Welcome To Sarajevo

en
00:00:51 Today, the city
00:00:54 It is now no more than rubble.
00:00:56 In the past two months,
00:01:00 with more than two million shells.
00:01:02 These survivors
00:01:04 hoping to escape the war.
00:01:06 But tonight
00:01:09 that this... is only the beginning.
00:01:11 # We strolled through the hills
00:01:13 # All wet with rain
00:01:16 # And back along the lane again
00:01:18 # There with the sun shining
00:01:22 # In the sweet summertime
00:01:26 # The way that young lovers do
00:01:36 # I kissed you on the lips once more
00:01:39 # And we said goodbye
00:01:41 # At your front door
00:01:45 # Yeah, that's the right time
00:01:49 # To feel the way
00:01:51 # That young lovers do
00:01:59 # Then we sat on our own star
00:02:01 # And dreamed
00:02:10 # Then we sat on... #
00:02:14 Oh...
00:03:01 # Then we sat on our own star
00:03:03 # And dreamed
00:03:07 # And the way that we wanted to be
00:03:12 # Then we sat on our own star
00:03:14 # And dreamed
00:03:18 # And you were for me
00:03:23 # I would like to
00:03:52 - Get the cross.
00:03:56 Oh, Christ! Go back. Go back.
00:03:58 Go back.
00:04:01 Get the sniper!
00:04:09 Yeah, yeah, I got him.
00:04:12 Get the priest.
00:04:13 Is he mad?
00:04:22 Is he mad?
00:04:26 Come on.
00:04:27 - You don't want this?
00:05:03 This is the wrong street.
00:05:18 Let's go back.
00:05:22 - Michael, let's go back.
00:05:29 Shit!
00:05:42 They put roadblocks.
00:05:45 Others are going to be
00:05:51 Easy!
00:06:01 - What did you get?
00:06:05 It was hard to get Joey. He was
00:06:10 He's an idiot.
00:06:12 He's been selling our petrol.
00:06:15 We've been running round the
00:06:19 Is that true about the petrol?
00:06:22 It was full this morning
00:06:27 That's it. From there.
00:06:29 Now, another three.
00:06:32 No one dares move the body.
00:06:35 Then the boy.
00:06:36 - This now.
00:06:39 I just saw this footage
00:06:43 - Got that?
00:06:45 - Why not?
00:06:47 Why haven't we got it?
00:06:50 General decline
00:06:52 It's this news as entertainment
00:06:56 - I hate that.
00:06:59 Jane?
00:07:00 I actually think it was very brave,
00:07:02 and most people respond to bravery.
00:07:05 Ooh!
00:07:09 'They were
00:07:12 'when the sniper opened fire,
00:07:16 'Another innocent victim
00:07:18 'This is Jordan Flynn in Sarajevo.'
00:07:20 I'm not worthy of
00:07:26 Oh, thank you.
00:07:28 Thank you so much.
00:07:30 Oh-ho! Well, look
00:07:32 And Gregg.
00:07:35 I don't have anything small enough.
00:07:38 Sure you do,
00:07:41 What d'you think?
00:07:43 Your producers must be delighted
00:07:44 - Exactly.
00:07:49 Now it looks like you will.
00:07:51 - Good one!
00:07:53 Henderson, how about
00:07:55 Hey, Gregg - Bushmills.
00:07:57 See ya.
00:07:59 I can't believe
00:08:02 There's a first.
00:08:07 He was only trying to help.
00:08:10 We're here to report.
00:08:12 Yeah.
00:08:13 Haven't seen Bushmills
00:08:17 Michael, are you all right?
00:08:20 - Michael, are you all right?
00:08:24 Good.
00:08:28 - We're gonna drink to the line.
00:08:32 I make my important decisions
00:08:37 I liked what you did.
00:08:40 - It stank.
00:08:42 You thought it stank?
00:08:44 It wasn't about Sarajevo,
00:08:47 Back home no one's heard of
00:08:51 - She with you?
00:08:53 Figures. Who would hire her?
00:08:56 You should never drink
00:08:59 because the strength of the alcohol
00:09:01 smothers the complex flavour.
00:09:03 Is that right?
00:09:05 - Chiverly!
00:09:11 Cheers.
00:09:12 I am in love with you. In spite
00:09:16 Thank you.
00:09:18 I'd like to save you from this.
00:09:20 Leaving so soon, Mr Flynn?
00:09:26 - Hi.
00:09:28 I got your phone-call, sir.
00:09:30 Ah!
00:09:32 Try - you might be lucky.
00:09:34 Very good. Here.
