Warnung Vor Einer Heiligen Nutte Beware of a Holy Whore

en
00:00:09 PRIDE GOES BEFORE A FALL
00:00:18 BEWARE OF A HOL Y WHORE
00:01:41 Then there's the story of Wee Willy,
00:01:45 Goofy wants to be a children's nurse...
00:01:49 so he borrows some clothes
00:01:54 a red-and-white
00:01:57 And he tries his luck as a kindergarten
00:02:01 because the kids all say they've never
00:02:05 Goofy gets beaten up by the kids...
00:02:08 and flings his gear in the trash can.
00:02:11 At that moment,
00:02:15 Wee Willy, the gangster.
00:02:17 He's no bigger than a 3-year-old girl.
00:02:24 He finds Goofy's gear in the trash can...
00:02:27 and puts it on.
00:02:29 On his way home,
00:02:32 wearing Aunt Anna's dress.
00:02:34 "Poor little homeless mite," Goofy thinks...
00:02:37 and takes the little girl home.
00:02:41 He dishes up pheasant and partridges...
00:02:45 and a whole goose,
00:02:50 Goofy's pretty surprised
00:02:55 But he's mighty pleased, too...
00:02:57 and thumps his fists on the table.
00:03:00 Wee Willy behaves terribly,
00:03:03 Looking after a child.
00:03:06 During the night, the house is
00:03:09 No, not by gangsters, by police.
00:03:12 They storm the house and find Wee Willy.
00:03:16 They recognize him,
00:03:19 Goofy's amazed and asks...
00:03:20 what they want of a poor little girl.
00:03:23 "What has she done? Poor little orphan!"
00:03:27 The police inform him that it's Wee Willy,
00:03:32 And as the police carry Willy out...
00:03:36 explosive as a hand grenade...
00:03:38 Goofy says:
00:03:40 "It must have been a shock
00:03:44 "to find out she's a crook."
00:03:56 Look how he gives him a light!
00:04:04 Thanks.
00:04:06 I still think he's great.
00:04:14 Surely its possible
00:04:18 Yeah, I'll wait.
00:04:31 David!
00:04:34 I'm busy.
00:04:44 Room 23.
00:04:55 Hanna!
00:04:58 Fred here.
00:05:09 - They all belong to the same clique.
00:05:14 Hanna, Ricky...
00:05:16 David, Fred...
00:05:18 the girl with the curls.
00:05:26 You should clean your teeth.
00:05:29 Stop mauling me!
00:05:31 And Kosinski.
00:05:34 They're a kind of commune.
00:05:36 What's a commune?
00:05:40 They all live together and so on.
00:06:03 We start shooting tomorrow, Herr Meister.
00:06:09 Is there really no chance of...
00:06:12 No, in Munich the check will be...
00:06:20 Okay, I'll phone you later.
00:06:24 It makes me sick!
00:06:38 Another repressed queen!
00:06:40 Who?
00:06:42 Our coach.
00:07:10 I've drawn up the waking list.
00:07:12 You stupid cow!
00:07:13 We don't even have the material,
00:07:16 You don't have to shout at me.
00:07:18 I'll shout at you as long as I like!
00:07:22 Where's Mandig?
00:07:34 You have to wait for the supertrip...
00:07:38 then it's peace all the way.
00:07:44 When I came back from a high once...
00:07:47 I knew what it was like in the womb.
00:07:51 When's Jeff due back?
00:07:54 Candy!
00:07:58 Senor Candy!
00:08:22 Damn it! How often do I have to shout?
00:08:25 Whenever I want to ask you something,
00:08:27 What the hell are you unit manager for?
00:08:30 Don't you realize how fond of you I am?
00:08:36 Come on! Get up!
00:08:41 I hate you, you satyr!
00:08:46 You, too, you witch!
00:09:06 I could have done that.
00:09:08 Shut your mouth, Koberle!
00:09:10 I'm as quiet as a mouse.
00:09:13 He's probably ancient.
00:09:15 Who knows?
00:09:17 There was a race steward in Le Mans
00:09:27 How much?
00:09:28 4,000 feet.
00:09:33 You're all rats!
00:09:35 Assholes!
00:09:40 What's the matter?
00:09:42 They're all so nasty!
00:09:44 Come on, now! Let's have a drink!
00:10:01 Everything's going wrong.
00:10:04 We're not getting the material
00:10:08 The check has bounced.
