|
Waterloo Bridge
|
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On now to action known |
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Now to all the world, as |
| 00:00:59 |
September the third |
| 00:01:01 |
Ninteen thirty nine |
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As a date to be long remembered |
| 00:01:05 |
At 11: 13 this morning |
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The Prime Minister, speaking |
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Downing Street, announced that |
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Great Britain is at war |
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Meanwhile, the London public're |
| 00:01:16 |
Earnestly reminded of the |
| 00:01:18 |
No light of any description |
| 00:01:20 |
Visable after blackout time |
| 00:01:22 |
No dogs or cats will |
| 00:01:24 |
Roam the streets after dark |
| 00:01:25 |
And it should be |
| 00:01:27 |
Pets will not be permitted |
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In public air raid shelters |
| 00:01:31 |
Gas masks and warm clothing |
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Placed at hand before retiring |
| 00:01:34 |
And it is suggested that |
| 00:01:36 |
In a thermos would be |
| 00:01:38 |
To small children who |
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Awakened at an unusual hour |
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Every effort should be |
| 00:01:44 |
The nerves of those children |
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Who still remain in London, |
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The evacuation which |
| 00:01:48 |
Until the late hours |
| 00:01:52 |
Colonel Cronin's car! |
| 00:02:05 |
I was Right Thomas. |
| 00:02:09 |
To Waterloo Station |
| 00:02:11 |
Yes sir |
| 00:02:18 |
It will be familiar to you |
| 00:02:19 |
Won't it sir |
| 00:02:20 |
I mean having been |
| 00:02:24 |
Yes. It will be familiar |
| 00:02:31 |
Thomas |
| 00:02:33 |
Sir? |
| 00:02:34 |
Go by way of Waterloo Bridge, |
| 00:02:39 |
We have plenty of time |
| 00:02:41 |
Right sir |
| 00:02:53 |
Wait for me at the other end |
| 00:02:55 |
I'll walk across |
| 00:02:56 |
Right sir |
| 00:04:10 |
Here. Take this |
| 00:04:14 |
Your good luck charm? |
| 00:04:16 |
Perhaps it will bring you luck |
| 00:04:18 |
I hope it will |
| 00:04:20 |
I pray it will |
| 00:04:23 |
Thats wonderfully kind of you |
| 00:04:25 |
Do you think that |
| 00:04:26 |
You'll remember me now? |
| 00:04:29 |
I think so |
| 00:04:33 |
I think so |
| 00:04:36 |
For the rest of my life |
| 00:05:21 |
Air raid siren, I heard |
| 00:05:23 |
Oh, you're dreaming |
| 00:05:24 |
I didn't hear a thing |
| 00:05:25 |
Well I did |
| 00:05:26 |
Shut up girls |
| 00:05:28 |
There it is again |
| 00:05:30 |
Be quiet please, all of you |
| 00:05:33 |
Pardon me. But was that |
| 00:05:34 |
An air raid warning? |
| 00:05:35 |
I'm afraid it was |
| 00:05:35 |
We'll know in a minute |
| 00:05:36 |
An air raid, I told you |
| 00:05:37 |
Madame will be furious |
| 00:05:39 |
We should worry about Madame |
| 00:05:41 |
Look. Iook! |
| 00:05:45 |
Air raid! |
| 00:05:48 |
Please, where can we go? |
| 00:05:50 |
The underground station |
| 00:05:51 |
To your right, to your right! |
| 00:06:05 |
Stupid bag. It always does this |
| 00:06:07 |
Thankyou so much. |
| 00:06:09 |
They might just strafe |
| 00:06:10 |
We'd better get off |
| 00:06:11 |
Oh, my lucky charm |
| 00:06:16 |
You little fool. Are you |
| 00:06:18 |
I've had it for years |
| 00:06:19 |
It brings me luck |
| 00:06:20 |
Such as air raids |
| 00:06:24 |
Do you think it would be too |
| 00:06:25 |
Unmilitary if we were to run? |
| 00:06:27 |
Not at all. |
| 00:06:42 |
Here, no pushing he says, |
| 00:06:43 |
You'd blooming well |
| 00:06:45 |
If your hind legs were |
| 00:06:47 |
I always run about myself |
| 00:06:48 |
Because my old man says |
| 00:06:50 |
"A moving target is |
| 00:06:52 |
Ain't it? |
| 00:06:53 |
Not half |
| 00:06:56 |
Blimey, Herman's a |
| 00:06:59 |
Ain't he |
| 00:07:00 |
Herman? |
| 00:07:00 |
Yes. Herman the German |
| 00:07:08 |
Oh, I'm sorry. There |
| 00:07:09 |
A certain amount of shoving |
| 00:07:11 |
It is a crush. Isn't it |
| 00:07:16 |
That one was close |
| 00:07:18 |
Ah. We're safe here |
| 00:07:20 |
There may be some |
| 00:07:21 |
By that wall. Shall we |
| 00:07:23 |
Alright |
| 00:07:23 |
Excuse us please |
| 00:07:24 |
Alright |
| 00:07:34 |
Better. Eh? |
| 00:07:35 |
Yes thanks. Much better |
| 00:07:39 |
Looking for your friends? |
| 00:07:40 |
Yes |
| 00:07:41 |
Perhaps they took |
| 00:07:43 |
Do you mind |
| 00:07:44 |
Oh no. No |
| 00:07:45 |
I suppose that I must |
| 00:07:48 |
Uh. No thanks |
| 00:07:50 |
You're at school, aren't you |
| 00:07:52 |
Oh. |
| 00:07:54 |
Am I being funny? |
| 00:07:56 |
Oh look. That's our school |
| 00:07:58 |
Madame Kirowa's International |
| 00:08:02 |
International ballet? |
| 00:08:03 |
Mm hmm |
| 00:08:04 |
Look here. You don't mean |
| 00:08:05 |
To say your a dancer |
| 00:08:06 |
Yes |
| 00:08:07 |
Err, a professional dancer? |
| 00:08:08 |
Uh. Now and then I wonder |
| 00:08:11 |
You mean you can pirouette |
| 00:08:13 |
And all that sort of thing? |
| 00:08:14 |
Certainly, I can do ontrashacis |
| 00:08:17 |
I beg your pardon |
| 00:08:18 |
I can cross my feet six times |
| 00:08:19 |
In mid air. Diginsky |
| 00:08:21 |
But that only happens once |
| 00:08:24 |
Wow, that must be good |
| 00:08:25 |
Of the la... |
| 00:08:26 |
It must be good for the muscles |
| 00:08:28 |
I should think a |
| 00:08:29 |
Should be like a strong man |
| 00:08:31 |
Oh not quite, That would |
| 00:08:33 |
We try to combine slenderness |
| 00:08:34 |
With strength |
| 00:08:35 |
Well, I've been dancing |
| 00:08:36 |
Since I was twelve |
| 00:08:38 |
And I don't think my muscles |
| 00:08:39 |
Are overdeveloped |
| 00:08:40 |
Oh no, not on your case |
| 00:08:42 |
Of course. We have to train |
| 00:08:43 |
Like athletes |
| 00:08:44 |
Madame believes in |
| 00:08:46 |
Do you expect to |
| 00:08:47 |
Get to the theater tonight? |
| 00:08:48 |
Certainly. We don't |
| 00:08:51 |
Wish I could be there |
| 00:08:52 |
Why don't you come? |
| 00:08:54 |
No, unfortunately I have |
| 00:08:55 |
A colonel's dinner |
| 00:08:56 |
It takes a lot of nerve |
| 00:08:57 |
To miss a colonel's dinner |
| 00:08:59 |
Are you home on leave? |
| 00:09:00 |
I have been. My home |
| 00:09:02 |
And now you have to |
| 00:09:03 |
To France I mean |
| 00:09:04 |
Tomorrow |
| 00:09:05 |
Oh I'm so sorry |
| 00:09:07 |
This hateful war |
| 00:09:08 |
Yes, I suppose it is |
| 00:09:11 |
And yet, there's, I don't know |
| 00:09:13 |
A certain amount of excitment |
| 00:09:15 |
About it too |
| 00:09:16 |
Around the corner of |
| 00:09:17 |
A fascination of the unknown |
| 00:09:20 |
We're both facing it |
| 00:09:22 |
Oh. We face the unknown |
| 00:09:23 |
In peacetime too |
| 00:09:25 |
You're rather matter |
| 00:09:26 |
Of fact are'nt you? |
| 00:09:28 |
Yes. You're rather |
| 00:09:29 |
Romantic, are'nt you? |
| 00:09:33 |
All clear! All clear! |
| 00:09:37 |
Well. There we are |
| 00:09:39 |
I'm afraid it's over |
| 00:09:40 |
Never enjoyed an air raid more |
| 00:09:42 |
Shall we go now or what |
| 00:09:44 |
Oh, it's very tempting, |
| 00:09:46 |
That we had better go |
| 00:09:47 |
Shall I carry that? |
| 00:09:48 |
No no. I only drop it |
| 00:09:50 |
Well I hope that I'm around |
| 00:09:52 |
The next time it happens |
| 00:09:53 |
It isn't very likely, is it |
| 00:09:55 |
You go back to France... |
| 00:09:57 |
