doing here? |
| 00:14:50 |
I'm almost done with your baby. |
| 00:14:53 |
You like it? |
| 00:14:54 |
Now, that's a car. |
| 00:14:57 |
That's why I'm the best. |
| 00:14:59 |
Are you bringing me new business, |
| 00:15:05 |
Remember that job |
| 00:15:12 |
I've never stolen anything in my life. |
| 00:15:20 |
And all this? |
| 00:15:25 |
I ain't done nothing illegal since |
| 00:15:28 |
I assure you, this is worth it. |
| 00:15:30 |
All I got to do is drive? |
| 00:15:33 |
You don't have to decide now. |
| 00:15:35 |
Think about it. |
| 00:15:37 |
If you're up to it... |
| 00:15:40 |
...meet us here tomorrow at 10 A. M. |
| 00:15:43 |
You need cars customized or fixed? |
| 00:15:48 |
You gonna need a driver? |
| 00:15:50 |
Your father? |
| 00:15:54 |
- She knows what she's doing. |
| 00:15:57 |
But don't tell her I said that. |
| 00:15:59 |
But don't tell him I said that. |
| 00:16:03 |
If you convince my dad, I'll do it. |
| 00:16:07 |
But don't tell him I said that. |
| 00:16:11 |
Done. |
| 00:16:14 |
Closed. |
| 00:16:22 |
The union strike will |
| 00:16:27 |
For that we need a real con man, |
| 00:16:32 |
I got the perfect guy. |
| 00:16:34 |
His name is Miguelito. |
| 00:16:38 |
A Cuban refugee? |
| 00:16:40 |
Why do we need a Cuban refugee? |
| 00:16:44 |
He's not just a refugee. |
| 00:16:47 |
He's an actor. |
| 00:16:48 |
He was doing counter-revolutionary |
| 00:16:52 |
American baseball players are the best. |
| 00:16:58 |
Cuban baseball players are the best! |
| 00:17:04 |
That's why they all end up in America. |
| 00:17:12 |
Mommy! |
| 00:17:15 |
And for all our heavy lifting, |
| 00:17:24 |
The other 50%, who gets it? |
| 00:17:27 |
- Can't say. |
| 00:17:29 |
I'm planning it. Financing it. |
| 00:17:33 |
So I get a bigger cut. |
| 00:17:34 |
It's customary. |
| 00:17:35 |
Not really. I just deserved it |
| 00:17:40 |
If you're interested, |
| 00:17:51 |
Okay. Before we start, |
| 00:17:54 |
my partner Emilio and I want |
| 00:17:58 |
Oh, sorry. |
| 00:18:00 |
Before I forget... |
| 00:18:02 |
I wanted to give you my headshot |
| 00:18:07 |
I'll take that. |
| 00:18:11 |
All of you know me |
| 00:18:14 |
I've sold you pirated movies, |
| 00:18:17 |
fake I.D. S, Social Security cards. |
| 00:18:22 |
But really, I go for big jobs. |
| 00:18:27 |
Jobs that make very good money. |
| 00:18:31 |
And when I say very good money... |
| 00:18:37 |
I mean... |
| 00:18:39 |
That's a lot of zeros. |
| 00:18:42 |
...very good money. |
| 00:18:45 |
Fuckin' balls! |
| 00:18:46 |
Balls. |
| 00:18:48 |
Is that how a proper young lady speaks? |
| 00:18:51 |
I don't know. |
| 00:18:55 |
What are you lookin' at? |
| 00:18:57 |
Pansy-ass poser. |
| 00:18:58 |
Nobody's looking at you. |
| 00:19:00 |
Oh, so you're not checking me out? |
| 00:19:02 |
- Is that what you're saying? |
| 00:19:06 |
Nobody here is checking you out. |
| 00:19:09 |
Enough! Enough! |
| 00:19:13 |
This is a serious job. |
| 00:19:14 |
It requires serious planning, |
| 00:19:17 |
Seriously big balls! |
| 00:19:18 |
Big balls. Like these right here, Alex? |
| 00:19:31 |
Okay. |
| 00:19:33 |
Our mark is an Argentinean millionaire |
| 00:19:39 |
Since the collapse of Argentina's banking |
| 00:19:43 |
Some have resorted to keeping their |
| 00:19:47 |
Such is the case with our mark. |
| 00:19:49 |
All his money is in a vault |
| 00:19:54 |
We have a floor plan of the mansion. |
| 00:19:57 |
Except for one hallway downstairs |
| 00:20:02 |
It's off-limits to everyone. |
| 00:20:05 |
You need two key cards to open the vault. |
| 00:20:08 |
Primitivo has one. |
| 00:20:10 |
The other belongs to our pal, the mark. |
| 00:20:13 |
The in-house accountant. |
| 00:20:15 |
The accountant's name is Primitivo? |
| 00:20:19 |
Primitivo? Primate? Like monkey? |
| 00:20:21 |
The poor bastard |
| 00:20:25 |
He's flanked by two guards |
| 00:20:30 |
from the moment he steps |
| 00:20:34 |
Wherever he goes, they go. |
| 00:20:37 |
If he has to go to the bathroom, |
| 00:20:39 |
If one of the guards has to go... |
| 00:20:41 |
Anyway. |
| 00:20:47 |
Primitivo keeps his card |
| 00:20:51 |
But our mark isn't as cautious. |
| 00:20:57 |
At the end of each day, |
| 00:20:58 |
he places the card in a locked |
| 00:21:03 |
So to open the vault |
| 00:21:06 |
we have to get into that building |
| 00:21:10 |
Which means... |
| 00:21:11 |
we need to get his keys, too. |
| 00:21:13 |
Where are they? In his pocket. |
| 00:21:16 |
The problem will be getting |
| 00:21:19 |