00:10:12 Okay! If you say so!
00:10:15 Someone will publish my book.
00:10:17 You reckon?
00:10:19 Otherwise, I'll start an international
00:10:22 That's pretty dangerous.
00:10:25 Luck's on my side.
00:10:29 I don't know what he sees in Eddie.
00:10:36 Can you see him as big box office?
00:10:39 Ah, what do we know?
00:11:02 I do my job and that's all.
00:11:24 The Spanish lighting guy turns me on.
00:11:32 He's gay.
00:11:33 You think so?
00:11:37 Let's wait and see!
00:11:40 This place is crawling with gays.
00:11:45 Charlie!
00:11:57 What happens if the material
00:12:01 They've cashed the drafts.
00:12:05 I thought they'd wait a few days.
00:12:12 Babs!
00:12:14 Yes?
00:12:28 Go up and write the call sheet!
00:12:39 Care to do some work?
00:12:47 Whatever I do is wrong.
00:12:48 Don't keep answering back!
00:12:54 - He doesn't know when to stop.
00:13:27 Hello, Margaret! I hope everything's okay.
00:13:30 Yes thanks, Mark.
00:13:32 Things are fine with us.
00:13:41 May I sit down?
00:13:44 Sure.
00:13:45 The English dialogue...
00:13:49 Just a moment!
00:13:51 We have to coordinate the English
00:13:54 for the German dubbing.
00:13:56 That's obvious.
00:13:58 Just do your job,
00:14:04 They won't let me do my job.
00:14:08 - Are you from Germany?
00:14:17 My German's not good enough for that.
00:14:22 Thanks.
00:14:25 - Is he gay?
00:14:28 The lighting guy.
00:14:50 If only I knew what I'm meant to look for!
00:14:54 The director of the film isn't even here yet!
00:15:01 The director must decide on the casting.
00:15:23 No understand.
00:15:36 Jeff? Hello!
00:15:40 But you...
00:15:44 No, Jeff.
00:15:46 Yeah, sure I understand...
00:15:48 But let's at least...
00:15:53 But...
00:15:57 We can talk about it again tomorrow...
00:16:08 Ricky!
00:16:14 Move your butt!
00:16:32 He's coming, but he doesn't want
00:16:35 Says he's spoken with people in Germany...
00:16:37 Schlöndorff, Lemke.
00:16:39 One of them will do it, he reckons.
00:16:41 No. I'm not having that!
00:18:17 What shall I do with the bar?
00:18:28 Here, give it to me!
00:18:50 Shall I bring something to drink?
00:18:54 A coffee, please.
00:18:55 Anyone else?
00:18:58 Do some work, you lazy bitch!
00:19:00 Lazy bitch, yourself!
00:19:02 Everyone thinks he can push me around.
00:19:04 - Where's Ricky?
00:19:06 Who with?
00:19:12 - How are things, Hanna?
00:19:15 Where's the cameraman?
00:19:17 He refuses to work
00:19:21 No problem. Say, what is this place here?
00:19:25 The minister's villa.
00:19:33 Are you all crazy?
00:19:35 I want a palace, and you get me
00:19:40 I just don't believe it!
00:19:42 What is this? A kindergarten?
00:19:46 Learn how to make movies first,
00:19:52 A villa? Don't make me laugh!
00:19:55 If you want to get into car racing...
00:19:59 you have to do a lot of rally driving...
00:20:03 before they'll accept you.
00:20:09 And that costs a bomb.
00:20:30 He looks really old.
00:20:32 Who?
00:20:37 I think he's great.
00:21:18 How are things, David?
00:21:19 Fine, Jeff.
00:21:34 Where's Manfred?
00:21:36 Room 30.
00:21:55 Hello!
00:21:56 Hello!
00:21:58 How are the horses doing?
00:22:01 Okay.
00:22:03 If you need anything, just let me know!
00:22:20 Have you seen the set?
00:22:23 - Have you seen the set, I asked?
00:22:27 It's not even a house, let alone a palace!
00:22:30 It's a miserable shack.
00:22:34 But who cares? I'm flying back tomorrow.
00:22:37 Why that?
00:22:49 The material wasn't on board.
00:22:52 What material?
00:22:55 We can't get the material from Germany,
00:22:59 Why Madrid?
00:23:02 Do you think I'm shooting
00:23:04 There's no difference, Jeff.
00:23:07 Sascha!
