|
Werckmeister Harmoniak Werckmeister Harmonies
|
| 00:00:10 |
Starring |
| 00:00:52 |
A film by |
| 00:01:02 |
WERCKMEISTER HARMONIES |
| 00:01:38 |
Ten o'clock! Closing up! |
| 00:01:41 |
Gentlemen, please! |
| 00:01:50 |
Just wait a bit for Valuska |
| 00:01:53 |
Leave it out! |
| 00:02:11 |
Valuska. Come on. |
| 00:02:17 |
Show us. |
| 00:02:23 |
Let's make some room for Valuska |
| 00:02:57 |
You are the Sun. |
| 00:03:00 |
The Sun doesn't move. |
| 00:03:11 |
You are the Earth. |
| 00:03:15 |
The Earth is here for a start |
| 00:03:18 |
and then the Earth moves |
| 00:03:24 |
And now... |
| 00:03:27 |
we'll have an explanation |
| 00:03:30 |
can also understand |
| 00:03:34 |
All I ask is that you step with me |
| 00:03:39 |
where constancy, |
| 00:03:42 |
quietude |
| 00:03:44 |
and peace, |
| 00:03:47 |
infinite emptiness reign. |
| 00:03:54 |
And just imagine that |
| 00:03:59 |
everywhere |
| 00:04:06 |
Here we only experience |
| 00:04:12 |
and at first we don't notice |
| 00:04:23 |
The brilliant light of the Sun |
| 00:04:25 |
always sheds its heat and light |
| 00:04:30 |
which is just then turned towards it. |
| 00:04:33 |
And we stand here |
| 00:04:46 |
This is the Moon. |
| 00:04:48 |
The Moon revolves around the Earth. |
| 00:05:43 |
What is happening? |
| 00:05:44 |
We suddenly see |
| 00:05:46 |
that the disc of the Moon, |
| 00:05:50 |
on the Sun's flaming sphere |
| 00:05:54 |
and this indentation, |
| 00:05:56 |
the dark shadow, grows bigger... |
| 00:06:00 |
And as it covers more and more, |
| 00:06:02 |
slowly, only a narrow crescent |
| 00:06:05 |
a dazzling crescent. |
| 00:06:08 |
And at the next moment... |
| 00:06:11 |
the next moment, say that |
| 00:06:16 |
a most dramatic |
| 00:06:22 |
At that moment... |
| 00:06:26 |
the air suddenly turns cold. |
| 00:06:30 |
Can you feel it? |
| 00:06:34 |
The sky darkens |
| 00:06:37 |
and then goes all dark. |
| 00:06:40 |
The dogs howl, |
| 00:06:43 |
rabbits hunch down, |
| 00:06:46 |
run, stampede in fright. |
| 00:06:49 |
And in this awful, |
| 00:06:53 |
even the birds... |
| 00:06:55 |
the birds too are confused |
| 00:06:59 |
And then... complete silence. |
| 00:07:08 |
Everything that lives is still. |
| 00:07:14 |
Are the hills going to march off? |
| 00:07:19 |
Will Heaven fall upon us? |
| 00:07:21 |
Will the Earth open under us? |
| 00:07:25 |
We don't know, |
| 00:07:27 |
for a total eclipse has come upon us. |
| 00:08:10 |
But... |
| 00:08:12 |
but no need to fear, it's not over. |
| 00:08:17 |
For across the Sun's glowing sphere |
| 00:08:20 |
slowly the Moon swims away. |
| 00:08:24 |
And the Sun once again bursts forth |
| 00:08:27 |
and to the Earth slowly |
| 00:08:31 |
there comes light again, |
| 00:08:33 |
and warmth again floods the Earth. |
| 00:08:43 |
Deep emotion pierces everyone. |
| 00:08:45 |
They have escaped |
| 00:09:49 |
That's enough! Out of here, |
| 00:10:14 |
But Mr Hagelmayer, |
| 00:13:19 |
Mr Eszter! |
| 00:13:22 |
Mr Eszter! |
| 00:13:29 |
Uncle Gyuri come on. |
| 00:13:32 |
You're getting cold. |
| 00:13:34 |
Please come. |
| 00:15:21 |
Your socks too. |
| 00:15:51 |
Sleep well. |
| 00:21:51 |
FANTASTIC: |
| 00:21:56 |
AND OTHER WONDERS OF NATURE! |
| 00:22:13 |
Good evening. |
| 00:22:23 |
Good evening Uncle Béla. |
| 00:22:26 |
You're late today, János. |
| 00:22:29 |
How's János? |
| 00:22:33 |
Everything is fine. |
| 00:22:39 |
Thanks. |
| 00:22:46 |
Family tragedies |
| 00:22:48 |
One just after the other. |
| 00:22:52 |
Now. If a family takes hold |
| 00:22:56 |
And nobody knows anything about it. |
| 00:22:58 |
Now don't tell me that this is |
| 00:23:04 |
The world has gone completely mad. |
| 00:23:07 |
