|
What Just Happened
|
| 00:00:35 |
[CAMERA CLICKS] |
| 00:00:39 |
BEN: |
| 00:00:41 |
...as one of the 30 most powerful |
| 00:00:44 |
WOMAN: Over on the wall there and |
| 00:00:47 |
...where each of you |
| 00:00:50 |
BEN: Power is an elusive term, |
| 00:00:53 |
I don't care |
| 00:00:54 |
You either have it, want it, |
| 00:00:57 |
Where you stand at these things |
| 00:01:01 |
...may not seem like the most |
| 00:01:09 |
- Congratulations. |
| 00:01:11 |
...but I was wondering if some changes |
| 00:01:15 |
- It's... |
| 00:01:19 |
Some of these people |
| 00:01:22 |
..."producer" producers, |
| 00:01:24 |
They just put their names |
| 00:01:27 |
...but they don't really do anything. |
| 00:01:32 |
BEN: You see, recently, |
| 00:01:34 |
...my career, hell, my whole life, |
| 00:01:38 |
Let's just say my power credentials |
| 00:01:44 |
MAN 1 [IN MOVIE]: In his wacky crazy |
| 00:01:48 |
BEN: And it all started in Costa Mesa |
| 00:01:53 |
MAN 2 [IN MOVIE]: |
| 00:01:54 |
BEN: |
| 00:01:56 |
[INSTRUMENTAL MUSIC PLAYING |
| 00:02:09 |
[BIRDS SQUAWKING] |
| 00:02:12 |
BEN: These test screenings |
| 00:02:14 |
Always a lot of production people, |
| 00:02:19 |
...and of course the studio chief, |
| 00:02:28 |
If the number is high, |
| 00:02:30 |
...if the number is low, |
| 00:02:34 |
...well, let's just say |
| 00:02:38 |
She'll make sure of it. |
| 00:02:49 |
I needed this one to work. |
| 00:02:57 |
WOMAN [IN MOVIE]: |
| 00:03:06 |
Go. |
| 00:03:24 |
[GUNSHOT] |
| 00:03:33 |
[DOG BARKING] |
| 00:03:40 |
[BARKING] |
| 00:03:46 |
I'm not gonna beg. |
| 00:03:50 |
You think I care about me? |
| 00:03:52 |
You think it's me I care about? |
| 00:03:55 |
It's you I worry about. |
| 00:03:57 |
I think they should kill him. |
| 00:03:59 |
SEAN [IN MOVIE]: |
| 00:04:03 |
Father, forgive them, |
| 00:04:08 |
[SLURPING] |
| 00:04:12 |
[DOG BARKING] |
| 00:04:21 |
No! |
| 00:04:23 |
[AUDIENCE GASP] |
| 00:04:27 |
MAN 2: |
| 00:04:29 |
WOMAN 1: |
| 00:04:32 |
WOMAN 2: |
| 00:04:36 |
MAN 3: |
| 00:04:43 |
WOMAN 3: |
| 00:05:03 |
[BIRDS SQUAWKING] |
| 00:05:08 |
[GUNSHOT IN FILM] |
| 00:05:17 |
MAN 4: Okay. How about that, |
| 00:05:19 |
What do you think? Listen, we'll just |
| 00:05:23 |
...for just a few minutes |
| 00:05:26 |
Will you hand out the cards, |
| 00:05:28 |
We appreciate you |
| 00:05:30 |
...give us your thoughts. You are part |
| 00:05:34 |
...and we value whatever it is |
| 00:05:36 |
I want to remind you guys, |
| 00:05:39 |
That's gonna mean |
| 00:05:42 |
When they're done, you want me to put |
| 00:05:45 |
You can, you know how I feel. I don't |
| 00:05:49 |
- You don't think they're relevant? |
| 00:05:54 |
Sure, sure, sure. |
| 00:05:56 |
...right before Sean Penn gets killed |
| 00:05:59 |
Like, the way the dog |
| 00:06:02 |
...it's the same thing |
| 00:06:04 |
It's like he's, you know, he's building |
| 00:06:08 |
Ben. Ben. Ben, thank you for |
| 00:06:14 |
Fantastic. It's fantastic. |
| 00:06:18 |
Jimmy. |
| 00:06:20 |
[SPEAKING FOREIGN LANGUAGE] |
| 00:06:23 |
Ben, I'd like to introduce you to Jimmy. |
| 00:06:26 |
We just met, yes. |
| 00:06:28 |
Jimmy wants to invest |
| 00:06:30 |
Oh, that's good. |
| 00:06:32 |
- Hair. |
| 00:06:33 |
- Hair. |
| 00:06:36 |
- Yeah. More than 70 shops. |
| 00:06:37 |
- Yeah. |
| 00:06:40 |
- Good. Good. Okay. |
| 00:06:42 |
Glad you guys liked the movie. |
| 00:06:44 |
- Thank you. Nice to meet you. |
| 00:06:57 |
BOB: The length is the very least |
| 00:07:00 |
- Sitting in there, you hear the people? |
| 00:07:03 |
BOB: That was brutal. Unrelenting. |
| 00:07:07 |
BOB: The air was sucked out of the |
| 00:07:11 |
I thought the girl was very, very good. |
| 00:07:14 |
BOB: |
| 00:07:16 |
Blood, body parts, |
| 00:07:19 |
- How am I supposed to sell this thing? |
| 00:07:22 |
- This could be the year for grief. |
| 00:07:26 |
They shot the dog in the head. |
| 00:07:31 |
Hey, Ben. |
| 00:07:34 |
It's good to see you, Bob. |
| 00:07:37 |
- Dick, what are you doing here? |
| 00:07:41 |
She's gonna be a star. |
| 00:07:43 |
I thought preview policy |
| 00:07:45 |
I snuck in, I'm gonna sneak out. |
| 00:07:50 |
So? |
| 00:07:53 |
Yes? |
| 00:07:55 |
What did you think? |
| 00:07:56 |
Well, I thought there was |
| 00:08:01 |
I loved the music. |
| 00:08:04 |
It's still in my head. |
| 00:08:11 |
Thanks. |
| 00:08:16 |
MAN: |
| 00:08:17 |
DAWN: It's almost there, Ben. If Jeremy |
| 00:08:21 |
...and we get lucky with the reviews, |
| 00:08:24 |
We'll deal with all this tomorrow. |
| 00:08:29 |
LOU: Ben. Where's your director? |
| 00:08:31 |
Missed his plane at Heathrow, he's sick |
| 00:08:35 |
It's hard to produce |
| 00:08:37 |
Very. |
| 00:08:38 |
- Sean. Just brilliant. |
| 00:08:40 |
- Brilliant work. |
| 00:08:42 |
You're never not great, |
| 00:08:44 |
- Think we got a shot? |
| 00:08:47 |
- Well, we'll see. |
| 00:08:49 |
BEN: I'll see you later. |
| 00:08:51 |
- Did you work out the G5? |
| 00:08:53 |
I gotta smoke on the plane. |
| 00:08:57 |
- We're gonna lose money. |
| 00:08:59 |
- A lot of money. |
| 00:09:03 |
That's right. |
| 00:09:04 |
- Even before the DVD comes out? |
| 00:09:28 |
[HARMONICA MUSIC PLAYING |
| 00:10:25 |
[MUSIC STOPS] |
| 00:10:35 |
[HAZARD LIGHT CLICKING] |
| 00:10:45 |
[ALARM CLOCK CHIMING] |
| 00:11:01 |
I did try to call Jeremy |
| 00:11:04 |
MAN: You seemed reluctant. |
| 00:11:05 |
He's the director, for God's sakes. |
| 00:11:08 |
"Fuck me, why should this be easy?" |
| 00:11:12 |
- You're feeling good about last night? |
| 00:11:14 |
As I was saying, |
| 00:11:17 |
...and it's a little too soon |
| 00:11:19 |
...but all signs to me say, |
| 00:11:22 |
- Through the roof? That's great. |
| 00:11:24 |
- That's great. |
| 00:11:27 |
- About Jack? |
| 00:11:29 |
- Yeah, I couldn't believe it. |
| 00:11:31 |
Yeah, it's terrible. |
| 00:11:33 |
Who would have guessed? |
| 00:11:36 |
"Ten percenter |
| 00:11:38 |
Bad joke. |
| 00:11:39 |
Yeah, it's page one, that's cold. |
| 00:11:42 |
But you still gotta admit |
| 00:11:44 |
I can see how sympathetic you are. |
| 00:11:49 |
Argh. |
| 00:11:51 |
Oh, come |
| 00:12:02 |
I'm on my way. |
| 00:12:05 |
No, I'm not late at all. |
| 00:12:07 |
I'm not late, they'll be there |
| 00:12:10 |
They will be there on time. Hello? |
| 00:12:14 |
Hello? Hello? |
| 00:12:35 |
MAX: |
| 00:12:36 |
- Morning, gorgeouses. |
| 00:12:42 |
Who dresses you guys? |
| 00:12:43 |
MAX: We do. |
| 00:12:44 |
MAX: Mom wants to ask you something. |
| 00:12:46 |
SOPHIE: She said it's okay |
| 00:12:49 |
...instead of using your cell phone. |
| 00:12:52 |
Get in the car |
| 00:12:54 |
SOPHIE: |
| 00:13:00 |
BEN: |
| 00:13:02 |
You always say you'll do it, |
| 00:13:04 |
I know, I'm under siege. I realize I |
| 00:13:08 |
- For all of us. |
| 00:13:11 |
A grand total of 90 minutes per day |
| 00:13:13 |
- Or the kids can't stay over. |
| 00:13:26 |
BEN: Where's the old sofa chair? |
| 00:13:29 |
- I miss it. |
| 00:13:32 |
I love that chair. |
| 00:13:34 |
I even remember |
| 00:13:36 |
Okay, Ben, let's play by the rules. |
| 00:13:40 |