00:23:12 I'll go and get him.
00:23:21 For once in my life I wanted...
00:23:23 to make a movie without having
00:23:28 You're producing it with
00:23:32 and making a balls-up of it, too.
00:23:35 I must be nuts!
00:23:39 You all do what you like with me...
00:23:42 because I'm such a reasonable guy.
00:23:48 What's up now?
00:23:51 I'm not putting up with it anymore!
00:23:54 I stuff my money
00:23:58 and I don't even get first-class material.
00:24:02 I'm flying home.
00:24:04 Book me a flight for tomorrow!
00:24:06 Let's talk it over!
00:24:35 Have you seen the face he pulls?
00:24:38 Where?
00:24:52 It's really funny.
00:24:54 He keeps doing this.
00:25:38 You're beautiful!
00:25:41 Really?
00:25:43 Yeah.
00:25:45 She was so brazenfaced to me.
00:25:47 - Who?
00:25:53 I feel really sorry for her.
00:25:56 For both of them, really.
00:25:59 They're scared of getting old.
00:26:05 Why is Jeff having the movie
00:26:11 Ask him!
00:26:16 He got into this scrape somehow.
00:26:28 You can't ask him anything.
00:26:30 He's so strange lately, especially to us.
00:26:34 Isn't he?
00:26:36 Yes?
00:26:37 Especially to our group.
00:26:39 Maybe you can have a word with him!
00:26:42 You're all from Munich?
00:26:45 Yes.
00:26:47 I'm from Rome.
00:26:49 I'm subhuman in your eyes, I know.
00:26:53 I don't understand.
00:26:58 You treat me like a Black!
00:27:01 You're all so self-satisfied.
00:27:03 I'm an outsider for you.
00:27:06 You give me the cold shoulder.
00:27:10 You're the superior beings
00:27:33 Don't talk bullshit! Why not?
00:27:41 I can't get up enough concentration.
00:27:45 Oh, yeah?
00:27:51 I just want you to have fun.
00:27:53 I'm not important.
00:28:50 I can't anymore.
00:28:51 - Babs!
00:28:57 How about it?
00:28:59 Okay, I'm going.
00:29:01 There's work to be done.
00:29:10 Do you have any say here?
00:29:12 I guess so.
00:29:14 I'm looking for a job...
00:29:16 as an extra or something.
00:29:23 I may be able to fix you up.
00:29:26 Are you alone here?
00:29:28 No. I'm with my husband.
00:29:31 Oh, I see.
00:29:35 In that case...
00:29:38 Thank you.
00:29:52 Jeff!
00:30:06 Oh, Jeff!
00:30:21 Just let go of me, honey!
00:30:25 Kiss me, Jeff!
00:30:28 I told you to let go or you'll regret it.
00:30:31 I have a right to, Jeff.
00:30:34 Just leave me alone!
00:30:40 But I love you.
00:30:49 You hit me!
00:30:52 You all saw it.
00:30:54 He nearly killed me.
00:31:24 He promised to marry me.
00:31:29 He wanted to have kids with me.
00:31:38 It's all your fault, you pig!
00:31:41 Pig!
00:31:49 You'll see!
00:31:50 I'll show you!
00:31:52 All of you!
00:31:54 You're all witnesses.
00:31:58 He nearly beat me to death.
00:32:03 I'll show you!
00:32:06 You'll see!
00:32:18 Come on!
00:32:29 Two Cuba Libres for me.
00:32:39 Sure.
00:33:00 Cheers, Jeff!
00:33:07 - What's up here again?
00:33:10 Jeff!
00:33:16 Yeah?
00:33:29 Irma's in the production office.
00:33:38 She says you promised to marry her.
00:33:42 Let her quit!
00:33:44 Tell her I don't want to see her here again.
00:33:48 I'm not shooting a single foot
00:33:54 - I'm going to bed. Goodnight!
00:33:56 - Okay. I'll tell her.
00:34:01 Okay, but...
00:34:03 I've no money to pay her out.
00:34:05 The lazy bitch should do some work
00:34:45 Good evening, Mr. Constantine!
00:34:48 Excellent!
00:34:51 Do I get my money?
00:34:53 Excuse me!
00:34:57 Irma, Jeff said no,
00:35:08 Four years I've worked...
00:35:11 for that bastard!
00:35:13 I whored...
00:35:15 for the swine.
00:35:18 You'd have starved without me.