00:09:36 Oh. Thanks.
00:09:40 - Here.
00:09:41 Thank you.
00:09:42 - Bye.
00:09:44 - 'Hello?'
00:09:49 - 'Shit, sorry.'
00:09:51 'Yeah, hang on.
00:09:54 'Sorry. I was putting
00:09:58 It's OK.
00:09:59 'I must've fallen asleep.
00:10:04 - 'Hello?'
00:10:06 'Yeah, I'm...I'm fine. Fine.
00:10:10 'What time is it?'
00:10:11 Er, it's...well, you're an hour
00:10:16 - 'She's awake again.'
00:10:19 'Can you hear that?'
00:10:20 Yeah. All right. You'd better go.
00:10:22 Um, I just...
00:10:24 'Mummy!'
00:10:26 I'm all right.
00:10:27 'I'm coming!'
00:10:34 (# Stone Roses: "I Wanna Be Adored")
00:12:25 In English.
00:12:26 Everything in English
00:12:32 This is my last clean one.
00:12:34 Thanks.
00:12:36 It's from Marks & Spencer in Paris.
00:12:39 You don't believe it?
00:12:41 - No.
00:13:04 Certainly is
00:13:07 - Uh, Jane Carson?
00:13:10 - Yes.
00:13:14 Um, Michael Henderson'll
00:13:17 This is our new driver.
00:13:21 - Hi. Nice to meet you.
00:13:25 Yeah. It's a great colour.
00:13:29 My man, Zeljko!
00:13:34 - Oh, brother!
00:13:35 - I'll find Michael.
00:13:38 - This is fine.
00:13:52 For the head.
00:13:55 Would you mind
00:13:58 I haven't started my hangover yet.
00:14:00 Go ahead. Here, take...
00:14:02 All I need's one. Take 'em.
00:14:04 He's here now.
00:14:06 He studied in Birmingham or Bristol.
00:14:08 - Hi, Mr Henderson.
00:14:11 - Marks & Spencer.
00:14:13 C&A do a similar colour -
00:14:15 only Marks & Spencer do THlS colour.
00:14:17 Michael, mortar attack. Come on.
00:14:19 Joke.
00:14:23 That's four days in a row
00:15:03 Hey!
00:15:05 Hail the conquering hero!
00:15:14 - Egg!
00:15:16 - Two.
00:15:18 - Two eggs is a miracle!
00:15:21 Is there a word for three eggs?
00:15:23 - Omelette.
00:15:25 - Omelette!
00:16:25 It's in Facie Miska.
00:16:27 - Know it?
00:16:29 OK. You drive. Who's got the keys?
00:16:42 Can I bum a lift?
00:16:44 Hi. Annie McGee.
00:16:46 Shall we make a move?
00:17:06 I know this probably
00:17:10 but I'm working on a story.
00:17:12 I need papers, transport...
00:17:15 Talk to Jane Carson.
00:17:18 I'm just the journalist.
00:17:20 - Smoke?
00:17:21 This could be
00:17:24 More important than
00:17:27 Compared to that, it seems
00:17:30 Really? I never fucked Jane Austen.
00:19:03 Get the vegetables, Gregg.
00:19:04 Gregg, get the vegetables,
00:19:08 This guy with the eye, Gregg...
00:19:14 Gregg!
00:19:16 What's the guy's name?
00:19:19 - Risto.
00:19:23 Risto!
00:19:26 What's she saying?
00:19:27 What's she saying?
00:19:29 She doesn't know what she's saying.
00:19:31 She's lost control.
00:19:33 - You shouldn't film her.
00:19:43 Risto!
00:20:03 What?
00:20:06 Don't understand. Risto!
00:20:07 Can you ask this girl what
00:20:19 Both the parents are dead.
00:20:27 We'll have to tell her.
00:20:30 Yeah.
00:20:39 Does she have any brothers
00:20:46 Any relatives
00:21:07 Spooling back.
00:21:09 Roll tape.
00:21:13 We're rolling.
00:21:16 This isn't the lead story.
00:21:18 No,
00:21:21 What lS the lead story?
00:21:25 The Second Coming?
00:21:27 The Duke and Duchess of York
00:21:30 Or separated.
00:21:33 Excellent!
00:21:38 Michael! Hear your network
00:21:42 Duke and Duchess of Pork,
00:21:45 By the way, your Queen...
00:21:47 She's the richest woman in the
00:22:07 - I'll drive.
00:23:18 (# The House of Love: "Shine On")
00:24:51 Hi!
00:25:04 - Hi.
00:25:07 Risto, have you got the key?
