Way We Were The

en
00:01:04 Who is it?
00:01:06 It's Lieutenant Finley.
00:01:09 It might be worth
00:01:11 So he can tell me about D-Day?
00:01:17 Look what happened to my son.
00:01:20 Hold it, Peggy.
00:01:23 ..." Don't tell me about
00:01:25 You're making me a bitch...
00:01:27 ...to keep in your propaganda!
00:01:29 Peggy, I'll tell you...
00:01:31 Oh, Jesus!
00:01:33 Oh, Bill. Katie wants to keep in
00:01:38 Glad you're back.
00:01:40 Goddamn Pentagon, all they see
00:01:43 Get you some in a minute.
00:01:45 Don't cast that broad again.
00:01:47 Takes a reactionary to play one.
00:01:50 Where's my coffee?
00:01:53 And where's Roxanne?
00:01:54 She called and she said that
00:01:58 We'd like to get set up and go
00:02:02 - What's the matter?
00:02:04 Two lines I wrote.
00:02:06 Morosky, let me do the writing,
00:02:10 Christ, I'm tired of being
00:02:16 - She can't come?
00:02:18 Okay, Katie, you're in luck.
00:02:20 I'm taking you to El Morocco, courtesy
00:02:26 All right, Americans,
00:02:29 One, two. One, two, three.
00:03:06 Clear the way.
00:03:08 Please clear the way.
00:03:10 Sir, we have a reservation.
00:03:12 - There are no more tables.
00:03:15 ...and you said...
00:03:17 - I told you...
00:03:19 I'd like to know your name
00:03:23 These boys have been in combat,
00:03:27 - Hi, Fred. Bill Verso. OWI.
00:03:30 - Get his name!
00:03:34 - Hey, Verso! Merry old Bill Verso.
00:03:39 Stop it!
00:03:40 They're with us.
00:03:41 Come on!
00:03:46 Thanks, Tiny.
00:03:47 Listen, Katie...
00:03:51 Can't you leave your
00:03:54 Coming through.
00:03:58 What do you want to drink?
00:04:02 Dubonnet over ice
00:04:23 Here's your Dubonnet, Morosky.
00:04:31 Oh, to be in uniform!
00:04:35 Hubbell Gardiner.
00:04:37 What?
00:04:40 That's his name.
00:04:41 Swell. What's hers?
00:04:43 I suppose they learn that
00:04:46 Absolutely. Let's dance.
00:04:48 What've you got to lose?
00:04:50 I'll probably go overseas soon.
00:05:48 Save Loyalist Spain!
00:05:51 Write President Roosevelt!
00:05:54 Come on. Do something about it!
00:05:56 Save Spain!
00:06:00 Stop the slaughter of innocent women
00:06:03 Write your congressman today.
00:06:05 Katie, what are you selling?
00:06:07 The ROTC.
00:06:08 You can have it cheap!
00:06:11 Fascist.
00:06:37 Row, Hubbell!
00:08:53 A true peace rally...
00:08:55 ...should cover the entire spectrum
00:08:58 ...to extreme left.
00:09:02 The President of the Young Communist
00:09:06 Miss Katie Morosky.
00:09:15 Guess I do need an introduction.
00:09:17 Back up, Katie.
00:09:19 Yeah, all the way to Moscow!
00:09:22 You can still take Communion
00:09:26 What's cooking in the Kremlin, Katie?
00:09:28 The Kremlin's worried about the
00:09:32 Thousands of Spanish citizens
00:09:37 Only one country is sending help.
00:09:41 The Soviet Union.
00:09:44 K-K-K-Katie, be my C-C-C-Comrade.
00:09:47 O-K-K-K-Kay!
00:09:52 What are you scared of?
00:09:55 The Russians don't want anybody
00:09:59 Is that scary?
00:10:01 They're Communists, but they want
00:10:07 Hitler and Mussolini are using Spain
00:10:12 Another world war! Is that scary?
00:10:15 You're darn right it is!
00:10:17 There's only one thing
00:10:20 ...and it's not me, it's not the
00:10:24 ...and it's not the Red bogeyman.
00:10:28 You be scared of anybody, anyplace...
00:10:31 ...who will not stand up
00:10:47 You're really...
00:10:49 ...you're really something.
00:10:51 Really...
00:10:57 No, I mean it.
00:10:59 You're really beautiful.
00:11:01 You're the best...
00:11:04 ...the brightest...
00:11:06 ...most committed generation
00:11:09 That's why you're here today,
00:11:12 Why, they're striking on almost every
00:11:16 They're taking that pledge. Show your
00:11:21 "I refuse to support"...
00:11:24 Come on, come on.
00:11:25 "I refuse"...Come on.
00:11:28 "I refuse to"...That's right.
00:11:31 "I refuse to support"...
00:11:34 No, everybody. Everybody!
00:11:36 "I refuse to support...
00:11:39 ...the government of
00:11:42 ...in any war it might conduct."
00:12:03 The student council calls
00:12:07 ...a peace strike.
00:12:08 And I'm an English major.
00:12:14 It isn't that funny.
00:12:32 You fascists!
00:12:49 - We have to talk about this stuff.
00:12:53 - You've been on that for two months.
00:12:57 It's a short story...
00:12:58 Frankie Mc Veigh,
00:13:01 - I know it.
00:13:02 ...would you do me a favour?
00:13:06 - You can't miss a meeting.
00:13:08 The story is due on Tuesday
00:13:17 Look who's here,
00:13:21 - How much do you have in the treasury?
00:13:28 Possible themes for the prom.
00:13:29 "Caribbean Holiday," "Jungle Fever"...
00:13:33 Hey, you should be listening to this.
00:13:35 "Niagara Falls."
00:13:37 "Thirteen Colonies," "48 States."
00:13:41 "Thirteen Colonies," "48 States"...
00:13:44 J.J.
00:13:45 J.J., listen.
00:13:47 "The 48 States," "Starlight, Star
00:13:52 How about
00:13:58 How about "The Stalin Shuffle"?
00:14:03 What are we gonna have?