And you? |
| 00:09:58 |
We may go to America |
| 00:09:59 |
Oh, that does make it unlikely |
| 00:10:01 |
I'm sorry |
| 00:10:04 |
So am I |
| 00:10:12 |
It's so late. I'm afraid |
| 00:10:13 |
I'll have to take a taxi |
| 00:10:14 |
That may not be so simple |
| 00:10:24 |
I don't know... |
| 00:10:28 |
What were you going to say? |
| 00:10:29 |
I wish I could have seen |
| 00:10:31 |
I'm sure it would have been |
| 00:10:33 |
A pleasant memory in |
| 00:10:34 |
What were you going to say? |
| 00:10:36 |
Oh, It's just that I... |
| 00:10:38 |
I don't know anyone |
| 00:10:40 |
And I'm afraid that it |
| 00:10:41 |
Home to me now, knowing you |
| 00:10:42 |
Not that I really know |
| 00:10:44 |
Here, goveror |
| 00:10:50 |
Thank you very much |
| 00:10:53 |
I hope you get back |
| 00:10:55 |
Thank you |
| 00:10:57 |
Here. Take this |
| 00:11:03 |
Your goodluck charm? |
| 00:11:04 |
Perhaps it will bring you luck |
| 00:11:06 |
I hope it does |
| 00:11:07 |
Now. Iook here. I can't take it |
| 00:11:09 |
It means so much to you |
| 00:11:10 |
You'd better have it. |
| 00:11:11 |
To rely on it too much |
| 00:11:13 |
Oh, that's wonderfully |
| 00:11:15 |
Olympic Theater, please |
| 00:11:18 |
Goodbye |
| 00:11:19 |
Goodbye |
| 00:12:41 |
Kitty, he's here |
| 00:12:42 |
Who? Oh, the man in the |
| 00:12:49 |
I don't understand |
| 00:12:50 |
He said he couldn't come |
| 00:12:51 |
I suppose that he just |
| 00:12:52 |
Came to see the show |
| 00:12:53 |
You don't suppose anything |
| 00:12:55 |
I thought you said that |
| 00:12:56 |
Go to a colonel's dinner |
| 00:12:57 |
It's not what I said |
| 00:12:58 |
It's what he said |
| 00:14:00 |
He's nice. Isn't he |
| 00:14:01 |
He is a bit of alright |
| 00:14:02 |
He must of ditched the colonel |
| 00:14:04 |
You don't think he's |
| 00:14:06 |
Do you? What would the |
| 00:14:07 |
We must watch and pray |
| 00:14:14 |
Please do be quiet |
| 00:14:15 |
You know how Madame hates noise |
| 00:14:25 |
Morelyn |
| 00:14:28 |
What is podabeurea? |
| 00:14:31 |
A podabeurea is a |
| 00:14:33 |
For a sequence of |
| 00:14:34 |
Very small, even steps |
| 00:14:35 |
If you know it, why don't |
| 00:14:37 |
During the preformance? |
| 00:14:42 |
Elsa, your aireabests |
| 00:14:47 |
They were positively epileptic |
| 00:14:51 |
Really, I was concerned for you |
| 00:14:52 |
Anna |
| 00:14:57 |
Show the young ladies, please |
| 00:15:00 |
How to do an auntrashakatra |
| 00:15:05 |
And may I ask why didn't |
| 00:15:09 |
That way for the audience |
| 00:15:11 |
They also have some rights, |
| 00:15:14 |
The preformance tonight |
| 00:15:18 |
We are playing for the moment |
| 00:15:20 |
In a variety theater, but... |
| 00:15:23 |
Kitty |
| 00:15:25 |
But that doesn't mean |
| 00:15:27 |
Work with less precission than |
| 00:15:30 |
Performing seal which |
| 00:15:32 |
You don't honor the ballet |
| 00:15:36 |
By your presence in it |
| 00:15:37 |
The ballet honors you |
| 00:15:40 |
Are there questions? Hmm |
| 00:15:51 |
Yes Madame |
| 00:15:52 |
The note, Kitty |
| 00:15:54 |
The note that was handed to you |
| 00:15:56 |
Oh, really. It's just |
| 00:15:58 |
> From an old friend |
| 00:15:59 |
A... a man I used to know |
| 00:16:01 |
I don't need to be |
| 00:16:03 |
You were a chorus girl |
| 00:16:05 |
Your behavior |
| 00:16:06 |
Madame |
| 00:16:07 |
Myra |
| 00:16:08 |
No Kitty. It's for me Madame |
| 00:16:09 |
Then you may read it |
| 00:16:17 |
Aloud, please |
| 00:16:20 |
Madame. Ah |
| 00:16:21 |
Read it, please |
| 00:16:28 |
As you see, I cannot |
| 00:16:30 |
My last evening with my colonel |
| 00:16:31 |
After all. Please have |
| 00:16:34 |
Or... friend of the shelter |
| 00:16:37 |
P.S. I'm sure you will |
| 00:16:39 |
Because I have a good |
| 00:16:40 |
That has already |
| 00:16:42 |
And the signature? |
| 00:16:44 |
There isn't one |
| 00:16:45 |
And if there were one |
| 00:16:46 |
What would it be? |
| 00:16:48 |
I don't know. I only know that |
| 00:16:50 |
He is an officer. Madame |
| 00:16:53 |
Indeed. I must emphasize that |
| 00:16:54 |
If you want supper parties |
| 00:16:56 |
Officers and delights |
| 00:16:57 |
You shouldn't be here with me |
| 00:16:59 |
But in other occupation |
| 00:17:03 |
Lydia, paper please |
| 00:17:06 |
A war is no excuse |
| 00:17:25 |
Here you are, sir |
| 00:17:25 |
Oh, thank you |
| 00:17:28 |
Thank you sir |
| 00:17:32 |
No go sir? |
| 00:17:34 |
No. I'm afraid not |
| 00:17:39 |
Oh, Captain! Captain |
| 00:17:42 |
Wait a minute |
| 00:17:44 |
I'm Kitty, Myra's friend |
| 00:17:45 |
Where'd you want to meet her |
| 00:17:46 |
What? Myra? Oh, how do you do |
| 00:17:50 |
I do very well, thank you |
| 00:17:51 |
But where did you want |
| 00:17:53 |
Well I... but she ah, |
| 00:17:55 |
Take no notice |
| 00:17:56 |
The old dragon made her |
| 00:17:58 |
You mean she'll come afterall? |
| 00:17:59 |
Name the place |
| 00:18:00 |
Yes. Does she know |
| 00:18:01 |
The Candle Night Club? |
| 00:18:02 |
No. But I do |
| 00:18:04 |
Good then, I'll be there |
| 00:18:04 |
An hour |
| 00:18:06 |
Look here |
| 00:18:08 |
I hope that I'm doing the right |
| 00:18:10 |
Thing. Myra is just a |
| 00:18:12 |
You can see that, can't you |
| 00:18:15 |
I can see that, Kitty |
| 00:18:20 |
Bye bye, Captain |
| 00:18:56 |
Hello |
| 00:18:57 |
Oh. Hello |
| 00:18:58 |
I'm delighted |
| 00:19:00 |
I was afraid that Kitty had |
| 00:19:02 |
Directed you to the wrong place |
| 00:19:03 |
No, but your note was read out |
| 00:19:03 |
Before the whole class |
| 00:19:05 |
Were you embarassed? |
| 00:19:06 |
Yes, and so would you have been |
| 00:19:08 |
I dare say. I'm afraid that |
| 00:19:10 |
I made it difficult for you |
| 00:19:11 |
Well, you... you gave up |
| 00:19:14 |
So I expect I made it |
| 00:19:15 |
Difficult for you too |
| 00:19:16 |
Yes you did, but I have |
| 00:19:17 |
It is wonderful of you |
| 00:19:20 |
Shall we go in? |
| 00:19:21 |
All right |
| 00:19:40 |
Excuse me |
| 00:19:42 |
How nice you look |
| 00:19:44 |
Thank you |
| 00:19:48 |
What do dancers eat? |
| 00:19:50 |
Dull things, mostly |
| 00:19:52 |
Nutritious, yet not fattening |
| 00:19:53 |
Oh no, not tonight |
| 00:19:56 |
What do you suggest that |
| 00:19:56 |
Particularly rich and |
| 00:19:59 |
The grouse is very nice, sir |
| 00:20:00 |
Mm hmm |
| 00:20:01 |
And wine. It isn't against |
| 00:20:03 |
For a dancer to drink |
| 00:20:04 |
A little light wine, is it? |
| 00:20:05 |
Well, tonight... |
| 00:20:06 |
Good, number forty, please |
| 00:20:06 |
Number forty sir |
| 00:20:09 |
Ahh. The ballet was beautiful |
| 00:20:11 |
Madame didn't think so |
| 00:20:12 |
Well, experts never know |
| 00:20:13 |
It takes outsiders to know |
| 00:20:15 |
And I tell you it was beautiful |
| 00:20:17 |
That certainly proves |
| 00:20:20 |
You... glad to see me again? |
| 00:20:23 |
Yes |
| 00:20:29 |
To us |
| 00:20:30 |
I still don't get it, not quite |
| 00:20:32 |
What? |
| 00:20:34 |
Your face. Its all youth, |
| 00:20:38 |
What is it you still don't get? |
| 00:20:42 |
You know when I left you |
| 00:20:43 |
I couldn't remember |
| 00:20:44 |
What you looked like |
| 00:20:45 |
Not for the life of me |
| 00:20:46 |
I thought, was she pretty? |
| 00:20:48 |
Was she ugly? What was |
| 00:20:50 |
I couldn't remember |
| 00:20:51 |
I simply had to get to |
| 00:20:53 |
Tonight to see what you |
| 00:20:54 |
And do you think |
| 00:20:55 |
You'll remember me now? |
| 00:20:58 |
I think so |
| 00:21:02 |
I think so |
| 00:21:04 |
For the rest of my life |
| 00:21:08 |
But. What is it about me |
| 00:21:10 |
That you still don't get? |
| 00:21:14 |