00:25:10 The little one, here.
00:25:11 Come through here.
00:25:13 Michael...
00:25:14 That's good!
00:25:16 There's a little
00:25:19 'For these children, home
00:25:23 'on one of Sarajevo's
00:25:27 - You should wear them.
00:25:30 Everyone else is wearing them.
00:25:32 That RTL driver was saved by his.
00:25:35 - Wear them on petrol runs.
00:25:39 I don't know if we
00:25:42 - I know you don't like them...
00:25:45 'I buried these children
00:25:49 Wonder if she's insured (!)
00:25:51 '..everyone can see we are dying.
00:25:54 'So I will not put them away,
00:25:59 'Everyone must know we are dying.
00:26:03 'So...tell them.
00:26:05 'Keep on telling them
00:26:16 'If it is possible
00:26:20 'near to their families, with
00:26:24 'and in relatively
00:26:26 'then that is the best way.'
00:26:29 (# Bobby McFerrin:
00:26:47 # Here's a little song I wrote
00:26:50 # You might want
00:26:53 # Don't worry
00:26:56 # Be happy... #
00:26:57 God, I've never seen
00:27:00 # In every life we have some trouble
00:27:04 # But when you worry,
00:27:06 # Don't worry
00:27:09 # Be happy #
00:27:12 Orphanages and hospitals
00:27:14 Will you evacuate
00:27:17 We are here to consider
00:27:20 I know it's difficult but we
00:27:24 We deal with 13 countries
00:27:27 which are WORSE than Sarajevo.
00:27:29 Sir, just out of curiosity,
00:27:32 what are those other 13 places?
00:27:35 Are we slidin' up or down that scale?
00:27:39 'Emira has been here
00:27:42 'Now she's so frightened,
00:27:52 'Sead's mother was killed
00:28:01 'Zaned is from a village
00:28:04 'His father and two older brothers
00:28:06 'were taken prisoner
00:28:09 'the feared Chetniks.
00:28:10 'His mother was shot by a sniper
00:28:18 Got a permission letter
00:28:20 so we can get behind Serb lines.
00:28:23 It can't
00:28:26 Anyway, we've got a story.
00:28:31 and nobody's paying any attention.
00:28:33 We've done that story.
00:28:34 We've STARTED that story.
00:28:37 As long as the UN's here
00:28:41 Same message - "Get me out."
00:28:43 That's not news. That's a campaign.
00:28:46 I don't care.
00:28:50 What's the problem?
00:28:51 Big guns, little children,
00:28:55 - If it works.
00:28:58 - Won't listen, will he?
00:29:04 Since the war,
00:29:06 the orphanage has taken in
00:29:08 but also older children,
00:29:10 many of whom have witnessed
00:29:13 as well as being separated
00:29:16 'One day my mum went to work
00:29:20 'and was told she couldn't
00:29:23 'because she was a Muslim.
00:29:25 'Then it was announced
00:29:33 'There was shelling,
00:29:36 'There were dead people around.
00:29:38 'I've got nothing to say about it.
00:29:40 'It was terrible.'
00:29:51 'Where my house is.
00:30:02 Yours, yeah?
00:30:03 Hello. Yours, yeah?
00:30:11 She ask if this
00:30:14 Ah! Yes. Yes.
00:30:17 It's changed a bit since then.
00:30:22 She want to get out of Sarajevo.
00:30:24 Your film would help
00:30:29 Yes. I hope so.
00:30:32 She wants a promise.
00:30:34 It's a promise.
00:31:03 It's a Haggadah.
00:31:06 Oh.
00:31:07 It was in the museum. When
00:31:11 When the war was over, it was back.
00:31:14 And now it's disappeared again.
00:31:16 - It's lovely.
00:31:19 On the real one you can see
00:31:23 where it's been used.
00:31:24 People say that after this war,
00:31:28 But it's been sold to buy weapons.
00:31:30 No, that's not true.
00:31:32 When the museum was bombed, the
00:31:35 he found the book in the rubble.
00:31:39 It'll be back.
00:31:41 - What are you doing?
00:31:47 It's all there is.
00:31:50 If you have to burn books,
00:31:54 You know - special occasion,
00:31:57 Besides, I could never
00:32:03 (# The Happy Mondays: "Donovan")
00:32:20 You know what I'm going to do?
00:32:23 I'm going to make
00:32:26 Is that such a good idea?
00:32:28 I will defy death in the name of Art.
00:32:32 What about the audience?
00:32:33 The audience will die happy
00:32:36 But I'm not going to do it yet,
00:32:39 because Sarajevo is only
00:32:43 I'm waiting until we're number one.