I thought our last session |
| 00:13:43 |
Yeah, but this therapy is called |
| 00:13:49 |
So we can move on gracefully. |
| 00:13:52 |
Well, I still have feelings. |
| 00:13:55 |
So do I. |
| 00:13:57 |
That dark green velvet |
| 00:14:01 |
What? I felt like a change. |
| 00:14:03 |
[CAR HORN HONKING] |
| 00:14:07 |
Can I call you? |
| 00:14:10 |
[SIGHS] |
| 00:14:11 |
Yeah. Of course. |
| 00:14:32 |
BEN: |
| 00:14:38 |
SCOTT: Hey, Ben. |
| 00:14:41 |
- So how were the numbers last night? |
| 00:14:44 |
SCOTT: Oh, by the way, |
| 00:14:46 |
BEN: |
| 00:14:49 |
Come on, don't play hard to get, |
| 00:14:51 |
I'm not gonna tell you. |
| 00:14:53 |
BEN: |
| 00:14:55 |
SCOTT: It's about a florist. |
| 00:14:58 |
SCOTT: |
| 00:14:59 |
A flower shop as a background |
| 00:15:02 |
It's the Rose Bowl Parade meets |
| 00:15:06 |
- It's not a movie. |
| 00:15:09 |
Flowers on the big screen? |
| 00:15:12 |
- Try Leonard, it might be his thing. |
| 00:15:15 |
BEN: You went to Leonard |
| 00:15:17 |
He's the coach |
| 00:15:19 |
Scott, come on. Leonard? |
| 00:15:21 |
What difference does it make |
| 00:15:24 |
Loyalty matters to me. |
| 00:15:26 |
There were |
| 00:15:28 |
What did he say? |
| 00:15:30 |
- He said it's not a movie. |
| 00:15:33 |
SCOTT: It's too bad about Jack, huh? |
| 00:15:35 |
Usually agents kill others, |
| 00:15:37 |
- Yeah, but out of the blue? I mean... |
| 00:15:41 |
- Suicide, it happens? |
| 00:15:46 |
See you later. |
| 00:15:49 |
MAN [ON STEREO]: |
| 00:15:52 |
[INSTRUMENTAL MUSIC PLAYING] |
| 00:15:54 |
[PHONE RINGS] |
| 00:15:55 |
BEN: Cal, talk to me, |
| 00:15:57 |
CAL: You're not gonna believe it. Bruce |
| 00:16:01 |
He's got a Grizzly Adams beard? |
| 00:16:02 |
Yes, and he's a pig. |
| 00:16:04 |
That's not my job. |
| 00:16:07 |
- He's fat. |
| 00:16:09 |
Overweight, |
| 00:16:11 |
- He's fooling with you. |
| 00:16:14 |
- Don't worry. |
| 00:16:16 |
I will see you this afternoon. |
| 00:16:18 |
I'm at a production meeting right now, |
| 00:16:26 |
- Hey. |
| 00:16:29 |
I think Mom's in the back |
| 00:16:32 |
Do I have to? |
| 00:16:39 |
Your eyes are all red. |
| 00:16:42 |
No. No. |
| 00:16:45 |
- A little bit. |
| 00:16:48 |
If it's boy stuff, |
| 00:16:51 |
I know some things |
| 00:16:53 |
- I'm sure you do. |
| 00:16:55 |
- Okay. Yeah. |
| 00:16:58 |
Okay. I'll be right back. |
| 00:17:10 |
BEN: |
| 00:17:12 |
Oh, girl stuff. I don't know. |
| 00:17:15 |
Is she dating? Parties or anything? She |
| 00:17:18 |
she just kind of |
| 00:17:20 |
I think she gets that from you. |
| 00:17:23 |
as much about what she does as |
| 00:17:27 |
Secrets seem to be |
| 00:17:29 |
I think it's in the DNA. |
| 00:17:32 |
Boy, this place has gone way up. |
| 00:17:36 |
Yeah, but you don't. |
| 00:17:40 |
Gotta go. |
| 00:17:41 |
- Bye. |
| 00:17:43 |
- Looking good, Ben. |
| 00:17:47 |
Bye. |
| 00:17:48 |
ZOE: You know, |
| 00:17:50 |
who still has their dad |
| 00:17:53 |
I kind of like it. |
| 00:17:56 |
BEN: You are a kid, and I'm a lucky guy. |
| 00:18:05 |
Think you'll still pick me up |
| 00:18:08 |
You bet, if you'll let me. |
| 00:18:09 |
I don't know, |
| 00:18:13 |
I'm a good negotiator. |
| 00:18:15 |
[SCHOOL BELL RINGS] |
| 00:18:25 |
Will you please stop saying, |
| 00:18:28 |
we may have something |
| 00:18:31 |
- I know that. |
| 00:18:33 |
I don't want to get |
| 00:18:36 |
but I made a film that doesn't wallow |
| 00:18:39 |
I don't want to satisfy |
| 00:18:41 |
- by letting them get even. |
| 00:18:43 |
- I didn't do that when you hired me. |
| 00:18:46 |
But let's just say that when those that |
| 00:18:50 |
the bad guys get away |
| 00:18:53 |
they get concerned. |
| 00:18:55 |
Look, for my part, |
| 00:19:01 |
If the kids all love it and laugh, |
| 00:19:05 |
Probably that'll never happen. Kids |
| 00:19:08 |
Fucking hell. Didn't you? |
| 00:19:10 |
You said to me, that Lou said, |
| 00:19:12 |
- "It's a good movie"? |
| 00:19:16 |
And that concerns you? |
| 00:19:18 |
- A bit. |
| 00:19:21 |
Jeremy, I don't know what "good" |
| 00:19:24 |
but north of Pico |
| 00:19:27 |
where Lou says "good" three times, |
| 00:19:29 |
bite down hard, |
| 00:19:31 |
I'm not buying it, mate. Come on. |
| 00:19:35 |
[SIGHS] |
| 00:19:36 |
I mean, were you watching |
| 00:19:39 |
- Of course I was. |
| 00:19:41 |
Like they took their kids to Disneyland, |
| 00:19:45 |
douse himself with gasoline |
| 00:19:48 |
[LAUGHS] |
| 00:19:49 |
I'm actually all right with that. |
| 00:19:53 |
It's like, what? What we got? |
| 00:19:56 |
The festival took the film because they |
| 00:20:00 |
The studio could pull it |
| 00:20:03 |
JEREMY: |
| 00:20:05 |
I don't think so. We're gonna have to |
| 00:20:08 |
Throw her a bone, something, |
| 00:20:11 |
JEREMY: What, you're saying |
| 00:20:14 |
I'm gonna protect your cut. |
| 00:20:15 |
DAWN: That's what Ben does. |
| 00:20:17 |
I just want you to understand |
| 00:20:20 |
- The preview was terrifying. |
| 00:20:23 |
Just stand united and we'll prevail. |
| 00:20:27 |
I'll explain the whole sort of raison |
| 00:20:31 |
- All right? |
| 00:20:34 |
JEREMY: Look, all I'm saying is, and I |
| 00:20:38 |
I think you should be proud. |
| 00:20:41 |
BEN: |
| 00:20:42 |
JEREMY: Yeah, well, |
| 00:20:45 |
BEN: We already got the money, |
| 00:20:50 |
JEREMY: |
| 00:21:09 |
In the end, no director, no stars, |
| 00:21:15 |
A big number. |
| 00:21:21 |
LOU: |
| 00:21:25 |
My God, kill the dog. |
| 00:21:27 |
Of course. |
| 00:21:29 |
What a brilliant tactical move. |
| 00:21:34 |
You know, Ben, |
| 00:21:37 |
with good instinctive negotiating |
| 00:21:41 |
Well, we wanted |
| 00:21:43 |
JEREMY: |
| 00:21:45 |
Sometimes you just gotta muss up |
| 00:21:48 |
- . just to make sure they're breathing. |
| 00:21:52 |
LOU: |
| 00:21:55 |
You figured, leave the dead dog |
| 00:21:58 |
knowing it wasn't in the script, |
| 00:22:00 |
"Okay, Lou, dog stuff's gone, |
| 00:22:04 |
keep the rest of the stuff as it is, |
| 00:22:07 |
I'm too old for this. |
| 00:22:09 |
Well, Lou, I think there's |
| 00:22:12 |
What are you saying? |
| 00:22:14 |
We've got a problem. |
| 00:22:17 |
Hold on. Hold on, you're not gonna |
| 00:22:20 |
I mean, that's not what I'm hearing, |
| 00:22:23 |
- Did anyone see Amores Perros? |
| 00:22:26 |
JEREMY: |
| 00:22:28 |
I mean, what's that film about? |
| 00:22:32 |
It's about reality, and about loss. |
| 00:22:34 |
And, you know, I mean, look. |
| 00:22:37 |
the simple thing is |
| 00:22:40 |
that has a bit more |
| 00:22:42 |
and something that people |
| 00:22:45 |
or the same old |
| 00:22:47 |
I mean, I thought we were |
| 00:22:51 |
No? I mean, I toned it down. |
| 00:22:54 |
I mean, I toned it way down. |
| 00:22:56 |
- Didn't I? With that scene. |
| 00:22:58 |
Serious problem. |
| 00:23:00 |
Look, the dog has to die. |
| 00:23:05 |
Trust me, kemosabe, |
| 00:23:08 |
LOU: I'm sorry, maybe I'm not |
| 00:23:11 |
Sorry, excuse me, I don't think Sean |
| 00:23:15 |
if it weren't hard-hitting |
| 00:23:18 |
- Absolutely. |
| 00:23:25 |
Now, please? |
| 00:23:38 |