Now it's not down here but up there |
| 00:23:14 |
For in November |
| 00:23:16 |
the Radio says that it's 17 below. |
| 00:23:19 |
There's a shortage of coal |
| 00:23:22 |
and then to top it all. |
| 00:23:27 |
They're bringing that horrible |
| 00:23:32 |
All of ten kilos. |
| 00:23:35 |
They say he's carried in their arms, |
| 00:23:39 |
And for that matter, |
| 00:23:42 |
I don't know if that's true or not. |
| 00:23:46 |
They say that he's taken |
| 00:23:49 |
and makes that godless, |
| 00:23:53 |
N obody knows for su ro |
| 00:23:57 |
Even those who were there |
| 00:24:00 |
They say that |
| 00:24:03 |
when they were bringing |
| 00:24:05 |
the clock of the church |
| 00:24:08 |
The clock that had stopped years ago, |
| 00:24:13 |
And the poplar tree fell. |
| 00:24:17 |
A great crack |
| 00:24:18 |
and out came its roots |
| 00:24:21 |
from the concrete. |
| 00:24:24 |
No wonder people are afraid. |
| 00:24:26 |
There isn't anyone who dares |
| 00:24:30 |
They're afraid of being attacked, |
| 00:24:33 |
Plundered, stabbed, raped. |
| 00:24:36 |
The mind just boggles. |
| 00:24:38 |
You have to have a dog |
| 00:24:43 |
But once again |
| 00:24:44 |
nothing is sacred. |
| 00:24:46 |
They went and pulled down |
| 00:24:53 |
They stole the headstones |
| 00:24:57 |
So how can you explain |
| 00:25:00 |
The mysterious unknown plagues |
| 00:25:06 |
Great frozen mountains of refuse |
| 00:25:11 |
People bolt the door and tremble, |
| 00:25:14 |
dreading what is to come. |
| 00:25:16 |
It's certain that |
| 00:26:49 |
How's our János? |
| 00:26:51 |
Good morning Uncle Karcsi. |
| 00:27:14 |
- Have you seen them? |
| 00:27:24 |
You don't know anything? |
| 00:27:27 |
- No. |
| 00:27:30 |
Apparently, |
| 00:27:34 |
they came on the evening train |
| 00:27:38 |
Because of the whale. |
| 00:27:44 |
Well, you can never know. |
| 00:27:48 |
You can never know |
| 00:28:07 |
Some say there's at least |
| 00:28:12 |
someone else |
| 00:28:16 |
that there's only two of them |
| 00:28:20 |
and that the whole attraction |
| 00:28:22 |
is the most frightening thing |
| 00:28:26 |
It's also said that the whole thing |
| 00:28:32 |
That when night comes, |
| 00:28:37 |
they'll swoop down |
| 00:28:41 |
They also say... |
| 00:28:49 |
the whale's got no part in it. |
| 00:28:55 |
Then the next moment, |
| 00:29:00 |
that the whale |
| 00:29:11 |
What's sure is that |
| 00:29:14 |
They broke the windows |
| 00:29:19 |
The stoker saw that |
| 00:29:23 |
If I go that way, |
| 00:29:36 |
Goodbye. |
| 00:31:11 |
I have to make it clear |
| 00:31:15 |
is there a doubt that |
| 00:31:18 |
but a philosophical question. |
| 00:31:25 |
So that the tonal system in question, |
| 00:31:30 |
has led us inevitably |
| 00:31:34 |
in which we ask: |
| 00:31:36 |
On what do we base our belief |
| 00:31:39 |
that this harmony, |
| 00:31:42 |
the core of every masterpiece, |
| 00:31:44 |
referring to its own irrevocability, |
| 00:31:47 |
actually exists or not? |
| 00:31:50 |
From this it follows |
| 00:31:55 |
that we should speak of, |
| 00:31:59 |
but a unique realisation |
| 00:32:02 |
which for centuries |
| 00:32:05 |
and a dreadful scandal |
| 00:32:08 |
which we should disclose. |
| 00:32:13 |
Hence the shameful situation |
| 00:32:17 |
that all the intervals |
| 00:32:22 |
are false. |
| 00:32:25 |
Which means |
| 00:32:27 |
that music |
| 00:32:30 |
and its harmony and echo, |
| 00:32:35 |
is entirely based |
| 00:32:39 |
Yes, we have to speak |
| 00:32:42 |
even if those who are less sure, |
| 00:32:47 |
a little moderate, |
| 00:32:49 |
babble on about compromise. |
| 00:32:52 |
But what kind of compromise, |
| 00:32:54 |
when for the majority |
| 00:32:57 |