00:32:46 - What is number one?
00:33:00 Help with the babies.
00:33:02 You want the children upstairs?
00:33:04 - Yes.
00:33:11 'We came here this evening
00:33:14 'to make another report
00:33:17 'When we arrived, the building
00:33:20 'and one room of the orphanage
00:33:35 Roadrunner's coming.
00:33:37 Roadrunner's coming.
00:33:50 The Bosnian government
00:33:52 is against any kind of evacuation.
00:33:55 From their point of view,
00:33:58 If they evacuate,
00:34:01 Evacuation is actually
00:34:04 and that's a quote.
00:34:06 It will take time to find
00:34:10 Thus we must have patience.
00:34:39 This is cold.
00:34:40 Here, have mine.
00:34:42 - Zeljko!
00:34:45 - Is that hot?
00:34:48 - Got a pen?
00:34:54 Look at 'em. They're like vultures.
00:34:57 Look at US. We're like vultures.
00:35:01 Working vultures. It's grand.
00:35:04 Great.
00:35:10 That's mine
00:35:14 - Happy?
00:35:17 - Thank you.
00:35:21 Just a sec. Thanks.
00:35:31 It's extraordinary, is it not,
00:35:33 that with children trapped
00:35:36 of the most dangerous city on Earth
00:35:39 that this plane will fly
00:35:43 'It would be a simple matter
00:35:46 'but someone somewhere along the
00:36:24 Cheer up, Michael.
00:36:25 You'll be back in London by Tuesday.
00:36:29 Put that back.
00:36:32 Working wonders for us.
00:36:34 Six years in that -
00:36:37 Swap it for my lucky knickers?
00:36:40 - No.
00:36:42 I'm not gonna film a war
00:36:45 On your head!
00:36:47 Do they stop you getting shot?
00:36:49 No. I just get lucky wearing them.
00:36:57 Flynn!
00:37:00 Where've you been? Thought
00:37:03 Met a lady who needed a lift.
00:37:05 - Hi, Henderson.
00:37:07 - Annie.
00:37:09 - Yeah.
00:37:11 - Was it terrible?
00:37:17 - Where've you been?
00:37:22 It was...a real party.
00:37:30 'lTN was given
00:37:33 'by Radovan Karadjic,
00:37:37 'There are 4,500 prisoners held here.
00:37:40 'These are the ones
00:38:05 Can you just hold on?
00:38:08 Sorry.
00:38:09 I...didn't wanna
00:38:12 No, no, no. You did
00:38:16 - Well done.
00:38:19 Annie, it's a great story.
00:38:23 Thank you.
00:38:42 Henderson.
00:38:44 - You, uh...you got any petrol?
00:38:47 You think I might be able
00:38:51 - Now?
00:38:54 Yeah. All right.
00:38:55 Top man!
00:39:14 Yeah. Uh...
00:39:15 Uh...I got... I was with...
00:39:34 You speak Bosnian, eh?
00:39:36 Describing it in English,
00:39:39 If any language could
00:39:43 And does it?
00:39:44 I'm still learning.
00:39:47 Um, "do you have an avocado?"
00:39:49 "I'm desperate for a toilet."
00:39:52 - Ah!
00:39:54 (Flynn) Little things, you know,
00:39:58 Here's the cake.
00:40:01 - Take the small piece.
00:40:07 - What's that?
00:40:10 Yeah. To your son.
00:40:40 'History has shown us
00:40:43 'the mass extermination of
00:40:49 'We do not see
00:40:53 'of systematic or massive
00:40:57 '50 years ago,
00:41:00 "'We didn't know what was happening."
00:41:03 'We know what's happening, now.'
00:41:11 'Don't... Don't live under this dream
00:41:13 'that the West will come
00:41:29 D'you want these?
00:41:35 What d'you say we smoke one?
00:41:37 Don't start.
00:41:40 You're not smoking or
00:41:44 Staying alive.
00:41:46 Here. Have this as well.
00:41:52 I think I might...I might...
00:41:57 What d'you think?
00:41:59 Great.
00:42:00 I could...cover
00:42:02 Maybe, uh...
00:42:04 How about, uh, the Superbowl?
00:42:05 Super bollocks!
00:42:06 Super bollocks?
00:42:08 - Why is it when Americans...?
00:42:10 Why is it that Americans,
00:42:12 when they're playing sport,
00:42:15 You spend more time
00:42:18 Sure, we don't dress
00:42:21 But...what about basketball?
00:42:24 Basketball isn't a sport.
00:42:27 Easy. You're on sacred territory.