00:14:06 How about "The College Grad
00:14:12 She's a million laughs.
00:14:16 - What do you want?
00:14:18 - Coca-Cola?
00:14:23 Excuse me.
00:14:25 You're all decadent
00:14:29 Come on, we weren't
00:14:32 You make fun of everything.
00:14:37 You make fun of politicians.
00:14:39 - What else can you do?
00:14:42 - Franco? Is he here?
00:14:45 He's funny? Hitler has a funny
00:14:52 Well, we thought of that,
00:15:04 Comes the revolution, maybe
00:15:07 Four cheeseburgers, four cokes.
00:15:09 Onion?
00:15:11 Yeah, in the cokes.
00:16:17 If I read comparatively few of your
00:16:21 ...it's because I think we
00:16:25 Or at least, talented.
00:16:28 Today I'm going to read,
00:16:31 ...a remarkably good story
00:16:38 The name of the story is
00:16:42 And it's by Hubbell Gardiner.
00:16:52 "In a way, he was like the country
00:16:55 Everything came too easily to him,
00:17:01 About once a month he worried
00:17:05 But then most everyone he knew
00:17:09 Sometimes he felt...
00:17:49 - there's really no reason
00:17:52 But of course by then, they were
00:17:56 It had always been too easy."
00:18:52 The trouble with some people
00:18:58 Are you speaking to me?
00:19:01 Want a beer?
00:19:04 I don't drink.
00:19:05 One sip. One sip of beer.
00:19:17 Well?
00:19:18 - You carry your books all the time?
00:19:23 I'm celebrating.
00:19:25 What are you celebrating?
00:19:26 I got you to cross the street.
00:19:35 Listen, I'm sorry I...
00:19:39 I haven't told you that
00:19:43 You're a good writer.
00:19:45 Thank you.
00:19:53 Mrs. Simpson married the Duke of
00:19:57 How do you know that?
00:20:00 I work in the Linotype room
00:20:04 You never quit, do you?
00:20:09 Well...
00:20:11 ...thanks for getting me
00:20:17 I sold one.
00:20:21 I sold a story.
00:20:25 I've never known anybody who sold one.
00:20:30 Oh, boy, Hubbell.
00:20:34 Okay, so have a drink.
00:20:46 Sit.
00:21:02 To your first novel.
00:21:04 - Wait a minute, not so fast.
00:21:09 Yeah, why not?
00:21:15 You should've laughed.
00:21:18 "Any peace but Katie's piece."
00:21:20 You were good. You had them.
00:21:22 You could've kept them,
00:21:25 - It wasn't funny.
00:21:29 - You're a puritan.
00:21:30 - You've no sense of humour.
00:21:33 - Why are you always angry?
00:21:38 ...about coed humour. I've never
00:21:42 ...which is where I'm sure they make up
00:21:46 That's pretty dirty business.
00:21:47 - Can I ask you a personal question?
00:21:51 Do you smile all the time?
00:21:54 No.
00:22:00 No. No.
00:22:05 Here's to commencement.
00:22:10 A funny word for "the end."
00:22:25 Mrs. Simpson married
00:22:30 I told you that, didn't I?
00:22:31 Yeah, you did.
00:22:43 I'm really happy about your news.
00:22:48 I hope I get to read
00:22:50 Put your foot here.
00:23:13 Go get 'em, Katie.
00:23:16 See you, Hubbell.
00:23:19 See you.
00:23:43 Don't spill it on your dress.
00:23:49 I'd like to have the sewing concession
00:23:54 You know, to get
00:24:34 Grab your coat and get your hat
00:24:37 Leave your worries on the doorstep
00:24:41 I'm glad we're not
00:24:44 I've never been to a dance before,
00:24:56 Here, have a drink.
00:24:58 - Here.
00:25:00 It's gin, Katie. Come on.
00:25:02 From the bottle? So bourgeois.
00:25:07 - Let's dance.
00:25:09 You weren't supposed to buy me a
00:25:22 Can you, Frankie?
00:25:31 Frankie Mc Veigh, you've got
00:27:47 Hubbell?
00:27:50 Hubbell?
00:28:12 What do you know?
00:28:17 Small world, isn't it?
00:28:20 I fall asleep?
00:28:23 I think so.
00:28:26 What do you know?
00:28:27 Would you like to have
00:28:33 Oh, yeah.
00:28:35 Coffee.
00:28:49 Here you are, kiddo.
00:28:55 Good night.
00:28:57 Good night, Hubbell, old boy.
00:29:00 Whoever you are.
00:29:02 Who are you?
00:29:13 It's the top floor.
00:29:20 Only one more!
00:29:35 In there.
00:31:18 Hubbell?
00:31:22 Hubbell?
00:31:26 General quarters!
00:31:28 Stand safe...
00:35:39 Hubbell.
00:35:44 Hubbell, it's Katie.
00:35:51 You didn't know it was Katie.
00:36:03 I'll be done in a minute.
00:36:05 - You don't have to do that.
00:36:09 Gee, you have a lot
00:36:11 You have any aspirin?
00:36:14 Oh, I don't.
00:36:17 Push in on your temples.
00:36:24 How can you not have aspirin?
00:36:26 I always eat for a headache.
00:36:36 Do you have my watch?
00:36:39 I took it off and put it
00:36:56 I thought you'd be more comfortable...
00:36:59 - That's why I...
00:37:01 Thank you.
00:37:09 It's your hair.
00:37:13 That's what's different.
00:37:16 I have it ironed.
00:37:19 You have your hair ironed?
00:37:23 Does it hurt?
00:37:25 No.
00:37:32 Have some coffee at least.
00:37:34 I'm low on sugar,
00:37:39 No, thank you. I have to
00:37:43 Looks good, though.
00:37:45 You still have J.J.?
00:37:48 How long will you be around?
00:37:52 In Washington.
00:37:53 Oh, that's good.
00:37:56 Why?
00:37:57 Roosevelt is there.
00:37:59 I thought the Party said he was
00:38:02 How do you know that?
