|
Wedding Present
|
| 00:01:25 |
Come on, Steve! You're |
| 00:01:28 |
Let's have some speed. I've |
| 00:01:31 |
What's the big news, Rusty? |
| 00:01:33 |
The big news is that I've got |
| 00:01:37 |
(SIREN WAILING) |
| 00:01:38 |
This is Haley of the Globe Express. |
| 00:01:42 |
No? Well, if you see him, tell him |
| 00:01:47 |
Pete Stagg |
| 00:01:48 |
Wait till I get a hold |
| 00:01:51 |
Do you want me |
| 00:01:53 |
No. If you can't find Mason, why |
| 00:01:56 |
My guess is, she's wherever |
| 00:02:00 |
Like what, darling? |
| 00:02:03 |
Do you know |
| 00:02:05 |
Yes, I know. |
| 00:02:06 |
Then what are you |
| 00:02:08 |
Go get him. |
| 00:02:10 |
Tell him to get over to the |
| 00:02:12 |
and get that story |
| 00:02:13 |
Which shall I tell him? |
| 00:02:15 |
Some day I'll fire him |
| 00:02:17 |
And this time |
| 00:02:19 |
You won't get to the front |
| 00:02:21 |
You'll find yourselves |
| 00:02:23 |
with my footprints |
| 00:02:24 |
And if you think I'm talking just |
| 00:02:27 |
She's gone, Mr. Stagg. |
| 00:02:29 |
(STAMMERING) |
| 00:02:32 |
CLERK: Do you solemnly swear |
| 00:02:33 |
that the statements |
| 00:02:34 |
are true, |
| 00:02:35 |
MAN: Yes, sir. |
| 00:02:36 |
Here's your marriage license. |
| 00:02:38 |
The name is Mason, |
| 00:02:40 |
I'm sorry I can't |
| 00:02:41 |
Where's your affidavit blank? |
| 00:02:43 |
Blank? |
| 00:02:44 |
Yeah, I did have some |
| 00:02:47 |
Let me see now. Do you mind? |
| 00:02:51 |
Thank you. There. |
| 00:03:01 |
Say, are you crazy? |
| 00:03:02 |
No, only happy. |
| 00:03:03 |
Does that look like an |
| 00:03:07 |
Now that you mention it, |
| 00:03:08 |
No, it doesn't! |
| 00:03:09 |
Don't be harsh with me. |
| 00:03:11 |
Go fill out |
| 00:03:13 |
and get back |
| 00:03:15 |
Oh, be a good fellow and |
| 00:03:17 |
Nothing doing. |
| 00:03:18 |
The age of chivalry is dead. |
| 00:03:21 |
As for you, sir, I thank you. Maybe |
| 00:03:25 |
If we ever do, I shall be happy |
| 00:03:29 |
I'm much obliged. |
| 00:03:30 |
Get those bundles |
| 00:03:31 |
What do you think this is? Go |
| 00:03:34 |
(TSKING) |
| 00:03:35 |
Such manners. Such manners. |
| 00:03:41 |
Rusty. |
| 00:03:42 |
What have you got? |
| 00:03:43 |
Oh, you nut! Wearing that coat for |
| 00:03:47 |
I like to do things right. |
| 00:03:49 |
Fine, but you'd better let me |
| 00:03:51 |
What is all this? |
| 00:03:52 |
Well, fire irons. |
| 00:03:54 |
What is home |
| 00:03:55 |
And what's a fireplace |
| 00:03:57 |
And a vacuum cleaner. You |
| 00:03:59 |
And rambler roses. You've |
| 00:04:01 |
Yes, but climbing up the |
| 00:04:05 |
Well, all right, |
| 00:04:06 |
All we need |
| 00:04:07 |
Wait a minute, |
| 00:04:09 |
Listen, Charlie. |
| 00:04:10 |
I know that any day |
| 00:04:12 |
unless you pull |
| 00:04:14 |
and I love you for it. I |
| 00:04:17 |
But... |
| 00:04:18 |
Don't go solemn on a guy just |
| 00:04:20 |
Charlie, |
| 00:04:23 |
you can ride a white mule |
| 00:04:25 |
and I'll ride it with you, |
| 00:04:28 |
I'll spend the rest of my life |
| 00:04:31 |
but let's not have |
| 00:04:33 |
Sure, Rusty, sure. You want me to be |
| 00:04:36 |
And the most serious thing in |
| 00:04:39 |
(CHARLIE EXCLAIMING) |
| 00:04:40 |
Wouldn't you think there'd be |
| 00:04:45 |
Hey, you! Keep an eye on |
| 00:04:51 |
Oh, let me tender my congratulations. |
| 00:04:54 |
I suppose at this moment |
| 00:04:55 |
of that happy little home |
| 00:04:58 |
Now, let me tell you |
| 00:04:59 |
Not interested! |
| 00:05:00 |
Oh, but surely |
| 00:05:02 |
Are your easy payments |
| 00:05:04 |
Easy? They're the easiest |
| 00:05:06 |
Say, we've got couples that've been |
| 00:05:09 |
I'll tell you what. |
| 00:05:11 |
but if you'll |
| 00:05:13 |
I'll give you an order. |
| 00:05:14 |
I'm the City Editor |
| 00:05:16 |
I'll be there, Mr. Stagg, |
| 00:05:19 |
Well, now that you've nicely |
| 00:05:22 |
Oh, that's tomorrow. |
| 00:05:23 |
Look, I've got to certify that |
| 00:05:26 |
Do you have to swear to it? |
| 00:05:29 |
Come on, Rusty. |
| 00:05:34 |
Say, I didn't know |
| 00:05:40 |
Do you solemnly swear |
| 00:05:43 |
Say, what's the matter |
| 00:05:44 |
You've got the date of your |
| 00:05:48 |
That makes you two years old. |
| 00:05:49 |
That's right. Next year, I'll be |
| 00:05:52 |
And if you were marrying |
| 00:05:54 |
you'd feel that young |
| 00:05:58 |
The said persons |
| 00:06:02 |
So you're both idiots |
| 00:06:05 |
Well, you decided |
| 00:06:08 |
What's the matter? |
| 00:06:10 |
No, I don't. And what's more, |
| 00:06:13 |
Oh, Charlie, you promised. |
| 00:06:15 |
All right, Rusty. Maybe he'll |
| 00:06:19 |
Yes, this one is in order. |
| 00:06:21 |
Swell. Here's three bucks. |
| 00:06:22 |
Give me one of your very best |
| 00:06:25 |
What's the matter now? |
| 00:06:27 |
Nope, but take a look |
| 00:06:32 |
Looks like an all right |
| 00:06:34 |
And if you'll look at it, you'll |
| 00:06:39 |
Aw, be a good fellow. I apologize. |
| 00:06:42 |
Come on, give me that |
| 00:06:44 |
With pleasure... tomorrow. |
| 00:06:47 |
All right, |
| 00:06:48 |
where I can get a good |
| 00:06:50 |
And do you know where you |
| 00:06:53 |
Aw, Rusty, don't be sore. We'll |
| 00:06:55 |
I'll be as solemn |
| 00:06:57 |
Come on, don't make a guy feel |
| 00:07:00 |
Don't be dull, Charlie. |
| 00:07:05 |
I'm jilting you, my lad. |
| 00:07:06 |
Why? Because I... |
| 00:07:07 |
Because this thing called marriage |
| 00:07:11 |
We went haywire |
| 00:07:13 |
What do you say we stay |
| 00:07:16 |
Here, hold this. |
| 00:07:31 |
(DINGING) |
| 00:07:42 |
WOMAN ON PHONE: |
| 00:07:43 |
the time will be two and |
| 00:07:46 |
(TONE BEEPING) |
| 00:07:55 |
CHARLIE: They're all yours. |
| 00:07:56 |
We better hurry |
| 00:07:58 |
See? I knew this coat would come |
| 00:08:03 |
Say, how many of these things must |
| 00:08:06 |
Lift up the lettuce. |
| 00:08:08 |
Newspapermen. Newspapermen! |
| 00:08:12 |
But, Your Highness... |
| 00:08:14 |
But, Your Highness, your |
| 00:08:16 |
it makes big news for them. |
| 00:08:18 |
Am I the only man in America |
| 00:08:20 |
But, Highness, she is one of |
| 00:08:23 |
and you are an Archduke. |
| 00:08:26 |
Yes, they ought to be curious |
| 00:08:34 |
(AGREEING) |
| 00:08:38 |
Newspapers! |
| 00:08:39 |
They ought to put me in their |
| 00:08:43 |
I'll bet she gives the Duke |
| 00:08:45 |
Sit down, sweetheart, |
| 00:08:49 |
Two to one, it's a stooge. |
| 00:08:51 |
Please, be patient. |
| 00:08:53 |
His Highness, the Archduke Gustav |
| 00:08:57 |
Well, what's |
| 00:08:58 |
He's getting a high, |
| 00:09:00 |
What'd I tell you? |
| 00:09:01 |
But soon it will all be over, |
| 00:09:04 |
Miss Mainwaring's reception |
| 00:09:07 |
and then... |
| 00:09:10 |
Your Highness. |
| 00:09:13 |
If you could only get those terrible |
| 00:09:17 |
Wherever I go, they follow me |
| 00:09:19 |
If this is |
| 00:09:21 |
why doesn't the Archduke |
| 00:09:25 |
(DOOR OPENING) |
| 00:09:26 |
Oh, Your Highness, |
| 00:09:28 |
I'm the Assistant |
| 00:09:30 |
I don't care who you are. |
| 00:09:32 |
This is Miss Fleming, |
| 00:09:34 |
Oh. |
| 00:09:35 |
(EXCLAIMS) |
| 00:09:37 |
(CHUCKLING) Oh, so... |
| 00:09:38 |
You have a charming assistant, |
| 00:09:42 |
Yes, well, what I really |
| 00:09:44 |
for the way the newspaper |
| 00:09:47 |
I think we can prevent that |
| 00:09:49 |
You see, I have charge of |
| 00:09:51 |
Now, if you gave me |
| 00:09:53 |
I could send it out to all the papers |
| 00:09:56 |
But your American interviews, |
| 00:09:59 |
Oh, it's very simple, really. |
| 00:10:00 |
Nothing to it. |
| 00:10:01 |
Suppose we demonstrate. |
| 00:10:03 |
You be a visiting prince |
| 00:10:06 |
All right, shoot. |
| 00:10:08 |
Your Highness, what do you |
| 00:10:11 |
(IN FOREIGN ACCENT) |
| 00:10:13 |
(LAUGHING) |
| 00:10:15 |
How does it feel |
| 00:10:18 |
What do you mean? With whom? |
| 00:10:20 |
With me, darling. |
| 00:10:21 |
I never have. |
| 00:10:22 |
Never have what? |
| 00:10:25 |
Pardon me, Your Highness. |
| 00:10:26 |
My... my assistant was |
| 00:10:29 |
Go on. |
| 00:10:32 |
You're supposed to be |
| 00:10:33 |
and you're supposed to be engaged |
| 00:10:36 |