Look, I've lost $25 million before. |
| 00:23:42 |
. I'll lose $25 million again. |
| 00:23:45 |
We've managed to put together |
| 00:23:48 |
Very extensive. If you do the kind of |
| 00:23:52 |
I'll lose a little less. |
| 00:23:56 |
So you're asking me |
| 00:23:59 |
so you can lose |
| 00:24:01 |
- I would be very appreciative. |
| 00:24:04 |
Well, let us chew on this. |
| 00:24:07 |
No, look, the dog dies! |
| 00:24:10 |
- I don't think so. |
| 00:24:14 |
No, not really. |
| 00:24:15 |
Listen, let's not make this |
| 00:24:18 |
- We respect you. Fix it. |
| 00:24:21 |
- My guts are in that cut, mate. Right? |
| 00:24:24 |
Right? |
| 00:24:25 |
LOU: |
| 00:24:28 |
- Oh, the right thing, now, is it? |
| 00:24:30 |
I'm sorry, does he have final cut? |
| 00:24:33 |
Um Um No. |
| 00:24:36 |
- The right thing. |
| 00:24:37 |
Or your big evening in Cannes |
| 00:24:40 |
and I'll take the movie away |
| 00:25:05 |
Jeremy. Jeremy. Jeremy. |
| 00:25:10 |
Stop. Take it easy, take it easy. |
| 00:25:12 |
Take it easy. Get ahold of yourself. |
| 00:25:14 |
- Get ahold of yourself. |
| 00:25:16 |
BEN: |
| 00:25:19 |
He'll be fine. It's jet lag. |
| 00:25:23 |
- Get a grip. |
| 00:25:25 |
[SOBBING] |
| 00:25:27 |
Let's just Let's just go. |
| 00:25:39 |
- We don't have much time. |
| 00:25:42 |
[JEREMY SOBBING] |
| 00:25:55 |
LOU: |
| 00:25:58 |
BEN: Yeah, I saw it. Had 10 percent |
| 00:26:02 |
I'd fuck him. |
| 00:26:11 |
My old bed. God, I love this bed. |
| 00:26:16 |
Are these new sheets? |
| 00:26:20 |
- This is a huge mistake. |
| 00:26:22 |
No, I just I can't do this. |
| 00:26:25 |
And this is as much my fault |
| 00:26:27 |
This is why we're seeing Dr. Randall, |
| 00:26:30 |
Let's not tell her. |
| 00:26:32 |
Why are you so comfortable |
| 00:26:35 |
- Why is that? |
| 00:26:39 |
I appreciate that. |
| 00:26:44 |
You want me to go? |
| 00:26:47 |
- Yes, no. |
| 00:26:49 |
No, I'd like to talk. |
| 00:26:52 |
- Good, let's talk. I'll start. |
| 00:26:55 |
I admit, I do love this bed |
| 00:26:59 |
but only with you in it. |
| 00:27:02 |
Even if only for a moment, |
| 00:27:05 |
- Really? |
| 00:27:09 |
I don't know, all the lawyers |
| 00:27:12 |
- It's awkward, you know? |
| 00:27:16 |
Yeah. I don't know. |
| 00:27:19 |
I just feel like if I could do this, |
| 00:27:22 |
I know how you feel. |
| 00:27:24 |
It's complicated. |
| 00:27:27 |
I understand. |
| 00:27:30 |
- Really? |
| 00:27:35 |
I. |
| 00:27:36 |
[PHONE RINGING] |
| 00:27:43 |
- This could be important. |
| 00:27:47 |
- If you could just focus. |
| 00:27:58 |
- Hello? |
| 00:27:59 |
- Who? |
| 00:28:01 |
- Who? |
| 00:28:03 |
Oh, yeah? Okay, good, good. |
| 00:28:04 |
BRUCE: Hello? |
| 00:28:08 |
BRUCE: |
| 00:28:09 |
- What? |
| 00:28:11 |
- Or is it buyer's remorse? |
| 00:28:14 |
Hang on a second, wait a second. |
| 00:28:18 |
It's business. |
| 00:28:20 |
- I got issues to resolve. |
| 00:28:21 |
Like shaving the beard, it's like |
| 00:28:23 |
It sounds crazy, but it's a big deal. |
| 00:28:26 |
Tell him you'll call him back. |
| 00:28:28 |
- You're right, you're right. Hello? |
| 00:28:30 |
- Hey, hey, there you are. |
| 00:28:32 |
Listen, did I tell you how truly happy |
| 00:28:36 |
- A lot of actors were circling this, but |
| 00:28:40 |
Can you give me five seconds? |
| 00:28:43 |
- What? Yeah. |
| 00:28:45 |
- You're kidding, right? |
| 00:28:48 |
Kelly. Kelly. |
| 00:28:51 |
- Hello? Yeah, I'm back. |
| 00:28:53 |
- We should talk about this. |
| 00:28:55 |
No, I think face to face. |
| 00:28:56 |
Face to face is always better. |
| 00:28:59 |
Could you just give me five seconds? |
| 00:29:03 |
Kelly? Kelly. Kelly. Kelly. |
| 00:29:07 |
[PHONE HANGS UP] |
| 00:29:08 |
Hello? Hello? |
| 00:29:11 |
Kelly! |
| 00:29:39 |
Kelly. |
| 00:29:41 |
BEN: Jeremy, |
| 00:29:43 |
I know we have things to talk about. |
| 00:29:45 |
You know, |
| 00:29:48 |
- You get our star? |
| 00:29:51 |
- What's this? |
| 00:29:56 |
These aren't Hallmark cards, Carl. |
| 00:29:59 |
- This isn't magazine material. |
| 00:30:01 |
- This is private business. |
| 00:30:04 |
- Put them in a drawer, lock them up. |
| 00:30:07 |
You let somebody in the office |
| 00:30:10 |
- No, no |
| 00:30:12 |
- What are we doing? Falling apart. |
| 00:30:15 |
I can't believe this. |
| 00:30:17 |
After one bad screening? |
| 00:30:20 |
Son of a bitch, I can't |
| 00:30:23 |
Ruthless pricks. |
| 00:30:25 |
- Who's moving in here? |
| 00:30:27 |
Who is moving in here? |
| 00:30:29 |
- Who is coming in here, Carl? |
| 00:30:32 |
Yeah, him, him, the guy you let in |
| 00:30:35 |
CARL: No, this is for the new carpeting. |
| 00:30:38 |
What new carpeting? When? |
| 00:30:41 |
- The carpet you ordered. |
| 00:30:43 |
Back in February. |
| 00:30:45 |
- So it's? I ordered it in February? |
| 00:30:47 |
It takes three months |
| 00:30:50 |
I badgered them. It was a special order |
| 00:30:54 |
- You know |
| 00:30:56 |
You gotta be kidding me. |
| 00:30:59 |
You said it went well |
| 00:31:01 |
- That's why you ordered white shag. |
| 00:31:05 |
- Really? |
| 00:31:08 |
JEREMY: |
| 00:31:18 |
You may not realize this now. |
| 00:31:20 |
but I was protecting you |
| 00:31:23 |
I went out, man. I really went out. |
| 00:31:27 |
I can see that, |
| 00:31:30 |
No. No, I went out. |
| 00:31:32 |
I had 11 months 22 days, |
| 00:31:36 |
I had no drugs, I had no alcohol... |
| 00:31:39 |
till after that meeting |
| 00:31:42 |
and your assassin in training, |
| 00:31:46 |
he decides to give me an Ativan. |
| 00:31:49 |
Well, one Ativan |
| 00:31:51 |
Yeah, right. |
| 00:31:52 |
Try following it up with three Dilaudids |
| 00:31:56 |
and all washed down |
| 00:31:58 |
Okay, then, you needed a release. |
| 00:32:01 |
No, look, look. |
| 00:32:03 |
I was seven days away |
| 00:32:06 |
Right? A cake for a year sober. |
| 00:32:14 |
And you and your diabolical |
| 00:32:18 |
took that away from me. |
| 00:32:20 |
- No, that's not true. |
| 00:32:22 |
- Come on, Jeremy. |
| 00:32:25 |
- Jeremy. |
| 00:32:28 |
- How's that? |
| 00:32:32 |
Shouldn't we save this high drama |
| 00:32:34 |
Yeah, or that one, |
| 00:32:37 |
- I know that, and I'm the producer. |
| 00:32:41 |
Blood that goes all the way back |
| 00:32:44 |
a little shtetl. |
| 00:32:46 |
How could you possibly understand |
| 00:32:52 |
Let me get you a Valium. |
| 00:32:54 |
Just for now. It's not that I don't |
| 00:32:57 |
This is for us, these changes. |
| 00:33:00 |
Can I have a couple of Vicodin |
| 00:33:02 |
Sure, easy. |
| 00:33:03 |
- Go get three of them, Ben. |
| 00:33:10 |
Yeah, get me My office |
| 00:33:13 |
and bring them to the cutting room |
| 00:33:17 |
Let's put that down. |
| 00:33:20 |
[AUDIO SCRUBBING] |
| 00:33:22 |
Jeremy, look, we're gonna need you |
| 00:33:25 |
You can do it. |
| 00:33:28 |
I get these bastards to spend a lot |
| 00:33:32 |
- You can do it. |
| 00:33:35 |
I mean, you know, it's my work. |
| 00:33:38 |
Trust me, once you make |
| 00:33:40 |
and take out that damn dead dog, |
| 00:33:43 |
You will forget the pain. |
| 00:33:48 |
[GUNSHOT] |