00:38:04 You still think a varsity letter
00:38:11 Some people work out
00:38:16 - Thank you very much.
00:38:19 This is my number, and this is
00:38:23 This is the radio station. It's
00:38:27 If you're ever in town and you
00:38:32 No obligation of course.
00:38:35 Thank you.
00:38:38 About last night...
00:38:40 I'm sorry. I've been
00:38:44 That's okay.
00:38:46 Hope my snoring didn't
00:38:50 Oh, that's okay.
00:38:52 I like snoring.
00:38:58 See you, Katie.
00:38:59 See you, Hubbell.
00:39:03 Good luck.
00:39:05 American-Soviet benefit,
00:39:08 Come to the American-Soviet
00:39:11 American-Soviet benefit
00:39:15 Come to the American-Soviet
00:39:18 Thank you. Big show.
00:39:21 Come to the American-Soviet
00:39:24 Hey, soldier, why don't you
00:39:27 Come to the American-Soviet benefit.
00:39:30 Bring a date.
00:39:31 Come to the American-Soviet benefit.
00:39:33 American-Soviet...
00:39:37 See you later, Pony.
00:39:38 Bye!
00:39:40 - Vote for Thomas E. Dewey!
00:39:43 I'll take them. I'll give them
00:39:50 CDHQ, America Calling.
00:39:52 Applications are available
00:39:55 CDHQ, America Calling.
00:39:57 Can you identify them?
00:39:59 Over the Bronx?
00:40:04 I've got it, madam. Yes, I remember
00:40:09 Even if he lost the paper,
00:40:11 It's only been a week.
00:40:13 One moment, please.
00:40:17 He could phone at least.
00:40:20 Phone where?
00:40:24 You've censored all
00:40:26 - It implied that we spit on Negroes.
00:40:29 - The situation...
00:40:33 After the war, the Pentagon...
00:40:35 It'll be just like it was
00:40:38 - What's with her this week?
00:40:40 - What do you mean?
00:40:42 - I have 21 minutes of dead airspace!
00:40:45 Okay, okay! I'll sign.
00:40:48 Hubbell?
00:40:50 - Where are you?
00:40:52 I can't get a room.
00:40:55 - Of course you can.
00:40:57 Will you, please!
00:40:59 Hubbell, there's beer in the icebox
00:41:03 ...and if you wanna take a nap...
00:41:05 ... take off the phone and put it
00:41:08 - How do I get the key?
00:41:39 Hubbell!
00:41:48 I wasn't sure when you'd be home.
00:41:52 I'll be back later.
00:41:54 You can't. I got steaks and potatoes
00:41:59 ...and salad and fresh pie.
00:42:00 I would have made pot roast...
00:42:02 ...but I didn't know if you liked it.
00:42:07 ...so I got steaks with
00:42:09 And you must be hungry,
00:42:13 You can't go yet. You've got to stay
00:42:23 What kind of pie?
00:42:27 Oh, your hero, huh?
00:42:29 Who?
00:42:36 He wasn't in college when he
00:42:39 - Congress was isolationist in '37...
00:42:43 Easier than you can justify the
00:42:47 Why can't you say asses?
00:42:52 - Because I can't.
00:42:54 What happens?
00:42:55 I don't know. Nothing.
00:42:57 - What a subject for two...
00:43:00 You'd rather talk politics.
00:43:02 All the contradictions. Should we
00:43:07 Stalin's for Hitler.
00:43:10 All political doubletalk,
00:43:12 I don't know how you do it.
00:43:14 I don't know how you can't.
00:43:18 You're jealous.
00:43:19 - What?
00:43:23 Why are you jealous?
00:43:25 I'll live.
00:43:28 Maybe longer.
00:43:31 But you won't write another novel.
00:43:53 You must've gotten one
00:43:56 - You get through it?
00:43:59 Twice.
00:44:01 I liked it.
00:44:02 I liked it a lot.
00:44:07 What didn't you like?
00:44:11 The way you write is no problem.
00:44:13 Your style is absolutely gorgeous.
00:44:16 Gorgeous?
00:44:18 It is.
00:44:20 It is gorgeous.
00:44:25 But you...
00:44:28 ...stand back.
00:44:32 Do you know what I mean?
00:44:35 Go ahead.
00:44:38 You see, the people...
00:44:42 ...you watch them...
00:44:45 ...from a distance.
00:44:47 Where?
00:44:49 In the book.
00:44:51 I know, in the book.
00:44:52 Where in the book?
00:44:54 Be specific.
00:44:57 All through it, Hubbell.
00:45:03 But it's your first novel, and
00:45:07 Why should I write another novel?
00:45:09 Because you must!
00:45:19 Are you really so sure
00:45:23 Sure.
00:45:25 Aren't you?
00:45:26 No.
00:45:28 No. Not as sure.
00:45:32 Do things still come too easily?
00:45:38 "In a way he was like
00:45:41 Everything came too easily to him."
00:45:45 What made you remember that?
00:45:49 I always wondered if
00:45:56 Not altogether.
00:45:59 What doesn't come easy now?
00:46:04 Hotel rooms.
00:46:09 Be serious.
00:46:26 Do you know you're beautiful?
00:46:32 You are.
00:46:39 But you mustn't be too serious.
00:46:42 I won't be.
00:46:44 I won't be.
00:48:17 Happy Rosh Hashanah!
00:48:24 - What is it?
00:48:32 You get to see your old pal J.J.
00:48:34 It'll be fun. We can all be
00:48:38 ...and vote Republican.
00:48:40 - I don't like eggs Benedict.
00:48:44 - I'll bet you were a cheerleader.
00:48:47 - Come on.
00:48:48 Maybe you'll have a good time.
00:48:51 Paper doll that I can call my own
00:48:55 A doll that other fellows...
00:48:57 Boy, this is some Navy
00:49:00 Hi, Hub.
00:49:03 You mean all this?
00:49:06 Is that the one that
00:49:08 Does she really play the accordion?
00:49:10 - She got squeezed to death.
00:49:12 She's gone overseas.
00:49:16 Best USO?