00:35:23 He promised to marry me.
00:35:27 What a stupid bitch I am!
00:35:29 Just so I'd go on working for him.
00:35:33 He wanted to have kids with me...
00:35:36 and I believed it all!
00:36:17 Come on, Irma!
00:36:23 Lt'll be okay.
00:37:18 Good evening, Mr. Constantine!
00:37:23 Good evening!
00:37:33 - Care to tell me what we're doing tomorrow?
00:37:38 Mike, I want an incredibly long, slow shot...
00:37:42 dolly slowly through the two rooms.
00:37:45 Since this is the scene of
00:37:48 our approach must be a complete contrast.
00:37:53 If we make it quick and snappy,
00:37:57 the audience will never get the feeling
00:38:03 that it's not so simple.
00:38:07 The woman must know at once
00:38:11 After a time...
00:38:13 she begins to cry.
00:38:15 I want to dolly into the house with Eddie,
00:38:20 how the minister reacts to his appearance.
00:38:24 When the minister stands up,
00:38:27 He speaks about his mandate,
00:38:33 We dolly back to a long shot.
00:38:40 Maybe we pan to the woman first.
00:38:44 She's speechless and retreats.
00:38:46 Then a slow pan to Eddie.
00:38:49 The minister is murdered.
00:38:52 Eddie looks for the woman,
00:38:55 Camera stays on the minister,
00:38:58 old oil paintings...
00:39:00 like the guy's...
00:39:03 ancestors maybe...
00:39:05 and returns to the woman, frontally,
00:39:09 They look at each other.
00:39:11 Eddie strikes her. She collapses.
00:39:14 Eddie goes into the garden,
00:39:17 and that's it.
00:39:21 A murder like that's a strange thing.
00:39:23 It can be really sentimental,
00:39:27 feels shattered because it thinks
00:39:30 But not the way they tick.
00:39:34 And that's what we want to try to show.
00:39:37 You have to understand
00:39:55 Tremendous! But it won't be easy.
00:39:58 You reckon Eddie can do it?
00:40:00 Do it? Sure. He's got brains.
00:40:20 - The lighting won't be easy.
00:40:23 - I'm going to bed.
00:40:27 What's up?
00:40:30 The woman there.
00:40:32 Oh, I see.
00:40:40 What's up?
00:40:42 He's hot on this woman.
00:40:44 I wouldn't say no either,
00:40:48 - And if she didn't?
00:41:26 Sascha! Come down, will you?
00:41:31 Cigarette?
00:41:38 Me, too!
00:41:46 That's obvious.
00:43:08 What's the problem?
00:43:10 Leave me in peace!
00:43:23 Do you have a problem, Mark?
00:43:27 No.
00:43:43 Do you know this game?
00:43:46 - What?
00:43:59 I knew I would come.
00:44:06 Shit!
00:44:08 The other way round.
00:44:17 David, you try it!
00:44:22 Well, what's up?
00:44:24 Can you fix it for Ricky to fuck that woman?
00:44:27 - Which woman?
00:44:35 She's here with her husband.
00:44:37 Offer her money!
00:44:39 She just has to tell him she wants to.
00:44:43 No way!
00:44:45 Goodnight!
00:45:04 Want to try?
00:45:35 His reactions are tremendous.
00:45:58 Society has made him somehow dead.
00:46:03 He can't react from within anymore.
00:46:06 Don't talk so much!
00:46:49 Try it with me!
00:46:54 If you catch me,
00:46:59 You little ass-peddler.
00:47:19 There!
00:47:27 Let's go!
00:47:28 - You have to go?
00:47:30 - Bye!
00:47:32 Goodbye!
00:47:35 Go on, run after the screwed-out cunt!
00:48:19 Let's go listen to some music!
00:48:23 Okay.
00:48:48 And you can go to hell in future, too!
00:49:59 How can anyone sleep with this racket?
00:50:02 Serves you right!
00:50:12 My face feels like it's inside out.
00:50:15 Are you stoned?
00:50:16 - Yeah.
00:51:58 Do you really believe that?
00:52:29 Damn it! I can't understand a word
00:52:35 Shall I tell him?
00:52:46 Let's sing a song!
00:52:48 What song?
00:52:49 I'll start and you follow, okay?
00:52:52 Okay.
00:52:54 Oh, where am I to turn to
00:53:00 Now!
00:53:01 Oh, where am I to turn to
00:53:08 when suffering grief and pain?