pure musical tonality |
| 00:32:59 |
is simply illusion, |
| 00:33:02 |
and truly pure |
| 00:33:03 |
musical intervals do not exist? |
| 00:33:07 |
Here we have to acknowledge |
| 00:33:10 |
that there were ages more |
| 00:33:14 |
those of Pythagoras |
| 00:33:18 |
when our forefathers |
| 00:33:21 |
that their purely tuned |
| 00:33:25 |
were played in only some tones, |
| 00:33:29 |
because they were not troubled |
| 00:33:32 |
for they knew that heavenly harmonies |
| 00:33:38 |
Later, all this was not enough. |
| 00:33:42 |
Unhinged arrogance |
| 00:33:45 |
wished to take possession |
| 00:33:52 |
of the gods. |
| 00:33:54 |
And it was done in its own way. |
| 00:33:56 |
Technicians were charged |
| 00:33:59 |
a Praetorius, a Salinas, |
| 00:34:02 |
and finally an Andreas Werckmeister, |
| 00:34:06 |
who resolved the difficulty |
| 00:34:09 |
by dividing the octave of the harmony |
| 00:34:14 |
into twelve equal parts. |
| 00:34:18 |
Of two semi-tones, he falsified one. |
| 00:34:21 |
Instead of ten black keys, |
| 00:34:25 |
and that sealed the position. |
| 00:34:29 |
We have to turn our backs on this |
| 00:34:34 |
the so-called constant-tempered |
| 00:34:40 |
and bring back |
| 00:34:46 |
Carefully, we have to correct |
| 00:34:51 |
We have to concern ourselves |
| 00:34:56 |
but not as of the octave, |
| 00:35:02 |
but |
| 00:35:04 |
seven |
| 00:35:06 |
distinct and independent qualities |
| 00:35:09 |
like seven fraternal stars |
| 00:35:15 |
What we have to do then, |
| 00:35:18 |
if we are aware, |
| 00:35:21 |
is that this natural tuning |
| 00:35:29 |
and it is a somewhat worrisome limit |
| 00:35:32 |
that definitely excludes |
| 00:35:37 |
the use of certain |
| 00:35:38 |
higher signatures. |
| 00:39:59 |
- How much? |
| 00:40:09 |
Thanks. |
| 00:43:19 |
Tell me, what's in there? |
| 00:43:22 |
People are chattering |
| 00:43:25 |
Certainly not, Mr Árgyelán. |
| 00:43:27 |
A giant whale has arrived. |
| 00:43:31 |
This mysterious creature from the sea |
| 00:43:35 |
Most definitely |
| 00:43:39 |
I don't like this at all, János. |
| 00:43:42 |
Nothing wrong with it, |
| 00:43:45 |
Just see what a gigantic animal... |
| 00:43:48 |
...the Lord can create! |
| 00:43:50 |
How mysterious is the Lord |
| 00:43:52 |
that he amuses Himself |
| 00:43:55 |
It'll lead to trouble, János. |
| 00:45:27 |
How's János? |
| 00:45:29 |
Good morning Uncle Lajos. |
| 00:49:01 |
Good morning Auntie Tünde. |
| 00:49:05 |
How's János? |
| 00:50:00 |
I've come about very important |
| 00:50:04 |
It's about my former husband. |
| 00:50:07 |
I know that you are close to him, |
| 00:50:10 |
I've done everything too for him. |
| 00:50:14 |
No, I never ever wished him harm. |
| 00:50:17 |
I made the greatest sacrifice |
| 00:50:22 |
I moved out. |
| 00:50:25 |
At his request. |
| 00:50:27 |
So he can devote himself to his art. |
| 00:50:30 |
By doing this |
| 00:50:34 |
due to me in the town. |
| 00:50:41 |
Now it is his turn. |
| 00:50:44 |
Now he has to make a sacrifice. |
| 00:50:48 |
That's easy to understand. |
| 00:50:59 |
You do understand, János? |
| 00:51:08 |
So with the police chief |
| 00:51:11 |
and some more people of good will |
| 00:51:15 |
which will restore order, |
| 00:51:18 |
and we are procuring |
| 00:51:21 |
You can see that a movement |
| 00:51:26 |
a strong individual, who... |
| 00:51:29 |
has influence over others, |
| 00:51:34 |
And he, |
| 00:51:35 |
he is such a personality. |
| 00:51:39 |
Yes, and now two possibilities |
| 00:51:43 |
One is that he accepts |
| 00:51:48 |
and everything remains as it was. |
| 00:51:51 |
The second is that he says no |
| 00:51:55 |
Yes. And then |
| 00:51:58 |