00:49:17 - Come on.
00:49:19 Hollywood and Vine.
00:49:21 Best USO hostess?
00:49:22 Tallulah Bankhead.
00:49:24 I hope your aunt's under Patton.
00:49:26 You can bet she's under somebody.
00:49:29 Excuse me.
00:49:31 All right.
00:49:32 - Okay. How about... Gardiner?
00:49:36 - Best small hotel.
00:49:39 But it's in Switzerland.
00:49:41 We don't want to make any bad jokes.
00:49:45 Pretty, isn't it?
00:49:49 You look different.
00:49:50 It's my hair.
00:49:53 - You what?
00:49:56 I actually have friends
00:49:58 I'm sure you do.
00:50:02 But how long has this been going on?
00:50:04 I mean, Hubbell Gardiner and
00:50:07 - No. No, she looks terrific.
00:50:11 - You really haven't changed, have you?
00:50:16 As pretty as ever.
00:50:18 For a while.
00:50:21 I'm with J.J. Now.
00:50:24 Are you?
00:50:26 Excuse me.
00:50:29 Remember how she looked
00:50:32 - Can I get you a drink?
00:50:35 - What were you doing?
00:50:42 You do it. You make yourself
00:50:47 I feel like I'm here for drinks
00:50:51 Try talking to them.
00:50:53 - I have.
00:50:54 You don't talk, you lecture.
00:50:56 What was that speech about Yalta?
00:50:59 No one here needs you to explain it.
00:51:01 Then why all those silly jokes?
00:51:03 J.J. Called Roosevelt
00:51:06 I thought it was pretty funny.
00:51:09 And selling your novel to Hollywood?
00:51:13 - Why?
00:51:14 Because you're too good
00:51:17 Maybe I'd be lucky to sell a
00:51:20 You've never even been there!
00:51:22 Besides, this isn't the point.
00:51:27 You get onto politics, and your sense
00:51:32 I guess there are just
00:51:36 ...difficult for me
00:51:39 Than have a fickle-minded
00:51:57 I'm sorry.
00:51:59 I got caught up at the studio and...
00:52:02 ...then I met somebody from
00:52:05 What? What?
00:52:07 The first eight chapters.
00:52:12 You want to read it, read it.
00:52:15 All right.
00:52:18 If you don't like it, you have to say
00:52:23 What if I like it?
00:52:25 Waiter?
00:52:46 Ahoy.
00:52:50 Come in.
00:53:02 How you doing?
00:53:03 Fine.
00:53:12 Is that new?
00:53:14 It was in the other room.
00:53:18 Looks good there.
00:53:22 Plants are all growing.
00:53:29 How's your mother?
00:53:31 Much better, like the news.
00:53:38 I might be able sell
00:53:41 I know, J.J. Told me.
00:53:48 What do you think about that?
00:53:52 About living in sunshine
00:53:56 ...and going to work in a sports car?
00:54:00 Sailing.
00:54:01 Sounds wonderful.
00:54:18 Would you like a drink?
00:54:24 No.
00:54:26 No, I just stopped.
00:54:34 Hey, thanks.
00:55:11 I love the way you write.
00:55:24 Format napisów zmieniony przez www.NAPiSY.info
00:00:03 Most of you have already
00:00:05 But it will take days,
00:00:09 ... for the final tragedy of
00:00:13 ... to be fully comprehended.
00:00:16 What seems particularly touching
00:00:20 ... to share in a victory
00:00:23 Did you go see it?
00:00:26 I was talking to...
00:00:28 There was this older guy...
00:00:30 ...on, you know, that
00:00:35 I helped him open
00:00:40 Jesus, I can't even remember
00:00:45 A fourth term was too much
00:00:48 A third was too much
00:00:50 - At least it'll end those Eleanor jokes.
00:00:54 How about Eleanor in the mine
00:00:58 Her face was covered
00:01:00 Grime? For chrissakes, Judianne,
00:01:04 ...a mine and got her face black with
00:01:08 ...big buckteeth shining...
00:01:09 Her husband is dead!
00:01:13 Dead.
00:01:15 Yes, Mrs. Roosevelt went down
00:01:19 And when they asked her why,
00:01:23 Did you tell cripple jokes too?
00:01:33 Sorry.
00:01:37 Who makes up jokes anyway?
00:01:39 J.J.'s old man.
00:01:42 Scads of swell material here
00:01:45 If you wanna write about this.
00:01:46 People who tell jokes
00:01:50 Let's meet every five years...
00:01:51 ...or every time a President conks.
00:01:54 - What are you doing?
00:01:57 J.J.'s gonna buy your book and
00:02:01 Take it easy.
00:02:02 Lots of writers went there.
00:02:05 - He's dead!
00:02:07 It's none of your business anyway.
00:02:10 ...and people like you!
00:02:15 He's sorry for the joke.
00:02:17 Why did you bring me here?
00:02:21 ...or sit on a bench?
00:02:24 - What's wrong with feeling sadder?
00:02:29 And everything in the world that
00:02:36 Behave yourself.
00:02:37 I don't care about behaving myself!
00:02:40 Then don't. Do what you want.
00:02:44 I wanna get out of here.
00:02:46 All right.
00:02:53 I meant us.
00:02:57 And then what?
00:03:24 See you later, Katie.
00:03:26 Oh, yeah, see you.
00:03:31 Good night, my beauty.
00:03:45 Cheer up.
00:03:47 I'm about to have a big night and
00:03:53 Good night, Billy.
00:04:13 Hi.
00:04:15 Hi.
00:04:17 Gee, I thought you
00:04:20 Could I talk to you?
00:04:23 Sure.
00:04:33 Listen, I was a bad girl.
00:04:37 It was like a tantrum.
00:04:41 It's like an eclipse.
00:04:42 - I'm sorry.
00:04:44 I wanted to have an apology dinner.
00:04:51 I'm a pain in the ass, aren't I?
00:04:54 I go to swearing school now.
00:04:56 Soundproof school.
00:04:58 I'm taking a laughing course
00:05:02 Don't.