Ah, I refuse to answer on the |
| 00:10:39 |
Go on. |
| 00:10:40 |
what do you think of |
| 00:10:42 |
Ah, charming! |
| 00:10:44 |
Suppose I were to tell Your Highness |
| 00:10:46 |
waiting to be third-degreed by |
| 00:10:49 |
that there's life, fun and gaiety |
| 00:10:52 |
What does Your Highness |
| 00:10:55 |
RUSTY: You must excuse |
| 00:10:56 |
He's a little stupid, but a nice |
| 00:10:59 |
Maybe you'd rather sit here, |
| 00:11:01 |
but I know a little restaurant |
| 00:11:04 |
and its pastry cook |
| 00:11:06 |
And Tyrolean music. |
| 00:11:08 |
Tyrolean music! |
| 00:11:09 |
Oh, approach me to it. |
| 00:11:17 |
But, Your Highness, |
| 00:11:19 |
Well, we'll draw up a |
| 00:11:20 |
and when we get back, we can give |
| 00:11:23 |
Exactly. Winternitz, what |
| 00:11:27 |
You'd walk up and down and think. Good. |
| 00:11:30 |
You walk up and down and think. |
| 00:11:41 |
(SINGING SCHNITZELBANK |
| 00:11:55 |
Once again in English, |
| 00:11:57 |
Oh, sure. |
| 00:11:59 |
Foreigners. |
| 00:12:00 |
(SINGING) Is this not |
| 00:12:02 |
Yes, this is a carving bench |
| 00:12:04 |
Is this not |
| 00:12:06 |
Yes, this is a monkey wrench |
| 00:12:08 |
Is this not |
| 00:12:10 |
Yes, this is a horse's neck |
| 00:12:12 |
Pretty cow, monkey wrench |
| 00:12:17 |
Mustache cup, little pup |
| 00:12:21 |
Fish's head, downy bed |
| 00:12:25 |
(SINGING IN GERMAN) |
| 00:12:30 |
Oscar, stop the horses. |
| 00:12:33 |
OSCAR: Whoa! |
| 00:12:34 |
Why, the night is only just |
| 00:12:36 |
At 3:00 in the morning, |
| 00:12:42 |
Never mind, boys, my Uncle |
| 00:12:44 |
Go home to your wives. |
| 00:12:49 |
But I don't want to go home. |
| 00:12:51 |
I want to put wings on the horses |
| 00:12:55 |
What do your horses say |
| 00:12:57 |
My horses, they are yours. |
| 00:12:59 |
I only got to deliver |
| 00:13:01 |
No. Unless you can think of something |
| 00:13:05 |
Can you? |
| 00:13:07 |
Two blocks ahead, Oscar, |
| 00:13:09 |
then straight ahead |
| 00:13:11 |
Giddyap, Daisy. |
| 00:13:13 |
Whoa! Wait a minute! |
| 00:13:15 |
To the beach at this hour? |
| 00:13:17 |
Sure, I'm taking you |
| 00:13:20 |
Just as I thought. |
| 00:13:22 |
Who is this Mr. Blaker? |
| 00:13:25 |
He's an aviator who's been |
| 00:13:27 |
In return for which he gets |
| 00:13:30 |
He's a cheap publicity hound! |
| 00:13:31 |
Not a cheap one, darling. |
| 00:13:32 |
He has a nice |
| 00:13:35 |
We're going to wake him up, |
| 00:13:37 |
and then really fly |
| 00:13:39 |
What do you say, Archie? |
| 00:13:40 |
Me, I say yiddgap, Daisy! |
| 00:13:43 |
OSCAR: It's two against one, mister! |
| 00:13:55 |
Sorry, |
| 00:13:56 |
Oh, that guy's probably at a |
| 00:13:59 |
Come on, let's go. |
| 00:14:01 |
I will sit a while and ride |
| 00:14:05 |
Oh, I am happy, |
| 00:14:09 |
When I get to my hotel |
| 00:14:11 |
Never have I seen |
| 00:14:14 |
Rusty and Charlie, |
| 00:14:18 |
Thanks, Archie. |
| 00:14:20 |
When you are married |
| 00:14:23 |
and I will show it to you |
| 00:14:26 |
Married? |
| 00:14:27 |
Well, we're almost married, Archie, |
| 00:14:31 |
Rusty, if ever I go haywire |
| 00:14:34 |
will you promise |
| 00:14:37 |
I'd think of that all by |
| 00:14:41 |
This I do not understand. |
| 00:14:45 |
In the first place, |
| 00:14:48 |
would be strangled in red tape, |
| 00:14:51 |
In the second place, I'm afraid |
| 00:14:54 |
In the third place, |
| 00:14:55 |
I'm afraid the gentleman's |
| 00:14:58 |
Of what? |
| 00:15:01 |
Oh! |
| 00:15:05 |
Believe me, it is only together that |
| 00:15:10 |
You are like two parts |
| 00:15:13 |
Separated, there is no... |
| 00:15:15 |
(IMITATING FIZZING) |
| 00:15:16 |
And no headaches. |
| 00:15:21 |
The time has come to tell you |
| 00:15:24 |
We're newspapermen. |
| 00:15:25 |
What? |
| 00:15:27 |
No, you're a regular guy and |
| 00:15:29 |
if you don't want us to. |
| 00:15:30 |
Newspapermen. |
| 00:15:35 |
But I love you. |
| 00:15:39 |
Newspapermen! |
| 00:15:41 |
Listen, you two scoundlers. I will |
| 00:15:45 |
Maybe you think tomorrow I |
| 00:15:47 |
Uh-huh. I do not marry Miss Mainwaring. |
| 00:15:49 |
My royal family |
| 00:15:51 |
What? |
| 00:15:53 |
what you call a swoop. |
| 00:15:54 |
When did you get |
| 00:15:56 |
Tomorrow. |
| 00:15:57 |
Tomorrow I get it. First I |
| 00:16:00 |
You don't by any chance |
| 00:16:02 |
I mean it... and how! |
| 00:16:05 |
What's gotten into you, |
| 00:16:07 |
This night I have seen two |
| 00:16:11 |
I say to myself, "That is |
| 00:16:15 |
And then, the two young people who |
| 00:16:19 |
No matter. |
| 00:16:22 |
Archie, we didn't know you |
| 00:16:24 |
Even I didn't know me. |
| 00:16:26 |
Well, you'll think differently |
| 00:16:28 |
What do you say, Charlie? |
| 00:16:29 |
I said |
| 00:16:31 |
He's taking |
| 00:16:35 |
Well, of all the |
| 00:16:37 |
he gets romantic ideas |
| 00:16:39 |
Maybe that's just an alibi. |
| 00:16:41 |
Oh, I don't know. Mmm-mmm. |
| 00:16:43 |
A dawn like this plays funny |
| 00:16:46 |
Dangerous. |
| 00:16:47 |
Don't you think we better |
| 00:16:50 |
Oh, what's the hurry? The |
| 00:16:53 |
Get a load of that sunrise. |
| 00:16:57 |
Hey, Rusty, I... |
| 00:17:00 |
I hope I didn't |
| 00:17:02 |
you know, when I was shooting |
| 00:17:04 |
Why should I be hurt? |
| 00:17:05 |
It's swell if you aren't. |
| 00:17:07 |
Don't you know any words |
| 00:17:09 |
For you? No. |
| 00:17:12 |
Maybe everything |
| 00:17:14 |
was just a lot |
| 00:17:16 |
After all, Rusty, we're |
| 00:17:18 |
Why be afraid of marriage? |
| 00:17:21 |
What was that? |
| 00:17:22 |
I was just keeping a little |
| 00:17:24 |
Thanks for reminding me. |
| 00:17:26 |
Now, we get |
| 00:17:28 |
Oh, and then |
| 00:17:29 |
Oh, Charlie, breakfast. |
| 00:17:32 |
It is the most beautiful word |
| 00:17:34 |
Well, maybe, but we're |
| 00:17:37 |
Oh, no, we're not. |
| 00:17:39 |
(SINGING) Ist das nicht |
| 00:17:41 |
BOTH: Ja, das ist |
| 00:17:45 |
Second helping of ham |
| 00:17:48 |
Looking at that guy's pictures |
| 00:17:50 |
I don't blame you |
| 00:17:52 |
There is something about an aviator's |
| 00:17:55 |
Yes, it is an attractive |
| 00:17:58 |
You ought to be nuts about |
| 00:18:01 |
Archie, your story is finished. |
| 00:18:03 |
Can't we talk sense |
| 00:18:05 |
No, let me talk sense |
| 00:18:07 |
Listen, Rusty and Charlie... |
| 00:18:08 |
(GUN FIRING) |
| 00:18:09 |
Comes the revolution? |
| 00:18:10 |
Take it easy. |
| 00:18:14 |
Help! Help! |
| 00:18:19 |
Help! Help! |
| 00:18:25 |
Help! Help! |
| 00:18:27 |
What is it? The big shot, he's drowning. |
| 00:18:34 |
Who swims at this hour? |
| 00:18:36 |
It was the only time |
| 00:18:39 |
I mean... |
| 00:18:40 |
You gotta save him. |
| 00:18:42 |
It's Smiles Benson. |
| 00:18:44 |
Oh, is that so? |
| 00:18:47 |
You ain't waiting |
| 00:18:48 |
You think I'm going to spoil my |
| 00:18:51 |
Oh, we've got enough |
| 00:18:53 |
You step on it or else! |
| 00:18:55 |
RUSTY: Go on, Charlie. |
| 00:19:05 |
Help! Help! |
| 00:19:18 |
Help! Help! |
| 00:19:34 |
He took a poke at him. |
| 00:19:37 |
What do you think |
| 00:19:39 |
Artificial perspiration. |
| 00:19:40 |
A barrel might help. |
| 00:19:42 |
A barrel! |
| 00:19:45 |
Work on him, you, |
| 00:19:54 |
A barrel. |
| 00:19:58 |
Always calm and collected, |
| 00:20:01 |
Calm, but not collected. |
| 00:20:11 |
Just breaking in |
| 00:20:15 |
(HUMMING) |
| 00:20:21 |
This ought to do for a barrel. |
| 00:20:32 |
SMILES: Come here. |
| 00:20:38 |
Come here. |
| 00:20:46 |
Feeling better now, Boss? |
| 00:20:47 |
I'll be feeling better after |
| 00:20:50 |
Where were you |
| 00:20:52 |
I was yelling for it, too. |
| 00:20:55 |
Who are you? |
| 00:20:57 |
I'm the sap that should |
| 00:20:58 |
Did you hear that, |
| 00:21:00 |
And he knocked you out cold |
| 00:21:02 |
Looks like you saved my life. |
| 00:21:04 |
Well, we all make mistakes. |
| 00:21:06 |
You didn't make no mistake. |
| 00:21:08 |
I'm a guy that pays off. |
| 00:21:10 |
Did you ever hear |
| 00:21:11 |
Sure. I've seen your picture, |
| 00:21:14 |
What do you mean? |
| 00:21:16 |
Say, I like you. |
| 00:21:18 |
How would you like to wake up |
| 00:21:20 |
and find 20,000 smackers |
| 00:21:23 |
Never use a pillow. |