As you can see, it's high-tech. |
| 00:21:22 |
State of the art. |
| 00:21:24 |
Cameras, guards, 24-hour surveillance. |
| 00:21:28 |
Eight months ago, the cleaning crew |
| 00:21:33 |
We think it's time they try again. |
| 00:21:36 |
They strike. We pose as scabs |
| 00:21:38 |
and enter the building. |
| 00:21:41 |
Let me get this straight. |
| 00:21:43 |
Your plan depends on organizing a |
| 00:21:48 |
Correct. |
| 00:21:51 |
- That's impossible. Rafaela, let's go. |
| 00:21:54 |
Of course it is. |
| 00:21:55 |
I'm out. |
| 00:22:01 |
This record's already scratched. |
| 00:22:09 |
Moctesuma Valdez. |
| 00:22:14 |
The millionaire Alejandro is talking |
| 00:22:25 |
The infomercial guru? |
| 00:22:28 |
I didn't know he was Argentinean. |
| 00:22:34 |
His real name is Claudio Silvestrini. |
| 00:22:38 |
He changed it to Moctesuma |
| 00:22:42 |
Especially Mexicans. |
| 00:22:44 |
He's a phony, an opportunist, |
| 00:22:46 |
Everything about him is a lie, |
| 00:22:50 |
He's amassed a fortune preying |
| 00:22:56 |
Regular people. |
| 00:23:00 |
Immigrants. Like you. Like me. |
| 00:23:03 |
He knows what he's doing. |
| 00:23:05 |
He targets his customers |
| 00:23:10 |
When they're most desperate. |
| 00:23:15 |
How many people, relatives, |
| 00:23:18 |
that have gone broke ordering these |
| 00:23:22 |
Too many, right? |
| 00:23:26 |
And then there's... |
| 00:23:28 |
Water of God. |
| 00:23:31 |
And rejuvenate the body's |
| 00:23:35 |
helping to prevent |
| 00:23:40 |
The most despicable, |
| 00:23:43 |
the most vile thing he sells. |
| 00:23:47 |
Doctor, I have an important question. |
| 00:23:51 |
Cancer? What about cancer? |
| 00:23:56 |
And the most personal one. |
| 00:23:59 |
In many cases, |
| 00:24:03 |
That means for a lot of our viewers |
| 00:24:08 |
to pay for these expensive treatments |
| 00:24:14 |
have a much cheaper alternative |
| 00:24:20 |
Exactly. And as a doctor, |
| 00:24:25 |
There you have it. |
| 00:24:29 |
Live longer. |
| 00:24:32 |
Rejuvenate your immune system. |
| 00:25:11 |
On principle, |
| 00:25:16 |
But this lowlife deserves it. |
| 00:25:21 |
I know this is risky. |
| 00:25:23 |
But life is full of risks. |
| 00:25:26 |
None of you would even be in the U.S. |
| 00:25:35 |
So... |
| 00:25:38 |
are you in? |
| 00:25:44 |
Good. |
| 00:25:47 |
In two weeks, Valdez will be |
| 00:25:51 |
for being named Hispanic |
| 00:25:56 |
It's a big deal for him. |
| 00:25:58 |
Even the Mayor of Los Angeles |
| 00:26:00 |
which means the party |
| 00:26:05 |
to create a diversion |
| 00:26:12 |
"TECHNOLOG Y FOR THE NEXT DAY" |
| 00:26:13 |
Julio. |
| 00:26:18 |
If everything goes right, |
| 00:26:20 |
we should be out by dusk. |
| 00:26:22 |
Wait a minute. |
| 00:26:23 |
We're going to rob him |
| 00:26:26 |
Yes. |
| 00:26:28 |
Rafaela. |
| 00:26:30 |
You think you can build a secret |
| 00:26:34 |
in the trunk of a limousine? |
| 00:26:36 |
Frickin' A. |
| 00:26:38 |
Do real women arm wrestle? |
| 00:26:41 |
I'll take that as a... yes. |
| 00:26:45 |
Remember, the deeper you make it, |
| 00:26:49 |
the more money we can get out in it. |
| 00:26:50 |
Cool. |
| 00:26:51 |
What color do you want the dress? |
| 00:26:54 |
Dress? |
| 00:26:57 |
It's not just a dress. |
| 00:26:59 |
It's a formal gown... |
| 00:27:03 |
black. |
| 00:27:06 |
Why do I have to wear a dress? |
| 00:27:09 |
Because none of us |
| 00:27:11 |
You might look acceptable if you did. |
| 00:27:14 |
You want me to kick your ass? |
| 00:27:18 |
Brother, I know this would be a problem. |
| 00:27:23 |
It's just for one day. |
| 00:27:26 |
You can kick his ass later. |
| 00:27:27 |
Please stay out of it. |
| 00:27:30 |
I'm here to work on cars, |
| 00:27:34 |
You know people |
| 00:27:39 |
I'll take that. Sit down. |
| 00:27:43 |
This here? |
| 00:27:50 |
What'd he say? |
| 00:27:52 |
That a secret compartment in the trunk |
| 00:27:58 |
Thanks for the tip. |
| 00:28:01 |
How long a tunnel can you dig |
| 00:28:07 |
How many people are going |
| 00:28:09 |
- One. |
| 00:28:12 |
With 2 X 4 reinforcements |
| 00:28:16 |
If I start today, according |
| 00:28:19 |
60 yards, more or less. |
| 00:28:21 |
It's 65. You'll have to dig fast. |
| 00:28:26 |
2 x 4 reinforcements? Is that strong |
| 00:28:32 |
With all due respect, |
| 00:28:35 |
Besides, it's not like you're |
| 00:28:39 |
Now, excuse my naiveté, |
| 00:28:41 |
but how are you planning |
| 00:28:43 |
Oh... that's not a problem. |
| 00:28:47 |
For two months, Alejandro's |
| 00:28:51 |