00:53:17 Whom can I tell of my delight
00:53:25 when joy fills my heart again?
00:53:33 To Thee, to Thee
00:53:38 oh, Father
00:53:42 I come in pain and sorrow
00:53:51 Thou sendest bliss and gladness
00:54:00 Thou healest all my woe
00:54:37 No, thanks.
00:54:47 I think so.
00:55:15 I would move to Spain, too, but...
00:55:33 I don't know what we should do either.
00:55:35 He must phone Bonn
00:56:09 Everything okay, Mike?
00:56:29 Korbinian!
00:56:31 - Yes?
00:56:34 Quick!
00:56:51 Don't worry, they'll get the message.
00:56:53 Let me have the cups back!
00:56:58 In two years, I'll be making movies myself.
00:57:01 I may be a bit slow...
00:57:03 but I'm no fool.
00:57:26 Like a cigarette?
00:57:28 Yes.
00:57:48 You can be nice when you want to.
00:57:51 Yes, you can.
00:57:57 They were all scared of you.
00:58:01 But you're quite different.
00:58:11 Why don't we get married?
00:58:13 We could go off to Peru together.
00:58:22 I can't do that to Sascha.
00:59:10 We never powder the face in France.
00:59:12 No? We can take it off again.
00:59:16 Can you step on it?
00:59:18 - How much longer do I have to wait?
00:59:36 We'll see.
00:59:44 - Her parents are wealthy Spaniards.
01:00:47 - Tell him about Bonn!
01:01:00 Can I have a word with you?
01:01:02 Sure, just a second.
01:01:06 - What are you doing here?
01:01:09 - I give you your orders!
01:01:12 When I tell you to be in the office,
01:01:16 Korbinian!
01:01:18 - Has Ricky been here?
01:01:20 When he turns up...
01:01:22 go through his dialogue with him
01:01:26 - Do you understand?
01:01:27 Go and have a few Cuba Libres!
01:01:36 It's your turn, Margret.
01:01:44 Ouch! Can't you be more careful?
01:01:46 I'm scared of you.
01:01:48 Lift it a bit!
01:01:50 Still not far enough. Damn it!
01:01:53 Hi, Eddie! Everything okay?
01:02:01 Where's my coach?
01:02:07 - Having a snooze in there.
01:02:21 What do you think you're being paid for?
01:02:25 Do you think the others are working
01:02:28 They're all crazy, I suppose.
01:02:32 He should go through the scene with Eddie!
01:02:39 I'll take care of it.
01:02:41 Can we go through it now?
01:02:43 No!
01:02:51 - How are things?
01:02:52 Jeff, I'm so pleased we're starting at last.
01:02:56 Good!
01:02:59 I think I'll play the part...
01:03:02 in the nude.
01:03:03 It gives a completely different feeling.
01:03:07 If you think so.
01:03:10 I can't kill a woman with a karate chop.
01:03:18 It's just not right.
01:03:20 I can't hit a woman...
01:03:22 then kill her.
01:03:29 Can you tell me what it's all about?
01:03:33 I explained the whole scene to you
01:03:37 I just don't understand
01:03:39 - Sascha!
01:03:41 Why is nothing ready here?
01:03:43 You're right.
01:03:46 you have to decide where you want to dolly.
01:03:50 Must I do everything myself?
01:03:51 If you can't decide for yourself,
01:03:54 Set it up here!
01:04:34 - Do you understand now?
01:04:58 Ricky, I'm meant to go through
01:05:01 Come on, then!
01:05:19 Jeff, you've got to phone Bonn.
01:05:23 Am I going crazy?
01:05:26 No, DM 185,000, by the first day of shooting!
01:05:29 - We have.
01:05:31 Are you going to phone...
01:05:33 - or not?
01:05:35 For God's sake, tell me if you like it!
01:05:38 Yeah, maybe a few more cherubs.
01:05:40 Where the hell am I to get cherubs from?
01:05:45 He gets crazier every day.
01:06:08 I wonder if he'll ever get the thing to work.
01:06:15 What's up?
01:06:17 Bonn! Understand?
01:06:20 Where's the interpreter?
01:06:24 She's up there with my brother.
01:06:29 What's he doing here?
01:06:31 He's the sound engineer.
01:06:32 I said I'm shooting without sound.
01:06:35 And get the interpreter!
01:06:37 Linda!