| 00:33:49 |
It's okay. |
| 00:33:52 |
As long as we do a viewing together |
| 00:33:55 |
- Call me anytime you want. |
| 00:33:59 |
Give me a hug. |
| 00:34:01 |
[JEREMY SOBBING] |
| 00:34:02 |
I'm sorry. |
| 00:34:05 |
It's okay. It's okay. |
| 00:34:08 |
- That's okay. |
| 00:34:11 |
No, don't look. |
| 00:34:15 |
I'm so scared, Ben. |
| 00:34:19 |
We're on a deadline, |
| 00:34:22 |
Okay? Let's get to work. |
| 00:34:26 |
BEN: Cal, Cal, relax. |
| 00:34:30 |
No, no, you're not listening. |
| 00:34:35 |
Five minutes away. |
| 00:34:37 |
Relax, I'm going over the hill. |
| 00:34:41 |
It doesn't matter. It'll be fine. |
| 00:34:46 |
MAN [ON STEREO]: This is Fiercely. |
| 00:34:49 |
[INSTRUMENTAL MUSIC PLAYING |
| 00:36:00 |
MAN: I need grips and I need stand-ins. |
| 00:36:18 |
CAL: Ten minutes |
| 00:36:20 |
- We got a crisis here. |
| 00:36:24 |
I saw Moses through the window. |
| 00:36:28 |
CAL: I don't know. |
| 00:36:30 |
CAL: I'm gonna bring it up, |
| 00:36:33 |
BEN: We start shooting Friday. |
| 00:36:35 |
CAL: I'm the director, |
| 00:36:37 |
I suppose it took a long time |
| 00:36:39 |
Probably wants to wait |
| 00:36:41 |
That's what I thought, |
| 00:36:44 |
I got the sense |
| 00:36:46 |
- It's an artistic choice. |
| 00:36:49 |
- It can't be. |
| 00:36:51 |
Cal, we got the studio to pay him |
| 00:36:55 |
For that kind of money, |
| 00:36:58 |
CAL: They expect a good performance. |
| 00:37:00 |
For that kind of money, |
| 00:37:03 |
to want intercourse with him. |
| 00:37:05 |
Do you understand |
| 00:37:06 |
You want a poster that says, |
| 00:37:10 |
Okay. Okay. |
| 00:37:13 |
MAN 1: |
| 00:37:16 |
BEN: Okay. |
| 00:37:19 |
- Okay, let's go tell him to shave. |
| 00:37:23 |
Okay. He'll shave, okay? |
| 00:37:27 |
That's the hope. |
| 00:37:29 |
BRUCE: |
| 00:37:33 |
Motherfuckers! |
| 00:37:35 |
We are talking about my fucking |
| 00:37:41 |
My artistic integrity, okay? |
| 00:37:47 |
Audiences wanna know it's you, |
| 00:37:49 |
And we're talking about |
| 00:37:51 |
What are you talking about? |
| 00:37:54 |
"Where'd Bruce go, huh? |
| 00:37:57 |
Where's my favorite movie star? |
| 00:38:00 |
I see him right there, |
| 00:38:03 |
Yes, but there's a |
| 00:38:04 |
You know, |
| 00:38:06 |
that has to be served, Bruce. |
| 00:38:08 |
That's the business. |
| 00:38:10 |
I mean, that's just a fact. |
| 00:38:13 |
There's a tradition to this stuff, Bruce, |
| 00:38:17 |
- Oh, I see, we're talking about pussy. |
| 00:38:21 |
I understand, I understand. |
| 00:38:23 |
Let me tell you a funny story. |
| 00:38:27 |
I've been knocking off trim 24/7, |
| 00:38:30 |
- Maybe we should listen to |
| 00:38:32 |
Hollywood producer, my ass. |
| 00:38:36 |
Really, should've seen it coming. |
| 00:38:41 |
BEN: Bruce, Bruce, Bruce. |
| 00:38:44 |
Bruce, Bruce, come on. |
| 00:38:47 |
- You wanna talk about integrity? |
| 00:38:50 |
- Let's talk about fucking integrity. |
| 00:38:53 |
Let's talk about integrity. |
| 00:38:57 |
I'm willing to stack my three |
| 00:39:00 |
How about that, huh? |
| 00:39:04 |
You don't have three pictures. |
| 00:39:07 |
You know why? |
| 00:39:10 |
Well, why don't we start. |
| 00:39:11 |
by giving your overblown salary |
| 00:39:14 |
- That would show me some integrity. |
| 00:39:25 |
Sorry. |
| 00:39:27 |
Motherfuckers. |
| 00:39:35 |
Fucking babies! |
| 00:39:39 |
No, no, no, you shouldn't |
| 00:39:41 |
How about this? |
| 00:39:42 |
Why don't we just not have clothes |
| 00:39:45 |
How about fucking paying for that? |
| 00:39:48 |
I never realized |
| 00:39:52 |
I think he wants it. |
| 00:39:53 |
BRUCE: This here's your fucking chair. |
| 00:39:56 |
You motherfuckers. |
| 00:40:00 |
Will somebody fix this fucking door? |
| 00:40:04 |
You happy now |
| 00:40:07 |
You fucking |
| 00:40:10 |
BEN: Well, somehow |
| 00:40:13 |
CAL: You know, in a very early draft, |
| 00:40:17 |
- A very early draft. |
| 00:40:19 |
Hey, now that video's done, |
| 00:40:23 |
Blow me, you motherfuckers! |
| 00:40:27 |
- We don't have much of a choice. |
| 00:40:29 |
- The beard's not so bad anyway. |
| 00:40:34 |
MAN [ON STEREO]: |
| 00:40:38 |
[INSTRUMENTAL MUSIC PLAYING |
| 00:40:43 |
BEN: |
| 00:40:45 |
Of all the studio heads, |
| 00:40:47 |
- But listen |
| 00:40:49 |
You're welcome. |
| 00:40:52 |
This is Bruce Willis |
| 00:40:54 |
Maybe we need to bend a little, |
| 00:40:57 |
In fact, I gotta say, he might be right, |
| 00:41:01 |
You never know. |
| 00:41:03 |
- Let's keep it simple. |
| 00:41:05 |
Let's keep it simple, Ben. |
| 00:41:08 |
Yes. |
| 00:41:12 |
If that bastard doesn't shave |
| 00:41:16 |
A, we shut the movie down, |
| 00:41:20 |
. and C, we then sue you |
| 00:41:23 |
Oh, Sidney, come on. |
| 00:41:24 |
Let's sit down and have lunch |
| 00:41:27 |
- Come on. |
| 00:41:29 |
- Call my office. |
| 00:41:32 |
Sidney. Hello? |
| 00:41:36 |
BEN [ON SPEAKERPHONE]: Are you |
| 00:41:39 |
You're his agent, |
| 00:41:41 |
We're on the ledge on this one. |
| 00:41:43 |
He's got four days to clean himself up, |
| 00:41:45 |
I'll even personally pay for the trainer. |
| 00:41:48 |
- You have got to be kidding. |
| 00:41:50 |
No, I'm not kidding, Dick, |
| 00:41:53 |
- You tell me it's happening? |
| 00:41:55 |
- It can't be. |
| 00:41:59 |
[DICK GAGGING] |
| 00:42:01 |
What's that? |
| 00:42:04 |
- What's that? Dick. |
| 00:42:07 |
- That's nothing? |
| 00:42:09 |
- How much does he know, huh? |
| 00:42:13 |
We got lathered up. Things might |
| 00:42:16 |
- Tell me exactly what was said. |
| 00:42:19 |
"Fuck you." "No, no, fuck you." |
| 00:42:22 |
Why not call me back |
| 00:42:25 |
Tell him he's gonna get fired and sued |
| 00:42:29 |
I don't want to. |
| 00:42:30 |
- You give him the bad news. |
| 00:42:33 |
Delivering bad news |
| 00:42:36 |
I can't do it. |
| 00:42:38 |
You know that. I can't. |
| 00:42:40 |
I've been working with him |
| 00:42:42 |
He's one of my most important clients, |
| 00:42:47 |
- He can snap at any time. |
| 00:42:50 |
I'm not scared of him, |
| 00:42:56 |
- Could you hold a sec? |
| 00:42:58 |
[DICK GRUNTING] |
| 00:42:59 |
You okay? |
| 00:43:01 |
Dick, you okay? |
| 00:43:03 |
Maybe we should do this later. |
| 00:43:06 |
It's a... It's a... |
| 00:43:09 |
It's a stomach disorder. |
| 00:43:10 |
It comes and it. |
| 00:43:12 |
[DICK GRUNTING] |
| 00:43:14 |
. goes. |
| 00:43:16 |
- You sure? |
| 00:43:18 |
Absolutely. They cut me back |
| 00:43:21 |
...so I can get it up. |
| 00:43:22 |
But the withdrawal |
| 00:43:24 |
It sounds worse than it is. |
| 00:43:29 |
- When do you take that? |
| 00:43:31 |
- Whenever I pack. |
| 00:43:34 |
Your client has got to give us |
| 00:43:36 |
Let's figure out |
| 00:43:38 |
Well, to start, why don't we let him |
| 00:43:43 |
What is the big deal? |
| 00:43:44 |
Oh, no, no, no. |
| 00:43:47 |
Do you know the ramifications |
| 00:43:50 |
I do. |
| 00:43:52 |
[DICK GRUNTING & GAGGING] |
| 00:43:55 |
Jesus, man, |
| 00:43:59 |
You should talk to somebody |
| 00:44:02 |
- Okay, gotta go. |
| 00:44:03 |
- Bye, now. |
| 00:44:10 |
KELLY [ON MACHINE]: Hi, leave |
