|
What s The Worst That Could Happen
|
| 00:01:42 |
I start the bidding |
| 00:01:45 |
I have one thousand dollars |
| 00:02:09 |
If you're here for the sports |
| 00:02:11 |
it's next Wednesday. |
| 00:02:15 |
Oh, well, thank you, |
| 00:02:19 |
to look at |
| 00:02:21 |
Well, good for you. |
| 00:02:23 |
How about this one? |
| 00:02:26 |
Oh, yes, very exquisite. |
| 00:02:28 |
Yes, it is--for a fake. |
| 00:02:31 |
A fake? |
| 00:02:33 |
Yeah. See, it says here, |
| 00:02:35 |
Young Girl by Window... |
| 00:02:37 |
is seventeenth century |
| 00:02:39 |
-But it's not. |
| 00:02:42 |
See, the shading |
| 00:02:46 |
I'd date this back |
| 00:02:47 |
they was usin' the White House |
| 00:02:50 |
You know, when everybody |
| 00:02:53 |
When certain staff members |
| 00:02:59 |
Sir, with all due respect... |
| 00:03:00 |
I think you'll find that |
| 00:03:02 |
It's a fake, OK? |
| 00:03:04 |
-I have an eye. |
| 00:03:06 |
Yes. Just like them |
| 00:03:09 |
I know when got up today, |
| 00:03:11 |
You got in the mirror, |
| 00:03:14 |
You came to work, you know, |
| 00:03:17 |
I know you thought they was, |
| 00:03:21 |
Nah, they knock-offs, darlin'. |
| 00:03:26 |
They're fake... like this |
| 00:03:30 |
702, Young Girl by the Window. |
| 00:03:40 |
Sold to paddle number fourteen. |
| 00:03:42 |
Next up, Lot 702, |
| 00:03:46 |
has been pulled |
| 00:03:50 |
So we'll move on to Lot 703... |
| 00:03:53 |
The Hudson River Valley |
| 00:03:56 |
A fine example of |
| 00:04:00 |
You may find it of interest... |
| 00:04:01 |
that the artist responsible |
| 00:04:04 |
was a Boston native |
| 00:04:07 |
on our very own |
| 00:04:11 |
My colleagues and I |
| 00:04:13 |
Excuse me. |
| 00:04:15 |
Here, let me switch with you. |
| 00:04:18 |
Let me just try to slide by you. |
| 00:04:20 |
Pardon me. |
| 00:04:21 |
Please, will you watch it? |
| 00:04:23 |
All right, that's... |
| 00:04:28 |
Um, let me try this. |
| 00:04:32 |
-OK, OK. Slide over. Go. |
| 00:04:35 |
Like that, see? Got it. |
| 00:04:37 |
Excuse me. All right. |
| 00:04:41 |
Deal a meal. |
| 00:04:49 |
You OK? |
| 00:04:52 |
Would you mind |
| 00:04:55 |
Now, if I leave you alone... |
| 00:04:56 |
you sitting here |
| 00:04:59 |
how you think |
| 00:05:04 |
You wouldn't understand. |
| 00:05:06 |
That painting is yours. |
| 00:05:09 |
You don't want to sell it, |
| 00:05:11 |
Three fifty. |
| 00:05:14 |
Give or take a pound. |
| 00:05:17 |
Five hundred. Five hundred. |
| 00:05:20 |
Five fifty I have. Five fifty. |
| 00:05:24 |
My father |
| 00:05:27 |
and I love it, but I need |
| 00:05:31 |
One thousand five hundred. |
| 00:05:32 |
One thousand five hundred. |
| 00:05:34 |
-Two thousand. |
| 00:05:36 |
Two thousand five hundred |
| 00:05:38 |
I have 2,500. Do I have 3,000? |
| 00:05:41 |
Two thousand five hundred |
| 00:05:43 |
twice--sold. |
| 00:05:45 |
Paddle number fourteen. |
| 00:05:46 |
Well, that's that. |
| 00:05:49 |
What's your name? |
| 00:05:53 |
Amber Belhaven. |
| 00:05:54 |
Oh, very pretty name. |
| 00:05:56 |
Kevin. Kevin Caffrey. |
| 00:05:59 |
Look... |
| 00:06:01 |
I couldn't buy that painting... |
| 00:06:03 |
but I can buy you |
| 00:06:09 |
So after I graduated |
| 00:06:11 |
I moved here from London |
| 00:06:14 |
with a new natural history |
| 00:06:18 |
-What? |
| 00:06:20 |
You can figure out the rest. |
| 00:06:22 |
They went under, so here I am. |
| 00:06:26 |
So what are you gonna do now? |
| 00:06:28 |
Get a job. |
| 00:06:30 |
I'm sure there are |
| 00:06:31 |
for a girl with a degree |
| 00:06:34 |
OK. Now, anthropology... |
| 00:06:35 |
that's, like, |
| 00:06:38 |
See, I'm glad I read that |
| 00:06:40 |
or I wouldn't know. |
| 00:06:43 |
So what do you do, Kevin? |
| 00:06:46 |
I'm a--I'm a businessman. |
| 00:06:49 |
Yeah. Matter of fact, I was late |
| 00:06:56 |
I hope this is not too personal, |
| 00:07:01 |
do they have one of those |
| 00:07:06 |
And in that refrigerator, do |
| 00:07:09 |
Yeah, I guess. |
| 00:07:11 |
Well, |
| 00:07:13 |
would you like me to come by |
| 00:07:16 |
See if in fact they do? |
| 00:07:18 |
Now, you wouldn't try |
| 00:07:27 |
-Why are you blinking? |
| 00:07:30 |
I tell a lie, I blink. |
| 00:07:32 |
Oh, that must keep you |
| 00:07:34 |
I'd make a terrible lawyer. |
| 00:07:35 |
So, can you force yourself |
| 00:07:38 |
blink when |
| 00:07:41 |
So when you're not blinking... |
| 00:07:42 |
it means you're definitely |
| 00:07:44 |
but when you are blinking, |
| 00:07:48 |
or it means that you're |
| 00:07:49 |
to make it look like |
| 00:07:51 |
That's right. |
| 00:07:53 |
That sounds very complicated. |
| 00:07:55 |
It's not, really. |
| 00:07:58 |
So what's up? |
| 00:08:01 |
Can I see you later? |
| 00:08:04 |
Sure. |
| 00:08:06 |
Wait. |
| 00:08:09 |
You got the same thing |
| 00:08:12 |
and I don't know what you... |
| 00:08:13 |
She's got it goin' on. |
| 00:08:15 |
I will find you. |
| 00:08:45 |
Who is it? |
| 00:09:03 |
This is for you. |
| 00:09:16 |
How much did he want |
| 00:09:19 |
'Cause I'll pay you back |
| 00:09:23 |
Well, it, uh... |
| 00:09:27 |
What, you stole it? |
| 00:09:28 |
That's what I do. |
| 00:09:33 |
But I thought |
| 00:09:37 |
I am. |
| 00:09:40 |
I'm in the business of stealing. |
| 00:09:42 |
Yeah, |
| 00:09:44 |
to learn what's worth stealing. |
| 00:09:46 |
Connoisseur |
| 00:09:51 |
Wow. |
| 00:09:54 |
I apologize if it's a shock. |
| 00:09:59 |
Well, I dated a lawyer |
| 00:10:00 |
so ethically speaking, |
| 00:10:05 |
Normally, I don't tell a woman |
| 00:10:10 |
Then again, I don't normally |
| 00:10:13 |
Me, neither. |
| 00:10:24 |
You see this ring? |
| 00:10:27 |
My father gave this to me... |
| 00:10:29 |
to remind me every day |
| 00:10:35 |
My father believed in fate, |
| 00:10:39 |
Used to be his lucky ring. |
| 00:10:41 |
Now it's yours. |
| 00:10:44 |
Well, how lucky was he? |
| 00:10:46 |
Well, he was wearing it... |
| 00:10:48 |
when he won that painting |
| 00:10:53 |
Now I want something from you. |
| 00:10:55 |
Name it. |
| 00:10:57 |
I want you to promise me |
| 00:11:01 |
I've been |
| 00:11:02 |
and I'll never do it again. |
| 00:11:04 |
So no lies, OK? |
| 00:11:06 |
No lies. |
| 00:11:08 |
Said without a blink. |
| 00:11:16 |
Oh, my God, |
| 00:11:19 |
I am too rich to have |
| 00:11:21 |
-You gotta get me out of this! |
| 00:11:24 |
OK. I'll just undo |
| 00:11:27 |
you've been a part of |
| 00:11:29 |
Sounds good to me! |
| 00:11:31 |
There are no loopholes |
| 00:11:32 |
Bankruptcy is the only option. |
| 00:11:34 |
Great! Screw it. |
| 00:11:36 |
Just file the goddamn papers. |
| 00:11:38 |
What's the worst |
| 00:11:39 |
Bankruptcy, Max. |
| 00:11:41 |
That's the worst |
| 00:11:42 |
Poodle cakes, it's only |
| 00:11:46 |
This is no big deal. |
| 00:11:48 |
This is a... |
| 00:11:49 |
It's a tech-technical procedure. |
| 00:11:53 |
Yeah, that's right--a simple |
| 00:11:56 |
It's humiliating, and it'll be |
| 00:11:59 |
Well... |
| 00:12:01 |
Maybe my father was right |
| 00:12:03 |
Whoa, whoa, whoa, whoa. |
| 00:12:05 |
to bring your daddy into this, |
| 00:12:07 |
Walter and I, |
| 00:12:09 |
Our strategy is planned. |
| 00:12:15 |
Fix it, Max, or else. |
| 00:12:17 |
There is nothing to worry about, |
| 00:12:20 |
These things have a tendency... |
| 00:12:21 |
to work themselves out |
| 00:12:22 |
They always do. Come on. |
| 00:12:26 |
Come on, let me see 'em. |
| 00:12:29 |
That's it. Wanna go to lunch? |
| 00:12:31 |
Let's go. Come on. |
| 00:12:32 |
Let's go. |
| 00:12:34 |
We'll forget all this crap. |
| 00:12:41 |
Respect. |
| 00:12:43 |
R-e-s-p--you know the rest. |
| 00:12:46 |
That's what's missing. |
| 00:12:49 |
Nobody respect your work, |
| 00:12:52 |
You know what I'm sayin'? |
| 00:12:54 |
Nod your head, man, |
| 00:12:55 |
Yeah, respect. I hear you. |
| 00:12:57 |
If I want to talk to myself, |
| 00:13:01 |
I know that good-lookin' |
| 00:13:04 |
I know that smile anywhere. |
| 00:13:05 |
What you got |
| 00:13:07 |
Uh, nothin'. |
| 00:13:09 |
-Where is she? |
| 00:13:11 |
She loves to work. |
| 00:13:13 |
She the best damn waitress |
| 00:13:15 |
All perky and shit. |
| 00:13:16 |
You'd like her, |
| 00:13:18 |
How I'm gonna get to know her, |
| 00:13:20 |
I know all I need to know. |
| 00:13:22 |
You ain't pulled a damn job |
| 00:13:26 |
Look, Uncle Jack, |
| 00:13:28 |