| 00:21:24 |
That's the way I sleep, too. |
| 00:21:26 |
You'll find the 20,000 |
| 00:21:29 |
Yeah? I'll give it |
| 00:21:30 |
Okay, but I'm a guy |
| 00:21:33 |
When somebody does me dirt, |
| 00:21:35 |
When somebody saves my life, |
| 00:21:38 |
That's because I got a code. |
| 00:21:39 |
Boss, why don't you let me smack |
| 00:21:41 |
and call it square |
| 00:21:43 |
Get away before I smack you! |
| 00:21:44 |
All right, Boss, |
| 00:21:46 |
MAN ON RADIO: |
| 00:21:48 |
Are you ready |
| 00:21:50 |
with some good, robust, hale |
| 00:21:55 |
Go on, do like the radio says. I |
| 00:21:58 |
no doubt. |
| 00:21:59 |
Go on. Go on. |
| 00:22:00 |
Each day, born anew. |
| 00:22:03 |
Ready? |
| 00:22:04 |
SMILES: Go on. On your |
| 00:22:08 |
Extend your arms |
| 00:22:11 |
Now, bend. Touch the floor. |
| 00:22:14 |
Touch the floor. |
| 00:22:18 |
Now, once more, |
| 00:22:21 |
On your toes. |
| 00:22:24 |
Now, bend. Touch the floor. |
| 00:22:28 |
Touch the floor. That's it. |
| 00:22:30 |
Now, once more. |
| 00:22:33 |
Now, bend. Touch the floor. |
| 00:22:36 |
Touch the floor. That's it. |
| 00:22:38 |
What's going on here? |
| 00:22:39 |
CHARLIE: We just borrowed |
| 00:22:41 |
Hello, Mr. Blaker. |
| 00:22:42 |
Oh, it's you, Miss Fleming. |
| 00:22:44 |
It's quite all right, |
| 00:22:45 |
Thank you so much. |
| 00:22:47 |
This is Mr. Smiles Benson |
| 00:22:49 |
And I didn't catch |
| 00:22:51 |
Just call me Squinty. |
| 00:22:53 |
And Squinty, |
| 00:22:55 |
And that's my uncle, Archie. |
| 00:22:57 |
This is Mr. Gordon Blaker, |
| 00:23:01 |
Blaker? Never heard of him. |
| 00:23:03 |
Local talent. |
| 00:23:05 |
That's what I think, |
| 00:23:08 |
Who asked you? |
| 00:23:10 |
Say, did I order you to do them |
| 00:23:13 |
Boss... Come on. Turn |
| 00:23:17 |
MAN ON RADIO: The Rise and |
| 00:23:20 |
See you tomorrow. |
| 00:23:21 |
(LIVELY TUNE PLAYING) |
| 00:23:23 |
Come on, don't think you're |
| 00:23:27 |
Take them dirty dishes |
| 00:23:30 |
Boss. |
| 00:23:31 |
Go on. |
| 00:23:33 |
NEWSCASTER: |
| 00:23:34 |
A few minutes ago, |
| 00:23:36 |
from the passenger steamer |
| 00:23:39 |
"Foundering in storm. |
| 00:23:42 |
But the rest of the message |
| 00:23:45 |
At that moment, |
| 00:23:46 |
evidently went |
| 00:23:48 |
Until further news, we will |
| 00:23:51 |
Here's your big chance, |
| 00:23:54 |
What do you mean? |
| 00:23:55 |
Get out your plane and we'll |
| 00:23:57 |
It'll be one of the |
| 00:23:59 |
But how am I gonna rescue a shipload |
| 00:24:02 |
Oh, all you have to do is find |
| 00:24:05 |
You'll be the hero |
| 00:24:06 |
But I can't go like this. |
| 00:24:08 |
I've got to get |
| 00:24:09 |
and have weather reports, |
| 00:24:11 |
And lose the chance |
| 00:24:13 |
That isn't how |
| 00:24:15 |
Hey, wait a minute. |
| 00:24:17 |
Jump in the lake again |
| 00:24:18 |
(EXCLAIMS) |
| 00:24:20 |
How about my story? |
| 00:24:22 |
If you really want it printed, Archie, |
| 00:24:24 |
Maybe Smiles can give you |
| 00:24:26 |
So long, Archie. |
| 00:24:27 |
Good luck, you two scoundlers. |
| 00:24:31 |
Mr. Smiles, you are lifting me |
| 00:24:35 |
Now he's giving orders. |
| 00:24:36 |
Shut up. Go get the car. |
| 00:24:39 |
Go on. |
| 00:24:41 |
Say, where do you get |
| 00:24:49 |
Do you really think |
| 00:24:51 |
When you see |
| 00:24:52 |
you'll think |
| 00:24:54 |
Provided we get the story. |
| 00:24:56 |
Well, all we can do is try. |
| 00:24:58 |
That's the spirit. |
| 00:25:00 |
Give your all |
| 00:25:04 |
(THUNDER CRASHING) |
| 00:25:05 |
We're heading |
| 00:25:06 |
Then we're heading |
| 00:25:08 |
That's swell! |
| 00:25:13 |
No. There's no news |
| 00:25:15 |
and there's no news |
| 00:25:17 |
The next news will be |
| 00:25:20 |
Please, |
| 00:25:22 |
Whatever you're selling, |
| 00:25:24 |
I have a message |
| 00:25:26 |
What? Where is it? |
| 00:25:29 |
Do they think |
| 00:25:30 |
Please, you mustn't get angry. |
| 00:25:34 |
They told me |
| 00:25:42 |
Get me the composing room. |
| 00:25:44 |
Is the first page made up? |
| 00:25:46 |
Two-column spread on Archduke |
| 00:25:48 |
And make up a cut. |
| 00:25:51 |
How do I know this is true? |
| 00:25:53 |
How do I know they wrote it? |
| 00:25:55 |
They went up in an airplane. |
| 00:25:57 |
STAGG: Who are you? |
| 00:25:58 |
Did you ever hear of Smiles |
| 00:26:01 |
Sure. |
| 00:26:03 |
And I suppose |
| 00:26:05 |
Yeah, but how did you guess? |
| 00:26:28 |
The issing-may ince-pray. |
| 00:26:32 |
Get me a cameraman quick. |
| 00:26:34 |
The old baboon |
| 00:26:36 |
Old? |
| 00:26:37 |
Did he say I was old? |
| 00:26:39 |
Say, why didn't you tell me |
| 00:26:43 |
I'd have treated you |
| 00:26:52 |
It's no use. |
| 00:26:53 |
Why? |
| 00:26:54 |
We've only enough gas |
| 00:26:56 |
That'll just about get us |
| 00:26:57 |
But what about the Mary Ann? |
| 00:26:59 |
There's no chance of |
| 00:27:03 |
Maybe he's right. |
| 00:27:04 |
I know I am. |
| 00:27:05 |
Oh, don't turn yet. Maybe we |
| 00:27:08 |
In a treetop? |
| 00:27:10 |
I'm not really |
| 00:27:11 |
Mr. Blaker, |
| 00:27:13 |
We're turning back. |
| 00:27:21 |
You're throwing away |
| 00:27:23 |
But I'm saving your life. |
| 00:27:26 |
The Globe Express would |
| 00:27:29 |
I doubt it. |
| 00:27:31 |
Peeved? |
| 00:27:32 |
Why the maternal care? |
| 00:27:35 |
Oh, Rusty, that hurts me. |
| 00:27:37 |
Particularly since you know |
| 00:27:40 |
I go haywire |
| 00:27:42 |
It's the altitude. |
| 00:27:44 |
Maybe. |
| 00:27:45 |
I love you, Rusty. |
| 00:27:48 |
I'll curl up and die |
| 00:27:58 |
BLAKER: I'll put you |
| 00:28:00 |
Brother, if I live to see the |
| 00:28:03 |
A nice, dry, |
| 00:28:05 |
Look out the window, you mug, |
| 00:28:43 |
With all the income tax |
| 00:28:44 |
don't you think the government |
| 00:28:47 |
with better pens? |
| 00:28:48 |
Be brave, Charlie. Post office pens |
| 00:29:33 |
This is Mr. Stagg. |
| 00:29:37 |
Mr. Stagg, |
| 00:29:39 |
I was having a bit of a wash |
| 00:29:42 |
and I found this key. |
| 00:29:45 |
Get out. |
| 00:29:46 |
But you are Mr. Stagg, |
| 00:29:48 |
Will you please get out? |
| 00:29:50 |
The boy said |
| 00:29:51 |
Please get out! |
| 00:29:53 |
I don't want to murder you. |
| 00:29:54 |
Let me save my strength |
| 00:29:57 |
I don't know Charlie Mason. |
| 00:29:58 |
Will you please get out? |
| 00:29:59 |
STAGG: Please get out. |
| 00:30:01 |
I found this key. |
| 00:30:03 |
I didn't lose a key. |
| 00:30:05 |
Get out! |
| 00:30:13 |
Mr. Van Dorn, |
| 00:30:15 |
What's the trouble now? |
| 00:30:17 |
It's a week since |
| 00:30:19 |
and they won't come back |
| 00:30:21 |
What do you suggest? |
| 00:30:25 |
Fire them. |
| 00:30:26 |
That won't get them |
| 00:30:28 |
They may be great reporters but they're |
| 00:30:30 |
I tell you, |
| 00:30:32 |
We'd be the laughing stock |
| 00:30:35 |
This morning I got a wire |
| 00:30:38 |
This year, the gold medal for |
| 00:30:40 |
is being given in duplicate. |
| 00:30:42 |
One to Charlie Mason |
| 00:30:45 |
I don't care |
| 00:30:47 |
I'm still the City Editor |
| 00:30:49 |
Take it easy, Stagg. |
| 00:30:50 |
You don't know the way |
| 00:30:53 |
It would be nice |
| 00:30:55 |
for the presentation |
| 00:30:57 |
but those maniacs |
| 00:30:59 |
so we'll do it right here. |
| 00:31:01 |
Maybe you'd like to make the |
| 00:31:07 |
I don't think you'd like |
| 00:31:12 |
Let me say that these two medals, |
| 00:31:16 |
that journalism is more than a fleeting |
| 00:31:20 |
are an honor |
| 00:31:22 |
in the annals |
| 00:31:27 |
I regret that I do not see Mr. Mason |
| 00:31:31 |
(BELCHING) |
| 00:31:35 |
Miss Fleming, |
| 00:31:36 |
the Globe Express will recognize |
| 00:31:39 |
by giving you |
| 00:31:42 |
No vacation for Charlie? |
| 00:31:44 |
I'm afraid not. |
| 00:31:45 |
The Globe Express couldn't |
| 00:31:49 |
Mr. Van Dorn. |
| 00:31:51 |
Mr. Van Dorn... Didn't I |
| 00:31:53 |
But it's the White House calling. |
| 00:31:56 |
The President wants |
| 00:31:58 |
Oh, that's different. |
| 00:32:01 |
The President of the United |
| 00:32:04 |
I am sure |
| 00:32:06 |
Hey. |
| 00:32:14 |
Three cheers |
| 00:32:16 |
ALL: Three cheers |
| 00:32:17 |
Hooray! Hooray! |