| 00:44:13 |
Kelly, it's Ben, just call me |
| 00:44:17 |
Okay, bye. |
| 00:44:44 |
KELLY [ON MACHINE]: Hi, leave |
| 00:44:47 |
Kelly. |
| 00:44:51 |
It's me. I'm on my cell. |
| 00:44:55 |
I'm having dinner |
| 00:44:57 |
but you're more important to me. |
| 00:44:59 |
Call me on my cell |
| 00:45:02 |
Thank you. |
| 00:45:11 |
[ALL SPEAKING IN |
| 00:45:15 |
- The money is in the box. |
| 00:45:17 |
Could you make the movie |
| 00:45:19 |
No. |
| 00:45:21 |
[MEN SPEAKING |
| 00:45:25 |
ABA: Well, we're sitting there drinking |
| 00:45:29 |
Sly, Sly, Sly. |
| 00:45:31 |
and Don Johnson |
| 00:45:34 |
He'd be very good in this. |
| 00:45:38 |
Ah. |
| 00:45:41 |
Could you excuse me |
| 00:45:47 |
- Where'd he get his money from? |
| 00:45:50 |
He started by cleaning |
| 00:45:53 |
He charged them like $10 a suit. |
| 00:45:56 |
Next time, he charged them $50 a suit. |
| 00:46:00 |
Next time, charged them $100 a suit. |
| 00:46:03 |
He said, "I wanna be in the movie |
| 00:46:06 |
[PHONE RINGS] |
| 00:46:08 |
- Kelly. Kelly Oh, Kelly Excuse me. |
| 00:46:12 |
I'll be right back. Yes, Kelly. |
| 00:46:17 |
I'm so glad you called me back. |
| 00:46:19 |
So an actor more important |
| 00:46:22 |
Of course I don't think |
| 00:46:25 |
- Ten times, you called. |
| 00:46:27 |
I did not call you 10 times today, |
| 00:46:30 |
Well, what was so damn important? |
| 00:46:32 |
Look, let me find a quiet place |
| 00:46:35 |
I'll tell you what's so important. |
| 00:46:39 |
I wanted to know... |
| 00:46:41 |
is anyone else other than you |
| 00:46:44 |
What? |
| 00:46:46 |
You lost that privilege |
| 00:46:49 |
Wait a second, I believe 30,000 |
| 00:46:52 |
- You know, I gotta be frank with you. |
| 00:46:55 |
I have never heard you say: |
| 00:46:57 |
"Fuck you", like that to me |
| 00:46:59 |
- What are you doing? |
| 00:47:02 |
Okay, I'm all done. |
| 00:47:04 |
Can't we discuss this now? |
| 00:47:06 |
- No. No. |
| 00:47:08 |
- No. No. |
| 00:47:10 |
- Ben, no. |
| 00:47:14 |
- You're hurting? |
| 00:47:17 |
- I'm hurting. |
| 00:47:19 |
Yeah, yeah, I am, I am. |
| 00:47:21 |
Oh, hold on. |
| 00:47:23 |
- Yeah, I'm hurting. |
| 00:47:26 |
You're right. I know it's a bad habit. |
| 00:47:29 |
Look, can't we please |
| 00:47:32 |
I have to I gotta go. I gotta go. |
| 00:47:34 |
Okay, all right, all right. |
| 00:47:37 |
Thanks for Yeah, we'll speak soon. |
| 00:47:44 |
DICK: |
| 00:47:46 |
I'll order two martinis |
| 00:47:48 |
- I could use it. I could use it. |
| 00:47:53 |
DICK: Hi. |
| 00:47:55 |
Huh? |
| 00:47:56 |
- Did you tell him? |
| 00:48:00 |
- "Alluded"? |
| 00:48:02 |
I don't care what you meant. |
| 00:48:05 |
- "Alluded." A-L-L-U-D-E-D. |
| 00:48:08 |
- Okay. |
| 00:48:10 |
A picture is about to get canceled. |
| 00:48:14 |
I told him I have something |
| 00:48:17 |
- And you told him what it was about? |
| 00:48:21 |
A-B-O-U-T, "about"? |
| 00:48:26 |
- Not yet. |
| 00:48:28 |
- No, no. |
| 00:48:30 |
- What's with the patch? |
| 00:48:32 |
My lid, occasionally it flutters. |
| 00:48:35 |
I'm just glad |
| 00:48:37 |
[ALL LAUGH] |
| 00:48:38 |
- Hey, if I went blind, you'd celebrate. |
| 00:48:42 |
[ALL LAUGH] |
| 00:48:43 |
I hope you know you're sitting |
| 00:48:46 |
- Yeah. |
| 00:48:48 |
- Yeah. |
| 00:48:50 |
He has lots of time. |
| 00:48:54 |
How could you call |
| 00:48:56 |
There's a logic to these things. |
| 00:48:59 |
When I called him today, |
| 00:49:01 |
That's the wrong time. |
| 00:49:03 |
You gotta do this |
| 00:49:05 |
We don't have that many windows left. |
| 00:49:08 |
- After AA would be an open window. |
| 00:49:10 |
- Two days. |
| 00:49:11 |
- What's tomorrow morning? |
| 00:49:15 |
You don't wanna mention lawsuit |
| 00:49:18 |
Listen to me. I don't care. |
| 00:49:27 |
[DOOR OPENS] |
| 00:49:29 |
I know what you think |
| 00:49:33 |
Johnny did not send me here |
| 00:49:36 |
I wanted to meet you on my own. |
| 00:49:39 |
I know everything you've done. |
| 00:49:41 |
And I'm not just some silly girl |
| 00:49:45 |
- I went to Stanford. |
| 00:49:49 |
I just. |
| 00:49:52 |
BEN: |
| 00:49:55 |
What's your name again? |
| 00:49:56 |
- Laura. |
| 00:49:57 |
I respect you and your movies. |
| 00:50:01 |
And I know |
| 00:50:03 |
no matter how aggressive |
| 00:50:06 |
my chance will never |
| 00:50:09 |
That's so flattering. |
| 00:50:11 |
I mean, I guess if I were a tailor, |
| 00:50:15 |
[LAURA LAUGHS] |
| 00:50:17 |
You are such a funny person. |
| 00:50:21 |
And I want you to know that |
| 00:50:28 |
for a chance to see you |
| 00:50:30 |
with no strings attached. |
| 00:50:33 |
Unless you wanna |
| 00:50:36 |
BEN: |
| 00:50:37 |
[TOILET FLUSHES] |
| 00:50:39 |
LAURA: Well, why don't you just |
| 00:50:43 |
Try not to get that wet. |
| 00:51:02 |
[BEEP] |
| 00:51:09 |
[PHONE RINGING ON OTHER END] |
| 00:51:15 |
KELLY [ON MACHINE]: Hi. Leave |
| 00:51:53 |
[ALARM CHIMES] |
| 00:52:09 |
WOMAN [ON STEREO]: Inhale, |
| 00:52:14 |
Exhale to downward dog. |
| 00:52:17 |
Take five deep |
| 00:52:19 |
LAURA: I can't stay for breakfast. |
| 00:52:22 |
Hm. |
| 00:52:31 |
- You wanna kiss them one more time? |
| 00:52:34 |
You don't remember a thing, |
| 00:52:37 |
I remember offering you |
| 00:52:40 |
And that was before |
| 00:52:43 |
WOMAN: Before you do that |
| 00:52:46 |
I dig older guys. |
| 00:53:03 |
[PHONE RINGING] |
| 00:53:04 |
Seventy-four, 75, 76, 77... |
| 00:53:12 |
BEN: Hello? |
| 00:53:14 |
BEN: I'm not here. |
| 00:53:16 |
Man, I hate that thing. |
| 00:53:19 |
Sid wants the Bruce/beard |
| 00:53:22 |
[PHONE RINGS] |
| 00:53:24 |
CARL: Hey, just got an e-mail. |
| 00:53:27 |
Thirty most powerful producers |
| 00:53:30 |
How about that? |
| 00:53:34 |
[PHONE RINGS] |
| 00:53:38 |
CAL: Sid's office called again. |
| 00:53:41 |
"I want the beard situation resolved |
| 00:53:47 |
BEN: Can you call Sid's office, tell him |
| 00:53:51 |
I'll talk to him at lunch. |
| 00:54:01 |
WAITRESS: |
| 00:54:02 |
Mr. Voss's office just called |
| 00:54:06 |
They sent over this note. |
| 00:54:08 |
For you. |
| 00:54:10 |
MAN: Oh, how are you? |
| 00:54:15 |
I forgot my reading glasses |
| 00:54:17 |
Could you read it to me, please? |
| 00:54:19 |
Of course. |
| 00:54:25 |
"Dear Ben, |
| 00:54:27 |
having lunch was gonna change |
| 00:54:31 |
thing. |
| 00:54:35 |
Unless that fucking beard goes. |
| 00:54:39 |
then we fucking shut. |
| 00:54:42 |
the whole fucking movie down." |
| 00:54:49 |
Betty, tell Sid I tried |
| 00:54:51 |
I can't get him on the phone. |
| 00:54:55 |
- We start shooting on Friday. |
| 00:54:57 |
I know I'm running out of time. |
| 00:54:59 |
- You've gotta make it happen. |
| 00:55:01 |
Ben? I got Kelly holding on 2. |
| 00:55:03 |
Okay. |
| 00:55:04 |
- Jeremy's on 3. He says it's urgent. |
| 00:55:11 |
KELLY [ON PHONE]: Ben? Ben? |
| 00:55:13 |
- Ben. |
| 00:55:15 |
JEREMY: You better like it, baby. |
| 00:55:18 |
- Get here. Now. Jesus. |
| 00:55:21 |
- Coming. |
| 00:55:28 |
Hi. Kelly? Kelly? Kelly? |
| 00:55:36 |
Gotta go, gotta go, gotta go. |
| 00:55:58 |
What's up? |