-You sure can. |
| 00:13:31 |
That's doggone right. |
| 00:13:32 |
-All right, I think-- |
| 00:13:36 |
-I know-- |
| 00:13:37 |
-I love her. |
| 00:13:39 |
Son, son, she wrong for you. |
| 00:13:41 |
What? |
| 00:13:43 |
Whatever happened to Sharon, |
| 00:13:46 |
-Two years upstate. |
| 00:13:47 |
-For conning people. |
| 00:13:49 |
Yeah. But, see, with Sharon, |
| 00:13:52 |
-That's good. |
| 00:13:56 |
-Well, it's still sex. |
| 00:13:59 |
-But we talk. |
| 00:14:01 |
Yes. It's so amazing to wake up |
| 00:14:06 |
Talk? You ain't Oprah. |
| 00:14:09 |
Hey, honey bun, how are you? |
| 00:14:11 |
-Mmm. How ya doin'? |
| 00:14:17 |
Hey, look what the cat drug in. |
| 00:14:19 |
Hey, something cold |
| 00:14:20 |
-You got it, buddy. |
| 00:14:23 |
-Hey, what's up, Kevin dog? |
| 00:14:25 |
Everything's sweet now. |
| 00:14:28 |
Hey, to all the women I loved |
| 00:14:31 |
You better not let Anne Marie |
| 00:14:34 |
Aw, don't worry, man. |
| 00:14:36 |
It's Anne Marie. |
| 00:14:40 |
Berger, best thing |
| 00:14:44 |
Sweetheart. |
| 00:14:47 |
And any friend of Kevin's |
| 00:14:52 |
I gotta get back to work myself. |
| 00:14:54 |
-It's a delight and a pleasure. |
| 00:14:58 |
Nice ass. |
| 00:15:00 |
Hey, man, what did I just say? |
| 00:15:02 |
I'm sorry, dog. |
| 00:15:04 |
Come on, most of the girls |
| 00:15:06 |
Yeah, well, |
| 00:15:08 |
She got a degree |
| 00:15:09 |
I'll remember that if I ever |
| 00:15:12 |
-Do that. |
| 00:15:14 |
-What? |
| 00:15:17 |
Big score. Safe as houses. |
| 00:15:19 |
Safe as houses? |
| 00:15:22 |
Yes. In fact, |
| 00:15:24 |
-Well, talk to me. |
| 00:15:27 |
I used to, |
| 00:15:31 |
-Ever hear of Max Fairbanks? |
| 00:15:39 |
Hey, this better be good. |
| 00:15:41 |
Oh, you're gonna love this, man. |
| 00:15:43 |
Come on. |
| 00:15:44 |
"Billionaire Max Fairbanks |
| 00:15:47 |
"a division of T.U.I., |
| 00:15:50 |
The man's broke, |
| 00:15:52 |
Oh, don't cry for him, |
| 00:15:53 |
This man would steal your moms |
| 00:15:56 |
This is one of those |
| 00:15:58 |
Big business--that's where |
| 00:16:00 |
No heavy lifting. |
| 00:16:03 |
And brothers like us |
| 00:16:06 |
Come on, read on. |
| 00:16:07 |
"Under the terms |
| 00:16:09 |
"Fairbanks no longer has access |
| 00:16:12 |
"including West Chop... |
| 00:16:13 |
"his Marblehead |
| 00:16:17 |
The man can't even |
| 00:16:27 |
-Always makes me laugh. |
| 00:16:30 |
Why don't they just |
| 00:16:31 |
"Welcome, burglars. |
| 00:16:35 |
-Here. |
| 00:16:38 |
Aren't they, man? |
| 00:16:39 |
I know a lot of guys who |
| 00:16:41 |
but for comfort and feel, |
| 00:16:44 |
First class, my man. |
| 00:16:46 |
First class all the way. |
| 00:16:48 |
Coming from you, |
| 00:16:50 |
It's all good. Let's do this. |
| 00:16:55 |
Oh, come on, Max. |
| 00:16:58 |
I'm not done. I have more. |
| 00:17:01 |
God, I can't believe you. |
| 00:17:03 |
Max, will you please |
| 00:17:09 |
I love the costume. |
| 00:17:11 |
I'm naked. |
| 00:17:13 |
Oh, a joke. |
| 00:17:15 |
Yeah, a joke. |
| 00:17:24 |
Ah, baby. I did it. I did it. |
| 00:17:29 |
What do you say? |
| 00:17:31 |
Can we please get back to what |
| 00:17:34 |
Oh, that. Look... |
| 00:17:36 |
I think you'd make |
| 00:17:38 |
entertainment journalist, |
| 00:17:39 |
Tracey. Tracey Kimberly. |
| 00:17:45 |
I'm just not sure |
| 00:17:47 |
at this precise moment. |
| 00:17:49 |
You know, I knew you'd say that |
| 00:17:51 |
Don't say |
| 00:17:53 |
Don't turn |
| 00:17:55 |
into something cheap and sordid |
| 00:18:00 |
Here comes the little finger man |
| 00:18:03 |
Wow, check that out. |
| 00:18:07 |
-Faberge. |
| 00:18:09 |
Gold enamel, diamond inlay. |
| 00:18:12 |
Oh, yeah, I have it now. |
| 00:18:14 |
Yeah, baby. |
| 00:18:16 |
Is that not the score |
| 00:18:18 |
Fun, too. |
| 00:18:23 |
You want to hop upstairs, |
| 00:18:24 |
You called it. You called it. |
| 00:18:27 |
Thanks. |
| 00:18:29 |
All right. You wanna do it? |
| 00:18:32 |
-Really? |
| 00:18:33 |
Go. Ready? We're gonna do it. |
| 00:18:35 |
Five, four, three, two... |
| 00:18:41 |
Titanic heartthrob |
| 00:18:44 |
told me, Tracey Kimberly, in |
| 00:18:48 |
that he is currently |
| 00:18:50 |
to do a sequel |
| 00:18:52 |
which will be entitled |
| 00:18:56 |
What is it... |
| 00:18:58 |
the story of a dead guy |
| 00:19:00 |
Who? |
| 00:19:01 |
Well, lookie here. |
| 00:19:04 |
Monday... |
| 00:19:06 |
Tuesday, Wednesday... |
| 00:19:08 |
Every day of the week. |
| 00:19:12 |
-What? |
| 00:19:24 |
Oh, yeah. Now we're stylin'. |
| 00:19:29 |
Berger, a tan suede newbuck. |
| 00:19:32 |
Yeah, I like a thick sole |
| 00:19:34 |
Grounds it, |
| 00:19:36 |
I do. |
| 00:19:39 |
-Oh, gosh. |
| 00:19:47 |
Tracey, |
| 00:19:49 |
What do you think this is, |
| 00:19:51 |
But I want to see |
| 00:19:52 |
What does it look like |
| 00:19:54 |
The guy's robbing the house. |
| 00:19:57 |
Go on back in there. |
| 00:20:01 |
Damn. You must be rich. |
| 00:20:02 |
That's right. |
| 00:20:04 |
Look, you caught me, |
| 00:20:08 |
But how about |
| 00:20:10 |
nothing taken, nothing harmed? |
| 00:20:13 |
You stay right where you are, |
| 00:20:15 |
-How's that sound? |
| 00:20:19 |
But I see your point. |
| 00:20:24 |
-So, he wasn't carrying a gun? |
| 00:20:26 |
-No I.D.? |
| 00:20:29 |
-What's your name, bro? |
| 00:20:33 |
I'm Stevie's little brother... |
| 00:20:38 |
but I don't sing. |
| 00:20:39 |
You know who I am? |
| 00:20:41 |
You got a lot of balls, huh? |
| 00:20:43 |
You come into my house, |
| 00:20:46 |
and take my ring. |
| 00:20:49 |
-What? |
| 00:20:50 |
Stop trippin', all right? |
| 00:20:53 |
Ha! Son of a bitch! He was gonna |
| 00:20:55 |
with my ring |
| 00:20:57 |
Take off the ring, |
| 00:20:59 |
-Officer, this is my ring. |
| 00:21:01 |
Look, my girlfriend |
| 00:21:03 |
If I don't come home |
| 00:21:04 |
Give me the ring. Give me it. |
| 00:21:07 |
This is my ring. |
| 00:21:10 |
You expect us to believe that? |
| 00:21:12 |
You... |
| 00:21:19 |
I can go along |
| 00:21:21 |
some things make no damn sense. |
| 00:21:24 |
-Let go of the damn ring. |
| 00:21:28 |
Write a letter to the editor. |
| 00:21:30 |
Oop. I forgot. |
| 00:21:34 |
We'll take care of everything. |
| 00:21:37 |
Get him out of here. |
| 00:21:38 |
Don't you worry, |
| 00:21:40 |
This is a good ring. |
| 00:21:42 |
This is a very nice ring. |
| 00:21:48 |
All right, just hear me out, OK? |
| 00:21:51 |
I just feel if we were |
| 00:21:54 |
and, uh, give him |
| 00:21:57 |
you know, come clean... |
| 00:21:58 |
he might just hand over what is |
| 00:22:03 |
I could see how that sounds |
| 00:22:06 |
Comin' out of my mouth. |
| 00:22:07 |
But it's the truth. |
| 00:22:09 |
Can I see my lawyer? |
| 00:22:11 |
Seventeen, |
| 00:22:14 |
at Twenty-five Harbor Heights, |
| 00:22:16 |
what's your twenty? |
| 00:22:18 |
Yeah. That's it, 10-4. We're on |
| 00:22:21 |
en route to the station |
| 00:22:24 |
What? Hey! Hey, you! Stop! |
| 00:22:29 |
Shit! What's going on? |
| 00:22:31 |
That son of a bitch! |
| 00:22:57 |
Anything? |
| 00:22:59 |
Nothing. Clear. Let's go. |
| 00:23:23 |
I want my damn ring! |
| 00:23:29 |
You don't know what you started. |
| 00:23:55 |
I'll take door number three. |
| 00:24:02 |
Gotta go! |
| 00:24:19 |
Hello, honey bun. |
| 00:24:22 |
Good. |
| 00:24:30 |
What's the matter? |
| 00:24:36 |
Well, was it bad? |
| 00:24:42 |
Go on. |
| 00:24:47 |
I lost the ring. |
| 00:24:50 |
Oh, Kevin, |
| 00:24:55 |
Well, actually, it's worse |
| 00:24:59 |
Stolen by who? |
| 00:25:01 |
Of all the lousy, jerkological, |
| 00:25:05 |
this has gotta take the cake. |
| 00:25:06 |
-You got that right. |
| 00:25:09 |
doing a robbery. |
| 00:25:11 |
Terrible, Kevin, terrible. |
| 00:25:15 |
-You laughing at me? |
| 00:25:17 |
It's embarrassing. You should be |
| 00:25:20 |
Sixteen thousand. |
| 00:25:21 |
What's in that cigar |
| 00:25:23 |
Come on, the Fabergé egg alone-- |
| 00:25:26 |
Nice. Don't want it. |
| 00:25:27 |
-Can't move it. |
| 00:25:30 |
It's worth-- |
| 00:25:31 |
OK, I'll give you six and a half |
| 00:25:34 |
Round it off to twenty-one five. |
| 00:25:36 |
That's because |
| 00:25:38 |
and I'm happy to see you |
| 00:25:41 |
-Sixteen. |
| 00:25:43 |
-Plus six and a half. |
| 00:25:47 |
-Is twenty-one five? |
| 00:25:51 |
Twenty-one, fifteen, twenty... |
| 00:25:54 |
Don't worry about it. |