Working on the nanny? |
| 00:29:05 |
No. She can't answer. |
| 00:29:08 |
She's a little busy. |
| 00:29:11 |
It's a good thing she can't hear you. |
| 00:29:17 |
Son, stop. You're going |
| 00:29:22 |
Yes, Mrs. Valdez? |
| 00:29:24 |
This little animal is out of control. |
| 00:29:27 |
Come help. I know it's your day off, |
| 00:29:32 |
Is he running around in circles, yelling? |
| 00:29:33 |
Yes, he's running, yelling. Please. |
| 00:29:37 |
Claudito, freeze! |
| 00:29:39 |
Claudito, say you're sorry. |
| 00:29:42 |
Sorry, Mom. |
| 00:29:44 |
Sorry, Dad. |
| 00:29:50 |
- Thank you. |
| 00:29:53 |
You're welcome. |
| 00:30:38 |
What were you doing? |
| 00:30:40 |
It's hot. I checked your air conditioner. |
| 00:30:52 |
I bet you know someone |
| 00:30:55 |
Yep. |
| 00:30:57 |
It's hot as hell. |
| 00:30:59 |
You seem nervous. |
| 00:31:03 |
I said you seem nervous. |
| 00:31:06 |
I'm not nervous. |
| 00:31:08 |
Let me tell you something. |
| 00:31:09 |
Guards are like dogs. |
| 00:31:12 |
If they smell fear, |
| 00:31:17 |
Don't worry about that. |
| 00:31:20 |
I always get like this before a show. |
| 00:31:24 |
But when the curtain goes up, |
| 00:31:28 |
I have over ten years' experience |
| 00:31:31 |
If I screw this up, |
| 00:31:34 |
Ready? |
| 00:31:35 |
Ready for anything. |
| 00:31:37 |
Hope so. |
| 00:31:39 |
Here you go. |
| 00:31:43 |
- Thank you. |
| 00:31:46 |
For preparing my meals. |
| 00:31:48 |
Like a good woman should. |
| 00:31:50 |
What? |
| 00:31:51 |
I didn't make the food for you, blondie. |
| 00:31:59 |
I need a favor. |
| 00:32:01 |
I need you to go with them. |
| 00:32:03 |
What for? |
| 00:32:04 |
Every good con needs a distraction. |
| 00:32:07 |
How is it I'm the distraction? |
| 00:32:09 |
It's just that all women... |
| 00:32:12 |
are a distraction. |
| 00:32:23 |
Turn the motor off, chief. |
| 00:32:26 |
Turn the motor off. |
| 00:32:30 |
You here to fix the air conditioning? |
| 00:32:37 |
Did you hear me? |
| 00:32:45 |
What's wrong with him? |
| 00:32:52 |
The air conditioning... |
| 00:32:55 |
is broken. |
| 00:32:56 |
It's broken? |
| 00:33:02 |
Ironic, isn't it? |
| 00:33:03 |
What's that? |
| 00:33:06 |
The air conditioner is broken... |
| 00:33:08 |
and you guys fix air conditioners. |
| 00:33:10 |
Get it? |
| 00:33:16 |
What a sense of humor. |
| 00:33:17 |
Open up the back for me. |
| 00:33:19 |
Huh? |
| 00:33:21 |
I have to check the van, |
| 00:33:25 |
Ah, yes. Of course. |
| 00:33:26 |
How nice of you. Thank you. |
| 00:33:38 |
What a surprise. |
| 00:33:39 |
Good afternoon, Miss. |
| 00:33:40 |
I'll get down so you can check it out. |
| 00:33:43 |
Yes, yes. Of course. |
| 00:33:51 |
All right, boys. |
| 00:33:56 |
You're not gonna check out the van? |
| 00:33:58 |
I checked out all I need to, babe. |
| 00:34:00 |
You checked out my tits |
| 00:34:04 |
Daughter! |
| 00:34:06 |
Your daughter? Charming girl. |
| 00:34:12 |
Go ahead. |
| 00:34:14 |
It's the nanny's quarters, |
| 00:34:20 |
- Go on through. |
| 00:34:40 |
I can't believe |
| 00:34:44 |
We could be al Qaeda |
| 00:34:46 |
I'm only here to drive, |
| 00:34:51 |
I just forgot to do |
| 00:34:55 |
Your what? |
| 00:34:56 |
My relaxation exercises. |
| 00:35:03 |
Would you stop that |
| 00:35:45 |
You done? |
| 00:35:51 |
Ready. |
| 00:35:53 |
Do you like the glasses? |
| 00:35:54 |
I thought it'd be a nice touch. |
| 00:35:55 |
Helps me get in character. |
| 00:35:57 |
- Marlon Brando used to say... |
| 00:36:01 |
Try to avoid security at all costs. |
| 00:36:11 |
Excuse me, sir. My name |
| 00:36:15 |
- I'm a representative... |
| 00:36:17 |
I'm a representative from Local 23. |
| 00:36:21 |
Sir! Excuse me! |
| 00:36:24 |
I no came to talk to you, |
| 00:36:27 |
I came to talk to this gentleman |
| 00:36:31 |
As I was saying, |
| 00:36:38 |
- Hey, want to be a tough guy. |
| 00:36:40 |
I'm watching you! |
| 00:36:43 |
Your mama! |
| 00:36:44 |
These people! |
| 00:36:46 |
The United States aren't |
| 00:36:57 |
- Stop! |
| 00:36:59 |
Enough! Oh, God! I've had it with you! |
| 00:37:02 |
Primitivo, I'm sorry. |
| 00:37:05 |
No problem. |
| 00:37:06 |
Come on, let's go. |
| 00:37:07 |
Gloria. Wait. |
| 00:37:14 |
Do you mind? |
| 00:37:26 |
I wanted to... |
| 00:37:27 |
I wanted to know if you'd like |
| 00:37:36 |
I can't. |
| 00:37:38 |
I meant to tell you that... |
| 00:37:40 |
that I'm going with someone. |
| 00:37:45 |
I'm sorry. I didn't know. |
| 00:37:48 |
Don't hate me. |
| 00:37:51 |