| 00:56:00 |
Afternoon. Do I look happy? |
| 00:56:04 |
Enough to scare me. |
| 00:56:07 |
You like it? |
| 00:56:09 |
It's good, I know, but it's the feather |
| 00:56:12 |
You know what I mean? |
| 00:56:14 |
the studio, the Lone Ranger, like. |
| 00:56:16 |
I mean, I'm not gonna |
| 00:56:19 |
A fucking waste of time. |
| 00:56:21 |
Jeremy, sometimes it takes more guts |
| 00:56:25 |
Have a seat. Come on. |
| 00:56:27 |
[AUDIO SCRUBBING] |
| 00:56:28 |
Got about 10 minutes out of this |
| 00:56:33 |
And here comes |
| 00:56:37 |
[GUNSHOT] |
| 00:56:46 |
Like the music? It contradicts |
| 00:56:50 |
Here we go. |
| 00:56:56 |
SEAN [IN FILM]: Father, forgive them. |
| 00:57:15 |
- See? Now dog. |
| 00:57:19 |
Ah. Dog not shot. |
| 00:57:21 |
Runs to master to comfort him. |
| 00:57:25 |
[DOG WHIMPERING] |
| 00:57:29 |
It's great. |
| 00:57:39 |
JEREMY: |
| 00:57:40 |
[BOTH LAUGHING] |
| 00:57:42 |
- So? |
| 00:57:52 |
[JEREMY LAUGHING] |
| 00:57:59 |
Wow. |
| 00:58:01 |
- Not bad, eh? |
| 00:58:02 |
Lou will come in her pants. |
| 00:58:04 |
- Yeah. Panties. |
| 00:58:08 |
Point taken. I don't know, Jeremy. |
| 00:58:14 |
- How did you figure? |
| 00:58:16 |
We had about 10 of them. |
| 00:58:17 |
You remember? We could never |
| 00:58:20 |
Lovely though he was. |
| 00:58:23 |
He was always licking his face. |
| 00:58:25 |
- It's brilliant. |
| 00:58:28 |
Quite simple, really. |
| 00:58:29 |
- Brilliant. Brilliant. |
| 00:58:31 |
It certainly |
| 00:58:34 |
Yeah. No, I know what |
| 00:58:36 |
It won't mean nothing now. |
| 00:58:38 |
The truth of it is we can take comfort |
| 00:58:42 |
Jeremy, I don't get it. |
| 00:58:43 |
- This isn't you talking. |
| 00:58:47 |
- I mean, how did you get there? |
| 00:58:52 |
There we go. Oh, Christ. |
| 00:58:54 |
I'll grab them later. |
| 00:58:57 |
And you're meant to take it |
| 00:58:59 |
You could watch your old mom |
| 00:59:03 |
and still appreciate the weather. |
| 00:59:05 |
Apparently the stuff works. |
| 00:59:07 |
I gotta call Lou. |
| 00:59:14 |
Hello? Judy? |
| 00:59:17 |
Hello, Judy? |
| 00:59:18 |
Is Lou there? |
| 00:59:21 |
[PHONE RINGS] |
| 00:59:22 |
- Yes, Ben? |
| 00:59:24 |
Lou, Jeremy has done it. |
| 00:59:28 |
Really done it. |
| 00:59:31 |
- I knew you would make this work. |
| 00:59:34 |
Not that I doubt you, |
| 00:59:37 |
[TOILET FLUSHES] |
| 00:59:39 |
- You can see it whenever you want. |
| 00:59:42 |
Okay, okay, I'll tell him. |
| 00:59:44 |
She'll be by this afternoon |
| 00:59:48 |
Pick out your tux and leisure wear... |
| 00:59:50 |
because we're gonna be heading |
| 00:59:53 |
Where can I kiss you? Where? |
| 00:59:56 |
Name the location. Where? |
| 01:00:00 |
JEREMY: Placidil is not hearing. |
| 01:00:03 |
JEREMY: |
| 01:00:04 |
It's nice to see you happy, mate. |
| 01:00:07 |
Boy. Jeremy, I'm so relieved. |
| 01:00:10 |
- Oh, me too. |
| 01:00:14 |
- Keep up the good Work. |
| 01:00:18 |
Happy? |
| 01:00:20 |
Yep. |
| 01:00:22 |
BEN: |
| 01:00:26 |
You have to face this thing now. |
| 01:00:27 |
You've gotta tell Bruce |
| 01:00:30 |
You understand? Now. |
| 01:00:33 |
Now. Right away. |
| 01:00:34 |
You've gotta tell |
| 01:00:37 |
I can't afford |
| 01:00:40 |
Get back to me. |
| 01:00:41 |
I thought the goal here |
| 01:00:44 |
but to help us feel better |
| 01:00:47 |
You know, moving on gracefully. |
| 01:00:49 |
- We share two kids. |
| 01:00:51 |
This is an exercise to help couples |
| 01:00:54 |
instead of acrimony. |
| 01:00:55 |
It's not about trying to control |
| 01:00:58 |
- Okay. |
| 01:01:01 |
Is there anything you can think of |
| 01:01:04 |
while you were married |
| 01:01:08 |
Well, that question feels so vague. |
| 01:01:11 |
I don't know. |
| 01:01:13 |
Okay, here's an example. |
| 01:01:15 |
When you were married, |
| 01:01:16 |
about your whereabouts |
| 01:01:19 |
No. |
| 01:01:21 |
Well, there was. |
| 01:01:24 |
Yeah, there was one time |
| 01:01:26 |
when I did think of seeing Ann. |
| 01:01:32 |
- Really? |
| 01:01:34 |
- And did you? |
| 01:01:37 |
Yes, I... But nothing happened. |
| 01:01:41 |
Well, I guess I wanted to, but, hey. |
| 01:01:45 |
You know, |
| 01:01:47 |
I'm starting to feel |
| 01:01:50 |
- Is that everything on this matter? |
| 01:01:52 |
Not true. |
| 01:01:55 |
The complete truth |
| 01:01:58 |
Well, there was... |
| 01:02:00 |
There was one time... |
| 01:02:03 |
I was at a party with... |
| 01:02:05 |
I was at a party once with Ann. |
| 01:02:08 |
Where? |
| 01:02:09 |
- Hm? |
| 01:02:11 |
In the bathroom. |
| 01:02:13 |
You fucker. |
| 01:02:14 |
That's very good, Ben. |
| 01:02:16 |
Now, Kelly, it is not for you to judge. |
| 01:02:20 |
We're running short on time. |
| 01:02:23 |
And then next week, |
| 01:02:25 |
- You ready, Kelly? |
| 01:02:28 |
Did you ever use your kids |
| 01:02:32 |
No. |
| 01:02:33 |
Did you ever have an affair |
| 01:02:36 |
Absolutely not. |
| 01:02:38 |
Okay, then. Is that all? |
| 01:02:41 |
Well, there was |
| 01:02:44 |
Alan's son's bar mitzvah. |
| 01:02:45 |
I kissed Alan on the mouth |
| 01:02:48 |
You kissed him on the mouth? |
| 01:02:52 |
- I mean. |
| 01:02:54 |
Alan on the m? |
| 01:02:56 |
What about Sheila? |
| 01:02:58 |
- Oh, please. |
| 01:02:59 |
Please. That's all that happened. |
| 01:03:01 |
- That's very good. |
| 01:03:04 |
I thought about it, actually. |
| 01:03:07 |
That's very good. |
| 01:03:11 |
What about? I mean I mean |
| 01:03:15 |
Aren't we gonna talk about what |
| 01:03:18 |
Why don't we talk about |
| 01:03:20 |
- What? |
| 01:03:25 |
You didn't wanna talk |
| 01:03:27 |
No. Now. |
| 01:03:29 |
You know what. Now. |
| 01:03:31 |
Yeah, but "now" before was not okay. |
| 01:03:34 |
I have no problem with 'now'. |
| 01:03:37 |
- That is not why we're here. |
| 01:03:40 |
Doctor, is this some classic case |
| 01:03:42 |
I'm sorry, but we're gonna have to |
| 01:03:46 |
What you guys are doing takes guts, |
| 01:03:51 |
I congratulate both of you. |
| 01:03:55 |
You'll see. |
| 01:03:57 |
As we dig deeper, you're gonna |
| 01:04:00 |
that you're never gonna wanna |
| 01:04:08 |
But I'm just, you know, why? |
| 01:04:11 |
Can't we just talk about the 'now' |
| 01:04:14 |
- Like what she's doing. |
| 01:04:16 |
She said no. She said no. |
| 01:04:18 |
- Why can't we talk? |
| 01:04:20 |
I know time is up. |
| 01:04:21 |
- We can't stay two more minutes? |
| 01:04:24 |
THERAPIST: |
| 01:04:25 |
Thanks. |
| 01:04:27 |
KELLY: |
| 01:04:29 |
Let's go. |
| 01:04:34 |
[PHONE RINGING] |
| 01:04:49 |
[PHONE CONTINUES RINGING] |
| 01:05:04 |
[PHONE STOPS RINGING] |
| 01:05:09 |
Thank you. |
| 01:05:29 |
CARL [ON PHONE]: |
| 01:05:31 |
and they say that they're gonna try |
| 01:05:34 |
They'll get back to us in 10 or 15. |
| 01:05:35 |
[BEEP] |
| 01:05:37 |
CARL: Nobody seems to know where |
| 01:05:40 |
[BEEP] |
| 01:05:41 |
CARL: I tried Bruce's office and he told |
| 01:05:44 |
. so I don't where should I go? |
| 01:05:46 |
[BEEP] |
| 01:05:47 |
CARL: Ben, Sidney Voss just called. |
| 01:05:50 |
Not his office. He's |
| 01:05:52 |
BEN: You know how important |