| 00:25:58 |
Look here, it's late, all right? |
| 00:25:59 |
I wanted to see |
| 00:26:01 |
so I took a shot at you. |
| 00:26:04 |
Man... |
| 00:26:05 |
I just feel like I'm getting |
| 00:26:11 |
Come on, Kevin, |
| 00:26:14 |
Why are you so upset? |
| 00:26:16 |
Why am I so upset? |
| 00:26:19 |
Baby, let me show you something. |
| 00:26:21 |
You see this? |
| 00:26:24 |
This is a Fabergé egg-- |
| 00:26:28 |
Now, some people get all freaked |
| 00:26:32 |
Why? |
| 00:26:35 |
Power, taste, superiority. |
| 00:26:37 |
That's all in the mind... |
| 00:26:39 |
of the person |
| 00:26:41 |
What's it mean to me? |
| 00:26:44 |
Not a damn thing. |
| 00:26:45 |
Too hard to fence. |
| 00:26:48 |
Now, the ring, |
| 00:26:51 |
is priceless. |
| 00:26:52 |
It symbolizes |
| 00:26:56 |
the day I met you. |
| 00:26:58 |
Wow. |
| 00:27:08 |
Let's go, Monty. |
| 00:27:13 |
Ooh, bull's-eye! |
| 00:27:16 |
Game, set, match. |
| 00:27:22 |
Do we have a problem? |
| 00:27:24 |
No. You have a problem... |
| 00:27:26 |
from which I, |
| 00:27:28 |
will once again |
| 00:27:31 |
-So? |
| 00:27:33 |
there was a break-in last night. |
| 00:27:35 |
Oh, no. You're kidding. |
| 00:27:38 |
Hmm. Did they get much? |
| 00:27:40 |
A hundred fifty thousand dollars |
| 00:27:44 |
That's right, Max. He went back. |
| 00:27:48 |
-Son of a bitch. |
| 00:27:51 |
Shut up. |
| 00:27:54 |
Does Lutetia |
| 00:27:58 |
About the young lady? |
| 00:28:00 |
You've got bigger problems, Max. |
| 00:28:02 |
The bankruptcy judge |
| 00:28:04 |
you disobeyed his order |
| 00:28:06 |
Can't you use a seedy motel, |
| 00:28:14 |
What's so funny? |
| 00:28:16 |
I was thinking |
| 00:28:17 |
Something funny |
| 00:28:19 |
Yeah, yeah, Walter, there is. |
| 00:28:22 |
You think that shit's funny? |
| 00:28:24 |
He boosted your ring |
| 00:28:29 |
Come on, you got to see |
| 00:28:30 |
I don't. |
| 00:28:32 |
I robbed a thief. How could you |
| 00:28:36 |
Because it's not funny. |
| 00:28:37 |
It's more than just funny, |
| 00:28:40 |
Here. |
| 00:28:43 |
It's my company logo |
| 00:28:47 |
Omens, signs, throwing bones... |
| 00:28:50 |
I don't throw bones, Walter, |
| 00:28:53 |
And I've been using the I Ching |
| 00:28:56 |
and look where it's got me. |
| 00:28:58 |
This ring... |
| 00:28:59 |
is a sign. |
| 00:29:02 |
Everything |
| 00:29:05 |
as long as I hold on |
| 00:29:10 |
Don't worry. |
| 00:29:12 |
-Fairbanks is big game. |
| 00:29:14 |
We need a big game hunter. |
| 00:29:17 |
Shelly Nix. |
| 00:29:24 |
Shut the fuck up, man. |
| 00:29:27 |
Thank you. |
| 00:29:28 |
What the fuck's |
| 00:29:29 |
Can you find this asshole |
| 00:29:32 |
Piece of cake. |
| 00:29:33 |
It's no harder than shutting |
| 00:29:35 |
Not that I'd have any interest. |
| 00:29:37 |
All right. Check it out, y'all. |
| 00:29:39 |
Usually, when you're trying |
| 00:29:40 |
what you want to do is start |
| 00:29:43 |
car rental companies, big hotel |
| 00:29:46 |
This guy's a high roller. |
| 00:29:48 |
when he's there from one way, (?) |
| 00:29:51 |
and corporate hotel suites |
| 00:29:53 |
How do you find him? |
| 00:29:55 |
He's got a personal assistant |
| 00:29:57 |
She e-mails his itineraries, |
| 00:30:00 |
She practically knows |
| 00:30:02 |
Her name is Gloria. |
| 00:30:09 |
The ring I told you about-- |
| 00:30:11 |
I'm more convinced than ever |
| 00:30:14 |
You know... |
| 00:30:15 |
I wouldn't tell |
| 00:30:18 |
What, my musky teddy bear? |
| 00:30:19 |
Tell mama. |
| 00:30:22 |
Mama bear don't care. |
| 00:30:24 |
Gloria, stop it. |
| 00:30:26 |
Screw you, Max. |
| 00:30:28 |
-Gloria. |
| 00:30:30 |
The past is the past. |
| 00:30:31 |
What can I do for you, sir? |
| 00:30:33 |
I was saying I was beginning |
| 00:30:37 |
I was feeling |
| 00:30:41 |
But this ring is like a sign |
| 00:30:45 |
I was just wondering if, |
| 00:30:47 |
All right, Max. All right. |
| 00:30:51 |
Nine in the second place. |
| 00:30:55 |
The perseverance of a dark man |
| 00:31:00 |
Judgment, treading upon |
| 00:31:02 |
it does not bite man. |
| 00:31:04 |
What did the Boston Herald |
| 00:31:06 |
"The dark prince of plunder." |
| 00:31:07 |
Perseverance of the dark man-- |
| 00:31:10 |
Well, maybe. |
| 00:31:11 |
Treading on the tiger's tale. |
| 00:31:13 |
Taking mad chances |
| 00:31:14 |
Like that time we were |
| 00:31:19 |
Focus, Gloria, focus. |
| 00:31:22 |
Let me consult my cards. |
| 00:31:24 |
Go ahead, go ahead, go ahead. |
| 00:31:25 |
I will, Max. |
| 00:31:32 |
What? What? |
| 00:31:34 |
-Max, I'm losing you. |
| 00:31:37 |
You're cutting out. |
| 00:31:38 |
I hope you got the e-mail that |
| 00:31:40 |
Lutetia? What does she want? |
| 00:31:41 |
Lutetia? What does she want? |
| 00:31:42 |
The only person he's afraid of |
| 00:31:44 |
Here she is-- |
| 00:31:47 |
Beacon Hill townhouse |
| 00:31:50 |
Damn. Lutetia |
| 00:31:53 |
What the hell were you doing |
| 00:31:55 |
and who the hell |
| 00:31:58 |
Scandal and disease, Max. |
| 00:32:01 |
I'm a monk. |
| 00:32:02 |
Just because |
| 00:32:03 |
doesn't mean |
| 00:32:05 |
And take off your shoes-- |
| 00:32:08 |
Oh. Tell me again. |
| 00:32:11 |
Because I grew up |
| 00:32:13 |
which gave you entrée |
| 00:32:15 |
who could invest |
| 00:32:18 |
And you had a great ass. |
| 00:32:19 |
Oh. Have a great ass. |
| 00:32:21 |
Don't forget. |
| 00:32:22 |
Picker is hosting |
| 00:32:25 |
at the Sheraton Boston |
| 00:32:26 |
honoring me. |
| 00:32:27 |
I'd like to pay tribute |
| 00:32:30 |
Come over here. |
| 00:32:32 |
Six o'clock sharp. |
| 00:32:33 |
Picker hates it |
| 00:32:36 |
Right. |
| 00:32:42 |
Boy, I need a massage. |
| 00:32:45 |
Ah, hold up, hold up. |
| 00:32:48 |
benefit tonight at the Sheraton |
| 00:32:52 |
Let the games begin. |
| 00:32:55 |
Hell, yeah, baby. |
| 00:32:56 |
Very hip, very cool. |
| 00:32:59 |
Very Vegas in the sixties. |
| 00:33:02 |
But how about you come over here |
| 00:33:05 |
Let me entertain you first. |
| 00:33:12 |
Give me dollars, |
| 00:33:14 |
Put 'em here. |
| 00:33:16 |
hundreds go here. |
| 00:33:17 |
During her eight years... |
| 00:33:19 |
of involvement |
| 00:33:22 |
she has impressed us all with |
| 00:33:30 |
Evening. Evening. |
| 00:33:32 |
Evening, sir. |
| 00:33:35 |
Lutetia Fairbanks. |
| 00:33:44 |
What's happening, |
| 00:33:46 |
You a talking bird? |
| 00:33:48 |
Say, "Max, that's your ass." |
| 00:33:51 |
Ooh, I'm sorry. Ladies! |
| 00:33:54 |
Where have y'all been? |
| 00:33:57 |
You know, I haven't seen y'all |
| 00:33:59 |
Who does your eyes? |
| 00:34:01 |
Yeah, yeah. Look at y'all. |
| 00:34:06 |
Thank you. |
| 00:34:07 |
And thank you all |
| 00:34:09 |
and for |
| 00:34:10 |
to the Boston |
| 00:34:13 |
We have all sorts |
| 00:34:16 |
none of which would be possible |
| 00:34:18 |
Let me ask you something. |
| 00:34:21 |
Is that Mrs. Fairbanks up there? |
| 00:34:23 |
Their tireless team |
| 00:34:25 |
'Cause I'm confused. |
| 00:34:27 |
was a young brunette |
| 00:34:33 |
You're here to blackmail me? |
| 00:34:36 |
Be cool. |
| 00:34:38 |
I'm just here |
| 00:34:40 |
That's my lucky ring, |
| 00:34:42 |
No, it's not, |
| 00:34:46 |
Spoils of war. |
| 00:34:50 |
It means something to me. |
| 00:34:52 |
Well, it means something |
| 00:34:54 |
because I took it |
| 00:34:56 |
who broke into my house... |
| 00:34:57 |
while I was trying to nail |
| 00:35:00 |
That was Miss September? |
| 00:35:02 |
Yeah, it was Miss September. |
| 00:35:03 |
Oh, damn. I got that issue. |
| 00:35:10 |
So how rich are you? |
| 00:35:16 |
You know... |
| 00:35:18 |
it's guys like you |
| 00:35:20 |
take whatever you want, |
| 00:35:23 |
-Guys like me? |
| 00:35:26 |
Who's the thief here? |
| 00:35:30 |
I want my damn ring. |
| 00:35:32 |
Well, you can't have |
| 00:35:45 |
You're gonna regret this. |
| 00:35:53 |
Excuse me. |
| 00:35:58 |
Total stranger. |
| 00:36:00 |
Trés bizarre. |
| 00:36:01 |
Are you gonna eat that? |
| 00:36:03 |
I'm telling you, man. |
| 00:36:04 |
When--when word gets out... |
| 00:36:06 |
everybody |
| 00:36:09 |
That's it. |
| 00:36:11 |
-Take him down, man. |
| 00:36:14 |
It don't even matter. |
| 00:36:16 |
When I see him, what's up? |
| 00:36:18 |
But you know what? |
| 00:36:20 |
Guess where else I'm going. |
| 00:36:22 |
-Oh, the ghetto smack. |
| 00:36:25 |
Well, you hit him with anything. |
| 00:36:27 |
Drum set, bam! |