Ladies and Gentlemen, |
| 00:21:15 |
The last dance of the evening |
| 00:21:17 |
I hope you'll eajoy the |
| 00:21:20 |
I'll tell you later. |
| 00:21:23 |
What's it mean. These candles? |
| 00:21:25 |
You'll find out |
| 00:24:15 |
I'll write to you |
| 00:24:16 |
Will you answer? |
| 00:24:17 |
Of course |
| 00:24:19 |
Wonderful evening, wasn't it |
| 00:24:21 |
Yes, thank you very much |
| 00:24:24 |
When I come back, we'll |
| 00:24:26 |
Yes |
| 00:24:27 |
That will be our place. |
| 00:24:29 |
We'll always recapture |
| 00:24:33 |
You think we'll ever |
| 00:24:33 |
See each other again? |
| 00:24:35 |
I think it's doubtful, |
| 00:24:38 |
Yes, I suppose it is |
| 00:24:41 |
What was it that you started |
| 00:24:42 |
To tell me in the |
| 00:24:43 |
You didn't understand about me? |
| 00:24:47 |
No use going into it now |
| 00:24:48 |
No, but tell me please |
| 00:24:50 |
I'd like to know |
| 00:24:52 |
Well it... it struck me |
| 00:24:54 |
Ever since I met you, you know |
| 00:24:56 |
From that very early moment, |
| 00:24:59 |
That you're so young |
| 00:25:00 |
So lovely and so defeatest |
| 00:25:03 |
I mean you don't seem |
| 00:25:04 |
To expect much from life |
| 00:25:06 |
Well, aren't I right |
| 00:25:08 |
For instance, I met you, |
| 00:25:13 |
And now so soon we have to part |
| 00:25:14 |
And perhaps we'll never |
| 00:25:16 |
See each other again |
| 00:25:17 |
You can conceive that then |
| 00:25:18 |
Our never seeing each |
| 00:25:21 |
Yes. I can |
| 00:25:27 |
This where you live? |
| 00:25:28 |
Yes |
| 00:25:29 |
Ah, nothing to do about |
| 00:25:32 |
Nothing, except to say goodbye |
| 00:25:35 |
I suppose so |
| 00:25:38 |
Goodbye |
| 00:25:39 |
Goodbye Myra dear |
| 00:25:41 |
Goodbye Roy |
| 00:25:44 |
Keep well |
| 00:25:48 |
Nothing can happen to me |
| 00:25:50 |
Your lucky charm will |
| 00:25:52 |
I hope it will. I pray it will |
| 00:25:56 |
Goodbye |
| 00:25:57 |
Goodbye |
| 00:26:02 |
Please leave me first |
| 00:26:05 |
Alright |
| 00:26:52 |
I shall have to get this |
| 00:26:54 |
Well, I've been telling you |
| 00:26:56 |
It broke open twice yesterday |
| 00:27:02 |
Oh Kitty, what time is it? |
| 00:27:04 |
It's ah. Almost eleven |
| 00:27:07 |
Oh |
| 00:27:13 |
Good morning Madame |
| 00:27:14 |
Good morning |
| 00:27:16 |
I came to congratulate you, |
| 00:27:18 |
On what. Madame? |
| 00:27:20 |
On being up |
| 00:27:21 |
Considering that you didn't |
| 00:27:23 |
Until four. It's remarkable |
| 00:27:26 |
I have a feeling your |
| 00:27:28 |
Tonight will give the effect |
| 00:27:30 |
Of sleepwalking |
| 00:27:31 |
It's the first time |
| 00:27:32 |
That Myra's been out, Madame |
| 00:27:34 |
When I made you send the note |
| 00:27:35 |
To the military gentleman |
| 00:27:38 |
It was you I was trying |
| 00:27:41 |
I'm fond of the girls who |
| 00:27:43 |
I don't want them to be |
| 00:27:47 |
You don't know him |
| 00:27:48 |
Or you wouldn't say that |
| 00:27:49 |
Can't we have any private |
| 00:27:51 |
Not when it hurts your |
| 00:27:53 |
At the theater |
| 00:27:55 |
I'm happy that he didn't |
| 00:27:57 |
Stay here a week. Otherwise |
| 00:27:59 |
Have ruined six preformances |
| 00:28:01 |
Instead of one. If such a thing |
| 00:28:03 |
Should happen again, with you |
| 00:28:04 |
Or any of the others |
| 00:28:06 |
It means instant dismissal |
| 00:28:11 |
I will see you at the |
| 00:28:15 |
If it's not to much trouble |
| 00:28:26 |
Why is she so cruel |
| 00:28:28 |
Ah. The old broomstick |
| 00:28:30 |
She talks to us all like that |
| 00:28:32 |
Hmm. Nevermind |
| 00:28:34 |
She spoils everything |
| 00:28:35 |
Ahh, rubbish. You're upset |
| 00:28:39 |
Why don't you go back to bed |
| 00:28:41 |
There's no rehearsal today |
| 00:28:42 |
No. I'm not tired |
| 00:28:47 |
Horrible morning |
| 00:28:48 |
For the Channel crossing |
| 00:28:49 |
I suppose he's gone now |
| 00:28:51 |
Yea. Suppose so |
| 00:29:13 |
Kitty, Kitty look. He's here. |
| 00:29:17 |
Good heavens. He's deserted |
| 00:29:19 |
Kitty he's here. Thank God, |
| 00:29:21 |
He'll be courtmarshalled |
| 00:29:22 |
Oh, I gotta go, I gotta go |
| 00:29:24 |
Oh now, calm down, will you? |
| 00:29:25 |
Standing a few minutes from now |
| 00:29:27 |
Oh, you see him too, don't you? |
| 00:29:29 |
Well, if that's his ghost |
| 00:29:29 |
Don't bring him up |
| 00:29:31 |
Oh, get away from that window |
| 00:29:32 |
He's so busy, and he'll see you |
| 00:29:33 |
For heaven sake |
| 00:29:34 |
Carrying around in your slip |
| 00:29:35 |
Help me, where's my hat |
| 00:29:36 |
Oh, Kitty, what if I... |
| 00:29:40 |
...do you suppose, oh dear |
| 00:29:43 |
Oh Kitty, what do you think? |
| 00:29:44 |
Oh, oh Kitty, there, there |
| 00:29:47 |
Do I look alright? |
| 00:29:48 |
Yes, you look alright |
| 00:29:49 |
You look better with a dress on |
| 00:29:50 |
Oh, yes, come on |
| 00:29:51 |
Come on now. Look, look, |
| 00:29:54 |
Oh... goodness, I don't |
| 00:29:56 |
I am doing. I must see him |
| 00:30:00 |
Oh dear, these stupid buttons |
| 00:30:01 |
Oh Kitty, I just want to |
| 00:30:02 |
I just want to. Oh Kitty, |
| 00:30:05 |
I was beginning to think, |
| 00:30:08 |
He came back |
| 00:30:09 |
Oh. Is he still there? |
| 00:30:13 |
He is. He is |
| 00:30:14 |
Wait a minute. Wait a minute |
| 00:30:15 |
I'll get you a macintosh |
| 00:30:17 |
Your umbrella's in the |
| 00:30:19 |
Here, put this on |
| 00:30:21 |
Now, I'm going to go first |
| 00:30:23 |
You don't want to run into |
| 00:30:24 |
Madame on the way down |
| 00:30:29 |
Wait a minute |
| 00:30:33 |
All clear |
| 00:30:35 |
And please tell him |
| 00:30:36 |
No more false alarms |
| 00:30:37 |
I can't stand the excitment |
| 00:30:50 |
Hello |
| 00:30:51 |
Hello |
| 00:31:00 |
Nice of you to come and see me |
| 00:31:02 |
Not at all |
| 00:31:04 |
You... you didn't go |
| 00:31:06 |
Couldn't. Mines in the Channel |
| 00:31:07 |
Forty-eight hours leave |
| 00:31:09 |
Isn't that wonderful? |
| 00:31:12 |
Yes, I have two whole days |
| 00:31:19 |
You know, I thought about you |
| 00:31:20 |
All last night. Couldn't |
| 00:31:22 |
You managed to remember me |
| 00:31:24 |
Yes, barely managed. Myra, |
| 00:31:27 |
Think we're going to do today? |
| 00:31:28 |
Well I... I |
| 00:31:30 |
Oh, you won't have time |
| 00:31:31 |
For what? |
| 00:31:31 |
For hesitating |
| 00:31:32 |
No more hesitating for you |
| 00:31:33 |
No? |
| 00:31:33 |
No |
| 00:31:34 |
Well, what am I going |
| 00:31:36 |
Going to get married |
| 00:31:38 |
Roy, you must be mad |
| 00:31:39 |
I know. Marvelous sensation |
| 00:31:41 |
Oh Roy, do be sensible |
| 00:31:42 |
Not me |
| 00:31:42 |
But you don't know me |
| 00:31:44 |
I'll discover you. |
| 00:31:45 |
Of my life doing it |
| 00:31:46 |
Oh Roy, this is wartime |
| 00:31:47 |
It's because your leaving |
| 00:31:49 |
Because you feel that |
| 00:31:50 |
The whole of your life |
| 00:31:51 |
In forty-eight hours |
| 00:31:53 |
We're going to be married |
| 00:31:54 |
It's you. It will never |
| 00:31:56 |
But how can you tell that |
| 00:31:58 |
Now listen Darling |
| 00:31:59 |
None of your quibbling, |
| 00:32:00 |
Questioning, none of |
| 00:32:02 |
This is positive you see |
| 00:32:03 |
This is affirmative, you see |
| 00:32:04 |
This is final, you see |
| 00:32:06 |
Your going to marry me. You see |
| 00:32:09 |
I see |
| 00:32:17 |
What's a matter, Darling? |
| 00:32:18 |
Where are we going? |
| 00:32:19 |
To announce our engagement |
| 00:32:22 |
To the barracks on the Square |
| 00:32:26 |
Now Mira, I want to give |
| 00:32:28 |
Picture of what I'm going to |
| 00:32:28 |
Let you in for |