00:42:29 The side with
00:42:32 Also, it's a girls' game.
00:42:34 You know, only two good
00:42:38 One - America, two - the Beatles.
00:42:40 Beatles aren't English.
00:42:43 They're from Liverpool.
00:42:45 You even pad up to play girls' games.
00:42:49 You know...
00:42:50 Henderson...
00:42:53 Those orphans are not
00:42:56 You're here, you're a reporter.
00:42:58 You're here to report.
00:43:04 FUCK YOU! ASSHOLE!
00:43:07 GET A JOB!
00:43:17 Zeljko. Would you take care of these?
00:43:20 Mr Henderson, you leaving?
00:43:22 Yes.
00:43:24 Have some of those. I don't smoke.
00:43:26 - Thank you very much.
00:43:35 - Oh, hi there.
00:43:39 - Good night?
00:43:41 - Hi.
00:43:44 Hello. Welcome to the
00:43:48 Thanks.
00:43:49 - Nina's an aid worker.
00:43:52 - Yeah.
00:43:55 A children's charity.
00:43:58 We've got a bus.
00:44:01 I'm pitching our story
00:44:04 - What sort of children?
00:44:08 Children who are sponsored
00:44:12 And babies.
00:44:15 I can get babies. There's an
00:44:19 - D'you need babies?
00:44:22 You COULD leave - with us.
00:44:26 The Exodus!
00:44:39 Can you help any of them?
00:44:43 Well...we'll try. We'll try.
00:44:58 It's for the baby.
00:45:05 What's their name?
00:45:15 She thinks that she's going.
00:45:20 She says, "You promised me."
00:45:41 It's OK if we don't have
00:45:48 Here they are.
00:45:50 If she had somewhere to go,
00:45:54 - Nina?
00:45:56 Emira. She wants to leave.
00:45:58 Does she have somewhere to go?
00:46:02 - No.
00:46:05 We have to prove the older kids
00:46:09 No evacuation - that was the deal.
00:46:11 - What if she was visiting me?
00:46:15 If she was coming to London
00:46:19 It's not that simple.
00:46:28 Mrs Savic?
00:46:34 I can't speak for her.
00:46:47 What's that?
00:46:49 Yes. That's yes.
00:46:51 I thought she might want to stay.
00:46:54 She's been with me always.
00:46:57 But it's OK. I'm glad she doesn't.
00:47:00 It's just for a short time.
00:47:04 Yeah...
00:47:06 For a short time. I hope so.
00:47:14 Hello, TV man.
00:47:15 You got any cigarettes?
00:47:48 You know this is
00:47:51 Yes.
00:47:54 Why are you doing this?
00:47:58 I don't know.
00:47:59 - Married?
00:48:01 - Kids?
00:48:05 OK. I don't want anyone
00:48:08 Not your news crew,
00:48:11 Don't sit near her on the bus.
00:48:14 I want you to treat Emira
00:48:17 Right.
00:48:23 I'm very grateful.
00:48:28 'At last
00:48:31 'for the children of
00:48:34 'Five babies have got places
00:48:37 'taking children to ltaly,
00:48:38 'where they can stay
00:48:41 'They'll have to leave behind
00:48:46 'who aren't so lucky.
00:48:48 'Their daily struggle
00:48:52 'The babies are not
00:48:55 'Landmines and mortars
00:48:58 'that lie between them
00:49:02 'Last week, snipers fired on
00:49:08 'Two babies were killed.'
00:49:11 Are you worried
00:49:14 Yes, I am.
00:49:15 But we have a one-hour
00:49:19 and permission from authorities
00:49:22 What's the alternative?
00:49:26 'The mothers of the children
00:49:28 'clearly feel it is more
00:49:52 I'd like to apologise
00:49:55 for not delivering
00:49:58 If things were reversed -
00:50:01 we'd have done something by now.
00:51:11 We have safe passage
00:51:15 This is the street, right?
00:51:18 Door, please.
00:51:21 - Back!
00:51:23 They won't let us through.
00:51:26 They're sending us
00:51:28 Everybody back!
00:52:28 Sorry about this. They insist
00:52:32 You'll have to get everybody off.
00:52:34 OK, they wanna search the bus.
00:52:37 We have to get off. It'll be OK.
00:52:59 Back on. We're all right.
00:53:42 It's... It's really like
00:53:46 Apart from the mountains
00:53:51 Very, very similar.
00:53:53 Elton John.
00:54:49 OK.
00:55:00 It's so quiet.
00:55:02 - Treetop.
00:55:05 Tree top.
00:55:06 Tree...top.