01:06:58 Can you move a bit faster?
01:07:00 My God, the bitch is slow!
01:07:06 I want Bonn. Ministry of the Interior.
01:07:12 Damn it! You talk to him!
01:07:20 What's up?
01:07:22 He says you should go home.
01:07:31 Lemmy Caution was always
01:07:36 so noble.
01:07:39 What I want to show here...
01:07:41 is the guy at the height of power.
01:07:45 Brutal...
01:07:47 cold-blooded...
01:07:49 capitalistic, rational...
01:07:51 cold as ice.
01:07:53 I don't want to show...
01:07:55 a grain of sympathy for people
01:08:02 of some Fascist government.
01:08:17 What news from Bonn?
01:08:25 - I think you're fabulous, Billie.
01:08:27 We could marry and go to South America.
01:08:30 Sure!
01:08:43 I won't be content until I know...
01:08:46 he's been completely destroyed.
01:08:48 I won't be content until I know...
01:08:52 he's been completely destroyed.
01:09:04 Anything wrong?
01:09:06 No, nothing.
01:09:09 There's something up with you.
01:09:12 I've got stomach pains.
01:09:14 My ulcer hurts, that's all.
01:09:18 You should have it operated.
01:09:20 Yeah, probably.
01:09:21 It was the same when I was in kindergarten.
01:09:24 I always sensed
01:09:31 What do you mean by that?
01:09:33 Nothing special.
01:09:37 Because of David, you mean?
01:09:39 Because...
01:09:41 he's assistant director?
01:09:44 I couldn't care less.
01:09:47 Look, Ricky...
01:09:49 David's doing it simply because
01:09:52 I don't give a damn!
01:10:12 I guess I won't be happy until I know...
01:10:15 he's been completely destroyed.
01:10:24 - He needs to go to hospital.
01:10:27 He has an ulcer or something.
01:10:30 I'll have a word with him.
01:10:37 I was with a guy like that for two years.
01:10:40 Only later did I realize
01:10:44 What's that supposed to mean?
01:10:48 My whole picture of your masculinity is
01:10:53 Margret!
01:10:54 Margret!
01:10:57 I don't have stomach pains.
01:11:01 I didn't let them in the navy,
01:11:04 Is that clear?
01:11:16 You can act silent fear, I hope,
01:11:19 Or do you have some privilege
01:11:23 You're acting like
01:11:27 Katrin!
01:11:28 You play the part!
01:11:30 No!
01:11:34 Why me, Jeff?
01:11:36 Do you think I can?
01:11:40 Yeah!
01:11:41 Can we get this makeup table out of here?
01:11:44 Linda!
01:11:47 I'm coming!
01:11:49 Can we get rid of that table?
01:11:52 Tell the workers to move it out!
01:11:55 Of course! Just don't shout!
01:11:57 Pack your bags, you deadbeat, and get out!
01:12:00 Beat it! Have I made myself clear?
01:12:05 Avanti! Move it!
01:12:18 What I'd give to sit with Marlene Dietrich
01:12:22 knocking it back.
01:12:25 I imagine her ice cold...
01:12:28 like a businesswoman.
01:12:30 No, I think she's real sweet and nice.
01:12:34 I imagine her hand on the table,
01:12:41 I want to get out of here.
01:12:45 Why not?
01:12:48 The whole thing here makes me sick.
01:12:51 I think it's going to be tremendous.
01:12:55 Yeah, that's the trouble.
01:13:32 You're a stupid Spanish waiter.
01:13:37 You're so dumb...
01:13:39 you don't even understand me.
01:13:42 Aren't you ashamed of yourself?
01:13:49 But you want to earn money?
01:13:54 Then learn German first!
01:13:58 You stupid, stupid man!
01:14:05 Go away!
01:14:25 It's just for a few days.
01:14:31 He's as big as a tree...
01:14:34 and he looks like Gene.
01:14:40 It's just a bit of fun, that's all.
01:14:46 Come on, Sascha!
01:14:56 If I had half a chance...
01:15:02 Women are so strange.
01:15:06 I'm no fool.
01:15:10 But always some stupid job.
01:15:14 Then try directing, you asshole!
01:15:19 Just don't be a unit manager!
01:15:24 That's hard work.
01:15:31 If only I knew.
01:15:35 My wife...
01:15:39 she keeps me down...
01:15:43 and I enjoy it.
01:15:51 Jeff!