| 00:32:29 |
Alright |
| 00:32:30 |
I have to aquaint you |
| 00:32:31 |
With certain facts |
| 00:32:31 |
Alright |
| 00:32:32 |
In the first place, my |
| 00:32:33 |
I am a Captain in the |
| 00:32:35 |
Viusaleers. Are you impressed? |
| 00:32:36 |
Very much |
| 00:32:38 |
A Captain in the Rental Ship |
| 00:32:39 |
Viusaleers cannot |
| 00:32:41 |
It requires emense preparation |
| 00:32:42 |
Formality, ediquette |
| 00:32:43 |
I see it does |
| 00:32:44 |
It's an elaborate ritual |
| 00:32:46 |
Is it? |
| 00:32:46 |
Mm hmm |
| 00:32:47 |
For example, a Captain in the |
| 00:32:48 |
Rental Ship Viusaleers has |
| 00:32:49 |
Before he marrys |
| 00:32:50 |
To get the consent of |
| 00:32:52 |
Is that difficult? |
| 00:32:53 |
Well, it might and |
| 00:32:55 |
I feel it's going to |
| 00:32:57 |
A great deal depends |
| 00:32:58 |
Upon the petitioner |
| 00:32:59 |
On the charm of the petitioner |
| 00:33:01 |
On his honor, on his eliquence |
| 00:33:02 |
Myra, look at me |
| 00:33:04 |
Yes, Captain |
| 00:33:05 |
Can you doubt the outcome? |
| 00:33:08 |
You are very conceited, Captain |
| 00:33:10 |
You are quite mad |
| 00:33:11 |
Captain. You are reckless |
| 00:33:12 |
And headstrong, and I adore |
| 00:33:25 |
Now sit here and don't speak to |
| 00:33:25 |
Strangers. I'll be right back |
| 00:33:36 |
Myra |
| 00:33:37 |
So soon? |
| 00:33:38 |
No, no, I haven't seen him yet |
| 00:33:40 |
I forgot something |
| 00:33:41 |
In fact, indispensible |
| 00:33:42 |
What? |
| 00:33:43 |
Your vital statistics |
| 00:33:44 |
Oh, I'm afraid that |
| 00:33:45 |
I'll dig them up. Now then |
| 00:33:47 |
I assume you were born, where? |
| 00:33:49 |
Birmingham |
| 00:33:50 |
When? |
| 00:33:51 |
June ninth, Eighteen-ninty five |
| 00:33:53 |
Father's profession? |
| 00:33:54 |
Schoolmaster |
| 00:33:55 |
Parents' living |
| 00:33:56 |
No |
| 00:33:58 |
Ah see. What else? |
| 00:34:00 |
Oh yes, what's your last name? |
| 00:34:03 |
Oh Roy, Lester |
| 00:34:05 |
It's lucky I thought of that |
| 00:34:07 |
That's very vital |
| 00:34:08 |
Goodbye Miss Lester |
| 00:34:09 |
Goodbye |
| 00:34:10 |
Be just a second |
| 00:34:28 |
Excuse me. Sir |
| 00:34:29 |
Yes, yes, what is it Cronin? |
| 00:34:31 |
May I see you privately sir? |
| 00:34:32 |
I am at lunch |
| 00:34:34 |
It's extremly imporant sir |
| 00:34:35 |
You held us up last |
| 00:34:36 |
For you at dinner |
| 00:34:37 |
Now you interupt my luch |
| 00:34:39 |
It's all part of the |
| 00:34:42 |
Ah, very well. I'll be back |
| 00:34:49 |
I'm terribly sorry sir, |
| 00:34:51 |
You'll understand |
| 00:34:52 |
I hope you'll understand |
| 00:34:53 |
Do you mind |
| 00:34:54 |
Giving me some sort of a clue? |
| 00:34:55 |
Well, I'm sorry about not |
| 00:34:57 |
For you diner last night sir |
| 00:34:59 |
But you see Colonel... |
| 00:35:00 |
Well, whatever it is, |
| 00:35:01 |
Straten it out |
| 00:35:02 |
Before I get chronic |
| 00:35:04 |
Sit down |
| 00:35:06 |
I'd rather stand if you |
| 00:35:08 |
I'm in a frightful hurry |
| 00:35:09 |
The fact is Colonel, |
| 00:35:13 |
What is the fact? |
| 00:35:15 |
With your permission sir |
| 00:35:17 |
If you don't mind sir |
| 00:35:18 |
I would like to |
| 00:35:18 |
Get married this afternoon |
| 00:35:20 |
Ahh. And who is the bride |
| 00:35:22 |
To be, may I ask? |
| 00:35:23 |
Her name is Myra Lester |
| 00:35:24 |
I have her vital statistics |
| 00:35:26 |
Oh. Sit down |
| 00:35:31 |
You've known her long? |
| 00:35:33 |
Long enough to absolutely |
| 00:35:35 |
Has she been presented |
| 00:35:37 |
I believe not. Sir |
| 00:35:38 |
But she is eligible |
| 00:35:40 |
I presume |
| 00:35:43 |
Cronin, you're leaving for |
| 00:35:44 |
The front tomorrow. |
| 00:35:46 |
Hasn't a great deal |
| 00:35:47 |
To do with your haste? |
| 00:35:48 |
Well, certainly sir. |
| 00:35:50 |
Marry her before I leave |
| 00:35:52 |
She can go and stay with |
| 00:35:53 |
Until I get back |
| 00:35:54 |
I see. Well Cronin. This... |
| 00:35:57 |
This is a good deal of |
| 00:35:59 |
I know sir |
| 00:35:59 |
And a responsibility that |
| 00:36:01 |
I cannot assume by myself |
| 00:36:06 |
I wish you'd try sir |
| 00:36:07 |
Sorry, but I'm afraid I'll have to |
| 00:36:09 |
Ask you to get the consent |
| 00:36:11 |
The Colonel in Chief |
| 00:36:12 |
I see |
| 00:36:13 |
As he is your relative, |
| 00:36:15 |
More closely into this |
| 00:36:17 |
However, if you get his consent |
| 00:36:19 |
You have mine |
| 00:36:20 |
Thank you sir |
| 00:36:21 |
And I hope your future |
| 00:36:23 |
Take place during meal time |
| 00:36:26 |
I'll try sir |
| 00:36:27 |
Goodluck |
| 00:36:29 |
Thank you sir |
| 00:36:36 |
Rebel Stilt House, |
| 00:36:37 |
Yes sir |
| 00:36:45 |
Captain Cronin, your Grace |
| 00:36:47 |
Ah, my boy. I'm glad to see you |
| 00:36:49 |
Thank you sir |
| 00:36:50 |
Really glad indeed. |
| 00:36:52 |
Very well sir |
| 00:36:53 |
When do you go back? |
| 00:36:54 |
Day after tomorrow |
| 00:36:55 |
Mmm. You'll be getting |
| 00:36:56 |
Bush at Camerra, I expect |
| 00:36:58 |
I hope so sir |
| 00:36:58 |
Sit down |
| 00:36:59 |
Thank you |
| 00:37:00 |
Had a nice leave? |
| 00:37:01 |
Wonderful |
| 00:37:02 |
Good, good. You deserve it |
| 00:37:04 |
Well my boy, is there anything |
| 00:37:06 |
I can do for you? |
| 00:37:08 |
Yes sir |
| 00:37:10 |
What is it? |
| 00:37:11 |
Well I, I'd like your |
| 00:37:14 |
To my marriage |
| 00:37:16 |
Your marriage. Oh, ho ho |
| 00:37:20 |
Who's the girl? |
| 00:37:21 |
Miss Myra Lester |
| 00:37:23 |
Lester, Lester... Sally? |
| 00:37:25 |
No, Birmingham |
| 00:37:29 |
Birmingham |
| 00:37:30 |
Lester... |
| 00:37:33 |
Do I know them? |
| 00:37:34 |
No, but I can remedy that sir |
| 00:37:37 |
Does your mother know her? |
| 00:37:38 |
No. But she will |
| 00:37:39 |
At least Myra. Her parents |
| 00:37:41 |
She's all alone |
| 00:37:42 |
Dear. Dear. Dear |
| 00:37:44 |
Well. What does she do? |
| 00:37:47 |
She's a dancer |
| 00:37:50 |
A dancer? |
| 00:37:52 |
Yes sir |
| 00:37:56 |
She's terribly nice sir |
| 00:38:03 |
You know Roy |
| 00:38:05 |
You know Roy |
| 00:38:08 |
I like dancers |
| 00:38:10 |
Well, thank you sir. |
| 00:38:12 |
I don't blame you |
| 00:38:13 |
Naturally. In my time |
| 00:38:14 |
You understand, in my time |
| 00:38:16 |
Of course sir |
| 00:38:17 |
When I was your age |
| 00:38:18 |
I was in love with a dancer |
| 00:38:20 |
I wanted to marry her |
| 00:38:22 |
But. She wouldn't |
| 00:38:25 |
If she'd accepted me |
| 00:38:27 |
She would have been your aunt |
| 00:38:28 |
That would have been |
| 00:38:30 |
Look here my boy |
| 00:38:31 |
I don't mind telling you |
| 00:38:33 |
Of your war record |
| 00:38:34 |
Thank you sir |
| 00:53:25 |
She's very nice |
| 00:53:28 |
In fact, she's quite like me |
| 00:53:30 |
Oh Kitty, what will I do? |
| 00:53:32 |
I can't have her here |
| 00:53:33 |
Why not? Lets give her a |
| 00:53:34 |
And open up the last tin |
| 00:53:35 |
I'll suggest meeting her |
| 00:53:38 |
For tea perhaps |
| 00:53:38 |
Oh, but Kitty, imagine |
| 00:53:41 |
I'm awfully nervous of |
| 00:53:43 |
I wonder... |
| 00:53:46 |
What, you funny love |
| 00:53:47 |
I wonder if she'll like me? |
| 00:53:48 |
She better. Or we won't |
| 00:53:50 |
Invite her at all |
| 00:53:52 |
Myra, you're trebling |
| 00:53:55 |
Oh Kitty, Don't you see |
| 00:53:55 |
Her will be like seeing |
| 00:53:58 |
You've been such a darling |
| 00:54:00 |
And now, perhaps I'll be |
| 00:54:02 |
Able to repay you |
| 00:54:02 |
You know |
| 00:54:05 |
I have a feeling that |
| 00:54:06 |
Take a turn for the better |
| 00:54:09 |
I'm sure it is |