00:55:08 Top.
00:55:09 You'd be better off
00:55:12 - That's where she's going.
00:55:18 - Look...tree...
00:55:21 - Top.
00:55:23 - Helen.
00:55:26 - Christopher.
00:55:29 - Jane.
00:55:31 - Garden...
00:55:33 - In...
00:55:34 - London.
00:55:36 - London in...
00:55:38 - England.
00:55:40 - England in...
00:55:43 No...
00:56:01 Good night.
00:57:09 We...give full guarantees
00:57:11 according to Geneva Convention
00:57:20 You can't negotiate with a terrorist.
00:57:50 - Quickly, quickly.
00:57:52 That's it, that's it.
00:57:54 Get 'em on the back door. Come on!
00:57:58 Let's go! Quickly! Come on!
00:58:41 Chetniks.
00:58:54 We've got documentation here
00:58:56 from your people in Pale.
00:58:58 - Pale, eh?
00:59:00 There's, uh, the official seal.
00:59:03 I have the rest
00:59:06 That's permission to go through
00:59:10 Be cool, it'll be fine.
00:59:25 Oh, oh, oh. We have no Muslims.
00:59:28 No Muslim children
00:59:34 We have no Muslim children...
00:59:36 OK!
00:59:38 Why is he taking these kids?
00:59:47 We have documents for these
00:59:53 What's he saying?
00:59:55 What does he want?
01:00:04 Munira, tell him now,
01:00:06 we have papers to get us
01:00:12 We have documents for each
01:00:23 No, no. She's English. She's with me.
01:00:26 She's English!
01:00:42 Emira! Stop!
01:00:44 Stay here.
01:00:47 Where are they taking them?!
01:00:51 Stay. Stay.
01:01:45 There wasn't anything you could do.
01:03:01 Can you swim?
01:03:13 Leila!
01:03:30 Looks like you missed the boat, kid.
01:03:33 - The boat?
01:03:36 No.
01:03:48 - 'Hello?'
01:03:50 'Michael! Hi! Where are you?'
01:03:52 In Split. I'll be home tomorrow.
01:03:55 'Oh, brilliant!
01:03:58 Yeah. I'm talking quietly
01:04:03 I'm bringing someone home with me.
01:04:06 'It's not Gregg, is it?'
01:04:09 No...no, not Gregg.
01:04:13 She's a girl from Sarajevo.
01:04:18 I wanted to call earlier
01:04:22 - 'How old is she?'
01:04:25 I don't really know
01:04:28 She'd somehow thought
01:04:32 And I realised that I could and
01:04:42 'Well, it's, uh...
01:04:44 'It's good, I guess.
01:04:48 Yeah?
01:04:50 'Yeah.'
01:04:54 'Mmm... Hmm.'
01:04:58 - You OK?
01:05:02 - 'Just come home, OK?'
01:05:05 'OK. Can't wait to see you.'
01:05:08 Well, we'll see you tomorrow.
01:05:11 'See you tomorrow.'
01:05:13 # I've...I've got a reason
01:05:24 # To know your name
01:05:30 # I've...I've got a reason
01:05:41 # To stay the same
01:05:48 # I've made up my mind
01:05:51 # Life's not unkind... #
01:05:57 - January.
01:05:58 - February.
01:05:59 - March.
01:06:00 - April.
01:06:01 - May.
01:06:03 # Happy birthday to you!
01:06:08 # Happy birthday to you!
01:06:13 # Happy birthday, dear Emira
01:06:18 # Happy birthday to you! #
01:06:26 # I've...I've got a reason
01:06:37 # That keeps me singing... #
01:06:39 Richard!
01:06:42 Quick, quick! Go on, Chris. Your go.
01:06:47 Out! Howzat?
01:06:54 Hello?
01:06:56 It's for you.
01:07:00 - Coffee?
01:07:03 Hello.
01:07:04 - 'Henderson.'
01:07:06 How did you get a call out?
01:07:09 The network got me one
01:07:13 I'm selling calls on the side,
01:07:17 I hope the war keeps up.
01:07:19 Listen, the woman I love -
01:07:23 wants to talk to you...
01:07:25 - 'Hi, Michael.'
01:07:28 'How's the kid?'
01:07:29 Oh... Yeah. Good, you know?
01:07:32 Complicated but good.
01:07:34 - Does she wanna come back?
01:07:37 The thing is...that, um...
01:07:41 someone here wants her to come back.
01:07:44 Someone like who?
01:07:46 The uncle contacted us here.
01:07:49 She has a mother, Michael,
01:07:54 'Sorry, Michael.'