I'll have to move back in with him, |
| 00:52:01 |
and... |
| 00:52:04 |
to convince him |
| 00:52:07 |
I'm sending my suitcase ahead of me. |
| 00:52:14 |
Everything has been prepared. |
| 00:52:19 |
Here is the list. |
| 00:52:25 |
On it are all the people |
| 00:52:27 |
of good will and standing |
| 00:52:30 |
He should seek them out |
| 00:52:37 |
Just a few signatures, |
| 00:52:40 |
and then he can sit back again |
| 00:52:43 |
and strum away. |
| 00:52:54 |
Auntie Tünde, I... |
| 00:52:56 |
I know that... |
| 00:53:00 |
The fact is... |
| 00:53:02 |
Uncle Gyuri isn't very well and... |
| 00:53:07 |
I'd like to lie down |
| 00:53:11 |
because I worked all night |
| 00:53:17 |
to take this on. |
| 00:53:20 |
- But... |
| 00:53:22 |
You have to understand that |
| 00:53:27 |
If he doesn't collect |
| 00:53:30 |
by 4 this afternoon at the latest, |
| 00:53:34 |
then... |
| 00:53:36 |
I'll move back in with him, no matter |
| 00:53:42 |
It's impossible |
| 00:53:45 |
to organise all this. |
| 00:53:47 |
Do you understand? |
| 00:54:01 |
I see, but... |
| 00:54:03 |
This is the time that |
| 00:54:05 |
Uncle Gyuri likes to work and I... |
| 00:54:10 |
Now wouldn't be a good time |
| 00:54:13 |
for me to go to him, because... |
| 00:54:19 |
you see, |
| 00:54:22 |
I'm very tired. |
| 00:54:30 |
But yes, he'll succeed, |
| 00:54:34 |
so go and talk to him at home. |
| 00:54:40 |
Just say that |
| 00:54:45 |
is to show an example, |
| 00:54:46 |
to come forward with money |
| 00:54:52 |
And add to that, if he doesn't, |
| 00:54:55 |
then |
| 00:54:58 |
I'll be having supper with him |
| 00:55:02 |
this very evening. |
| 00:55:39 |
- Hello Lajos. |
| 00:55:42 |
Good morning. |
| 00:55:44 |
How's it going? |
| 00:56:41 |
LAJOS HARRER Jr. |
| 00:57:21 |
Good morning Aunt Harrer. |
| 00:57:35 |
How's János? So you're here. |
| 00:57:38 |
That I am. |
| 00:57:40 |
What's happening outside? |
| 00:57:43 |
- Will I be able to get home? |
| 00:57:46 |
There's talk that they're breaking |
| 00:57:49 |
and set fire to the hotel. |
| 00:57:51 |
And the butcher got his head |
| 00:57:53 |
No wonder an honest person doesn't |
| 00:57:57 |
Don't be afraid, Aunt Harrer. |
| 00:57:59 |
You can go home without any worry. |
| 00:58:06 |
Being careful never hurt anybody. |
| 00:58:09 |
I said not to get excited. |
| 00:58:12 |
You can go home easily. |
| 00:58:51 |
On this perfectly tuned instrument |
| 00:58:57 |
how grating is the E flat prelude |
| 00:59:01 |
from the Wohltemperierties Klavier. |
| 00:59:05 |
This is for you |
| 00:59:21 |
She asks you to get dressed |
| 00:59:23 |
in your warm clothes |
| 00:59:26 |
and to set off to find |
| 00:59:29 |
to join the Clean Town Movement, |
| 00:59:33 |
Because she and the Chief of Police |
| 00:59:37 |
in the town and because |
| 00:59:41 |
She also says that |
| 00:59:45 |
then she'll have supper here today, |
| 00:59:49 |
That's why she sends this case |
| 00:59:52 |
so that she won't have to carry it. |
| 00:59:56 |
We're not going anywhere. |
| 00:59:59 |
Neither now, nor later. |
| 01:00:02 |
But... |
| 01:00:04 |
Auntie Tünde says |
| 01:00:07 |
- by 4 this afternoon... |
| 01:00:10 |
There will be no trouble. |
| 01:00:13 |
We haven't yet |
| 01:00:19 |
Especially not for this stupid |
| 01:00:24 |
and evil command. |
| 01:00:26 |
Aunt Tünde also says that |
| 01:00:31 |
everything will remain as it was. |
| 01:00:41 |
We're not going to do anything. |
| 01:00:45 |
We're not going to make |
| 01:00:50 |
I'll be coming with you, see. |
| 01:00:53 |
It's no big thing, Uncle Gyuri. |
| 01:00:57 |
We'd better start. |
| 01:01:01 |
Aunt Tünde |
| 01:01:05 |
See, we'll go there, arrange it all |
| 01:01:09 |