| 00:54:15 |
One? |
| 00:54:15 |
No. There'll be another one in |
| 00:54:19 |
Is there a table by the window? |
| 00:54:20 |
I think so |
| 00:54:34 |
No thank you, I'll wait |
| 00:54:36 |
She is Lady Margret Cronin |
| 00:54:38 |
And I'm Miss Lester |
| 00:54:40 |
If she should ask for me |
| 00:54:41 |
Would you direct her |
| 00:54:42 |
Certainly |
| 00:55:07 |
What time is it, please? |
| 00:55:09 |
It's ten minutes to five Miss |
| 00:55:10 |
Thank you |
| 00:55:12 |
Your friend seems to be held up |
| 00:55:13 |
Yes |
| 00:55:14 |
Are you sure you wouldn't want |
| 00:55:15 |
A cup of tea while you're |
| 00:55:17 |
Oh no thank you |
| 00:55:17 |
I'm sure she'll be here |
| 00:55:19 |
Would you care to look at |
| 00:55:20 |
The evening paper? |
| 00:55:21 |
Oh thank you |
| 00:56:42 |
Would you rather that I didn't |
| 00:56:43 |
Speak to you about Roy? |
| 00:56:46 |
No. No, why should you think |
| 00:56:48 |
But what is there to say? |
| 00:56:55 |
Forgive me my dear |
| 00:56:56 |
But are you quite well? |
| 00:56:57 |
Yes yes, of course |
| 00:55:59 |
I had a drink that's all |
| 00:57:00 |
It made me feel funny |
| 00:57:03 |
Queer |
| 00:57:05 |
What's it like in Scotland? |
| 00:57:07 |
I've never been there |
| 00:57:08 |
It sound so quaint you know |
| 00:57:10 |
The heather, and the peat |
| 00:00:03 |
I'm trying to see you as |
| 00:00:06 |
Myra, I want you to |
| 00:00:09 |
I tried to be your friend |
| 00:00:11 |
I've come because Roy wanted |
| 00:00:14 |
And because I wished to |
| 00:00:16 |
Perhaps we'll try again someday |
| 00:00:19 |
Perhaps on Roy's next leave |
| 00:00:21 |
He'll bring you to the country |
| 00:00:25 |
Goodbye Myra |
| 00:00:34 |
The lady's leaving Miss? |
| 00:01:36 |
Myra? |
| 00:01:42 |
Myra? |
| 00:01:53 |
Who is it? |
| 00:01:54 |
Has Miss Lester gone out, |
| 00:01:57 |
What? What is it? |
| 00:01:58 |
Where's Mrs. Lester? |
| 00:01:59 |
How should I know? She went out |
| 00:02:01 |
When? |
| 00:02:01 |
About an hour ago |
| 00:02:02 |
You shouldn't have let her |
| 00:02:04 |
You know she's not |
| 00:02:04 |
well enough to go out |
| 00:02:05 |
And on a night like this too |
| 00:02:07 |
This is a lodging house |
| 00:02:08 |
Miss Merideth, not a |
| 00:02:17 |
Myra, where have you been? |
| 00:02:19 |
Made you go out on a night |
| 00:02:22 |
You went and got caught |
| 00:02:23 |
Now, you come on upstairs |
| 00:02:25 |
And get to bed |
| 00:02:26 |
Here I spend months to |
| 00:02:27 |
And you go and do |
| 00:02:29 |
A silly thing like this |
| 00:02:31 |
I can't trust you out of |
| 00:02:36 |
Now you get those things off |
| 00:02:38 |
Double quick time too |
| 00:02:40 |
While I fix you a hot |
| 00:02:44 |
Kitty? |
| 00:02:45 |
Yes? |
| 00:02:47 |
How did the show go tonight? |
| 00:02:48 |
Oh. The same as usual |
| 00:02:51 |
Was it a good house? |
| 00:02:53 |
So so |
| 00:02:56 |
Why? |
| 00:02:58 |
I went to the theater. |
| 00:03:01 |
I would suprise you by |
| 00:03:03 |
Oh ya... |
| 00:03:06 |
See Myra I didn't want |
| 00:03:08 |
You see I'm in a differant sort |
| 00:03:09 |
Of show than the one I said |
| 00:03:10 |
A cheaper sort of show |
| 00:03:13 |
Kitty, you haven't got a |
| 00:03:15 |
And never did have one |
| 00:03:19 |
How have we been living? |
| 00:03:21 |
What differance does it make |
| 00:03:21 |
So long that we live |
| 00:03:24 |
Where is the money coming from? |
| 00:03:25 |
Where are you getting it? |
| 00:03:29 |
Where do you think |
| 00:03:29 |
I've been getting it? |
| 00:03:37 |
I tried to keep it from you |
| 00:03:38 |
But... |
| 00:03:40 |
Well you know now |
| 00:03:49 |
You did it for me |
| 00:03:51 |
No I didn't |
| 00:03:53 |
I'd have done it anyhow |
| 00:03:55 |
Like I care |
| 00:03:56 |
No jobs |
| 00:03:58 |
No boys that want to marry you |
| 00:04:01 |
Only men that want to kill |
| 00:04:03 |
Because they know it may be |
| 00:04:06 |
Kitty, you did it for me |
| 00:04:08 |
Food and medicine |
| 00:04:10 |
I'd sooner have died |
| 00:04:13 |
No no you wouldn't |
| 00:04:15 |
You think you would, but |
| 00:04:18 |
I thought of that |
| 00:04:21 |
But I wasn't brave enough |
| 00:04:23 |
I wanted to go on living |
| 00:04:25 |
Heaven knows why, but I did |
| 00:04:26 |
And so would you |
| 00:04:28 |
We're young and it's good |
| 00:04:31 |
Even the life I'm leading, |
| 00:04:37 |
I'd never call it the |
| 00:04:41 |
I wonder who ever thought up |
| 00:04:43 |
That little phrase? |
| 00:04:45 |
I know one thing |
| 00:04:48 |
It couldn't have been a woman |
| 00:04:54 |
I suppose you think I'm dirt |
| 00:04:58 |
Oh Kitty |
| 00:05:34 |
Hello |
| 00:05:41 |
Bit of weather we've had |
| 00:05:42 |
Didn't we |
| 00:05:46 |
It's cleared up though nicely, |
| 00:05:55 |
How about a little stroll? |
| 00:05:56 |
How's luck? |
| 00:06:46 |
No such thing |
| 00:06:47 |
How's Kitty? |
| 00:06:49 |
About the same as me |
| 00:06:50 |
Now days there doesn't seem |
| 00:06:52 |
To be no luck for nobody |
| 00:06:54 |
Oh well |
| 00:06:55 |
Better days coming so the |
| 00:06:57 |
I hope so. Too-da-loo |
| 00:06:59 |
Bye bye |
| 00:07:13 |
Hello Myra, how's life? |
| 00:07:16 |
Not exactly prepared to |
| 00:07:18 |
Well, here they come |
| 00:07:22 |
Cheerio |
| 00:07:23 |
Cheerio |
| 00:07:57 |
Welcome home |
| 00:07:58 |
That's ducky |
| 00:08:32 |
Myra! Myra! |
| 00:08:37 |
Myra! |
| 00:08:40 |
Myra, I can't believe it |
| 00:08:42 |
It is you, isn't it? |
| 00:08:44 |
It's really you |
| 00:08:45 |
Oh Roy |
| 00:08:47 |
It's really you |
| 00:08:49 |
Oh Darling, let me look at you |
| 00:08:52 |
I'm not dreaming, am I? |
| 00:08:53 |
Think of finding you here |
| 00:08:54 |
Waiting for me |
| 00:08:56 |
lt... it's a miracle |
| 00:08:57 |
Roy, you're alive |
| 00:09:02 |
The months I've waited for |
| 00:09:03 |
I'd began to think it |
| 00:09:06 |
How did you know I was coming? |
| 00:09:07 |
Did you telephone mother? |
| 00:09:09 |
No Darling, none of that |
| 00:09:12 |
Chin up. Where's your nerve? |
| 00:09:16 |
It's over Darling, |
| 00:09:17 |
We're together for always |
| 00:09:19 |
Oh Roy, you're alive |
| 00:09:21 |
Yes, extravagantly |
| 00:09:23 |
Oh, poor Darling |
| 00:09:28 |
Come on, we'll go sit down |
| 00:09:31 |
Oh Darling, don't cry |
| 00:09:33 |
It's a happy ending |
| 00:09:35 |
Have you missed me? |
| 00:09:38 |
Did you think I was...? |
| 00:09:40 |
Didn't you know I was |
| 00:09:42 |
How can I die when |
| 00:09:44 |
Do you think I would |
| 00:09:45 |
Break out engagement? |
| 00:09:46 |
You don't know me, young woman |
| 00:09:48 |
I was wounded and somehow |
| 00:09:50 |
Lost my identification disk |
| 00:09:51 |
It's a long story |
| 00:09:51 |
I'll tell you some day |
| 00:09:53 |
Anyhow I was in a German |
| 00:09:54 |
Pretty nearly signed off |
| 00:09:55 |
But I got out at last |
| 00:09:56 |
And went to Switzerland |
| 00:09:57 |
Mother came over of course |
| 00:09:59 |
Mines or no mines |
| 00:10:01 |
And then I'd heard that |
| 00:10:02 |
She'd lost touch with you |
| 00:10:03 |
I almost lost my mind |
| 00:10:05 |
What happened? |
| 00:10:06 |
Did she find you? |
| 00:10:06 |
Did you get in touch with her? |
| 00:10:08 |
No |
| 00:10:09 |
Well then, you didn't know |
| 00:10:11 |
I was coming? |
| 00:10:12 |
No |
| 00:10:14 |
What were you doing at |
| 00:10:16 |
Were you looking for a friend? |
| 00:10:18 |
Yes |
| 00:10:19 |
Well. I'm the friend |
| 00:10:20 |
You were looking for |
| 00:10:23 |
Who was he? |
| 00:10:24 |
I insist upon knowing |
| 00:10:25 |
No, it was a girl |
| 00:10:27 |
No one in particular |
| 00:10:28 |
Just a little short of |