00:05:07 Are you finished?
00:05:18 Look, Katie...
00:05:19 Please don't start with "Look."
00:05:24 I don't think we're gonna
00:05:32 Why?
00:05:34 I just don't think it's
00:05:42 I was too easy for you.
00:05:44 Easy?
00:05:45 I don't mean sexually.
00:05:48 I mean easy like
00:05:51 You really think you're easy?
00:05:54 Compared to what?
00:05:57 You're so ready to fight,
00:06:00 Counterattack, politics,
00:06:03 That's all fine for you.
00:06:07 - Up to a point.
00:06:09 Okay, okay! Don't belabour it.
00:06:14 I don't fit on Beekman Place,
00:06:22 - You think that's what I'm talking...
00:06:24 No demands, just fun, laughs.
00:06:26 Good! Go! Go have a good time
00:06:30 You wanna end it like
00:06:42 Oh, dear. Oh, dear. Oh, dear.
00:06:54 I'm calm now, Hubbell.
00:06:58 You can go.
00:08:56 It's me.
00:09:05 Hubbell...
00:09:09 Wait a minute, hold on.
00:09:15 Don't go away.
00:09:19 Listen, Hubbell...
00:09:22 ...this is kind of peculiar.
00:09:26 I know that I don't have to apologize
00:09:31 ...I know that you know.
00:09:33 And...
00:09:35 ...I also know that you...
00:09:37 ...you know that I don't feel exactly
00:09:41 ...as J.J. Would say.
00:09:45 Anyway, the peculiar thing is...
00:09:49 ...it's really a request,
00:09:54 You see, I can't sleep, Hubbell...
00:09:59 ...it would help me so much
00:10:03 Well, if I had someone to talk to.
00:10:06 You know, if I had a best
00:10:10 ...to talk about it with.
00:10:13 Only you're my best friend.
00:10:16 Isn't that dumb?
00:10:17 So dumb.
00:10:19 You're the best friend I ever had.
00:10:28 It would help me so much if you'd
00:10:35 Hubbell, I promise
00:10:38 ...or beg you...
00:10:41 ...or embarrass you.
00:10:43 But I have to talk to my best
00:10:49 So could... Hubbell, could you please
00:11:12 There's some sleeping pills
00:11:25 Here.
00:11:28 Isn't one enough?
00:11:30 No.
00:11:32 I'm scared.
00:11:34 Take them.
00:11:36 Will you stay till I fall asleep?
00:11:56 I'm really sorry.
00:12:01 But that's what
00:12:04 Aren't they?
00:12:12 There's something I wanna ask you.
00:12:18 Hope this doesn't make me drunk
00:12:22 Don't drink it like water.
00:12:28 Is it because I'm not
00:12:34 I'm not fishing, really. I'm not.
00:12:37 I know I'm attractive.
00:12:40 Sort of.
00:12:44 But...
00:12:47 ...I'm not attractive in the...
00:12:50 I'm not attractive in the right way.
00:12:54 Am I?
00:12:57 I mean...
00:13:00 ...I don't have the right style...
00:13:04 ...for you.
00:13:07 Do I?
00:13:12 Be my friend.
00:13:21 You don't have the right style.
00:13:23 I'll change.
00:13:24 Don't. You're your own girl.
00:13:29 But then I won't have you.
00:13:30 Why can't I have you? Why?
00:13:33 Because you push too hard.
00:13:38 Every damn minute.
00:13:44 There's no time to relax
00:13:47 Everything's too serious.
00:13:49 I push too hard because
00:13:52 I want us to be better,
00:13:55 Sure I make waves, you have to.
00:13:58 ...till you're everything
00:14:00 You'll never find anyone to believe
00:14:05 - I know that.
00:14:07 You think if I come back it'll
00:14:10 What'll be different?
00:14:11 - We'll be wrong. We'll both lose.
00:14:21 I like Hollywood. I like Alice Faye.
00:14:23 Don't. Don't. No, please.
00:14:45 Somebody's getting up.
00:14:48 Aren't you sleepy?
00:14:53 You are.
00:14:56 I'm exhausted.
00:15:00 Katie, you expect so much.
00:15:04 Oh, but look what I've got.
00:17:26 Jesus! Your director lives here?
00:17:28 Actually, he lives off the garage.
00:17:32 How can he work here?
00:17:33 Bissinger doesn't work,
00:17:36 As long as you're writing in
00:17:46 - Everybody's here.
00:17:49 - No ice skating rink?
00:17:52 - Hubbell!
00:17:54 George Bissinger.
00:17:56 My wife, Vicki.
00:17:57 - How are you?
00:17:59 It's Katie.
00:18:00 - Can I get you a drink?
00:18:03 Rhea!
00:18:05 I want you to meet my agent.
00:18:07 Reportedly the greatest in town.
00:18:09 If I were a great agent,
00:18:12 - Nice to meet you.
00:18:16 ...but it's her collection
00:18:18 Have you seen the
00:18:21 You think these Hollywood intellectuals
00:18:25 They couldn't overthrow
00:18:27 In '37, in Munich,
00:18:30 Paula Reisner,
00:18:33 Sorry. I'm sorry.
00:18:35 They're coming to investigate
00:18:39 They're out to get election yardage
00:18:43 They're getting people
00:18:46 Horses' asses.
00:18:48 Maybe. But we can't even write our
00:18:52 Your shot, George.
00:18:54 - Alice in Wonderland. Come on.
00:18:57 You're not home
00:19:00 Listen to the producer.
00:19:03 I'm glad you came.
00:19:06 I'm giving J.J. A birthday party.
00:19:08 - 45, huh?
00:19:11 - K-K-Katie, you could come as Karl.
00:19:18 I'm not coming as Groucho.
00:19:20 Come as Harpo, that way you
00:19:25 I think your director's an idiot.
00:19:35 Too high? Too low?
00:19:38 Trying to tell me something?
00:19:39 What? He's here?
00:19:43 Ten years in Leavenworth, 11 years in
00:19:47 - To control thought.
00:19:50 Let's not dramatize this.