| 01:05:55 |
I got alimony, I got child support, |
| 01:05:59 |
I'm fucking drowning. I gotta find. |
| 01:06:13 |
- You talk to Bruce? |
| 01:06:17 |
- I've got to know. |
| 01:06:20 |
- I'm trying to relax. |
| 01:06:22 |
- You should have one. |
| 01:06:25 |
The feet are connected to the soul. |
| 01:06:27 |
I gotta know. I gotta know. |
| 01:06:30 |
I'll be done in 5, 10 minutes. |
| 01:06:33 |
You should have one. |
| 01:06:35 |
- Five minutes. |
| 01:06:44 |
DICK: |
| 01:06:48 |
BEN: No, no, no. I'm waiting for him. |
| 01:06:51 |
I'm just |
| 01:06:52 |
[GIRLS SPEAKING IN |
| 01:06:59 |
DICK: |
| 01:07:09 |
[PHONE RINGING] |
| 01:07:16 |
Excuse me. |
| 01:07:19 |
- Yeah. |
| 01:07:21 |
Come on. What's happening? Did |
| 01:07:24 |
- Tell him the consequence if he didn't? |
| 01:07:27 |
What'd he say? |
| 01:07:28 |
He told me that he hopes |
| 01:07:31 |
and die a slow, withering death. |
| 01:07:33 |
BEN: He's a beauty. |
| 01:07:36 |
- He said, "You gutless little turd." |
| 01:07:41 |
[LAUGHS] |
| 01:07:42 |
"You're fired." |
| 01:07:43 |
Oh, wow, terrible, terrible. I mean |
| 01:07:46 |
- My biggest client. |
| 01:07:48 |
My biggest paying client, |
| 01:07:53 |
- . hang up the phone. |
| 01:07:56 |
Man, you are strong. I don't know |
| 01:07:59 |
He add anything else about the movie? |
| 01:08:03 |
Can't you let this moment |
| 01:08:05 |
Yeah, okay, it's about you. Right. |
| 01:08:09 |
My moment. Not yours, mine. |
| 01:08:15 |
I lost him, I lost my biggest fucking |
| 01:08:20 |
- He hangs up. The man responsible |
| 01:08:24 |
I'll be right back. |
| 01:08:25 |
DICK: I am not where you going? |
| 01:08:29 |
- Where you going? Where you going? |
| 01:08:32 |
I'm gonna just go outside |
| 01:08:35 |
DICK: |
| 01:09:02 |
DICK [ON PHONE]: |
| 01:09:03 |
I thought I saw something. |
| 01:09:18 |
MAN: It's just business, business, |
| 01:09:30 |
[PLAYING ORGAN] |
| 01:10:11 |
Hi, Zoe. What are you doing here? |
| 01:10:14 |
Oh, God. |
| 01:10:16 |
Terrible, terrible thing. |
| 01:10:19 |
Yeah, it's the worst. |
| 01:10:20 |
I didn't know you knew him. |
| 01:10:25 |
- You knew him? |
| 01:10:29 |
How? |
| 01:10:30 |
Well, it's really not the time. |
| 01:10:41 |
Is that tie Jack's? |
| 01:10:45 |
For God's sakes, it's 10:00 in the |
| 01:10:53 |
- Ben All right. |
| 01:10:55 |
Something important to talk about. |
| 01:10:57 |
Why not.? No, let's do it now. |
| 01:11:01 |
- No, no, no. |
| 01:11:04 |
We'll do it after the service. |
| 01:11:08 |
I mean, when did you and Jack |
| 01:11:14 |
Does that matter now? |
| 01:11:16 |
Honey, I know, I know. |
| 01:11:23 |
Really, what's the difference? |
| 01:11:28 |
It makes a big difference. |
| 01:11:32 |
I'm sorry. That was harsh, but. |
| 01:11:38 |
I mean, I don't know, an agent? |
| 01:11:42 |
He was wonderful. |
| 01:11:44 |
He taught me so much about me. |
| 01:11:48 |
He took drugs. |
| 01:11:55 |
He touched me. |
| 01:11:58 |
Where? |
| 01:12:03 |
Everywhere. |
| 01:12:06 |
You're a kid. |
| 01:12:08 |
MAN 1: |
| 01:12:09 |
[MAN SPEAKING SPANISH] |
| 01:12:12 |
Nice crowd. |
| 01:12:15 |
Believe me, most of Colombia |
| 01:12:17 |
MAN 1: If I only had one-tenth |
| 01:12:21 |
Where did he find them? |
| 01:12:26 |
- So young. |
| 01:12:31 |
RABBI: Few people knew and truly |
| 01:12:46 |
Morning. |
| 01:12:47 |
Oh, my God. He looks even thicker |
| 01:12:52 |
BRUCE: |
| 01:12:58 |
Jack Gregory Levine McDonagh. |
| 01:13:04 |
Not just an agent. |
| 01:13:07 |
I see so many people out here. |
| 01:13:10 |
that I'd rather be eulogizing today |
| 01:13:14 |
[CROWD LAUGHS] |
| 01:13:19 |
When a life gets cut short |
| 01:13:23 |
But when it had the promise |
| 01:13:26 |
in an industry that, let's face it. |
| 01:13:30 |
is often known for mercilessly |
| 01:13:36 |
But Jack transcended |
| 01:13:39 |
I have never seen so many agents |
| 01:13:43 |
attend a funeral for one of |
| 01:13:49 |
My first reaction was to assume |
| 01:13:51 |
that most of you were here |
| 01:13:53 |
while they were still |
| 01:13:56 |
rather than pay your respects. |
| 01:14:00 |
[WHISPERING] You know that stuff |
| 01:14:04 |
- You know.? |
| 01:14:06 |
If I could have one. |
| 01:14:07 |
But I see true respect and love here. |
| 01:14:13 |
Everybody knows |
| 01:14:16 |
Hunter S. Thompson |
| 01:14:19 |
"Bruce, my boy, the movie business |
| 01:14:24 |
where thieves and pimps run free |
| 01:14:31 |
And then he added, |
| 01:14:35 |
[CROWD LAUGHS] |
| 01:14:37 |
Tomorrow at 4, |
| 01:14:39 |
or the whole picture goes down. |
| 01:14:42 |
BRUCE: |
| 01:14:44 |
The turnout at that funeral |
| 01:14:48 |
And Billy Wilder was asked: |
| 01:14:50 |
"Why did so many people show up |
| 01:14:53 |
And Mr. Wilder said, |
| 01:14:58 |
'Give the audience what they want |
| 01:15:03 |
[SPEAKING INDISTINCTLY] |
| 01:15:17 |
Hey, Ben. Ben. |
| 01:15:20 |
- Hey. |
| 01:15:22 |
- I think if we talk, you know, terms |
| 01:15:25 |
- Oh, are we negotiating? |
| 01:15:28 |
You wanna negotiate? |
| 01:15:30 |
Later. You wanna talk about |
| 01:15:36 |
- No. What are? What do you mean? |
| 01:15:38 |
You sleep in my ex-fucking-bed |
| 01:15:42 |
in my ex-fucking house, |
| 01:15:45 |
- No, no, no! |
| 01:15:47 |
What's wrong with you, |
| 01:15:54 |
All you'll be able to do is write |
| 01:15:58 |
Tampon jingles, you fucking hack. |
| 01:16:02 |
[SCOTT SCREAMING] |
| 01:16:05 |
- Are you all right? |
| 01:16:10 |
- For a minute I thought you were |
| 01:16:14 |
Nothing. |
| 01:16:16 |
Anyway, so remember |
| 01:16:20 |
There's a star attached now. |
| 01:16:22 |
and frankly, I would much rather |
| 01:16:25 |
No, no. Who do you think I am? |
| 01:16:27 |
I don't understand. You wanna throw |
| 01:16:31 |
Well, my agent thought |
| 01:16:33 |
You're the guy who could get money |
| 01:16:37 |
- Frankly, I agree. |
| 01:16:39 |
- Why? |
| 01:16:44 |
There's a couple of things that |
| 01:16:47 |
- Sure. Like what? |
| 01:16:51 |
You've been divorced. |
| 01:16:53 |
- . for a year and a half. |
| 01:16:55 |
You almost married somebody else |
| 01:16:57 |
So what? It's not right. |
| 01:17:00 |
It's wrong. I mean, Scott, |
| 01:17:02 |
What difference does that make? |
| 01:17:06 |
Not happy. |
| 01:17:08 |
Is this a feeling |
| 01:17:14 |
- I'm gonna have to think about this. |
| 01:17:22 |
By the way, who's the actor |
| 01:17:25 |
- Brad Pitt. |
| 01:17:27 |
SCOTT: Hundred percent. |
| 01:17:30 |
SCOTT: |
| 01:17:33 |
I already have a couple of thoughts. |
| 01:17:35 |
- Oh, yeah? |
| 01:17:39 |
RABBI: Ladies and gentlemen, one last |
| 01:17:43 |
I wanna invite all of you |
| 01:17:45 |
to come forward and to lay |
| 01:17:49 |
That every one of us |
| 01:17:52 |
And after that, we'll sing, |
| 01:17:55 |
BRUCE: |
| 01:17:58 |
It couldn't be helped. |
| 01:18:00 |
Look, I'm certain we're both making |
| 01:18:05 |
I told you. Answer's no. |
| 01:18:08 |
"No" means the picture |
| 01:18:10 |
That's not good for you or me. |
| 01:18:13 |
BRUCE: |
| 01:18:15 |
Look. |
| 01:18:17 |
You're just a producer. |
| 01:18:19 |