I could never hate you. |
| 00:37:53 |
You're so sweet. |
| 00:37:56 |
Look. I'll make a deal with you. |
| 00:37:59 |
If things don't work out with this guy, |
| 00:38:01 |
my first date will be with you. |
| 00:38:07 |
Sorry to bother you again. |
| 00:38:11 |
Yes. Go left, right, then left again. |
| 00:38:14 |
Thanks. |
| 00:38:18 |
And then you were like |
| 00:38:24 |
You know who dropped all those pictures? |
| 00:38:52 |
SUV loaded? |
| 00:38:53 |
It's ready. |
| 00:39:01 |
It's just that... |
| 00:39:03 |
I have to use the bathroom. |
| 00:39:06 |
Number 1 or 2? |
| 00:39:08 |
2. |
| 00:39:13 |
It's just that... |
| 00:39:14 |
I'd like to take a shower, too. |
| 00:39:16 |
You can't go in the house. Go! |
| 00:39:19 |
I've been in there a while. |
| 00:39:22 |
You don't smell. You're fine. |
| 00:39:24 |
Really? You don't smell that? |
| 00:39:26 |
- You don't smell like anything. |
| 00:39:27 |
For sure. |
| 00:39:42 |
You ruined my surprise. |
| 00:39:47 |
I'm going to wash your SUV. |
| 00:39:50 |
Is it that dirty? |
| 00:39:54 |
It's full of dirt. |
| 00:39:56 |
After I jumped with... |
| 00:40:00 |
If you can give... |
| 00:40:08 |
José, enough |
| 00:40:27 |
I'm trying to work. |
| 00:40:35 |
Buy Jose a new leaf blower. |
| 00:40:41 |
Hi, Gloria! |
| 00:40:46 |
What does she see in him? |
| 00:40:49 |
What does who see in who? |
| 00:40:52 |
What does Gloria see in that guy? |
| 00:40:57 |
New boyfriend? |
| 00:40:59 |
I didn't know she had an old one. |
| 00:41:02 |
Good point, sir. |
| 00:41:03 |
He's not to be trusted! |
| 00:41:05 |
You're not going to be long, right? |
| 00:41:11 |
Give me a minute. I'll be right back. |
| 00:41:33 |
I didn't realize Gloria had a chauffer. |
| 00:41:40 |
She doesn't. |
| 00:41:43 |
What are you doing here? |
| 00:41:45 |
I'm waiting for Gloria. |
| 00:41:48 |
A friend? |
| 00:41:50 |
What kind of friend? |
| 00:41:54 |
A best friend? A gay friend? Or... |
| 00:42:00 |
A friend with rights? |
| 00:42:03 |
Boyfriend. |
| 00:42:05 |
Her boyfriend. |
| 00:42:09 |
What does Gloria's |
| 00:42:15 |
My name is Alejandro. |
| 00:42:26 |
A thief... |
| 00:42:28 |
recognizes another thief. |
| 00:42:36 |
I'm going to ask one last time. |
| 00:42:40 |
What do you do? |
| 00:42:44 |
I pirate Hollywood movies, sir, |
| 00:42:55 |
You're not planning |
| 00:42:58 |
Because if you were, |
| 00:43:05 |
No, sir. |
| 00:43:07 |
Honestly, the only thing |
| 00:43:13 |
your nanny. |
| 00:43:19 |
Did you hear him? |
| 00:43:21 |
He wants to steal Gloria. |
| 00:43:25 |
Mr. Valdez, what's going on? |
| 00:43:30 |
Why didn't you tell me |
| 00:43:34 |
Yes. Yes, he is. |
| 00:43:38 |
A pleasure, Alejandro. |
| 00:43:40 |
The pleasure's all mine. |
| 00:43:44 |
Hold onto this one. He's a keeper. |
| 00:43:46 |
Of course, Mr. Valdez. |
| 00:43:50 |
Good day. |
| 00:43:53 |
Let's go. |
| 00:43:58 |
He's up to something. Find out what. |
| 00:44:01 |
Yes, sir. |
| 00:44:09 |
We're here to pick up... |
| 00:44:11 |
We're here to pick up the old unit. |
| 00:44:12 |
Fine. I'll open up. |
| 00:44:14 |
Yo, bro! You Cuban? |
| 00:44:16 |
Big time. You? |
| 00:44:19 |
Right off the raft. Whereabouts? |
| 00:44:21 |
I'm from San German. |
| 00:44:23 |
Sagua La Grande. |
| 00:44:25 |
I have a cousin there... |
| 00:44:27 |
I'll just open these up for you. |
| 00:44:32 |
Man, are these gates slow. |
| 00:44:44 |
You sure he didn't see you? |
| 00:44:45 |
I'm positive, boss. |
| 00:44:48 |
Followed him all day. |
| 00:44:50 |
Sells pirated movies on the street. |
| 00:44:54 |
Rumor is he's got |
| 00:44:57 |
He's planning something big. |
| 00:45:05 |
That's nasty. |
| 00:45:08 |
I know, I know. I need a bath. |
| 00:45:10 |
Dude, don't bathe. |
| 00:45:13 |
You like it? Come here. Smell it. |
| 00:45:17 |
You two cut it out. |
| 00:45:21 |
Where's the dirt? |
| 00:45:24 |
The dirt's in the SUV. |
| 00:45:36 |
Mr. Valdez. |
| 00:45:38 |
It's about your boyfriend. |
| 00:45:48 |
That one. |
| 00:45:50 |
Not that one. |
| 00:45:54 |
You can do this. Help me, Lord. |
| 00:46:00 |
Miss, Miss, wait. |
| 00:46:03 |
Excuse me. My name is... - |
| 00:46:05 |
I know who you are, sir. |
| 00:46:09 |
Mr. Amistad, |
| 00:46:13 |
trying to organize for months. |
| 00:46:16 |
When Chava gave me your |
| 00:46:20 |
I can set up a meeting after work |
| 00:46:25 |
Take your stupid flyer, ya bastard! |
| 00:46:27 |
I want nothing from you! Nothing! |
| 00:46:33 |
"WE LEAVE AT 6:00 PM |
| 00:46:35 |
$5.00. |
| 00:46:39 |