| 00:32:19 |
(LOSING ENTHUSIASM) Hooray. |
| 00:32:22 |
Hello. |
| 00:32:23 |
Yes, this is Mr. Van Dorn |
| 00:32:27 |
Yes, of course I can wait. |
| 00:32:31 |
How would you like to be |
| 00:32:34 |
Hello. Hello. |
| 00:32:37 |
(IN DIFFERENT VOICE) Sorry, Mr. Van |
| 00:32:41 |
He wanted to consult you on the |
| 00:32:44 |
of the shortage of gardenias |
| 00:32:47 |
Never mind it, Mr. Van Dorn. |
| 00:32:51 |
Oh, what country |
| 00:32:54 |
Bolivia. |
| 00:32:57 |
It worked like a charm, |
| 00:32:59 |
You don't know |
| 00:33:01 |
After an hour, |
| 00:33:03 |
to go into the history |
| 00:33:05 |
Hey, let me see my medal. |
| 00:33:07 |
And what about a vacation? |
| 00:33:09 |
Coffee and donuts for two. And |
| 00:33:11 |
He'll need it. |
| 00:33:13 |
That, Charlie, |
| 00:33:14 |
Whee! In regard to yours of even date, |
| 00:33:16 |
about your vacation, you don't |
| 00:33:19 |
What? |
| 00:33:20 |
Your services are too |
| 00:33:23 |
A fine thing. |
| 00:33:25 |
Now, if it had been me |
| 00:33:26 |
and Mr. Van Dorn had offered |
| 00:33:29 |
do you know |
| 00:33:30 |
"No. No. A thousand |
| 00:33:33 |
"Let Rusty go and make merry |
| 00:33:36 |
Then everything's turned out all |
| 00:33:39 |
You wouldn't know what to do |
| 00:33:42 |
Suppose you do get |
| 00:33:43 |
What are you going to do with the |
| 00:33:45 |
Get another permanent. |
| 00:33:46 |
Then I'm going to New York. |
| 00:33:50 |
What are you going to do |
| 00:33:51 |
Well, first I'm going to see a lot |
| 00:33:53 |
then I'm going to a lot of night |
| 00:33:56 |
then I'm going to catch up |
| 00:33:57 |
I catch up. |
| 00:33:59 |
Here, you got me saying it. |
| 00:34:01 |
Oh, now that I think about it, I got |
| 00:34:04 |
while you're gone. |
| 00:34:06 |
Prize fights, wrestling, |
| 00:34:09 |
It must be almost a year since I've |
| 00:34:12 |
I thought it had been longer |
| 00:34:16 |
You're having a lot of fun, |
| 00:34:18 |
Not as much as I'm going |
| 00:34:20 |
I'm glad you're going to |
| 00:34:22 |
without having to put up with my |
| 00:34:25 |
I'll have a good time, all |
| 00:34:28 |
Good Time Charlie, |
| 00:34:40 |
(PEOPLE CHATTERING LOUDLY) |
| 00:34:41 |
What a hotel. |
| 00:34:43 |
Will you close the |
| 00:34:45 |
Must be playing some new kind |
| 00:34:48 |
(PHONE RINGING) |
| 00:34:50 |
Hello? |
| 00:34:51 |
(MUSIC BLARING AT HO TEL) |
| 00:34:52 |
Hello, Rusty. |
| 00:34:53 |
Hello, Charlie. |
| 00:34:56 |
(SPEAKING LOUDLY) |
| 00:34:58 |
(SPEAKING LOUDLY) Fine! |
| 00:35:00 |
Glad I was able |
| 00:35:02 |
I thought maybe you'd be out |
| 00:35:05 |
Oh, I forgot. |
| 00:35:07 |
You were going to catch up |
| 00:35:08 |
Oh, I... |
| 00:35:10 |
I just got in a minute ago, but |
| 00:35:14 |
Quick. Open the transom. |
| 00:35:17 |
(PEOPLE CHATTERING |
| 00:35:20 |
That's the way it's been |
| 00:35:22 |
I don't know |
| 00:35:26 |
Oh. |
| 00:35:30 |
That's funny. I got a party |
| 00:35:37 |
Hey! Cut that out, Harry. |
| 00:35:39 |
(SHATTERING) |
| 00:35:41 |
Did you hear that? |
| 00:35:43 |
One of the guys just took a pot |
| 00:35:47 |
Just a minute, Charlie. |
| 00:35:49 |
Sing something. |
| 00:35:50 |
What? |
| 00:35:51 |
Sing something. |
| 00:35:52 |
But I can't... |
| 00:35:53 |
I thought it was going |
| 00:35:55 |
but I had no idea it was |
| 00:35:58 |
Go on. Sing. |
| 00:36:00 |
But, but what? |
| 00:36:01 |
Anything. |
| 00:36:04 |
(SINGING) Just break the news |
| 00:36:08 |
She knows how dear I love her |
| 00:36:11 |
And tell her |
| 00:36:14 |
For I'm not coming home |
| 00:36:17 |
Just say... |
| 00:36:18 |
All right, all right, |
| 00:36:20 |
Thank you, Miss. |
| 00:36:26 |
Hey, stop it, you guys. And quit |
| 00:36:29 |
Next time I'll know better |
| 00:36:33 |
What'd you say, Charlie? |
| 00:36:34 |
Huh? |
| 00:36:37 |
Hey, cut it out, Margie. |
| 00:36:40 |
They're tickling me. |
| 00:36:42 |
What'd you say? |
| 00:36:43 |
They're tickling me. |
| 00:36:45 |
What? |
| 00:36:46 |
They're tickling me! |
| 00:36:47 |
The connection's terrible. |
| 00:36:51 |
It sounds like you're saying |
| 00:36:53 |
Oh, never mind it. |
| 00:36:55 |
I'm glad you called, |
| 00:36:57 |
If I'd known |
| 00:36:59 |
I'd have arranged |
| 00:37:02 |
Well, it was good |
| 00:37:05 |
But I got to get back |
| 00:37:07 |
Must be pretty late in New York |
| 00:37:13 |
When you hear the tone, the |
| 00:37:22 |
(GROANING) |
| 00:37:28 |
When you're through |
| 00:37:29 |
would you mind |
| 00:37:31 |
Yes, sir. |
| 00:37:32 |
I mean, no sir, |
| 00:37:43 |
Where did you get those? They |
| 00:37:46 |
No, sir, they don't. |
| 00:37:48 |
Don't try to brazen it out. |
| 00:37:50 |
Those are the medals they won |
| 00:37:52 |
Yes, sir, Mr. Van Dorn, |
| 00:37:54 |
You? What do you mean? |
| 00:37:56 |
In a crap game, sir. |
| 00:37:58 |
How much did you put up |
| 00:38:00 |
Twenty-five cents each. |
| 00:38:01 |
Twenty-five cents each? |
| 00:38:03 |
Yes, sir. |
| 00:38:08 |
Twenty-five cents each. |
| 00:38:12 |
Twenty-five cents each. |
| 00:38:14 |
I don't care |
| 00:38:16 |
They're not bigger |
| 00:38:17 |
That's what Stagg always says. |
| 00:38:19 |
Huh? |
| 00:38:20 |
Send a note to Miss Fleming and tell |
| 00:38:23 |
And get Mason |
| 00:38:25 |
Get him out before I... |
| 00:38:26 |
Wait a minute. |
| 00:38:28 |
SECRETARY: (ON INTERCOM) |
| 00:38:31 |
Hello, Stagg. Stick around. |
| 00:38:34 |
Something's going to happen in a |
| 00:38:40 |
(HOARSELY) I know. |
| 00:38:41 |
Why didn't this happen |
| 00:38:43 |
Then maybe I wouldn't |
| 00:38:45 |
Resign? |
| 00:38:46 |
Lost my voice. |
| 00:38:47 |
About time. |
| 00:38:49 |
But my wife won't. |
| 00:38:51 |
Losing my mind. |
| 00:38:53 |
Says she won't live |
| 00:38:55 |
I'm through. |
| 00:38:56 |
Think it over. |
| 00:38:57 |
With those two off the paper, |
| 00:38:59 |
Sorry, Chief, it's too late |
| 00:39:05 |
Say, Chief, |
| 00:39:07 |
if you want to make me happy |
| 00:39:09 |
there's just one request |
| 00:39:11 |
Let me be here |
| 00:39:13 |
I want to see it with my own |
| 00:39:17 |
All right, stick around. |
| 00:39:19 |
I'd wait a million years |
| 00:39:25 |
All right, what's the bright |
| 00:39:27 |
Put Mason on the City Desk. |
| 00:39:29 |
Are you trying to be funny? |
| 00:39:31 |
Listen, Chief, Mason knows every way of |
| 00:39:34 |
because he's used them |
| 00:39:36 |
He's the only man who'll be able to |
| 00:39:39 |
Willett, you're either a |
| 00:39:42 |
Wait a minute. |
| 00:39:44 |
If he isn't |
| 00:39:46 |
and she isn't raising |
| 00:39:48 |
you can call me an idiot. |
| 00:39:52 |
Well, how are you |
| 00:39:55 |
If you have anything to say, say it |
| 00:39:58 |
That's what you think. |
| 00:40:01 |
So they tell me. |
| 00:40:03 |
After you. |
| 00:40:04 |
No, no, after you. |
| 00:40:13 |
Yes, sir. |
| 00:40:14 |
Mason, about five minutes ago I decided |
| 00:40:18 |
Oh, you're a very hard man, |
| 00:40:23 |
Got a light? |
| 00:40:24 |
Always glad to oblige. |
| 00:40:26 |
Thank you, my good man. |
| 00:40:27 |
Don't mention it. |
| 00:40:28 |
Sit down. |
| 00:40:29 |
Now, Mr. Van Dorn, don't say |
| 00:40:32 |
I have never before been fired |
| 00:40:36 |
such economy of words. |
| 00:40:37 |
I said, sit down. |
| 00:40:39 |
All right, but if you think |
| 00:40:41 |
or hang, draw |
| 00:40:42 |
Oh, no. All you can do is |
| 00:40:46 |
This is your idea, Willett. |
| 00:40:49 |
Suppose I said that |
| 00:40:51 |
we were going to offer you |
| 00:40:55 |
(RETCHING) |
| 00:40:58 |
Oh, now, Mr. Willett, don't |
| 00:41:01 |
Pete Stagg here has just |
| 00:41:04 |
It's yours if you make up your |
| 00:41:07 |
and make the rest of the staff |
| 00:41:10 |
Maybe I'd better stay fired. |
| 00:41:12 |
VAN DORN: Be reasonable, Mason. |
| 00:41:16 |
An extra 50 a week in your |
| 00:41:18 |
It would get you a pretty |
| 00:41:20 |
all covered with hollyhocks. |
| 00:41:22 |
I don't like hollyhocks. |
| 00:41:23 |
Mr. Van Dorn, have you gone |
| 00:41:27 |
I wouldn't put him in charge |
| 00:41:28 |
Why, you might as well |
| 00:41:30 |
Say, if I didn't make a 10 times |
| 00:41:32 |
You couldn't edit |
| 00:41:34 |
But I'm no Pete Stagg. If I take |
| 00:41:38 |