01:07:57 I shouldn't have brought her out.
01:08:00 Of course you should.
01:08:09 What's it gonna be like
01:08:13 - It's just...
01:08:17 Mmm?
01:08:18 Maybe she won't have to go back.
01:08:26 I didn't know she had a mother.
01:08:30 I know, I know.
01:08:53 - When are you going?
01:09:00 How long will you be?
01:09:02 I don't know.
01:09:05 Depends where she is.
01:09:09 I have to get her to sign some
01:09:15 What if she says no?
01:09:19 She won't.
01:09:21 Don't worry.
01:09:55 - Michael...?
01:10:01 - You OK?
01:10:05 Yeah. What's the time?
01:10:10 Half past six.
01:10:14 Gotta go.
01:10:50 Welcome to
01:11:11 # And you...tell me
01:11:13 # Over and over
01:11:17 # Ah, you don't believe
01:11:20 # We're on the eve
01:11:22 - Hey! Henderson, hey!
01:11:24 # And you tell me
01:11:26 # Over and over
01:11:29 - You never got another job?
01:11:33 I'm covering the Miss World
01:11:36 You're serious about this
01:11:44 Look who's here.
01:11:48 Jane, what's happened to you?
01:11:54 # And you tell me... #
01:11:56 - Welcome back.
01:11:58 # ..and over again, my friend
01:12:01 If we ever get out of here,
01:12:04 we're ALL gonna take the kids back!
01:12:06 Good idea!
01:12:53 I'm looking
01:13:08 Michael. Welcome to hell.
01:13:24 Brought you some Mars Bars
01:13:27 Fantastic. I started to get cravings.
01:13:29 It's like being pregnant, you know?
01:13:32 This week, it's dental floss.
01:13:34 I never flossed my teeth in my life,
01:13:37 but...I want some floss now.
01:13:39 And before that, warmth. Oh...
01:13:43 - You haven't changed.
01:13:47 I have lost my innocence.
01:13:49 I don't remember
01:13:51 I thought my life and the
01:13:55 Now I realise there is no life
01:13:59 The siege lS Sarajevo.
01:14:01 If you're not part of it,
01:14:05 You've killed someone.
01:14:09 Yes. It was not so bad.
01:14:12 I don't know...therapeutic.
01:14:51 These are of Emira's mother.
01:14:55 She looks, uh, like Emira here.
01:14:58 No. No Emira, Munira.
01:15:00 I'm just saying she looks like Emira.
01:15:17 He says, uh, her family
01:15:22 And now he wants to help.
01:15:28 Is this her address?
01:16:02 Ciao!
01:17:04 This is where they want her to live?
01:17:24 Ready to play Sarajevo's
01:17:25 What's that?
01:17:26 It's called, "Is there a God?"
01:17:58 - Does he know?
01:18:01 We shouldn't go with him.
01:18:03 - Why?
01:18:05 - It's OK.
01:18:09 Michael, don't!
01:18:10 It's all right.
01:18:14 Come on, come on.
01:18:27 No, no, no.
01:18:28 We're just looking for someone.
01:18:30 No, no, no. We're just looking for...
01:18:33 - Could you tell them?
01:18:44 It's OK.
01:18:46 It's OK. It's all right.
01:18:48 We're looking for someone.
01:18:57 Deutschmarks. Deutschmarks, here.
01:19:08 English! Thank you very much!
01:19:18 Now what?
01:19:19 - Don't bring her back here.
01:19:23 - Promise me.
01:19:25 - Promise me.
01:19:27 All right, I promise.
01:19:29 No one should have
01:19:40 There are compensations
01:19:43 Oh, yeah?
01:19:44 There's this girl called lnela.
01:19:48 She's the most beautiful
01:19:52 But she doesn't look at me.
01:19:54 I don't know why.
01:19:57 Now in Sarajevo,
01:20:00 I figure one day soon, even
01:20:04 I got a packet of Marlboro
01:20:06 and cake of soap
01:20:09 Listen, I'm going to find her
01:20:14 I will buy her, dang, dang, dang,
01:20:17 and die really, really happy.
01:20:20 See, every cloud has a silver lining.
01:20:23 Have you seen her, this lnela?
01:20:25 Yeah, but I think
01:20:28 So is he.
01:20:30 Aren't we all?
01:20:31 Look at me -
01:20:34 Still hot?
01:20:36 Still hot, baby, yeah.
01:20:38 (# The Rolling Stones:
01:20:41 You're maybe further past
01:20:49 Not looking good so far, is it?
01:21:10 - Mr Henderson.
01:21:13 Don't you remember me?