01:15:58 I'm so unhappy.
01:16:02 Why?
01:16:03 I don't know.
01:16:08 Where's Ricky?
01:16:20 He's so amateurish.
01:16:23 That's no way to work.
01:16:25 You have to get to know him.
01:16:34 He can give you...
01:16:37 a sense of latitude as an actor...
01:16:43 and that's something rare.
01:16:55 Okay. 6 o'clock.
01:16:56 Oh, wonderful!
01:16:59 The whole bath's under water.
01:17:02 Exquisitely young!
01:17:15 Oh, yeah?
01:17:16 Well, don't I?
01:17:28 I need the 25 extras by tomorrow morning.
01:17:31 You understand?
01:17:34 You can treat me as you like...
01:17:37 because what you do...
01:17:38 as an artist has quality.
01:17:44 Piss off!
01:17:49 And then a new guy came,
01:17:54 Wolfgang Wagner...
01:17:55 I didn't notice him at first.
01:17:58 One day we were in the hut...
01:18:02 pretty stoned.
01:18:04 We were on guard duty.
01:18:06 We smiled at each other, I gave him a look...
01:18:11 and he said yes,
01:18:16 About two weeks later...
01:18:19 we were on guard duty again...
01:18:21 and I said, "How about it, Wolfgang?"
01:18:24 And he just said:
01:18:26 "No."
01:18:27 That was all.
01:18:32 Sascha, send them all home!
01:18:35 - It's too expensive!
01:18:37 It's my money.
01:18:41 But he has to produce movies!
01:18:42 Okay, send them home!
01:18:45 Do you hear?
01:18:47 All right! All right!
01:18:58 Shit!
01:19:02 Soon I'll have to explain every take.
01:19:05 Oh, come on, Jeff!
01:19:07 It's true, Eddie.
01:19:11 Hanna, tell him. Either he plays it my way,
01:19:15 What do you mean by "fun"?
01:19:17 We're all dependent on you.
01:19:21 Try your luck elsewhere!
01:19:26 That's no alternative.
01:19:29 It has to function here.
01:19:33 You've a greater chance
01:19:39 Try to understand!
01:19:42 That's all well and good,
01:19:45 And dependency leads to fear,
01:19:51 Why are you dependent?
01:19:57 Because we don't know what's going on.
01:20:00 And we're scared. We really are.
01:20:12 Let me explain.
01:20:15 One day Manfred phones.
01:20:17 He says he has a Spanish co-producer...
01:20:20 who would invest DM 250,000 in a movie.
01:20:24 "Great!" I think.
01:20:27 "We'll shoot it cheaply...
01:20:29 "and make the movie
01:20:34 Then he made a calculation for DM 500,000...
01:20:39 and there was no arguing about it.
01:20:42 So I thought, "Okay, I'll invest
01:20:46 Then suddenly there was no co-producer...
01:20:49 and I realized it would be made
01:20:53 It was too late to back out.
01:20:58 That's the position.
01:21:01 And now even that's too little...
01:21:04 and we of all people get no fees.
01:21:08 It's a pain in the butt for me, too.
01:21:29 This is Mandig.
01:21:36 You kicked Linda out.
01:21:38 Yeah. What about it?
01:21:40 One more high-handed act like that,
01:21:44 This is Spain. There are laws here.
01:21:49 Am I right?
01:22:02 Do you love Ricky?
01:22:04 Maybe.
01:22:11 He does it just for the money.
01:22:14 So what?
01:22:18 He told me that himself.
01:22:22 Oh, Jeff, the world's so bad!
01:22:32 Here, it's Sascha.
01:22:38 Sascha, darling!
01:22:40 We're in bed together.
01:22:44 Okay, I'll come down.
01:23:12 Get out, all of you!
01:23:15 You bloodsuckers!
01:23:17 I hate you all!
01:23:19 You just exploit me,
01:23:23 You terrorize me, you bastards!
01:23:26 I hate you all! Korbinian!
01:23:29 I want 10 Cuba Libres! Do you hear?
01:23:45 Don't forget, you're making a movie
01:23:49 without all the hassle.
01:23:57 I love you.
01:24:05 Sascha...
01:24:07 I can't take any more of this.
01:24:12 You'll have to get someone from Germany
01:24:16 I can't go on!
01:24:22 You know very well
01:24:26 No.
01:24:28 Okay.
01:24:35 You know...