And then she wouldn't come back here, |
| 01:01:14 |
Believe me Uncle Gyuri, |
| 01:01:16 |
Auntie Tünde is very determined. |
| 01:01:25 |
So this is serious, you think? |
| 01:01:29 |
Yes. |
| 01:01:35 |
Let's suppose I comply, |
| 01:01:38 |
will you take the case back then? |
| 01:01:41 |
Yes. |
| 01:01:59 |
I'm finished for now, Mr Eszter. |
| 01:02:01 |
Thank you Mrs Harrer. |
| 01:02:04 |
Thank you. I'll be here |
| 01:02:13 |
A little fresh air won't hurt you. |
| 01:02:23 |
Goodbye. |
| 01:02:30 |
János, would you be so kind |
| 01:02:34 |
as to get that out of here? |
| 01:02:36 |
Go and find |
| 01:02:39 |
and put it there. |
| 01:02:42 |
Right away. |
| 01:02:45 |
Come on then, Uncle Gyuri. |
| 01:03:38 |
So if we're going like this, |
| 01:03:44 |
I knew she wouldn't give up, |
| 01:03:50 |
and that she'd be in contact |
| 01:04:03 |
For a moment of madness, |
| 01:04:32 |
It's all the same in the end. |
| 01:04:34 |
I've paid for it and I may pay |
| 01:04:39 |
I'll split the slut's skull |
| 01:04:45 |
Uncle Gyuri, let's go |
| 01:04:48 |
and then you can see for yourself |
| 01:04:52 |
as long as twenty metres |
| 01:04:56 |
and it really stinks. |
| 01:04:59 |
And all a man can do |
| 01:05:02 |
and see how great is the Lord's |
| 01:05:05 |
and power, and how omnipotence |
| 01:05:10 |
That's what has to be looked at, |
| 01:05:14 |
First let's finish |
| 01:07:10 |
- Good afternoon Mr Eszter, János. |
| 01:07:14 |
Good afternoon Mr Eszter. |
| 01:07:15 |
- Something has to be done. |
| 01:07:19 |
the school and the town hall |
| 01:07:22 |
Because of the shortage of coal, |
| 01:07:25 |
have taken on terrible dimensions... |
| 01:07:27 |
There are no medicines, |
| 01:07:31 |
The telephones have gone dead. |
| 01:07:35 |
And to top it all |
| 01:07:37 |
with this horrendous whale |
| 01:07:40 |
With blasphemous words |
| 01:07:44 |
When we don't know if the world's |
| 01:07:47 |
And to allow in that motley nightmare |
| 01:07:51 |
when the town itself is under threat? |
| 01:07:54 |
Who can think of amusement |
| 01:07:57 |
I'd like to draw your attention |
| 01:08:01 |
Common sense is the most important... |
| 01:08:03 |
We can't look on passively while |
| 01:08:08 |
Children and mothers are in tears... |
| 01:08:10 |
The Earth is in dire peril! |
| 01:08:12 |
A moment, gentlemen. |
| 01:08:14 |
Uncle Gyuri, take it easy. |
| 01:08:17 |
Not now... |
| 01:08:20 |
From your despondent words, |
| 01:08:24 |
and in the interest of restoring |
| 01:08:30 |
So Uncle Gyuri, I'll run off and get |
| 01:08:34 |
Off you go. |
| 01:08:51 |
Now then, gentlemen, |
| 01:08:53 |
Here is... |
| 01:08:55 |
Here is this list. |
| 01:09:04 |
Now then, let's go through it, |
| 01:09:06 |
before |
| 01:09:10 |
every one of us lose our heads, |
| 01:09:15 |
and try to rise above |
| 01:09:44 |
Good afternoon! |
| 01:09:48 |
- How's our János? |
| 01:09:52 |
You're late, János. |
| 01:09:56 |
Good afternoon. |
| 01:10:45 |
Right. |
| 01:10:47 |
- Here you are. Take care... |
| 01:10:49 |
- Good bye, Uncle Karcsi. |
| 01:12:25 |
What's going to happen to the whale? |
| 01:12:28 |
My friend, |
| 01:12:30 |
The most important thing |
| 01:12:33 |
and tell her that I've done |
| 01:12:36 |
- But... |
| 01:12:38 |
to meet this excellent being |
| 01:12:40 |
to scrutinise him - a point |
| 01:12:44 |
where I would have happily stopped. |
| 01:12:46 |
A meeting both pleasurable |
| 01:12:50 |
But... |
| 01:12:52 |
this walk has exhausted me, |
| 01:12:55 |
and |
| 01:12:57 |
a meeting with this whale of yours |
| 01:13:00 |
may well be, I think, |
| 01:13:20 |
Goodbye. |
| 01:13:21 |
All the best to you. Bye!. |
| 00:01:52 |
what are you doing here? |