How much for this one? |
| 00:46:40 |
$10. |
| 00:46:45 |
This other one? |
| 00:46:46 |
This one's really good. |
| 00:46:51 |
This is how you make your living? |
| 00:46:54 |
What are you doing here? |
| 00:46:55 |
When were you planning to tell me? |
| 00:46:58 |
I was going to. It's hard to explain. |
| 00:47:03 |
Anything else you haven't told me? |
| 00:47:06 |
Of course not. |
| 00:47:09 |
I just wanted to see this for myself. |
| 00:47:13 |
Before I told you it's over. |
| 00:47:15 |
Please, this is harmless. |
| 00:47:18 |
Answer me this. |
| 00:47:21 |
Were you going to rob Mr. Valdez? |
| 00:47:33 |
Do you love me? |
| 00:47:35 |
Or was all this planned |
| 00:47:40 |
Friggin' pretty boy. Easy. |
| 00:47:42 |
A few words of advice: |
| 00:47:45 |
Get out of town. |
| 00:47:46 |
If I catch you near the mansion again, |
| 00:47:49 |
you're gonna have an accident. |
| 00:48:22 |
Miguelito, you're the man. |
| 00:48:26 |
Who did Hamlet? |
| 00:48:34 |
Um, hello. Hello. |
| 00:48:37 |
Thank you all for being here. |
| 00:48:40 |
I want to thank Blanca. You came because |
| 00:48:44 |
Yes. You have a question? |
| 00:48:46 |
Yeah, what union are you with? |
| 00:48:50 |
Your union? |
| 00:48:53 |
We need to know which union |
| 00:48:56 |
Well, that union would be... |
| 00:49:05 |
SAG? What's that? |
| 00:49:06 |
SAG is... is the Screen Actors Guild. |
| 00:49:14 |
The Screen Actors Guild is the union |
| 00:49:20 |
Tom Hanks wants to sponsor us? |
| 00:49:24 |
Tom Hanks, in person, won't really... |
| 00:49:26 |
Julia Roberts? Is she in that union? |
| 00:49:28 |
Yes, Julia, too. All actors belong to... |
| 00:49:32 |
With Tom Hanks and Julia Roberts, |
| 00:49:36 |
Listen, I think you misunderstood. |
| 00:49:40 |
Tom Hanks and Julia Roberts |
| 00:49:46 |
We can't win unless Tom Hanks |
| 00:49:52 |
Management needs to see |
| 00:49:56 |
If they're not coming, forget it. |
| 00:50:00 |
Don't say that. Wait. Please! |
| 00:50:01 |
Shut up! |
| 00:50:10 |
They may not physically be here. |
| 00:50:13 |
But they're with us in spirit. |
| 00:50:19 |
They share the same passion for justice... |
| 00:50:22 |
equal opportunity, |
| 00:50:25 |
fair wages... |
| 00:50:28 |
health insurance. |
| 00:50:29 |
Sure. It'd be easier if they |
| 00:50:37 |
But when has life been easy |
| 00:50:41 |
We struggle day after day. |
| 00:50:44 |
We work ten times harder |
| 00:50:49 |
To have a roof over our heads. |
| 00:50:52 |
To put food on the table. |
| 00:50:55 |
To feed our children. |
| 00:50:58 |
This is the land of the free. |
| 00:51:01 |
And only together, united as one, |
| 00:51:05 |
will we be able to taste that freedom. |
| 00:51:26 |
What happened? |
| 00:51:27 |
What'd I tell you? Listen! |
| 00:51:29 |
Yes, we can! Yes, we can! |
| 00:51:41 |
He did it. He convinced them to strike. |
| 00:51:45 |
I told you this guy was good. |
| 00:51:48 |
Beginner's luck. Let's hope it lasts. |
| 00:52:07 |
What? |
| 00:52:10 |
It's pretty obvious. |
| 00:52:11 |
- What? |
| 00:52:14 |
Don't push it. |
| 00:52:48 |
The porta-potties are for the help. |
| 00:53:38 |
I know I'm breaking the Fifth. |
| 00:53:44 |
The Third? |
| 00:53:48 |
One of Your commandments... |
| 00:53:53 |
again. |
| 00:53:56 |
But You know |
| 00:54:02 |
O Lord... |
| 00:54:06 |
They had that outfit made for you? |
| 00:54:08 |
I got clothes you could've |
| 00:54:13 |
Ready? |
| 00:54:15 |
I didn't think I'd be so nervous... |
| 00:54:19 |
but yeah. I'm... |
| 00:54:24 |
ready. |
| 00:54:35 |
My daughter. |
| 00:54:40 |
You look... beautiful. |
| 00:54:49 |
You look like your mother. |
| 00:54:53 |
Yeah? |
| 00:54:59 |
Can we get this over with? |
| 00:55:09 |
Go over the plans to the mansion |
| 00:55:14 |
Good. Everybody knows |
| 00:55:24 |
Get one with the Chancellor, please. |
| 00:55:27 |
Thanks. Thanks for coming. |
| 00:55:32 |
Get on the toilet! |
| 00:55:33 |
Get up! Get down! |
| 00:55:43 |
Oh, crap, crap, crap, |
| 00:55:59 |
I'm in the middle of an important event. |
| 00:56:02 |
What do you think? |
| 00:56:04 |
I should make the mayor wait for |
| 00:56:09 |
It's your job to prevent these things. |
| 00:56:14 |
Yes, sir. |
| 00:56:15 |
You know what? |
| 00:56:20 |
We can't do that. |
| 00:56:24 |
What rights? |
| 00:56:27 |
They're not Americans. |
| 00:56:30 |
They have no rights. |
| 00:56:31 |
I want them fired |
| 00:56:36 |
- Or I'll replace you. |
| 00:57:31 |
How's it going, brother? |
| 00:57:33 |
How's your day going? |