| 00:10:31 |
I should run smack into |
| 00:10:32 |
When you were waiting for |
| 00:10:33 |
No one in particular |
| 00:10:36 |
Ahh, here we are, good |
| 00:10:38 |
This will buck you up |
| 00:10:40 |
Come on. Drink this |
| 00:10:42 |
I want to talk to you |
| 00:10:44 |
I've got a thousand questions |
| 00:10:45 |
What have you been up to? |
| 00:10:47 |
Have you got a job? |
| 00:10:49 |
What does it pay? |
| 00:10:50 |
Not that it really matters |
| 00:10:51 |
You're quitting it |
| 00:10:51 |
You're quitting it this instant |
| 00:10:53 |
I'm not going to let you |
| 00:10:54 |
Out of my sight this time |
| 00:10:54 |
Not until we're married |
| 00:10:55 |
You understand that? |
| 00:11:01 |
Oh Darling, you've been |
| 00:11:02 |
Through a lot, haven't you |
| 00:11:04 |
It's been... |
| 00:11:06 |
It's been... |
| 00:11:07 |
Pretty tough, eh? |
| 00:11:10 |
And I wasn't there to help you |
| 00:11:20 |
But that's all over now |
| 00:11:22 |
I'm going to make it up to you |
| 00:11:23 |
I'm going to make things |
| 00:11:25 |
I never want to see you |
| 00:11:28 |
Except with happiness |
| 00:11:31 |
If I'd only known that |
| 00:11:33 |
That you were in the world |
| 00:11:35 |
I'll never leave you again, |
| 00:11:36 |
Never |
| 00:11:39 |
And now Miss Lester, I have |
| 00:11:41 |
I'm a man with a program |
| 00:11:42 |
A man of action |
| 00:11:43 |
I'm phoning my mother that |
| 00:11:44 |
In record time and that we are |
| 00:11:45 |
Coming up on the evening train |
| 00:11:47 |
Excuse me while I find a phone |
| 00:11:48 |
And don't you move |
| 00:11:49 |
Until I've come back to you |
| 00:12:43 |
The fact is Lady Margret |
| 00:12:44 |
We'll be up on the nine six |
| 00:12:45 |
There's something I must |
| 00:12:47 |
Something I must say |
| 00:12:48 |
Will you? That will be |
| 00:12:49 |
Thanks mother, goodbye |
| 00:12:53 |
Well. That's that |
| 00:12:54 |
Roy, you must listen to me |
| 00:12:57 |
Myra, what is it? |
| 00:12:59 |
I can't go to the country |
| 00:13:01 |
It's quite out of the question |
| 00:13:03 |
Why not? |
| 00:13:04 |
Please don't ask me. I |
| 00:13:05 |
But I've got to ask you |
| 00:13:07 |
And you've got to tell me |
| 00:13:11 |
Oh I, I look terrible for |
| 00:13:14 |
I haven't any clothes |
| 00:13:16 |
And I really can't go anyway |
| 00:13:17 |
You little fool. Let me |
| 00:13:20 |
At you, I think you exagerate |
| 00:13:23 |
Mmm, now that I look at you, |
| 00:13:25 |
There's something in what |
| 00:13:26 |
Well Madame Cronin to be |
| 00:13:27 |
We'll see what we can do |
| 00:13:29 |
How would you like to be |
| 00:13:30 |
The smartest woman in London? |
| 00:13:31 |
No Roy, I can't |
| 00:13:44 |
Myra Darling |
| 00:13:48 |
I'm afraid I've been stupid |
| 00:13:50 |
Conceited and stupid |
| 00:13:52 |
Because you've never been |
| 00:13:53 |
My thoughts, I took it for |
| 00:13:55 |
It was the same for you |
| 00:13:59 |
There's someone else, isn't |
| 00:14:02 |
After all, you thought me dead |
| 00:14:06 |
There is someone else, |
| 00:14:08 |
Don't be afraid. Tell me |
| 00:14:09 |
Of course there isn't |
| 00:14:12 |
There couldn't be |
| 00:14:14 |
I loved you |
| 00:14:16 |
I've never loved anyone else |
| 00:14:19 |
I never shall |
| 00:14:21 |
That's the truth, Roy |
| 00:14:26 |
That's all I wanted to know |
| 00:14:31 |
Oh Darling, smile for a change |
| 00:14:34 |
Have you forgotten how? |
| 00:14:37 |
That's a good girl |
| 00:14:40 |
I can't believe I'm with |
| 00:14:42 |
But you are |
| 00:14:44 |
Happy? |
| 00:14:45 |
Yes |
| 00:14:47 |
Personally, I'm delirious |
| 00:14:50 |
Come on, we're going shopping |
| 00:14:56 |
Myra? Well, what's all this |
| 00:15:01 |
Have you taken to shop lifting? |
| 00:15:03 |
Oh Kitty Darling, Roy's alive |
| 00:15:04 |
He's back. He's here |
| 00:15:08 |
Roy? |
| 00:15:11 |
No |
| 00:15:12 |
Yes. He's back |
| 00:15:13 |
We've been together the |
| 00:15:14 |
He'll be here any minute |
| 00:15:16 |
Kitty, he wants to marry me |
| 00:15:21 |
Oh no. Such things don't happen |
| 00:15:24 |
It's true |
| 00:15:25 |
Oh Kitty, it's going to be |
| 00:15:26 |
So wonderful |
| 00:15:27 |
For you too |
| 00:15:28 |
Nothing will be too good |
| 00:15:29 |
When I'm Roy's wife |
| 00:15:33 |
Oh I know what you're thinking |
| 00:15:36 |
I've been thinking too |
| 00:15:39 |
You think that will be |
| 00:15:40 |
don't you |
| 00:15:42 |
Does he know? |
| 00:15:43 |
No |
| 00:15:44 |
Do you think you can get |
| 00:15:47 |
You mean deceiving him? |
| 00:15:48 |
Yes |
| 00:15:50 |
Oh, I'm going to tell him |
| 00:15:53 |
There are two sorts of |
| 00:15:56 |
Those that get the breaks |
| 00:15:57 |
And those that don't |
| 00:15:58 |
Well, I'm getting the |
| 00:16:00 |
And I'm not going to sink |
| 00:16:02 |
Remember you once said |
| 00:16:03 |
To live? Well I want to live |
| 00:16:06 |
This is my chance for life |
| 00:16:07 |
And I won't let him go |
| 00:16:09 |
He's so kind. Kitty. So sweet |
| 00:16:12 |
And clean and wonderful |
| 00:16:14 |
I'll devote myself to him |
| 00:16:17 |
After all, it's his happiness |
| 00:16:20 |
He... he loves me |
| 00:16:22 |
He's waited for me |
| 00:16:24 |
And in my soul, I've |
| 00:16:28 |
Tell me I can go to him. |
| 00:16:43 |
I guess there are no rules Myra |
| 00:16:45 |
For what you feel |
| 00:16:48 |
And what he feels |
| 00:16:49 |
Kitty |
| 00:16:51 |
Afterall, if he's mad enough |
| 00:16:54 |
It may make up for everything |
| 00:16:55 |
It must. It must |
| 00:16:58 |
Well try it |
| 00:17:00 |
Go to him |
| 00:17:03 |
Oh Kitty |
| 00:17:22 |
The ancestral acres Myra |
| 00:17:24 |
Shall I point out the things |
| 00:17:26 |
Proud of no matter how boring? |
| 00:17:27 |
It's beautiful |
| 00:17:29 |
Simply beafutiful |
| 00:17:30 |
Mother will take you all |
| 00:17:32 |
You must not tell her that |
| 00:17:33 |
I showed you a thing |
| 00:17:33 |
See it all for the first time |
| 00:17:35 |
Be enthusiastic too |
| 00:17:35 |
That won't be difficult |
| 00:17:48 |
It must be wonderful to spend |
| 00:17:50 |
One's childhood in a place |
| 00:17:51 |
Yes, it's great when |
| 00:17:54 |
When you're really young |
| 00:17:56 |
Oh Roy |
| 00:17:57 |
Do you think of yourself |
| 00:18:00 |
No one who's been in this |
| 00:18:03 |
No. That's true |
| 00:18:05 |
Do you remember Longfellow's |
| 00:18:06 |
"The thoughts of youth |
| 00:18:07 |
Are long long thoughts." |
| 00:18:12 |
Myra? |
| 00:18:13 |
Yes Roy |
| 00:18:15 |
We're awefully good together |
| 00:18:16 |
Don't you think? |
| 00:18:20 |
R.S.V.P. |
| 00:18:22 |
I mean that was a question that |
| 00:18:23 |
Requires an answer, yes or no |
| 00:18:26 |
Yes |
| 00:18:28 |
Your answer is correct |
| 00:18:45 |
Our home, Darling |
| 00:18:54 |
Mother. Hello |
| 00:18:59 |
Myra, I'm so glad |
| 00:19:02 |
To see you again my dear |
| 00:19:03 |
Isn't it wonderful Roy |
| 00:19:04 |
Finding you so quickly |
| 00:19:05 |
I really believe |
| 00:19:06 |
There's providence in it |
| 00:19:07 |
I'm sure of it. Mother |
| 00:19:08 |
You're very kind Lady Margret |
| 00:19:09 |
Roy, I do hope that |
| 00:19:10 |
You haven't shown Myra anything |
| 00:19:12 |
I want to show her |
| 00:19:14 |
I didn't show her a thing |
| 00:19:16 |
Good. Come |
| 00:19:18 |
Oh, I'm so happy |
| 00:19:22 |
Hello |
| 00:19:23 |
Oh Mr. Roy, do excuse me |
| 00:19:25 |
I've been waiting all |
| 00:19:26 |
For the dog cart |
| 00:19:27 |
And then I missed it |
| 00:19:28 |
Just at a crucal moment, |
| 00:19:30 |
Well as a matter of fact Barnes |
| 00:19:31 |
I missed my welcoming commitee |
| 00:19:32 |