| 00:01:57 |
who are you? |
| 00:01:58 |
jános Valuska. |
| 00:02:07 |
what do you want here? |
| 00:02:10 |
I'm... |
| 00:02:13 |
I'm on an errand, I'm the... |
| 00:02:17 |
Mr Eszter told me to... |
| 00:02:19 |
- Mr Eszter... |
| 00:02:22 |
...who on Auntie Tünde's request... |
| 00:02:26 |
- Drink this. |
| 00:02:30 |
Let's hear it. |
| 00:02:31 |
he was requested to go |
| 00:02:35 |
Your attention please! |
| 00:02:40 |
For technical reasons |
| 00:02:41 |
the appearance of the Prince |
| 00:02:45 |
All the best then until our ticket |
| 00:02:49 |
I thank you for your attention, |
| 00:02:52 |
and commend our company again to you. |
| 00:02:55 |
So, please go home. |
| 00:03:01 |
Go! |
| 00:04:59 |
Filthy gang! No class! |
| 00:05:02 |
Swine! |
| 00:05:07 |
Dirty swine! Rabble! |
| 00:05:11 |
Rogues! |
| 00:05:14 |
Good evening Auntie Tünde. |
| 00:05:20 |
Uncle Gyuri sent me |
| 00:05:22 |
that all that you asked |
| 00:05:25 |
and the organising of the whole |
| 00:05:28 |
so I'm to bring your case here |
| 00:05:32 |
That doesn't concern us now, jános. |
| 00:05:37 |
Are they ripping the square apart? |
| 00:05:40 |
Or setting it on fire? |
| 00:05:43 |
The whale, the great sensation |
| 00:05:46 |
a gigantic, wonderful whale, and... |
| 00:05:49 |
wait a moment. |
| 00:05:50 |
The whole squad advances! Attack! |
| 00:05:56 |
Bastards! |
| 00:06:00 |
Show no mercy! |
| 00:06:04 |
I've called for the tanks. |
| 00:06:10 |
Don't! |
| 00:06:12 |
Don't. |
| 00:06:14 |
- what are you trying to do? |
| 00:06:17 |
Stop it! Get away from me! |
| 00:06:20 |
No time for sleeping, resting! |
| 00:06:23 |
- Out of the question! |
| 00:06:27 |
Nowwait! |
| 00:06:28 |
just wait! |
| 00:06:30 |
Pull yourself together, |
| 00:06:32 |
Stay! |
| 00:06:34 |
Stay. Don't go! |
| 00:06:39 |
Tünde! |
| 00:06:47 |
I have something important |
| 00:06:50 |
Go to the police chief's home |
| 00:06:54 |
Tell them he's going to be late, |
| 00:06:56 |
then go to the main square, |
| 00:07:01 |
observe how many there are, |
| 00:07:05 |
then come back here |
| 00:07:08 |
Delighted to oblige, Auntie Tünde. |
| 00:07:12 |
I'll gladly observe |
| 00:07:15 |
who is talking to who, then. |
| 00:07:18 |
I've just come from there, |
| 00:07:20 |
I'd like to find out |
| 00:07:24 |
- Off you go. |
| 00:07:52 |
Now my little witch, |
| 00:08:02 |
Do you like it? |
| 00:08:05 |
just dance! |
| 00:08:18 |
just dance! |
| 00:08:38 |
Do you like it? |
| 00:09:43 |
Off to bed with you! |
| 00:09:46 |
- I don't want to go to bed! |
| 00:09:50 |
I'm not going to bed! |
| 00:09:53 |
- Go and get into bed! |
| 00:10:07 |
That was just a pat. |
| 00:10:16 |
I didn't really hit you. |
| 00:10:27 |
I'll be hard on you. |
| 00:10:40 |
I'll be hard on you. |
| 00:10:48 |
Go to bed both of you! |
| 00:10:50 |
I don't want to. |
| 00:11:26 |
I'll be hard on you. |
| 00:11:30 |
I'll be hard on you. |
| 00:11:39 |
I'll be hard on you. |
| 00:11:42 |
I'll be hard on you. |
| 00:11:48 |
I'll be hard on you. |
| 00:11:53 |
I'll be hard on you. |
| 00:11:58 |
I'll be hard on you. |
| 00:12:05 |
I'll be hard on you. |
| 00:12:15 |
I'll be hard on you. |
| 00:12:48 |
Good evening Uncle Lajos. |
| 00:12:50 |
how's it going... |
| 00:12:54 |
Auntie Tünde sent me. |
| 00:12:56 |
She said to go to the market square, |
| 00:12:59 |
and take a look around |
| 00:13:03 |
and tell her about everything, who's |
| 00:13:07 |
Don't go there jános, |
| 00:13:11 |
They'll have to get the army in. |
| 00:13:14 |
There's nothing we can do now. |
| 00:13:18 |
I'll watch out. |
| 00:13:20 |
Be careful, jános. |
| 00:13:24 |
Goodbye, Uncle Lajos. |
| 00:14:00 |
Good evening. |
| 00:16:00 |
Sorry. |