| 00:57:35 |
Try not to scratch it. |
| 00:57:40 |
I'll take this one. |
| 00:57:49 |
- There he is. |
| 00:58:25 |
Colombian. |
| 00:58:31 |
My old friend, I'm so glad you came. |
| 00:58:34 |
I wouldn't miss it. |
| 00:58:38 |
Are you going to give me |
| 00:58:40 |
No. Not until you give me mine. |
| 00:58:51 |
We're still the best. |
| 00:58:52 |
Yep. The best. |
| 00:58:56 |
Let me introduce you to my date... |
| 00:59:03 |
Enchanted, Miss. |
| 00:59:07 |
Same. |
| 00:59:09 |
Why don't you get us something to drink? |
| 00:59:13 |
The usual. |
| 00:59:15 |
Ah, yes. The usual... drinks. |
| 00:59:19 |
I'll go get them. |
| 00:59:23 |
She's very young. |
| 00:59:26 |
- Let me introduce you to the mayor. |
| 00:59:29 |
He's a friend. I pumped a lot |
| 00:59:32 |
Owes me big, the son of a bitch. |
| 00:59:40 |
Mr. Mayor, a pleasure. |
| 00:59:42 |
Damn, this Emilio guy is good. |
| 01:00:03 |
Thanks. |
| 01:00:18 |
How hard can this be? |
| 01:00:22 |
I mean, sure, it's every day |
| 01:00:25 |
with an entire floor |
| 01:00:30 |
Exactly. |
| 01:00:31 |
Left... right. |
| 01:00:35 |
Left here? No, right... |
| 01:00:37 |
right... left... |
| 01:00:50 |
Idiot. Idiot. It was a right. |
| 01:00:54 |
Right. Left. |
| 01:01:20 |
Yep. |
| 01:01:32 |
You're late. |
| 01:01:34 |
It's not my fault. It's just that... |
| 01:01:37 |
Wow. |
| 01:01:39 |
You look... |
| 01:01:42 |
You look incredible. |
| 01:01:44 |
Really? |
| 01:01:45 |
Yeah, like a woman should. |
| 01:01:49 |
And you smell like a man should. |
| 01:01:54 |
- Really? |
| 01:02:05 |
Shit! My dad! |
| 01:02:07 |
Where? |
| 01:02:09 |
- No, the keys. Take them. |
| 01:02:11 |
Give 'em... |
| 01:02:23 |
- Here you go. |
| 01:02:25 |
Hey. What took you so long? |
| 01:02:27 |
Sorry, I ran into a... |
| 01:02:29 |
bit of a distraction. |
| 01:02:45 |
This one's mine. Thanks. |
| 01:02:52 |
Okay, who wants to work? |
| 01:02:54 |
Me! Me! |
| 01:02:55 |
Yeah, you. Come on. |
| 01:02:57 |
Everybody, follow me. |
| 01:02:59 |
What about Rafa? |
| 01:03:01 |
Don't worry. He's a good driver. |
| 01:03:05 |
Move! You son of a... |
| 01:03:16 |
Excellent cigar. |
| 01:03:18 |
It better be. |
| 01:03:23 |
I'm trying to figure out... |
| 01:03:25 |
which of the seven deadly sins |
| 01:03:30 |
Sloth. |
| 01:03:31 |
I'm anything but lazy. |
| 01:03:35 |
But greed does. |
| 01:03:41 |
You and I have always held different |
| 01:03:48 |
But in the end, |
| 01:03:49 |
stealing is stealing. |
| 01:03:51 |
I remember a time when Claudio |
| 01:03:54 |
That! That's why I left the team. |
| 01:03:58 |
The money. It's here. |
| 01:04:02 |
That money... |
| 01:04:04 |
you make it robbing |
| 01:04:08 |
The old moralist has arisen. |
| 01:04:11 |
Ah, yes. The pact: Don't steal |
| 01:04:17 |
Sure, I sometimes think |
| 01:04:19 |
but when I count my cash... |
| 01:04:21 |
when I start smelling it, |
| 01:04:23 |
the thought escapes me. I forget. |
| 01:04:28 |
So much money, and it never |
| 01:04:33 |
You knew he was sick. |
| 01:04:37 |
And that he was dying. |
| 01:04:38 |
Were you counting your money |
| 01:04:43 |
I got busy. |
| 01:04:44 |
He taught us all we know |
| 01:04:47 |
Yes. He taught us all we know. |
| 01:04:48 |
Everything, except how to be rich. |
| 01:04:50 |
To get rich, you can't have a conscience. |
| 01:04:53 |
You have to steal, lie, cheat. |
| 01:04:55 |
Whatever it takes to get rich. |
| 01:04:57 |
- Alone. |
| 01:05:04 |
You don't expect me to share |
| 01:05:09 |
ridiculous thieves? Please. |
| 01:05:12 |
Don't break my balls, old friend. |
| 01:05:14 |
Don't worry about what I've become. |
| 01:05:16 |
Enjoy yourself and quit bitching. |
| 01:05:22 |
Out of our way! |
| 01:05:24 |
- Don't let them through! |
| 01:05:26 |
I'm gonna call the police! |
| 01:05:32 |
Traitor! |
| 01:05:43 |
The keys! |
| 01:05:47 |
Scab! |
| 01:05:54 |
All right. Let them through |
| 01:06:36 |
Check this out. |
| 01:06:40 |
What are they doing |
| 01:06:42 |
- Did you authorize that? |
| 01:06:44 |
You didn't authorize that? |
| 01:06:45 |
Because that Mr. Valdez |
| 01:06:48 |
I know. |
| 01:06:49 |
They're not supposed |
| 01:06:51 |
There's got to be |
| 01:06:53 |
These dumb immigrants, |
| 01:06:54 |
They're just easy |
| 01:06:56 |
I'm telling you... |
| 01:06:58 |
Where'd he go? |
| 01:07:00 |
- What? |
| 01:07:02 |
What's he doing? |
| 01:07:04 |
- Did he... |
| 01:07:06 |
- Did he just kiss the camera? |
| 01:07:08 |
Oh, no! Come on. |
| 01:07:10 |