| 00:36:28 |
Piano, pow! |
| 00:36:31 |
Stop it! |
| 00:36:32 |
Sorry to break up the party... |
| 00:36:34 |
but I thought you were trying |
| 00:36:39 |
Yeah, baby. That's right. |
| 00:36:42 |
Kevin, are you blinking? |
| 00:36:45 |
No. What it was, right-- |
| 00:36:49 |
See, probably right here. |
| 00:36:51 |
-See? |
| 00:36:53 |
Oh, yeah, it's gone. |
| 00:36:55 |
Do me a favor. |
| 00:36:57 |
No doubt. |
| 00:36:59 |
Baby letting you know |
| 00:37:03 |
-What you got? |
| 00:37:05 |
He and his wife are going |
| 00:37:07 |
ending by 8:00, |
| 00:37:09 |
Yeah, we'll be there |
| 00:37:11 |
Take the ring right off |
| 00:37:13 |
And before that? |
| 00:37:15 |
A complete removal |
| 00:37:19 |
I'm sure we can work this out, |
| 00:37:22 |
if you just look |
| 00:37:23 |
You have a sworn statement |
| 00:37:25 |
stating that he only went back |
| 00:37:28 |
to pick up |
| 00:37:31 |
Very important stuff. |
| 00:37:32 |
I have a good idea |
| 00:37:35 |
Oh, you do, do you? |
| 00:37:36 |
You don't think the rules apply |
| 00:37:39 |
What? |
| 00:37:41 |
All right, all right, all right, |
| 00:37:44 |
Since you defied my order... |
| 00:37:46 |
not to enter |
| 00:37:47 |
I have a good mind to reopen... |
| 00:37:49 |
the entire Chapter 11 |
| 00:37:52 |
You know, you weren't so cocky |
| 00:37:54 |
with your hand out |
| 00:37:57 |
What did you say, Mr. Fairbanks? |
| 00:37:58 |
What do you think I forgot how much |
| 00:38:01 |
by spreading stories... |
| 00:38:02 |
about your opponent's |
| 00:38:07 |
Oh, get some money. |
| 00:38:09 |
I fork over, and what do you do? |
| 00:38:10 |
You sit there |
| 00:38:13 |
-Sell the house! |
| 00:38:16 |
And all the contents |
| 00:38:20 |
Max, what did you get |
| 00:38:22 |
I'll tell you. He forgot |
| 00:38:25 |
It was the other judge. |
| 00:38:27 |
Tread a level course. |
| 00:38:31 |
So I forgot |
| 00:38:32 |
Boy, this guy holds a grudge. |
| 00:38:34 |
Max, you get one final visit... |
| 00:38:35 |
to gather and remove |
| 00:38:38 |
-One final visit? |
| 00:38:39 |
Max, I could come along |
| 00:38:42 |
Thanks just the same. |
| 00:38:56 |
Everything's gonna be fine. |
| 00:38:59 |
we'll go to Missy's party, |
| 00:39:02 |
-Right. |
| 00:39:05 |
We still have |
| 00:39:07 |
Move your ass, Berger. |
| 00:39:10 |
-I got a bad feeling, Kevin. |
| 00:39:14 |
Something's not right, man, |
| 00:39:15 |
The only thing's not right |
| 00:39:18 |
-I'm talking violence. |
| 00:39:20 |
You can't get rid of me, man. |
| 00:39:22 |
We're like Shaq and Kobe. |
| 00:39:25 |
We're like |
| 00:39:26 |
Ann Marie's been making me go |
| 00:39:29 |
-OK, I'm on the alarm. |
| 00:39:35 |
Alarm disabled. |
| 00:39:38 |
And we're in. |
| 00:39:40 |
Yeah, baby. |
| 00:39:44 |
This is right out |
| 00:39:46 |
I'm getting vertigo. |
| 00:39:48 |
What's on your mind, Max? |
| 00:39:51 |
Oh, it's that bum of a judge. |
| 00:39:53 |
He's allowing me |
| 00:39:55 |
to collect my belongings. |
| 00:39:58 |
I thought maybe after the party, |
| 00:40:00 |
and I'd go on out |
| 00:40:07 |
You know what? |
| 00:40:10 |
Let's forget about the party. |
| 00:40:11 |
You go get your things. |
| 00:40:16 |
Nobody knows me like you, |
| 00:40:22 |
All right. |
| 00:40:26 |
OK, sounds good. |
| 00:40:29 |
I'll just throw a few things |
| 00:40:32 |
-That's them, man. |
| 00:40:34 |
What? |
| 00:40:38 |
In the elevator. |
| 00:40:39 |
What the hell |
| 00:40:41 |
I don't know. |
| 00:40:42 |
And then on to the beach house. |
| 00:40:44 |
But--but, uh... |
| 00:40:47 |
You know, there's no sense in |
| 00:40:49 |
I insist. |
| 00:40:53 |
It's been discussed. I'm going. |
| 00:40:57 |
They're gone. |
| 00:41:03 |
You don't even like |
| 00:41:05 |
It's so suburban. |
| 00:41:06 |
You are in a fragile state. |
| 00:41:09 |
I can't bear to think of you |
| 00:41:11 |
Come on. |
| 00:41:13 |
It'll be fun. |
| 00:41:15 |
I--Give me a minute. |
| 00:41:17 |
-Where the hell did they go? |
| 00:41:27 |
Dial Miss September. |
| 00:41:35 |
Dial Miss September! |
| 00:41:39 |
Tracey, forget about tonight. |
| 00:41:42 |
Let's go, Max! |
| 00:41:44 |
They're up there. |
| 00:41:48 |
Hold it. |
| 00:41:49 |
Sounds like there are voices |
| 00:41:51 |
-Yeah, I don't get it. |
| 00:41:55 |
It's not too late |
| 00:41:57 |
Stop it. I insist. |
| 00:42:03 |
Damn! |
| 00:42:04 |
Quick, the alarm. |
| 00:42:06 |
Engage in three, two, one... |
| 00:42:12 |
Damn. |
| 00:42:13 |
Move one inch, and we're done. |
| 00:42:15 |
There are motion detectors |
| 00:42:18 |
Tell me about it, Berger. |
| 00:42:20 |
Help me. |
| 00:42:24 |
You sound like The Fly. |
| 00:42:28 |
I'm sorry. |
| 00:42:29 |
-I gotta call Windham. |
| 00:42:33 |
Windham! |
| 00:42:34 |
Shut up! Just shut up! |
| 00:42:37 |
I'm telling you right now, |
| 00:42:38 |
Shut up, will you? |
| 00:42:40 |
You were born nervous, and |
| 00:42:43 |
-Could you please? |
| 00:42:45 |
I can't be spending my time |
| 00:42:47 |
Will you quiet down? I'm trying |
| 00:42:50 |
How dare you drive that fast |
| 00:42:52 |
Who the hell |
| 00:42:53 |
Don't yell at me about my driving. |
| 00:42:55 |
Where the hell is he? |
| 00:42:57 |
I can't hold on much longer. |
| 00:43:00 |
I feel that way, too... |
| 00:43:01 |
'cause my legs are dead. |
| 00:43:03 |
I can't feel my ankles... |
| 00:43:05 |
my knees... |
| 00:43:09 |
Uh, my calf is swollen. |
| 00:43:12 |
Kevin, I know this is not |
| 00:43:14 |
but I didn't have to pee |
| 00:43:17 |
Let it go, man. I won't tell. |
| 00:43:20 |
That's what you said last time. |
| 00:43:22 |
Why is it every time Kevin calls |
| 00:43:24 |
but anytime I call, |
| 00:43:27 |
Maybe because I like Kevin. |
| 00:43:28 |
You take that back, or you'll |
| 00:43:31 |
We want ice cream! |
| 00:43:32 |
You kids want to disappear? |
| 00:43:34 |
Do not upset your father, |
| 00:43:36 |
I can never find |
| 00:43:40 |
Say thank you. |
| 00:43:41 |
-Thank you. |
| 00:43:43 |
Yo, I need your help, man. |
| 00:43:45 |
I need your help, man. |
| 00:43:46 |
I'm trying to help myself. |
| 00:43:49 |
Oh, man, |
| 00:43:52 |
-I got the numbers, honey. |
| 00:43:55 |
You're the wind |
| 00:43:56 |
Alarm disabled. |
| 00:43:58 |
Security disarmed. |
| 00:44:03 |
OK, she's fixed. |
| 00:44:04 |
I can't feel my ass. |
| 00:44:09 |
Yeah, can you believe it? |
| 00:44:12 |
ten years this September. |
| 00:44:13 |
Yeah, ten's a big number. |
| 00:44:14 |
We're gonna have |
| 00:44:16 |
We hope you can make it. |
| 00:44:17 |
-Come on! |
| 00:44:19 |
Sure. I should be walking again |
| 00:44:22 |
I can't believe |
| 00:44:23 |
I couldn't even last |
| 00:44:32 |
Damn, this is nice stuff. |
| 00:44:34 |
First quality, top drawer. |
| 00:44:38 |
I can do one of two things. |
| 00:44:39 |
I can give you |
| 00:44:41 |
or, if you're willing |
| 00:44:43 |
I could pretty much guarantee |
| 00:44:45 |
most of the valuable stuff |
| 00:44:48 |
and square up |
| 00:44:50 |
It's totally up to you. |
| 00:44:54 |
We'll take the cash. |
| 00:45:08 |
Still no luck. |
| 00:45:11 |
Total failure. |
| 00:45:17 |
About sixty Gs. |
| 00:45:21 |
Oh, I got something for you. |
| 00:45:28 |
I knew it was |
| 00:45:30 |
It's beautiful. |
| 00:45:37 |
Oh, my God! |
| 00:45:41 |
Where is my painting? |
| 00:45:43 |
-Gone. |
| 00:45:44 |
Who would do something |
| 00:45:47 |
That sneak thief. |
| 00:45:54 |
Oh, hey, get some water, |
| 00:45:56 |
and shut that damn dog up |
| 00:46:00 |
Park it there, OK. |
| 00:46:03 |
All right. Oh, sweetheart. |
| 00:46:05 |
Oh, baby. Oh, sweetie. |
| 00:46:07 |
Here you are. |
| 00:46:09 |
Oh, thank you, Gloria. |
| 00:46:10 |
I need a cigar. Give me my-- |
| 00:46:14 |
Perhaps the thieves |
| 00:46:18 |
It's become so common, |
| 00:46:21 |
Who the hell are you? |
| 00:46:23 |
Detective Alex Tardio... |
| 00:46:26 |
nineteenth precinct--robbery. |
| 00:46:29 |
Alex. |
| 00:46:31 |
That's a... |
| 00:46:34 |
Here, pumpkin, pumpkin. |
| 00:46:46 |
I love dogs. I have three |
| 00:46:50 |
I love Bichon Frise. |
| 00:46:52 |
Lovely, fluffy little-- |
| 00:46:56 |
Come on. |
| 00:46:57 |
So, how can I help you? |
| 00:47:00 |
Help me? |
| 00:47:02 |
Why don't you take it upstairs, |
| 00:47:04 |
Hey, listen, uh... |
| 00:47:06 |
You and your wife |
| 00:47:08 |
to your beach house |
| 00:47:11 |
Yeah, that's right. |
| 00:47:13 |