I'll go the whole way |
| 00:41:39 |
Say, do you mind if I change |
| 00:41:41 |
All right, |
| 00:41:43 |
With the example you've set, do you |
| 00:41:46 |
Stick around, pal. I'll show you how |
| 00:41:49 |
They'll send you to the hospital |
| 00:41:51 |
They'll run you ragged! |
| 00:41:52 |
All right, all right. |
| 00:41:56 |
Well, I hope |
| 00:41:57 |
From now on, everybody is |
| 00:41:59 |
There's going to be no more |
| 00:42:01 |
Take off them false whiskers, |
| 00:42:03 |
You'll make a good City Editor, |
| 00:42:06 |
I do. How about |
| 00:42:08 |
When the high school humorists |
| 00:42:09 |
I've got a few more remarks |
| 00:42:11 |
First, I'm going to be |
| 00:42:12 |
Why don't you |
| 00:42:14 |
How do you expect to be executive |
| 00:42:16 |
Hey, I think the guy |
| 00:42:18 |
March to the head |
| 00:42:19 |
I wish Rusty were here |
| 00:42:21 |
Well, come on, |
| 00:42:22 |
Haley, you're off police news. |
| 00:42:25 |
Jackson, you cover police |
| 00:42:27 |
I've been covering police |
| 00:42:29 |
Yes. You're getting lazy. |
| 00:42:30 |
Mary Lawson... |
| 00:42:32 |
I was supposed to go |
| 00:42:34 |
Oh, you can interview your |
| 00:42:36 |
Listen, Mary, you're going to |
| 00:42:38 |
Why? Oh, it's just ducky |
| 00:42:40 |
but you can't be a reporter |
| 00:42:42 |
and a press agent for a hotel |
| 00:42:44 |
Do you mean to say |
| 00:42:46 |
Sure, I did |
| 00:42:47 |
But you don't, not anymore. |
| 00:42:49 |
Hey, Hank Smith. |
| 00:42:51 |
Present, Teacher. |
| 00:42:53 |
Yes, a teacher |
| 00:42:54 |
Listen, don't use the word |
| 00:42:56 |
Why not? |
| 00:42:57 |
Because "lengthy" means "long" |
| 00:43:00 |
and because we're not gonna have |
| 00:43:02 |
in the Globe Express. |
| 00:43:03 |
No, that isn't all. |
| 00:43:04 |
Go on, say it. |
| 00:43:05 |
Why, you... |
| 00:43:07 |
Oh, never mind. I'll send you a |
| 00:43:09 |
I'm resigning! |
| 00:43:12 |
Right. Any more resignations? |
| 00:43:17 |
What do you think you're reporting, |
| 00:43:19 |
I don't expect you |
| 00:43:21 |
but what's the matter |
| 00:43:23 |
Hey, what's the idea? |
| 00:43:26 |
Rusty! Oh, this is great. |
| 00:43:28 |
Honey, you must think I'm a |
| 00:43:30 |
Mary Lawson told me |
| 00:43:32 |
and they were using your |
| 00:43:33 |
I came to pay my respects. |
| 00:43:35 |
Oh, that dame. |
| 00:43:37 |
Gee, you don't know how happy I |
| 00:43:39 |
Busy being a super Stagg? |
| 00:43:41 |
Well, you'll be proud |
| 00:43:43 |
I've grown up, |
| 00:43:44 |
Yeah, into a pretzel. |
| 00:43:46 |
(PHONE RINGING) |
| 00:43:47 |
Hello! |
| 00:43:48 |
Oh, the jury's out, is it? |
| 00:43:51 |
Look, I'm not asking you |
| 00:43:53 |
but give a little of your spare |
| 00:43:56 |
I've found myself, Rusty. |
| 00:43:57 |
In what ash can? |
| 00:43:59 |
Now, please, |
| 00:44:01 |
A big murder just broke and that sap |
| 00:44:04 |
Take it over yourself, |
| 00:44:06 |
Hiya, Rusty. |
| 00:44:08 |
Hello, Ray. |
| 00:44:10 |
Kennedy, why don't you listen |
| 00:44:13 |
I asked for facts, |
| 00:44:17 |
Have you forgotten |
| 00:44:19 |
who used to play |
| 00:44:20 |
when you were |
| 00:44:22 |
Only doing my job. |
| 00:44:24 |
What's happened to you? |
| 00:44:26 |
If the gong began ringing right |
| 00:44:29 |
would you answer it? |
| 00:44:30 |
That's what |
| 00:44:32 |
The guy who used to want to |
| 00:44:35 |
Get that story. |
| 00:44:37 |
Yes, sir. Very good, sir. |
| 00:44:43 |
You still with me? |
| 00:44:45 |
And you'll be with us |
| 00:44:47 |
Oh, I can't believe it yet, |
| 00:44:48 |
But take it from me, |
| 00:44:50 |
not with the sense of humor |
| 00:44:51 |
You mean, used to have. |
| 00:44:53 |
This'll bring it back. |
| 00:44:54 |
I tell you, it'll bring back the |
| 00:44:57 |
(SINGING) Bring back |
| 00:44:58 |
ALL: Bring back |
| 00:45:00 |
Bring back my Charlie to me |
| 00:45:03 |
We came as soon as we got |
| 00:45:05 |
Good. How'd you like to make |
| 00:45:07 |
For you and 10 bucks, |
| 00:45:08 |
Thanks. First, you go down to |
| 00:45:10 |
and come back |
| 00:45:12 |
Without a mustache, |
| 00:45:14 |
Good. |
| 00:45:16 |
Without a hat, yes. Without a |
| 00:45:19 |
Without a mustache, no. |
| 00:45:21 |
For me and 10 bucks? |
| 00:45:23 |
And two bucks extra? |
| 00:45:26 |
Miss Rusty, in 20 minutes we'll return |
| 00:45:31 |
Come on, Herman. |
| 00:45:32 |
Hey, boy, wait a minute. |
| 00:45:34 |
How would you like |
| 00:45:36 |
Go on. I'm not gonna |
| 00:45:39 |
You don't have to. How |
| 00:45:41 |
Twelve bucks. |
| 00:45:43 |
and for 12 bucks, you can |
| 00:45:45 |
Listen. |
| 00:45:47 |
(BOY WHISTLING) |
| 00:45:54 |
CHARLIE: Boy! |
| 00:45:59 |
Boy! |
| 00:46:03 |
Hey, cut that out. This isn't amateur |
| 00:46:06 |
Take that stuff |
| 00:46:07 |
The composing room? |
| 00:46:08 |
Oh, yes, the composing room. |
| 00:46:11 |
How long have you been here? |
| 00:46:12 |
Not very long. |
| 00:46:15 |
CHARLIE: Hey! Hey! |
| 00:46:17 |
I think you'd better |
| 00:46:18 |
It just came |
| 00:46:19 |
What is it? |
| 00:46:20 |
CHARLIE: "The name of Charles Mason, |
| 00:46:27 |
..."position of manager |
| 00:46:28 |
What the... |
| 00:46:30 |
I'll find out |
| 00:46:34 |
Hey, what are you doing? |
| 00:46:36 |
Listen, I'm getting out |
| 00:46:38 |
We got our orders. |
| 00:46:40 |
Hey, kill it. |
| 00:46:42 |
Mr. Van Dorn. What? He's out |
| 00:46:44 |
Hey! Hey! |
| 00:46:47 |
Say, haven't I seen you |
| 00:46:48 |
Maybe yes. |
| 00:46:50 |
Well, you'd better start |
| 00:46:52 |
Mr. Mason, we just ran off a |
| 00:46:55 |
About time. Let me see it. |
| 00:46:56 |
But, Mr. Mason, isn't this |
| 00:46:58 |
"Great City Editor |
| 00:47:00 |
"Clean living and discipline are |
| 00:47:04 |
Hey, get me |
| 00:47:07 |
Hey, Murphy, |
| 00:47:08 |
Who authorized |
| 00:47:11 |
What? It had my okay on it? |
| 00:47:12 |
Oh, when I find the half-wit who did |
| 00:47:15 |
to hold an inquest on! Well, |
| 00:47:18 |
Hey, boy. |
| 00:47:20 |
What's the matter... Boy! |
| 00:47:24 |
Say, you, |
| 00:47:27 |
Did you take a story about me |
| 00:47:30 |
I don't know. |
| 00:47:31 |
Oh, then you did take one up, |
| 00:47:34 |
Who gave it to you? |
| 00:47:35 |
I don't know his name. |
| 00:47:37 |
Didn't anybody tell you I was the |
| 00:47:41 |
Oh, keep your shirt on. |
| 00:47:46 |
Oh, I see. |
| 00:47:48 |
What's your salary? |
| 00:47:50 |
$12, but... |
| 00:47:51 |
But what? |
| 00:47:52 |
Skip it. |
| 00:47:54 |
What's your name? |
| 00:47:55 |
Smith. Sammy Smith. |
| 00:47:57 |
Oh. |
| 00:47:59 |
Hello. |
| 00:48:01 |
Mason speaking. Listen, I'm sending |
| 00:48:04 |
Give him $12 |
| 00:48:06 |
No, not tomorrow, today! |
| 00:48:08 |
Thanks, Mr. Mason. |
| 00:48:09 |
Get out of here. |
| 00:48:22 |
Hey, are you through? |
| 00:48:25 |
I think so. |
| 00:48:27 |
I've finished, too. |
| 00:48:29 |
This is the best I can do. |
| 00:48:31 |
Go on, get out of here. |
| 00:48:37 |
All right, you guys. |
| 00:48:41 |
There's somebody in this room |
| 00:48:42 |
who thinks his neck would |
| 00:48:45 |
Will he please step forward |
| 00:48:48 |
(SCHNITZELBANK PLAYING) |
| 00:48:54 |
(SINGING) Ist das nicht |
| 00:48:57 |
Looking like an angry creditor |
| 00:48:59 |
Ist das nicht a big disgrace? |
| 00:49:00 |
Rusty. |
| 00:49:01 |
Ist das nicht a sour face? |
| 00:49:03 |
ALL: Yes, |
| 00:49:05 |
Yes, this is a sour face |
| 00:49:07 |
Don't make me fire you. |
| 00:49:08 |
Ist das nicht a super Stagg? |
| 00:49:12 |
ALL: Super, super, super Stagg |
| 00:49:16 |
Ist das nicht an executive? |
| 00:49:20 |
ALL: Yes, this is an executive |
| 00:49:22 |
Come here. |
| 00:49:23 |
Giving all he has to give |
| 00:49:25 |
(ALL LAUGHING) |
| 00:49:26 |
Do I have to fire you |
| 00:49:29 |
Listen, when I get scared, |
| 00:49:30 |
it'll take more than a stuffed |
| 00:49:33 |
Do you think you can bully me, you |
| 00:49:38 |
Come on, come on. |
| 00:49:39 |
You're hurting me. |
| 00:49:41 |
Let me down. Let me down. |
| 00:49:43 |
I'll let you down. |
| 00:49:45 |
You certainly have. |
| 00:49:47 |
Take her down |
| 00:49:48 |
Yes, sir. |
| 00:49:52 |
I'd like a ticket |
| 00:49:54 |
Sorry, but we're sold out. Can't give |