Look what he's doing to the camera. |
| 01:07:11 |
Looks like he's cleaning it. |
| 01:07:13 |
Look at that. He's cleaning the camera. |
| 01:07:15 |
- Come on, man. |
| 01:07:16 |
That idiot broke the camera! |
| 01:07:21 |
I'll look for the key card. |
| 01:07:24 |
You download |
| 01:07:58 |
"CUSTOMER LIST" |
| 01:08:00 |
"DOWNLOADING" |
| 01:08:26 |
All right, come on, man. |
| 01:08:27 |
Hell, siesta time. Get going. |
| 01:08:45 |
What's going on here? |
| 01:08:47 |
Did you break the camera? |
| 01:08:49 |
Hey. Stop. Knock it off. |
| 01:08:53 |
Look. Hey. |
| 01:08:56 |
What? |
| 01:08:57 |
What are you doing? |
| 01:08:58 |
You got to get out... |
| 01:09:01 |
Thank you. |
| 01:09:02 |
You need to get out of here. |
| 01:09:06 |
- Let's go. |
| 01:09:08 |
Come on now. No more cleaning. |
| 01:09:10 |
Put it in the trash. |
| 01:09:11 |
I don't know |
| 01:09:13 |
Get out of here. Come on now. |
| 01:09:16 |
No more cleaning. Yeah. |
| 01:09:19 |
Let's get going. I haven't had |
| 01:09:21 |
I'm going to turn someone |
| 01:09:23 |
Let's get out of here. Come on. |
| 01:09:25 |
Come on, get going. |
| 01:09:27 |
You're not supposed to be here. |
| 01:09:29 |
Yeah, that means move, move, move. |
| 01:09:31 |
Move. Come on. |
| 01:09:33 |
Jeez. |
| 01:09:34 |
And learn the frickin' language |
| 01:09:43 |
Excuse me, sir? |
| 01:09:47 |
You're in America. |
| 01:09:51 |
Hey. |
| 01:09:57 |
What? |
| 01:09:59 |
Oh, great! |
| 01:10:01 |
You left the cart! |
| 01:10:02 |
...will never be defeated! |
| 01:10:04 |
People united |
| 01:10:37 |
We're going to go to the bathroom. |
| 01:10:59 |
They should be here by now. |
| 01:11:02 |
More water, sir? |
| 01:11:07 |
Yes. Please. |
| 01:11:14 |
Refill that. |
| 01:11:18 |
Yes, of course. |
| 01:11:36 |
Sorry, Emilio! |
| 01:11:40 |
Do you know this waiter? |
| 01:11:46 |
Why would he know me, |
| 01:11:53 |
He's one of the biggest producers |
| 01:11:57 |
Listen, Two Women, One Bedroom |
| 01:12:02 |
Forgive me. I got a little nervous. |
| 01:12:07 |
and I wanted to give you |
| 01:12:14 |
Please, pardon me. Excuse me. |
| 01:12:18 |
Emilio Flores? |
| 01:12:21 |
I don't know. |
| 01:12:24 |
Me, neither. Excuse me. |
| 01:12:57 |
Imbecile. Caressing her back. |
| 01:13:02 |
Jealous? |
| 01:13:03 |
Yes, Julio, yes! Of course I'm jealous. |
| 01:13:25 |
This is where the party's at, right? |
| 01:13:27 |
Yes, sir. |
| 01:13:33 |
Perimeter breach. Main gate. |
| 01:13:37 |
Dear friends, thank you for sharing |
| 01:13:43 |
I want to thank the mayor, |
| 01:13:48 |
and of course, my lovely wife Veronica, |
| 01:13:54 |
this whole marvelous |
| 01:13:57 |
And... |
| 01:14:02 |
Get your hands off her, |
| 01:14:05 |
She doesn't want to talk to you! |
| 01:14:13 |
Don't make things |
| 01:14:15 |
Come with me. |
| 01:14:16 |
Apparently, somebody didn't |
| 01:14:23 |
Please... please... don't get up. |
| 01:14:29 |
This will all be over in a moment. |
| 01:14:42 |
Code Red. |
| 01:14:43 |
All hands requested |
| 01:14:46 |
That means everybody. Nowl |
| 01:15:47 |
Somebody get that animal down |
| 01:16:24 |
Listen, child... |
| 01:16:26 |
go play outside, and don't |
| 01:16:30 |
Get going. |
| 01:16:38 |
"ENTREPRENEUR OF THE YEAR' |
| 01:16:46 |
Stand him up. |
| 01:17:03 |
- Mocte, enough. Stop. |
| 01:17:07 |
My love, remember, you're |
| 01:17:13 |
If you're gong to pummel |
| 01:17:16 |
at the very least take him out back. |
| 01:17:19 |
Go on. |
| 01:17:29 |
What are you two doing here? |
| 01:17:33 |
This guy said they called a code red. |
| 01:17:35 |
Nobody called a code red. |
| 01:17:39 |
Who's guarding the vault? |
| 01:17:48 |
Where's Primitivo? |
| 01:17:52 |
He's an animal, Gloria. |
| 01:17:55 |
You deserve somebody |
| 01:17:59 |
Thanks, Primitivo. |
| 01:18:03 |
You're a good friend. |
| 01:18:07 |
I want to be more than a friend, Gloria. |
| 01:18:16 |
I only see you as a friend! |
| 01:18:28 |
You're going to see me |
| 01:18:31 |
No! Leave me alone! |
| 01:18:38 |
Where the hell are you? |
| 01:18:41 |
This is an emergency. |
| 01:18:44 |
Check to see if you still have it. |
| 01:18:48 |
Yes, I still have it. It's right here. |
| 01:18:50 |
Come to the vault, right nowl |
| 01:18:53 |
What's wrong? |
| 01:18:54 |
Just come to the vault, you moronl |
| 01:19:11 |
That was it. There's no more. |
| 01:19:54 |
Excuse me. |
| 01:19:56 |
Yeah, yeah. |
| 01:20:05 |
What's wrong? |
| 01:20:08 |
Where were you? |
| 01:20:10 |
Give me the key! |
| 01:20:16 |