Selling it. I suppose |
| 00:47:15 |
We're sentimental. |
| 00:47:17 |
I'm a renter. |
| 00:47:19 |
Why are you selling the house? |
| 00:47:21 |
It's part of a court |
| 00:47:24 |
-Bankruptcy? |
| 00:47:29 |
So, let's see. |
| 00:47:31 |
When did you and your wife... |
| 00:47:33 |
decide to make this sentimental |
| 00:47:37 |
Last night. |
| 00:47:38 |
We were on our way |
| 00:47:40 |
-Missy Davidson's party, right? |
| 00:47:43 |
That's why I get the big bucks. |
| 00:47:44 |
Wasn't there something else |
| 00:47:45 |
out at your beach house |
| 00:47:47 |
Something else? |
| 00:47:50 |
A robbery. |
| 00:47:53 |
Yeah, yeah. That's-- |
| 00:47:55 |
I--Well, in all this, |
| 00:47:58 |
Weren't you there? In fact, |
| 00:48:00 |
That was perfectly innocent. |
| 00:48:02 |
You were there with the burglar, |
| 00:48:06 |
The burglar, yeah. |
| 00:48:09 |
Just me and the burglar. |
| 00:48:11 |
Scandal and disease, Max. |
| 00:48:16 |
OK, so, |
| 00:48:19 |
and it's all very confusing. |
| 00:48:21 |
Confusing? |
| 00:48:22 |
Yes, and they're both |
| 00:48:24 |
You think maybe |
| 00:48:26 |
-I didn't say that, you did. |
| 00:48:29 |
Oh, I see |
| 00:48:30 |
That was a good place |
| 00:48:32 |
Like? |
| 00:48:34 |
Like there's a house |
| 00:48:35 |
out at the beach that |
| 00:48:37 |
but you are, |
| 00:48:39 |
And then you talk your wife |
| 00:48:41 |
for sentimental reasons... |
| 00:48:44 |
and when the coast is clear, |
| 00:48:47 |
Are you suggesting |
| 00:48:49 |
to burglarize my house... |
| 00:48:50 |
so I could collect |
| 00:48:52 |
I'm not suggesting anything. |
| 00:48:53 |
You're the one |
| 00:48:55 |
Watch it, Mister Detective. |
| 00:48:58 |
You come into my house |
| 00:49:01 |
You think I need |
| 00:49:03 |
I could buy and sell |
| 00:49:07 |
Here, come on, baby. |
| 00:49:11 |
The Yorkie |
| 00:49:14 |
but a devoted companion. |
| 00:49:16 |
And despite his small size... |
| 00:49:19 |
he is more than willing to act |
| 00:49:23 |
Buy and sell a thousand of me? |
| 00:49:26 |
Just out of curiosity... |
| 00:49:28 |
how much would you get |
| 00:49:30 |
You know, wholesale like that. |
| 00:49:32 |
I can't tell |
| 00:49:35 |
or you're looking for a bribe. |
| 00:49:44 |
What the hell was that? |
| 00:49:46 |
All right, boys, |
| 00:49:50 |
Dial Earl. |
| 00:49:55 |
Incoming! |
| 00:50:06 |
Earl Radburn, |
| 00:50:08 |
It's Fairbanks. |
| 00:50:10 |
Yes, sir, Mr. Fairbanks. |
| 00:50:13 |
Speak English, Earl. |
| 00:50:14 |
It's like 2:00, 2:30 |
| 00:50:16 |
All right. Move your fat ass. |
| 00:50:20 |
What a fruitcake. |
| 00:50:28 |
$2,500 for a skirt? |
| 00:50:31 |
That's daylight robbery. |
| 00:50:33 |
Everybody's in on the game |
| 00:50:36 |
-Sure, you're right. |
| 00:50:38 |
At least |
| 00:50:40 |
These guys |
| 00:50:42 |
turn out some 14-year-old models |
| 00:50:44 |
I mean, |
| 00:50:46 |
Pretty soon you're light |
| 00:50:47 |
flyin' back to Dallas |
| 00:50:50 |
Hey, you leave my ass |
| 00:50:51 |
I was talking about |
| 00:50:53 |
See why I married him? |
| 00:50:55 |
Yo, yo, yo. |
| 00:50:57 |
Fairbanks has to be |
| 00:50:59 |
He's appearing before |
| 00:51:01 |
Something about owning |
| 00:51:03 |
in certain key markets. |
| 00:51:04 |
It's just a formality, because |
| 00:51:07 |
he's gonna grease up |
| 00:51:08 |
before he even gets there. |
| 00:51:10 |
See? It's just like I said. |
| 00:51:13 |
Then we go to Washington. |
| 00:51:15 |
Homeboy keeps a crib |
| 00:51:18 |
Hold on. I'm coming. |
| 00:51:21 |
Oh, no. |
| 00:51:23 |
Ann Marie, we're going. |
| 00:51:24 |
We should go to Washington. |
| 00:51:26 |
Please stay out of this. |
| 00:51:34 |
You know what? Bottom line-- |
| 00:51:38 |
you're not going. |
| 00:51:42 |
So nice you could get away |
| 00:51:46 |
Very sweet of you |
| 00:51:50 |
Well, we're all here-- |
| 00:51:52 |
the Mertzes and Ricardos |
| 00:51:55 |
Lucy, don' do that to me! |
| 00:52:17 |
Stress. That's the killer. |
| 00:52:22 |
You can't think straight. |
| 00:52:25 |
You get all tight and confused. |
| 00:52:29 |
Lower. |
| 00:52:36 |
That is as low |
| 00:52:38 |
until you make |
| 00:52:42 |
You knew I was married... |
| 00:52:43 |
when we started |
| 00:52:46 |
I meant a commitment |
| 00:52:48 |
with Entertainment Tonight. |
| 00:52:50 |
Oh, that. |
| 00:52:53 |
Well, let me be perfectly clear |
| 00:52:56 |
You have no talent. |
| 00:53:01 |
What the hell |
| 00:53:03 |
-You have no respect. |
| 00:53:09 |
Oh, my head's ringing. Oh, oh! |
| 00:53:13 |
Massaging you |
| 00:53:15 |
and as for the sex, |
| 00:53:18 |
It was like sleeping |
| 00:53:24 |
Asshole. |
| 00:53:25 |
She's just upset |
| 00:53:27 |
Eleven more months |
| 00:53:29 |
Right. |
| 00:53:32 |
is what are you doing |
| 00:53:34 |
keeps breaking into my houses? |
| 00:53:35 |
I have my people |
| 00:53:36 |
people you don't need |
| 00:53:38 |
and if they could find |
| 00:53:40 |
and they by God did, they can |
| 00:53:44 |
Max, why not just give back |
| 00:53:47 |
We've got bigger fish to fry. |
| 00:53:49 |
-It's not mine? |
| 00:53:52 |
You stole it. Give it back. |
| 00:53:53 |
This wacko breaks into my house |
| 00:53:57 |
and this isn't my ring, Walter? |
| 00:53:58 |
Spoils of war. |
| 00:54:00 |
Spoils of war. |
| 00:54:03 |
Max, you've got |
| 00:54:04 |
in gray areas at the moment. |
| 00:54:06 |
You're letting a small-timer... |
| 00:54:08 |
distract you |
| 00:54:09 |
Sometimes you have to give back |
| 00:54:12 |
It ain't gonna happen, Walter. |
| 00:54:15 |
I want to go home! |
| 00:54:18 |
What does this look like, |
| 00:54:21 |
Dial Lutetia. |
| 00:54:28 |
Ah! Now we're in business. |
| 00:54:29 |
OK. |
| 00:54:32 |
Here we go. Savvy shopping |
| 00:54:34 |
We're gonna go to Georgetown. |
| 00:54:37 |
Oh, man, it's a bad angle. |
| 00:54:39 |
I can't get a clear look |
| 00:54:41 |
So, hey, how are you guys |
| 00:54:43 |
Nothin' fancy. |
| 00:54:44 |
Just stroll right in |
| 00:54:47 |
Welcome to Potomac House. |
| 00:54:48 |
Our apartments |
| 00:54:50 |
have magnificent views |
| 00:54:52 |
Our penthouse suites |
| 00:54:56 |
and have three hundred and sixty |
| 00:54:58 |
but, of course, there... |
| 00:55:01 |
we're talking about |
| 00:55:18 |
Salaam. Salaam. Kuwait. |
| 00:55:20 |
No, no, no, no, no, no. |
| 00:55:24 |
However, there seems |
| 00:55:26 |
because the prince |
| 00:55:27 |
how much |
| 00:55:29 |
Wait. Let me see is correct. |
| 00:55:31 |
-Hassim yassi. |
| 00:55:33 |
I'm not sure that's possible. |
| 00:55:58 |
Get up! Oh, maladar! Ah-kleck! |
| 00:56:02 |
Salaam, salaam, salaam. |
| 00:56:05 |
camel can dance up pyramid." |
| 00:56:09 |
It loses something |
| 00:56:11 |
Why don't you take the elevator |
| 00:56:14 |
and I'll gather |
| 00:56:15 |
and meet you up there. |
| 00:56:16 |
Make yourselves at home. |
| 00:56:18 |
It may be your home. |
| 00:56:22 |
Home. |
| 00:56:24 |
Go. |
| 00:56:29 |
Mine, all mine. |
| 00:56:33 |
He say |
| 00:56:34 |
but we are |
| 00:56:36 |
Salaam aleichem. |
| 00:56:38 |
Come on, Berger. |
| 00:56:50 |
Is anybody home? |
| 00:56:58 |
What are you looking at? |
| 00:57:00 |
Nothing. You just look great |
| 00:57:03 |
Not a lot of people |
| 00:57:04 |
I mean, look at Arafat. |
| 00:57:05 |
I look like |
| 00:57:09 |
Damn. |
| 00:57:12 |
Mebala. |
| 00:57:15 |
Maxie? Maxie waxie? |
| 00:57:18 |
Your friends are here. |
| 00:57:23 |
-Watch your step, sir. |
| 00:57:28 |
We'll meet back at my place |
| 00:57:30 |
All right, Max. |
| 00:57:32 |
Earl, you call me the minute |
| 00:57:36 |
On it. |
| 00:57:41 |
Wonder where lard-ass is. |
| 00:57:44 |
Hello? Are you there? |
| 00:57:46 |
Max, it's Gloria. |
| 00:57:48 |
Pick up, Max. |
| 00:57:51 |
We're in the clear. |
| 00:57:52 |
Are you there? |
| 00:57:53 |
Well, I just wanted to let you |
| 00:57:57 |
I mean, the contributions |
| 00:58:00 |
You may want to call me |
| 00:58:03 |
It's a PAC, |
| 00:58:04 |
You still need me for the cards, |
| 00:58:07 |
So sad. |
| 00:58:14 |
The marrying maiden. |
| 00:58:16 |
What the hell's |
| 00:58:19 |
The ring. |
| 00:58:21 |
The thief. |
| 00:58:25 |
The castle. |
| 00:58:28 |
The thief is in the castle. |
| 00:58:32 |
Got it. Here they are. |
| 00:58:34 |
Look at that. |
| 00:58:37 |
See, you can't outright |
| 00:58:40 |
You gotta give the money |
| 00:58:42 |