00:19:52 - That line is necessary.
00:19:56 The point's made by the
00:19:59 There are no dancers in his book.
00:20:03 Please.
00:20:04 Brooks, if we get this organized,
00:20:07 - I can't talk in front...
00:20:10 - It's gorgeous if you do.
00:20:13 He doesn't understand.
00:20:14 - I never liked his movies anyway.
00:20:18 You rang?
00:20:20 This morning I shot
00:20:23 - What are you hungry for?
00:20:27 - Meeting at my house Sunday.
00:20:29 - George, is Paula Reisner a Red?
00:20:34 - It's something I heard.
00:20:37 Come on. I have an early day.
00:20:47 - He thinks Bissinger's right.
00:21:12 - Hey.
00:21:14 Could you stop?
00:21:19 Maybe Bissinger will like it
00:21:22 Taste this.
00:21:29 How is it?
00:21:32 It's great.
00:21:34 I'll study French cooking while
00:21:37 Done much thinking about it?
00:21:39 No, not much.
00:21:41 Well, it's very hard here, you know.
00:21:44 But when we're ensconced
00:21:46 How about you? Have you read
00:21:49 No, but I wrote two reports of books
00:21:53 - You'll get the sack.
00:21:57 They never read my synopses anyway.
00:22:01 Why don't you quit? After all, it's...
00:22:04 I'm laying a nice
00:22:06 - Italy.
00:22:07 - Spain?
00:22:09 China, maybe.
00:22:12 China?
00:22:14 Public's fed up with Westerns, Myrna.
00:22:18 Got a title?
00:22:20 Shevuos! Exclamation point.
00:22:23 Sounds catchy.
00:22:24 There's a kibbutz of Chinese Jews
00:22:27 - And he...?
00:22:32 He gets the idea...
00:22:33 Of calling them matzos.
00:22:35 You read the book!
00:22:36 Backwards.
00:22:38 Oh, I got one for you.
00:22:40 I can't take another one.
00:22:42 Loudmouthed Jewish girl...
00:22:44 ...from New York City,
00:22:48 ...tells her gorgeous goyisher guy...
00:22:53 ...that she's pregnant, you see.
00:22:57 ...and he just looks at her and...
00:23:15 Are you kidding?
00:23:22 - Don't be afraid to touch.
00:23:40 Get it, Katie, sweetheart!
00:23:42 All right, one more time.
00:23:53 - Hungry?
00:23:55 You have no right
00:23:57 Sergeant! Take the witness away.
00:24:00 You've just heard
00:24:03 ... session of the
00:24:06 - I'll make the salad.
00:24:08 Watch out, the paint
00:24:10 - You'll be in Beverly Hills by then.
00:24:14 Not if Hubbell gets
00:24:17 What deal?
00:24:18 Three more pictures. Provided this one
00:24:23 - Think he's interested?
00:24:26 It'll mean a lot more money, Kate.
00:24:31 I thought we did, Rhea.
00:24:36 Pop sent me a list of names.
00:24:38 "For my grandson, the following
00:24:42 Thomas Jefferson Gardiner,
00:24:46 ...and Eugene V. Debs Gardiner."
00:24:49 What if it's a girl?
00:24:50 If it's a girl, there's only
00:24:53 Yeah, what's that?
00:24:55 Rachel.
00:25:00 So keep your fingers crossed.
00:25:33 What's this picture about?
00:25:35 Cowboys and Indians.
00:25:37 Not too loud. Brooks wrote it.
00:25:39 - Tonight, the Indians are the good guys.
00:25:43 Well, it's un-American,
00:25:45 I think I'm calm enough.
00:25:48 Don't try the trick with the sunglasses.
00:25:53 - The best Western I've ever read.
00:25:55 I mean it.
00:25:58 There they are.
00:26:00 - I saved you guys a seat.
00:26:03 - We didn't miss anything, did we?
00:26:07 - How's my godchild?
00:26:19 My God.
00:26:22 What the hell is going on?
00:26:27 - What did it, George?
00:26:30 What's the trouble?
00:26:34 Testing. Do you get us?
00:26:37 What the hell is going on?
00:26:40 We're being recorded.
00:26:46 - Would you knock it off up there?
00:26:50 Can't hear me.
00:26:51 Floyd, hold it!
00:26:55 I'm going to sue the U.S.
00:26:59 We've got to do something.
00:27:03 Shouldn't we let him know
00:27:05 How do we know this room
00:27:08 - This country wouldn't believe this.
00:27:13 We can't let this happen.
00:27:16 - Can't the studios do something?
00:27:20 Bissinger says this scene
00:27:23 I told him he's wrong.
00:27:25 What do you think?
00:27:27 - He's the director.
00:27:30 Easy, will you?
00:27:34 Yeah, easy.
00:27:39 Hey, Hub.
00:27:41 Do you know what's going on
00:27:44 Sure.
00:27:45 You know?
00:27:46 Overthrowing the government,
00:27:49 Let's see, Sunday's volleyball...
00:27:51 Yeah, they like to overthrow
00:27:54 They're going to D.C.
00:27:57 ...on the basis of
00:28:02 What?
00:28:08 Well, well.
00:28:11 - Think anybody knows what it says?
00:28:17 That's for sure.
00:28:18 Some actor comes up to me...
00:28:20 ...and says this line
00:28:24 What do you think?
00:28:25 If they go, it'll make more trouble.
00:28:29 What do you want from me?
00:28:32 Tell Katie to stay out of it.
00:28:35 You tell her.
00:28:36 I will.
00:28:38 I'll buy tickets to that.
00:28:42 Would you just tell her to go easy?
00:28:44 Sure. You tell Bissinger to go easy.
00:28:48 What's eating you?
00:28:49 Nothing. The war's over, right?
00:28:56 Movies...
00:29:02 Do you realize this is the first
00:29:07 Athletic Scholarship.
00:29:10 Doesn't count, buddy.
00:29:11 Well, then, Officer,
00:29:15 Nope.
00:29:17 Why? We got paid $150 a month.
00:29:20 Doesn't count.