| 00:49:57 |
Well, if there should be a cancellation, |
| 00:50:00 |
Certainly, Miss. |
| 00:50:01 |
Got my reservation? |
| 00:50:05 |
Here's your ticket, Mr. |
| 00:50:08 |
All right. |
| 00:50:09 |
And might I ask if you're |
| 00:50:13 |
Yes, I'm afraid I am. |
| 00:50:14 |
I've read The Will to Live and |
| 00:50:17 |
They're inspiring, |
| 00:50:19 |
Well... |
| 00:50:20 |
CLERK: Thank you. |
| 00:50:22 |
Thank you. |
| 00:50:25 |
It's nice to have |
| 00:50:27 |
A lot of good it does me |
| 00:50:29 |
Oh, cheer up, Roger. |
| 00:50:30 |
I don't want to cheer up. |
| 00:50:32 |
Look here, Laura, I want |
| 00:50:35 |
I've been jilted, and I'd like |
| 00:50:37 |
But you know why. |
| 00:50:40 |
She doesn't love you. |
| 00:50:42 |
You were never in love |
| 00:50:47 |
But I'm not the kind |
| 00:50:50 |
But to be turned down like |
| 00:50:53 |
Well, it's humiliating. |
| 00:50:56 |
Besides, |
| 00:50:57 |
Roger Dodacker, |
| 00:51:00 |
couldn't make a success |
| 00:51:03 |
Well, if you'll put as much |
| 00:51:05 |
as you put into your books, |
| 00:51:07 |
Oh, yes, but... Ask any |
| 00:51:09 |
Ask Mother. |
| 00:51:12 |
But let's talk |
| 00:51:15 |
I put a bottle of champagne |
| 00:51:17 |
and I want you to open it |
| 00:51:20 |
As if that would |
| 00:51:22 |
It'll help. |
| 00:51:23 |
A good swig of that |
| 00:51:26 |
And if there's a nice girl |
| 00:51:31 |
Too bad that one |
| 00:51:33 |
She's the kind I'd like you |
| 00:51:36 |
Somebody else |
| 00:51:41 |
Going to New York? |
| 00:51:43 |
That's swell. |
| 00:51:45 |
Great flying weather, |
| 00:51:48 |
My name is Givens. |
| 00:51:50 |
Fancy that. |
| 00:51:52 |
Oh, come on. Aren't you |
| 00:51:54 |
Just call me "Cutie". |
| 00:52:03 |
Any cancellations yet? |
| 00:52:04 |
No, Miss. Sorry. |
| 00:52:17 |
Oh, I'm sorry |
| 00:52:20 |
but I was worried |
| 00:52:21 |
Oh, that's all right. |
| 00:52:24 |
Do you believe in dreams? |
| 00:52:25 |
I certainly do. |
| 00:52:28 |
Last night, I dreamed |
| 00:52:30 |
What? Say that again. |
| 00:52:33 |
Last night, I dreamed |
| 00:52:35 |
Yeah? |
| 00:52:37 |
You know, the last time I had |
| 00:52:40 |
It was about poor Grandma. |
| 00:52:43 |
What do you know about that? |
| 00:52:46 |
I'd like to ask the man to |
| 00:52:49 |
but somehow |
| 00:52:52 |
I suppose you think |
| 00:52:54 |
Well, I don't know. |
| 00:52:57 |
Then you don't think |
| 00:53:00 |
I tell you what, baby, |
| 00:53:05 |
Can I turn in my ticket? |
| 00:53:06 |
What's the matter? |
| 00:53:07 |
Nothing, only I've, I've |
| 00:53:09 |
How, by telegraph? |
| 00:53:10 |
No, I mean, I'm not in |
| 00:53:13 |
Anyway, what do you care? |
| 00:53:14 |
Can I cash in my ticket |
| 00:53:16 |
Surely. |
| 00:53:19 |
It's okay. I turned mine in. |
| 00:53:23 |
Here's a ticket, Miss. |
| 00:53:26 |
Say, what is this? |
| 00:53:27 |
I've changed my mind. |
| 00:53:29 |
You know how women are. |
| 00:53:35 |
She thinks she took me in. |
| 00:53:40 |
Do you mind |
| 00:53:42 |
I'm Laura Dodacker. |
| 00:53:44 |
I want to offer you |
| 00:53:46 |
presented regularly |
| 00:53:48 |
to every gal who makes |
| 00:53:50 |
to the subject of pests |
| 00:53:53 |
Thanks. I'm Monica Fleming. |
| 00:53:54 |
Oh, swell. It's cold. |
| 00:53:56 |
Will you help me |
| 00:53:57 |
MAN: All aboard! All aboard! |
| 00:53:59 |
Well, I'm afraid |
| 00:54:01 |
but perhaps my brother, Roger, |
| 00:54:03 |
He's flying with you. |
| 00:54:04 |
Congratulations to the winner |
| 00:54:06 |
Thank you. |
| 00:54:07 |
May I carry it for you? |
| 00:54:09 |
Oh, I don't know. |
| 00:54:14 |
Let's go. |
| 00:54:18 |
Just thought I'd drop in |
| 00:54:20 |
Good night, Haley. |
| 00:54:25 |
Got a letter |
| 00:54:27 |
Did you know she landed a job |
| 00:54:29 |
Yeah. |
| 00:54:30 |
Rusty's staying with her. |
| 00:54:33 |
Yeah. Well, don't forget to follow |
| 00:54:36 |
first thing in the morning. |
| 00:54:43 |
Rusty's been stepping out |
| 00:54:45 |
You've heard of him, |
| 00:54:47 |
The guy who writes those |
| 00:54:50 |
Looks like wedding bells. |
| 00:54:53 |
You'd better see |
| 00:54:54 |
I hear there's going to be |
| 00:54:56 |
Good evening, Mason. |
| 00:54:57 |
Good night, Haley. |
| 00:54:58 |
Oh, good night. |
| 00:55:00 |
Mason, I suppose you're wondering |
| 00:55:04 |
But the bigger the job, |
| 00:55:06 |
When they write my biography, |
| 00:55:09 |
I was the first to arrive at |
| 00:55:12 |
What's that? Oh, yeah, yeah. |
| 00:55:14 |
I haven't said much to you since |
| 00:55:17 |
but I've been watching you. |
| 00:55:18 |
You've done a remarkable job. |
| 00:55:21 |
You'll make a fine executive. |
| 00:55:23 |
Don't be surprised |
| 00:55:26 |
in your pay envelope |
| 00:55:29 |
Never mind saying it, Mason. |
| 00:55:31 |
As a matter of fact, |
| 00:55:33 |
Tomorrow, Mason, tomorrow. |
| 00:55:34 |
I can see you're tired. |
| 00:55:36 |
I guess I've sort of |
| 00:55:38 |
Well, keep up the good work. |
| 00:55:42 |
I am going places, Mr. Van |
| 00:55:46 |
And I'm going tonight. |
| 00:55:47 |
What I wanted to tell you |
| 00:55:49 |
What? Don't tell me |
| 00:55:51 |
Oh, not as much |
| 00:55:53 |
I've got to be |
| 00:55:54 |
the kind of guy who runs |
| 00:55:57 |
when the gong starts to ring. |
| 00:55:59 |
And it's ringing right now. |
| 00:56:01 |
Mr. Van Dorn, Haley would be |
| 00:56:04 |
What? You can't do that. |
| 00:56:07 |
No one's telling me what I |
| 00:56:10 |
Down, Jonathan, down. |
| 00:56:13 |
(SINGING SCHNITZELBANK |
| 00:56:32 |
This way. |
| 00:56:34 |
Never mind, come on. |
| 00:56:37 |
Hiya. |
| 00:56:38 |
Oh, fancy meeting you here. |
| 00:56:41 |
My boys in Chi told me |
| 00:56:43 |
You and that dame ain't made a move |
| 00:56:47 |
What's the idea? |
| 00:56:49 |
I told you that I'm a guy |
| 00:56:51 |
You say not with dough? Okay, |
| 00:56:55 |
I'm taking care |
| 00:56:57 |
What's the program? |
| 00:57:00 |
What's the program? |
| 00:57:01 |
Right here, and I can take care |
| 00:57:05 |
Get a toothbrush. |
| 00:57:06 |
I thought of that. What else? |
| 00:57:09 |
Find a hotel. |
| 00:57:10 |
You're all set. Plaza Pierre. |
| 00:57:15 |
Buy flowers for Rusty. |
| 00:57:18 |
I'll take care of that. |
| 00:57:24 |
I got the flowers |
| 00:57:26 |
That's her room up there. |
| 00:57:29 |
Anything else I can do? |
| 00:57:30 |
Yeah, go away. |
| 00:57:32 |
I'll take that kind of talk |
| 00:57:34 |
I'll meet you later |
| 00:57:36 |
Go away. Go away. |
| 00:57:37 |
Okay, Squinty. |
| 00:57:39 |
(CLEARING THROAT) |
| 00:57:40 |
(MUSIC PLAYING) |
| 00:57:44 |
(SINGING) La, la, la |
| 00:57:55 |
Oh, Rusty Stick your |
| 00:58:00 |
I have come from afar |
| 00:58:05 |
Oh, we will spend |
| 00:58:11 |
Oh, Rusty |
| 00:58:16 |
That Dodacker guy |
| 00:58:22 |
Is not for you |
| 00:58:24 |
Oh no, oh no, oh no, oh... |
| 00:58:29 |
Squinty, that's a good sign! |
| 00:58:54 |
Hey, Lawson. |
| 00:58:55 |
What's the idea |
| 00:58:56 |
What'd you expect me to throw? |
| 00:59:00 |
I guess I had it coming to me at |
| 00:59:08 |
Waiting for something? |
| 00:59:09 |
Where's Rusty? |
| 00:59:11 |
Then I'm waiting for Rusty. |
| 00:59:12 |
You're wasting your time. |
| 00:59:25 |
You remind me of a woman |
| 00:59:28 |
She was knitting in front of some |
| 00:59:41 |
Rusty's going to be married |
| 00:59:44 |
I remember now! |
| 00:59:47 |
It was the guillotine. |
| 00:59:48 |
You're wasting your time. |
| 00:59:50 |
Rusty's engaged. |
| 00:59:53 |
Sure, I believe it. Rusty'd |
| 00:59:57 |
Here we are, dear. |
| 01:00:00 |
Good night, Roger. |
| 01:00:02 |
So glad you enjoyed it. |
| 01:00:05 |
Good night. |
| 01:00:07 |
I'm so happy |
| 01:00:10 |
You're wasting your time. |
| 01:00:11 |
I know that, but I gotta |
| 01:00:15 |
You've come back here |
| 01:00:17 |
but I'm not going to |
| 01:00:20 |
City Editor. |
| 01:00:21 |
When you say that, smile! |
| 01:00:24 |
Anyway, I'd rather be |
| 01:00:26 |
Is this a private discussion, |
| 01:00:27 |
or may I get in it? |
| 01:00:29 |
Rusty. He's been trying |
| 01:00:31 |
Listening to her, you'd |
| 01:00:33 |
You haven't done |
| 01:00:34 |
Go on with your knitting |
| 01:00:37 |
This isn't the Globe Express. |