This isn't the key, you stupid idiot! |
| 01:20:19 |
"DIAMOND HOTEL" |
| 01:20:22 |
Tell the guards outside to check |
| 01:20:25 |
If someone got into that vault, |
| 01:20:29 |
Got that? Move, damn it! |
| 01:20:31 |
Get me the code to open |
| 01:20:34 |
- I don't understand what's happening. |
| 01:20:39 |
Get this garbage out of here! |
| 01:20:40 |
Lock him in the bathroom. |
| 01:21:19 |
How much longer, damn it? |
| 01:21:22 |
Two minutes. |
| 01:21:26 |
It's about time, brother. |
| 01:21:28 |
That hurt. You didn't tell me |
| 01:21:32 |
Aw, crap. I thought I mentioned it. |
| 01:21:34 |
No, you didn't. You'll have to pay |
| 01:21:37 |
Yeah. |
| 01:21:45 |
What's going on here? |
| 01:21:50 |
Nothing, baby. |
| 01:21:54 |
Everything's going according to plan. |
| 01:21:57 |
Meet Dora, Alejandro's wife. |
| 01:22:01 |
How do you think we got the map? |
| 01:22:05 |
Go scare Primitivo. |
| 01:22:12 |
Sorry to bother you again. |
| 01:23:08 |
Where are you going? |
| 01:23:10 |
I'm leaving. |
| 01:23:15 |
Oh, yeah? |
| 01:23:17 |
Check this vehicle. There's bound |
| 01:23:20 |
That's what I'd do. |
| 01:23:22 |
What are you talking about? |
| 01:23:23 |
Assuring my money |
| 01:23:26 |
What are you doing? |
| 01:23:28 |
Don't play dumb. |
| 01:23:30 |
Please, it insults me. |
| 01:23:35 |
The waiter/actor. |
| 01:23:39 |
This cheap-looking driver. |
| 01:23:42 |
And of course... |
| 01:23:44 |
Of course! The guy that sells |
| 01:23:47 |
He's a friend of yours. |
| 01:23:48 |
He was the diversion. |
| 01:23:49 |
While you were doing |
| 01:23:52 |
he was the sleight-of-hand. |
| 01:23:54 |
Perfect. |
| 01:23:55 |
Perfect. Classic Catarino play. |
| 01:24:01 |
Boss... |
| 01:24:03 |
we've found something. |
| 01:24:12 |
Open it. |
| 01:24:18 |
What's going on here? |
| 01:24:20 |
It's clean, boss. Nothing. |
| 01:24:25 |
Check this car again. Inch by inch! |
| 01:24:29 |
But, boss, the car is clean. |
| 01:24:32 |
I told you to check it again, |
| 01:24:35 |
Wrath. Another deadly sin. |
| 01:24:39 |
You won't get away with this. |
| 01:24:42 |
You may have gotten |
| 01:24:45 |
but you won't get it off my property. |
| 01:24:49 |
And another thing. |
| 01:24:50 |
Your friend? |
| 01:24:52 |
He's a dead man. |
| 01:24:53 |
Honestly... |
| 01:24:56 |
I have no idea what the hell |
| 01:25:01 |
Boss. |
| 01:25:04 |
The car is clean. |
| 01:25:15 |
Please excuse me. |
| 01:25:29 |
Should we let him go, boss? |
| 01:25:49 |
The whole limo, okay? |
| 01:26:00 |
It was too obvious, eh? Too obvious! |
| 01:26:35 |
Help me. |
| 01:26:41 |
Damn. |
| 01:26:44 |
Damn. |
| 01:26:46 |
You! Get in there! |
| 01:26:49 |
- You got a radio? |
| 01:26:55 |
Do it again. Do it again. |
| 01:26:58 |
Go find your mother. |
| 01:27:02 |
- Check this vehicle. Gloria! |
| 01:27:17 |
I found some bags in Gloria's SUV. |
| 01:27:20 |
Of money? |
| 01:27:21 |
No, sir. Dirt. |
| 01:27:29 |
Booth guard! Don't let Gloria |
| 01:27:34 |
Yes, don't let Gloria leave. |
| 01:27:36 |
Copy that. |
| 01:28:00 |
My money has to still be on the property. |
| 01:28:04 |
We checked every car before it left. |
| 01:28:16 |
Thanks, Cuz. |
| 01:28:22 |
Good-bye! Good-bye! |
| 01:28:45 |
7,892. |
| 01:28:50 |
2,934. |
| 01:28:56 |
2,458. |
| 01:29:02 |
7,450. |
| 01:29:04 |
That's what you wanted |
| 01:29:06 |
To give it back. |
| 01:29:20 |
9,211. |
| 01:29:54 |
Thank you, Emilio. |
| 01:29:56 |
But you don't have to do this. |
| 01:29:58 |
Catarino and I were like brothers. |
| 01:30:02 |
He would've have done the same for me. |
| 01:30:07 |
Your father would've been |
| 01:30:11 |
Thanks. |
| 01:30:35 |
We now go live to Los Angeles, |
| 01:30:37 |
where María Lucía Fernández |
| 01:30:41 |
Surprisingly, MV Enterprises, |
| 01:30:45 |
infomercial guru Moctesuma Valdez |
| 01:30:48 |
caved to union demands |
| 01:30:51 |
Reporting from Los Angeles, |
| 01:31:07 |
What are we doing here? |
| 01:31:09 |
Wouldn't you like to leave driving? |
| 01:31:11 |
Driving? |
| 01:31:13 |
In that. |
| 01:31:15 |
It's a gift from both of us. |
| 01:31:18 |
You did a good thing. |
| 01:31:20 |
You deserve it. |
| 01:31:31 |
We got lucky. |
| 01:31:35 |
It wasn't luck. |
| 01:31:37 |
They knew what they were doing. |
| 01:31:40 |
They're pros. |
| 01:31:42 |
I never told you how I picked them, right? |
| 01:31:47 |
According to the movies I sold them. |
| 01:31:50 |
They all liked the ones where |
| 01:32:01 |
Have a good trip. |
| 01:38:31 |
Subtitling By J.R. Media Services, Inc. |