00:29:23 - You want a drink?
00:29:27 There's a little trouble at home.
00:29:38 Old Carol Ann.
00:29:44 Don't take any crap.
00:29:49 And all the absent friends,
00:30:02 - Is this the Gardiner house?
00:30:05 - How are you doing?
00:30:09 Your lover chain smokes, no doubt to
00:30:13 He has an enormous heart
00:30:16 You found us out.
00:30:18 Calls himself Brooks Kropatkin,
00:30:21 - What is it?
00:30:23 Carpenter! Who told you that?
00:30:25 J.J. With whom I was not drinking...
00:30:28 ...since he no longer drinks
00:30:32 Well, Carol Ann's 33.
00:30:36 Well, we're all 33, practically.
00:30:38 Not you. Not the quiz kid.
00:30:41 What were you, 16 in college?
00:30:46 What's gonna happen?
00:30:49 You're going to Washington.
00:30:52 I meant with J.J. And Carol Ann.
00:30:55 That's another house. In this house,
00:31:02 Gonna take the baby with you?
00:31:06 I thought I might.
00:31:12 Nothing like an early education.
00:31:16 I'd like her to learn
00:31:18 Her?
00:31:20 Him.
00:31:23 Why don't you come with us?
00:31:28 We're kind of back
00:31:34 That's not true, Hubbell.
00:31:40 Okay. Now why don't
00:31:47 I can't.
00:31:48 - And named the names of
00:31:51 He described their
00:31:54 ... with subversive organizations.
00:31:57 Ten men of the original 19
00:32:12 And there he is...
00:32:13 ...Jack Armstrong,
00:32:20 - Hey, you look good.
00:32:27 I like it!
00:32:28 Isn't she lovely?
00:32:35 Look at her go. I'd forgotten.
00:32:39 Take a look at some of those faces.
00:32:42 Oh, she was a spellbinder.
00:32:46 I'd forgotten about that.
00:32:51 She's beautiful.
00:33:13 I'm exhausted.
00:33:15 Do you have any comment
00:33:18 They're running toward martyrdom
00:33:22 They're standing up for principle.
00:33:24 If you don't like this
00:33:27 It's my country too!
00:33:28 They could've denied everything.
00:33:31 They didn't want to.
00:33:32 Can we do this
00:33:34 Why are you here?
00:33:37 I refuse to be intimidated.
00:33:38 Well, those 10 men feel
00:33:41 Free speech is all
00:33:45 They're fighting for your right
00:33:48 And all you can do is strut
00:33:55 Could we get a statement
00:33:59 I'd like to ask these people
00:34:03 What are you people afraid of?
00:34:06 Shut your mouth, you commie bitch!
00:34:38 You two wait here
00:34:48 Are you okay?
00:34:51 You're bleeding.
00:34:52 I'm fine.
00:34:55 It's always fun
00:34:58 I'm sorry, Hubbell.
00:35:04 You didn't expect to get a chance
00:35:09 - Is that what you think I'm doing?
00:35:13 I'm not telling off the world.
00:35:15 I'm just standing up
00:35:18 You're not angry when
00:35:21 Calling them martyrs because
00:35:25 ...to fight for their Bill of Rights,
00:35:29 We don't have any Bill of Rights.
00:35:31 We'll never have free speech.
00:35:34 We never will if people
00:35:36 We never will have because
00:35:39 This isn't college.
00:35:41 This is grown-up politics, Katie.
00:35:45 You're telling me to shut up
00:35:48 I'm telling you it's a waste.
00:35:50 And that those men
00:35:53 And that nothing is gonna change.
00:35:55 And after jail,
00:35:58 ...when it's practical for a fascist
00:36:03 ...because his movie's
00:36:06 They'll make movies, have dinner,
00:36:09 ...make passes at each other's wives.
00:36:13 For what? A political spat?
00:36:16 You're telling me to close my eyes
00:36:21 ...so you can work in a town
00:36:25 ...to stand up for
00:36:27 I'm telling you that people are more
00:36:31 You and me. Not causes.
00:36:35 Hubbell, people are their principles.
00:36:47 The heads of the studios have
00:36:52 ...and any employee who...
00:36:56 ...is an unfriendly witness
00:37:00 ...fired.
00:37:03 Oh, Jesus.
00:37:05 So now we have an official blacklist.
00:37:08 It's an open season
00:37:11 ...and stool pigeons.
00:37:14 And now the problem is,
00:37:18 ...that a stool pigeon is a hero.
00:37:23 You are like these
00:37:26 They don't belong here either.
00:37:31 I'm sure that they
00:37:34 - What if he does, Paula?
00:37:39 He is.
00:37:42 That's your choice, Katie.
00:37:50 - Give him my love too.
00:37:53 Thanks, Paula.
00:37:59 It's no reflection on anything
00:38:03 ...film technique.
00:38:05 Especially for the novelist.
00:38:10 I'm not a novelist.
00:38:12 I'd like to think of myself...
00:38:16 ...as a screenwriter.
00:38:17 I wanna be up front with you.
00:38:19 I know what changes have to be made.
00:38:24 But can you make them?
00:38:25 Nobody else understands that story.
00:38:31 Mine.
00:38:35 I know where it came from.
00:38:37 I know what the heart of it is.
00:38:43 You remember those few days
00:38:47 Before we had to change...
00:38:54 Work with me.
00:38:55 Work with me closely, fine.
00:38:57 And I know the dialogue from the book
00:39:00 But I can fix that.
00:39:04 I learn fast. I always have.
00:39:07 Things come...
00:39:16 Christ, I can do it.
00:39:18 I know what you want.
00:39:23 I'll make your changes.
00:39:27 Let me.
00:39:30 With no resistance?
00:39:34 No.
00:39:37 No resistance.
00:39:54 Bad times?
00:39:58 Can't be all bad.
00:40:02 How's the picture?
00:40:06 Troubled.
00:40:08 I'm going back to New York.
00:40:12 New York.
00:40:29 When do you leave?
00:40:30 Not until tomorrow.