| 01:00:40 |
That's right, I'm a bully. |
| 01:00:41 |
I spend all my time bullying |
| 01:00:44 |
I guess |
| 01:00:46 |
Right. |
| 01:00:48 |
Oh, gee, Rusty, |
| 01:00:49 |
I was hoping for once we were going |
| 01:00:52 |
She understands you too well. |
| 01:00:54 |
I've got to talk to you, |
| 01:00:56 |
Come on, out in the hall. |
| 01:00:59 |
Sit down. |
| 01:01:00 |
Oh, still being executive, |
| 01:01:01 |
Sit down, I tell you, |
| 01:01:03 |
Yes, sir. Very good, sir. |
| 01:01:06 |
Do you have to be sarcastic? |
| 01:01:08 |
I'm only obeying orders. |
| 01:01:09 |
Any more orders |
| 01:01:11 |
Yes, plenty. |
| 01:01:14 |
Archie was right, Rusty. |
| 01:01:18 |
I need you like I need |
| 01:01:20 |
You need me like you need a swift |
| 01:01:26 |
Rusty! |
| 01:01:31 |
Oh, Rusty, I didn't mean it. |
| 01:01:48 |
Glass of milk. |
| 01:01:51 |
Glass of water. |
| 01:01:53 |
Hey, put them pretzels down. |
| 01:01:54 |
Yes, sir. Very good, sir. |
| 01:01:58 |
Oh, that's that. |
| 01:02:00 |
I wanted to tell her I was all |
| 01:02:02 |
and that I landed a job on the |
| 01:02:06 |
Oh, what's the use? |
| 01:02:10 |
All of them? |
| 01:02:11 |
Yeah. |
| 01:02:13 |
You know why I came here? |
| 01:02:15 |
You see that brown stone house |
| 01:02:17 |
It's where |
| 01:02:19 |
I've been studying the layout. |
| 01:02:20 |
Nothing doing, Smiles. |
| 01:02:23 |
Who's talking rough stuff? |
| 01:02:24 |
One little conk on the head, |
| 01:02:26 |
I said nothing doing. |
| 01:02:28 |
All right, forget it. |
| 01:02:31 |
I got a better idea. |
| 01:02:35 |
Where is that dope, anyway? |
| 01:02:38 |
You wait here. |
| 01:02:43 |
(MUSIC CONTINUES PLAYING) |
| 01:02:46 |
Get up, you dope. |
| 01:02:50 |
We got things to do. |
| 01:02:57 |
Hey? |
| 01:02:59 |
What do you think you're |
| 01:03:02 |
Do you always engrave your |
| 01:03:04 |
He got tough. |
| 01:03:06 |
If you think he's tough, you |
| 01:03:08 |
She kicked Rabbit |
| 01:03:10 |
and she almost chewed off |
| 01:03:12 |
It's a good thing you're |
| 01:03:14 |
Who? What do you mean? |
| 01:03:15 |
The little dame, Rusty. |
| 01:03:17 |
What? |
| 01:03:18 |
I fixed it for you. |
| 01:03:20 |
This bird here. |
| 01:03:21 |
Simmons is the name, sir. |
| 01:03:23 |
Simmy here |
| 01:03:25 |
and he's got a marriage |
| 01:03:27 |
I wouldn't do this |
| 01:03:31 |
Here she is, Boss. Been |
| 01:03:32 |
but I can handle her. |
| 01:03:34 |
(LAUGHS) Sure you can. |
| 01:03:36 |
So this is your idea |
| 01:03:38 |
you crackpot |
| 01:03:40 |
Hey. |
| 01:03:42 |
You don't have to pull |
| 01:03:44 |
What do you care what the dame |
| 01:03:47 |
Rusty, I give you my word... |
| 01:03:49 |
You were in Hackensack all evening |
| 01:03:51 |
Come on. You got the rest |
| 01:03:54 |
Get going, Simmy. Marry them. |
| 01:03:55 |
CHARLIE: What? |
| 01:03:56 |
You heard me. You're |
| 01:03:59 |
Get away from me, |
| 01:04:02 |
Smiles, it won't stick |
| 01:04:04 |
I say they do! |
| 01:04:06 |
Break out with that ring |
| 01:04:07 |
All right, all right. |
| 01:04:10 |
(EXCLAIMS) |
| 01:04:14 |
(STAMMERING) Smiles, |
| 01:04:19 |
He ate it. |
| 01:04:22 |
(ALL LAUGHING) |
| 01:04:23 |
Good work, Rusty. |
| 01:04:24 |
Say, what's the matter |
| 01:04:25 |
When you get what you want, you |
| 01:04:28 |
All I want of you is a chance to |
| 01:04:31 |
Come on, Rusty, |
| 01:04:32 |
Yes, by all means, let's. |
| 01:04:34 |
I figured you for a smart guy |
| 01:04:37 |
But I never start anything |
| 01:04:40 |
Take them up to my room. |
| 01:04:55 |
You don't really think |
| 01:04:57 |
I'd respect you a lot more if |
| 01:05:00 |
The dame's talking sense. |
| 01:05:02 |
Why don't you tell her this was |
| 01:05:05 |
I studied psickiology |
| 01:05:08 |
Would you mind going now and |
| 01:05:12 |
Sure. |
| 01:05:13 |
There's a bell |
| 01:05:15 |
Ring once |
| 01:05:17 |
twice for valet service, and |
| 01:05:35 |
Rusty, listen to me. |
| 01:05:38 |
I had nothing to do with this. |
| 01:05:40 |
But I'm glad it happened. |
| 01:05:42 |
When I went serious, |
| 01:05:44 |
and I'm going to do |
| 01:05:45 |
Dodacker is nothing |
| 01:05:48 |
He happens to be the man |
| 01:05:50 |
and I'm going to marry him |
| 01:05:51 |
if I can get out |
| 01:05:54 |
Marry him? You couldn't. |
| 01:05:57 |
Wait a minute. |
| 01:05:58 |
I have before me a specimen |
| 01:06:02 |
Listen to this. |
| 01:06:06 |
"To think you can do it |
| 01:06:09 |
"To know you can do it |
| 01:06:11 |
"In your body, nature |
| 01:06:14 |
"Keep it oiled with intelligence |
| 01:06:17 |
"and it will not fail you. |
| 01:06:21 |
"Success is for those |
| 01:06:23 |
"This world, dear reader, is |
| 01:06:27 |
You marry that triple bromide? |
| 01:06:30 |
I'm not marrying his books. |
| 01:06:33 |
Can you look me smack in the eyes |
| 01:06:39 |
Yes, I can. |
| 01:06:41 |
Well, say it. |
| 01:06:43 |
Well, why don't you give me |
| 01:06:47 |
I will. |
| 01:06:52 |
(BELL RINGING THREE TIMES) |
| 01:06:55 |
Well, did I hear three rings? |
| 01:06:59 |
Look here, Smiles, |
| 01:07:01 |
all you care about is |
| 01:07:02 |
Right. |
| 01:07:04 |
Suppose I told you I couldn't stand |
| 01:07:07 |
Wait a minute. |
| 01:07:08 |
I'm not stalling. |
| 01:07:09 |
I thought I was in love |
| 01:07:11 |
I never want to see her again. |
| 01:07:12 |
The guy is cuckoo. |
| 01:07:14 |
Crazy as a flock of bats. |
| 01:07:15 |
Yeah, if I'm crazy, |
| 01:07:17 |
Listen to this. |
| 01:07:22 |
"Success, dear reader, |
| 01:07:24 |
"Woo her as you would |
| 01:07:29 |
What's the matter with that? I |
| 01:07:32 |
I go for books like that. |
| 01:07:35 |
THUG: Hey, Boss. |
| 01:07:36 |
This bird busts into the house and says |
| 01:07:39 |
So I slapped him in the teeth |
| 01:07:41 |
Rusty. |
| 01:07:43 |
Rusty, dear, |
| 01:07:44 |
that I was taking my life |
| 01:07:46 |
but I'm not afraid |
| 01:07:49 |
And as for you, sir... |
| 01:07:50 |
Let me introduce Mr. Dodacker, |
| 01:07:51 |
the author of the book |
| 01:07:54 |
Dodacker? |
| 01:07:58 |
CHARLIE: There's only one. |
| 01:08:00 |
Do you still want |
| 01:08:01 |
Do I? |
| 01:08:04 |
Okay, the dame can go. |
| 01:08:06 |
SMILES: Him, too. |
| 01:08:08 |
You're not fooling me |
| 01:08:10 |
You're just pretending to be |
| 01:08:13 |
The law will take its course |
| 01:08:15 |
Come, Rusty. You knew I'd come to |
| 01:08:23 |
Smiles, do me a very, |
| 01:08:26 |
Sure. What's on your mind? |
| 01:08:28 |
Take me to town |
| 01:08:30 |
Can't drink, I told you. |
| 01:08:31 |
All right, then, take me to |
| 01:08:34 |
or just take me to town. |
| 01:08:37 |
Come on. |
| 01:08:42 |
What do you call this drink? |
| 01:08:43 |
A parachute. |
| 01:08:44 |
A drink that makes you float in the air, |
| 01:08:47 |
What's in it? |
| 01:08:49 |
A jigger of everything |
| 01:08:51 |
No water? |
| 01:08:52 |
Bring me another one. |
| 01:08:54 |
Okay. |
| 01:08:55 |
After this float, |
| 01:08:57 |
Why? |
| 01:08:58 |
Because it's across the street |
| 01:09:01 |
No, no, no. This place suits |
| 01:09:04 |
Morbid? What's that? |
| 01:09:06 |
It's when you have a court plaster |
| 01:09:11 |
She's going to be |
| 01:09:13 |
She'd have been married now |
| 01:09:16 |
I am a sap. |
| 01:09:18 |
You're all right. |
| 01:09:20 |
Ever been in love, Smiles? |
| 01:09:24 |
I been a sap, too. |
| 01:09:25 |
Yeah, but you never |
| 01:09:28 |
(GROANS) |
| 01:09:43 |
Did I tell you she was |
| 01:09:45 |
Twice. |
| 01:09:46 |
Hey, hey. Cut that out. |
| 01:09:53 |
I must take my afternoon nap |
| 01:09:56 |
Aren't you forgetting something, |
| 01:09:59 |
MRS. DODACKER: |
| 01:10:00 |
I think Rusty would rather |
| 01:10:02 |
I'll have it ready |
| 01:10:04 |
The morning? But Mother... |
| 01:10:07 |
Oh, I don't know |
| 01:10:10 |
A Dodacker bride always tries on |
| 01:10:14 |
That dress is 150 years old. |
| 01:10:16 |
Six Dodacker brides |
| 01:10:19 |
Pardon? |
| 01:10:22 |
You mustn't be absentminded, |
| 01:10:25 |
Haven't you read what Roger |
| 01:10:28 |
Let me see. |
| 01:10:30 |
Absentmindedness. |
| 01:10:33 |
Absentmindedness. |
| 01:10:36 |
Let it go till later, Mother. |
| 01:10:38 |
I never get tired. |
| 01:10:40 |
LAURA: But Rusty is. |