| 00:16:03 |
The whale... |
| 00:16:06 |
Can't I see the whale now? |
| 00:16:09 |
Or in the morning? |
| 00:16:12 |
Fuck off out of here. |
| 00:17:44 |
See how much trouble you've caused! |
| 00:17:49 |
Even though you haven't been able |
| 00:17:59 |
...and not from the whole, |
| 00:18:03 |
I don't imagine anything. |
| 00:18:07 |
that if he doesn't calm them, |
| 00:18:10 |
then the whole thing is going |
| 00:18:13 |
And tell him this too, |
| 00:18:18 |
- Translate that! |
| 00:18:20 |
So that it'll get through |
| 00:18:24 |
that he cannot go out, that you |
| 00:18:27 |
you're not going to pick him up |
| 00:18:31 |
But he sticks to me! |
| 00:18:33 |
I won't stand for his stirring up |
| 00:18:37 |
T ell him that we have finished now |
| 00:18:40 |
he never wished to go anywhere. |
| 00:18:43 |
I engaged him to show himself, |
| 00:18:49 |
I won't let him out |
| 00:18:52 |
No point. |
| 00:18:54 |
No one can stop him |
| 00:18:57 |
I won't stand for his tearing |
| 00:19:01 |
I am not willing to risk |
| 00:19:05 |
The last time |
| 00:19:08 |
No way! |
| 00:19:10 |
Ridiculous! |
| 00:19:11 |
he doesn't recognise any superior |
| 00:19:15 |
In the eyes of his followers |
| 00:19:18 |
No ordinary force can hold him, |
| 00:19:22 |
his magnetic power is a |
| 00:19:26 |
A born freak who knows nothing |
| 00:19:28 |
The title of Prince I bestowed on him |
| 00:19:32 |
Tell him that I invented him. |
| 00:19:36 |
his followers are waiting outside! |
| 00:19:38 |
They are losing patience. |
| 00:19:41 |
- Then he is fired! |
| 00:19:43 |
From now, he seeks independence. |
| 00:19:47 |
- You! |
| 00:19:50 |
I shall do what he wants, |
| 00:19:53 |
You are poor. |
| 00:19:56 |
will you stop poncing about! |
| 00:20:03 |
why don't we try |
| 00:20:06 |
Tell him... |
| 00:20:08 |
that I'll let him out, |
| 00:20:11 |
That he doesn't open his mouth, |
| 00:20:15 |
and he is to be as silent |
| 00:20:17 |
Tell him that. |
| 00:20:28 |
The Director cannot lay down |
| 00:20:32 |
The Director gets the money, |
| 00:20:36 |
There's no point in arguing! |
| 00:20:40 |
And the whole is nothing. |
| 00:20:43 |
Completely in ruins. |
| 00:20:46 |
what they build |
| 00:20:49 |
what they do and what they will do, |
| 00:20:53 |
Under construction, |
| 00:20:57 |
In ruins, all is complete. |
| 00:20:58 |
what they think is ridiculous. |
| 00:21:03 |
And he who is afraid knows nothing. |
| 00:21:05 |
The Director doesn't understand |
| 00:21:07 |
that his followers are not afraid |
| 00:21:11 |
his followers are going |
| 00:21:15 |
Confused drivel! |
| 00:21:18 |
Tell that to the rabble |
| 00:21:21 |
I won't listen to this any more. |
| 00:21:25 |
I won't take responsibility |
| 00:21:28 |
You gentlemen |
| 00:21:32 |
You can do what you want. |
| 00:21:35 |
If they destroy the towns, |
| 00:21:37 |
after a while, there will be |
| 00:21:40 |
Does he know that? |
| 00:21:49 |
His followers do, tell him. |
| 00:21:53 |
They don't understand why. |
| 00:21:55 |
But the Prince knows full well |
| 00:21:57 |
that it is because the whole |
| 00:22:00 |
We crush them with our fury! |
| 00:22:03 |
We punish them! |
| 00:22:07 |
The day has come! |
| 00:22:12 |
There will be nothing left! |
| 00:22:15 |
Fury overcomes all! |
| 00:22:18 |
Their silver and gold... |
| 00:22:21 |
cannot protect them! |
| 00:22:23 |
We'll take possession |
| 00:22:26 |
Terror is here! Massacre! |
| 00:22:31 |
Show no mercy! Slaughter! |
| 00:23:35 |
Arson. Slaughter! |
| 00:39:12 |
When the clamour died down, |
| 00:39:19 |
the Prince said this: |
| 00:39:25 |
"What they build |
| 00:39:29 |
"and what they will build, |
| 00:39:37 |
"what they do |
| 00:39:41 |