00:40:37 I'm getting rid of some things
00:40:40 There's some champagne.
00:40:44 For bon voyage.
00:41:04 Well, it's getting better.
00:41:09 Better...
00:41:20 It's most unusual.
00:41:24 When it's slow, it seems
00:41:29 Of course, with the audience...
00:41:31 Thank you, Paula, my dear.
00:41:33 I'll have my brandy in bed.
00:41:35 We'll conduct the postmortem tomorrow.
00:41:39 ...Hubbell, J.J., silent Kate.
00:41:41 Thank you, Floyd.
00:41:44 Good night, Mr. Bissinger.
00:41:50 J.J., shall we go and have some wine?
00:41:54 ...and I'll tell you how the
00:42:00 ...offered to give me some names
00:42:05 Take care, darling.
00:42:08 True to life.
00:42:11 I'll be up late, case you guys wanna
00:42:30 Well, that was a gripping experience.
00:42:35 "So true to life, darling."
00:42:38 The only picture she
00:42:41 Probably a dyke anyway.
00:42:43 She is not.
00:42:48 Katie, the day you die,
00:42:55 Are you still a nice gentile boy?
00:43:06 I never was.
00:43:10 I only looked it to you.
00:43:13 - That's not true.
00:43:16 When you love someone, from Roosevelt
00:43:21 Not blind, Hubbell.
00:43:24 And certainly not dumb.
00:43:40 Who told you?
00:43:45 A friend.
00:43:49 Some friend.
00:43:52 Well, it's a friendly town...
00:43:53 ...if you don't mind having
00:43:59 I suppose you'll say
00:44:04 It doesn't.
00:44:10 Your picture will be a smash, Hubbell.
00:44:13 But you didn't like it.
00:44:17 Let's say I appreciated it.
00:44:20 What didn't you like?
00:44:21 Are you finished for the night, sir?
00:44:35 Yes.
00:44:37 Thank you.
00:44:43 Why did you have to go with her?
00:44:53 Tell me I'm not good enough.
00:44:58 You don't like my perfume,
00:45:03 But you didn't have to go
00:45:14 Katie, what's wrong with us...
00:45:18 ...has nothing to do with another girl.
00:45:25 Oh, give up.
00:45:28 Please.
00:45:32 I can't. I hate what
00:45:36 I hate the picture.
00:45:38 I hate the palm trees.
00:45:41 Oh, I want...
00:45:44 I want...
00:45:49 What?
00:45:52 I want us to love each other.
00:46:48 Give me a beer.
00:46:49 Coming up, skipper.
00:46:52 What the hell. It doesn't
00:46:56 Don't get sloppy.
00:46:59 It's the rum.
00:47:03 No excuse, buddy.
00:47:06 It's not like, you know...
00:47:08 ...Iosing somebody like Katie.
00:47:12 That would be a loss.
00:47:23 Best Saturday afternoon?
00:47:26 1933, when "Brute" Holland
00:47:30 Best month?
00:47:31 April.
00:47:33 Best year?
00:47:36 Best year...
00:47:38 1944.
00:47:40 No, '45...
00:48:28 It's amazing how decisions
00:48:43 You never did want to finish
00:48:51 I don't know.
00:48:53 I never thought there was much point.
00:49:01 And you never really wanted
00:49:08 No, I didn't. You wanted me to.
00:49:15 Oh, boy.
00:49:18 Oh, girl.
00:49:19 Are you all right?
00:49:32 Wouldn't it be lovely
00:49:36 We'd have survived all this.
00:49:39 Everything would be
00:49:43 The way it was when we were young.
00:49:45 It was never uncomplicated.
00:49:51 But it was lovely.
00:49:55 Wasn't it?
00:50:01 Yeah. It was lovely.
00:50:10 Will you do me one favour, Hubbell?
00:50:14 Stay with me till the baby's born?
00:50:23 More flowers for you, Mrs. Gardiner.
00:50:36 I thought...
00:50:38 - It's a nice room.
00:50:43 Did you get your father?
00:50:50 I'd like to call her Rachel.
00:50:55 Fine.
00:51:00 Did you see her yet?
00:51:08 She's little.
00:51:25 I've got the crib together.
00:53:04 Oh, you don't have it ironed anymore!
00:53:07 - What?
00:53:10 No, I don't.
00:53:11 It's pretty.
00:53:13 Thank you.
00:53:16 Still married?
00:53:17 Sure. What are you
00:53:21 I've been writing a TV show.
00:53:24 Really?
00:53:25 There's an experience.
00:53:28 Shoot it in one day,
00:53:30 Everybody in a constant
00:53:33 You remember how radio was.
00:53:35 Same thing...
00:53:36 ...only with cameras. And craziness!
00:53:41 It sounds wonderful, really.
00:53:47 Your taxi's ready, sir.
00:53:50 I'm awfully late.
00:53:54 It's the only David X. Cohen
00:53:57 What's the "X" for?
00:53:59 The only David X. Cohen in the book.
00:54:04 I'm sorry I'm late.
00:54:07 Oh, wonderful.
00:54:10 And Charlene called.
00:54:13 - Marvellous.
00:54:15 That's a good one too,
00:54:18 What about Eileen?
00:54:19 You never give up, do you?
00:54:33 Only when I'm absolutely forced to.
00:54:38 But I'm a very good loser.
00:54:42 Better than I am.
00:54:45 Well, I've had...
00:54:47 ...more practise.
00:54:55 Your girl is lovely, Hubbell.
00:54:57 Bring her for a drink
00:55:02 I can't come, Katie.
00:55:06 I can't.
00:55:09 I know.
00:55:47 How is she?
00:55:51 She is just beautiful.
00:55:54 You would be so proud of her.
00:55:57 I'm glad.
00:56:02 Is he a good father?
00:56:04 Yes. Very.
00:56:09 Good.
00:56:30 See you, Katie.
00:56:37 See you, Hubbell.
00:56:48 Ban the bomb!
00:56:50 Join the thousands of Americans
00:56:55 OdwiedŸ www.NAPiSY.info
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