01:21:16 - I worked in the Holiday lnn.
01:21:20 - Zeljko.
01:21:21 - You gave me cigarettes.
01:21:23 They were...very useful. Now
01:21:27 I'm told you need help.
01:22:21 - You're getting soft!
01:22:25 I peaked on the sixth.
01:22:28 Oh, God!
01:22:30 Come on, you slack arse!
01:22:32 Very funny.
01:22:35 Oh, my God! OH, GOD!
01:23:01 Oh, fuck!
01:23:12 # Don't need a whore
01:23:14 # Don't need no fools
01:23:16 # Don't need a virgin priest
01:23:20 # But I need someone
01:23:29 # I need someone to protect
01:23:36 # Ooh, making love
01:23:40 # It is a game for you
01:23:44 # But I'm not
01:23:52 # I'm just waiting on a friend #
01:23:57 This place is
01:24:03 Sometimes I feel like
01:24:08 Sometimes I feel as if
01:24:16 - Goodbye, Jane.
01:24:32 Please, Jane...
01:24:36 It may be inappropriate
01:24:40 - maybe you and I could...
01:24:43 - Not funny.
01:24:45 Sorry. I'm only joking.
01:24:50 Will you find the mother?
01:24:52 - Zeljko thinks he's found her.
01:24:55 I know.
01:24:59 - Why not let me drive, Jane?
01:25:03 In the back, Flynn.
01:25:08 Fucking, fucking door!
01:25:47 This is it.
01:26:06 - This is Emira's mother.
01:26:16 She wants you to sit down.
01:26:26 She knew you were coming.
01:26:30 She knows what I've come for, then.
01:26:32 To talk about Emira.
01:26:34 You have said that you will
01:26:38 Yes, I said that, but...
01:26:42 The orphanage no longer exists.
01:26:44 Mrs Savic is in hiding.
01:26:50 She wants to thank you
01:26:57 Mr Henderson...
01:26:59 I'm her mother. And I'm alone.
01:27:04 I know I was a bad mother.
01:27:07 That I gave her up, but I love her.
01:27:12 Do you understand
01:27:17 - Understand?
01:27:19 Da.
01:27:21 Yes, I understand.
01:27:26 But, um...
01:27:29 Emira...hardly knows you.
01:27:31 You've seen her twice in eight years.
01:27:34 - And to be honest...
01:27:38 I don't translate. You listen.
01:27:40 I have been listening
01:27:43 - Zeljko, will you translate?
01:27:48 I am giving you Emira
01:27:56 But because I was a bad mother,
01:28:01 I want to see her...
01:28:04 To hear her voice.
01:28:13 Good car, huh?
01:28:21 How you get money for this car? Mmm?
01:28:30 It's through here.
01:28:35 I have a tape of Emira
01:28:39 Would you ask her that?
01:28:45 Yeah.
01:28:57 - Can I have these?
01:29:02 She looks happy there.
01:29:08 'Right, in there.'
01:29:16 Hi. It's me. Could you put Emira on?
01:29:20 Hold on.
01:29:23 - Emira?
01:29:24 - Telephone.
01:29:33 - You OK?
01:29:35 - It's Michael.
01:29:38 Emira? I've got your mother
01:29:44 - 'Hello.'
01:29:46 'Hello? Yes?'
01:29:51 'What do you want?
01:29:52 'Let me speak to Michael.'
01:29:56 She cannot understand
01:30:00 Can she speak Bosnian?
01:30:05 Emira, you have to talk in Bosnian.
01:30:08 Emira?
01:30:30 She will sign.
01:30:51 Stop here, please.
01:30:56 Henderson - good luck.
01:30:58 Thank you.
01:33:07 Don't, don't live under this dream
01:33:09 that the West will come
01:33:16 Don't dream dreams.
01:34:34 # Is it close?
01:34:37 # Maybe close enough to touch
01:34:41 # It's what you wanted for so long
01:34:45 # And soon we'll all be here
01:34:52 # It is still
01:34:54 # It's enough that you don't know
01:34:58 # When all you needed was to care
01:35:03 # Ladies, never again
01:35:09 # Are you thoughtful?
01:35:14 # And are you simple?
01:35:18 # And are you beautiful?
01:35:24 # What will you do
01:35:25 # When it all falls down?
01:35:32 # What will you do
01:35:34 # When it all falls down?
01:35:41 # Let it all fall down
01:35:45 # Let it all fall down
01:36:12 # So long ago
01:36:15 # Is all that you believe
01:36:19 # It's all about... #
01:37:18 subtitle by PINOYPIRATE