"and what they will do, |
| 00:39:49 |
"is delusion and lies. |
| 00:39:58 |
"What they think |
| 00:40:02 |
"and what they will think, |
| 00:40:10 |
"is ridiculous. |
| 00:40:13 |
"They think because they are afraid. |
| 00:40:20 |
"And he who is afraid, |
| 00:40:30 |
He says he likes it |
| 00:40:39 |
when things fall apart. |
| 00:40:47 |
"There is construction |
| 00:40:49 |
"A single emotion for destruction, |
| 00:40:53 |
"we didn't find the real object |
| 00:40:57 |
"so we rushed at everything we came |
| 00:41:01 |
"we destroyed the shops, |
| 00:41:04 |
"that was movable |
| 00:41:07 |
"we broke up with slats |
| 00:41:12 |
"we turned over cars in the streets, |
| 00:41:16 |
"tore off the miserable sign-boards, |
| 00:41:19 |
"destroyed the telephone centre |
| 00:41:21 |
"because we saw the lights inside, |
| 00:41:25 |
"and we had the two post office girls |
| 00:41:29 |
"and we left only |
| 00:41:31 |
"when they had fainted |
| 00:41:35 |
"lifeless, |
| 00:41:37 |
"hunched over, |
| 00:42:48 |
- hello there. |
| 00:42:52 |
- Doing OK? |
| 00:42:53 |
just a moment... |
| 00:43:00 |
Allow me to introduce |
| 00:43:03 |
Mrs Eszter. |
| 00:43:07 |
Privilege, ma'am. |
| 00:43:19 |
Ma'am. |
| 00:43:21 |
Is this where |
| 00:43:28 |
here. |
| 00:43:33 |
And if here? |
| 00:43:37 |
Possible, but not really. |
| 00:43:43 |
And... |
| 00:43:45 |
what about here? |
| 00:43:54 |
here! |
| 00:43:59 |
Then will you join us, ma'am? |
| 00:44:04 |
Yes. I'm coming. |
| 00:44:10 |
Follow us. |
| 00:45:04 |
FANTASTlC:. |
| 00:45:08 |
AND OThER wONDERS OF NATURE! |
| 00:46:32 |
Uncle Lajos... |
| 00:47:53 |
- how's jános? |
| 00:47:55 |
You didn't see my Lajos? |
| 00:47:59 |
There's been no sign of him |
| 00:48:04 |
I saw him in the square |
| 00:48:06 |
I'm sure he got mixed up |
| 00:48:09 |
he always has to be |
| 00:48:11 |
he'll never have any sense. he's |
| 00:48:16 |
So are you, jános. |
| 00:48:17 |
So are you. |
| 00:48:19 |
They're looking for you as well. |
| 00:48:21 |
They came here |
| 00:48:25 |
You'll hang for it in the end, jános. |
| 00:48:30 |
- I haven't done anything. |
| 00:48:34 |
They recognise neither man nor god. |
| 00:48:36 |
Get away from the town |
| 00:48:39 |
head for the rail tracks. |
| 00:48:42 |
Try and hide somewhere, |
| 00:48:46 |
Got that? |
| 00:48:50 |
Yes, Aunt harrer. |
| 00:48:52 |
If you see my Lajos, |
| 00:48:57 |
It's horrible here and |
| 00:49:00 |
And I've so much to do here. |
| 00:49:04 |
Goodbye Aunt harrer. |
| 00:49:06 |
Take care of yourself. |
| 00:49:32 |
LAjOS hARRER jr. |
| 00:53:58 |
I've made a place for you. |
| 00:54:03 |
You'll see it if you come out. |
| 00:54:08 |
I'm living in the summer kitchen. |
| 00:54:12 |
Because that woman... |
| 00:54:14 |
and the police chief have taken it |
| 00:54:18 |
and have taken the whole place over. |
| 00:54:23 |
But we'll get by all right |
| 00:54:29 |
The sofa with the green blanket |
| 00:54:35 |
In the top part of the cupboard |
| 00:54:37 |
I'll make some space for you. |
| 00:54:43 |
The windows will have to be done. |
| 00:54:45 |
There are draughts |
| 00:54:47 |
and it's cold. |
| 00:54:51 |
I'm sleeping there |
| 00:54:56 |
And, thank God, out there |
| 00:54:59 |
you can't hear a thing. |
| 00:55:02 |
Absolute silence. |
| 00:55:08 |
I've retuned the piano. |
| 00:55:11 |
Now, once again, |
| 00:55:16 |
Once again, |
| 00:55:22 |
And if we run short of money |
| 00:55:24 |
it's much easier this way. |
| 00:55:33 |
I took my grey overcoat |
| 00:55:38 |
he promised he'd tailor it for you. |
| 00:55:44 |
whenever you come out |
| 00:55:47 |
it will be ready. |
| 00:56:01 |
Nothing counts. |
| 00:56:05 |
Nothing counts at all. |