PACs. I don't know. |
| 00:58:44 |
Why don't you just save it |
| 00:58:49 |
-Wait. Wait, wait. |
| 00:58:52 |
Earl, he's in my place. |
| 00:58:55 |
Get the cops |
| 00:58:56 |
I'm going up the back way. |
| 00:59:04 |
Welcome back, Mr. Fairbanks. |
| 00:59:06 |
"...this, and eat shit. |
| 00:59:13 |
A hundred and fifteen thousand |
| 00:59:17 |
-The greatest crime. |
| 00:59:21 |
What, and leave the ring? |
| 00:59:24 |
-Welcome back, Mr. Radburn. |
| 00:59:27 |
-Come on, let's go. Come on. |
| 00:59:29 |
I gotta get this ring. |
| 00:59:30 |
That's easy for you to say. |
| 00:59:33 |
I got some good undershirts, |
| 00:59:36 |
Oh, my God. Kevin. |
| 00:59:40 |
I told you, |
| 00:59:42 |
What? |
| 00:59:44 |
-I knew this was gonna happen. |
| 00:59:50 |
God, I'm hard. |
| 00:59:56 |
Earl Radburn, |
| 01:00:10 |
Come on, let's go out the back. |
| 01:00:26 |
It's me, you idiot. |
| 01:00:27 |
Sorry, |
| 01:00:30 |
I came up the back. Moron. |
| 01:00:37 |
Oh, my goodness. |
| 01:01:01 |
-Let's get the hell out of here! |
| 01:01:05 |
I'm gonna call the cell phone. |
| 01:01:06 |
Come on. We got the money. |
| 01:01:09 |
You really need help, man, |
| 01:01:11 |
Aah! Oh, you got me! |
| 01:01:19 |
-Berger, what's going on? |
| 01:01:22 |
It's kind of hard to describe. |
| 01:01:24 |
Talk to me! |
| 01:01:30 |
Yeah, look at you, |
| 01:01:33 |
You brought it--Aah! |
| 01:01:34 |
Look at you! Oh! |
| 01:01:49 |
The wrong damn ring? |
| 01:01:52 |
Amber, |
| 01:01:57 |
His damn wedding ring. |
| 01:02:00 |
Baby, say something. |
| 01:02:02 |
You ain't said a word to me |
| 01:02:05 |
Can I get some convo? |
| 01:02:08 |
OK. I have never been so scared |
| 01:02:13 |
All right, now, calm down, OK? |
| 01:02:16 |
I know it was sort of unusual. |
| 01:02:18 |
Unusual? |
| 01:02:20 |
There were guns. |
| 01:02:22 |
Well, it's really not that bad |
| 01:02:25 |
You know, your adrenaline |
| 01:02:28 |
you really don't think about-- |
| 01:02:29 |
-The consequences? |
| 01:02:34 |
Kevin, this has got to stop. |
| 01:02:36 |
You don't need to prove |
| 01:02:39 |
I know you do... |
| 01:02:40 |
and I don't care about that |
| 01:02:44 |
I just want you. |
| 01:02:45 |
Well, then, don't worry. |
| 01:02:50 |
So you'll forget |
| 01:03:02 |
Amber, |
| 01:03:04 |
It's forgotten. |
| 01:03:07 |
Excuse me! |
| 01:03:09 |
Hey, what's up, girls? |
| 01:03:11 |
Sorry. |
| 01:03:13 |
Yo, Jack. It's after 7:00. |
| 01:03:16 |
You seen your nephew |
| 01:03:17 |
No. What your rappin' ass |
| 01:03:19 |
Later, man. |
| 01:03:22 |
Son of a bitch crazy. |
| 01:03:28 |
-That's twice you ran out on me. |
| 01:03:30 |
Oh, it was funny how you never |
| 01:03:33 |
Kevin, I got low potassium, man. |
| 01:03:35 |
I cramp up, dog. You know that. |
| 01:03:37 |
Wait. What are you gonna do |
| 01:03:39 |
Oh, you want this? |
| 01:03:42 |
Yo, Kev, |
| 01:03:45 |
-Here. You got that? |
| 01:03:47 |
Hey, come on. Let's see it. |
| 01:03:49 |
All right, cool. |
| 01:03:51 |
See? I came through, man. |
| 01:03:53 |
That's what so great |
| 01:03:55 |
We're hand in hand, |
| 01:03:57 |
going forward into the future. |
| 01:03:59 |
That's the way it is. |
| 01:04:01 |
and that's the way we feel |
| 01:04:03 |
You make a compelling point, |
| 01:04:06 |
Thank you, senator. |
| 01:04:09 |
restrictive monopoly laws... |
| 01:04:10 |
are choking communications |
| 01:04:13 |
If T.U.I. can dominate a market, |
| 01:04:16 |
T.U.I. provides employment... |
| 01:04:18 |
which in turn provides |
| 01:04:21 |
in large markets |
| 01:04:23 |
I contend that the laws |
| 01:04:26 |
of television stations by |
| 01:04:30 |
are punitive and wrong. |
| 01:04:36 |
What's with Mount Rushmore |
| 01:04:41 |
Guess who, shit box. |
| 01:04:43 |
Ooh, it's the little thief. |
| 01:04:46 |
I beg your pardon? |
| 01:04:47 |
No, I'm not talking to you. |
| 01:04:48 |
Oh, man, I made, what, |
| 01:04:52 |
I wouldn't call that |
| 01:04:53 |
State of mind. |
| 01:04:55 |
What are you yammering about, |
| 01:04:56 |
I'm not talking to you. |
| 01:04:58 |
Well, let me tell you |
| 01:05:00 |
My lady's getting sick and tired |
| 01:05:02 |
so I thought it would be easier |
| 01:05:04 |
if you just |
| 01:05:06 |
and I give you back yours. |
| 01:05:07 |
Now, nod your head... |
| 01:05:09 |
'cause I'm watching |
| 01:05:12 |
TV? Which camera? This camera? |
| 01:05:16 |
Exactly. That one right there. |
| 01:05:18 |
Hold your head up... |
| 01:05:19 |
'cause you got that |
| 01:05:24 |
Damn, that's cold. |
| 01:05:25 |
Take a good look, |
| 01:05:27 |
Does this look like the face |
| 01:05:29 |
by giving [bleep] away? |
| 01:05:33 |
Mr. Fairbanks. |
| 01:05:35 |
Cussing on TV. He cussing on TV. |
| 01:05:38 |
I think he's angry. |
| 01:05:40 |
-Mr. Fairbanks-- |
| 01:05:42 |
-Hang up the phone! |
| 01:05:44 |
Just a minute. |
| 01:05:45 |
It looks like the face of a man |
| 01:05:47 |
-I took your PAC money. |
| 01:05:50 |
That's why all those little |
| 01:05:51 |
ain't rolling over for you. |
| 01:05:53 |
Mr. Fairbanks, |
| 01:05:55 |
-Just a minute. |
| 01:05:58 |
-and I'll leave you alone. |
| 01:06:00 |
Well, you know what you can do, |
| 01:06:02 |
-You can [bleep] my [bleep]. |
| 01:06:05 |
Now, that's what |
| 01:06:07 |
C-SPAN's gotten better. |
| 01:06:09 |
All right, that's it. |
| 01:06:11 |
The ring's |
| 01:06:13 |
if I got to cut it off. |
| 01:06:14 |
Oh, yeah? [Bleep] you |
| 01:06:18 |
My girlfriend? |
| 01:06:20 |
This is a senate subcommittee, |
| 01:06:22 |
[Bleep] you, [bleep] you, |
| 01:06:32 |
I love democracy. |
| 01:06:33 |
That's what I call |
| 01:06:41 |
I told you this no-good gonif... |
| 01:06:43 |
was gonna make |
| 01:06:44 |
Look what you've done |
| 01:06:47 |
I could've fixed the PAC thing. |
| 01:06:50 |
You blew millions. |
| 01:06:52 |
Walter, why don't you |
| 01:06:55 |
and ask him if he can find |
| 01:06:57 |
where your balls used to be... |
| 01:06:58 |
and then plead with him |
| 01:07:06 |
Stop the car, please. |
| 01:07:10 |
What? |
| 01:07:13 |
Max, I have been your lawyer |
| 01:07:15 |
I have taken |
| 01:07:17 |
and your petty mockeries. |
| 01:07:18 |
I have stood by you... |
| 01:07:20 |
while you've bent the law and |
| 01:07:23 |
because there's |
| 01:07:24 |
in seeing how low you can go... |
| 01:07:25 |
and I felt a genuine kind |
| 01:07:28 |
But if you're gonna continue... |
| 01:07:29 |
to play |
| 01:07:32 |
over a cheap and ugly, |
| 01:07:35 |
this is the end of the line. |
| 01:07:38 |
Limo. |
| 01:07:43 |
Screw you, Max, |
| 01:07:49 |
Where are you going? |
| 01:07:52 |
Come on. Get back in the car. |
| 01:07:54 |
Go with him. Go with him. |
| 01:07:57 |
Come on. |
| 01:08:00 |
You can't walk all the way home. |
| 01:08:04 |
Guess I went a little |
| 01:08:07 |
Yes, sir. |
| 01:08:08 |
-You've been hacked. |
| 01:08:11 |
One of my people found out... |
| 01:08:12 |
our "friend" has been able |
| 01:08:15 |
by intercepting your e-mails. |
| 01:08:17 |
Why, that little son of a-- |
| 01:08:20 |
Wait a minute. Wait a minute. |
| 01:08:24 |
Yeah, because now we can |
| 01:08:27 |
We can let him know exactly |
| 01:08:30 |
Bring him right to us. |
| 01:08:32 |
You're one crafty bastard, Earl. |
| 01:08:34 |
Thank you, sir. |
| 01:08:36 |
If the boys at the Pentagon |
| 01:08:38 |
there'd be a Disney World |
| 01:08:45 |
All right. Go on. |
| 01:09:00 |
The driver gave us a pretty good |
| 01:09:03 |
Too good. I've done some costume |
| 01:09:06 |
so I've seen my share |
| 01:09:08 |
Assign one of our people... |
| 01:09:10 |
to shadow |
| 01:09:11 |
It's too tempting when one is |
| 01:09:14 |
You got it, detective. |
| 01:09:15 |
Oh, there he is. Hey, Tardio. |
| 01:09:17 |
Got all these files you asked |
| 01:09:19 |
-Thank you, Jerry. |
| 01:09:21 |
Didn't I see you at the Ice |
| 01:09:24 |
Come on, Tardio. |
| 01:09:30 |
The shoes say butch, |
| 01:09:32 |
"Hi, how you doin'?" |
| 01:09:42 |
-Hey, Jack. |
| 01:09:44 |
-Where's Amber? |
| 01:09:47 |
I knew she was upset. |
| 01:09:50 |
Amber got a pretty good |
| 01:09:51 |
Maybe you need to listen |
| 01:09:55 |
You don't even like Amber. |
| 01:09:57 |
Amber and I happen to agree |
| 01:09:59 |
so therefore I say she OK. |
| 01:10:02 |
-But? |
| 01:10:04 |
But you making this thing |
| 01:10:06 |
and that's bad for business. |
| 01:10:08 |