| 01:10:41 |
Are you? |
| 01:10:43 |
Oh, no. |
| 01:10:44 |
There, Laura. |
| 01:10:46 |
Now, what was I going to say? |
| 01:10:48 |
Laura, you're always |
| 01:10:52 |
Oh, yes, it was the dress. |
| 01:10:54 |
Come with me, child. |
| 01:10:55 |
We'll try it on right now. |
| 01:11:00 |
Boy. |
| 01:11:02 |
Another parachute. |
| 01:11:04 |
The same for me. |
| 01:11:06 |
Smiles, maybe you |
| 01:11:08 |
Why not? |
| 01:11:09 |
You got ulcers. |
| 01:11:10 |
Liquor is good for ulsters. |
| 01:11:11 |
Yeah? |
| 01:11:14 |
Oh, that's different. |
| 01:11:16 |
But maybe you hadn't |
| 01:11:18 |
Don't be a Dodacker. |
| 01:11:20 |
Dodacker? |
| 01:11:21 |
What's a Dodacker? I forget. |
| 01:11:26 |
(MIMICKING ROGER) A Dodacker? |
| 01:11:27 |
A Dodacker is a cross between the |
| 01:11:32 |
It looks like a man |
| 01:11:34 |
when she's had |
| 01:11:38 |
Oh, Smiles. |
| 01:11:39 |
Yeah? |
| 01:11:41 |
Maybe I hadn't |
| 01:11:43 |
Got to have a clear head. |
| 01:11:46 |
Gotta get Rusty |
| 01:11:48 |
That's all right. |
| 01:11:53 |
I always keep it that way. |
| 01:11:55 |
Two more. |
| 01:11:56 |
Same for me. |
| 01:12:02 |
Think she'd like a dog? |
| 01:12:04 |
What kind of a dog? |
| 01:12:07 |
One that'd be |
| 01:12:09 |
She'll be lonely |
| 01:12:11 |
He isn't her kind, Smiles. |
| 01:12:14 |
She's real... |
| 01:12:15 |
You don't know |
| 01:12:17 |
Sure, I know. |
| 01:12:19 |
No, I tell you, you don't. |
| 01:12:21 |
The day |
| 01:12:23 |
they were bringing them out |
| 01:12:26 |
The explosions were coming |
| 01:12:29 |
The kid found an emergency |
| 01:12:30 |
and smashed it down herself. |
| 01:12:34 |
Yeah, and now she's gonna marry some |
| 01:12:38 |
I know. We'll get her |
| 01:12:41 |
You know, one of those big |
| 01:12:45 |
Do you think |
| 01:12:46 |
If she likes fires. |
| 01:12:48 |
Oh, she loves fires. |
| 01:12:50 |
She's a newspaperman. |
| 01:12:53 |
Why, if a fire engine came hooting |
| 01:13:00 |
Fire engines. Pretty red fire |
| 01:13:03 |
You wanna get her |
| 01:13:08 |
Smiles, am I drunk? |
| 01:13:10 |
I don't know. |
| 01:13:11 |
Drunk enough to get a real |
| 01:13:14 |
Sure. |
| 01:13:17 |
Shiny red fire engine. |
| 01:13:18 |
That's the kind of present |
| 01:13:21 |
Anything else, sir? |
| 01:13:22 |
Sure, sure. |
| 01:13:23 |
Tomorrow evening's newspapers. |
| 01:13:31 |
Fire Headquarters. Please. |
| 01:13:34 |
Hello. Get some apparatus up |
| 01:13:38 |
Fire in the basement. |
| 01:13:41 |
No, no alarm in yet. |
| 01:13:43 |
Me? Charlie Mason of the Star. |
| 01:13:46 |
(WHOOPING) |
| 01:13:48 |
Pretty red fire engines. |
| 01:13:51 |
Say. Say, we gotta |
| 01:13:53 |
Policemen go with fire |
| 01:13:56 |
Tell me somebody |
| 01:13:58 |
Fingy Costello. |
| 01:13:59 |
Good. |
| 01:14:08 |
Police Headquarters. Please. |
| 01:14:12 |
Charlie Mason of the Star. |
| 01:14:15 |
Sure. 622 East 74th. |
| 01:14:17 |
Huh? |
| 01:14:19 |
Don't mention it. |
| 01:14:23 |
Rusty's gonna |
| 01:14:25 |
Hey, Smiles, |
| 01:14:27 |
(SLURRING) And... |
| 01:14:28 |
I know, I know. Ambulances. |
| 01:14:29 |
Hey, you got any nickels? |
| 01:14:31 |
Yes. |
| 01:14:33 |
In my hour of need, |
| 01:14:37 |
Emergency Hospital. |
| 01:14:39 |
Just a moment. |
| 01:14:40 |
Violently insane? |
| 01:14:42 |
Call the mental ward of |
| 01:14:44 |
Sure, right away. |
| 01:14:46 |
Civic Hospital. Yes. |
| 01:14:48 |
Dodacker. Gunshot wounds. |
| 01:14:53 |
Turnbull's Funeral Parlor. |
| 01:14:57 |
Most distressing, |
| 01:15:01 |
Dodacker? |
| 01:15:03 |
Yes, sir, I have it. |
| 01:15:04 |
Hillview Hospital. |
| 01:15:07 |
Dodacker? |
| 01:15:10 |
Yes, ma'am. |
| 01:15:14 |
What else, Smiles? |
| 01:15:15 |
Gas mains. Broken gas main. |
| 01:15:16 |
Yes, sure. Steam, too. |
| 01:15:18 |
Here, this is for you. |
| 01:15:20 |
(SIRENS WAILING) |
| 01:15:22 |
(ALARMS. BLARING) |
| 01:15:48 |
(WHISTLING) |
| 01:15:50 |
Out of nickels. |
| 01:15:51 |
Say, this is terrible. |
| 01:15:53 |
We're out of nickels. |
| 01:15:58 |
It's a sleeper. |
| 01:15:59 |
Smiles, you're wonderful. |
| 01:16:06 |
It seems a bit large. |
| 01:16:08 |
You're not going to talk |
| 01:16:10 |
It's never been altered. |
| 01:16:11 |
Don't forget, your daughter |
| 01:16:15 |
The bridal veil, Mother. |
| 01:16:17 |
Yes, yes, of course. |
| 01:16:19 |
LAURA: Enough is enough. |
| 01:16:21 |
Laura thinks I'm boring you |
| 01:16:23 |
Oh, not at all. |
| 01:16:29 |
Mother, there we are. |
| 01:16:35 |
Dear. |
| 01:16:38 |
Stunning. Beautiful. |
| 01:16:41 |
(SIRENS APPROACHING) |
| 01:16:42 |
My dear child, don't fidget. |
| 01:16:45 |
Excuse me, but fire engines |
| 01:16:47 |
Roger'll cure you |
| 01:16:49 |
Hold your head up, child. |
| 01:16:52 |
That fire must be |
| 01:16:55 |
Right on this block. |
| 01:17:08 |
Come on, let's see. |
| 01:17:10 |
MRS. DODACKER: |
| 01:17:11 |
Rusty. Rusty, come back. |
| 01:17:22 |
Get back there. |
| 01:17:23 |
What's happening? |
| 01:17:24 |
I'll get you |
| 01:17:25 |
But what's happening? |
| 01:17:27 |
Get back. |
| 01:17:28 |
Somebody threw an epileptic |
| 01:17:30 |
It's Fingy Costello. He set |
| 01:17:33 |
They're surrounding him. |
| 01:17:35 |
Get back |
| 01:17:37 |
RUSTY: Where's the fire? |
| 01:17:38 |
There's no fire in 622. |
| 01:17:40 |
But there must be a fire |
| 01:17:43 |
Hey, where's the fire? |
| 01:17:44 |
Search me. |
| 01:17:46 |
Some other time. |
| 01:17:49 |
What's the trouble? |
| 01:17:50 |
I don't know yet. |
| 01:17:51 |
You wanna come down |
| 01:17:55 |
Everybody is here. |
| 01:17:57 |
No, no. |
| 01:18:06 |
Here they come! |
| 01:18:07 |
Good old Hillview. |
| 01:18:08 |
Good old Hillview. |
| 01:18:13 |
Where's the emergency? |
| 01:18:14 |
I don't know. |
| 01:18:15 |
Hey, where's the wedding? |
| 01:18:16 |
Rusty. Rusty, come back here |
| 01:18:19 |
What's the idea? Don't you know |
| 01:18:21 |
Well, can't a citizen stand |
| 01:18:23 |
You live here? |
| 01:18:24 |
I'm Roger Dodacker. |
| 01:18:25 |
Dodacker? |
| 01:18:26 |
Captain. Captain, |
| 01:18:29 |
What do you know |
| 01:18:31 |
He is Fingy Costello. |
| 01:18:32 |
MAN 1: That's Dodacker, |
| 01:18:34 |
MAN 2: No, epileptic fit. |
| 01:18:36 |
Look here, you can't do this! |
| 01:18:40 |
ROGER: Let me up. |
| 01:18:41 |
Let me up. |
| 01:18:42 |
I am Turnbull. |
| 01:18:45 |
Let me up. |
| 01:18:48 |
There's Rusty! |
| 01:18:49 |
Yoo-hoo! |
| 01:18:51 |
Gotta see Rusty. |
| 01:18:59 |
Charlie! |
| 01:19:01 |
Hey, what are you |
| 01:19:03 |
Hey, you. |
| 01:19:07 |
This is an outrage. |
| 01:19:08 |
Do I look like a friend |
| 01:19:10 |
Charlie Mason of the Star |
| 01:19:12 |
Well, then, I suggest |
| 01:19:14 |
FIREMAN: Charlie Mason. |
| 01:19:15 |
Charlie Mason? Why, that's the |
| 01:19:17 |
Rusty. |
| 01:19:25 |
Like your wedding present, |
| 01:19:26 |
What do you mean? |
| 01:19:28 |
This! I did it all for you. |
| 01:19:30 |
What? |
| 01:19:32 |
Oh, you nut. |
| 01:19:33 |
The police department |
| 01:19:35 |
The police department isn't being |
| 01:19:40 |
Maybe you'd rather |
| 01:19:42 |
Would you, Rusty? |
| 01:19:45 |
How you doing there? |
| 01:19:48 |
Hiya, Squinty! |
| 01:19:52 |
Hey, wait a minute. |
| 01:19:53 |
That ain't the guy |
| 01:19:55 |
No? What do you know |
| 01:19:56 |
It was this guy right here. |
| 01:19:59 |
He phones and gives |
| 01:20:01 |
What? Is that true? |
| 01:20:03 |
Boss, do I have to? |
| 01:20:04 |
Yeah, you have to. |
| 01:20:05 |
Okay. I'll come clean. |
| 01:20:10 |
Thanks, Smiles. |
| 01:20:15 |
Rusty. Rusty, really, |
| 01:20:16 |
Mr. Dodacker... |
| 01:20:18 |
Rusty, come down here at once. |
| 01:20:19 |
TURNBULL: Don't be |
| 01:20:21 |
Hours of bereavement |
| 01:20:23 |
Oh, please go away. Rusty, |
| 01:20:25 |
MAN 1: False alarm. |
| 01:20:26 |
Come on. Come on, boys, let's |
| 01:20:28 |
MAN 2: All right, come on, |
| 01:20:29 |
Rusty, that dress. |
| 01:20:30 |
I can't take it off here. |
| 01:20:31 |
I'll have it cleaned |
| 01:20:34 |
Oh, no, don't do that. |
| 01:20:35 |
No, they'll ruin it. |
| 01:20:38 |
Weren't they nice, Rusty? |
| 01:20:40 |
Uh-huh. Thanks, Charlie. |
| 01:20:43 |
You sure you wouldn't have |
| 01:20:47 |
I love you, you fool! |