You're just the fucking mayonnaise |
| 01:18:23 |
They're gonna crush your nuts. |
| 01:18:26 |
Yeah, I don't think |
| 01:18:31 |
- We'll see. |
| 01:18:35 |
I'd hate to have to fucking |
| 01:18:38 |
[SINGING IN HEBREW] |
| 01:18:44 |
[SOBBING] |
| 01:19:26 |
[DICK GRUNTING] |
| 01:19:28 |
MAN: |
| 01:19:32 |
SCOTT: |
| 01:19:33 |
MAN 2: Come on. Lift up. |
| 01:19:38 |
MAN 2: |
| 01:19:40 |
SCOTT: Dick, come on. |
| 01:19:42 |
- Dick. Dick. |
| 01:19:47 |
Come here. |
| 01:19:50 |
[DICK GRUNTING] |
| 01:19:58 |
[CHATTERING] |
| 01:20:09 |
CAL: Here's what happened. He went |
| 01:20:13 |
BEN: What did he look like? |
| 01:20:15 |
He had a hat, sunglasses |
| 01:20:18 |
That Makeup guy and his assistant |
| 01:20:22 |
- Door's locked. |
| 01:20:24 |
Said he didn't notice. |
| 01:20:26 |
I ran into him yesterday |
| 01:20:28 |
Well? |
| 01:20:29 |
Not good. |
| 01:20:32 |
[BELL RINGING] |
| 01:20:35 |
MAN 1: All right. |
| 01:20:38 |
Sid has asked me to come out |
| 01:20:41 |
But he's adamant, if the status is quo, |
| 01:20:44 |
Let's be patient. |
| 01:20:46 |
We're gonna be ready in 10. |
| 01:20:48 |
MAN 3: Allison, let's make sure |
| 01:20:51 |
- "If the status is quo"? |
| 01:20:54 |
God. |
| 01:20:59 |
MAN: |
| 01:21:08 |
He'll be out in a minute. |
| 01:21:10 |
Huh? |
| 01:21:12 |
Two. |
| 01:21:14 |
We're almost there. |
| 01:21:22 |
I'm betting beard. |
| 01:21:24 |
What kind of remark is that? |
| 01:21:28 |
Make a note: |
| 01:21:49 |
They say, you know, we're measured |
| 01:21:52 |
Okay, you're gonna have to stop it, |
| 01:21:56 |
CAL: |
| 01:21:59 |
Why not, what the hell? |
| 01:22:12 |
Okay, that's it, here we are! |
| 01:22:16 |
Fuck. |
| 01:22:34 |
Come on! |
| 01:22:42 |
[ALL GROANING] |
| 01:22:57 |
Hey, how about we get this fucker |
| 01:23:02 |
[CREW CHEERING] |
| 01:23:25 |
[THUNDER RUMBLING] |
| 01:24:13 |
[CHATTERING] |
| 01:24:22 |
JOHNNY: |
| 01:24:30 |
[JEREMY SPEAKING IN FRENCH] |
| 01:24:32 |
Ben, Ben, I'd like to introduce |
| 01:24:35 |
They're kind of young. |
| 01:24:36 |
Not really, 16 and 16 is 32. |
| 01:24:39 |
Aba knows numbers. |
| 01:24:44 |
[SPEAKING INDISTINCTLY] |
| 01:24:47 |
[BARKS] |
| 01:24:49 |
Hey, how are you? |
| 01:24:52 |
BEN: |
| 01:24:54 |
- So long as we kept our edge. |
| 01:24:58 |
BEN: |
| 01:25:05 |
JEREMY: I'm certainly optimistic. |
| 01:25:10 |
Yeah, no. |
| 01:25:13 |
You haven't seen his cut? |
| 01:25:15 |
- No. |
| 01:25:18 |
- It's finally there. |
| 01:25:20 |
- It's been a long hard one, but |
| 01:25:22 |
No, but you guys |
| 01:25:25 |
Well, thank you. |
| 01:25:27 |
[MC SPEAKING IN FRENCH ON PA] |
| 01:25:29 |
MC: |
| 01:25:33 |
Thank you. |
| 01:25:38 |
[MC SPEAKING IN FRENCH] |
| 01:26:09 |
[SPEAKING IN FRENCH] |
| 01:27:29 |
They like him. |
| 01:27:30 |
They do. |
| 01:27:32 |
There's a seat on the jet |
| 01:27:35 |
Wheels up, 2 a.m. sharp. |
| 01:27:37 |
- I'll get you the tail number, the details. |
| 01:27:43 |
- Nice job. |
| 01:27:47 |
[INSTRUMENTAL MUSIC PLAYING |
| 01:27:56 |
[FOOTSTEPS IN FILM] |
| 01:28:07 |
[CROWD LAUGHING] |
| 01:28:20 |
[TIRES SCREECH IN FILM] |
| 01:28:23 |
[INSTRUMENTAL MUSIC PLAYING |
| 01:28:37 |
[GUNSHOT] |
| 01:28:51 |
[SNIFFLES] |
| 01:28:58 |
[BARKING] |
| 01:29:04 |
SEAN: Father, forgive them, |
| 01:29:09 |
[BARKING] |
| 01:29:12 |
No! |
| 01:29:14 |
[CROWD GASPING] |
| 01:29:22 |
[GUNSHOT] |
| 01:29:26 |
[WOMAN SPEAKING FRENCH] |
| 01:29:28 |
[GUNSHOT] |
| 01:29:57 |
[CROWD GASPING] |
| 01:30:09 |
[GUNSHOT] |
| 01:30:24 |
MAN 1: |
| 01:30:28 |
[CROWD BOOING] |
| 01:30:33 |
MAN 2: |
| 01:30:36 |
[CROWD CHEERING] |
| 01:30:47 |
[CAMERAS CLICKING] |
| 01:31:13 |
[BARKS] |
| 01:31:19 |
ABA: |
| 01:31:27 |
You know, Lou... |
| 01:31:30 |
I gotta say |
| 01:31:34 |
And I've given this |
| 01:31:37 |
LOU: You've given it a thought. |
| 01:31:39 |
After seeing the movie tonight |
| 01:31:41 |
- . it really kind of grew on me. |
| 01:31:44 |
- And you know what? |
| 01:31:48 |
I think the ending |
| 01:31:53 |
Lot of courage. |
| 01:31:56 |
That's good to know. |
| 01:32:11 |
[DRIVER SPEAKING IN FRENCH] |
| 01:32:14 |
Excuse me? |
| 01:32:17 |
DRIVER: |
| 01:32:19 |
Yes. |
| 01:32:25 |
[PHONE RINGS] |
| 01:32:31 |
- Hello. |
| 01:32:34 |
- Hello. |
| 01:32:36 |
- Ben? |
| 01:32:37 |
Hi. Hi. |
| 01:32:40 |
You know the big sofa chair? It just |
| 01:32:45 |
and when I sat in it, |
| 01:32:48 |
So I thought I'd call and see how |
| 01:32:55 |
Oh, yeah. Yeah. It was okay. |
| 01:32:59 |
- So the chair came back? |
| 01:33:03 |
What sort of fabric? |
| 01:33:05 |
It's a beautiful |
| 01:33:12 |
Bright red. |
| 01:33:14 |
You know, I always thought |
| 01:33:18 |
I felt like a change. |
| 01:33:21 |
- Passport. |
| 01:33:23 |
Okay. Yeah, hi. |
| 01:33:26 |
Just hold on a second. |
| 01:33:29 |
It's 2112F. Two-one-one-two F. |
| 01:33:33 |
[SPEAKING IN FRENCH] |
| 01:33:38 |
[GUARD SPEAKING IN FRENCH] |
| 01:33:41 |
What's he saying? |
| 01:33:44 |
He says the plane already gone. |
| 01:33:47 |
No, it can't be gone |
| 01:33:50 |
DRIVER: But |
| 01:33:55 |
Ben, Ben, Ben. |
| 01:33:57 |
[BOTH SPEAKING IN FRENCH] |
| 01:33:59 |
BEN: No, no, I can't. |
| 01:34:08 |
Whoa! Whoa! |
| 01:34:10 |
Lou. Lou, it's me. Lou, Lou. Wait. |
| 01:34:15 |
[JET ENGINE ROARING |
| 01:34:18 |
Hey, hey. Lou. |
| 01:34:24 |
Hey, hey, hey. |
| 01:34:41 |
Hello, hello, hello. |
| 01:34:46 |
- Hello, Kelly? |
| 01:34:48 |
Oh, yeah, there's a lot of congestion |
| 01:34:51 |
- You know, a lot of traffic. |
| 01:34:53 |
Yeah. Yeah, you know, I think that |
| 01:34:58 |
I heard about this French bistro |
| 01:35:00 |
I thought, you know, |
| 01:35:04 |
Life's not bad. |
| 01:35:09 |
Well, I'm jealous. |
| 01:35:12 |
- So the chair came back? |
| 01:35:18 |
Yeah, but red, honey, |
| 01:35:21 |
I like it. It's really pretty. |
| 01:35:25 |
No, I just well, all right. |
| 01:35:28 |
I know that now, I know that. |
| 01:35:29 |
You actually said, |
| 01:35:34 |
That's amazing. |
| 01:35:40 |
So I'll let you go. |
| 01:35:44 |
Okay. I'll see you when I see you. |
| 01:35:49 |
Okay. Okay, I'll call you |
| 01:35:53 |
Bonjour. |
| 01:36:09 |
BEN: Remember |
| 01:36:16 |
Hey, Todd. |
| 01:36:17 |
I saw that thing on the Internet |
| 01:36:21 |
- Hey, hang in there. |
| 01:36:24 |
Went like gangbusters. |
| 01:36:26 |
Over on the wall |
| 01:36:28 |
which indicate where |
| 01:36:31 |
BEN: I was promised |
| 01:36:34 |
...the O and the W, where Stuart is. |
| 01:36:36 |
But once word leaked out |
| 01:36:39 |
I was sent way over by the P. |
| 01:36:41 |
Inches away from being |
| 01:36:44 |
WOMAN: Actually, Ben, the P. |
| 01:36:48 |
Right. The other way. Yeah. No, left. |
| 01:36:51 |
My left, your right. |
| 01:36:54 |
If you go right on the other side. That's |
| 01:36:58 |
Right. If you'd switch with Todd. |
| 01:37:00 |
Little farther. Little bit more. |
| 01:37:06 |
You're near the P. |
| 01:37:10 |
Great. Yeah, that's right. |
| 01:37:13 |
On the other side. Yeah. |
| 01:38:56 |
MAN: |
| 01:40:17 |
MAN: This is Fiercely, |
| 01:38:19 |
Subtitles by LeapinLar |