I wanted to impress Miss Lester |
| 00:19:33 |
However, this is my future |
| 00:19:35 |
Myra, this is Barnes |
| 00:19:38 |
How do you do? |
| 00:19:38 |
How do you do |
| 00:19:40 |
Brought me up from a baby |
| 00:19:41 |
He'll tell you all about |
| 00:19:42 |
If you let him |
| 00:19:43 |
Oh. I'd love to hear about it |
| 00:19:44 |
Well, he gave us an aweful |
| 00:19:46 |
Lot of trouble Miss Lester |
| 00:19:47 |
He wasn't what you'd call |
| 00:19:49 |
But you couldn't resist him |
| 00:19:52 |
On day he jumped from a |
| 00:19:54 |
I told her about that Barnes |
| 00:19:55 |
You fish up something new |
| 00:19:57 |
Yes sir |
| 00:19:57 |
Come mother |
| 00:19:58 |
What about showing Myra |
| 00:20:00 |
Oh Roy, I forgot |
| 00:20:01 |
I'm afraid we're going |
| 00:20:03 |
Invaded? |
| 00:20:04 |
The neighbors, I did my best |
| 00:20:05 |
To spare you, but the |
| 00:20:08 |
Is coming here tonight |
| 00:20:09 |
And your bride |
| 00:20:10 |
Ah poor Myra, you're going to |
| 00:20:12 |
See some wonderful types |
| 00:20:36 |
They do look well together, |
| 00:20:38 |
She's a lovely girl |
| 00:20:39 |
Perfectly lovely |
| 00:20:41 |
I suppose very soon these two |
| 00:20:42 |
Young people will be paying me |
| 00:20:43 |
A professional visit |
| 00:20:46 |
Tomarrow morning, I expect |
| 00:20:47 |
Roy's madly in love |
| 00:20:50 |
Jealous? |
| 00:20:51 |
A little |
| 00:20:52 |
But you like her don't you? |
| 00:20:53 |
Very much |
| 00:20:55 |
More every minute |
| 00:21:10 |
She dances beautifully, |
| 00:21:11 |
Well, that's her job |
| 00:21:14 |
Those Cronin men, |
| 00:21:16 |
Attracted by girls |
| 00:21:17 |
Who undress in public |
| 00:21:19 |
Why don't you try it Violet |
| 00:21:21 |
I haven't the nerve |
| 00:21:23 |
I'm not quite sure that |
| 00:21:24 |
I've got the figure |
| 00:21:36 |
All I can say is that there are |
| 00:21:37 |
Plenty of charming girls |
| 00:21:39 |
Of good family in the county |
| 00:21:40 |
That would have jumped at Roy |
| 00:21:41 |
And I don't mean my niece, |
| 00:21:44 |
I wonder if she can write? |
| 00:21:46 |
Who's ever heard of her? |
| 00:21:48 |
Has anyone ever seen her dance? |
| 00:21:49 |
Well, evidently Roy's seen her |
| 00:21:53 |
You'll notice the Duke |
| 00:21:56 |
Evidently the Duke doesn't |
| 00:22:28 |
Happy? |
| 00:22:28 |
Yes |
| 00:22:29 |
Completly? |
| 00:22:30 |
Yes |
| 00:22:31 |
Estatically? |
| 00:22:32 |
Yes |
| 00:22:33 |
No doubts |
| 00:22:34 |
No |
| 00:22:35 |
No resevations? |
| 00:22:35 |
No |
| 00:22:37 |
No defeatism? |
| 00:22:38 |
No |
| 00:22:42 |
Darling, every once and a while |
| 00:22:43 |
I see fear in your eyes |
| 00:22:45 |
Why? Ah, life's been hard |
| 00:22:49 |
I know that |
| 00:22:51 |
You've had to struggle |
| 00:22:52 |
And endure privation |
| 00:22:53 |
But that's all over now |
| 00:22:55 |
You're safe now |
| 00:22:58 |
Don't be afraid |
| 00:22:59 |
You needn't be ever again |
| 00:23:02 |
I love you |
| 00:23:04 |
Oh Roy, you're so good. |
| 00:23:11 |
Darling, it's... it's unreal, |
| 00:23:14 |
Yes |
| 00:23:16 |
Shall we wake up suddenly |
| 00:23:17 |
And find it untrue? |
| 00:23:19 |
Roy, don't be defeatist |
| 00:23:23 |
Rather like running |
| 00:23:25 |
Wasn't it. To dance in there |
| 00:23:27 |
Oh, but you're a great |
| 00:23:28 |
Everyone's enchanted with you |
| 00:23:30 |
But they haven't met me yet |
| 00:23:32 |
You warm? |
| 00:23:33 |
Yes, very |
| 00:23:34 |
Would you like a cooling drink? |
| 00:23:35 |
I'd love one |
| 00:23:36 |
I'll get you some of |
| 00:23:38 |
Cool and innocent and deceptive |
| 00:23:39 |
You sit right here |
| 00:23:41 |
Don't move an eyelid until |
| 00:23:43 |
I shall run off with the |
| 00:23:46 |
Darling |
| 00:23:48 |
Darling |
| 00:24:06 |
Of course I'm here |
| 00:24:07 |
I've come to see that |
| 00:24:09 |
Where is she? Where are |
| 00:24:13 |
This is Myra |
| 00:24:14 |
Myra, this is my Uncle |
| 00:24:16 |
The source of those |
| 00:24:16 |
Bellows you just heard |
| 00:24:18 |
How do you do |
| 00:24:19 |
So this is Myra, is it... |
| 00:24:23 |
Why have you kept us apart? |
| 00:24:25 |
Now my troubles begin |
| 00:24:28 |
Roy, you told me you were |
| 00:24:29 |
Going to get Myra some punch |
| 00:24:31 |
What about it? |
| 00:24:33 |
I knew it was too good to last |
| 00:24:34 |
Darling |
| 00:24:36 |
Come on my Dear, let's sit down |
| 00:24:40 |
Do you know that you gave |
| 00:24:41 |
The most anxious moments |
| 00:24:43 |
Did I? When? |
| 00:24:45 |
When I was waiting in the cab |
| 00:24:46 |
While Roy was inside asking |
| 00:24:48 |
Your permission to marry me |
| 00:24:49 |
Were you outside in the cab? |
| 00:24:56 |
Listen Myra, I had them play it |
| 00:24:59 |
Let's dance to it |
| 00:25:02 |
Will you excuse us sir? |
| 00:25:04 |
Thank you |
| 00:25:05 |
For what. For what? |
| 00:25:06 |
Go on and enjoy yourselves |
| 00:25:19 |
Remember Darling, the Candle |
| 00:25:22 |
It's forever ago, isn't it |
| 00:25:24 |
And yet, it's tonight |
| 00:26:29 |
Come in |
| 00:26:32 |
Do I disturb you? |
| 00:26:34 |
No, please come in Lady Margret |
| 00:26:37 |
I knocked very gently |
| 00:26:39 |
You asleep I wouldn't wake you |
| 00:26:42 |
Won't you sit down? |
| 00:26:43 |
I thought you'd be awake |
| 00:26:44 |
I said she's far to happy |
| 00:26:46 |
To be asleep |
| 00:26:49 |
Great happiness, or |
| 00:26:51 |
Don't you think so? |
| 00:26:52 |
Yes |
| 00:26:53 |
I couldn't go to sleep |
| 00:26:54 |
Getting something off my chest |
| 00:26:56 |
As the Americans say |
| 00:26:57 |
Are you sure you're not |
| 00:26:59 |
No no. Of course not |
| 00:27:01 |
It's about our last meeting |
| 00:27:03 |
That has prayed upon my mind |
| 00:27:06 |
Do you bear a grudge against me |
| 00:27:07 |
For that Myra? |
| 00:27:09 |
Oh no Lady Margret |
| 00:27:11 |
I came with a prejudice, |
| 00:27:13 |
I saw you, you seemed |
| 00:27:16 |
I thought you couldn't be, |
| 00:27:18 |
What I wanted Roy's wife to be |
| 00:27:23 |
I have no excuse except |
| 00:27:24 |
Excuse for wanting an |
| 00:27:27 |
For her son |
| 00:27:28 |
Can you forgive me? |
| 00:27:30 |
But there's nothing to forgive |
| 00:27:32 |
When I got home the next day |
| 00:27:34 |
The telegram telling me |
| 00:27:35 |
The dreadful news about Roy |
| 00:27:37 |
And when I could think again |
| 00:27:38 |
It suddenly struck me that |
| 00:27:40 |
All the time |
| 00:27:41 |
That you'd just seen his name |
| 00:27:42 |
In the paper |
| 00:27:43 |
And that you hardly knew |
| 00:27:44 |
What you were saying |
| 00:27:46 |
Is that true? |
| 00:27:47 |
Yes |
| 00:27:50 |
Oh you poor child |
| 00:27:52 |
If I'd only known |
| 00:27:59 |
I did my very best to find you |
| 00:28:03 |
And now I want to make it up |
| 00:28:05 |
To you in the future |
| 00:28:10 |
I'm very happy about |
| 00:28:12 |
This marriage, Myra |
| 00:28:14 |
And I know that we are |
| 00:28:15 |
Going to be wonderful friends |
| 00:28:18 |
Forgive me for being |
| 00:28:22 |
Goodnight my daughter |
| 00:28:45 |
Lady Margret! |
| 00:28:50 |
Lady Margret! |
| 00:28:56 |
Lady Margret! |
| 00:28:57 |
Yes, Myra |
| 00:28:59 |
I must speak to you |
| 00:29:01 |
Well of course Myra |
| 00:29:02 |
I can't marry Roy |
| 00:29:18 |
Sit down quietly Dear and |
| 00:29:21 |
I must go away |
| 00:29:22 |
I should never have come here |
| 00:29:24 |
I knew it was impossible |
| 00:29:25 |
But I kept deceiving myself |
| 00:29:30 |
I've got to go away |
| 00:29:32 |
I must never see him again |
| 00:29:35 |
My Dear, why don't you tell me |
| 00:29:36 |
What it is |
| 00:29:37 |
I'm sure I can help you |