And that's the first thing |
| 01:10:11 |
Kevin, I got two words for you. |
| 01:10:13 |
-Bankruptcy auction. |
| 01:10:15 |
I just got off the phone |
| 01:10:16 |
-He hacked into their e-mail. |
| 01:10:18 |
Fairbanks is gonna be |
| 01:10:20 |
for a bankruptcy auction |
| 01:10:22 |
and after, he's gonna be out of |
| 01:10:24 |
Leave it alone, son. |
| 01:10:27 |
If you only listen to me |
| 01:10:28 |
for the rest of your life, |
| 01:10:31 |
Take it from a man |
| 01:10:33 |
Let it go. I seen other guys |
| 01:10:36 |
and you know |
| 01:10:39 |
Let it go, Kevin. |
| 01:10:42 |
Seven million dollars worth |
| 01:10:45 |
I'll drive. Hand me my keys over |
| 01:10:48 |
Come on, Lutetia. |
| 01:10:51 |
Nobody even watches |
| 01:10:54 |
You've gone too far, Max. |
| 01:10:57 |
You make a fool |
| 01:10:58 |
publicly humiliate |
| 01:11:00 |
and put your entire company |
| 01:11:03 |
Some trinket |
| 01:11:05 |
Look, when I catch |
| 01:11:07 |
Don't come home, Max. |
| 01:11:08 |
-What? |
| 01:11:16 |
Where's my lover? All right. |
| 01:11:20 |
Berger was looking for you. |
| 01:11:22 |
He found me. |
| 01:11:25 |
How you doin'? |
| 01:11:31 |
You're going, aren't you? |
| 01:11:32 |
Look, Amber, |
| 01:11:35 |
I lost it. |
| 01:11:37 |
Well, I would much rather |
| 01:11:39 |
than two inches of glass |
| 01:11:41 |
I'm sorry, you know? |
| 01:11:45 |
You know, you have always |
| 01:11:47 |
This has never been |
| 01:11:49 |
than a juvenile |
| 01:11:52 |
Wait a minute. If this was |
| 01:11:54 |
I'd be declared the winner. |
| 01:11:57 |
Baby elephant trunk. |
| 01:12:00 |
Baby, I'm just playing. |
| 01:12:02 |
You know |
| 01:12:03 |
Kevin, grow up. |
| 01:12:10 |
He's making me nuts. I don't |
| 01:12:13 |
-So, what's the pre-nup like? |
| 01:12:16 |
Then divorce him. |
| 01:12:18 |
Oh, I don't know. I don't know |
| 01:12:21 |
but I'm kind of fond |
| 01:12:25 |
I mean, s-- |
| 01:12:26 |
-Is Jack inside? |
| 01:12:46 |
Man trouble? |
| 01:12:51 |
It's always man trouble. |
| 01:12:54 |
Well, now you got |
| 01:12:55 |
That's my jacket. |
| 01:12:59 |
-You're the thief's wife. |
| 01:13:02 |
-Your husband stole my ring. |
| 01:13:04 |
That was my ring, |
| 01:13:07 |
You want your jacket? |
| 01:13:14 |
Wait a minute. |
| 01:13:26 |
Pull daddy like a chariot. |
| 01:13:29 |
Look, kids. |
| 01:13:34 |
-Thanks. |
| 01:13:36 |
Lovely child. So innocent. |
| 01:13:40 |
Damn. Where's that lens? |
| 01:13:49 |
-What a nice surprise. |
| 01:13:51 |
Hey, you feel like |
| 01:13:53 |
Sounds good, |
| 01:13:56 |
Yeah. You know, right now |
| 01:13:58 |
You're a little blurry |
| 01:14:00 |
Really? Is that blurry? |
| 01:14:03 |
Uh, no. I see that just fine. |
| 01:14:05 |
That's good. Relax, would you? |
| 01:14:07 |
This is just an overlap |
| 01:14:10 |
You never cross your line, |
| 01:14:13 |
Know what I mean, Kevin? |
| 01:14:17 |
-Damn! |
| 01:14:20 |
Even in the outdoors, huh? |
| 01:14:23 |
So what's new, Kevin? |
| 01:14:25 |
Uh, nothing. |
| 01:14:28 |
Doing that Tiger Woods thing. |
| 01:14:31 |
You? |
| 01:14:32 |
Oh, busy. There's still |
| 01:14:35 |
Well, I'm sorry |
| 01:14:36 |
Especially |
| 01:14:38 |
It can be time-consuming. |
| 01:14:39 |
I guess that's why I never |
| 01:14:41 |
Although for some reason... |
| 01:14:42 |
I've always been drawn |
| 01:14:46 |
Speaking of crime, do you know |
| 01:14:48 |
-Insurance fraud. |
| 01:14:51 |
Because the crook is using me. |
| 01:14:54 |
"Oh, detective, |
| 01:14:55 |
"and here's the list |
| 01:14:57 |
"and can I have |
| 01:14:58 |
"so I can claim |
| 01:15:00 |
Nothing makes me angrier |
| 01:15:03 |
that never happened. |
| 01:15:05 |
So you think you got a burglary |
| 01:15:09 |
Big townhouse. Beacon Hill. |
| 01:15:11 |
I'm wondering if the arrogant |
| 01:15:14 |
who owns the place |
| 01:15:17 |
maybe didn't set it up himself. |
| 01:15:18 |
Yeah, well... |
| 01:15:20 |
I didn't--I didn't hear nothing |
| 01:15:23 |
but if I do, I'll let you know. |
| 01:15:26 |
Do you still blink when you're |
| 01:15:31 |
Must be the contact lenses. |
| 01:15:34 |
Come on, Pix. |
| 01:15:36 |
We're getting everybody |
| 01:15:39 |
Be cool. |
| 01:15:41 |
Mr. Man. |
| 01:16:18 |
Gloria, what the hell |
| 01:16:20 |
I drove out here because there's |
| 01:16:22 |
Here, pick one. |
| 01:16:26 |
Any one. |
| 01:16:32 |
-Yep. There it is again. |
| 01:16:35 |
The guy's got five daggers |
| 01:16:36 |
What do you think it means? |
| 01:16:38 |
How bad is it? |
| 01:16:39 |
I guess a guy with six daggers |
| 01:16:41 |
but they don't make that card. |
| 01:16:44 |
It just keeps coming up. |
| 01:16:46 |
Why the hell didn't you tell me? |
| 01:16:47 |
Would you have listened to me? |
| 01:16:51 |
Max, put a stop to all of this. |
| 01:16:55 |
-I can't. |
| 01:16:57 |
I can't, I can't, I can't! |
| 01:17:00 |
Once a man in my position |
| 01:17:03 |
lets his defenses down... |
| 01:17:04 |
is weak for one single moment, |
| 01:17:07 |
Dead, you understand? |
| 01:17:08 |
That's the way it is |
| 01:17:11 |
that's the way it is with me. |
| 01:17:12 |
Oh, cut the crap, Max. |
| 01:17:15 |
A silly, stupid ring! |
| 01:17:16 |
Yeah, and a bone |
| 01:17:19 |
until two lions decide... |
| 01:17:21 |
that only one of them |
| 01:17:23 |
You know what your problem is? |
| 01:17:27 |
You figure out |
| 01:17:28 |
and then you'll do anything |
| 01:17:30 |
and when you get it, |
| 01:17:32 |
and move on to the next thing. |
| 01:17:34 |
I loved you, Max. |
| 01:17:35 |
I knew who you were, |
| 01:17:37 |
Who else can say that? |
| 01:17:39 |
You know who you are, and you |
| 01:17:42 |
Nobody talks to me that way. |
| 01:17:45 |
-I do! |
| 01:17:54 |
No! Get off me! |
| 01:17:57 |
Ow! What? |
| 01:17:59 |
You're doing it again, |
| 01:18:01 |
Give me a hand. |
| 01:18:03 |
No. I quit, Max. |
| 01:18:06 |
Come on. Glor-- |
| 01:18:07 |
You quit? |
| 01:18:11 |
There goes |
| 01:18:13 |
You know what? I don't need it. |
| 01:18:16 |
And I don't need you. |
| 01:18:19 |
All right. |
| 01:18:21 |
-Hello, hello. |
| 01:18:22 |
I was-- |
| 01:18:26 |
Compound secure, chief. |
| 01:18:27 |
Come here. |
| 01:18:33 |
I am so flattered, sir. |
| 01:18:34 |
I've thought about this, too. |
| 01:18:36 |
But honestly, |
| 01:18:40 |
what are the percentages? |
| 01:18:41 |
I just want you to help me up. |
| 01:18:46 |
That was a joke, by the way, |
| 01:19:02 |
Goddamn vultures |
| 01:19:04 |
Make yourselves at home, |
| 01:19:09 |
Calm down, Max. You're gonna |
| 01:19:12 |
I don't have coronaries. |
| 01:19:14 |
Well, I know |
| 01:19:15 |
so I just called |
| 01:19:18 |
My therapist won't be happy |
| 01:19:21 |
I have a soft spot for you. |
| 01:19:23 |
Well, thanks, Lutetia, |
| 01:19:25 |
You might be an asshole, Max, |
| 01:19:28 |
Thanks again. |
| 01:19:30 |
-Masseuse. |
| 01:19:37 |
I sent her over. |
| 01:19:38 |
I thought you might need |
| 01:19:40 |
You sent me a masseuse? |
| 01:19:42 |
The therapeutic kind, Max... |
| 01:19:44 |
not the kind you're used to. |
| 01:19:46 |
I-I'll call you later, Lutetia. |
| 01:19:49 |
It's all right, sweetie. |
| 01:19:55 |
I'll get back |
| 01:19:56 |
We're gonna nail this thief... |
| 01:19:57 |
just so bad |
| 01:19:59 |
Yeah, yeah, go nail him. |
| 01:20:03 |
About last night, |
| 01:20:05 |
-Get out of here! |
| 01:20:13 |
Yes. I'll do it. |
| 01:20:18 |
Wonderful. |
| 01:20:21 |
Yeah, come here, baby. |
| 01:20:24 |
Must go walkies in the park |
| 01:20:27 |
my dogs and yours. |
| 01:20:37 |
-Excuse me. |
| 01:20:39 |
Can't do it, sir. |
| 01:20:42 |
Sorry, sir. |
| 01:20:44 |
but I'm afraid we need you. |
| 01:20:46 |
-Any sign of him? |
| 01:20:54 |
Would you like |
| 01:20:57 |
Ooh, yeah. |
| 01:21:02 |
More is coming. I shall return. |
| 01:21:06 |
-Hey, how's it going? |
| 01:21:07 |
Coconut shrimps are flying |
| 01:21:10 |
You hitting that champagne? |
| 01:21:12 |
No, it's my allergies. |
| 01:21:16 |
Don't get up. |
| 01:21:20 |
Ladies and gentlemen... |
| 01:21:23 |
please take your seats. |
| 01:21:27 |
Mr. Boyle regrets |
| 01:21:29 |
to conduct the auction |
| 01:21:31 |
due to a last minute |
| 01:21:33 |
and has graciously sent us... |
| 01:21:35 |
his associate |
| 01:21:38 |
in his stead. |
| 01:21:46 |
Here we are. Welcome |
| 01:21:50 |
My associate |
| 01:21:53 |
Lot 720. A pair of... |