01:24:37 the biggest favour you can do him
01:24:49 It's important that the light's brilliant,
01:24:53 There can be hard crosses cast
01:24:56 It introduces an artificial tension.
01:25:00 It doesn't matter if it seems unnatural.
01:25:05 If you say you're making a movie
01:25:09 Not against power.
01:25:11 Against brutality sanctioned by the state.
01:25:14 But if you portray it so aesthetically,
01:25:19 There must be more to it than that, surely?
01:25:27 You're the meanest,
01:25:31 You dirty, little bourgeois rat!
01:25:37 He said he's fond of you.
01:26:14 You know what the worst thing is?
01:26:16 When one realizes how damn bourgeois
01:26:25 You haven't just discovered that?
01:26:28 Yes, I have.
01:26:33 But look at the movies you've made!
01:26:40 You know so much about that sort of thing.
01:26:48 Leave me in peace!
01:26:51 What do you mean?
01:26:55 I don't want to go into all that again.
01:27:00 It's crazy!
01:27:02 Sometimes I could kill you.
01:27:05 Sometimes I could tear the clothes
01:27:11 No, that's really perverse.
01:27:14 I can't play it. It's unmotivated.
01:27:17 I think it's really hot. Imagine!
01:27:20 He's just had an orgasm, and dies.
01:27:22 What a death! It's terrific! Can't you see it?
01:27:32 No. You two go!
01:27:36 Hey, Ricky...
01:27:39 I think he doesn't want to give us any more.
01:27:44 Shall I?
01:28:00 I'll kill you, you bastard!
01:28:02 I'll knife you, you fat slob!
01:28:04 Stop it!
01:28:15 My wife's just the same.
01:28:20 She always decides...
01:28:24 how things are done.
01:28:29 Otherwise she refuses to sleep with me.
01:28:35 And one reacts accordingly.
01:29:56 - Leave him alone!
01:29:59 Sure. Absolutely.
01:30:01 Now beat it, you idiots!
01:30:03 Bastard!
01:30:05 You keep out of it! Beat it!
01:31:56 I'll give you a lift home...
01:32:00 though I often walk home myself.
01:32:03 It clears the mind for thoughts
01:32:12 Just leave me in peace!
01:32:16 No offence!
01:32:33 Tomorrow Babs goes home!
01:32:36 Do you understand, Sascha?
01:32:38 If I see that woman here tomorrow...
01:32:40 you can sort out this mess on your own.
01:32:43 I swear it.
01:32:45 We'll see whether I can really use
01:32:52 I've taken so much trouble...
01:32:54 and you never say a word.
01:32:57 I told you...
01:32:59 what you've done is great!
01:33:02 Honestly, Fred.
01:33:04 You never say a word.
01:33:06 I always have to ask.
01:33:15 You do as I tell you!
01:33:16 If I say "lay the tracks there,"
01:33:20 and not somewhere else. Is that clear?
01:33:24 Learn what movies are first! I had to.
01:33:27 But it has to fall into your laps, it seems.
01:33:36 It makes me sick!
01:33:40 Try using your heads for once!
01:33:43 It's not so hard to use your brains.
01:33:50 You know...
01:33:52 the only thing I accept is despair.
01:34:03 I just want to talk with the bastard!
01:34:09 Stop it!
01:34:10 If I can't afford to do that...
01:34:12 what am I working for?
01:34:17 If I can't smash something...
01:34:20 I might as well be dead.
01:34:21 Do you understand?
01:34:27 Ricky, did you mean
01:34:30 - What kind of movie is it?
01:34:37 What else would one make a movie about?
01:34:45 Give me something to drink!
01:34:54 You're the only one. You!
01:35:01 I have a friend!
01:35:08 Did you bring a newspaper...
01:35:10 from Munich?
01:35:12 Here!
01:35:13 There's a picture of you in it.
01:35:23 "The Devil of Grunwald.
01:35:27 "the police succeeded
01:35:30 "a sexual offender who has long
01:38:20 It's going to be wonderful!
01:38:24 He has rediscovered something
01:38:27 Time.
01:38:37 I guess I won't be content until I know...
01:38:41 he's been completely destroyed.
01:38:53 AND I SAY TO YOU,
01:38:56 OFTEN AM I WEARY TO DEATH
01:38:58 OF DEPICTING HUMAN NATURE
01:39:01 WITHOUT PARTAKING IN HUMAN NATURE