| 00:29:39 |
No one can help me |
| 00:29:41 |
But my Dear, what can it be |
| 00:29:43 |
That is so terrible? |
| 00:29:46 |
Has there been someone else? |
| 00:29:51 |
Oh Lady Margret, you are naive |
| 00:29:57 |
Myra? |
| 00:29:58 |
Yes |
| 00:29:59 |
Yes, yes! |
| 00:30:00 |
Myra |
| 00:30:01 |
Yes, that thought is now |
| 00:30:03 |
Which you are telling yourself |
| 00:30:04 |
Can't be true |
| 00:30:05 |
It is true |
| 00:30:07 |
Myra |
| 00:30:07 |
Yes |
| 00:30:10 |
Why didn't you tell him |
| 00:30:13 |
I didn't have the courage |
| 00:30:15 |
I can give you plenty |
| 00:30:17 |
I was hungry, I was poor |
| 00:30:19 |
I thought Roy was dead, |
| 00:30:22 |
Make you understand |
| 00:30:23 |
It wouldn't help me |
| 00:30:25 |
Oh. I don't know what to say |
| 00:30:31 |
But it's my fault as much |
| 00:30:34 |
For not having understood |
| 00:30:35 |
For not having taking |
| 00:30:37 |
Don't be nice to me |
| 00:30:41 |
If I... if I leave early |
| 00:30:45 |
If I never see Roy again... |
| 00:30:48 |
Would you promise me he'll |
| 00:30:52 |
I couldn't bare to hurt him |
| 00:30:55 |
Myra |
| 00:30:58 |
Oh let us wait until |
| 00:31:01 |
Let us think this over |
| 00:31:03 |
Will you promise? |
| 00:31:07 |
I promise |
| 00:31:09 |
Thank you |
| 00:31:12 |
You've been so good |
| 00:31:14 |
I wish I could have been |
| 00:31:16 |
All that you hoped |
| 00:31:18 |
But didn't |
| 00:31:38 |
Myra |
| 00:31:41 |
Why you little get about? |
| 00:31:43 |
What are you doing prowling |
| 00:31:45 |
Around at this hour |
| 00:31:46 |
You've been with mother? |
| 00:31:47 |
Yes |
| 00:31:47 |
Isn't she wonderful? |
| 00:31:49 |
Yes she is |
| 00:31:51 |
I knew I wouldn't sleep, |
| 00:31:52 |
Walking in the garden |
| 00:31:53 |
Confiding my goodluck |
| 00:31:55 |
Were they pleased? |
| 00:31:56 |
Ah, they seemed indifferent |
| 00:31:57 |
They went on glittering |
| 00:31:58 |
The little exhibitionists |
| 00:32:01 |
Oh. Ever see this before? |
| 00:32:05 |
I think so |
| 00:32:07 |
Well. Here |
| 00:32:09 |
But I gave it to you. |
| 00:32:11 |
I think it will be safer |
| 00:32:13 |
Just as I'll be |
| 00:32:15 |
I dropped it in the garden |
| 00:32:16 |
And I was frantic |
| 00:32:17 |
until I found it again |
| 00:32:18 |
I think you better have it |
| 00:32:20 |
Because. Now that were both |
| 00:32:21 |
As they say |
| 00:32:23 |
One, it really doesn't matter |
| 00:32:25 |
Which one of us keeps it. |
| 00:32:27 |
It's brought me luck |
| 00:32:28 |
Now let it bring you luck |
| 00:32:30 |
I'll keep it for you Roy |
| 00:32:32 |
I'm tired Darling |
| 00:32:34 |
Yes. You look tired |
| 00:32:35 |
It's been a strenuous |
| 00:32:36 |
Yes |
| 00:32:38 |
Goodnight Darling |
| 00:32:40 |
Goodbye Darling |
| 00:32:42 |
Why goodbye when it's only |
| 00:32:44 |
Ah because, every parting |
| 00:32:47 |
Is like an eternity |
| 00:32:52 |
That's the way I feel too |
| 00:32:55 |
Goodbye |
| 00:32:56 |
Goodbye, little sentimentalist |
| 00:33:06 |
Tomorrow, all day to ourselves |
| 00:33:09 |
Yes, my Love |
| 00:33:37 |
"...There's no future for us |
| 00:33:39 |
I'm grateful to you for |
| 00:33:41 |
And for what you have meant |
| 00:33:43 |
I cannot write |
| 00:33:46 |
Goodbye my dearest Darling. |
| 00:34:20 |
Wait for me |
| 00:34:29 |
Myra? |
| 00:34:30 |
Myra, it's Roy |
| 00:34:33 |
Myra? What on earth's going... |
| 00:34:36 |
Oh, it's you |
| 00:34:37 |
Hello Kitty |
| 00:34:38 |
Where's Myra? |
| 00:34:39 |
She's not with you? |
| 00:34:40 |
What are you talking about? |
| 00:34:42 |
She left Scotland last night |
| 00:34:43 |
Without telling you? |
| 00:34:45 |
She's not been here then |
| 00:34:46 |
Not since she walked out |
| 00:34:47 |
With you the other day |
| 00:34:48 |
Look here. Can I come in? |
| 00:34:49 |
Of course |
| 00:34:52 |
I was just having a bite to eat |
| 00:34:54 |
Sit down. What's happened? |
| 00:34:57 |
She left a note that |
| 00:34:58 |
She couldn't marry me |
| 00:35:00 |
Was there any trouble with |
| 00:35:01 |
No no no. None |
| 00:35:04 |
It's incredible Kitty |
| 00:35:05 |
I can't stand it at all |
| 00:35:06 |
Well only last night we |
| 00:35:08 |
And she told me she was happy |
| 00:35:09 |
When did she leave? |
| 00:35:10 |
On the first train |
| 00:35:11 |
Took a ticket for London |
| 00:35:12 |
She must have arrived hours ago |
| 00:35:13 |
Well. She's not been here |
| 00:35:15 |
Where is she? |
| 00:35:18 |
Kitty |
| 00:35:20 |
There's something I've |
| 00:35:22 |
I've felt it in the back |
| 00:35:23 |
Ever since I've been home |
| 00:35:24 |
And you know what it is |
| 00:35:25 |
Tell me. Tell me! |
| 00:35:31 |
I suppose you'd better |
| 00:35:34 |
I suppose she means for you |
| 00:35:35 |
To never see her again |
| 00:35:37 |
Why not? |
| 00:35:38 |
I don't know. Don't ask me |
| 00:35:43 |
Kitty, what's in back of |
| 00:35:44 |
If you don't tell me |
| 00:35:46 |
I've got to find her |
| 00:35:47 |
Oh no, don't go to the police |
| 00:35:47 |
Why shouldn't I? |
| 00:35:50 |
Roy, can you take it? |
| 00:35:52 |
No matter what you find |
| 00:35:54 |
What are you hinting? |
| 00:35:55 |
Answer me, can you take it? |
| 00:35:58 |
No matter what I find out |
| 00:35:59 |
It won't make any difference |
| 00:36:00 |
I've got to find her |
| 00:36:03 |
Well, come on then. We'll |
| 00:36:10 |
Hello Kitty |
| 00:36:11 |
Have you seen Myra? |
| 00:36:12 |
No |
| 00:36:12 |
Are you sure? |
| 00:36:13 |
I knows every people that |
| 00:36:15 |
Myra in particularly |
| 00:36:16 |
And when I tells you she ain't |
| 00:36:17 |
She ain't |
| 00:36:19 |
Oh. Thanks |
| 00:36:21 |
Why don't you gentlemen |
| 00:36:21 |
Sit down here for the fight |
| 00:36:24 |
Have you seen Myra? |
| 00:36:25 |
No. I haven't seen her |
| 00:36:26 |
For about four days |
| 00:36:27 |
Where has she gone |
| 00:36:28 |
If you see her, tell her that |
| 00:36:30 |
I'm looking for her, will you? |
| 00:36:31 |
Alright dear |
| 00:36:35 |
Hey Mac |
| 00:36:36 |
Hi ya sister |
| 00:36:36 |
Have you seen Myra? |
| 00:36:38 |
It's early for Myra |
| 00:36:40 |
Around until midnight |
| 00:36:41 |
Alright Mac, thanks |
| 00:36:53 |
Roy, she don't seem to |
| 00:36:56 |
There's only one place |
| 00:36:58 |
What place is that |
| 00:37:00 |
Waterloo Station |
| 00:37:06 |
Waterloo Station. Driver |
| 00:37:07 |
Well? |
| 00:37:16 |
Not any where? |
| 00:37:18 |
No, nobody seen her |
| 00:37:19 |
Oh Roy, I'm scared |
| 00:37:22 |
Kitty |
| 00:37:23 |
I'm scared I tell you |
| 00:37:24 |
Where is she? |
| 00:37:27 |
She couldn't go through with it |
| 00:37:30 |
She was too honest |
| 00:37:33 |
She said it was her chance |
| 00:37:37 |
Her chance to live? |
| 00:37:38 |
She'd never go back |
| 00:37:41 |
She'd never go back to the... |
| 00:37:48 |
You don't need to say it |
| 00:37:50 |
I understand |
| 00:37:54 |
Then where is she? |
| 00:38:01 |
She's lost Kitty. She's |
| 00:38:06 |
And I'll always look for her |
| 00:38:09 |
I'll never find her |
| 00:38:35 |
Is that you Myra? |
| 00:38:37 |
Hello |
| 00:38:41 |
Thought you was married |
| 00:38:44 |
No |
| 00:38:45 |
That's Kitty, she told me |
| 00:38:48 |
Said you'd gone off with |
| 00:38:50 |
I knew it was to good to |
| 00:38:53 |
Yes |
| 00:38:56 |
Well cheer up |
| 00:38:58 |
Things can't be worse |
| 00:39:00 |
Going down to the station? |
| 00:39:06 |
Oh well |
| 00:39:08 |
I'll be off on my own then |
| 00:39:11 |
Too-da-loo |
| 00:41:30 |
I loved you |
| 00:41:32 |
I've never loved anyone else |
| 00:41:35 |
I never shall |
| 00:41:38 |
That's the truth Roy |
| 00:41:41 |
I never shall |
| 00:42:17 |
THE END |