| 01:21:56 |
-Chinese. |
| 01:21:58 |
-Women. |
| 01:21:59 |
If you brought that crap in |
| 01:22:01 |
I'd throw it |
| 01:22:03 |
We'll start the bidding |
| 01:22:04 |
Five thousand dollars. |
| 01:22:05 |
We'll start the bidding |
| 01:22:07 |
Yes, five thousand dollars. |
| 01:22:10 |
Do I hear six thousand dollars? |
| 01:22:12 |
Yes, six thousand dollars |
| 01:22:14 |
Do I hear seven thousand? |
| 01:22:17 |
Earl, where the hell is he? |
| 01:22:19 |
He'll show himself. Just one |
| 01:22:21 |
and my men will be on him |
| 01:22:24 |
Sold! Wunderbar! I love it! |
| 01:22:34 |
All right, check it out. |
| 01:22:36 |
Alarm system, security cameras. |
| 01:22:41 |
Do I hear thirty? |
| 01:22:43 |
Oh, wait a minute, |
| 01:22:45 |
The fraulein with the large hat |
| 01:22:49 |
Oh, let's make it fifty. |
| 01:22:52 |
-I've got a helicopter to catch. |
| 01:22:55 |
Come on, Earl, you've got... |
| 01:22:56 |
all this expensive equipment |
| 01:22:58 |
I want some results. |
| 01:22:59 |
One false move, believe me, |
| 01:23:02 |
Uh, team leader to eagle one, |
| 01:23:05 |
Got anything yet? |
| 01:23:06 |
Nothing yet, sir. |
| 01:23:08 |
Surprise, surprise. |
| 01:23:10 |
Wow, wow. I could do |
| 01:23:13 |
Do I hear thirty? |
| 01:23:15 |
-Forty. |
| 01:23:16 |
Goddamn! Forty! |
| 01:23:17 |
All right, we're going to go |
| 01:23:19 |
Do I hear $15,000? |
| 01:23:21 |
-Nineteen. |
| 01:23:24 |
-Thirty-four! |
| 01:23:33 |
-Our next item is-- |
| 01:23:34 |
Renoir, oh, my God! |
| 01:23:36 |
Sold! |
| 01:23:39 |
Thank you, lord. |
| 01:23:41 |
He'll show himself. |
| 01:23:42 |
When? When? I want to know when. |
| 01:23:44 |
Come on, Earl, I want something. |
| 01:23:46 |
What am I bid |
| 01:23:49 |
Hmm? This wonderful |
| 01:23:53 |
Daytona Rolex watch? |
| 01:23:57 |
Will you slow down? |
| 01:23:58 |
Look, it's almost 2:00. |
| 01:24:00 |
Hey, that hurts my feelings. |
| 01:24:01 |
Oh, what feelings? |
| 01:24:03 |
-I lost ten pounds today! |
| 01:24:05 |
-Just give me the box. |
| 01:24:07 |
-My God, that's thing's heavy! |
| 01:24:10 |
Would you please-- |
| 01:24:13 |
I got so many nice things. |
| 01:24:15 |
Really? I'm happy for you. |
| 01:24:19 |
We'll start the bidding |
| 01:24:22 |
Do I hear ten thousand dollars? |
| 01:24:25 |
Yo, big Max, now it's on. |
| 01:24:27 |
It's 2:00, |
| 01:24:32 |
Hey, how you doing? |
| 01:24:34 |
Listen, Max... |
| 01:24:36 |
I'm sure by the time you see |
| 01:24:39 |
but I want to thank you... |
| 01:24:40 |
for having a brother |
| 01:24:46 |
I'd like to report a fire |
| 01:24:48 |
Twenty-five Harbor Heights |
| 01:24:50 |
Big fire. |
| 01:24:54 |
You son of a-- |
| 01:24:57 |
Code red. Repeat--code red! |
| 01:24:59 |
-Fire! |
| 01:25:03 |
Code red! |
| 01:25:05 |
Are you ready for the mayhem? |
| 01:25:21 |
Hustle, boys, hustle! |
| 01:25:25 |
Come on. Come on. |
| 01:25:30 |
Where is he? |
| 01:25:32 |
Didn't I tell you |
| 01:25:33 |
Look at the mess I caused. |
| 01:25:36 |
Tell them, tell them. |
| 01:25:37 |
Hey, with this watch I can move |
| 01:25:40 |
-Probably. |
| 01:25:41 |
-Come on, let's go! |
| 01:25:44 |
Just go, just go. |
| 01:25:47 |
-Fellas, we rich. |
| 01:25:50 |
-Filthy rich. |
| 01:25:51 |
I deserve it! |
| 01:25:52 |
# It's the underground kid, |
| 01:25:55 |
# And everywhere I go they |
| 01:25:58 |
# Yo, Shelly Nix the man, |
| 01:26:01 |
Where are you, |
| 01:26:03 |
Where the hell is he? |
| 01:26:05 |
No, get off of me! |
| 01:26:08 |
I'm looking for somebody. |
| 01:26:09 |
Let go of me! Let go of me! |
| 01:26:11 |
Max! Oh, I love this. Max! |
| 01:26:17 |
I'm sorry, Max. |
| 01:26:18 |
I'm all right, OK? |
| 01:26:20 |
You understand? I'm OK! |
| 01:26:22 |
Jesus! |
| 01:26:30 |
Son of a... |
| 01:26:34 |
bitch! |
| 01:26:38 |
You think you're getting away. |
| 01:26:44 |
Your ass is mine! |
| 01:26:45 |
Your ass is mine! |
| 01:26:50 |
Stinking thief! |
| 01:26:52 |
Oh, my! |
| 01:26:56 |
You're not getting away. |
| 01:27:12 |
-Get off me! |
| 01:27:36 |
Give me it, you son of a bitch! |
| 01:27:38 |
Give me that ring. |
| 01:27:40 |
-Oh, shit! Man! |
| 01:27:43 |
Wait, wait. This ain't the ring. |
| 01:27:44 |
-Wait are you trying to pull? |
| 01:27:47 |
What do you mean, |
| 01:27:48 |
Whoa, water! |
| 01:27:51 |
-Look. |
| 01:27:52 |
-This has an inscription inside. |
| 01:27:55 |
Yeah, it says, "Grow up." |
| 01:27:58 |
My lady said that to me. |
| 01:28:00 |
My wife told me the same thing. |
| 01:28:02 |
Damn! Lutetia did this. |
| 01:28:05 |
She got that masseuse to oil it |
| 01:28:10 |
You--you joking, right? |
| 01:28:15 |
Let me see that. |
| 01:28:19 |
We're going down, man. |
| 01:28:21 |
Max Fairbanks? |
| 01:28:25 |
Max Fairbanks? |
| 01:28:28 |
and I'm arresting you |
| 01:28:29 |
of bankruptcy |
| 01:28:35 |
Prove it! |
| 01:28:40 |
Oh! A woman scorned. |
| 01:28:46 |
Kevin Caffrey. |
| 01:28:48 |
Is that you? |
| 01:28:51 |
Hey! What up, Tardio? |
| 01:28:54 |
Kevin, what are you doing here? |
| 01:28:59 |
Well, uh... |
| 01:29:01 |
I swam out... |
| 01:29:03 |
when I saw that my fellow man |
| 01:29:14 |
He's a total stranger. |
| 01:29:16 |
Never saw him before! |
| 01:29:19 |
Oh, yes. Trés bizarre. |
| 01:29:24 |
Not as bizarre as you. |
| 01:29:27 |
Thanks, Max. |
| 01:29:29 |
Ah, don't mention it. |
| 01:29:30 |
You and me, |
| 01:29:33 |
There's no need to be penalized |
| 01:29:35 |
OK, come to Tardio. |
| 01:29:37 |
Go get 'em, boys and girls. |
| 01:29:40 |
-Yes, sir. |
| 01:29:57 |
-Hey, hey, hey! |
| 01:30:01 |
That's my man. Go get her. |
| 01:30:08 |
You? The masseuse? |
| 01:30:13 |
I massaged that baby right off |
| 01:30:16 |
His wife and I |
| 01:30:19 |
You're amazing. |
| 01:30:21 |
See that ring? |
| 01:30:24 |
I think it's got |
| 01:30:27 |
-Throw it away. |
| 01:30:30 |
-We worked so hard to-- |
| 01:30:33 |
Gone. |
| 01:30:42 |
This is Kerry Kilbride |
| 01:30:44 |
where just moments ago |
| 01:30:47 |
its long-standing |
| 01:30:49 |
into the alleged media |
| 01:30:52 |
of billionaire businessman |
| 01:30:54 |
Through a series of quick and |
| 01:30:57 |
Mr. Fairbanks |
| 01:31:00 |
have taken |
| 01:31:02 |
of the Senate committee. |
| 01:31:03 |
Shook 'em down. |
| 01:31:04 |
Brother hoodwinked |
| 01:31:06 |
That's my boy. |
| 01:31:08 |
Put on your rubber boots, |
| 01:31:10 |
We now go directly to the scene |
| 01:31:13 |
This is Tracey Kimberly... |
| 01:31:15 |
reporting live |
| 01:31:17 |
where we have just witnessed |
| 01:31:19 |
orchestrated by |
| 01:31:21 |
from the firm |
| 01:31:24 |
-Whiteman, Small, Johnson? |
| 01:31:27 |
Here he comes now. |
| 01:31:30 |
Oh, look! That's my boy! |
| 01:31:34 |
Yo, look at that! |
| 01:31:35 |
Oh, no, he didn't! |
| 01:31:40 |
I'd like to say |
| 01:31:42 |
Let's rise up. |
| 01:31:45 |
Mama, I love you. |
| 01:31:47 |
Mr. Fairbanks, |
| 01:31:48 |
Ladies and gentlemen, |
| 01:31:51 |
I was tarred and feathered |
| 01:31:53 |
-Can we get an "Oop" up in here? |
| 01:31:56 |
I was bent over and stuffed |
| 01:31:59 |
Can I get an "Ouch! |
| 01:32:00 |
Ouch! That hurts! |
| 01:32:02 |
But in the end, |
| 01:32:06 |
that I'm an honest |
| 01:32:09 |
Counselor, what exactly was your |
| 01:32:12 |
Well, my brethren... |
| 01:32:14 |
I'm not one to stand up here |
| 01:32:17 |
nor am I gonna stand up here |
| 01:32:21 |
Besides the precedents |
| 01:32:25 |
uh, my Uncle Ray-Ray |
| 01:32:28 |
I knew I had to get it |
| 01:32:32 |
to the big man |
| 01:32:34 |
I am full of de facto... |
| 01:32:37 |
habeas corpus |
| 01:32:40 |
I also have |
| 01:32:46 |
Baby, it runs in the family. |
| 01:32:48 |
What do you believe changed |
| 01:32:50 |
Fourscore, darling! |
| 01:32:52 |
Yeah, I mean, hey, |
| 01:32:55 |
even senators. |
| 01:32:57 |
Are you implying |
| 01:32:58 |
on behalf of the senators? |
| 01:32:59 |
Hey, man, I am a black male... |
| 01:33:03 |
not a blackmailer. |
| 01:33:05 |
Nobody's perfect. |
| 01:33:06 |
Isn't that right, |
| 01:33:10 |
-Senator Richards! |
| 01:33:17 |
Well, heh heh! I owe you one. |
| 01:33:21 |
Yeah. Hey, don't mention it. |
| 01:33:22 |
You just take care of yourself. |
| 01:33:24 |
-Hey, right on. |
| 01:33:32 |
What a guy. |
| 01:33:38 |
Son of a bitch! |
| 01:33:40 |
You stole my lucky watch! |
| 01:33:45 |
Subrip by drEAmEr(C) |
| 01:33:48 |
Some (time and text) modification: |
